Confield

WARP128

Confield is the sixth studio album by Autechre released on Warp Records. It was originally released on April 30th, 2001, then later repressed on vinyl in 2023, alongside Draft 7.30.

Tracks

VI Scose Poise

• The same reyong instrument used on "Parhelic Triangle" was also used on "VI Scose Poise" [1]
• On an old promotional website the track used to be called "VI Code Spoilse"

Pen Expers

• "Pen Expers" was made using a Minidisk, "like by pausing a DMX drum machine." [2]
• The title is likely a reference to GenExpr, the Max patching language.
• An early version of "Pen Expers" mashed up with Vangelis's "Cosmos" was performed at Coachella 1999. [3]

Parhelic Triangle

• Rob noted that "Parhelic Triangle" didn't rely on any generative/algorithmic elements at all.[4]
• In the July Twitch AMA, Sean explained that the process behind "Parhelic Triangle" was that he recorded himself playing a reyong (type of gamelan instrument) which was then taken into Logic. The precussion was assembled from "rubber bands in a shoebox sampled on an Emu E-synth". The "couple of MIDI parts laid over the top" of the track were also detuned to 9 EDO to be in key with the reyong. The loose pulse of the track is due to the reyong being played somewhat irregularly by Sean and him having to manually time it up in Logic before overlaying the precussion to it. [5]

Uviol

• A 16-minute version of "Uviol" was played during the 2008-02-23 Webcast. In the WATMM AMA Sean mentioned that the longer versions are often parts of the realtime jams without as much editing. [6]
• "Uviol" was one of the track to use a lot of Max sequencing. [7]

Lentic Catachresis

• The ending half of "Lentic Catachresis" samples a part in "Lego Feet - Part 1" [8]

MCR Quarter

• The title is likely a play on Envane's "Quarter" naming aesthetic, and MCR likely is just short for Manchester.
• As listed on the Japanese CD issue, "MCR Quarter" was recorded in 1998 at Manchester's Band On The Wall, however it reappeared (possibly just replayed the bootleg recording) at Warp's 10th Anniversary event on November, 5 1999. [9]

Cover

For the promotion cycle of Confield, a page was posted by Warp on (3rd April? 4th March? i hate dates) 2001 titled Confileid (Con File ID). On the page, it featured an animation of dozens of 3D planes being scattered with a moving camera.[10] Multiple frames of the animation went on to be used in the design of Confield, including the main cover.

When Confield and Draft 7.30 was reissued in 2023, Warp put out a promotional video for Confield featuring the same animation but in higher quality. They also put out a series of shorts of album tracks played over animations; both of the original for Sim Gishel and Lentic Catachresis, as well as different versions including a fountain-like eruption for VI Scose Poise, Cfern, Pen Expers; a side downpour for Bine and Eidetic Casein; and a top-down view for Parhelic Triangle and Uviol. The vinyl versions also use a different frame for the cover from the original Confield cover. [11]

A high quality frame from the animation was also used as a Twitch image for au7echre.

Tracklist

#	Title	Length
1	VI Scose Poise	6:57
2	Cfern	6:41
3	Pen Expers	7:08
4	Sim Gishel	7:15
5	Parhelic Triangle	6:04
6	Bine	4:41
7	Eidetic Casein	6:12
8	Uviol	8:35
9	Lentic Catachresis	8:30
		1:02:03
10	MCR Quarter (Recorded Live At Band On The Wall, Manchester 1998) [Japanese CD exclusive]	11:03
Total		1:13:06

Trivia

• The CAT number, WARP128, was likely specifically requested by Autechre. 128 is the seventh power of 2.
• Confield was originally titled "L.E.D." on a promotional CDr, distributed by Source 360°
• Despite the common belief that Confield was all generative, Sean noted in the WATMM ama that only about 10% of Confield was properly generative. [12]In an interview with Reverb Magazine he further clarified that only 3 tracks on Confield even used Max sequencing. [13]

Links

• AE_STORE
• Apple Music
• Bandcamp
• Bleep
• Soundcloud
• Spotify
• Repress announcement tweet
• Repress release tweet

Credits

• Autechre (production)
• Rob Brown (writer)
• Sean Booth (writer)
• Frank Arkwright (mastering engineer) [14] [15]