AE LIVE: Difference between revisions
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<!-- might add a sublist of live shows for this tour to include EVERY date --><!-- also include https://www.thedesignersrepublic.com/ae-vs-tdr at some point --><!-- there's also an image of The System floating about from 2013-2014, try to refind that -->== Analysis == | <!-- might add a sublist of live shows for this tour to include EVERY date --><!-- also include https://www.thedesignersrepublic.com/ae-vs-tdr at some point --><!-- there's also an image of The System floating about from 2013-2014, try to refind that -->== Analysis == | ||
Main analysis by [[User:EnergyIsMassiveLight|EnergyIsMassiveLight]]. Major sources (especially fan names) are from daffodil's splits<ref>https://docs.google.com/spreadsheets/u/0/d/1QQxmk9UZ4Xq9lmmkQWI8Pd2B6ArEce0tWpML1LtaoNA/htmlview#</ref> and elseq 6-10.<ref>https://www.reddit.com/r/autechre/comments/me39ad/elseq_610_ae_live_exclusives_remake/</ref> Track titles are numbered on the mega spreadsheet, however track matches/elements are included in the immediate analysis below. The officially released sets in the list are highlighted in bold and bootlegs recordings of unreleased shows are italicized. Much of the material on the 14/15 live shows have elements and tracks that later appeared on ''[[elseq 1-5]]'' and ''[[NTS Sessions 1-4]]''. | Main analysis by [[User:EnergyIsMassiveLight|EnergyIsMassiveLight]]. Major sources (especially fan names) are from daffodil's splits<ref>https://docs.google.com/spreadsheets/u/0/d/1QQxmk9UZ4Xq9lmmkQWI8Pd2B6ArEce0tWpML1LtaoNA/htmlview#</ref> and elseq 6-10.<ref>https://www.reddit.com/r/autechre/comments/me39ad/elseq_610_ae_live_exclusives_remake/</ref> Track titles are numbered on the mega spreadsheet, however track matches/elements are included in the immediate analysis below. The officially released sets in the list are highlighted in bold and bootlegs recordings of unreleased shows are italicized. Much of the material on the 14/15 live shows have elements and tracks that later appeared on ''[[elseq 1-5]]'' and ''[[NTS Sessions 1-4]]''. | ||
* '''#1''' Elements of '''"acdwn2"''' and '''"t1a1"''' ''<small>(fan names: acdwn2 / | * '''#1''' Elements of '''"acdwn2"''' and '''"t1a1"''' ''<small>(fan names: acdwn2 / tacdwn1)</small>'' | ||
* '''#2''' Possibly containing elements of '''"e0"''' and '''"glos ceramic"''' ''<small>(fan names: ceramic / | * '''#2''' Possibly containing elements of '''"e0"''' and '''"glos ceramic"''' ''<small>(fan names: ceramic / dros ceramic)</small>'' | ||
* '''#3''' '''"sinistrail sentinel"''' ''<small>(fan names: sentinel / sinistrail | * '''#3''' '''"sinistrail sentinel"''' ''<small>(fan names: sentinel / sinistrail carpeal)</small>'' | ||
* '''#4''' ''<small>(fan names: rave / rainbow cerebricon)</small>'' | * '''#4''' ''<small>(fan names: rave / rainbow cerebricon)</small>'' | ||
* '''#5''' ''<small>(fan names: drunk / | * '''#5''' ''<small>(fan names: drunk / dummyfold)</small>''<!-- mght split this further some point in the future --> | ||
* '''#6''' Shared elements with #7. ''<small>(fan names: spiral / cantilla | * '''#6''' Shared elements with #7. ''<small>(fan names: spiral / cantilla morphfree)</small>'' | ||
** For Krakow 2014 and Dublin 2014, the track's outro is replaced by a continuous transition into #7 | ** For Krakow 2014 and Dublin 2014, the track's outro is replaced by a continuous transition into #7 | ||
* '''#7''' Early version of '''"north spiral"''' with elements of '''"gonk tuf hi"'''. ''<small>(fan names: spiral / | * '''#7''' Early version of '''"north spiral"''' with elements of '''"gonk tuf hi"'''. ''<small>(fan names: spiral / east helix)</small>'' | ||
* '''#8''' ''<small>(fan names: wub / ticplayal hv | * '''#8''' ''<small>(fan names: wub / ticplayal hv TBM)</small>'' | ||
* '''#9''' <!-- often considered part of (wub), but including it makes that segment way longer than usual. cutting out the outro as its own track makes both sense to bring it in line with other track lengths, but also early on it was quite awkward transitioned early on, it's a new segments not unlike spiral (vibe) to spiral, and it is not included in most versions of the sets --> ''<small>(fan names: wub / ticplayal hv | * '''#9''' <!-- often considered part of (wub), but including it makes that segment way longer than usual. cutting out the outro as its own track makes both sense to bring it in line with other track lengths, but also early on it was quite awkward transitioned early on, it's a new segments not unlike spiral (vibe) to spiral, and it is not included in most versions of the sets --> ''<small>(fan names: wub / ticplayal hv TBM)</small>'' | ||
* '''#10''' ''<small>(fan names: c16 - emotive / | * '''#10''' ''<small>(fan names: c16 - emotive / kandercall)</small>'' | ||
* '''#11''' '''"c16 deep tread"''' ''<small>(fan names: c16 / | * '''#11''' '''"c16 deep tread"''' ''<small>(fan names: c16 / c14 tight shred)</small>'' | ||
* '''#12''' ''<small>(fan names: c16 - sunken / distal felrate7)</small>''<!-- might be further split --> | * '''#12''' ''<small>(fan names: c16 - sunken / distal felrate7)</small>''<!-- might be further split --> | ||
* '''#13''' ''<small>(fan names: c16 - sunken / distal felrate7)</small>'' | * '''#13''' ''<small>(fan names: c16 - sunken / distal felrate7)</small>'' | ||
* '''#14''' Uses elements of '''"g 1 e 1"''' only in the 2014 shows. <small>''(fan names: g 1 e 1 - brisk + didgeridoo / j 1 | * '''#14''' Uses elements of '''"g 1 e 1"''' only in the 2014 shows. <small>''(fan names: g 1 e 1 - brisk + didgeridoo / j 1 b 1'')</small> | ||
* '''#15''' A mix of '''"7th slip",''' "'''c16 deep tread"''', '''"violvoic"''', and '''"c7b2"''' <!-- violvoic might be here as well? maybe gonk tuf hi --> ''<small>(fan names: c7b2 slip / | * '''#15''' A mix of '''"7th slip",''' "'''c16 deep tread"''', '''"violvoic"''', and '''"c7b2"''' <!-- violvoic might be here as well? maybe gonk tuf hi --> ''<small>(fan names: c7b2 slip / voic hv collida)</small>'' | ||
* '''#16''' A mix of '''"violvoic"''' and '''"7th slip".''' ''<small>(fan names: | * '''#16''' A mix of '''"violvoic"''' and '''"7th slip".''' ''<small>(fan names: slip - acid + violvoic slip / renice slip)</small>'' | ||
** On Krems 2015 the "violvoic" elements are missing. | ** On Krems 2015 the "violvoic" elements are missing. | ||
* '''#17''' Fusion of #19 and '''"7th slip"''' ''<small>(fan names: warble - heady / | * '''#17''' Fusion of #19 and '''"7th slip"''' ''<small>(fan names: warble - heady / renice slip)</small>'' | ||
* '''#18''' ''<small>(fan names: dotty / landciv3)</small>'' | * '''#18''' ''<small>(fan names: dotty / landciv3)</small>'' | ||
* '''#19''' Contains elements of '''"wetgelis causal interval"''' ''<small>(fan names: warble / wetgelis | * '''#19''' Contains elements of '''"wetgelis causal interval"''' ''<small>(fan names: warble / wetgelis litefil)</small>'' | ||
* '''#20''' ''<small>(fan names: c16 - alert / | * '''#20''' ''<small>(fan names: c16 - alert / kdr freeze 2.4t)</small>'' | ||
* '''#21''' Contains bits of '''"latentcall"''' ''<small>(fan names: airy / | * '''#21''' Contains bits of '''"latentcall"''' ''<small>(fan names: airy / kdr freeze 2.4t)</small>'' | ||
* '''#22''' <!-- 1 1 is? --> ''<small>(fan names: trudge / two of five (loose))</small>'' | * '''#22''' <!-- 1 1 is? --> ''<small>(fan names: trudge / two of five (loose))</small>'' | ||
* '''#23''' '''"nineFly"''' without noise-reduction, which combined bits from #1 and #3 ''<small>(fan names: acd sentinel / threeJay)</small>'' | * '''#23''' '''"nineFly"''' without noise-reduction, which combined bits from #1 and #3 ''<small>(fan names: acd sentinel / threeJay)</small>'' | ||
* '''#24''' '''"c7b2"''' with elements of '''"artov chain"''' ''<small>(fan names: c7b2 - US version / c9b4)</small>'' | * '''#24''' '''"c7b2"''' with elements of '''"artov chain"''' ''<small>(fan names: c7b2 - US version / c9b4)</small>'' | ||
* '''#25''' Elements of '''"artov chain"''' and '''"c16 deep tread"''' ''<small>(fan names: c16 artov / | * '''#25''' Elements of '''"artov chain"''' and '''"c16 deep tread"''' ''<small>(fan names: c16 artov / artov lt moda)</small>'' | ||
* '''#26''' <!-- possibly gonk steady one? --> ''<small>(fan names: warble - US version / | * '''#26''' <!-- possibly gonk steady one? --> ''<small>(fan names: warble - US version / gonk hedron sperse)</small>'' | ||
* '''#27''' An early version of '''"pendulu hv moda"''' with elements of '''"carefree counter dronal"''' ''<small>(fan names: leaper / pendulu freeplifal)</small>'' | * '''#27''' An early version of '''"pendulu hv moda"''' with elements of '''"carefree counter dronal"''' ''<small>(fan names: leaper / pendulu freeplifal)</small>'' | ||
** For Asheville 2015, it was performed out of order before #23 and #24 | ** For Asheville 2015, it was performed out of order before #23 and #24 | ||
Revision as of 04:27, 9 June 2024
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AE_LIVE is a compilation of twenty-eight soundboard recordings taken from live shows performed in 2014 and 2015.
History
For the US leg of the tour (known as AENA)[1], Cygnus and Rob Hall came along as support.[1]
On October 28th, people were asked to sign up to Autechre's mailing list within the next 24 hours.[2][3] The following day on the 29th, the first four sets (Krakow 2014 to Dublin 2014) were made availabe for purchase on Autechre's newly set-up store exclusively to those subscribed to the mailing list.[4][5] The official announcement came on November 1st, 2015 that it was made available.[6][7] Later on December 8th, 2015, the compilation was updated with another five sets (Krems 2015 to Katowice 2015),[6] which also included making it available for everyone to purchase.[5]
After a few years, it was amended with the 19 sets from AENA (Portland 2015 to Denver 2015) on January 30th, 2019.[8]
Analysis
Main analysis by EnergyIsMassiveLight. Major sources (especially fan names) are from daffodil's splits[9] and elseq 6-10.[10] Track titles are numbered on the mega spreadsheet, however track matches/elements are included in the immediate analysis below. The officially released sets in the list are highlighted in bold and bootlegs recordings of unreleased shows are italicized. Much of the material on the 14/15 live shows have elements and tracks that later appeared on elseq 1-5 and NTS Sessions 1-4.
- #1 Elements of "acdwn2" and "t1a1" (fan names: acdwn2 / tacdwn1)
- #2 Possibly containing elements of "e0" and "glos ceramic" (fan names: ceramic / dros ceramic)
- #3 "sinistrail sentinel" (fan names: sentinel / sinistrail carpeal)
- #4 (fan names: rave / rainbow cerebricon)
- #5 (fan names: drunk / dummyfold)
- #6 Shared elements with #7. (fan names: spiral / cantilla morphfree)
- For Krakow 2014 and Dublin 2014, the track's outro is replaced by a continuous transition into #7
- #7 Early version of "north spiral" with elements of "gonk tuf hi". (fan names: spiral / east helix)
- #8 (fan names: wub / ticplayal hv TBM)
- #9 (fan names: wub / ticplayal hv TBM)
- #10 (fan names: c16 - emotive / kandercall)
- #11 "c16 deep tread" (fan names: c16 / c14 tight shred)
- #12 (fan names: c16 - sunken / distal felrate7)
- #13 (fan names: c16 - sunken / distal felrate7)
- #14 Uses elements of "g 1 e 1" only in the 2014 shows. (fan names: g 1 e 1 - brisk + didgeridoo / j 1 b 1)
- #15 A mix of "7th slip", "c16 deep tread", "violvoic", and "c7b2" (fan names: c7b2 slip / voic hv collida)
- #16 A mix of "violvoic" and "7th slip". (fan names: slip - acid + violvoic slip / renice slip)
- On Krems 2015 the "violvoic" elements are missing.
- #17 Fusion of #19 and "7th slip" (fan names: warble - heady / renice slip)
- #18 (fan names: dotty / landciv3)
- #19 Contains elements of "wetgelis causal interval" (fan names: warble / wetgelis litefil)
- #20 (fan names: c16 - alert / kdr freeze 2.4t)
- #21 Contains bits of "latentcall" (fan names: airy / kdr freeze 2.4t)
- #22 (fan names: trudge / two of five (loose))
- #23 "nineFly" without noise-reduction, which combined bits from #1 and #3 (fan names: acd sentinel / threeJay)
- #24 "c7b2" with elements of "artov chain" (fan names: c7b2 - US version / c9b4)
- #25 Elements of "artov chain" and "c16 deep tread" (fan names: c16 artov / artov lt moda)
- #26 (fan names: warble - US version / gonk hedron sperse)
- #27 An early version of "pendulu hv moda" with elements of "carefree counter dronal" (fan names: leaper / pendulu freeplifal)
- For Asheville 2015, it was performed out of order before #23 and #24
| #1 | #2 | #3 | #4 | #5 | #6 | #7 | #8 | #9 | #10 | #11 | #12 | #13 | #14 | #15 | #16 | #17 | #18 | #19 | #20 | #21 | #22 | #23 | #24 | #25 | #26 | #27 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| KRAKOW_201914 | 0:00 | 8:20 | 13:46 | 18:52 | 24:04 | 31:39 | 33:17 | 41:14 | 47:21 | 50:24 | 54:19 | 54:56 | 56:21 | ||||||||||||||
| BRUSSELS_031014 | 0:00 | 11:29 | 18:11 | 23:47 | 28:59 | 35:06 | 38:16 | 42:45 | 46:50 | 50:18 | 53:36 | 56:50 | 58:03 | 60:18 | |||||||||||||
| UTRECHT_221114 | 0:00 | 5:50 | 10:40 | 14:17 | 17:54 | 23:12 | 26:16 | 30:20 | 33:12 | 34:28 | 37:06 | 40:20 | 42:35 | 45:26 | 50:50 | 53:20 | |||||||||||
| DUBLIN_191214 | 0:00 | 7:19 | 12:31 | 13:32 | 18:44 | 24:48 | 26:53 | 34:47 | 38:27 | 42:23 | 49:56 | 53:04 | 56:20 | 58:58 | 62:17 | 64:23 | 69:59 | ||||||||||
| KREMS_020515 | 0:00 | 8:07 | 13:33 | 17:46 | 22:03 | 26:30 | 28:44 | 32:48 | 35:15 | 37:26 | 40:18 | 42:13 | 46:15 | 48:23 | |||||||||||||
| NAGANO_300515 | 0:00 | 7:22 | 12:23 | 15:57 | 20:23 | 25:38 | 28:41 | 33:22 | 36:13 | 38:25 | 42:20 | 45:45 | 48:00 | 51:34 | |||||||||||||
| GRAFENHAINICHEN_170715 | 0:00 | 4:06 | 7:37 | 10:40 | 14:45 | 19:47 | 23:27 | 27:08 | 30:48 | 36:28 | 40:24 | 43:09 | 47:27 | 52:35 | 58:03 | 59:39 | |||||||||||
| DOUR_180715 | 0:00 | 5:33 | 8:17 | 11:20 | 15:22 | 20:15 | 23:55 | 28:12 | 31:52 | 36:56 | 40:40 | 45:34 | 49:50 | 54:02 | 61:16 | ||||||||||||
| KATOWICE_210815 | 0:00 | 5:32 | 9:18 | 13:07 | 17:30 | 22:24 | 25:21 | 29:50 | 33:06 | 36:33 | 40:54 | 44:07 | 47:22 | 50:46 | 54:30 | 58:38 | |||||||||||
| PORTLAND_240915 | 0:00 | 5:37 | 7:46 | 8:57 | 13:03 | 15:35 | 19:28 | 21:55 | 26:00 | 29:18 | 33:10 | 36:38 | 39:56 | 42:55 | 44:48 | 48:12 | 51:37 | 54:37 | 56:52 | ||||||||
| SEATTLE_250915 | 0:00 | 4:58 | 8:55 | 12:26 | 16:15 | 21:27 | 23:29 | 27:46 | 31:01 | 36:11 | 39:06 | 41:45 | 44:24 | 47:54 | 52:26 | 55:50 | 60:14 | ||||||||||
| VANCOUVER_260915 | 0:00 | 5:05 | 8:17 | 11:21 | 15:41 | 20:37 | 23:34 | 26:50 | 29:17 | 34:23 | 37:24 | 41:16 | 44:36 | 47:54 | 50:57 | 53:45 | 56:30 | ||||||||||
| CHICAGO_290915 | 0:00 | 4:03 | 7:43 | 10:58 | 15:03 | 18:43 | 20:39 | 23:43 | 26:09 | 30:33 | 33:40 | 36:31 | 39:49 | 42:53 | 46:41 | 50:18 | 53:05 | 56:41 | 59:38 | ||||||||
| TORONTO_011015 | 0:00 | 5:12 | 8:51 | 12:16 | 16:27 | 21:32 | 25:00 | 28:40 | 32:20 | 37:18 | 41:26 | 46:06 | 48:18 | 51:54 | 55:45 | ||||||||||||
| MONTREAL_021015 | 0:00 | 4:13 | 7:52 | 10:40 | 15:06 | 19:29 | 21:13 | 24:41 | 27:57 | 32:09 | 35:35 | 38:01 | 40:55 | 44:51 | 48:57 | 51:44 | 54:28 | ||||||||||
| NEW_YORK_031015 | 0:00 | 5:18 | 8:35 | 11:57 | 15:37 | 19:05 | 20:43 | 23:58 | 27:38 | 30:42 | 33:55 | 37:51 | 41:00 | 44:00 | 47:52 | 51:22 | 54:58 | 57:46 | |||||||||
| BOSTON_041015 | 0:00 | 4:13 | 7:46 | 10:37 | 14:17 | 18:06 | 20:08 | 23:12 | 26:28 | 29:28 | 34:32 | 38:10 | 41:26 | 43:04 | 46:51 | 50:59 | 55:47 | ||||||||||
| PORTSMOUTH_051015 | 0:00 | 4:10 | 7:16 | 10:05 | 13:26 | 17:22 | 19:06 | 23:47 | 26:38 | 29:53 | 33:18 | 35:57 | 38:45 | 41:57 | 45:27 | 48:06 | 51:30 | 54:36 | |||||||||
| PHILADELPHIA_061015 | 0:00 | 5:08 | 8:02 | 10:50 | 14:42 | 19:12 | 21:08 | 24:48 | 28:28 | 33:08 | 35:39 | 38:06 | 41:30 | 45:42 | 46:38 | 50:02 | 53:02 | 56:14 | 59:58 | ||||||||
| WASHINGTON_071015 | 0:00 | 4:34 | 7:15 | 9:51 | 14:01 | 19:07 | 21:22 | 25:38 | 28:54 | 33:47 | 37:13 | 40:49 | 43:37 | 47:43 | 50:46 | 55:26 | |||||||||||
| ASHEVILLE_081015 | 0:00 | 4:55 | 8:36 | 11:12 | 14:46 | 18:17 | 20:25 | 24:18 | 26:45 | 30:22 | 33:05 | 35:32 | 38:20 | 42:20 | 48:56 | 51:38 | 46:08 | ||||||||||
| ATLANTA_091015 | 0:00 | 4:55 | 8:08 | 11:14 | 14:48 | 18:38 | 21:41 | 25:33 | 28:49 | 32:25 | 35:44 | 39:06 | 41:57 | 44:33 | 48:45 | 52:09 | 55:12 | 60:04 | |||||||||
| ORLANDO_101015 | 0:00 | 4:17 | 7:17 | 10:57 | 15:02 | 19:46 | 22:43 | 26:23 | 30:03 | 33:34 | 36:35 | 39:02 | 42:38 | 46:34 | 51:26 | 55:56 | 56:23 | ||||||||||
| MIAMI_111015 | 0:00 | 3:40 | 6:16 | 9:13 | 12:44 | 17:53 | 20:26 | 23:54 | 26:45 | 30:56 | 34:16 | 37:22 | 42:56 | 46:50 | 49:59 | 52:43 | 55:34 | ||||||||||
| AUSTIN_131015 | 0:00 | 5:56 | 9:36 | 12:51 | 17:17 | 21:28 | 24:19 | 28:24 | 31:15 | 35:04 | 38:23 | 41:47 | 45:35 | 49:27 | 54:09 | 57:03 | 59:07 | ||||||||||
| LOS_ANGELES_151015 | 0:00 | 4:03 | 7:17 | 10:14 | 14:31 | 19:36 | 22:03 | 25:19 | 28:10 | 31:38 | 36:07 | 39:38 | 42:42 | 45:09 | 48:45 | 53:21 | 57:08 | 59:51 | 62:47 | ||||||||
| SAN_FRANCISCO_161015 | 0:00 | 4:52 | 8:01 | 10:43 | 14:30 | 19:29 | 22:08 | 25:36 | 29:41 | 34:23 | 37:36 | 41:36 | 45:44 | 48:28 | 52:46 | 55:46 | |||||||||||
| DENVER_171015 | 0:00 | 3:50 | 7:39 | 10:52 | 15:27 | 17:47 | 21:27 | 25:32 | 30:07 | 33:26 | 37:20 | 41:40 | 45:17 | 48:25 | 51:33 | 54:32 | |||||||||||
| Glasgow_011114 | [1] | [2] | [3] | [4] | [5] | [6] | [7] | [8] | |||||||||||||||||||
| Minehead_130315 | 0:07 | 5:58 | 9:41 | 13:19 | 17:37 | 23:20 | 26:49 | 32:19 | 36:49 | 39:29 | 44:08 | 48:28 | 50:20 | 52:58 | 55:47 | ||||||||||||
| Barcelona_180615 | [9] | ||||||||||||||||||||||||||
| Amsterdam_300715 | [10] | [11] | [12] | [13] | [14] | [15] | [16] | [17] | [18] | [19] | |||||||||||||||||
| London_211115 | 0:21 | 4:44 | 7:47 | 10:41 | 14:46 | 18:59 | 21:14 | 24:42 | 27:58 | 31:25 | 35:31 | 39:20 | 41:47 | 45:11 | 48:47 | 53:11 | 56:35 | 57:07 |
Trivia
- Sean mentioned that there's a DMX kick and snare in the live shows "but nobody ever comments on them". [11][12]
- Some sets that were highlighted by Sean in interviews were the Los Angeles set for the LA times[13] as well as the Orlando and Montreal sets[14]. Although Sean also noted the New York gig "was terrible". For the Incunabula, Amber and Tri Repetae reissues, a copy of AE_LIVE_GRAFENHAINICHEN_170715 was also provided.[15]
- On early AENA promotional material, the Seattle show was redacted.[16]
Gallery
AE_LIVE_KRAKOW_200914
AE_LIVE_BRUSSELS_031014
AE_LIVE_UTRECHT_221114
AE_LIVE_DUBLIN_191214
AE_LIVE_KREMS_020515
AE_LIVE_NAGANO_300515
AE_LIVE_GRAFENHAINICHEN_170715
AE_LIVE_DOUR_180715
AE_LIVE_KATOWICE_210815
AE_LIVE_PORTLAND_240915
AE_LIVE_SEATTLE_250915
AE_LIVE_VANCOUVER_260915
AE_LIVE_CHICAGO_290915
AE_LIVE_TORONTO_011015
AE_LIVE_MONTREAL_021015
AE_LIVE_NEW_YORK_031015
AE_LIVE_BOSTON_041015
AE_LIVE_PORTSMOUTH_051015
AE_LIVE_PHILADELPHIA_061015
AE_LIVE_WASHINGTON_071015
AE_LIVE_ASHEVILLE_081015
AE_LIVE_ATLANTA_091015
AE_LIVE_ORLANDO_101015
AE_LIVE_MIAMI_111015
AE_LIVE_AUSTIN_131015
AE_LIVE_LOS_ANGELES_151015
AE_LIVE_SAN_FRANCISCO_161015
AE_LIVE_DENVER_171015
Tracklist
| # | Title | Length |
|---|---|---|
| 1 | AE_LIVE_KRAKOW_200914 | 57:55 |
| 2 | AE_LIVE_BRUSSELS_031014 | 1:04:00 |
| 3 | AE_LIVE_UTRECHT_221114 | 1:00:45 |
| 4 | AE_LIVE_DUBLIN_191214 | 1:13:18 |
| 5 | AE_LIVE_KREMS_020515 | 54:26 |
| 6 | AE_LIVE_NAGANO_300515 | 56:50 |
| 7 | AE_LIVE_GRAFENHAINICHEN_170715 | 1:04:31 |
| 8 | AE_LIVE_DOUR_180715 | 1:04:25 |
| 9 | AE_LIVE_KATOWICE_210815 | 1:02:52 |
| 10 | AE_LIVE_PORTLAND_240915 | 1:00:25 |
| 11 | AE_LIVE_SEATTLE_250915 | 1:04:30 |
| 12 | AE_LIVE_VANCOUVER_260915 | 1:00:02 |
| 13 | AE_LIVE_CHICAGO_290915 | 1:03:46 |
| 14 | AE_LIVE_TORONTO_011015 | 1:00:02 |
| 15 | AE_LIVE_MONTREAL_021015 | 56:50 |
| 16 | AE_LIVE_NEW_YORK_031015 | 1:01:48 |
| 17 | AE_LIVE_BOSTON_041015 | 59:59 |
| 18 | AE_LIVE_PORTSMOUTH_051015 | 58:27 |
| 19 | AE_LIVE_PHILADELPHIA_061015 | 1:03:34 |
| 20 | AE_LIVE_WASHINGTON_071015 | 58:55 |
| 21 | AE_LIVE_ASHEVILLE_081015 | 55:03 |
| 22 | AE_LIVE_ATLANTA_091015 | 1:03:46 |
| 23 | AE_LIVE_ORLANDO_101015 | 59:38 |
| 24 | AE_LIVE_MIAMI_111015 | 1:00:46 |
| 25 | AE_LIVE_AUSTIN_131015 | 1:02:35 |
| 26 | AE_LIVE_LOS_ANGELES_151015 | 1:06:49 |
| 27 | AE_LIVE_SAN_FRANCISCO_161015 | 1:00:34 |
| 28 | AE_LIVE_DENVER_171015 | 58:55 |
| Total | 28:35:36 | |
Links
Credits
- The Designers Republic (design)
- Jamie Harley (recording/sound engineer)[17][18]
References
- ↑ 1.0 1.1 https://web.archive.org/web/20150812054937/http://autechre.ws:80/
- ↑ https://www.facebook.com/warprecords/posts/10153195416617686
- ↑ https://forum.watmm.com/topic/89160-sign-up-to-autechres-mailing-list
- ↑ https://forum.watmm.com/topic/89167-ae_live/
- ↑ 5.0 5.1 https://www.factmag.com/2015/10/30/autechre-are-selling-exclusive-live-recordings/
- ↑ 6.0 6.1 https://web.archive.org/web/20160304184647/https://twitter.com/AE_STORE_
- ↑ https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html
- ↑ https://ra.co/news/43195
- ↑ https://docs.google.com/spreadsheets/u/0/d/1QQxmk9UZ4Xq9lmmkQWI8Pd2B6ArEce0tWpML1LtaoNA/htmlview#
- ↑ https://www.reddit.com/r/autechre/comments/me39ad/elseq_610_ae_live_exclusives_remake/
- ↑ Sean Twitch AMA, June 2022. "Yeah, I mean, occasionally, we'll fuck around with something old and do something new with it, like there's a[n Oberheim] DMX, there's DMX drum sounds in that first AE_LIVE 2015 stuff's got some DMX drum sounds in, but nobody ever comments on them, but I don't know. To me, they're like really obvious. Like, I'll put those things in as reference points and no one ever gets them, so, you know."
- ↑ Sean Twitch AMA, June 2022. "“Do you make sounds in AE_LIVE stuff?” I'm assuming you're talking about samples from the DMX? Yeah. No it's not modeled or anything, it's just samples, but the DMX is samples, right? So I don't have to feel weird about that. But yeah, it's a bit mutated as well. it's, being fucked with, so, in a cool way, so. But yeah, it's basically one track where it's just DMX kick and snare, and I don't know if there's a clap in there. I really like the DMX sounds. They're like, they just immediately put me somewhere. It's like there's a certain kind of like late night radio soul that used the DMX that was just massively appealing to us. I don't know why the DMX and not the LinnDrum was just the drum machine a choice for a lot of soul artists, but it just has that feel to it. There's only a subtle difference between them really, but I've always preferred the DMX. I don’t know."
- ↑ https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html#:~:text=The%20duo%20was%20especially%20fond%20of%20their%20L.A.%20date.
- ↑ Hanalgig AMA, July 2022. "it’s been fun exploring your live sets, especially the sheer quantity of 14-15. anything you could share about memories of that tour that stick out to you? places you loved/hated? shows that went well/awful? XH HX: that tour was pure laughs. i rem the driver making phil go on the bus roof to check the ac unit at one point, idk why phil. usa bus tours are always a bit mad. i rly enjoyed orlando and montreal. nyc was terrible (the gig not the city)."
- ↑ https://autechre.warp.net/format/594952-tri-repetae#:~:text=INCLUDES%20DOWNLOAD%20CARD%20FOR%20ALBUM%20%26%20BONUS%20LIVE%20SET%20AE_LIVE_GRAFENHAINICHEN_170715
- ↑ https://web.archive.org/web/20150801005858/http://autechre.ws/
- ↑ https://www.discogs.com/master/907329-Autechre-AE_LIVE
- ↑ https://musicbrainz.org/release/a20926fb-dea0-406f-a923-1c2842a4e985