Exai: Difference between revisions

From aepages
Jump to navigation Jump to search
(some edits)
(recks on samples)
 
(12 intermediate revisions by 3 users not shown)
Line 3: Line 3:
|artist=[[Autechre]]
|artist=[[Autechre]]
|cover=Exai.jpg
|cover=Exai.jpg
|date=7 February 2013
|date=7 February 2013 <small>(Digital)</small><br>4 March 2013 <small>(LP/CD)</small>
|label=Warp Records (WARP234)
|label=Warp Records (WARP234)
|previous=[[Move Of Ten]]
|previous=[[Move Of Ten]]
Line 9: Line 9:
|next=[[L-event]]
|next=[[L-event]]
|next year=2013
|next year=2013
}}'''''Exai''''' is the eleventh studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on February 7th, 2013.<ref>{{Cite web|link=https://bleep.com/release/41081-autechre-exai|title=Autechre - Exai.|website=Bleep|accessdate=19 March 2024}}</ref><!-- There's some nuances to this, note the different releases dates depending on format, and also the fact that the order for L-event and Exai was reversed (see also the theory that the album cover encodes the release date) -->
}}'''''Exai''''' is the eleventh studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on February 7th, 2013.<ref name=":0">{{Cite web|link=https://bleep.com/release/41081-autechre-exai|title=Autechre - Exai.|website=Bleep|accessdate=19 March 2024}}</ref><!-- There's some nuances to this, note the different releases dates depending on format, and also the fact that the order for L-event and Exai was reversed (see also the theory that the album cover encodes the release date) -->


== History ==
== History ==
The sessions that spawned ''Exai'' were initially compiled as a collection of 12"s before having one of them split off into ''[[L-event]]''. however Sean noted 12"s to be interchangeable with one-another. The initial plan was for L-event to be released before ''Exai'', however Warp switched around the release dates.<ref>{{Cite AAA doc|118}}</ref>
''Exai'' was made using much of the same setup and process that were used for ''[[Oversteps]] --'' mostly made in Max either as a planned composition or a live jam that later got edited down.<ref>{{Cite AAA doc|205}}</ref><ref>{{Cite AAA doc|248}}</ref> Many of the tracks on ''Exai'' were from trial runs of The System they were building for live shows.<ref>[[Exploring the parameter space: A conversation with Autechre, October 2023]]</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=So when we did Exai, that was what we designed the rig for, but we kind of, we knew that if we could just nail our transitional bits and make it work properly, that we'd be able to use it to do, effectively, live albums like that.}}</ref>


''Exai'' was made using much of the same setup and process that were used for ''[[Oversteps]] --'' mostly made in Max either as a planned composition or a live jam that later got edited down. <ref>{{Cite AAA doc|205}}</ref><ref>{{Cite AAA doc|248}}</ref> Many of the tracks on ''Exai'' were from trial runs of The System they were building for live shows. <ref>[[Exploring the parameter space: A conversation with Autechre, October 2023]]</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=So when we did Exai, that was what we designed the rig for, but we kind of, we knew that if we could just nail our transitional bits and make it work properly, that we'd be able to use it to do, effectively, live albums like that.}}</ref>
The tracks were initially grouped together into a series of 12-inch records, but then when the main record was being compiled, one of those records split off and became ''[[L-event]].'' However, Sean noted that they saw that EP "as interchangeable with any of the 12"s in exai (which we see as a box of four 12"s)".<ref name=":1">{{Cite AAA doc|118}}</ref>  
 
''Exai'' was finished around late-2011, before Max 6 was released.<ref>{{Cite AAA doc|1=836}}</ref><ref>https://imgur.com/a/sean-ae-mastodon-2024-09-05-exai-system-revisions-https-post-lurk-org-sean-ae-113084494966085439-Fb6wPfy</ref> Sean noted in a 2016 interview that "everything was two or three years old when [''Exai''] came out."<ref>{{Cite interview|page=Autechre: elseq et al, June 2016|quote='''Sean Booth''': Exai was definitely talked about as an album for a year before its release, and everything was two or three years old when it came out.}}</ref>
 
On September 22, 2012, [[The Designers Republic]] posted an announcement that they were starting design work on the new Autechre album.<ref>{{Cite AAA doc|647}}</ref><ref>https://forum.watmm.com/topic/75775-autechre-exai/#comments</ref><!-- try to find the original post, i want the funny "listen to track 4 now ..." --> The album was properly announced on December 13, 2012 to be released March 5th, 2013.<ref>https://web.archive.org/web/20121213200341/http://warp.net/records/autechre/exai</ref><ref>https://pitchfork.com/news/48942-autechre-announce-new-two-hour-long-album/</ref> However, the album unexpectedly released early as a digital download on February 7th, 2013.<ref name=":0" /><ref>https://web.archive.org/web/20130211003446/http://warp.net:80/records/autechre/download-exai-now</ref><ref name=":2">https://www.factmag.com/2013/02/07/autechre-releases-new-album-a-month-early/</ref><!-- likely a leak, AGAIN --> The deluxe vinyl and CD would come out as per the original announced date.<ref>https://web.archive.org/web/20130314172515/http://warp.net:80/records/autechre/exai-out-now</ref><ref name=":2" /> The initial plan was for ''L-event'' to be released before ''Exai'', however Warp switched around the release dates.<ref name=":1" /> Alongside the release were two 10-hour Mixlr webcasts that were streamed on March 2nd and 3rd respectively.<ref>https://web.archive.org/web/20130303011537/http://warp.net:80/records/autechre/autechre-radio-exai</ref>
 
=== Design ===
The cover artwork is a heavily stylized/pixelated rendering of the text “''Exai''”.<ref>{{Cite AAA doc|1=682}}</ref> It is also exactly 11 by 11 pixels large, furthering the "eleven" motif in the album. Ian Anderson described the design as "abstracted E, X, A and I letterforms as redacted architectural plans or elevations. Or maybe maps. The inners are simply A to F as typo­graphical ruins."<ref>"Exai". ''The Designers Republic''. https://www.thedesignersrepublic.com/exai. Accessed 19 Sep 2024.</ref>


== Tracks ==
== Tracks ==
Line 20: Line 27:


* The original titling is "FLeure", however Bleep and other streaming services unintentionally changed the capitalisation to "Fleure" with a lowercase l. <ref>{{Cite AAA doc|1162}}</ref>
* The original titling is "FLeure", however Bleep and other streaming services unintentionally changed the capitalisation to "Fleure" with a lowercase l. <ref>{{Cite AAA doc|1162}}</ref>
* FLeure was fully done in Max/MSP.<ref>{{Cite AAA doc|1=28}}</ref>


=== irlite (get 0) ===
=== irlite (get 0) ===
Line 40: Line 48:
=== tuinorizn ===
=== tuinorizn ===


* An early version of "tuinorizn" appeared in the [[Oversteps Tour|Oversteps tour]] <ref>{{Cite AAA doc|1505}}</ref> ([https://youtu.be/dEtauI9aN1E?si=zGXHnenH1NNO5Gfx&t=4320 example])
* An early version of "tuinorizn" appeared in the [[Oversteps Tour|Oversteps tour]]<ref>{{Cite AAA doc|1505}}</ref> ([https://youtu.be/dEtauI9aN1E?si=zGXHnenH1NNO5Gfx&t=4320 example])
* A common interpretation of the title is that it is phonetically pronounced like "twin horizons".
* A common interpretation of the title is that it is phonetically pronounced like "twin horizons".
* Rob mentioned that there's "glottal shit on the bas[s]line". <ref>{{Cite AAA doc|1120}}</ref>
* Rob mentioned that there's "glottal shit on the bas[s]line".<ref>{{Cite AAA doc|1120}}</ref>


=== bladelores ===
=== bladelores ===
Line 48: Line 56:
* In a [[Autechre on Their Epic NTS Sessions, David Lynch, and Where Code Meets Music, August 2018|Pitchfork Interview in August 2018]], Autechre noted that they had a 2011 jam that later became "bladelores" <ref>[[Autechre on Their Epic NTS Sessions, David Lynch, and Where Code Meets Music, August 2018]]</ref>
* In a [[Autechre on Their Epic NTS Sessions, David Lynch, and Where Code Meets Music, August 2018|Pitchfork Interview in August 2018]], Autechre noted that they had a 2011 jam that later became "bladelores" <ref>[[Autechre on Their Epic NTS Sessions, David Lynch, and Where Code Meets Music, August 2018]]</ref>
* The reverb sound at the end of the track reappeared later on "splesh" and "all end" from ''[[NTS Sessions 1-4]].''
* The reverb sound at the end of the track reappeared later on "splesh" and "all end" from ''[[NTS Sessions 1-4]].''
* Part of the name likely comes from lores~, a resonant lowpass filter max module.<ref>{{Cite web|link=https://docs.cycling74.com/max7/refpages/lores~|website=Cycling74|title=lores~ Object Reference -  Max 7 Documentation|accessdate=19 March 2024}}</ref>
* Part of the name likely comes from lores~, a resonant lowpass filter max module.<ref>{{Cite web|link=https://docs.cycling74.com/max5/refpages/msp-ref/lores~.html|website=Cycling74|title=lores~ reference -  Max 5 Documentation|accessdate=29 March 2024}}</ref>


=== 1 1 is ===
=== 1 1 is ===
Line 58: Line 66:
=== runrepik ===
=== runrepik ===


* "runrepik" appeared in the [[Oversteps Tour|Oversteps tour]] .<ref>{{Cite AAA doc|1=460}}</ref><!-- get example -->
* "runrepik" appeared in the [[Oversteps Tour|Oversteps tour]].<ref>{{Cite AAA doc|1=460}}</ref><!-- get example -->


=== spl9 ===
=== spl9 ===
Line 66: Line 74:
=== deco Loc ===
=== deco Loc ===


* One of the samples for "deco Loc" was found to be from a [https://vimeo.com/610474568 Bols liqueurs ad], which was uncovered via one of the 4utechre's streams.<ref>{{Cite web|author=TiltIfGibbersEbb|title=deco Loc source|website=Reddit|date=26 December 2021|link=https://www.reddit.com/r/autechre/comments/ropmcq/deco_loc_source/|accessdate=2 March 2024}}</ref>. The other sample is still unknown.
* The sample manipulations are achieved via a video-cut up patch made around 2005-2006 by Rob where Sean then took the patch and then "did some hip hop type stuff with it."<ref>https://web.archive.org/web/20231126120035/https://post.lurk.org/@sean_ae/111475792280312902</ref> Sean noted the percussion he added was just samples of "wood and rubber." <ref>{{Cite AAA doc|1=203}}</ref> One of the samples for "deco Loc" was found to be from a [https://vimeo.com/610474568 Bols liqueurs ad], which was uncovered via one of the 4utechre's streams.<ref>{{Cite web|author=TiltIfGibbersEbb|title=deco Loc source|website=Reddit|date=26 December 2021|link=https://www.reddit.com/r/autechre/comments/ropmcq/deco_loc_source/|accessdate=2 March 2024}}</ref>. The other sample is still unknown.
* The sample manipulations are archived via a video-cut up patch made around 2005-2006 by Rob. Sean took the patch and then "did some hip hop type stuff with it."<ref>https://web.archive.org/web/20231126120035/https://post.lurk.org/@sean_ae/111475792280312902</ref> Sean noted the percussion he added was "wood and rubber." <ref>{{Cite AAA doc|1=203}}</ref>
* "deco" may refer to the assembly command of the same name for "decimal output".
* "deco" may refer to the assembly command of the same name for "decimal output".


=== recks on ===
=== recks on ===
* "recks on" uses drum samples from a factory disk (either ZD611 "Rock Drums 1" or ZD612 "Rock Kit") for the Emu SP-12.<ref>https://web.archive.org/web/20241121214428/https://post.lurk.org/@sean_ae/113522651639066014</ref> <!--  definitely phrased badly, i think he meant JUST the snare but /shrug/ -->


=== YJY UX ===
=== YJY UX ===
Line 76: Line 85:
=== 18 (keyosc) ===
=== 18 (keyosc) ===


* The track title “18 (keyosc)” is likely in reference to it being the 18th track on the album.
* The 18 is likely in reference to it being the 18th track on the Japanese issue of ''Exai''. keyosc (which can be read as key oscillator) was also speculated to be a jab at WATMM predicting the new Autechre album would be called Kiosk, which Autechre did not confirm nor deny.<ref>{{Cite AAA doc|1=1401}}</ref>


== Tracklist ==
== Tracklist ==
Line 102: Line 111:
== Trivia ==
== Trivia ==


*A major theme of the record is the number 11, corresponding to the place in its discography. The album name itself is a phonetic spelling of “XI”, the roman numeral for eleven, as well as being an anagram of “AE XI”, meaning “Autechre eleven”, or “Autechre’s eleventh album”
*A major theme of the record is the number 11, corresponding to the place in its discography. The album name itself is a phonetic spelling of “XI”, the roman numeral for eleven, as well as being an anagram of “AE XI”, meaning “Autechre eleven”, or “Autechre’s eleventh album”.
*The album artwork is a heavily stylized/pixelated rendering of the text “''Exai''”.<ref>{{Cite AAA doc|1=682}}</ref> It is also exactly 11 by 11 pixels large, furthering the "eleven" motif in the album.


== Links ==
== Links ==

Latest revision as of 16:58, 21 November 2024

Exai

Exai.jpg

Artist Autechre
Released 7 February 2013 (Digital)
4 March 2013 (LP/CD)
Label Warp Records (WARP234)
Move Of Ten
(2010) 		Exai L-event
(2013)

Exai is the eleventh studio album by Autechre released on Warp Records. It was originally released on February 7th, 2013.[1]

History

Exai was made using much of the same setup and process that were used for Oversteps -- mostly made in Max either as a planned composition or a live jam that later got edited down.[2][3] Many of the tracks on Exai were from trial runs of The System they were building for live shows.[4][5]

The tracks were initially grouped together into a series of 12-inch records, but then when the main record was being compiled, one of those records split off and became L-event. However, Sean noted that they saw that EP "as interchangeable with any of the 12"s in exai (which we see as a box of four 12"s)".[6]

Exai was finished around late-2011, before Max 6 was released.[7][8] Sean noted in a 2016 interview that "everything was two or three years old when [Exai] came out."[9]

On September 22, 2012, The Designers Republic posted an announcement that they were starting design work on the new Autechre album.[10][11] The album was properly announced on December 13, 2012 to be released March 5th, 2013.[12][13] However, the album unexpectedly released early as a digital download on February 7th, 2013.[1][14][15] The deluxe vinyl and CD would come out as per the original announced date.[16][15] The initial plan was for L-event to be released before Exai, however Warp switched around the release dates.[6] Alongside the release were two 10-hour Mixlr webcasts that were streamed on March 2nd and 3rd respectively.[17]

Design

The cover artwork is a heavily stylized/pixelated rendering of the text “Exai”.[18] It is also exactly 11 by 11 pixels large, furthering the "eleven" motif in the album. Ian Anderson described the design as "abstracted E, X, A and I letterforms as redacted architectural plans or elevations. Or maybe maps. The inners are simply A to F as typo­graphical ruins."[19]

Tracks

FLeure

  • The original titling is "FLeure", however Bleep and other streaming services unintentionally changed the capitalisation to "Fleure" with a lowercase l. [20]
  • FLeure was fully done in Max/MSP.[21]

irlite (get 0)

prac-f

jatevee C

T ess xi

  • The sequencing in "T ess xi" was mostly done in Logic as opposed to Max. [22]
  • The first track on Hanalgig is "T ess xi" with a longer outro which was cut off on Exai. When asked about details, Sean noted that it was made in 2011.
  • Despite the title similarities to "r ess" from Oversteps, Rob noted in the WATMM Ask Autechre Anything that they don't share meaning.[23]
  • The main harmonic progression of the track consists of a 16 bar progression which is repeated twice, after which every repetition moves the entire progression one semitone down from the previous loop. [24]

vekoS

Flep

tuinorizn

  • An early version of "tuinorizn" appeared in the Oversteps tour[25] (example)
  • A common interpretation of the title is that it is phonetically pronounced like "twin horizons".
  • Rob mentioned that there's "glottal shit on the bas[s]line".[26]

bladelores

  • In a Pitchfork Interview in August 2018, Autechre noted that they had a 2011 jam that later became "bladelores" [27]
  • The reverb sound at the end of the track reappeared later on "splesh" and "all end" from NTS Sessions 1-4.
  • Part of the name likely comes from lores~, a resonant lowpass filter max module.[28]

1 1 is

  • "1 1 is" was done by Sean. [29]

nodezsh

runrepik

spl9

cloudline

deco Loc

  • The sample manipulations are achieved via a video-cut up patch made around 2005-2006 by Rob where Sean then took the patch and then "did some hip hop type stuff with it."[31] Sean noted the percussion he added was just samples of "wood and rubber." [32] One of the samples for "deco Loc" was found to be from a Bols liqueurs ad, which was uncovered via one of the 4utechre's streams.[33]. The other sample is still unknown.
  • "deco" may refer to the assembly command of the same name for "decimal output".

recks on

  • "recks on" uses drum samples from a factory disk (either ZD611 "Rock Drums 1" or ZD612 "Rock Kit") for the Emu SP-12.[34]

YJY UX

18 (keyosc)

  • The 18 is likely in reference to it being the 18th track on the Japanese issue of Exai. keyosc (which can be read as key oscillator) was also speculated to be a jab at WATMM predicting the new Autechre album would be called Kiosk, which Autechre did not confirm nor deny.[35]

Tracklist

# Title Length
1 FLeure 4:51
2 irlite (get 0) 10:01
3 prac-f 4:20
4 jatevee C 4:14
5 T ess xi 6:43
6 vekoS 6:42
7 Flep 6:43
8 tuinorizn 3:40
9 bladelores 12:19
10 1 1 is 7:18
11 nodezsh 8:40
12 runrepik 4:35
13 spl9 7:06
14 cloudline 10:13
15 deco Loc 5:27
16 recks on 9:21
17 YJY UX 8:24
2:00:39
18 18 (keyosc) [Japanese CD exclusive] 8:57
Total 2:09:36

Trivia

  • A major theme of the record is the number 11, corresponding to the place in its discography. The album name itself is a phonetic spelling of “XI”, the roman numeral for eleven, as well as being an anagram of “AE XI”, meaning “Autechre eleven”, or “Autechre’s eleventh album”.

Links

Credits

References

  1. ↑ 1.0 1.1 "Autechre - Exai.". Bleep, https://bleep.com/release/41081-autechre-exai. Accessed 19 March 2024.
  2. ↑ Q205, WATMM Ask Autechre Anything, November 2013
  3. ↑ Q248, WATMM Ask Autechre Anything, November 2013
  4. ↑ Exploring the parameter space: A conversation with Autechre, October 2023
  5. ↑ Sean Twitch AMA, June 2022. "So when we did Exai, that was what we designed the rig for, but we kind of, we knew that if we could just nail our transitional bits and make it work properly, that we'd be able to use it to do, effectively, live albums like that."
  6. ↑ 6.0 6.1 Q118, WATMM Ask Autechre Anything, November 2013
  7. ↑ Q836, WATMM Ask Autechre Anything, November 2013
  8. ↑ https://imgur.com/a/sean-ae-mastodon-2024-09-05-exai-system-revisions-https-post-lurk-org-sean-ae-113084494966085439-Fb6wPfy
  9. ↑ Autechre: elseq et al, June 2016. "Sean Booth: Exai was definitely talked about as an album for a year before its release, and everything was two or three years old when it came out."
  10. ↑ Q647, WATMM Ask Autechre Anything, November 2013
  11. ↑ https://forum.watmm.com/topic/75775-autechre-exai/#comments
  12. ↑ https://web.archive.org/web/20121213200341/http://warp.net/records/autechre/exai
  13. ↑ https://pitchfork.com/news/48942-autechre-announce-new-two-hour-long-album/
  14. ↑ https://web.archive.org/web/20130211003446/http://warp.net:80/records/autechre/download-exai-now
  15. ↑ 15.0 15.1 https://www.factmag.com/2013/02/07/autechre-releases-new-album-a-month-early/
  16. ↑ https://web.archive.org/web/20130314172515/http://warp.net:80/records/autechre/exai-out-now
  17. ↑ https://web.archive.org/web/20130303011537/http://warp.net:80/records/autechre/autechre-radio-exai
  18. ↑ Q682, WATMM Ask Autechre Anything, November 2013
  19. ↑ "Exai". The Designers Republic. https://www.thedesignersrepublic.com/exai. Accessed 19 Sep 2024.
  20. ↑ Q1162, WATMM Ask Autechre Anything, November 2013
  21. ↑ Q28, WATMM Ask Autechre Anything, November 2013
  22. ↑ Hanalgig AMA, July 2022
  23. ↑ Q601, WATMM Ask Autechre Anything, November 2013
  24. ↑ IOS. "T ess xi harmony". We Are The Music Makers, 16 March 2019, https://forum.watmm.com/topic/96713-t-ess-xi-harmony/. Accessed 2 March 2024.
  25. ↑ Q1505, WATMM Ask Autechre Anything, November 2013
  26. ↑ Q1120, WATMM Ask Autechre Anything, November 2013
  27. ↑ Autechre on Their Epic NTS Sessions, David Lynch, and Where Code Meets Music, August 2018
  28. ↑ "lores~ reference - Max 5 Documentation". Cycling74, https://docs.cycling74.com/max5/refpages/msp-ref/lores~.html. Accessed 29 March 2024.
  29. ↑ https://web.archive.org/web/20240131161422/https://post.lurk.org/@sean_ae/111850811524269315
  30. ↑ Q460, WATMM Ask Autechre Anything, November 2013
  31. ↑ https://web.archive.org/web/20231126120035/https://post.lurk.org/@sean_ae/111475792280312902
  32. ↑ Q203, WATMM Ask Autechre Anything, November 2013
  33. ↑ TiltIfGibbersEbb. "deco Loc source". Reddit, 26 December 2021, https://www.reddit.com/r/autechre/comments/ropmcq/deco_loc_source/. Accessed 2 March 2024.
  34. ↑ https://web.archive.org/web/20241121214428/https://post.lurk.org/@sean_ae/113522651639066014
  35. ↑ Q1401, WATMM Ask Autechre Anything, November 2013
  36. ↑ https://www.discogs.com/master/519732-Autechre-Exai
Retrieved from "http://aepages.org/wiki/index.php?title=Exai&oldid=3858"