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On October 28th, people were asked to sign up to Autechre's mailing list within the next 24 hours.<ref>https://www.facebook.com/warprecords/posts/10153195416617686</ref><ref>https://forum.watmm.com/topic/89160-sign-up-to-autechres-mailing-list</ref> The following day on the 29th, the first four sets (Krakow 2014 to Dublin 2014) were made available for purchase on Autechre's newly set-up<!-- (BLEEP) --> store exclusively to those subscribed to the mailing list.<ref>https://forum.watmm.com/topic/89167-ae_live/</ref><ref name=":1">https://www.factmag.com/2015/10/30/autechre-are-selling-exclusive-live-recordings/</ref> The official announcement came on November 1st, 2015 that it was made available.<ref name=":2">https://web.archive.org/web/20160304184647/https://twitter.com/AE_STORE_</ref><ref>https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html</ref><!-- do a write up about the experimental store front thing, see twitch ama where sean also talks about this for sharing live shows, and how primitive it was initially + the connection to Bleep. --> Later on December 8th, 2015, the compilation was updated with another five sets (Krems 2015 to Katowice 2015),<ref name=":2" /> which also included making it available for everyone to purchase.<ref name=":1" /> | On October 28th, people were asked to sign up to Autechre's mailing list within the next 24 hours.<ref>https://www.facebook.com/warprecords/posts/10153195416617686</ref><ref>https://forum.watmm.com/topic/89160-sign-up-to-autechres-mailing-list</ref> The following day on the 29th, the first four sets (Krakow 2014 to Dublin 2014) were made available for purchase on Autechre's newly set-up<!-- (BLEEP) --> store exclusively to those subscribed to the mailing list.<ref>https://forum.watmm.com/topic/89167-ae_live/</ref><ref name=":1">https://www.factmag.com/2015/10/30/autechre-are-selling-exclusive-live-recordings/</ref> The official announcement came on November 1st, 2015 that it was made available.<ref name=":2">https://web.archive.org/web/20160304184647/https://twitter.com/AE_STORE_</ref><ref>https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html</ref><!-- do a write up about the experimental store front thing, see twitch ama where sean also talks about this for sharing live shows, and how primitive it was initially + the connection to Bleep. --> Later on December 8th, 2015, the compilation was updated with another five sets (Krems 2015 to Katowice 2015),<ref name=":2" /> which also included making it available for everyone to purchase.<ref name=":1" /> | ||
For the ''[[Incunabula]]'', ''[[Amber]]'' and ''[[Tri Repetae]]'' reissues in 2016, a digital download of AE_LIVE_GRAFENHAINICHEN_170715 was also included.<ref>https://autechre.warp.net/format/594952-tri-repetae#:~:text=INCLUDES%20DOWNLOAD%20CARD%20FOR%20ALBUM%20%26%20BONUS%20LIVE%20SET%20AE_LIVE_GRAFENHAINICHEN_170715</ref> | |||
After a few years, it was amended with the 19 sets from AENA (Portland 2015 to Denver 2015) on January 30th, 2019.<ref>https://ra.co/news/43195</ref> | After a few years, it was amended with the 19 sets from AENA (Portland 2015 to Denver 2015) on January 30th, 2019.<ref>https://ra.co/news/43195</ref> | ||
=== Design === | |||
Regarding the artwork by [[The Designers Republic]], Anderson noted that "kinda like Miles Davis 1970–75, every live performance is effectively different to the related recorded work and to other performances, and the recordings of each performance are effectively new albums each in their own right. Making these live recordings available as Bleep/Ae store downloads involved creating an overarching design preset with seemingly infinite variables."<ref>"Ae vs TDR™". ''The Designers Republic'', https://www.thedesignersrepublic.com/ae-vs-tdr. Accessed 11 Nov 2024.</ref> | |||
<!-- might add a sublist of live shows for this tour to include EVERY date --><!-- also include https://www.thedesignersrepublic.com/ae-vs-tdr at some point --><!-- there's also an image of The System floating about from 2013-2014, try to refind that -->== Analysis == | <!-- might add a sublist of live shows for this tour to include EVERY date --><!-- also include https://www.thedesignersrepublic.com/ae-vs-tdr at some point --><!-- there's also an image of The System floating about from 2013-2014, try to refind that -->== Analysis == | ||
Main analysis by [[User:EnergyIsMassiveLight|EnergyIsMassiveLight]]. | Main analysis by [[User:EnergyIsMassiveLight|EnergyIsMassiveLight]]. Fan names are from daffodil's splits<ref>https://docs.google.com/spreadsheets/u/0/d/1QQxmk9UZ4Xq9lmmkQWI8Pd2B6ArEce0tWpML1LtaoNA/htmlview#</ref> and elseq 6-10.<ref>https://www.reddit.com/r/autechre/comments/me39ad/elseq_610_ae_live_exclusives_remake/</ref> The officially released sets in the list are highlighted in bold and bootlegs recordings of unreleased shows are italicized. Much of the material on the 14/15 live shows have elements and tracks that later appeared on ''[[elseq 1-5]]'' and ''[[NTS Sessions 1-4]]''. | ||
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* '''#1''' Elements of '''"acdwn2"''' and '''"t1a1"''' ''<small>(fan names: acdwn2 / ralcose locator</small><small>)</small>'' | |||
* '''#2''' Possibly containing elements of '''"e0"''' and '''"glos ceramic"''' ''<small>(fan names: ceramic / clipcon</small><small>)</small>'' | |||
* '''#3''' '''"sinistrail sentinel"''' ''<small>(fan names: sentinel / sinistrail casual</small><small>)</small>'' | |||
* '''#4''' ''<small>(fan names: rave / rainbow cerebricon)</small>'' | |||
* '''#5''' ''<small>(fan names: drunk / probat emp2 + dummy casual pt1</small><small>)</small>''<!-- mght split this further some point in the future --> | |||
* '''#6''' Shared elements with #7. ''<small>(fan names: spiral / cantilla helio4</small><small>)</small>'' | |||
** For Krakow 2014 and Dublin 2014, the track's outro is replaced by a continuous transition into #7 | |||
* '''#7''' Early version of '''"north spiral"''' with elements of '''"gonk tuf hi"'''. ''<small>(fan names: spiral / allefte ping hi</small><small>)</small>'' | |||
* '''#8-9''' ''<small>(fan names: wub / ticplayal hv hypnotic</small><small>)</small>'' | |||
* '''#10''' ''<small>(fan names: c16 - emotive / kandern</small><small>)</small>'' | |||
* '''#11''' '''"c16 deep tread"''' ''<small>(fan names: c16 / c13 tight shred</small><small>)</small>'' | |||
* '''#12-13''' ''<small>(fan names: c16 - sunken / distal felrate7)</small>'' | |||
* '''#14''' Uses elements of '''"g 1 e 1"''' only in the 2014 shows. <small>''(fan names: g 1 e 1 - brisk + didgeridoo / j 1 b 1'')</small> | |||
* '''#15''' A mix of '''"7th slip",''' "'''c16 deep tread"''', '''"violvoic"''', and '''"c7b2"''' <!-- violvoic might be here as well? maybe gonk tuf hi --> ''<small>(fan names: c7b2 slip / renices hv collida</small><small>)</small>'' | |||
* '''#16''' A mix of '''"violvoic"''' and '''"7th slip".''' ''<small>(fan names: slip - acid + violvoic slip / renices hv collida</small><small>)</small>'' | |||
** On Krems 2015 the "violvoic" elements are missing. | |||
* '''#17''' Fusion of #19 and '''"7th slip"''' ''<small>(fan names: warble - heady / renices hv collida</small><small>)</small>'' | |||
* '''#18''' ''<small>(fan names: dotty / landciv3)</small>'' | |||
* '''#19''' Contains elements of '''"wetgelis casual interval"''' ''<small>(fan names: warble / wetgelis litefil)</small>'' | |||
* '''#20''' ''<small>(fan names: c16 - alert / kandern</small><small>)</small>'' | |||
* '''#21''' Contains bits of '''"latentcall"''' ''<small>(fan names: airy / kandern</small><small>)</small>'' | |||
* '''#22''' <!-- 1 1 is? --> ''<small>(fan names: trudge / two of five (loose))</small>'' | |||
* '''#23''' '''"nineFly"''' without noise-reduction, which combined bits from #1 and #3 ''<small>(fan names: acd sentinel / threeJay)</small>'' | |||
* '''#24''' '''"c7b2"''' with elements of '''"artov chain"''' ''<small>(fan names: c7b2 - US version / c9b4)</small>'' | |||
* '''#25''' Elements of '''"artov chain"''' and '''"c16 deep tread"''' ''<small>(fan names: c16 artov / kandern</small><small>)</small>'' | |||
* '''#26''' <!-- possibly gonk steady one? --> ''<small>(fan names: warble - US version / two of five (loose)</small><small>)</small>'' | |||
* '''#27''' An early version of '''"pendulu hv moda"''' with elements of '''"carefree counter dronal"''' ''<small>(fan names: leaper / pendulu freeplifal)</small>'' | |||
** For Asheville 2015, it was performed out of order before #23 and #24 | |||
== Trivia == | == Trivia == | ||
* Sean mentioned that there's a DMX kick and snare in the live shows "but nobody ever comments on them". <ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Yeah, I mean, occasionally, we'll fuck around with something old and do something new with it, like there's a[n Oberheim] DMX, there's DMX drum sounds in that first AE_LIVE 2015 stuff's got some DMX drum sounds in, but nobody ever comments on them, but I don't know. To me, they're like really obvious. Like, I'll put those things in as reference points and no one ever gets them, so, you know.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''“Do you make sounds in AE_LIVE stuff?”''' I'm assuming you're talking about samples from the DMX? Yeah. No it's not modeled or anything, it's just samples, but the DMX is samples, right? So I don't have to feel weird about that. But yeah, it's a bit mutated as well. it's, being fucked with, so, in a cool way, so. But yeah, it's basically one track where it's just DMX kick and snare, and I don't know if there's a clap in there. I really like the DMX sounds. They're like, they just immediately put me somewhere. It's like there's a certain kind of like late night radio soul that used the DMX that was just massively appealing to us. I don't know why the DMX and not the LinnDrum was just the drum machine a choice for a lot of soul artists, but it just has that feel to it. There's only a subtle difference between them really, but I've always preferred the DMX. I don’t know.}}</ref> | * Sean mentioned that there's a DMX kick and snare in the live shows "but nobody ever comments on them".<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Yeah, I mean, occasionally, we'll fuck around with something old and do something new with it, like there's a[n Oberheim] DMX, there's DMX drum sounds in that first AE_LIVE 2015 stuff's got some DMX drum sounds in, but nobody ever comments on them, but I don't know. To me, they're like really obvious. Like, I'll put those things in as reference points and no one ever gets them, so, you know.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''“Do you make sounds in AE_LIVE stuff?”''' I'm assuming you're talking about samples from the DMX? Yeah. No it's not modeled or anything, it's just samples, but the DMX is samples, right? So I don't have to feel weird about that. But yeah, it's a bit mutated as well. it's, being fucked with, so, in a cool way, so. But yeah, it's basically one track where it's just DMX kick and snare, and I don't know if there's a clap in there. I really like the DMX sounds. They're like, they just immediately put me somewhere. It's like there's a certain kind of like late night radio soul that used the DMX that was just massively appealing to us. I don't know why the DMX and not the LinnDrum was just the drum machine a choice for a lot of soul artists, but it just has that feel to it. There's only a subtle difference between them really, but I've always preferred the DMX. I don’t know.}}</ref> | ||
* Some sets that were highlighted by Sean in interviews were the Los Angeles set for the LA times<ref>[https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html#:~:text=The%20duo%20was%20especially%20fond%20of%20their%20L.A.%20date. https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html#:~:text=The%20duo%20was%20especially%20fond%20of%20their%20L.A.%20date.]</ref> as well as the Orlando and Montreal sets<ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''it’s been fun exploring your live sets, especially the sheer quantity of 14-15. anything you could share about memories of that tour that stick out to you? places you loved/hated? shows that went well/awful?''' XH HX: that tour was pure laughs. i rem the driver making phil go on the bus roof to check the ac unit at one point, idk why phil. usa bus tours are always a bit mad. i rly enjoyed orlando and montreal. nyc was terrible (the gig not the city).}}</ref>. Although Sean also noted the New York gig "was terrible". | * Some sets that were highlighted by Sean in interviews were the Los Angeles set for the LA times<ref>[https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html#:~:text=The%20duo%20was%20especially%20fond%20of%20their%20L.A.%20date. https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html#:~:text=The%20duo%20was%20especially%20fond%20of%20their%20L.A.%20date.]</ref> as well as the Orlando and Montreal sets<ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''it’s been fun exploring your live sets, especially the sheer quantity of 14-15. anything you could share about memories of that tour that stick out to you? places you loved/hated? shows that went well/awful?''' XH HX: that tour was pure laughs. i rem the driver making phil go on the bus roof to check the ac unit at one point, idk why phil. usa bus tours are always a bit mad. i rly enjoyed orlando and montreal. nyc was terrible (the gig not the city).}}</ref>. Although Sean also noted the New York gig "was terrible". | ||
* On early AENA promotional material, the Seattle show was redacted.<ref>https://web.archive.org/web/20150801005858/http://autechre.ws/ <!-- this is a earlier archive of the page --></ref><!-- should i | * On early AENA promotional material, the Seattle show was redacted.<ref>https://web.archive.org/web/20150801005858/http://autechre.ws/ <!-- this is a earlier archive of the page --></ref><!-- should i speculate that this was because the venue was not properly confirmed? --> | ||
== Gallery == | == Gallery == | ||
Latest revision as of 13:23, 11 November 2024
| AE_LIVE
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AE_LIVE is a compilation of twenty-eight soundboard recordings taken from live shows performed in 2014 and 2015.
History
For the US leg of the tour (known as AENA)[1], Cygnus and Rob Hall came along as support.[1]
On October 28th, people were asked to sign up to Autechre's mailing list within the next 24 hours.[2][3] The following day on the 29th, the first four sets (Krakow 2014 to Dublin 2014) were made available for purchase on Autechre's newly set-up store exclusively to those subscribed to the mailing list.[4][5] The official announcement came on November 1st, 2015 that it was made available.[6][7] Later on December 8th, 2015, the compilation was updated with another five sets (Krems 2015 to Katowice 2015),[6] which also included making it available for everyone to purchase.[5]
For the Incunabula, Amber and Tri Repetae reissues in 2016, a digital download of AE_LIVE_GRAFENHAINICHEN_170715 was also included.[8]
After a few years, it was amended with the 19 sets from AENA (Portland 2015 to Denver 2015) on January 30th, 2019.[9]
Design
Regarding the artwork by The Designers Republic, Anderson noted that "kinda like Miles Davis 1970–75, every live performance is effectively different to the related recorded work and to other performances, and the recordings of each performance are effectively new albums each in their own right. Making these live recordings available as Bleep/Ae store downloads involved creating an overarching design preset with seemingly infinite variables."[10]
Analysis
Main analysis by EnergyIsMassiveLight. Fan names are from daffodil's splits[11] and elseq 6-10.[12] The officially released sets in the list are highlighted in bold and bootlegs recordings of unreleased shows are italicized. Much of the material on the 14/15 live shows have elements and tracks that later appeared on elseq 1-5 and NTS Sessions 1-4.
| #1 | #2 | #3 | #4 | #5 | #6 | #7 | #8 | #9 | #10 | #11 | #12 | #13 | #14 | #15 | #16 | #17 | #18 | #19 | #20 | #21 | #22 | #23 | #24 | #25 | #26 | #27 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| KRAKOW_201914 | 0:00 | 8:20 | 13:46 | 18:52 | 24:04 | 31:39 | 33:17 | 41:14 | 47:21 | 50:24 | 54:19 | 54:56 | 56:21 | ||||||||||||||
| BRUSSELS_031014 | 0:00 | 11:29 | 18:11 | 23:47 | 28:59 | 35:06 | 38:16 | 42:45 | 46:50 | 50:18 | 53:36 | 56:50 | 58:03 | 60:18 | |||||||||||||
| UTRECHT_221114 | 0:00 | 5:50 | 10:40 | 14:17 | 17:54 | 23:12 | 26:16 | 30:20 | 33:12 | 34:28 | 37:06 | 40:20 | 42:35 | 45:26 | 50:50 | 53:20 | |||||||||||
| DUBLIN_191214 | 0:00 | 7:19 | 12:31 | 13:32 | 18:44 | 24:48 | 26:53 | 34:47 | 38:27 | 42:23 | 49:56 | 53:04 | 56:20 | 58:58 | 62:17 | 64:23 | 69:59 | ||||||||||
| KREMS_020515 | 0:00 | 8:07 | 13:33 | 17:46 | 22:03 | 26:30 | 28:44 | 32:48 | 35:15 | 37:26 | 40:18 | 42:13 | 46:15 | 48:23 | |||||||||||||
| NAGANO_300515 | 0:00 | 7:22 | 12:23 | 15:57 | 20:23 | 25:38 | 28:41 | 33:22 | 36:13 | 38:25 | 42:20 | 45:45 | 48:00 | 51:34 | |||||||||||||
| GRAFENHAINICHEN_170715 | 0:00 | 4:06 | 7:37 | 10:40 | 14:45 | 19:47 | 23:27 | 27:08 | 30:48 | 36:28 | 40:24 | 43:09 | 47:27 | 52:35 | 58:03 | 59:39 | |||||||||||
| DOUR_180715 | 0:00 | 5:33 | 8:17 | 11:20 | 15:22 | 20:15 | 23:55 | 28:12 | 31:52 | 36:56 | 40:40 | 45:34 | 49:50 | 54:02 | 61:16 | ||||||||||||
| KATOWICE_210815 | 0:00 | 5:32 | 9:18 | 13:07 | 17:30 | 22:24 | 25:21 | 29:50 | 33:06 | 36:33 | 40:54 | 44:07 | 47:22 | 50:46 | 54:30 | 58:38 | |||||||||||
| PORTLAND_240915 | 0:00 | 5:37 | 7:46 | 8:57 | 13:03 | 15:35 | 19:28 | 21:55 | 26:00 | 29:18 | 33:10 | 36:38 | 39:56 | 42:55 | 44:48 | 48:12 | 51:37 | 54:37 | 56:52 | ||||||||
| SEATTLE_250915 | 0:00 | 4:58 | 8:55 | 12:26 | 16:15 | 21:27 | 23:29 | 27:46 | 31:01 | 36:11 | 39:06 | 41:45 | 44:24 | 47:54 | 52:26 | 55:50 | 60:14 | ||||||||||
| VANCOUVER_260915 | 0:00 | 5:05 | 8:17 | 11:21 | 15:41 | 20:37 | 23:34 | 26:50 | 29:17 | 34:23 | 37:24 | 41:16 | 44:36 | 47:54 | 50:57 | 53:45 | 56:30 | ||||||||||
| CHICAGO_290915 | 0:00 | 4:03 | 7:43 | 10:58 | 15:03 | 18:43 | 20:39 | 23:43 | 26:09 | 30:33 | 33:40 | 36:31 | 39:49 | 42:53 | 46:41 | 50:18 | 53:05 | 56:41 | 59:38 | ||||||||
| TORONTO_011015 | 0:00 | 5:12 | 8:51 | 12:16 | 16:27 | 21:32 | 25:00 | 28:40 | 32:20 | 37:18 | 41:26 | 46:06 | 48:18 | 51:54 | 55:45 | ||||||||||||
| MONTREAL_021015 | 0:00 | 4:13 | 7:52 | 10:40 | 15:06 | 19:29 | 21:13 | 24:41 | 27:57 | 32:09 | 35:35 | 38:01 | 40:55 | 44:51 | 48:57 | 51:44 | 54:28 | ||||||||||
| NEW_YORK_031015 | 0:00 | 5:18 | 8:35 | 11:57 | 15:37 | 19:05 | 20:43 | 23:58 | 27:38 | 30:42 | 33:55 | 37:51 | 41:00 | 44:00 | 47:52 | 51:22 | 54:58 | 57:46 | |||||||||
| BOSTON_041015 | 0:00 | 4:13 | 7:46 | 10:37 | 14:17 | 18:06 | 20:08 | 23:12 | 26:28 | 29:28 | 34:32 | 38:10 | 41:26 | 43:04 | 46:51 | 50:59 | 55:47 | ||||||||||
| PORTSMOUTH_051015 | 0:00 | 4:10 | 7:16 | 10:05 | 13:26 | 17:22 | 19:06 | 23:47 | 26:38 | 29:53 | 33:18 | 35:57 | 38:45 | 41:57 | 45:27 | 48:06 | 51:30 | 54:36 | |||||||||
| PHILADELPHIA_061015 | 0:00 | 5:08 | 8:02 | 10:50 | 14:42 | 19:12 | 21:08 | 24:48 | 28:28 | 33:08 | 35:39 | 38:06 | 41:30 | 45:42 | 46:38 | 50:02 | 53:02 | 56:14 | 59:58 | ||||||||
| WASHINGTON_071015 | 0:00 | 4:34 | 7:15 | 9:51 | 14:01 | 19:07 | 21:22 | 25:38 | 28:54 | 33:47 | 37:13 | 40:49 | 43:37 | 47:43 | 50:46 | 55:26 | |||||||||||
| ASHEVILLE_081015 | 0:00 | 4:55 | 8:36 | 11:12 | 14:46 | 18:17 | 20:25 | 24:18 | 26:45 | 30:22 | 33:05 | 35:32 | 38:20 | 42:20 | 48:56 | 51:38 | 46:08 | ||||||||||
| ATLANTA_091015 | 0:00 | 4:55 | 8:08 | 11:14 | 14:48 | 18:38 | 21:41 | 25:33 | 28:49 | 32:25 | 35:44 | 39:06 | 41:57 | 44:33 | 48:45 | 52:09 | 55:12 | 60:04 | |||||||||
| ORLANDO_101015 | 0:00 | 4:17 | 7:17 | 10:57 | 15:02 | 19:46 | 22:43 | 26:23 | 30:03 | 33:34 | 36:35 | 39:02 | 42:38 | 46:34 | 51:26 | 55:56 | 56:23 | ||||||||||
| MIAMI_111015 | 0:00 | 3:40 | 6:16 | 9:13 | 12:44 | 17:53 | 20:26 | 23:54 | 26:45 | 30:56 | 34:16 | 37:22 | 42:56 | 46:50 | 49:59 | 52:43 | 55:34 | ||||||||||
| AUSTIN_131015 | 0:00 | 5:56 | 9:36 | 12:51 | 17:17 | 21:28 | 24:19 | 28:24 | 31:15 | 35:04 | 38:23 | 41:47 | 45:35 | 49:27 | 54:09 | 57:03 | 59:07 | ||||||||||
| LOS_ANGELES_151015 | 0:00 | 4:03 | 7:17 | 10:14 | 14:31 | 19:36 | 22:03 | 25:19 | 28:10 | 31:38 | 36:07 | 39:38 | 42:42 | 45:09 | 48:45 | 53:21 | 57:08 | 59:51 | 62:47 | ||||||||
| SAN_FRANCISCO_161015 | 0:00 | 4:52 | 8:01 | 10:43 | 14:30 | 19:29 | 22:08 | 25:36 | 29:41 | 34:23 | 37:36 | 41:36 | 45:44 | 48:28 | 52:46 | 55:46 | |||||||||||
| DENVER_171015 | 0:00 | 3:50 | 7:39 | 10:52 | 15:27 | 17:47 | 21:27 | 25:32 | 30:07 | 33:26 | 37:20 | 41:40 | 45:17 | 48:25 | 51:33 | 54:32 | |||||||||||
| Glasgow_011114 | 0:00 | 5:55 | 9:55 | 13:29 | 16:50 | 21:50 | 25:12 | 30:05 | 34:10 | 36:22 | 41:38 | 45:22 | 47:39 | 49:45 | 52:36 | ||||||||||||
| Minehead_130315 | 0:07 | 5:58 | 9:41 | 13:19 | 17:37 | 23:20 | 26:49 | 32:19 | 36:49 | 39:29 | 44:08 | 48:28 | 50:20 | 52:58 | 55:47 | ||||||||||||
| Barcelona_180615 | [1] | ||||||||||||||||||||||||||
| Amsterdam_300715 | [2] | [3] | [4] | [5] | [6] | [7] | [8] | [9] | [10] | [11] | |||||||||||||||||
| London_211115 | 0:21 | 4:44 | 7:47 | 10:41 | 14:46 | 18:59 | 21:14 | 24:42 | 27:58 | 31:25 | 35:31 | 39:20 | 41:47 | 45:11 | 48:47 | 53:11 | 56:35 | 57:07 |
- #1 Elements of "acdwn2" and "t1a1" (fan names: acdwn2 / ralcose locator)
- #2 Possibly containing elements of "e0" and "glos ceramic" (fan names: ceramic / clipcon)
- #3 "sinistrail sentinel" (fan names: sentinel / sinistrail casual)
- #4 (fan names: rave / rainbow cerebricon)
- #5 (fan names: drunk / probat emp2 + dummy casual pt1)
- #6 Shared elements with #7. (fan names: spiral / cantilla helio4)
- For Krakow 2014 and Dublin 2014, the track's outro is replaced by a continuous transition into #7
- #7 Early version of "north spiral" with elements of "gonk tuf hi". (fan names: spiral / allefte ping hi)
- #8-9 (fan names: wub / ticplayal hv hypnotic)
- #10 (fan names: c16 - emotive / kandern)
- #11 "c16 deep tread" (fan names: c16 / c13 tight shred)
- #12-13 (fan names: c16 - sunken / distal felrate7)
- #14 Uses elements of "g 1 e 1" only in the 2014 shows. (fan names: g 1 e 1 - brisk + didgeridoo / j 1 b 1)
- #15 A mix of "7th slip", "c16 deep tread", "violvoic", and "c7b2" (fan names: c7b2 slip / renices hv collida)
- #16 A mix of "violvoic" and "7th slip". (fan names: slip - acid + violvoic slip / renices hv collida)
- On Krems 2015 the "violvoic" elements are missing.
- #17 Fusion of #19 and "7th slip" (fan names: warble - heady / renices hv collida)
- #18 (fan names: dotty / landciv3)
- #19 Contains elements of "wetgelis casual interval" (fan names: warble / wetgelis litefil)
- #20 (fan names: c16 - alert / kandern)
- #21 Contains bits of "latentcall" (fan names: airy / kandern)
- #22 (fan names: trudge / two of five (loose))
- #23 "nineFly" without noise-reduction, which combined bits from #1 and #3 (fan names: acd sentinel / threeJay)
- #24 "c7b2" with elements of "artov chain" (fan names: c7b2 - US version / c9b4)
- #25 Elements of "artov chain" and "c16 deep tread" (fan names: c16 artov / kandern)
- #26 (fan names: warble - US version / two of five (loose))
- #27 An early version of "pendulu hv moda" with elements of "carefree counter dronal" (fan names: leaper / pendulu freeplifal)
- For Asheville 2015, it was performed out of order before #23 and #24
Trivia
- Sean mentioned that there's a DMX kick and snare in the live shows "but nobody ever comments on them".[13][14]
- Some sets that were highlighted by Sean in interviews were the Los Angeles set for the LA times[15] as well as the Orlando and Montreal sets[16]. Although Sean also noted the New York gig "was terrible".
- On early AENA promotional material, the Seattle show was redacted.[17]
Gallery
AE_LIVE_KRAKOW_200914
AE_LIVE_BRUSSELS_031014
AE_LIVE_UTRECHT_221114
AE_LIVE_DUBLIN_191214
AE_LIVE_KREMS_020515
AE_LIVE_NAGANO_300515
AE_LIVE_GRAFENHAINICHEN_170715
AE_LIVE_DOUR_180715
AE_LIVE_KATOWICE_210815
AE_LIVE_PORTLAND_240915
AE_LIVE_SEATTLE_250915
AE_LIVE_VANCOUVER_260915
AE_LIVE_CHICAGO_290915
AE_LIVE_TORONTO_011015
AE_LIVE_MONTREAL_021015
AE_LIVE_NEW_YORK_031015
AE_LIVE_BOSTON_041015
AE_LIVE_PORTSMOUTH_051015
AE_LIVE_PHILADELPHIA_061015
AE_LIVE_WASHINGTON_071015
AE_LIVE_ASHEVILLE_081015
AE_LIVE_ATLANTA_091015
AE_LIVE_ORLANDO_101015
AE_LIVE_MIAMI_111015
AE_LIVE_AUSTIN_131015
AE_LIVE_LOS_ANGELES_151015
AE_LIVE_SAN_FRANCISCO_161015
AE_LIVE_DENVER_171015
Tracklist
| # | Title | Length |
|---|---|---|
| 1 | AE_LIVE_KRAKOW_200914 | 57:55 |
| 2 | AE_LIVE_BRUSSELS_031014 | 1:04:00 |
| 3 | AE_LIVE_UTRECHT_221114 | 1:00:45 |
| 4 | AE_LIVE_DUBLIN_191214 | 1:13:18 |
| 5 | AE_LIVE_KREMS_020515 | 54:26 |
| 6 | AE_LIVE_NAGANO_300515 | 56:50 |
| 7 | AE_LIVE_GRAFENHAINICHEN_170715 | 1:04:31 |
| 8 | AE_LIVE_DOUR_180715 | 1:04:25 |
| 9 | AE_LIVE_KATOWICE_210815 | 1:02:52 |
| 10 | AE_LIVE_PORTLAND_240915 | 1:00:25 |
| 11 | AE_LIVE_SEATTLE_250915 | 1:04:30 |
| 12 | AE_LIVE_VANCOUVER_260915 | 1:00:02 |
| 13 | AE_LIVE_CHICAGO_290915 | 1:03:46 |
| 14 | AE_LIVE_TORONTO_011015 | 1:00:02 |
| 15 | AE_LIVE_MONTREAL_021015 | 56:50 |
| 16 | AE_LIVE_NEW_YORK_031015 | 1:01:48 |
| 17 | AE_LIVE_BOSTON_041015 | 59:59 |
| 18 | AE_LIVE_PORTSMOUTH_051015 | 58:27 |
| 19 | AE_LIVE_PHILADELPHIA_061015 | 1:03:34 |
| 20 | AE_LIVE_WASHINGTON_071015 | 58:55 |
| 21 | AE_LIVE_ASHEVILLE_081015 | 55:03 |
| 22 | AE_LIVE_ATLANTA_091015 | 1:03:46 |
| 23 | AE_LIVE_ORLANDO_101015 | 59:38 |
| 24 | AE_LIVE_MIAMI_111015 | 1:00:46 |
| 25 | AE_LIVE_AUSTIN_131015 | 1:02:35 |
| 26 | AE_LIVE_LOS_ANGELES_151015 | 1:06:49 |
| 27 | AE_LIVE_SAN_FRANCISCO_161015 | 1:00:34 |
| 28 | AE_LIVE_DENVER_171015 | 58:55 |
| Total | 28:35:36 | |
Links
Credits
- The Designers Republic (design)
- Jamie Harley (recording/sound engineer)[18][19]
References
- ↑ 1.0 1.1 https://web.archive.org/web/20150812054937/http://autechre.ws:80/
- ↑ https://www.facebook.com/warprecords/posts/10153195416617686
- ↑ https://forum.watmm.com/topic/89160-sign-up-to-autechres-mailing-list
- ↑ https://forum.watmm.com/topic/89167-ae_live/
- ↑ 5.0 5.1 https://www.factmag.com/2015/10/30/autechre-are-selling-exclusive-live-recordings/
- ↑ 6.0 6.1 https://web.archive.org/web/20160304184647/https://twitter.com/AE_STORE_
- ↑ https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html
- ↑ https://autechre.warp.net/format/594952-tri-repetae#:~:text=INCLUDES%20DOWNLOAD%20CARD%20FOR%20ALBUM%20%26%20BONUS%20LIVE%20SET%20AE_LIVE_GRAFENHAINICHEN_170715
- ↑ https://ra.co/news/43195
- ↑ "Ae vs TDR™". The Designers Republic, https://www.thedesignersrepublic.com/ae-vs-tdr. Accessed 11 Nov 2024.
- ↑ https://docs.google.com/spreadsheets/u/0/d/1QQxmk9UZ4Xq9lmmkQWI8Pd2B6ArEce0tWpML1LtaoNA/htmlview#
- ↑ https://www.reddit.com/r/autechre/comments/me39ad/elseq_610_ae_live_exclusives_remake/
- ↑ Sean Twitch AMA, June 2022. "Yeah, I mean, occasionally, we'll fuck around with something old and do something new with it, like there's a[n Oberheim] DMX, there's DMX drum sounds in that first AE_LIVE 2015 stuff's got some DMX drum sounds in, but nobody ever comments on them, but I don't know. To me, they're like really obvious. Like, I'll put those things in as reference points and no one ever gets them, so, you know."
- ↑ Sean Twitch AMA, June 2022. "“Do you make sounds in AE_LIVE stuff?” I'm assuming you're talking about samples from the DMX? Yeah. No it's not modeled or anything, it's just samples, but the DMX is samples, right? So I don't have to feel weird about that. But yeah, it's a bit mutated as well. it's, being fucked with, so, in a cool way, so. But yeah, it's basically one track where it's just DMX kick and snare, and I don't know if there's a clap in there. I really like the DMX sounds. They're like, they just immediately put me somewhere. It's like there's a certain kind of like late night radio soul that used the DMX that was just massively appealing to us. I don't know why the DMX and not the LinnDrum was just the drum machine a choice for a lot of soul artists, but it just has that feel to it. There's only a subtle difference between them really, but I've always preferred the DMX. I don’t know."
- ↑ https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html#:~:text=The%20duo%20was%20especially%20fond%20of%20their%20L.A.%20date.
- ↑ Hanalgig AMA, July 2022. "it’s been fun exploring your live sets, especially the sheer quantity of 14-15. anything you could share about memories of that tour that stick out to you? places you loved/hated? shows that went well/awful? XH HX: that tour was pure laughs. i rem the driver making phil go on the bus roof to check the ac unit at one point, idk why phil. usa bus tours are always a bit mad. i rly enjoyed orlando and montreal. nyc was terrible (the gig not the city)."
- ↑ https://web.archive.org/web/20150801005858/http://autechre.ws/
- ↑ https://www.discogs.com/master/907329-Autechre-AE_LIVE
- ↑ https://musicbrainz.org/release/a20926fb-dea0-406f-a923-1c2842a4e985