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|next=[[elseq 1-5]]
|next=[[elseq 1-5]]
|next year=2016
|next year=2016
}}'''''AE_LIVE''''' is a compilation of twenty-eight soundboards records taken from live shows performed in 2014 and 2015. The first four of the sets were released on October 29th, 2015 exclusively to Autechre's store,<!-- looks like in the la times interview the COMP AE_LIVE dropped 1 Nov, a few days after the individual set. https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html --> before being updated with another five in December 8th, 2015 and then finally amended with 19 sets from the North American leg of the tour (known as '''''AENA''''')<!-- source? --> on January 30th, 2019.
}}'''''AE_LIVE''''' is a compilation of twenty-eight soundboard recordings taken from live shows performed in 2014 and 2015.  


== History ==<!-- add tour progression info, i.e. announcements -->
== History ==<!-- add tour progression info, i.e. announcements -->
Some sets that were highlighted by Sean in interviews were the Los Angeles set for the LA times<ref>[https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html#:~:text=The%20duo%20was%20especially%20fond%20of%20their%20L.A.%20date. https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html#:~:text=The%20duo%20was%20especially%20fond%20of%20their%20L.A.%20date.]</ref> as well as the Orlando and Montreal sets<ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''it’s been fun exploring your live sets, especially the sheer quantity of 14-15. anything you could share about memories of that tour that stick out to you? places you loved/hated? shows that went well/awful?''' XH HX: that tour was pure laughs. i rem the driver making phil go on the bus roof to check the ac unit at one point, idk why phil. usa bus tours are always a bit mad. i rly enjoyed orlando and montreal. nyc was terrible (the gig not the city).}}</ref>. Although Sean also noted the New York gig "was terrible".
For the US leg of the tour (known as '''''AENA''''')<ref name=":0">https://web.archive.org/web/20150812054937/http://autechre.ws:80/</ref>, Cygnus and Rob Hall came along as support.<ref name=":0" />  


For the ''[[Incunabula]]'', ''[[Amber]]'' and ''[[Tri Repetae]]'' reissues, a copy of AE_LIVE_GRAFENHAINICHEN_170715 was also provided.<ref>https://autechre.warp.net/format/594952-tri-repetae#:~:text=INCLUDES%20DOWNLOAD%20CARD%20FOR%20ALBUM%20%26%20BONUS%20LIVE%20SET%20AE_LIVE_GRAFENHAINICHEN_170715</ref>
The first four sets (Krakow 2014 to Dublin 2014) were released individually on October 29th, 2015 without announcement,<ref>https://forum.watmm.com/topic/89167-ae_live/</ref><!-- this IS EXTREMLEY CONFUSING looks like OCT 29 was when it was found by WATMM but it was only really meant to be officially out on NOV 1?! --> then together as a compilation on November 1st, 2015, exclusively to Autechre's newly set-up store.<ref>https://web.archive.org/web/20160304184647/https://twitter.com/AE_STORE_</ref><ref>https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html</ref><!-- do a write up about the experimental store front thing, see twitch ama where sean also talks about this for sharing live shows, and how primitive it was initially + the connection to Bleep.  --> Later on December 8th, 2015, the compilation was updated with another five sets (Krems 2015 to Katowice 2015).<ref>https://web.archive.org/web/20160304184647/https://twitter.com/AE_STORE_</ref>  


<!-- might add a sublist of live shows for this tour to include EVERY date --><!-- also include https://www.thedesignersrepublic.com/ae-vs-tdr at some point -->== Analysis ==
After  a few years, it was amended with the 19 sets from AENA (Portland 2015 to Denver 2015) on January 30th, 2019.<ref>https://ra.co/news/43195</ref>
 
<!-- might add a sublist of live shows for this tour to include EVERY date --><!-- also include https://www.thedesignersrepublic.com/ae-vs-tdr at some point --><!-- there's also an image of The System floating about from 2013-2014, try to refind that -->== Analysis ==
Main analysis by [[User:EnergyIsMassiveLight|EnergyIsMassiveLight]]. Major sources (especially fan names) are from daffodil's splits<ref>https://docs.google.com/spreadsheets/u/0/d/1QQxmk9UZ4Xq9lmmkQWI8Pd2B6ArEce0tWpML1LtaoNA/htmlview#</ref>  and elseq 6-10.<ref>https://www.reddit.com/r/autechre/comments/me39ad/elseq_610_ae_live_exclusives_remake/</ref>  Track titles are numbered on the mega spreadsheet, however track matches/elements are included in the immediate analysis below. The officially released sets in the list are highlighted in bold and bootlegs recordings of unreleased shows are italicized. Much of the material on the 14/15 live shows have elements and tracks that later appeared on ''[[elseq 1-5]]'' and ''[[NTS Sessions 1-4]]''.
Main analysis by [[User:EnergyIsMassiveLight|EnergyIsMassiveLight]]. Major sources (especially fan names) are from daffodil's splits<ref>https://docs.google.com/spreadsheets/u/0/d/1QQxmk9UZ4Xq9lmmkQWI8Pd2B6ArEce0tWpML1LtaoNA/htmlview#</ref>  and elseq 6-10.<ref>https://www.reddit.com/r/autechre/comments/me39ad/elseq_610_ae_live_exclusives_remake/</ref>  Track titles are numbered on the mega spreadsheet, however track matches/elements are included in the immediate analysis below. The officially released sets in the list are highlighted in bold and bootlegs recordings of unreleased shows are italicized. Much of the material on the 14/15 live shows have elements and tracks that later appeared on ''[[elseq 1-5]]'' and ''[[NTS Sessions 1-4]]''.
* '''#1''' Elements of '''"acdwn2"''' and '''"t1a1"''' ''<small>(fan names: acdwn2 / ralcose locator)</small>''
* '''#1''' Elements of '''"acdwn2"''' and '''"t1a1"''' ''<small>(fan names: acdwn2 / ralcose locator)</small>''
Line 1,073: Line 1,075:


* Sean mentioned that there's a DMX kick and snare in the live shows "but nobody ever comments on them". <ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Yeah, I mean, occasionally, we'll fuck around with something old and do something new with it, like there's a[n Oberheim] DMX, there's DMX drum sounds in that first AE_LIVE 2015 stuff's got some DMX drum sounds in, but nobody ever comments on them, but I don't know. To me, they're like really obvious. Like, I'll put those things in as reference points and no one ever gets them, so, you know.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''“Do you make sounds in AE_LIVE stuff?”''' I'm assuming you're talking about samples from the DMX? Yeah. No it's not modeled or anything, it's just samples, but the DMX is samples, right? So I don't have to feel weird about that. But yeah, it's a bit mutated as well. it's, being fucked with, so, in a cool way, so. But yeah, it's basically one track where it's just DMX kick and snare, and I don't know if there's a clap in there. I really like the DMX sounds. They're like, they just immediately put me somewhere. It's like there's a certain kind of like late night radio soul that used the DMX that was just massively appealing to us. I don't know why the DMX and not the LinnDrum was just the drum machine a choice for a lot of soul artists, but it just has that feel to it. There's only a subtle difference between them really, but I've always preferred the DMX. I don’t know.}}</ref>
* Sean mentioned that there's a DMX kick and snare in the live shows "but nobody ever comments on them". <ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Yeah, I mean, occasionally, we'll fuck around with something old and do something new with it, like there's a[n Oberheim] DMX, there's DMX drum sounds in that first AE_LIVE 2015 stuff's got some DMX drum sounds in, but nobody ever comments on them, but I don't know. To me, they're like really obvious. Like, I'll put those things in as reference points and no one ever gets them, so, you know.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''“Do you make sounds in AE_LIVE stuff?”''' I'm assuming you're talking about samples from the DMX? Yeah. No it's not modeled or anything, it's just samples, but the DMX is samples, right? So I don't have to feel weird about that. But yeah, it's a bit mutated as well. it's, being fucked with, so, in a cool way, so. But yeah, it's basically one track where it's just DMX kick and snare, and I don't know if there's a clap in there. I really like the DMX sounds. They're like, they just immediately put me somewhere. It's like there's a certain kind of like late night radio soul that used the DMX that was just massively appealing to us. I don't know why the DMX and not the LinnDrum was just the drum machine a choice for a lot of soul artists, but it just has that feel to it. There's only a subtle difference between them really, but I've always preferred the DMX. I don’t know.}}</ref>
* Some sets that were highlighted by Sean in interviews were the Los Angeles set for the LA times<ref>[https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html#:~:text=The%20duo%20was%20especially%20fond%20of%20their%20L.A.%20date. https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html#:~:text=The%20duo%20was%20especially%20fond%20of%20their%20L.A.%20date.]</ref> as well as the Orlando and Montreal sets<ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''it’s been fun exploring your live sets, especially the sheer quantity of 14-15. anything you could share about memories of that tour that stick out to you? places you loved/hated? shows that went well/awful?''' XH HX: that tour was pure laughs. i rem the driver making phil go on the bus roof to check the ac unit at one point, idk why phil. usa bus tours are always a bit mad. i rly enjoyed orlando and montreal. nyc was terrible (the gig not the city).}}</ref>. Although Sean also noted the New York gig "was terrible". For the ''[[Incunabula]]'', ''[[Amber]]'' and ''[[Tri Repetae]]'' reissues, a copy of AE_LIVE_GRAFENHAINICHEN_170715 was also provided.<ref>https://autechre.warp.net/format/594952-tri-repetae#:~:text=INCLUDES%20DOWNLOAD%20CARD%20FOR%20ALBUM%20%26%20BONUS%20LIVE%20SET%20AE_LIVE_GRAFENHAINICHEN_170715</ref>
* On early AENA promotional material, the Seattle show was redacted.<ref>https://web.archive.org/web/20150801005858/http://autechre.ws/ <!-- this is a earlier archive of the page --></ref><!-- should i specultate that this was making sure the venue was not properly confirmed? -->


== Gallery ==
== Gallery ==

Revision as of 15:27, 14 May 2024

AE_LIVE

AE LIVE.jpg

Artist Autechre
Released 29 October 2015
Label Warp Records (WARP360)
L-event
(2013) 		AE_LIVE elseq 1-5
(2016)

AE_LIVE is a compilation of twenty-eight soundboard recordings taken from live shows performed in 2014 and 2015.

History

For the US leg of the tour (known as AENA)[1], Cygnus and Rob Hall came along as support.[1]

The first four sets (Krakow 2014 to Dublin 2014) were released individually on October 29th, 2015 without announcement,[2] then together as a compilation on November 1st, 2015, exclusively to Autechre's newly set-up store.[3][4] Later on December 8th, 2015, the compilation was updated with another five sets (Krems 2015 to Katowice 2015).[5]

After a few years, it was amended with the 19 sets from AENA (Portland 2015 to Denver 2015) on January 30th, 2019.[6]

Analysis

Main analysis by EnergyIsMassiveLight. Major sources (especially fan names) are from daffodil's splits[7] and elseq 6-10.[8] Track titles are numbered on the mega spreadsheet, however track matches/elements are included in the immediate analysis below. The officially released sets in the list are highlighted in bold and bootlegs recordings of unreleased shows are italicized. Much of the material on the 14/15 live shows have elements and tracks that later appeared on elseq 1-5 and NTS Sessions 1-4.

  • #1 Elements of "acdwn2" and "t1a1" (fan names: acdwn2 / ralcose locator)
  • #2 Possibly containing elements of "e0" and "glos ceramic" (fan names: ceramic / clipcon)
  • #3 "sinistrail sentinel" (fan names: sentinel / sinistrail casual)
  • #4 (fan names: rave / rainbow cerebricon)
  • #5 (fan names: drunk / probat emp2 + dummy casual pt1)
  • #6 Shared elements with #7. (fan names: spiral / cantilla helio4)
    • For Krakow 2014 and Dublin 2014, the track's outro is replaced by a continuous transition into #7
  • #7 Early version of "north spiral" with elements of "gonk tuf hi". (fan names: spiral / allefte ping hi)
  • #8 (fan names: wub / ticplayal hv hypnotic)
  • #9 (fan names: wub / ticplayal hv hypnotic)
  • #10 (fan names: c16 - emotive / kandern)
  • #11 "c16 deep tread" (fan names: c16 / c13 tight shred)
  • #12 (fan names: c16 - sunken / distal felrate7)
  • #13 (fan names: c16 - sunken / distal felrate7)
  • #14 Uses elements of "g 1 e 1" only in the 2014 shows. (fan names: g 1 e 1 - brisk + didgeridoo / j 1 e 1)
  • #15 A mix of "7th slip", "c16 deep tread", "violvoic", and "c7b2" (fan names: c7b2 slip / renices hv collida)
  • #16 A mix of "violvoic" and "7th slip". (fan names: violvoic slip + slip - acid / renices hv collida)
    • On Krems 2015 the "violvoic" elements are missing.
  • #17 Fusion of #19 and "7th slip" (fan names: warble - heady / renices hv collida)
  • #18 (fan names: dotty / landciv3)
  • #19 Contains elements of "wetgelis causal interval" (fan names: warble / wetgelis litfil)
  • #20 (fan names: c16 - alert / kadern)
  • #21 Contains bits of "latentcall" (fan names: airy / kandern)
  • #22 (fan names: trudge / two of five (loose))
  • #23 "nineFly" without noise-reduction, which combined bits from #1 and #3 (fan names: acd sentinel / threeJay)
  • #24 "c7b2" with elements of "artov chain" (fan names: c7b2 - US version / c9b4)
  • #25 Elements of "artov chain" and "c16 deep tread" (fan names: c16 artov / kandern)
  • #26 (fan names: warble - US version / two of five (loose))
  • #27 An early version of "pendulu hv moda" with elements of "carefree counter dronal" (fan names: leaper / pendulu freeplifal)
    • For Asheville 2015, it was performed out of order before #23 and #24
#1 #2 #3 #4 #5 #6 #7 #8 #9 #10 #11 #12 #13 #14 #15 #16 #17 #18 #19 #20 #21 #22 #23 #24 #25 #26 #27
KRAKOW_201914 0:00 8:20 13:46 18:52 24:04 31:39 33:17 41:14 47:21 50:24 54:19 54:56 56:21
BRUSSELS_031014 0:00 11:29 18:11 23:47 28:59 35:06 38:16 42:45 46:50 50:18 53:36 56:50 58:03 60:18
UTRECHT_221114 0:00 5:50 10:40 14:17 17:54 23:12 26:16 30:20 33:12 34:28 37:06 40:20 42:35 45:26 50:50 53:20
DUBLIN_191214 0:00 7:19 12:31 13:32 18:44 24:48 26:53 34:47 38:27 42:23 49:56 53:04 56:20 58:58 62:17 64:23 69:59
KREMS_020515 0:00 8:07 13:33 17:46 22:03 26:30 28:44 32:48 35:15 37:26 40:18 42:13 46:15 48:23
NAGANO_300515 0:00 7:22 12:23 15:57 20:23 25:38 28:41 33:22 36:13 38:25 42:20 45:45 48:00 51:34
GRAFENHAINICHEN_170715 0:00 4:06 7:37 10:40 14:45 19:47 23:27 27:08 30:48 36:28 40:24 43:09 47:27 52:35 58:03 59:39
DOUR_180715 0:00 5:33 8:17 11:20 15:22 20:15 23:55 28:12 31:52 36:56 40:40 45:34 49:50 54:02 61:16
KATOWICE_210815 0:00 5:32 9:18 13:07 17:30 22:24 25:21 29:50 33:06 36:33 40:54 44:07 47:22 50:46 54:30 58:38
PORTLAND_240915 0:00 5:37 7:46 8:57 13:03 15:35 19:28 21:55 26:00 29:18 33:10 36:38 39:56 42:55 44:48 48:12 51:37 54:37 56:52
SEATTLE_250915 0:00 4:58 8:55 12:26 16:15 21:27 23:29 27:46 31:01 36:11 39:06 41:45 44:24 47:54 52:26 55:50 60:14
VANCOUVER_260915 0:00 5:05 8:17 11:21 15:41 20:37 23:34 26:50 29:17 34:23 37:24 41:16 44:36 47:54 50:57 53:45 56:30
CHICAGO_290915 0:00 4:03 7:43 10:58 15:03 18:43 20:39 23:43 26:09 30:33 33:40 36:31 39:49 42:53 46:41 50:18 53:05 56:41 59:38
TORONTO_011015 0:00 5:12 8:51 12:16 16:27 21:32 25:00 28:40 32:20 37:18 41:26 46:06 48:18 51:54 55:45
MONTREAL_021015 0:00 4:13 7:52 10:40 15:06 19:29 21:13 24:41 27:57 32:09 35:35 38:01 40:55 44:51 48:57 51:44 54:28
NEW_YORK_031015 0:00 5:18 8:35 11:57 15:37 19:05 20:43 23:58 27:38 30:42 33:55 37:51 41:00 44:00 47:52 51:22 54:58 57:46
BOSTON_041015 0:00 4:13 7:46 10:37 14:17 18:06 20:08 23:12 26:28 29:28 34:32 38:10 41:26 43:04 46:51 50:59 55:47
PORTSMOUTH_051015 0:00 4:10 7:16 10:05 13:26 17:22 19:06 23:47 26:38 29:53 33:18 35:57 38:45 41:57 45:27 48:06 51:30 54:36
PHILADELPHIA_061015 0:00 5:08 8:02 10:50 14:42 19:12 21:08 24:48 28:28 33:08 35:39 38:06 41:30 45:42 46:38 50:02 53:02 56:14 59:58
WASHINGTON_071015 0:00 4:34 7:15 9:51 14:01 19:07 21:22 25:38 28:54 33:47 37:13 40:49 43:37 47:43 50:46 55:26
ASHEVILLE_081015 0:00 4:55 8:36 11:12 14:46 18:17 20:25 24:18 26:45 30:22 33:05 35:32 38:20 42:20 48:56 51:38 46:08
ATLANTA_091015 0:00 4:55 8:08 11:14 14:48 18:38 21:41 25:33 28:49 32:25 35:44 39:06 41:57 44:33 48:45 52:09 55:12 60:04
ORLANDO_101015 0:00 4:17 7:17 10:57 15:02 19:46 22:43 26:23 30:03 33:34 36:35 39:02 42:38 46:34 51:26 55:56 56:23
MIAMI_111015 0:00 3:40 6:16 9:13 12:44 17:53 20:26 23:54 26:45 30:56 34:16 37:22 42:56 46:50 49:59 52:43 55:34
AUSTIN_131015 0:00 5:56 9:36 12:51 17:17 21:28 24:19 28:24 31:15 35:04 38:23 41:47 45:35 49:27 54:09 57:03 59:07
LOS_ANGELES_151015 0:00 4:03 7:17 10:14 14:31 19:36 22:03 25:19 28:10 31:38 36:07 39:38 42:42 45:09 48:45 53:21 57:08 59:51 62:47
SAN_FRANCISCO_161015 0:00 4:52 8:01 10:43 14:30 19:29 22:08 25:36 29:41 34:23 37:36 41:36 45:44 48:28 52:46 55:46
DENVER_171015 0:00 3:50 7:39 10:52 15:27 17:47 21:27 25:32 30:07 33:26 37:20 41:40 45:17 48:25 51:33 54:32
Glasgow_011114 [1] [2] [3] [4] [5] [6] [7] [8]
Minehead_130315 0:07 5:58 9:41 13:19 17:37 23:20 26:49 32:19 36:49 39:29 44:08 48:28 50:20 52:58 55:47
Barcelona_180615 [9]
Amsterdam_300715 [10] [11] [12] [13] [14] [15] [16] [17] [18] [19]
London_211115 [20] [21] [22] [23]

Trivia

  • Sean mentioned that there's a DMX kick and snare in the live shows "but nobody ever comments on them". [9][10]
  • Some sets that were highlighted by Sean in interviews were the Los Angeles set for the LA times[11] as well as the Orlando and Montreal sets[12]. Although Sean also noted the New York gig "was terrible". For the Incunabula, Amber and Tri Repetae reissues, a copy of AE_LIVE_GRAFENHAINICHEN_170715 was also provided.[13]
  • On early AENA promotional material, the Seattle show was redacted.[14]

Gallery

  • AE_LIVE_KRAKOW_200914

    AE_LIVE_KRAKOW_200914

  • AE_LIVE_BRUSSELS_031014

    AE_LIVE_BRUSSELS_031014

  • AE_LIVE_UTRECHT_221114

    AE_LIVE_UTRECHT_221114

  • AE_LIVE_DUBLIN_191214

    AE_LIVE_DUBLIN_191214

  • AE_LIVE_KREMS_020515

    AE_LIVE_KREMS_020515

  • AE_LIVE_NAGANO_300515

    AE_LIVE_NAGANO_300515

  • AE_LIVE_GRAFENHAINICHEN_170715

    AE_LIVE_GRAFENHAINICHEN_170715

  • AE_LIVE_DOUR_180715

    AE_LIVE_DOUR_180715

  • AE_LIVE_KATOWICE_210815

    AE_LIVE_KATOWICE_210815

  • AE_LIVE_PORTLAND_240915

    AE_LIVE_PORTLAND_240915

  • AE_LIVE_SEATTLE_250915

    AE_LIVE_SEATTLE_250915

  • AE_LIVE_VANCOUVER_260915

    AE_LIVE_VANCOUVER_260915

  • AE_LIVE_CHICAGO_290915

    AE_LIVE_CHICAGO_290915

  • AE_LIVE_TORONTO_011015

    AE_LIVE_TORONTO_011015

  • AE_LIVE_MONTREAL_021015

    AE_LIVE_MONTREAL_021015

  • AE_LIVE_NEW_YORK_031015

    AE_LIVE_NEW_YORK_031015

  • AE_LIVE_BOSTON_041015

    AE_LIVE_BOSTON_041015

  • AE_LIVE_PORTSMOUTH_051015

    AE_LIVE_PORTSMOUTH_051015

  • AE_LIVE_PHILADELPHIA_061015

    AE_LIVE_PHILADELPHIA_061015

  • AE_LIVE_WASHINGTON_071015

    AE_LIVE_WASHINGTON_071015

  • AE_LIVE_ASHEVILLE_081015

    AE_LIVE_ASHEVILLE_081015

  • AE_LIVE_ATLANTA_091015

    AE_LIVE_ATLANTA_091015

  • AE_LIVE_ORLANDO_101015

    AE_LIVE_ORLANDO_101015

  • AE_LIVE_MIAMI_111015

    AE_LIVE_MIAMI_111015

  • AE_LIVE_AUSTIN_131015

    AE_LIVE_AUSTIN_131015

  • AE_LIVE_LOS_ANGELES_151015

    AE_LIVE_LOS_ANGELES_151015

  • AE_LIVE_SAN_FRANCISCO_161015

    AE_LIVE_SAN_FRANCISCO_161015

  • AE_LIVE_DENVER_171015

    AE_LIVE_DENVER_171015

Tracklist

# Title Length
1 AE_LIVE_KRAKOW_200914 57:55
2 AE_LIVE_BRUSSELS_031014 1:04:00
3 AE_LIVE_UTRECHT_221114 1:00:45
4 AE_LIVE_DUBLIN_191214 1:13:18
5 AE_LIVE_KREMS_020515 54:26
6 AE_LIVE_NAGANO_300515 56:50
7 AE_LIVE_GRAFENHAINICHEN_170715 1:04:31
8 AE_LIVE_DOUR_180715 1:04:25
9 AE_LIVE_KATOWICE_210815 1:02:52
10 AE_LIVE_PORTLAND_240915 1:00:25
11 AE_LIVE_SEATTLE_250915 1:04:30
12 AE_LIVE_VANCOUVER_260915 1:00:02
13 AE_LIVE_CHICAGO_290915 1:03:46
14 AE_LIVE_TORONTO_011015 1:00:02
15 AE_LIVE_MONTREAL_021015 56:50
16 AE_LIVE_NEW_YORK_031015 1:01:48
17 AE_LIVE_BOSTON_041015 59:59
18 AE_LIVE_PORTSMOUTH_051015 58:27
19 AE_LIVE_PHILADELPHIA_061015 1:03:34
20 AE_LIVE_WASHINGTON_071015 58:55
21 AE_LIVE_ASHEVILLE_081015 55:03
22 AE_LIVE_ATLANTA_091015 1:03:46
23 AE_LIVE_ORLANDO_101015 59:38
24 AE_LIVE_MIAMI_111015 1:00:46
25 AE_LIVE_AUSTIN_131015 1:02:35
26 AE_LIVE_LOS_ANGELES_151015 1:06:49
27 AE_LIVE_SAN_FRANCISCO_161015 1:00:34
28 AE_LIVE_DENVER_171015 58:55
Total 28:35:36

Links

Credits

References

  1. ↑ 1.0 1.1 https://web.archive.org/web/20150812054937/http://autechre.ws:80/
  2. ↑ https://forum.watmm.com/topic/89167-ae_live/
  3. ↑ https://web.archive.org/web/20160304184647/https://twitter.com/AE_STORE_
  4. ↑ https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html
  5. ↑ https://web.archive.org/web/20160304184647/https://twitter.com/AE_STORE_
  6. ↑ https://ra.co/news/43195
  7. ↑ https://docs.google.com/spreadsheets/u/0/d/1QQxmk9UZ4Xq9lmmkQWI8Pd2B6ArEce0tWpML1LtaoNA/htmlview#
  8. ↑ https://www.reddit.com/r/autechre/comments/me39ad/elseq_610_ae_live_exclusives_remake/
  9. ↑ Sean Twitch AMA, June 2022. "Yeah, I mean, occasionally, we'll fuck around with something old and do something new with it, like there's a[n Oberheim] DMX, there's DMX drum sounds in that first AE_LIVE 2015 stuff's got some DMX drum sounds in, but nobody ever comments on them, but I don't know. To me, they're like really obvious. Like, I'll put those things in as reference points and no one ever gets them, so, you know."
  10. ↑ Sean Twitch AMA, June 2022. "“Do you make sounds in AE_LIVE stuff?” I'm assuming you're talking about samples from the DMX? Yeah. No it's not modeled or anything, it's just samples, but the DMX is samples, right? So I don't have to feel weird about that. But yeah, it's a bit mutated as well. it's, being fucked with, so, in a cool way, so. But yeah, it's basically one track where it's just DMX kick and snare, and I don't know if there's a clap in there. I really like the DMX sounds. They're like, they just immediately put me somewhere. It's like there's a certain kind of like late night radio soul that used the DMX that was just massively appealing to us. I don't know why the DMX and not the LinnDrum was just the drum machine a choice for a lot of soul artists, but it just has that feel to it. There's only a subtle difference between them really, but I've always preferred the DMX. I don’t know."
  11. ↑ https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html#:~:text=The%20duo%20was%20especially%20fond%20of%20their%20L.A.%20date.
  12. ↑ Hanalgig AMA, July 2022. "it’s been fun exploring your live sets, especially the sheer quantity of 14-15. anything you could share about memories of that tour that stick out to you? places you loved/hated? shows that went well/awful? XH HX: that tour was pure laughs. i rem the driver making phil go on the bus roof to check the ac unit at one point, idk why phil. usa bus tours are always a bit mad. i rly enjoyed orlando and montreal. nyc was terrible (the gig not the city)."
  13. ↑ https://autechre.warp.net/format/594952-tri-repetae#:~:text=INCLUDES%20DOWNLOAD%20CARD%20FOR%20ALBUM%20%26%20BONUS%20LIVE%20SET%20AE_LIVE_GRAFENHAINICHEN_170715
  14. ↑ https://web.archive.org/web/20150801005858/http://autechre.ws/
  15. ↑ https://www.discogs.com/master/907329-Autechre-AE_LIVE
  16. ↑ https://musicbrainz.org/release/a20926fb-dea0-406f-a923-1c2842a4e985
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