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In [[Autechre: elseq et al, June 2016]], Autechre explained much of the background for the record. The store-front was initially set up in collaboration with Warp to just release [[AE LIVE|live shows]], before Autechre realised they could also use it for putting out long tracks that were otherwise ill-suited for any proper release, similar to ''[[Quaristice.Quadrange.ep.ae]]''. The initial plan was that for any track, they would do a session on Friday, get it approved by Warp, have designs made by [[The Designers Republic]] and then put them out by Monday morning. However, Warp instead wanted to package the material into something promotable, which coalesced the tracks into groupings. Sean noted that due to the bizarre format, they didn't know if "it's an album, or a collection of EPs or albums or just... things. We have no idea what this actually is."<ref name=":1">{{Cite interview|page=Autechre: elseq et al, June 2016}}</ref> | In [[Autechre: elseq et al, June 2016]], Autechre explained much of the background for the record. The store-front was initially set up in collaboration with Warp to just release [[AE LIVE|live shows]], before Autechre realised they could also use it for putting out long tracks that were otherwise ill-suited for any proper release, similar to ''[[Quaristice.Quadrange.ep.ae]]''. The initial plan was that for any track, they would do a session on Friday, get it approved by Warp, have designs made by [[The Designers Republic]] and then put them out by Monday morning. However, Warp instead wanted to package the material into something promotable, which coalesced the tracks into groupings. Sean noted that due to the bizarre format, they didn't know if "it's an album, or a collection of EPs or albums or just... things. We have no idea what this actually is."<ref name=":1">{{Cite interview|page=Autechre: elseq et al, June 2016}}</ref> | ||
''elseq 1-5'' was released on May 19th, 2016 as a digital-only release, with no plans for a physical release.<ref>https:// | ''elseq 1-5'' was released on May 19th, 2016 as a digital-only release, with no plans for a physical release.<ref>https://ghostarchive.org/archive/7HMs9</ref> Initially Autechre planned to just throw it onto the store, but Warp wanted to first give a promotional cycle before releasing it.<ref name=":1" /> This included debuting "feed1" and "c16 deep tread" as singles before release. | ||
== Tracks == | == Tracks == | ||
| Line 26: | Line 26: | ||
==== feed1 ==== | ==== feed1 ==== | ||
* BPM: 112 | * BPM: 112 | ||
* In a leadup to the release of ''elseq'', "feed1" was debuted on May 13th, 2016 on BBC Radio 6 at 9PM.<ref>https://www.factmag.com/2016/05/14/hear-a-new-autechre-track-feed-1/</ref><ref>https:// | * In a leadup to the release of ''elseq'', "feed1" was debuted on May 13th, 2016 on BBC Radio 6 at 9PM.<ref>https://www.factmag.com/2016/05/14/hear-a-new-autechre-track-feed-1/</ref><ref>https://ghostarchive.org/archive/r4MxG</ref><ref name=":0">https://cdm.link/2016/05/hours-and-hours-and-hours-of-autechre/</ref><!-- The singles rollout i left for each track, but these can very easily be moved to the main description since it is part of the elseq rollout. --> | ||
* The name comes from the main synth on the track "going into a delay effect which put the studio monitors and laptop mic in the feedback path."<ref name=":2">{{Cite AAA2 doc|629}}</ref> | |||
* The track was made by Sean.<ref name=":2" /> | |||
* One analysis of "feed1" put forth by IOS from WATMM is that the bass drums are a basic 2 bar loop (shown below), with probability to retrigger any amount of the main kicks again after 3 sixteenths notes. <ref>https://forum.watmm.com/topic/93475-feed1s-kicks/?do=findComment&comment=2557279</ref> | * One analysis of "feed1" put forth by IOS from WATMM is that the bass drums are a basic 2 bar loop (shown below), with probability to retrigger any amount of the main kicks again after 3 sixteenths notes. <ref>https://forum.watmm.com/topic/93475-feed1s-kicks/?do=findComment&comment=2557279</ref> | ||
==== c16 deep tread ==== | ==== c16 deep tread ==== | ||
* BPM: 157, 160 | * BPM: 157, 160 | ||
| Line 94: | Line 93: | ||
* BPM: 124 | * BPM: 124 | ||
* Elements of "acdwn2" first appeared on the [[AE LIVE|2014 live sets]]. ([https://www.youtube.com/watch?v=OdvWpAS-dVk&t=336s example]) They were also later reused on [[NTS Sessions 1-4#xflood|"xflood"]]. | * Elements of "acdwn2" first appeared on the [[AE LIVE|2014 live sets]]. ([https://www.youtube.com/watch?v=OdvWpAS-dVk&t=336s example]) They were also later reused on [[NTS Sessions 1-4#xflood|"xflood"]]. | ||
* The horns on "acdwn2" were sampled from an unreleased track of theirs.<ref>{{Cite AAA2 doc|364}}</ref> | |||
==== foldfree casual ==== | ==== foldfree casual ==== | ||
| Line 115: | Line 115: | ||
* BPM: 160 | * BPM: 160 | ||
* The synths were previously used in the [[AE LIVE|2014/2015 live sets]]. ([https://youtu.be/38Cmbmupb3M?si=u8gNxs59jn0Foxtc&t=3027 example]) | * The synths were previously used in the [[AE LIVE|2014/2015 live sets]]. ([https://youtu.be/38Cmbmupb3M?si=u8gNxs59jn0Foxtc&t=3027 example]) | ||
* "7th slip" was done by Rob. The track was constructed out of "70s prog samples and an off cut of a beat sean made".<ref>{{Cite AAA2 doc|132}}</ref> | |||
* The name has no reference to [[Amber#Slip|"Slip"]] from Amber, instead just referring to how slippery it sounded "compared to their other '7th' works."<ref>{{Cite AAA2 doc|511}}</ref> | |||
=== elseq 5 === | === elseq 5 === | ||
| Line 134: | Line 135: | ||
* BPM: 162 | * BPM: 162 | ||
* In the July 2022 Twitch AMA, Sean confirmed that "spaces how V" was made by Rob. <ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote=spaces how V was Rob, so I can't talk about how he did it. You're gonna have to ask him. Rob knows some mean tricks for stereo manipulation, and he doesn't even share him with me, so.}}</ref> | * In the July 2022 Twitch AMA, Sean confirmed that "spaces how V" was made by Rob. <ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote=spaces how V was Rob, so I can't talk about how he did it. You're gonna have to ask him. Rob knows some mean tricks for stereo manipulation, and he doesn't even share him with me, so.}}</ref> | ||
* The track | * The track reused "liveset outtakes practises and proof tests" for material that was performed at the [[Oversteps Tour|2010 live shows]] [https://youtu.be/dEtauI9aN1E?t=1108 (example)], using both the Nord V2 Rack Engine for the vocal patch and the NMv2e for beats. The longform outtakes ended up in [[List of Rarities#Atoms Vectors Pixels Ghosts™|Atoms Vectors Pixels Ghosts™]] as well as a project "for a particular municipal historical science and astronomical facility in NYC" which fell through, all of which contributed to the final track.<ref>{{Cite AAA2 doc|62}}</ref> <!-- this was the source that spaces how V wasn't done In 2010, but sean didn't make the track and the source there now is from rob. https://web.archive.org/web/20241217152311/https://post.lurk.org/@sean_ae/113663738919715601 --> | ||
==== freulaeux ==== | ==== freulaeux ==== | ||
| Line 140: | Line 141: | ||
* BPM: 137 | * BPM: 137 | ||
* | * The track title is a reference to [[wikipedia:Franz_Reuleaux|Franz Reuleaux]] that was chosen by Rob because of Reuleaux's work in kinematics.<ref>{{Cite AAA2 doc|129}}</ref><ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Anuel: thoughts on Franz Reuleaux?''' XH HX: that was rob's reference so i guess ask him}}</ref> | ||
==== oneum ==== | ==== oneum ==== | ||
| Line 186: | Line 187: | ||
* ''elseq 1-5'' is the only Autechre album to have a title stylized in lowercase. | * ''elseq 1-5'' is the only Autechre album to have a title stylized in lowercase. | ||
* One theory argue that “elseq” is an abbreviation of “'''e'''dited '''l'''ive '''seq'''uences”, meaning it would be pronounced "ell seek". During interviews Sean did pronounce it as "ell seek", lending credence to that theory. | * One theory argue that “elseq” is an abbreviation of “'''e'''dited '''l'''ive '''seq'''uences”, meaning it would be pronounced "ell seek". During interviews Sean did pronounce it as "ell seek", lending credence to that theory. | ||
* The CAT number, WARP512, was likely specifically requested by Autechre. 512 is a power of 2, as are WARP128 ([[Confield | * The CAT number, WARP512, was likely specifically requested by Autechre. 512 is a power of 2, as are WARP128 ([[Confield|''Confield'']]) and WAP256 ([[Gantz Graf|''Gantz Graf'']]). Another theory is that the “5” represents the 5 parts of elseq, whereas the 12 represents it being the twelfth Autechre album. | ||
== Gallery == | == Gallery == | ||
Latest revision as of 03:45, 25 April 2025
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elseq 1-5, often shortened to just elseq, is the twelfth studio album by Autechre released on Warp Records. It was originally released on May 19th, 2016.
History
elseq was all recorded directly to stereo[1]. The tracks are all solo tracks, split evenly between Sean and Rob.[2]
In Autechre: elseq et al, June 2016, Autechre explained much of the background for the record. The store-front was initially set up in collaboration with Warp to just release live shows, before Autechre realised they could also use it for putting out long tracks that were otherwise ill-suited for any proper release, similar to Quaristice.Quadrange.ep.ae. The initial plan was that for any track, they would do a session on Friday, get it approved by Warp, have designs made by The Designers Republic and then put them out by Monday morning. However, Warp instead wanted to package the material into something promotable, which coalesced the tracks into groupings. Sean noted that due to the bizarre format, they didn't know if "it's an album, or a collection of EPs or albums or just... things. We have no idea what this actually is."[3]
elseq 1-5 was released on May 19th, 2016 as a digital-only release, with no plans for a physical release.[4] Initially Autechre planned to just throw it onto the store, but Warp wanted to first give a promotional cycle before releasing it.[3] This included debuting "feed1" and "c16 deep tread" as singles before release.
Tracks
elseq 1
feed1
- BPM: 112
- In a leadup to the release of elseq, "feed1" was debuted on May 13th, 2016 on BBC Radio 6 at 9PM.[5][6][7]
- The name comes from the main synth on the track "going into a delay effect which put the studio monitors and laptop mic in the feedback path."[8]
- The track was made by Sean.[8]
- One analysis of "feed1" put forth by IOS from WATMM is that the bass drums are a basic 2 bar loop (shown below), with probability to retrigger any amount of the main kicks again after 3 sixteenths notes. [9]
c16 deep tread
- BPM: 157, 160
- "c16 deep tread" was debutted as the second single on KSUA, a small Alaskan college radio channel on May 18th, 2016, at 12PM Alaskan time.[10] A now-deleted SoundCloud upload of it was also linked by Warp.[7]
- The track appeared on the 2014/2015 live sets in a mostly final, albeit abridged form. (example)
- The main snare sound on "c16 deep tread" was made using subtractive synthesis of oscillator and noise plus frequency shifting with feedback, among other things. [11]
13x0 step
- BPM: 130
pendulu hv moda
- BPM: ?, 74
- "pendulu" is one letter short of "pendulum". A possible theory for "hv' is that it stands for "heavy", as Rob mentioned that amongst their archives they had a few tracks categorised as "heavies".[12]
- An early version of the track appeared at the end of most of the 2015 US live sets. (example)
curvcaten
- BPM: 162 (?)
elseq 2
elyc6 0nset
- BPM: 160
- The elyc sounds were only made around 2014/2015.[13]
- Sean confirmed that he recorded "elyc6 0nset" in a day. [14]
- Certain elements of this track were later reused on "elyc9 7hres"
chimer 1-5-1
- BPM: 151
c7b2
- BPM: 120
- "c7b2" appears on the 2015 US live sets. (example)
- Sean was unable to explain what exactly was going on behind the scenes for "c7b2", however notes that "a lot of the sort of screamy stuff is sort of delays and something that's a bit like a phaser, but it's getting webbed around quite a lot." [15]
elseq 3
eastre
- BPM: 153 (?)
- In a Mixlr stream on 30 March 2020, Sean remarked that he had a 52 minute long version of "eastre" as he was skimming through jam folder snippets. [16]
TBM2
- BPM: 85.91
mesh cinereaL
- BPM: 83 (?)
elseq 4
acdwn2
- BPM: 124
- Elements of "acdwn2" first appeared on the 2014 live sets. (example) They were also later reused on "xflood".
- The horns on "acdwn2" were sampled from an unreleased track of theirs.[17]
foldfree casual
- BPM: 160
- The track shares elements with both "pendulu hv moda" and "carefree counter dronal"
latentcall
- BPM: 148
- Elements of "latentcall" appeared in the 2015 live sets. (example)
artov chain
- BPM: 148
- "artov chain" is a play on Markov Chains.
- Early versions of "artov chain" appeared in the 2015 US live sets. (example)
- The main "ah" sample in the track is from the Fairlight CMI sound library,[18] specifically HUMANS1/AAHHL2.wav being stacked harmonically.
7th slip
- BPM: 160
- The synths were previously used in the 2014/2015 live sets. (example)
- "7th slip" was done by Rob. The track was constructed out of "70s prog samples and an off cut of a beat sean made".[19]
- The name has no reference to "Slip" from Amber, instead just referring to how slippery it sounded "compared to their other '7th' works."[20]
elseq 5
pendulu casual
- BPM: 80
- "pendulu casual" shares a few elements with "frane casual".
spTh
- BPM: 186
spaces how V
- BPM: 162
- In the July 2022 Twitch AMA, Sean confirmed that "spaces how V" was made by Rob. [21]
- The track reused "liveset outtakes practises and proof tests" for material that was performed at the 2010 live shows (example), using both the Nord V2 Rack Engine for the vocal patch and the NMv2e for beats. The longform outtakes ended up in Atoms Vectors Pixels Ghosts™ as well as a project "for a particular municipal historical science and astronomical facility in NYC" which fell through, all of which contributed to the final track.[22]
freulaeux
- BPM: 137
- The track title is a reference to Franz Reuleaux that was chosen by Rob because of Reuleaux's work in kinematics.[23][24]
oneum
- BPM: 95 (?)
- "oneum" shares a few elements with "turbile epic casual, stpl idle".
Tracklist
| # | Title | Length |
|---|---|---|
| elseq 1 | ||
| 1 | feed1 | 11:38 |
| 2 | c16 deep tread | 12:31 |
| 3 | 13x0 step | 8:57 |
| 4 | pendulu hv moda | 12:15 |
| 5 | curvcaten | 6:59 |
| 52:21 | ||
| elseq 2 | ||
| 6 | elyc6 0nset | 27:09 |
| 7 | chimer 1-5-1 | 5:03 |
| 8 | c7b2 | 13:22 |
| 45:35 | ||
| elseq 3 | ||
| 9 | eastre | 22:15 |
| 10 | TBM2 | 6:44 |
| 11 | mesh cinereaL | 24:28 |
| 53:29 | ||
| elseq 4 | ||
| 12 | acdwn2 | 11:52 |
| 13 | foldfree casual | 9:49 |
| 14 | latentcall | 14:31 |
| 15 | artov chain | 4:04 |
| 16 | 7th slip | 6:36 |
| 46:54 | ||
| elseq 5 | ||
| 17 | pendulu casual | 9:01 |
| 18 | spTh | 8:21 |
| 19 | spaces how V | 9:57 |
| 20 | freulaeux | 11:06 |
| 21 | oneum | 11:01 |
| 49:28 | ||
| Total | 4:07:49 | |
Trivia
- elseq 1-5 is the only Autechre album to have a title stylized in lowercase.
- One theory argue that “elseq” is an abbreviation of “edited live sequences”, meaning it would be pronounced "ell seek". During interviews Sean did pronounce it as "ell seek", lending credence to that theory.
- The CAT number, WARP512, was likely specifically requested by Autechre. 512 is a power of 2, as are WARP128 (Confield) and WAP256 (Gantz Graf). Another theory is that the “5” represents the 5 parts of elseq, whereas the 12 represents it being the twelfth Autechre album.
Gallery
feed1
c16 deep tread
13x0 step
pendulu hv moda
curvcaten
elyc6 0nset
chimer 1-5-1
c7b2
eastre
TBM2
mesh cinereaL
acdwn2
foldfree casual
latentcall
artov chain
7th slip
pendulu casual
spTh
spaces how V
freulaeux
oneum
Links
Credits
- The Designers Republic (design) [25]
References
- ↑ https://web.archive.org/web/20241107183922/https://post.lurk.org/@sean_ae/113442509470527990
- ↑ Hanalgig AMA, July 2022. "Phoenix: can you tell us one track that was yours from elseq? XH HX: we try not to do that so i'm not gonna. just pick one at random and there's about a 50% chance"
- ↑ 3.0 3.1 Autechre: elseq et al, June 2016.
- ↑ https://ghostarchive.org/archive/7HMs9
- ↑ https://www.factmag.com/2016/05/14/hear-a-new-autechre-track-feed-1/
- ↑ https://ghostarchive.org/archive/r4MxG
- ↑ 7.0 7.1 https://cdm.link/2016/05/hours-and-hours-and-hours-of-autechre/
- ↑ 8.0 8.1 Q629, Ask Autechre Anything Again, KEYOSC, April 2025
- ↑ https://forum.watmm.com/topic/93475-feed1s-kicks/?do=findComment&comment=2557279
- ↑ https://www.factmag.com/2016/05/18/autechre-alaskan-radio-appearance/
- ↑ https://web.archive.org/web/20230726161856/https://post.lurk.org/@sean_ae/110771366258863281#:~:text=that%20snare%20is%20a%20combination%20of%20things%20but%20mainly%20subtractive%20(oscillator%2Bnoise)%20and%20frequency%20shifting%20w/feedback
- ↑ Autechre on Their Epic NTS Sessions, David Lynch, and Where Code Meets Music, August 2018. "There’s a few “idles,” a few “casuals,” a few “heavies.”"
- ↑ Hanalgig AMA, July 2022. "the elyc stuff was 2014/15 iirc"
- ↑ Sean Twitch AMA, June 2022. "How did you make elyc6 0nset, and is it true you made it in one day? Yeah, but I don't know where, I don't think I ever said that to anyone. But yeah, it's true that I made it in a day, yeah."
- ↑ Sean Twitch AMA, June 2022. "Anything you say about c7b2 sequencing sound engineering? It seems to have a lot of interesting reoccurring themes like the rumbling low end? Yeah, I mean, I don't know what to tell you about it. It's quite, it was quite a few different patches working together, that track. So, a lot of the sort of screamy stuff is sort of delays and something that's a bit like a phaser, but it's getting webbed around quite a lot. So there's a lot of, kind of, I don't know. I don't even know what it was doing to be honest. I'd have to open it all up again and have a look because, you know, once it's set up and saved, I don't really look at it so. But I know roughly which modules were getting used and I know roughly what they would have been doing, so yeah. “I don't know” is the short answer."
- ↑ https://docs.google.com/spreadsheets/d/1g52y2e2rnqVhQJdkw0Qk1YYJoen1uhVvn2Fd-tABywA/edit#gid=1580406988&range=E16
- ↑ Q364, Ask Autechre Anything Again, KEYOSC, April 2025
- ↑ https://web.archive.org/web/20240119174137/https://post.lurk.org/@sean_ae/111783830699925880
- ↑ Q132, Ask Autechre Anything Again, KEYOSC, April 2025
- ↑ Q511, Ask Autechre Anything Again, KEYOSC, April 2025
- ↑ Sean Twitch AMA, July 2022. "spaces how V was Rob, so I can't talk about how he did it. You're gonna have to ask him. Rob knows some mean tricks for stereo manipulation, and he doesn't even share him with me, so."
- ↑ Q62, Ask Autechre Anything Again, KEYOSC, April 2025
- ↑ Q129, Ask Autechre Anything Again, KEYOSC, April 2025
- ↑ Hanalgig AMA, July 2022. "Anuel: thoughts on Franz Reuleaux? XH HX: that was rob's reference so i guess ask him"
- ↑ https://www.discogs.com/master/1003066-Autechre-elseq-15