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SB: Klar. Allerdings hat uns die Pandemie bisher gar nicht so sehr getroffen, weil wir die Tour erst zum Release des neuen Albums geplant hatten. Jetzt  sitzen auf einem fertigen Live-Set, das wir nicht spielen können. Unsere Routine hat sich aber nicht sonderlich verändert, wir bleiben ja sowieso die ganze Zeit zuhause und machen Musik.
SB: Klar. Allerdings hat uns die Pandemie bisher gar nicht so sehr getroffen, weil wir die Tour erst zum Release des neuen Albums geplant hatten. Jetzt  sitzen auf einem fertigen Live-Set, das wir nicht spielen können. Unsere Routine hat sich aber nicht sonderlich verändert, wir bleiben ja sowieso die ganze Zeit zuhause und machen Musik.


Rob Brown: Unser Ablauf blieb tatsächlich gleich. Wir hatten Pläne für Gigs, aber, na ja. Wir bekamen zum Beispiel im März ein Angebot für einen Auftritt in Mailand im November. Die Lombardei wurde dann komplett abgeriegelt, und wir haben von den Leuten einen Monat lang nichts gehört. Beim nächsten Kontakt  waren sie schon weitaus weniger zuversichtlich. Dann hat sich das Angebot in Luft aufgelöst und wurde auf nächstes Jahr verschoben. Das war unser einziger geplatzter Gig, wenn man so will. Weil wir ja ohnehin erst im Winter oder im Frühling 2021 loslegen wollten.}}</ref><ref>https://web.archive.org/web/20241217152311/https://post.lurk.org/@sean_ae/113663738919715601 <!-- (note: reference is for saying project was in development for rougly 4 years indicating 2019/2020 was the start) --></ref> Among the cancelled/postponed gigs was the postponement of a planned Milan gig in November 2020 to the following year.<ref name=":10" /> Sean mentioned that he spent that time reworking the back end of their rig, getting interested in MC (multi-channel audio in Max), physical modelling<ref name=":0">{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''“Do you like the new Mac chip situation? Is it any different to work on compared to the old CPU?”''' Yes. So my patch was using about 75, 80% towards the end of last year or the year before, whenever it was I got it, and then, yeah, I got the M1 and then it was just flying! 30%, just flying! Just absolutely insane! So there's no turning back now I'm fucked because I'm filling it up already. Loads of Live physmod things, and things that were a bit, you know, expensive. So yeah, I love it. Just amazing, kind of a little bit too much if anything, and the disking out speeds are amazing. The transitions are all super tight. The timing's super tight. All the control rate stuff is super tight. So yeah, I think if you're using Max and you've got an M1, you're basically living the dream at this point. it's just insane.}}</ref> (such as [https://forum.ircam.fr/projects/detail/modalys/ Modalys]), and scratching (as seen on Gescom's ''[[AMKS_1]]'')''.''<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Basically when COVID hit, I had a lot of time on my hands to rebuild a lot of it. So it's, yeah, it’s a lot of it you wouldn't even notice because a lot of it's just porting things to Gen that didn't need to be ported but just because I wanted a bit more control, and that led me off on loads of tangents because once you start building basic things like oscillators, you get a bit mad with all the options. So yeah, that happened and then I got heavily into MC, and then that happened. And then I built a lot more [physical] modeling stuff, and I did that scratching thing that we used on that Gescom thing that we've done about just over a year ago. And then did that and then, and then, yeah the set sort of grew out of all that tech basically. So sty listically, it's not that far off what we've been doing for the last few years because I think we're still in the same sort of place mentally. But, tech wise, the underlying, the kind of back end stuff is all fresh.}}</ref>  
Rob Brown: Unser Ablauf blieb tatsächlich gleich. Wir hatten Pläne für Gigs, aber, na ja. Wir bekamen zum Beispiel im März ein Angebot für einen Auftritt in Mailand im November. Die Lombardei wurde dann komplett abgeriegelt, und wir haben von den Leuten einen Monat lang nichts gehört. Beim nächsten Kontakt  waren sie schon weitaus weniger zuversichtlich. Dann hat sich das Angebot in Luft aufgelöst und wurde auf nächstes Jahr verschoben. Das war unser einziger geplatzter Gig, wenn man so will. Weil wir ja ohnehin erst im Winter oder im Frühling 2021 loslegen wollten.}}</ref><ref>https://web.archive.org/web/20241217152311/https://post.lurk.org/@sean_ae/113663738919715601 <!-- (note: reference is for saying project was in development for rougly 4 years indicating 2019/2020 was the start) --></ref><!-- Among the cancelled/postponed gigs was the postponement of a planned Milan gig in November 2020 to the following year. (see groove interview) --> Sean mentioned that he spent that time reworking the back end of their rig, getting interested in MC (multi-channel audio in Max), physical modelling<ref name=":0">{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''“Do you like the new Mac chip situation? Is it any different to work on compared to the old CPU?”''' Yes. So my patch was using about 75, 80% towards the end of last year or the year before, whenever it was I got it, and then, yeah, I got the M1 and then it was just flying! 30%, just flying! Just absolutely insane! So there's no turning back now I'm fucked because I'm filling it up already. Loads of Live physmod things, and things that were a bit, you know, expensive. So yeah, I love it. Just amazing, kind of a little bit too much if anything, and the disking out speeds are amazing. The transitions are all super tight. The timing's super tight. All the control rate stuff is super tight. So yeah, I think if you're using Max and you've got an M1, you're basically living the dream at this point. it's just insane.}}</ref> (such as [https://forum.ircam.fr/projects/detail/modalys/ Modalys]), and scratching (as seen on Gescom's ''[[AMKS_1]]'')''.''<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Basically when COVID hit, I had a lot of time on my hands to rebuild a lot of it. So it's, yeah, it’s a lot of it you wouldn't even notice because a lot of it's just porting things to Gen that didn't need to be ported but just because I wanted a bit more control, and that led me off on loads of tangents because once you start building basic things like oscillators, you get a bit mad with all the options. So yeah, that happened and then I got heavily into MC, and then that happened. And then I built a lot more [physical] modeling stuff, and I did that scratching thing that we used on that Gescom thing that we've done about just over a year ago. And then did that and then, and then, yeah the set sort of grew out of all that tech basically. So sty listically, it's not that far off what we've been doing for the last few years because I think we're still in the same sort of place mentally. But, tech wise, the underlying, the kind of back end stuff is all fresh.}}</ref>  


On March 21st, 2020, Sean mentioned during a mixlr stream that the "live set is 99% complete just need to do the intro."<ref>{{Cite web|author=Ryce, Andrew|title=Autechre say they have two new albums ready|website=Resident Advisor|date=22 March 2020|link=https://ra.co/news/72301|accessdate=5 June 2025}}</ref> By mid-2022, Sean noted that, on his side, he now had about three and a half hours of total material prepared that may or may not be shown.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=[...] I mean some, they will share elements and the probably, I mean in all likelihood it'll be mostly similar material but there's a bunch of material that's not aired yet. That's because we've had too long to work on this fucking set, right, so. Least my part of the set is, I don't know, like three and a half hours of stuff, so I don't know how much of it will end up using.}}</ref>  
During a mixlr stream on March 21st, 2020, Sean mentioned that the live set was 99% complete, just that the intro needed to be completed.<ref>{{Cite web|author=Ryce, Andrew|title=Autechre say they have two new albums ready|website=Resident Advisor|date=22 March 2020|link=https://ra.co/news/72301|accessdate=5 June 2025}}</ref> By mid-2022, Sean noted that, on his side, he had about three and a half hours of total material prepared that may or may not be shown.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=[...] I mean some, they will share elements and the probably, I mean in all likelihood it'll be mostly similar material but there's a bunch of material that's not aired yet. That's because we've had too long to work on this fucking set, right, so. Least my part of the set is, I don't know, like three and a half hours of stuff, so I don't know how much of it will end up using.}}</ref> In late 2023, Sean gave an update on Mastodon that the material ended up becoming one long track they just kept adding onto. At that point, it was "about 4 hours long so far and growing steadily", noting it was the "most interesting thing we’ve done in ages from our POV." <ref>[https://web.archive.org/web/20231118215345/https://post.lurk.org/@sean_ae/111433472440615681#:~:text=We%20took%20a,from%20our%20POV. @sean_ae Mastodon post, November 18, 2023]</ref> In an interview in October 2024, they mentioned that "we could keep [this project] going for another ten years."<ref name=":2" />  
 
In a Mastodon thread late 2023, Sean gave an update that the material ended up becoming one long track they just kept adding onto. At that point, it was "about 4 hours long so far and growing steadily", noting it was the "most interesting thing we’ve done in ages from our POV." <ref>[https://web.archive.org/web/20231118215345/https://post.lurk.org/@sean_ae/111433472440615681#:~:text=We%20took%20a,from%20our%20POV. @sean_ae Mastodon post, November 18, 2023]</ref> In an interview in October 2024, they mentioned that "we could keep [the current live shows] going for another ten years."<ref name=":2" />  


The main equipment used to perform are two M1<ref name=":0" /><!-- possibly M2 by now --> Macs running Max/MSP, Kenton Killamix controllers, Apogee Symphony Desktop and Apogee Element 24.<ref name=":4">{{Cite interview|page=Sean Twitch AMA, July 2022|quote='''Can u describe the live setup of the last gigs, laptop, controllers, souncard, thx''' I mean you know, two, I mean the latest ones are just two M1 Macs, Kenton Killamix controllers, two interfaces; I've got an Apogee Symphony Desktop, Rob's using the Apogee Element 24. The mixer is like a little Mackie Onyx12 channel thing just because it fits on a plane easily, and it's easier to get around. And it's replaceable if it breaks, you know, it's not, we're not relying on some esoteric mixer being found by the promoter at the last minute, so. Because that's always a consideration, you know? There's only the controllers really that be hard to source. So we often carry spares like if we're on a tour bus, we'll have spares of the controllers we’ll source.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''What's your live setup nowadays?''' Two Macs, and these Kenton Killamix things, and a couple of interfaces.}}</ref><ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Tebbisimo: [...] What audio interface you using on the live sets ATM? [...]''' XH HX: i'm using apogee symphony desktop lately which i really rate but before that was using apogee element 24 (also good but harder to get now) and before that was using RME ADI2 converter (had to stop since apple borked the optical port but i loved that thing). i also got a MOTU M2 which is mad value for ESS sabre converters if u want something cheapish}}</ref><ref name=":5">https://web.archive.org/web/20240509143259/https://post.lurk.org/@sean_ae/112400607304881021</ref><ref name=":3">https://web.archive.org/web/20241107183922/https://post.lurk.org/@sean_ae/113442509470527990<!-- https://imgur.com/a/sean-ae-mastodon-2024-11-07-recording-setup-https-post-lurk-org-sean-ae-113442509470527990-92g7anp --></ref> In 2024, they got four custom-made Killamix Minis.<ref>https://web.archive.org/web/20240309004321/https://post.lurk.org/@sean_ae/112054867478643903</ref> Initially mixing was done using the Mackie Onyx12<ref name=":4" />, but since Brussels24 they've been using Sound Devices 888.<ref name=":5" /><ref name=":6">https://web.archive.org/web/20241113092034/https://post.lurk.org/@sean_ae/113458692313028937</ref> For recording with the 888, they have "two mains, two spares and two mons (adjustable using the headphone pot) going to 3 stereo DIs" with seperate recordings of Sean and Rob's computers alongside a mixed version.<ref name=":3" /><ref name=":6" /><!-- this is above my technical understanding, someone clean this up for me thx xoxoxo --> For final mixing<!-- would generally use "mastering" since it's the common term for it but i stuck with ae's use of mastering for preparing master for different formats rather than final mixdown  --> of the soundboards for release, Sean also listed using "a couple of Meyer UPMs and USW-112Ps" as monitors.<ref>https://forum.keyosc.com/topic/720-i-no-longer-strongly-disagree-with-seans-answer-to-gl0tch-in-aaaa/?&do=findComment&comment=19916</ref>
The main equipment used to perform are two M1<ref name=":0" /><!-- possibly M2 by now --> Macs running Max/MSP, Kenton Killamix controllers, Apogee Symphony Desktop and Apogee Element 24.<ref name=":4">{{Cite interview|page=Sean Twitch AMA, July 2022|quote='''Can u describe the live setup of the last gigs, laptop, controllers, souncard, thx''' I mean you know, two, I mean the latest ones are just two M1 Macs, Kenton Killamix controllers, two interfaces; I've got an Apogee Symphony Desktop, Rob's using the Apogee Element 24. The mixer is like a little Mackie Onyx12 channel thing just because it fits on a plane easily, and it's easier to get around. And it's replaceable if it breaks, you know, it's not, we're not relying on some esoteric mixer being found by the promoter at the last minute, so. Because that's always a consideration, you know? There's only the controllers really that be hard to source. So we often carry spares like if we're on a tour bus, we'll have spares of the controllers we’ll source.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''What's your live setup nowadays?''' Two Macs, and these Kenton Killamix things, and a couple of interfaces.}}</ref><ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Tebbisimo: [...] What audio interface you using on the live sets ATM? [...]''' XH HX: i'm using apogee symphony desktop lately which i really rate but before that was using apogee element 24 (also good but harder to get now) and before that was using RME ADI2 converter (had to stop since apple borked the optical port but i loved that thing). i also got a MOTU M2 which is mad value for ESS sabre converters if u want something cheapish}}</ref><ref name=":5">https://web.archive.org/web/20240509143259/https://post.lurk.org/@sean_ae/112400607304881021</ref><ref name=":3">https://web.archive.org/web/20241107183922/https://post.lurk.org/@sean_ae/113442509470527990<!-- https://imgur.com/a/sean-ae-mastodon-2024-11-07-recording-setup-https-post-lurk-org-sean-ae-113442509470527990-92g7anp --></ref> In 2024, they got four custom-made Killamix Minis.<ref>https://web.archive.org/web/20240309004321/https://post.lurk.org/@sean_ae/112054867478643903</ref> Initially mixing was done using the Mackie Onyx12<ref name=":4" />, but since Brussels24 they've been using Sound Devices 888.<ref name=":5" /><ref name=":6">https://web.archive.org/web/20241113092034/https://post.lurk.org/@sean_ae/113458692313028937</ref> For recording with the 888, they have "two mains, two spares and two mons (adjustable using the headphone pot) going to 3 stereo DIs" with seperate recordings of Sean and Rob's computers alongside a mixed version.<ref name=":3" /><ref name=":6" /><!-- this is above my technical understanding, someone clean this up for me thx xoxoxo --> For final mixing<!-- would generally use "mastering" since it's the common term for it but i stuck with ae's use of mastering for preparing master for different formats rather than final mixdown  --> of the soundboards for release, Sean also listed using "a couple of Meyer UPMs and USW-112Ps" as monitors.<ref>https://forum.keyosc.com/topic/720-i-no-longer-strongly-disagree-with-seans-answer-to-gl0tch-in-aaaa/?&do=findComment&comment=19916</ref>


<!-- this is a _bit_ mean to include i think --><!-- extremely underwritten but would be ace information! -->During a show, they traverse through roughly 60-90 'cells'<!-- what are "cells"  --><!-- also note that that amount has definitely gone up in t
<!-- this is a _bit_ mean to include i think --><!-- extremely underwritten but would be ace information! -->During a show, they traverse through roughly 60-90 'cells'<!-- what are "cells"  --> in a prefered order, although sometimes they skip over or extend cells.<ref>{{Cite AAA2 doc|64}}</ref><ref>https://web.archive.org/web/20250823160621/https://post.lurk.org/@sean_ae/115078509915195794</ref><!-- also note that that amount has definitely gone up in t
hat time, about 115-135 now for a 90m set --> in a prefered order, although sometimes they skip over or extend cells.<ref>{{Cite AAA2 doc|64}}</ref><ref>https://web.archive.org/web/20250823160621/https://post.lurk.org/@sean_ae/115078509915195794</ref>  <!-- trawl sean archives for mastodon discussions about live setup. refer also to aaaa's q481, q190 -->
hat time, about 115-135 now for a 90m set -->  <!-- trawl sean archives for mastodon discussions about live setup. refer also to aaaa's q481, q190 -->


[[ae mixlr 300320|In a mixlr stream on March 30th, 2020]], while quickly skimming through their jams folder, Sean showed off a few seconds of the then unknown in-development live material (specifically segments '''#2, #3''' and '''#5'''). In December 2022, Sean posted two Max demos to Mastodon; [https://www.youtube.com/watch?v=3poN6FDyB28 one on December 10th] and [https://www.youtube.com/watch?v=jgMArRJswIQ one on December 15th], which were both bits of segments '''#29''' and '''#26''' respectively. In 2023, two more demos were posted, with [https://www.youtube.com/watch?v=UE8ug56Ijls July 26th's "Markov Chain"]<ref name=":7">https://web.archive.org/web/20230727210645/https://post.lurk.org/@sean_ae/110780381387123384</ref> and [https://www.youtube.com/watch?v=_R3JorLEwNE December 16th's "Fuckery"]<ref name=":1">https://web.archive.org/web/20231221224324/https://post.lurk.org/@sean_ae/111591524233807832</ref><!-- the video upload censored "fuckery" for the title, and also said 17th when the post was on the 16th --> for segments '''#38''' and '''#42/48'''. Months later, audio-only demos - September 23, 2024's “playing with stereo<ref name=":8" /> and January 7th, 2025's [https://www.youtube.com/watch?v=6GRNWAkIlQQ “quick gong jam”]<ref name=":9" /> - were shown for segments '''#53''' and '''#55'''.
[[ae mixlr 300320|In a mixlr stream on March 30th, 2020]], while quickly skimming through their jams folder, Sean showed off a few seconds of the then unknown in-development live material (segments '''#2, #3''' and '''#5'''). In December 2022, Sean posted two Max demos to Mastodon; [https://www.youtube.com/watch?v=3poN6FDyB28 one on December 10th] and [https://www.youtube.com/watch?v=jgMArRJswIQ one on December 15th], which were both bits of segments '''#29''' and '''#26''' respectively. In 2023, two more demos were posted, with [https://www.youtube.com/watch?v=UE8ug56Ijls July 26th's "Markov Chain"]<ref name=":7">https://web.archive.org/web/20230727210645/https://post.lurk.org/@sean_ae/110780381387123384</ref> and [https://www.youtube.com/watch?v=_R3JorLEwNE December 16th's "Fuckery"]<ref name=":1">https://web.archive.org/web/20231221224324/https://post.lurk.org/@sean_ae/111591524233807832</ref><!-- the video upload censored "fuckery" for the title, and also said 17th when the post was on the 16th --> for segments '''#38''' and '''#42/48'''. Months later, audio-only demos - September 23, 2024's “playing with stereo<ref name=":8" /> and January 7th, 2025's [https://www.youtube.com/watch?v=6GRNWAkIlQQ “quick gong jam”]<ref name=":9" /> - were shown for segments '''#53''' and '''#55'''.


=== Tour<!-- Update to include prior announcements add 22, 23, 24, 26 -->===
=== Tour<!-- Update to include prior announcements add 22, 23, 24, 26 -->===

Revision as of 14:13, 10 November 2025

AE_2022－

AE 2022－.jpg

Artist Autechre
Released 10 August 2023 (Milan22－Turin22)
4 November 2024 (Melbourne23－Lyon24)
Label Warp Records (WARP444)
PLUS
(2020) 		AE_2022－

AE_2022－, previously AE_LIVE 2022－, and otherwise known as 2022 dash[1] is a compilation of nineteen soundboard recordings taken from live shows performed from 2022 onwards as part of the twentytwentytwo tour.[2] The first batch was released on August 10th, 2023, and the second on November 4th, 2024.

History

Development

Initial planning for a new tour started in late 2019 for dates in late 2020-early 2021, before the COVID-19 pandemic in early 2020 put all plans on halt.[3][4][5] Sean mentioned that he spent that time reworking the back end of their rig, getting interested in MC (multi-channel audio in Max), physical modelling[6] (such as Modalys), and scratching (as seen on Gescom's AMKS_1).[7]

During a mixlr stream on March 21st, 2020, Sean mentioned that the live set was 99% complete, just that the intro needed to be completed.[8] By mid-2022, Sean noted that, on his side, he had about three and a half hours of total material prepared that may or may not be shown.[9] In late 2023, Sean gave an update on Mastodon that the material ended up becoming one long track they just kept adding onto. At that point, it was "about 4 hours long so far and growing steadily", noting it was the "most interesting thing we’ve done in ages from our POV." [10] In an interview in October 2024, they mentioned that "we could keep [this project] going for another ten years."[1]

The main equipment used to perform are two M1[6] Macs running Max/MSP, Kenton Killamix controllers, Apogee Symphony Desktop and Apogee Element 24.[11][12][13][14][15] In 2024, they got four custom-made Killamix Minis.[16] Initially mixing was done using the Mackie Onyx12[11], but since Brussels24 they've been using Sound Devices 888.[14][17] For recording with the 888, they have "two mains, two spares and two mons (adjustable using the headphone pot) going to 3 stereo DIs" with seperate recordings of Sean and Rob's computers alongside a mixed version.[15][17] For final mixing of the soundboards for release, Sean also listed using "a couple of Meyer UPMs and USW-112Ps" as monitors.[18]

During a show, they traverse through roughly 60-90 'cells' in a prefered order, although sometimes they skip over or extend cells.[19][20]

In a mixlr stream on March 30th, 2020, while quickly skimming through their jams folder, Sean showed off a few seconds of the then unknown in-development live material (segments #2, #3 and #5). In December 2022, Sean posted two Max demos to Mastodon; one on December 10th and one on December 15th, which were both bits of segments #29 and #26 respectively. In 2023, two more demos were posted, with July 26th's "Markov Chain"[21] and December 16th's "Fuckery"[22] for segments #38 and #42/48. Months later, audio-only demos - September 23, 2024's “playing with stereo[23] and January 7th, 2025's “quick gong jam”[24] - were shown for segments #53 and #55.

Tour

On March 9th, 2022, the twentytwentytwo tour was officially announced with five shows in Barcelona, Milan, Helsinki, London, and Turin across 2022.[25]

The first show of the tour was performed at Primavera in Barcelona on June 3rd, 2022, however, due to issues of negotiating the rights to the soundboard from Primavera as well as messing up the recording, it was left off the release.[26] The show in Den Haag on April 5th, 2024 also had a failed recording because they forgot to hit record.[27]

On January 21st, 2025, twentytwentyfive was announced with four shows in Amsterdam, Helsinki, Warsaw, and Berlin.[28] On February 26th, nineteen North American shows in October, six UK shows in November, and one additional August Reykjavik show were all announced, with pre-sale starting on the 27th.[29] Later on March 28th, the North American leg was updated: three venue changes, three dates with a second show added, and the addition of three new shows in New Orleans, Louisville, and Washington.[30] One last show for Saint Louis for October 19th was quietly added to the roster.

Release

"AE_LIVE_HELSINKI_110922_LTD", which was an unmastered soundboard of the Helsinki22 show, was released early exclusively to attendants of the show on October 4th, 2022 due to technical issues during the show.[31] Small glitches such as pops and audio dropouts appeared early into the show and got progressively more distracting as the show went on. A possible explanation is that the venue's poor subwoofer setup, exacerbated by the set's use of heavy sub-bass, experienced a coil short circuit leading to the malfunctions.[32][33] The soundboard was sent out as is without mastering as an apology, and was later re-released with proper mastering.

On August 7th, 2023, Warp sent out an announcement to sign up for to the newsletter.[34] The following day, AE_LIVE 2022－ was officially announced,[35] and seven 2022 shows from "AE_LIVE_MILAN_010722" to "AE_LIVE_TURIN_041122" were released individually and as a compilation on the 10th.[36] A limited run of 250 AE_LIVE_Print 2022－ posters were also announced for pre-orders on the 24th, which quickly sold out.[37][38]

On October 25th, 2024, Warp again sent out a newsletter sign-up announcement, with 12 dates listed.[39][40] On November 4th, 2024, twelve sets from "AE_MELBOURNE_250823" to "AE_LYON_070524" were released individually and added onto the now renamed compilation AE_2022－, dropping the "LIVE" prefix both in the compilation title and set names.[41] Sean noted that the idea came from Warp to drop the LIVE part of the naming convention.[42] The compilation was later put up on Bleep and Bandcamp on December 3rd.[43][44]

Analysis

Main analysis by EnergyIsMassiveLight and Zythion. Fan titles taken from fan-edit TTT－.[45] Officially released sets are highlighted in bold while the unreleased sets with bootleg recordings are italicized. Tables have be split for compactness.

Due to the nature of performances, the start and ends of a set may abridge or overextend in a way which don't cleanly fit in the segment splits.

The timestamps below are still a work in progress, thus are not final and are subject to change.

2022/2023

#1 #2 #3 #4 #5 #6 #7 #8 #9 #10 #11 #12 #13 #14 #15 #16 #17 #18 #19 #20 #21 #22 #23 #24 #25 #26 #27 #28 #29 #30 #31 #32 #33 #34 #35
MILAN_010722 0:00 7:06 12:02 17:59 24:20 31:42 35:47 41:09 46:23 51:29 57:40 62:14
ATHENS_050722 0:00 7:41 14:16 20:00 25:32 32:54 36:17 41:28 46:42 51:48 57:30 64:02 69:03 73:53
HELSINKI_110922 0:00 7:42 12:50 18:10 24:19 31:41 35:40 40:50 46:38 51:44 57:15 64:27
LONDON_071022_A 0:00 6:12 9:54 14:36 19:20 26:05 29:16 33:18 37:13 42:19 47:13 53:06
LONDON_071022_B 0:00 5:51 9:46 15:26 22:05 25:14 29:29 32:59 36:56 42:50 46:24 52:12
BERGEN_021122 0:00 7:00 10:42 15:00 19:19 26:04 29:15 33:16 37:12 42:18 47:08 52:23 56:09 59:47 63:52
TURIN_041122 0:00 5:59 9:42 14:01 18:19 25:05 28:15 32:17 36:12 41:18 46:09 52:41 57:42
MELBOURNE_250823 0:00 7:54 12:37 18:22 24:06 31:29 35:29 40:51 46:05 51:11 56:01
SYDNEY_270823 0:00 5:04 12:00 16:24 21:25 26:13 33:24 38:44 43:02 48:26 52:55 57:41 62:35 67:29
VENICE_261023 0:00 5:50 10:41 15:55 19:16 21:05 23:19 25:33 28:53 34:51 38:00 42:16 45:46 48:20 53:36 57:10 62:58
DUBLIN_291023 0:00 4:42 11:39 16:02 21:50 28:28 38:59 46:06 51:07 56:31 60:20 62:50 66:19 69:40 73:59
Barcelona_030622 [AUD #2] 1:01 8:18 12:50 18:59 24:45 32:30 35:40 45:31 48:46 52:04 54:39 59:14
Tokyo_180823 [1] [2]
Krakow_061023 0:00 6:36 10:42 15:00 19:19 26:04 29:15 34:25 39:40 47:15 52:27 57:41
  • #1 (fan name: T2)
  • #2-4 "ecol4"[46] (fan name: ical7)
  • #5-6 (fan name: L cemp)
  • #7-8 Contains elements of "F7" (fan name: F4)
  • #9-11 (fan name: prin Cur)
  • #12-13 (fan name: asle 1)
  • #14-15 (fan name: M3 Luni)
  • #16-18 (fan name: osin PM)
  • #19-20 (fan name: nal.1)
  • #21-23 (fan name: corcine)
    • One sample that gets scratched in this segment is the "It's time to change!" sample from Jan and Dean's "A Stench in Time". It should be noted that the same sample is present in Chris The Glove Taylor's "Itchiban Scratch" which appeared in multiple of Autechre mixes, including 2015's Dekmantel mix.
  • #24-25 (fan name: drane3)
  • #26-27 Contains the 12/15/22 demo (fan name: three tone)
    • In the top right corner of the demo, "three tone" is shown as a column name.[47]
    • In the demo, one of the files loaded into the sampler sample9scr2 is Gap Band's "Burn Rubber On Me (Why You Wanna Hurt Me)", specifically the "tyre screech faster" part at the start.
  • #28-31 Contains the 12/10/22 demo (fan name: 2MM lv)
    • Alt text: "A video showing a modelled snare drum roughly emulating the snare drum from When The Levee Breaks by Led Zeppelin". Description by Sean: “Reasonable facsimile of the Levee Breaks snare from a model made of water and spider silk (?!) who knew”
    • The snare4ml shown is an example snare instrument from Modalys for Max, with Modalys also appearing in the 12/15/22 demo for its custom-made clarinet instrument.[48]
    • Rennes24 has a unique interlude variation of #29 before restarting the section.
  • #32-33 (fan name: vineseve)
    • Dublin23 contains a unique variation of #32
  • #34-35 (fan name: cata7)

2024

#21 #22 #23 #24 #25 #26 #27 #28 #29 #30 #31 #32 #33 #34 #35 #36 #37 #38 #39 #40 #41 #42 #43 #44 #45 #46 #47 #48 #49 #50 #51
BRUSSELS_040424 0:00 5:23 11:53 15:57 20:58 25:46 33:14 38:03 42:08 47:22 51:01 54:55 59:03 62:59 67:38
PARIS_060424 0:00 5:06 11:37 15:21 20:13 25:01 31:06 36:41 40:02 44:39 48:59 52:33 56:33 60:29 66:03 72:52 78:24 82:20
RENNES_070424 0:00 6:10 10:23 17:49 22:23 27:04 35:33 39:40 43:33 47:56 52:09 57:22
BARCELONA_090424 0:00 5:01 10:44 18:27 23:32 27:14 32:18 36:30 40:42 44:32 48:45 53:57 60:58 66:07 70:39 74:25
MADRID_100424 0:00 5:30 10:37 18:20 24:12 28:23 33:47 38:47 43:01 46:58 52:01 56:41 62:50 68:04 70:59 74:58 78:35
LISBON_120424_B 0:00 6:49 12:02 16:02 20:17 26:43 33:29 37:44 43:52 47:02 51:29 57:47
KREMS_270424 0:00 4:42 10:34 14:07 19:17 25:20 32:15 38:05 42:09 47:24 51:17 55:05 59:28 63:40 68:09
LYON_070524 0:00 5:01 9:18 13:43 16:54 23:33 29:55 34:52 41:31 44:40 49:08 55:36 62:29 71:30 75:30 83:09
Den_Haag_050424 0:14 4:38 9:40 14:28 21:39 26:13 29:34 34:18 38:38 42:35 47:02 51:23 56:35 64:14
Lisbon_120424_A 0:00 3:34 10:15 13:38 18:19 22:50 29:42 34:32 37:32 42:35 46:25 50:19 53:58 57:27 62:17
Oslo_300924 0:03 4:33 11:09 14:50 20:40 26:05 34:17 38:34 43:00 48:24 52:22 56:11 60:57 65:18 69:47
Stockholm_021024 0:06 5:58 10:22 13:28 16:40 23:18 29:31 35:11 41:49 44:59 49:27 55:53 62:58 70:57 74:16
Riga_041024 0:00 4:31 10:14 18:30 24:35 29:00 34:55 38:55 42:48 46:14 49:02 52:14
Copenhagen_061024 0:02 6:56 11:06 15:28 19:19 26:59 33:12 38:52 45:31 48:40 53:08 59:36 67:09 74:31 78:30 85:19
  • #36 (fan name: luxes n2)
  • #37-39 Contains elements of the 07/26/23 demo (fan name: aurorsle)
    • Alt text: "a max sequencer with a matrixctrl driving a prob object (first order markov chain)". Description by Sean: "after someone pointed out that our cascade sequencer was in fact a simple markov chain i made a version with weights instead of switches. quick demo:"[21]
  • #40 (fan name: 3sc)
  • #41-42 Contains the underlying segment in the 12/16/23 demo without manipulations (fan name: 1qry)
    • Alt text: "fuckery". Description by Sean: "This has to be illegal". The effect is achieved using a realtime phase vocoder.[22]
  • #43-44 (fan name: TSS TV)
  • #45-46 (fan name: P void)
  • #47-48 Contains the manipulations from the 12/16/23 demo (fan name: r enc LT)
  • #49-51 (fan name: newfree－)

2025

#36 #37 #38 #39 #40 #41 #42 #43 #44 #45 #46 #47 #48 #49 #50 #51 #52 #53 #54 #55 #56 #57 #58 #59 #60 #61 #62 #63
Manchester_220225 0:35 7:53* 11:48 15:47 19:37 26:15 33:45 38:08 44:46 47:57 52:24 56:11? 63:04? 69:00 72:25
Amsterdam_060825 0:11 7:25 12:18 16:17* 4:42 11:21 18:18 23:14 30:22 32:52 38:35 44:45 49:24 55:27 59:25 68:44
Helsinki_080825 0:02 7:32 11:31 15:21 22:00 30:48 36:27 43:16 45:47 48:20 54:36
Warsaw_100825 0:06 5:57 11:17 15:17 19:06 25:45 32:41 39:14 45:54 48:24 52:03 59:47 64:04 70:30 73:09 79:48?
Berlin_130825 0:00 3:56 8:48 12:47 17:28 24:07 28:51 33:47 38:48 41:00 45:28 50:56 56:20 62:00 64:18 70:15 77:30
Reykjavik_150825 0:03 6:38 11:30 15:28 20:11 26:48 33:44 38:41 45:20 48:30 52:58 58:26? 64:10 69:28 72:08 78:07?
Denver_011025 0:10 3:30 9:29 16:41 23:54 30:12 36:46 42:24 47:20 50:43 55:16 61:48 69:30 74:47
Minneapolis_031025 [3] [4] [5] [6]
Vancouver_051025 0:16 3:36 9:35 16:47 24:00 30:19 36:52 42:30 47:27 50:50 55:22 61:55 69:36 74:53 82:08
Seattle_061025_A 4:30 7:47 13:46 20:58 28:11 34:30 41:03 46:40 51:39 55:00 59:33 66:06 73:47 79:37 87:54
Seattle_061025_B 0:00 7:39 12:31 16:30 20:20 26:58 33:11 38:51 45:30 48:40 53:55 58:36 65:10 73:39 77:59 83:57
Portland_071025 1:15 4:32 10:31 16:57 24:10 30:28 37:02 42:38 47:36 50:59 55:31 62:28 70:09 75:59 84:19
San_Francisco_091025 0:12 3:29 9:28 16:43 23:56 30:14 36:48 42:24 47:57 51:20 55:52 62:25 70:06 75:23 81:41
Los_Angeles_101025_A 15:11 19:23 25:21 32:34 39:47 46:05 52:39 58:17? 63:13 66:37 71:09 77:41 85:23 90:40 97:03
Los_Angeles_101025_B 0:04 7:18 12:11 17:03 22:09 34:01 39:18 44:58 51:37 54:46 59:14 64:42 72:39
Mexico_City_121025 0:07 3:26 9:25 16:38 23:51 31:05 40:55 46:59 53:49 57:39 62:10 68:44 76:25 82:04
Austin_141025 ? ? ? ? ? ? ? ? 0:00 2:55 7:53 19:01? 27:36? 32:53 39:03
New_Orleans_151025 0:07 4:07 10:06 16:39 23:52 31:25 41:15 48:46 55:21 59:52 65:55 74:06 81:48 89:48
Birmingham_161025 0:02 3:19 9:19 16:31 23:43 30:03 36:36 42:51 48:31 51:54 57:44 65:55 75:57 81:14 86:51
Atlanta_171025 0:44 4:41 10:39 17:52 25:05 31:24 37:57 43:36 48:32 52:35 58:38 65:36 73:18 79:08 85:54
Louisville_181025 13:10 16:35 22:34 29:46 36:59 42:03? 49:51 55:29 60:07 64:13 69:09 76:07 83:48 89:05 95:20
Saint_Louis_191025 [7] [8] [9] [10]
Chicago_201025 ? ? 0:00 8:56 16:09 23:23 33:13 39:40 44:37 49:07 54:32 61:28 69:10 75:10
Detroit_211025 0:06 2:48 9:46 19:57 28:48 38:53 49:31 55:02 61:45 65:21 69:54 76:38 84:20 91:04?
Toronto_221025 0:05 2:47 9:26 16:58 25:49 31:51? 41:29 48:16 54:23 57:46 62:19 68:51 76:32 82:00
Montreal_241025 14:06 16:46 22:45 29:37 37:20 45:50 54:10 61:27 67:06 70:42 75:41 82:14 89:54 96:16?
New_York_251025_A 0:00 2:38 8:37 15:35 23:56 30:24? 38:46 45:48 52:09 56:13 61:37 68:10 75:51
New_York_251025_B 3:50 10:24 16:54 21:33 26:39 35:31 43:47 48:45? 55:21 57:54 62:23 67:50? 75:53?
Philadelphia_261025 ? 0:00 5:18 13:30 21:22 28:20 35:11 41:57 46:54 50:17 55:02 61:35 69:16 75:16
Boston_271025 0:00 2:42 8:41 20:52 34:27? 40:51 47:25 53:55 59:33 63:50 68:23 74:52 82:37
Portsmouth_281025 0:06 2:48 9:26 16:46 24:58 32:36 39:42 45:18? 53:06 57:35 62:35 69:08 76:49 84:16
Washington_291025 0:00 2:35 8:34 15:46 22:59 30:13 40:03 46:16 51:55 56:25 62:02 68:32 76:14 82:04
Glasgow_021125 0:00 3:22 9:21 17:26 24:36 30:55 37:46 44:16 49:40 53:17 57:49 64:21 72:03 80:03
Newcastle_031125 0:00 2:40 9:59 18:50 27:22 35:53 43:55 50:42 56:48 61:19 66:31 73:03 80:44 87:17
Leeds_041125 0:06 2:47 10:05 21:36 32:25 41:53 49:39 56:55 62:19 66:36 71:09 78:29 86:11

Tour Dates

See List of Live Shows

Trivia

  • The CAT number, WARP444, was likely specifically requested by Autechre, to reference the song "444" off their first album, Incunabula.
  • The 2023 compilation cover consisted of all seven individual set art from the first batch overlaid on top of each other.
  • A variant of "7th slip" is present in Rob's side of the live set.[50]
  • When asked which 2022 show's crowd smelt the best so far, Sean replied "the italians obviously" at Milan 2022.[51]
  • A font used across promotional material is Circular Mono.

Gallery

  • AE_LIVE 2022－(2023 compilation cover)

    AE_LIVE 2022－(2023 compilation cover)

  • AE_MILAN_010722

    AE_MILAN_010722

  • AE_ATHENS_050722

    AE_ATHENS_050722

  • AE_HELSINKI_110922

    AE_HELSINKI_110922

  • AE_LONDON_071022_A

    AE_LONDON_071022_A

  • AE_LONDON_071022_B

    AE_LONDON_071022_B

  • AE_BERGEN_021122

    AE_BERGEN_021122

  • AE_TURIN_041122

    AE_TURIN_041122

  • AE_MELBOURNE_250823

    AE_MELBOURNE_250823

  • AE_SYDNEY_270823

    AE_SYDNEY_270823

  • AE_VENICE_261023

    AE_VENICE_261023

  • AE_DUBLIN_291023

    AE_DUBLIN_291023

  • AE_BRUSSELS_040424

    AE_BRUSSELS_040424

  • AE_PARIS_060424

    AE_PARIS_060424

  • AE_RENNES_070424

    AE_RENNES_070424

  • AE_BARCELONA_090424

    AE_BARCELONA_090424

  • AE_MADRID_100424

    AE_MADRID_100424

  • AE_LISBON_120424_B

    AE_LISBON_120424_B

  • AE_KREMS_270424

    AE_KREMS_270424

  • AE_LYON_070524

    AE_LYON_070524

Tracklist

# Title Length
AE_LIVE 2022－ (batch 1)
1 AE_MILAN_010722
(previously AE_LIVE_MILAN_010722) 		1:06:56
2 AE_ATHENS_050722
(previously AE_LIVE_ATHENS_050722) 		1:20:03
3 AE_HELSINKI_110922
(previously AE_LIVE_HELSINKI_110922) 		1:11:07
4 AE_LONDON_071022_A
(previously AE_LIVE_LONDON_071022_A) 		59:48
5 AE_LONDON_071022_B
(previously AE_LIVE_LONDON_071022_B) 		59:33
6 AE_BERGEN_021122
(previously AE_LIVE_BERGEN_021122) 		1:07:59
7 AE_TURIN_041122
(previously AE_LIVE_TURIN_041122) 		1:00:45
AE_2022－ (batch 2)
8 AE_MELBOURNE_250823 1:00:36
9 AE_SYDNEY_270823 1:12:08
10 AE_VENICE_261023 1:09:30
11 AE_DUBLIN_291023 1:20:18
12 AE_BRUSSELS_040424 1:15:01
13 AE_PARIS_060424 1:27:08
14 AE_RENNES_0070424 1:05:27
15 AE_BARCELONA_090424 1:19:11
16 AE_MADRID_100424 1:26:27
17 AE_LISBON_120424_B 1:02:42
18 AE_KREMS_270424 1:15:40
19 AE_LYON_070524 1:27:44
Total 22:48:04

Links

References

  1. ↑ 1.0 1.1 Autechre: Immersive Listening, Synesthesia, and the Manchester Scene, Metal Magazine, October 2024. "Rob: We've been doing this since 2022, calling it 2022 dash. We could keep it going for another ten years. Traveling and meeting people is something you can’t replicate in a studio."
  2. ↑ https://autechre.warp.net/twentytwentytwo
  3. ↑ Q5, Ask Autechre Anything Again, KEYOSC, April 2025
  4. ↑ Autechre: 30 Jahre Afterhour (Teil 1) & „Mehr Menschen mögen Erdbeeren als Autechre” (Teil 2), Groove, 2021. "Vermisst ihr es sehr, live zu spielen? SB: Klar. Allerdings hat uns die Pandemie bisher gar nicht so sehr getroffen, weil wir die Tour erst zum Release des neuen Albums geplant hatten. Jetzt sitzen auf einem fertigen Live-Set, das wir nicht spielen können. Unsere Routine hat sich aber nicht sonderlich verändert, wir bleiben ja sowieso die ganze Zeit zuhause und machen Musik. Rob Brown: Unser Ablauf blieb tatsächlich gleich. Wir hatten Pläne für Gigs, aber, na ja. Wir bekamen zum Beispiel im März ein Angebot für einen Auftritt in Mailand im November. Die Lombardei wurde dann komplett abgeriegelt, und wir haben von den Leuten einen Monat lang nichts gehört. Beim nächsten Kontakt waren sie schon weitaus weniger zuversichtlich. Dann hat sich das Angebot in Luft aufgelöst und wurde auf nächstes Jahr verschoben. Das war unser einziger geplatzter Gig, wenn man so will. Weil wir ja ohnehin erst im Winter oder im Frühling 2021 loslegen wollten."
  5. ↑ https://web.archive.org/web/20241217152311/https://post.lurk.org/@sean_ae/113663738919715601
  6. ↑ 6.0 6.1 Sean Twitch AMA, June 2022. "“Do you like the new Mac chip situation? Is it any different to work on compared to the old CPU?” Yes. So my patch was using about 75, 80% towards the end of last year or the year before, whenever it was I got it, and then, yeah, I got the M1 and then it was just flying! 30%, just flying! Just absolutely insane! So there's no turning back now I'm fucked because I'm filling it up already. Loads of Live physmod things, and things that were a bit, you know, expensive. So yeah, I love it. Just amazing, kind of a little bit too much if anything, and the disking out speeds are amazing. The transitions are all super tight. The timing's super tight. All the control rate stuff is super tight. So yeah, I think if you're using Max and you've got an M1, you're basically living the dream at this point. it's just insane."
  7. ↑ Sean Twitch AMA, June 2022. "Basically when COVID hit, I had a lot of time on my hands to rebuild a lot of it. So it's, yeah, it’s a lot of it you wouldn't even notice because a lot of it's just porting things to Gen that didn't need to be ported but just because I wanted a bit more control, and that led me off on loads of tangents because once you start building basic things like oscillators, you get a bit mad with all the options. So yeah, that happened and then I got heavily into MC, and then that happened. And then I built a lot more [physical] modeling stuff, and I did that scratching thing that we used on that Gescom thing that we've done about just over a year ago. And then did that and then, and then, yeah the set sort of grew out of all that tech basically. So sty listically, it's not that far off what we've been doing for the last few years because I think we're still in the same sort of place mentally. But, tech wise, the underlying, the kind of back end stuff is all fresh."
  8. ↑ Ryce, Andrew. "Autechre say they have two new albums ready". Resident Advisor, 22 March 2020, https://ra.co/news/72301. Accessed 5 June 2025.
  9. ↑ Sean Twitch AMA, June 2022. "[...] I mean some, they will share elements and the probably, I mean in all likelihood it'll be mostly similar material but there's a bunch of material that's not aired yet. That's because we've had too long to work on this fucking set, right, so. Least my part of the set is, I don't know, like three and a half hours of stuff, so I don't know how much of it will end up using."
  10. ↑ @sean_ae Mastodon post, November 18, 2023
  11. ↑ 11.0 11.1 Sean Twitch AMA, July 2022. "Can u describe the live setup of the last gigs, laptop, controllers, souncard, thx I mean you know, two, I mean the latest ones are just two M1 Macs, Kenton Killamix controllers, two interfaces; I've got an Apogee Symphony Desktop, Rob's using the Apogee Element 24. The mixer is like a little Mackie Onyx12 channel thing just because it fits on a plane easily, and it's easier to get around. And it's replaceable if it breaks, you know, it's not, we're not relying on some esoteric mixer being found by the promoter at the last minute, so. Because that's always a consideration, you know? There's only the controllers really that be hard to source. So we often carry spares like if we're on a tour bus, we'll have spares of the controllers we’ll source."
  12. ↑ Sean Twitch AMA, June 2022. "What's your live setup nowadays? Two Macs, and these Kenton Killamix things, and a couple of interfaces."
  13. ↑ Hanalgig AMA, July 2022. "Tebbisimo: [...] What audio interface you using on the live sets ATM? [...] XH HX: i'm using apogee symphony desktop lately which i really rate but before that was using apogee element 24 (also good but harder to get now) and before that was using RME ADI2 converter (had to stop since apple borked the optical port but i loved that thing). i also got a MOTU M2 which is mad value for ESS sabre converters if u want something cheapish"
  14. ↑ 14.0 14.1 https://web.archive.org/web/20240509143259/https://post.lurk.org/@sean_ae/112400607304881021
  15. ↑ 15.0 15.1 https://web.archive.org/web/20241107183922/https://post.lurk.org/@sean_ae/113442509470527990
  16. ↑ https://web.archive.org/web/20240309004321/https://post.lurk.org/@sean_ae/112054867478643903
  17. ↑ 17.0 17.1 https://web.archive.org/web/20241113092034/https://post.lurk.org/@sean_ae/113458692313028937
  18. ↑ https://forum.keyosc.com/topic/720-i-no-longer-strongly-disagree-with-seans-answer-to-gl0tch-in-aaaa/?&do=findComment&comment=19916
  19. ↑ Q64, Ask Autechre Anything Again, KEYOSC, April 2025
  20. ↑ https://web.archive.org/web/20250823160621/https://post.lurk.org/@sean_ae/115078509915195794
  21. ↑ 21.0 21.1 https://web.archive.org/web/20230727210645/https://post.lurk.org/@sean_ae/110780381387123384
  22. ↑ 22.0 22.1 https://web.archive.org/web/20231221224324/https://post.lurk.org/@sean_ae/111591524233807832
  23. ↑ 23.0 23.1 https://web.archive.org/web/20240928141307/https://post.lurk.org/@sean_ae/113186625238764271
  24. ↑ 24.0 24.1 https://web.archive.org/web/20250107140034/https://post.lurk.org/@sean_ae/113786941624175064
  25. ↑ https://ghostarchive.org/archive/Qt38G
  26. ↑ Sean Twitch AMA, June 2022. "[...] the problem was with Primavera, they were trying to get rights for everything, right? So they were trying to get broadcast, they were trying to record it, you know? Obviously we're thinking about releasing them, so we didn't want to okay it. We ended up fucking up the recording anyway, so it wouldn't have mattered."
  27. ↑ https://web.archive.org/web/20240406161357/https://post.lurk.org/@sean_ae/112224480826307858
  28. ↑ https://ghostarchive.org/archive/OueqP
  29. ↑ https://ghostarchive.org/archive/OitLD
  30. ↑ https://ghostarchive.org/archive/Ji35Q
  31. ↑ RaelGenious. "Exclusive release incoming for Helsinki attendees". Reddit, 26 September 2022, https://www.reddit.com/r/autechre/comments/xobdtd/exclusive_release_incoming_for_helsinki_attendees/. Accessed 25 March 2024.
  32. ↑ avalyn__. "There were some audio issues during Helsinki gig.". Reddit, 11 September 2022, https://www.reddit.com/r/autechre/comments/xbspfv/there_were_some_audio_issues_during_helsinki_gig/?rdt=51772. Accessed 25 March 2024.
  33. ↑ dcom. "Comment in Autechre. Live. Twentytwentytwo.". We Are The Music Makers, 15 September 2022, https://watmm-archive.com/t/102400/17. Accessed 25 March 2024.
  34. ↑ https://ghostarchive.org/archive/09TE6
  35. ↑ https://www.reddit.com/r/autechre/comments/15ln5o3/ae_live_2022_out_thursday/
  36. ↑ https://web.archive.org/web/20230810192322/https://autechre.warp.net/release/408603-autechre-aelive-2022
  37. ↑ https://ghostarchive.org/archive/YN0cj
  38. ↑ https://web.archive.org/web/20230928151404/https://autechre.warp.net/release/410988-autechre-aeliveprint-2022
  39. ↑ https://ghostarchive.org/archive/UYmeC
  40. ↑ https://www.instagram.com/warprecords/p/DBjZTuNIg1A/?hl=en
  41. ↑ https://web.archive.org/web/20241104173202/https://autechre.warp.net/release/476436-autechre-ae2022
  42. ↑ https://web.archive.org/web/20241106150525/https://post.lurk.org/@sean_ae/113436310329414162
  43. ↑ https://autechre.bandcamp.com/album/ae-2022
  44. ↑ https://bleep.com/release/483225-autechre-ae2022
  45. ↑ FefetaLeixes. "AE_2022－EXCLUSIVES (TTT－)". Reddit, 16 November 2024, https://www.reddit.com/r/autechre/comments/1gs8qum/ae_2022exclusives_ttt/. Accessed 16 November 2024.
  46. ↑ Sean Twitch AMA, June 2022. "So, you can hear a bit of ecol[4] in the set, ecol4 that was basically like the ecol4 that's on PLUS when we started out."
  47. ↑ Q81, Ask Autechre Anything Again, KEYOSC, April 2025
  48. ↑ Observation by sfn / Davide Vin
  49. ↑ https://web.archive.org/web/20251013032707/https://post.lurk.org/@sean_ae/115363631277006962
  50. ↑ https://web.archive.org/web/20241107160026/https://post.lurk.org/@sean_ae/113441779347595762
  51. ↑ Hanalgig AMA, July 2022. "Tebbisimo: which crowd in '22 smelt the best so far? XH HX: the italians obviously"
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