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[[Category:People]]

...lot—we did our first ever proper gig in Birmingham for them—or the Megadog people, 'cause we'd end up touring with them.

[[Category:People]]

...d we both, both create sort of production mixes. And then eventually other people's records, their ideas, got replaced by our own ideas cause we got all the ...ean I actually reckon there's a lot of form for exploration within that... People haven't even sort of touched the surface yet.

...ecessarily think that's the case. I'm sure we probably do sound like other people to them, but to us every track is different. We listen to all sorts os shit ...with Cronenberg which is hard-core stuff. It's very brutal music. A lot of people are just concerned whether it sounds good, but with me it's more. It's whet

...erical nature of their corrosive rhythms and divers textures parodying The People's argument of what is or isn't (gulp) techno. ...was put out to make people aware of this bill in the first place. A lot of people didn't even know it was on the books at all."

...l the strange sounds in their heads some solid form. "We were the only two people that we'd met that filled in various gaps". Modest, but with more than enough to say for themselves we discuss other people embarking on similar projects with possible similar traits. "We honestly ha

...hing between 60 and 90 minutes - but it won't be in another ten years once people have adapted sufficiently for it to be viable economically. Then we won't b ...epusher) would be enough to keep anyone on their toes, but when those same people (we're looking at you, Jenkinson) start mouthing off about the death of com

...ndomly, but you could only get away with it for a couple of minutes before people started shouting. ...the Roland R8, doing melodies with an R8 is ace. I like the way different people respond to machines, I like witnessing that dialogue between a person and a

Booth: It's like a default, for a lot of people, to hand over a track to someone like us. It's interesting to work on a son Booth: There are obvious Detroit people that will always be shining.

..., that journalists basically need these words to describe [music] to other people. We consider our music to be all types - it just depends on what we felt li ...cks at the end of the day," chimes Booth. "We just make music to entertain people! Yes, that and to make a living; something which shouldn't cause fans to ac

...d to find an outlet in late '80s Manchester. 'It was frustrating. A lot of people got on our nerves, because they were into Acid House, but they were also in ...on tour? 'It's funny, 'cos in America we get a mixture of bedroom ravers; people who spend too much time on the internet and 'raver' ravers, all dressed up

* Sean notes that the track was in part a reaction to people thinking that their Japanese-exclusive tracks were rubbish.<ref>{{Cite AAA

...y Japan powerhouse. "I don't have any qualms about taking money from these people," he adds. "Yeah, as you said, we're lucky as fuck.." After considerable su ...ake an effort to try. That's not really the sort of people we are. We want people to feel good. I just don't know if we do it the same as everyone else." So

Our music's pretty honest. Self-conscious is usually when people are a bit guarded and a bit surreptitious about their sources or their infl ...to actually get it, if you like. When a new album of ours comes out, some people who are maybe new to it go, "I can't deal with this, I like the old one." B

...om Ae develop their unique industrial/electro style even further. "I think people have got it in themselves to appreciate anything. You just have to introduc ...of making something that is difficult to understand (popular). I think the people have got it in themselves to appreciate anything. You just have to introduc

...tyle, really; a very versatile way of working. It may sound a bit weird to people who are used to playing roles in a band -who might put an ad in the paper f I don't know. When we first got into making, it basically was a form of people's music. We'd get some loops, and make mixes. No turntables, no vinyl, no n

...you can randomly access a loop or get it neat. But it turned out a lot of people got a bit weakened because they all bought the shit crap ones. They don’t '''Soundproof: No. Staalplaat and Soleilmoon, they’ve got people who are doing that.'''

...k anything other than that prevents us from being anything other than what people have heard before. And we're constantly changing or evolving one way or ano ...n we like to give. Why we write our music? We write it for us and if other people can get into it that's cool and if they can't then we're still going to be