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After  a few years, it was amended with the 19 sets from AENA (Portland 2015 to Denver 2015) on January 30th, 2019.<ref>https://ra.co/news/43195</ref>
After  a few years, it was amended with the 19 sets from AENA (Portland 2015 to Denver 2015) on January 30th, 2019.<ref>https://ra.co/news/43195</ref>
=== Design ===
Regarding the artwork by [[The Designers Republic]], Anderson noted that "kinda like Miles Davis 1970–75, every live performance is effectively different to the related recorded work and to other performances, and the recordings of each performance are effectively new albums each in their own right. Making these live recordings available as Bleep/Ae store downloads involved creating an overarching design preset with seemingly infinite variables."<ref>"Ae vs TDR™". ''The Designers Republic'', https://www.thedesignersrepublic.com/ae-vs-tdr. Accessed 11 Nov 2024.</ref>


<!-- might add a sublist of live shows for this tour to include EVERY date --><!-- also include https://www.thedesignersrepublic.com/ae-vs-tdr at some point --><!-- there's also an image of The System floating about from 2013-2014, try to refind that -->== Analysis ==
<!-- might add a sublist of live shows for this tour to include EVERY date --><!-- also include https://www.thedesignersrepublic.com/ae-vs-tdr at some point --><!-- there's also an image of The System floating about from 2013-2014, try to refind that -->== Analysis ==

Latest revision as of 13:23, 11 November 2024

AE_LIVE

AE LIVE.jpg

Artist Autechre
Released 29 October 2015 (Krakow 2014-Dublin 2014)
8 December 2015 (Krems 2015-Katowice 2015)
30 January 2019 (Portland 2015-Denver 2015)
Label Warp Records (WARP360)
L-event
(2013) 		AE_LIVE elseq 1-5
(2016)

AE_LIVE is a compilation of twenty-eight soundboard recordings taken from live shows performed in 2014 and 2015.

History

For the US leg of the tour (known as AENA)[1], Cygnus and Rob Hall came along as support.[1]

On October 28th, people were asked to sign up to Autechre's mailing list within the next 24 hours.[2][3] The following day on the 29th, the first four sets (Krakow 2014 to Dublin 2014) were made available for purchase on Autechre's newly set-up store exclusively to those subscribed to the mailing list.[4][5] The official announcement came on November 1st, 2015 that it was made available.[6][7] Later on December 8th, 2015, the compilation was updated with another five sets (Krems 2015 to Katowice 2015),[6] which also included making it available for everyone to purchase.[5]

For the Incunabula, Amber and Tri Repetae reissues in 2016, a digital download of AE_LIVE_GRAFENHAINICHEN_170715 was also included.[8]

After a few years, it was amended with the 19 sets from AENA (Portland 2015 to Denver 2015) on January 30th, 2019.[9]

Design

Regarding the artwork by The Designers Republic, Anderson noted that "kinda like Miles Davis 1970–75, every live performance is effectively different to the related recorded work and to other performances, and the recordings of each performance are effectively new albums each in their own right. Making these live recordings available as Bleep/Ae store downloads involved creating an overarching design preset with seemingly infinite variables."[10]

Analysis

Main analysis by EnergyIsMassiveLight. Fan names are from daffodil's splits[11] and elseq 6-10.[12] The officially released sets in the list are highlighted in bold and bootlegs recordings of unreleased shows are italicized. Much of the material on the 14/15 live shows have elements and tracks that later appeared on elseq 1-5 and NTS Sessions 1-4.

#1 #2 #3 #4 #5 #6 #7 #8 #9 #10 #11 #12 #13 #14 #15 #16 #17 #18 #19 #20 #21 #22 #23 #24 #25 #26 #27
KRAKOW_201914 0:00 8:20 13:46 18:52 24:04 31:39 33:17 41:14 47:21 50:24 54:19 54:56 56:21
BRUSSELS_031014 0:00 11:29 18:11 23:47 28:59 35:06 38:16 42:45 46:50 50:18 53:36 56:50 58:03 60:18
UTRECHT_221114 0:00 5:50 10:40 14:17 17:54 23:12 26:16 30:20 33:12 34:28 37:06 40:20 42:35 45:26 50:50 53:20
DUBLIN_191214 0:00 7:19 12:31 13:32 18:44 24:48 26:53 34:47 38:27 42:23 49:56 53:04 56:20 58:58 62:17 64:23 69:59
KREMS_020515 0:00 8:07 13:33 17:46 22:03 26:30 28:44 32:48 35:15 37:26 40:18 42:13 46:15 48:23
NAGANO_300515 0:00 7:22 12:23 15:57 20:23 25:38 28:41 33:22 36:13 38:25 42:20 45:45 48:00 51:34
GRAFENHAINICHEN_170715 0:00 4:06 7:37 10:40 14:45 19:47 23:27 27:08 30:48 36:28 40:24 43:09 47:27 52:35 58:03 59:39
DOUR_180715 0:00 5:33 8:17 11:20 15:22 20:15 23:55 28:12 31:52 36:56 40:40 45:34 49:50 54:02 61:16
KATOWICE_210815 0:00 5:32 9:18 13:07 17:30 22:24 25:21 29:50 33:06 36:33 40:54 44:07 47:22 50:46 54:30 58:38
PORTLAND_240915 0:00 5:37 7:46 8:57 13:03 15:35 19:28 21:55 26:00 29:18 33:10 36:38 39:56 42:55 44:48 48:12 51:37 54:37 56:52
SEATTLE_250915 0:00 4:58 8:55 12:26 16:15 21:27 23:29 27:46 31:01 36:11 39:06 41:45 44:24 47:54 52:26 55:50 60:14
VANCOUVER_260915 0:00 5:05 8:17 11:21 15:41 20:37 23:34 26:50 29:17 34:23 37:24 41:16 44:36 47:54 50:57 53:45 56:30
CHICAGO_290915 0:00 4:03 7:43 10:58 15:03 18:43 20:39 23:43 26:09 30:33 33:40 36:31 39:49 42:53 46:41 50:18 53:05 56:41 59:38
TORONTO_011015 0:00 5:12 8:51 12:16 16:27 21:32 25:00 28:40 32:20 37:18 41:26 46:06 48:18 51:54 55:45
MONTREAL_021015 0:00 4:13 7:52 10:40 15:06 19:29 21:13 24:41 27:57 32:09 35:35 38:01 40:55 44:51 48:57 51:44 54:28
NEW_YORK_031015 0:00 5:18 8:35 11:57 15:37 19:05 20:43 23:58 27:38 30:42 33:55 37:51 41:00 44:00 47:52 51:22 54:58 57:46
BOSTON_041015 0:00 4:13 7:46 10:37 14:17 18:06 20:08 23:12 26:28 29:28 34:32 38:10 41:26 43:04 46:51 50:59 55:47
PORTSMOUTH_051015 0:00 4:10 7:16 10:05 13:26 17:22 19:06 23:47 26:38 29:53 33:18 35:57 38:45 41:57 45:27 48:06 51:30 54:36
PHILADELPHIA_061015 0:00 5:08 8:02 10:50 14:42 19:12 21:08 24:48 28:28 33:08 35:39 38:06 41:30 45:42 46:38 50:02 53:02 56:14 59:58
WASHINGTON_071015 0:00 4:34 7:15 9:51 14:01 19:07 21:22 25:38 28:54 33:47 37:13 40:49 43:37 47:43 50:46 55:26
ASHEVILLE_081015 0:00 4:55 8:36 11:12 14:46 18:17 20:25 24:18 26:45 30:22 33:05 35:32 38:20 42:20 48:56 51:38 46:08
ATLANTA_091015 0:00 4:55 8:08 11:14 14:48 18:38 21:41 25:33 28:49 32:25 35:44 39:06 41:57 44:33 48:45 52:09 55:12 60:04
ORLANDO_101015 0:00 4:17 7:17 10:57 15:02 19:46 22:43 26:23 30:03 33:34 36:35 39:02 42:38 46:34 51:26 55:56 56:23
MIAMI_111015 0:00 3:40 6:16 9:13 12:44 17:53 20:26 23:54 26:45 30:56 34:16 37:22 42:56 46:50 49:59 52:43 55:34
AUSTIN_131015 0:00 5:56 9:36 12:51 17:17 21:28 24:19 28:24 31:15 35:04 38:23 41:47 45:35 49:27 54:09 57:03 59:07
LOS_ANGELES_151015 0:00 4:03 7:17 10:14 14:31 19:36 22:03 25:19 28:10 31:38 36:07 39:38 42:42 45:09 48:45 53:21 57:08 59:51 62:47
SAN_FRANCISCO_161015 0:00 4:52 8:01 10:43 14:30 19:29 22:08 25:36 29:41 34:23 37:36 41:36 45:44 48:28 52:46 55:46
DENVER_171015 0:00 3:50 7:39 10:52 15:27 17:47 21:27 25:32 30:07 33:26 37:20 41:40 45:17 48:25 51:33 54:32
Glasgow_011114 0:00 5:55 9:55 13:29 16:50 21:50 25:12 30:05 34:10 36:22 41:38 45:22 47:39 49:45 52:36
Minehead_130315 0:07 5:58 9:41 13:19 17:37 23:20 26:49 32:19 36:49 39:29 44:08 48:28 50:20 52:58 55:47
Barcelona_180615 [1]
Amsterdam_300715 [2] [3] [4] [5] [6] [7] [8] [9] [10] [11]
London_211115 0:21 4:44 7:47 10:41 14:46 18:59 21:14 24:42 27:58 31:25 35:31 39:20 41:47 45:11 48:47 53:11 56:35 57:07
  • #1 Elements of "acdwn2" and "t1a1" (fan names: acdwn2 / ralcose locator)
  • #2 Possibly containing elements of "e0" and "glos ceramic" (fan names: ceramic / clipcon)
  • #3 "sinistrail sentinel" (fan names: sentinel / sinistrail casual)
  • #4 (fan names: rave / rainbow cerebricon)
  • #5 (fan names: drunk / probat emp2 + dummy casual pt1)
  • #6 Shared elements with #7. (fan names: spiral / cantilla helio4)
    • For Krakow 2014 and Dublin 2014, the track's outro is replaced by a continuous transition into #7
  • #7 Early version of "north spiral" with elements of "gonk tuf hi". (fan names: spiral / allefte ping hi)
  • #8-9 (fan names: wub / ticplayal hv hypnotic)
  • #10 (fan names: c16 - emotive / kandern)
  • #11 "c16 deep tread" (fan names: c16 / c13 tight shred)
  • #12-13 (fan names: c16 - sunken / distal felrate7)
  • #14 Uses elements of "g 1 e 1" only in the 2014 shows. (fan names: g 1 e 1 - brisk + didgeridoo / j 1 b 1)
  • #15 A mix of "7th slip", "c16 deep tread", "violvoic", and "c7b2" (fan names: c7b2 slip / renices hv collida)
  • #16 A mix of "violvoic" and "7th slip". (fan names: slip - acid + violvoic slip / renices hv collida)
    • On Krems 2015 the "violvoic" elements are missing.
  • #17 Fusion of #19 and "7th slip" (fan names: warble - heady / renices hv collida)
  • #18 (fan names: dotty / landciv3)
  • #19 Contains elements of "wetgelis casual interval" (fan names: warble / wetgelis litefil)
  • #20 (fan names: c16 - alert / kandern)
  • #21 Contains bits of "latentcall" (fan names: airy / kandern)
  • #22 (fan names: trudge / two of five (loose))
  • #23 "nineFly" without noise-reduction, which combined bits from #1 and #3 (fan names: acd sentinel / threeJay)
  • #24 "c7b2" with elements of "artov chain" (fan names: c7b2 - US version / c9b4)
  • #25 Elements of "artov chain" and "c16 deep tread" (fan names: c16 artov / kandern)
  • #26 (fan names: warble - US version / two of five (loose))
  • #27 An early version of "pendulu hv moda" with elements of "carefree counter dronal" (fan names: leaper / pendulu freeplifal)
    • For Asheville 2015, it was performed out of order before #23 and #24

Trivia

  • Sean mentioned that there's a DMX kick and snare in the live shows "but nobody ever comments on them".[13][14]
  • Some sets that were highlighted by Sean in interviews were the Los Angeles set for the LA times[15] as well as the Orlando and Montreal sets[16]. Although Sean also noted the New York gig "was terrible".
  • On early AENA promotional material, the Seattle show was redacted.[17]

Gallery

  • AE_LIVE_KRAKOW_200914

    AE_LIVE_KRAKOW_200914

  • AE_LIVE_BRUSSELS_031014

    AE_LIVE_BRUSSELS_031014

  • AE_LIVE_UTRECHT_221114

    AE_LIVE_UTRECHT_221114

  • AE_LIVE_DUBLIN_191214

    AE_LIVE_DUBLIN_191214

  • AE_LIVE_KREMS_020515

    AE_LIVE_KREMS_020515

  • AE_LIVE_NAGANO_300515

    AE_LIVE_NAGANO_300515

  • AE_LIVE_GRAFENHAINICHEN_170715

    AE_LIVE_GRAFENHAINICHEN_170715

  • AE_LIVE_DOUR_180715

    AE_LIVE_DOUR_180715

  • AE_LIVE_KATOWICE_210815

    AE_LIVE_KATOWICE_210815

  • AE_LIVE_PORTLAND_240915

    AE_LIVE_PORTLAND_240915

  • AE_LIVE_SEATTLE_250915

    AE_LIVE_SEATTLE_250915

  • AE_LIVE_VANCOUVER_260915

    AE_LIVE_VANCOUVER_260915

  • AE_LIVE_CHICAGO_290915

    AE_LIVE_CHICAGO_290915

  • AE_LIVE_TORONTO_011015

    AE_LIVE_TORONTO_011015

  • AE_LIVE_MONTREAL_021015

    AE_LIVE_MONTREAL_021015

  • AE_LIVE_NEW_YORK_031015

    AE_LIVE_NEW_YORK_031015

  • AE_LIVE_BOSTON_041015

    AE_LIVE_BOSTON_041015

  • AE_LIVE_PORTSMOUTH_051015

    AE_LIVE_PORTSMOUTH_051015

  • AE_LIVE_PHILADELPHIA_061015

    AE_LIVE_PHILADELPHIA_061015

  • AE_LIVE_WASHINGTON_071015

    AE_LIVE_WASHINGTON_071015

  • AE_LIVE_ASHEVILLE_081015

    AE_LIVE_ASHEVILLE_081015

  • AE_LIVE_ATLANTA_091015

    AE_LIVE_ATLANTA_091015

  • AE_LIVE_ORLANDO_101015

    AE_LIVE_ORLANDO_101015

  • AE_LIVE_MIAMI_111015

    AE_LIVE_MIAMI_111015

  • AE_LIVE_AUSTIN_131015

    AE_LIVE_AUSTIN_131015

  • AE_LIVE_LOS_ANGELES_151015

    AE_LIVE_LOS_ANGELES_151015

  • AE_LIVE_SAN_FRANCISCO_161015

    AE_LIVE_SAN_FRANCISCO_161015

  • AE_LIVE_DENVER_171015

    AE_LIVE_DENVER_171015

Tracklist

# Title Length
1 AE_LIVE_KRAKOW_200914 57:55
2 AE_LIVE_BRUSSELS_031014 1:04:00
3 AE_LIVE_UTRECHT_221114 1:00:45
4 AE_LIVE_DUBLIN_191214 1:13:18
5 AE_LIVE_KREMS_020515 54:26
6 AE_LIVE_NAGANO_300515 56:50
7 AE_LIVE_GRAFENHAINICHEN_170715 1:04:31
8 AE_LIVE_DOUR_180715 1:04:25
9 AE_LIVE_KATOWICE_210815 1:02:52
10 AE_LIVE_PORTLAND_240915 1:00:25
11 AE_LIVE_SEATTLE_250915 1:04:30
12 AE_LIVE_VANCOUVER_260915 1:00:02
13 AE_LIVE_CHICAGO_290915 1:03:46
14 AE_LIVE_TORONTO_011015 1:00:02
15 AE_LIVE_MONTREAL_021015 56:50
16 AE_LIVE_NEW_YORK_031015 1:01:48
17 AE_LIVE_BOSTON_041015 59:59
18 AE_LIVE_PORTSMOUTH_051015 58:27
19 AE_LIVE_PHILADELPHIA_061015 1:03:34
20 AE_LIVE_WASHINGTON_071015 58:55
21 AE_LIVE_ASHEVILLE_081015 55:03
22 AE_LIVE_ATLANTA_091015 1:03:46
23 AE_LIVE_ORLANDO_101015 59:38
24 AE_LIVE_MIAMI_111015 1:00:46
25 AE_LIVE_AUSTIN_131015 1:02:35
26 AE_LIVE_LOS_ANGELES_151015 1:06:49
27 AE_LIVE_SAN_FRANCISCO_161015 1:00:34
28 AE_LIVE_DENVER_171015 58:55
Total 28:35:36

Links

Credits

References

  1. ↑ 1.0 1.1 https://web.archive.org/web/20150812054937/http://autechre.ws:80/
  2. ↑ https://www.facebook.com/warprecords/posts/10153195416617686
  3. ↑ https://forum.watmm.com/topic/89160-sign-up-to-autechres-mailing-list
  4. ↑ https://forum.watmm.com/topic/89167-ae_live/
  5. ↑ 5.0 5.1 https://www.factmag.com/2015/10/30/autechre-are-selling-exclusive-live-recordings/
  6. ↑ 6.0 6.1 https://web.archive.org/web/20160304184647/https://twitter.com/AE_STORE_
  7. ↑ https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html
  8. ↑ https://autechre.warp.net/format/594952-tri-repetae#:~:text=INCLUDES%20DOWNLOAD%20CARD%20FOR%20ALBUM%20%26%20BONUS%20LIVE%20SET%20AE_LIVE_GRAFENHAINICHEN_170715
  9. ↑ https://ra.co/news/43195
  10. ↑ "Ae vs TDR™". The Designers Republic, https://www.thedesignersrepublic.com/ae-vs-tdr. Accessed 11 Nov 2024.
  11. ↑ https://docs.google.com/spreadsheets/u/0/d/1QQxmk9UZ4Xq9lmmkQWI8Pd2B6ArEce0tWpML1LtaoNA/htmlview#
  12. ↑ https://www.reddit.com/r/autechre/comments/me39ad/elseq_610_ae_live_exclusives_remake/
  13. ↑ Sean Twitch AMA, June 2022. "Yeah, I mean, occasionally, we'll fuck around with something old and do something new with it, like there's a[n Oberheim] DMX, there's DMX drum sounds in that first AE_LIVE 2015 stuff's got some DMX drum sounds in, but nobody ever comments on them, but I don't know. To me, they're like really obvious. Like, I'll put those things in as reference points and no one ever gets them, so, you know."
  14. ↑ Sean Twitch AMA, June 2022. "“Do you make sounds in AE_LIVE stuff?” I'm assuming you're talking about samples from the DMX? Yeah. No it's not modeled or anything, it's just samples, but the DMX is samples, right? So I don't have to feel weird about that. But yeah, it's a bit mutated as well. it's, being fucked with, so, in a cool way, so. But yeah, it's basically one track where it's just DMX kick and snare, and I don't know if there's a clap in there. I really like the DMX sounds. They're like, they just immediately put me somewhere. It's like there's a certain kind of like late night radio soul that used the DMX that was just massively appealing to us. I don't know why the DMX and not the LinnDrum was just the drum machine a choice for a lot of soul artists, but it just has that feel to it. There's only a subtle difference between them really, but I've always preferred the DMX. I don’t know."
  15. ↑ https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html#:~:text=The%20duo%20was%20especially%20fond%20of%20their%20L.A.%20date.
  16. ↑ Hanalgig AMA, July 2022. "it’s been fun exploring your live sets, especially the sheer quantity of 14-15. anything you could share about memories of that tour that stick out to you? places you loved/hated? shows that went well/awful? XH HX: that tour was pure laughs. i rem the driver making phil go on the bus roof to check the ac unit at one point, idk why phil. usa bus tours are always a bit mad. i rly enjoyed orlando and montreal. nyc was terrible (the gig not the city)."
  17. ↑ https://web.archive.org/web/20150801005858/http://autechre.ws/
  18. ↑ https://www.discogs.com/master/907329-Autechre-AE_LIVE
  19. ↑ https://musicbrainz.org/release/a20926fb-dea0-406f-a923-1c2842a4e985
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