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{{DISPLAYTITLE: | {{DISPLAYTITLE:AE_2022－}} | ||
[[ | {{Infobox | ||
''AE_LIVE 2022－'' is a compilation of | |title=AE_2022－ | ||
|artist=[[Autechre]] | |||
|cover=AE 2022－.jpg | |||
|date=10 August 2023 <small>(Milan22－Turin22)</small><br>4 November 2024 <small>(Melbourne23－Lyon24)<small> | |||
|label=Warp Records (WARP444) | |||
|previous=[[PLUS]] | |||
|previous year=2020 | |||
|next= | |||
|next year= | |||
}} | |||
'''''AE_2022－''','' previously '''''AE_LIVE 2022－''''', and otherwise known as '''''2022 dash'''''<ref name=":2">{{Cite interview|page=Autechre: Immersive Listening, Synesthesia, and the Manchester Scene, Metal Magazine, October 2024|quote=Rob: We've been doing this since 2022, calling it 2022 dash. We could keep it going for another ten years. Traveling and meeting people is something you can’t replicate in a studio.}}</ref> is a compilation of nineteen soundboard recordings taken from live shows performed from 2022 onwards as part of the '''''twentytwentytwo''''' tour.<ref>https://autechre.warp.net/twentytwentytwo</ref> The first batch was released on August 10th, 2023, and the second on November 4th, 2024. | |||
==History== | |||
=== Development === | |||
== | Initial planning for a new tour started in late 2019 for dates in late 2020-early 2021, before the COVID-19 pandemic in early 2020 put all plans on hold.<ref>{{Cite AAA2 doc|5}}</ref><ref name=":10">{{Cite interview|page=Autechre: 30 Jahre Afterhour (Teil 1) & „Mehr Menschen mögen Erdbeeren als Autechre” (Teil 2), Groove, 2021|quote='''Vermisst ihr es sehr, live zu spielen?''' | ||
{| class="wikitable" | |||
SB: Klar. Allerdings hat uns die Pandemie bisher gar nicht so sehr getroffen, weil wir die Tour erst zum Release des neuen Albums geplant hatten. Jetzt sitzen auf einem fertigen Live-Set, das wir nicht spielen können. Unsere Routine hat sich aber nicht sonderlich verändert, wir bleiben ja sowieso die ganze Zeit zuhause und machen Musik. | |||
!# | |||
! | Rob Brown: Unser Ablauf blieb tatsächlich gleich. Wir hatten Pläne für Gigs, aber, na ja. Wir bekamen zum Beispiel im März ein Angebot für einen Auftritt in Mailand im November. Die Lombardei wurde dann komplett abgeriegelt, und wir haben von den Leuten einen Monat lang nichts gehört. Beim nächsten Kontakt waren sie schon weitaus weniger zuversichtlich. Dann hat sich das Angebot in Luft aufgelöst und wurde auf nächstes Jahr verschoben. Das war unser einziger geplatzter Gig, wenn man so will. Weil wir ja ohnehin erst im Winter oder im Frühling 2021 loslegen wollten.}}</ref><ref>https://web.archive.org/web/20241217152311/https://post.lurk.org/@sean_ae/113663738919715601 <!-- (note: reference is for saying project was in development for rougly 4 years indicating 2019/2020 was the start) --></ref><!-- Among the cancelled/postponed gigs was the postponement of a planned Milan gig in November 2020 to the following year. (see groove interview) --> Sean mentioned that he spent that time reworking the back end of their rig, getting interested in MC (multi-channel audio in Max), physical modelling<ref name=":0">{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''“Do you like the new Mac chip situation? Is it any different to work on compared to the old CPU?”''' Yes. So my patch was using about 75, 80% towards the end of last year or the year before, whenever it was I got it, and then, yeah, I got the M1 and then it was just flying! 30%, just flying! Just absolutely insane! So there's no turning back now I'm fucked because I'm filling it up already. Loads of Live physmod things, and things that were a bit, you know, expensive. So yeah, I love it. Just amazing, kind of a little bit too much if anything, and the disking out speeds are amazing. The transitions are all super tight. The timing's super tight. All the control rate stuff is super tight. So yeah, I think if you're using Max and you've got an M1, you're basically living the dream at this point. it's just insane.}}</ref> (such as [https://forum.ircam.fr/projects/detail/modalys/ Modalys]), and scratching (as seen on Gescom's ''[[AMKS_1]]'')''.''<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Basically when COVID hit, I had a lot of time on my hands to rebuild a lot of it. So it's, yeah, it’s a lot of it you wouldn't even notice because a lot of it's just porting things to Gen that didn't need to be ported but just because I wanted a bit more control, and that led me off on loads of tangents because once you start building basic things like oscillators, you get a bit mad with all the options. So yeah, that happened and then I got heavily into MC, and then that happened. And then I built a lot more [physical] modeling stuff, and I did that scratching thing that we used on that Gescom thing that we've done about just over a year ago. And then did that and then, and then, yeah the set sort of grew out of all that tech basically. So sty listically, it's not that far off what we've been doing for the last few years because I think we're still in the same sort of place mentally. But, tech wise, the underlying, the kind of back end stuff is all fresh.}}</ref> | ||
! | |||
During a mixlr stream on March 21st, 2020, Sean mentioned that the live set was 99% complete, requiring just the intro to be completed.<ref>{{Cite web|author=Ryce, Andrew|title=Autechre say they have two new albums ready|website=Resident Advisor|date=22 March 2020|link=https://ra.co/news/72301|accessdate=5 June 2025}}</ref> By mid-2022, Sean noted that, on his side, he had about three and a half hours of total material prepared that may or may not be shown.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=[...] I mean some, they will share elements and the probably, I mean in all likelihood it'll be mostly similar material but there's a bunch of material that's not aired yet. That's because we've had too long to work on this fucking set, right, so. Least my part of the set is, I don't know, like three and a half hours of stuff, so I don't know how much of it will end up using.}}</ref> In late 2023, Sean gave an update on Mastodon that the material ended up becoming one long track they just kept adding onto. At that point, it was "about 4 hours long so far and growing steadily", noting it was the "most interesting thing we’ve done in ages from our POV." <ref>[https://web.archive.org/web/20231118215345/https://post.lurk.org/@sean_ae/111433472440615681#:~:text=We%20took%20a,from%20our%20POV. @sean_ae Mastodon post, November 18, 2023]</ref> In an interview in October 2024, they mentioned that "we could keep [this project] going for another ten years."<ref name=":2" /> | |||
The main equipment used to perform is two M1<ref name=":0" /><!-- possibly M2 by now --> Macs running Max/MSP, Kenton Killamix controllers, Apogee Symphony Desktop and Apogee Element 24.<ref name=":4">{{Cite interview|page=Sean Twitch AMA, July 2022|quote='''Can u describe the live setup of the last gigs, laptop, controllers, souncard, thx''' I mean you know, two, I mean the latest ones are just two M1 Macs, Kenton Killamix controllers, two interfaces; I've got an Apogee Symphony Desktop, Rob's using the Apogee Element 24. The mixer is like a little Mackie Onyx12 channel thing just because it fits on a plane easily, and it's easier to get around. And it's replaceable if it breaks, you know, it's not, we're not relying on some esoteric mixer being found by the promoter at the last minute, so. Because that's always a consideration, you know? There's only the controllers really that be hard to source. So we often carry spares like if we're on a tour bus, we'll have spares of the controllers we’ll source.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''What's your live setup nowadays?''' Two Macs, and these Kenton Killamix things, and a couple of interfaces.}}</ref><ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Tebbisimo: [...] What audio interface you using on the live sets ATM? [...]''' XH HX: i'm using apogee symphony desktop lately which i really rate but before that was using apogee element 24 (also good but harder to get now) and before that was using RME ADI2 converter (had to stop since apple borked the optical port but i loved that thing). i also got a MOTU M2 which is mad value for ESS sabre converters if u want something cheapish}}</ref><ref name=":5">https://web.archive.org/web/20240509143259/https://post.lurk.org/@sean_ae/112400607304881021</ref><ref name=":3">https://web.archive.org/web/20241107183922/https://post.lurk.org/@sean_ae/113442509470527990<!-- https://imgur.com/a/sean-ae-mastodon-2024-11-07-recording-setup-https-post-lurk-org-sean-ae-113442509470527990-92g7anp --></ref> Both Sean and Rob have different versions of their Max rig; Sean sends nightly builds to Rob, to which Rob adds his own additions.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Like, I've got my version of the rig. Rob's got his version, which is a, it's been mutated so much it's not really the same rig anymore.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=We don't rehearse at all, but the rig, we do share, so, you know. We've, I've got bits of Rob’s stuff. He's got a fully up-to-date version of what I'm doing all the time, so he gets nightly, almost, builds, yeah. So, that happened. I think he can run my rig in his house so he knows exactly what it'll do, but he doesn't know quite how I'm gonna play it on the night and so I'll be doing surprising things with it and it'll be reacting to him with his controllers, so it's a kind of, yeah, it's very much an intuitive thing.}}</ref><ref>{{Cite AAA2 doc|190}}</ref> <!-- include tidbit from june 2022 where sean notes that the rig was on version 4 update 1100? -->In 2024, they got four custom-made Killamix Minis.<ref>https://web.archive.org/web/20240309004321/https://post.lurk.org/@sean_ae/112054867478643903</ref> Initially, mixing was done using the Mackie Onyx12,<ref name=":4" /> but since Brussels24 they've been using Sound Devices 888.<ref name=":5" /><ref name=":6">https://web.archive.org/web/20241113092034/https://post.lurk.org/@sean_ae/113458692313028937</ref> For recording with the 888, they have "two mains, two spares and two mons (adjustable using the headphone pot) going to 3 stereo DIs" with separate recordings of Sean and Rob's computers alongside a mixed version.<ref name=":3" /><ref name=":6" /><!-- this is above my technical understanding, someone clean this up for me thx xoxoxo --> For final mixing<!-- would generally use "mastering" since it's the common term for it but i stuck with ae's use of mastering for preparing master for different formats rather than final mixdown --> of the soundboards for release, Sean also listed using "a couple of Meyer UPMs and USW-112Ps" as monitors.<ref>https://forum.keyosc.com/topic/720-i-no-longer-strongly-disagree-with-seans-answer-to-gl0tch-in-aaaa/?&do=findComment&comment=19916</ref><!-- this is a _bit_ mean to include i think --> | |||
The Max rig itself (seen best in the [https://www.youtube.com/watch?v=jgMArRJswIQ December 15th, 2022] demo recording) consists of 16 channels with six different slots each (one sequencer, one synthesizer, four effect units) and 4 bus channels with five slots each (one sequencer, four effects units).<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Yeah, so like those three module types are arranged in channels, So like each channel has like, I think, six slots, yeah, it has like a sequencer, a synth and then four effects units on every channel, and there's 16 channels, and they're constantly changing and there are four bus channels as well that don't have sequences. No, sorry, that don't have synths on, but they just have sequences and effects units. So they have the four effects units in the sequences and there's four of those bus channels and they can be routed into each other and stuff, so that's it. So in total, there are 68 slots. Yeah.}}</ref> Between both different rigs, they have a total of 32 channels available.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=But with this set, it was written with both of us running 16 channels each now.}}</ref> Modules are dynamically loaded into slots (which each have two [poly~] objects)<ref>{{Cite AAA2 doc|175}}</ref> via a global "pattstorage-addressing copy patch" and preloading.<ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote='''“How'd you deal with preset management live?”''' It's all pattr, so like, yeah it's all pattr now. It used to be pattr and then presets. So the global stuff was a pattr and then the stuff in the modules was presets, but it got too unwieldy. I had to build, rebuild it all with pattr. Plus I like being able to morph them because morphing is just tons of fun, innit? So, see it's all pattr and then I built a thing that where I can name them. So there's like a little box, you just type the name in and click enter and it just saves it with that name. So then I have like a new menu with all the names in. I found that loads easier to work with than numbers. So yeah, it's pattr all the way down, but it's pattr, it's like a global pattr and then each module has its own pattrs because the modules are loaded dynamically. I couldn't have pattr, the global pattr reaching into the modules, if you know what I mean. so they all have to have their own pattr storage in each module. But that's okay, you know?}}</ref><ref>{{Cite AAA2 doc|481}}</ref> The general development process was described as "make a cell, save it, come back the next day, tweak it a bit."<ref>{{Cite AAA2 doc|74}}</ref><ref>{{Cite AAA2 doc|370}}</ref> During a show, they traverse through roughly 60-90 'cells'<!-- what are "cells" --><!-- also note that that amount has definitely gone up in t | |||
hat time, about 115-135 now for a 90m set --> in a prefered order, although sometimes they skip over or extend cells.<ref>{{Cite AAA2 doc|64}}</ref><ref>https://web.archive.org/web/20250823160621/https://post.lurk.org/@sean_ae/115078509915195794</ref> <!-- trawl sean archives for mastodon discussions about live setup. --> | |||
[[ae mixlr 300320|In a mixlr stream on March 30th, 2020]], while quickly skimming through their jams folder, Sean showed off a few seconds of the then unknown in-development live material (segments '''#2, #3''' and '''#5'''). In December 2022, Sean posted two Max demos to Mastodon; [https://www.youtube.com/watch?v=3poN6FDyB28 one on December 10th] and [https://www.youtube.com/watch?v=jgMArRJswIQ one on December 15th], which were both bits of segments '''#29''' and '''#26''' respectively. In 2023, two more demos were posted, with [https://www.youtube.com/watch?v=UE8ug56Ijls July 26th's "Markov Chain"]<ref name=":7">https://web.archive.org/web/20230727210645/https://post.lurk.org/@sean_ae/110780381387123384</ref> and [https://www.youtube.com/watch?v=_R3JorLEwNE December 16th's "Fuckery"]<ref name=":1">https://web.archive.org/web/20231221224324/https://post.lurk.org/@sean_ae/111591524233807832</ref><!-- the video upload censored "fuckery" for the title, and also said 17th when the post was on the 16th --> for segments '''#38''' and '''#42/48'''. Months later, audio-only demos - September 23, 2024's “playing with stereo<ref name=":8" /> and January 7th, 2025's [https://www.youtube.com/watch?v=6GRNWAkIlQQ “quick gong jam”]<ref name=":9" /> - were shown for segments '''#53''' and '''#55'''. | |||
=== Tour<!-- Update to include prior announcements add 22, 23, 24, 26 -->=== | |||
On March 9th, 2022, the ''twentytwentytwo'' tour was officially announced with five shows in Barcelona, Milan, Helsinki, London, and Turin across 2022.<ref>https://ghostarchive.org/archive/Qt38G</ref><!-- missing updates for 2022 -->The Barcelona22 show at Primavera, due to issues of negotiating the rights to the soundboard from Primavera as well as messing up the recording, was left off the release.<ref>[[Sean AMA Transcript 220605#:~:text%3DYeah%2C%20there's%20not%20really%20any%20good%20pictures%2C%20but%20the%20problem%20was%20with%20Primavera%2C|<nowiki/>]]{{Cite interview|page=Sean Twitch AMA, June 2022|quote=[...] the problem was with Primavera, they were trying to get rights for everything, right? So they were trying to get broadcast, they were trying to record it, you know? Obviously we're thinking about releasing them, so we didn't want to okay it. We ended up fucking up the recording anyway, so it wouldn't have mattered.}}</ref> At Helsinki22, small glitches such as pops and dropouts appeared early into the show and got progressively more distracting as the show went on. A possible explanation is that the venue's subwoofer setup, which was poorly set up and possibly worsened by the performance's use of heavy sub-bass, experienced a coil short circuit leading to the malfunctions.<ref>{{Cite web|author=avalyn__|title=There were some audio issues during Helsinki gig.|website=Reddit|date=11 September 2022|link=https://www.reddit.com/r/autechre/comments/xbspfv/there_were_some_audio_issues_during_helsinki_gig/?rdt=51772|accessdate=25 March 2024}} <!-- might need to add a Cite post/reply thing --></ref><ref>{{Cite web|author=dcom|title=Comment in Autechre. Live. Twentytwentytwo.|website=We Are The Music Makers|date=15 September 2022|link=https://watmm-archive.com/t/102400/17|accessdate=25 March 2024}}</ref> The raw soundboard recording ("AE_LIVE_HELSINKI_110922_LTD") was sent out to attendees as an apology, and was later re-released with proper mastering.<ref name=":11" /> | |||
<!-- twentytwentythree here, but seems like no coherent thing ? -->''twentytwentyfour'' was announced with dates in Paris, Rennes, Barcelona, and Madrid, on October 27th, 2023.<ref>https://x.com/WarpRecords/status/1717850268132389241</ref> Madrid's venue was confirmed on the 30th, coinciding with the general ticket sale at 10:00 CET.<ref>https://x.com/WarpRecords/status/1718937652051718603</ref> New shows were later added for Brussels, The Hague, and Lisbon (second show since the first show already sold out before the announcement) on December 13th, 2023.<ref>https://x.com/WarpRecords/status/1734943097052660077</ref> The last few dates for Krems/Vienna, Lyon, Oslo, Stockholm, Riga, and Copenhagen were confirmed on March 22, 2024.<ref>https://x.com/WarpRecords/status/1771145082055311756</ref><ref>https://www.facebook.com/warprecords/posts/ae-live-2024-new-shows-added-autechrewarpnetshows/407106961956344/?_rdr</ref> DenHaag24 was not released because they forgot to hit record.<ref>https://web.archive.org/web/20240406161357/https://post.lurk.org/@sean_ae/112224480826307858</ref> | |||
Arranged by now wave, Autechre was booked for an exclusive UK show in Manchester for February 22nd, 2025, which was announced on September 18, 2024.<ref>https://x.com/WarpRecords/status/1836359952509567224</ref> About 8 minutes into Manchester25, it catastrophically failed<!-- sorry i had to say CATASTROPHICALLY FAILED it's really funny --> due to the sub of the venue rattling the USB out of Sean's interface<ref>{{Cite AAA2 doc|15}}</ref>. After a 16-minute interruption, the show picked up from where it was interrupted. | |||
On January 21st, 2025, ''twentytwentyfive'' was announced with four shows in Amsterdam, Helsinki, Warsaw, and Berlin.<ref>https://ghostarchive.org/archive/OueqP</ref> <!-- https://post.lurk.org/@sean_ae/114984294867208016 amsterdam stuff which may or may not have failed -->On February 26th, nineteen North American shows in October, six UK shows in November, and one additional August Reykjavik show, were all announced, with pre-sale starting on the 27th.<ref>https://ghostarchive.org/archive/OitLD</ref> Later on March 28th, the North American leg was updated: three venue changes, three dates with a second show added, and the addition of three new shows in New Orleans, Louisville, and Washington.<ref>https://ghostarchive.org/archive/Ji35Q</ref> Saint Louis for October 19th was quietly added to the roster in August.<!-- in case links broke | |||
https://x.com/WarpRecords/status/1881667653439488479 | |||
https://x.com/WarpRecords/status/1894769641668390963 | |||
https://x.com/WarpRecords/status/1905646353251754027 --> | |||
Two ''twentytwentysix'' Japan shows were announced on June 17th, 2025.<ref>[https://x.com/WarpRecords/status/1934924348793495735#m https://x.com/WarpRecords/status/1934924348793495735]</ref> Later on December 2nd, 2025, twentyfive new shows across Europe were anounced, with pre-sale opening on the following day.<ref>https://ghostarchive.org/archive/gkUxG</ref> | |||
=== Release === | |||
"AE_LIVE_HELSINKI_110922_LTD", which was an unmastered soundboard of the Helsinki22 show, was released early exclusively to attendants of the show due to technical issues during the show.<ref name=":11">{{Cite web|author=RaelGenious|title=Exclusive release incoming for Helsinki attendees|website=Reddit|date=26 September 2022|link=https://www.reddit.com/r/autechre/comments/xobdtd/exclusive_release_incoming_for_helsinki_attendees/|accessdate=25 March 2024}}</ref> <!-- put the Helsinki22 thing in the Tour section, but left the LTD soundboard here --> | |||
The first batch of live sets was first casually mentioned by Sean in a brief reply on June 17th, 2023, that the audio was done and they were just waiting for Ian of [[The Designers Republic]] to do the artworks.<ref>https://www.reddit.com/r/autechre/comments/14c1ole/the_audios_all_done_just_waiting_for_ian_to_do/</ref> On August 7th, 2023, Warp sent out an announcement to sign up to Autechre's newsletter.<ref>https://ghostarchive.org/archive/09TE6</ref> The following day, ''AE_LIVE 2022－'' was officially announced,<ref>https://www.reddit.com/r/autechre/comments/15ln5o3/ae_live_2022_out_thursday/</ref> and seven 2022 shows from "AE_LIVE_MILAN_010722" to "AE_LIVE_TURIN_041122" were released individually and as a compilation on the 10th.<ref>https://web.archive.org/web/20230810192322/https://autechre.warp.net/release/408603-autechre-aelive-2022</ref> A limited run of 250 AE_LIVE_Print 2022''－'' posters were also announced for pre-orders on the 24th, which quickly sold out.<ref>https://ghostarchive.org/archive/YN0cj</ref><ref>https://web.archive.org/web/20230928151404/https://autechre.warp.net/release/410988-autechre-aeliveprint-2022</ref><!-- i remember it did not go well, lotta posts about that lal --><!-- include announcements like https://www.instagram.com/warprecords/p/DGVuMxkpDap/ ? --> | |||
On October 25th, 2024, Warp again sent out a newsletter sign-up announcement, with 12 dates listed.<ref>https://ghostarchive.org/archive/UYmeC</ref><ref>https://www.instagram.com/warprecords/p/DBjZTuNIg1A/?hl=en</ref> On November 4th, 2024, twelve sets from "AE_MELBOURNE_250823" to "AE_LYON_070524" were released individually and added onto the now renamed compilation ''AE_2022－'', dropping the "LIVE" prefix both in the compilation title and set names.<ref>https://web.archive.org/web/20241104173202/https://autechre.warp.net/release/476436-autechre-ae2022</ref> Sean noted that the idea came from Warp to drop the LIVE part of the naming convention.<ref>https://web.archive.org/web/20241106150525/https://post.lurk.org/@sean_ae/113436310329414162</ref> The compilation was later put up on Bleep and Bandcamp on December 3rd.<ref>https://autechre.bandcamp.com/album/ae-2022</ref><ref>https://bleep.com/release/483225-autechre-ae2022</ref> | |||
==Analysis== | |||
Main analysis by [[User:EnergyIsMassiveLight|EnergyIsMassiveLight]] and [[User:Zythion|Zythion]]. Fan titles taken from fan-edit TTT－.<ref>{{Cite web|author=FefetaLeixes|title=AE_2022－EXCLUSIVES (TTT－)|website=Reddit|date=16 November 2024|link=https://www.reddit.com/r/autechre/comments/1gs8qum/ae_2022exclusives_ttt/|accessdate=16 November 2024}}</ref> Officially released sets are highlighted in bold. Unreleased sets with bootleg recordings are also included, with either clips of the segment or a listed recording with timestamps. Tables have be split for compactness. | |||
Due to the nature of performances, the start and ends of a set may abridge or overextend in a way which don't cleanly fit in the segment splits. | |||
'''<big>The timestamps below are still a work in progress, thus are not final and are subject to change. <!-- possible changes + notes | |||
--- | |||
it's good to have no naming convention for this but the numbering is very flawed that it is destructive to previous iterations when any changes need to be made. i haven't come up with a good solution that doesn't involve giving unique names which is the whole thing i don't wanna do | |||
--- | |||
11: timestamps should be reviewed, spot where it's split is somewhat ambigious | |||
--- | |||
26: the whole segment i have seems really well split but the hihat stuff could be split off into a second part perhaps since it's so discrete, and it would also bring down the time of dublin from being 10 minutes. my "no splits should be going over 8 minutes" policy in full force there lol. unsure | |||
--- | |||
32: no changes, just need to standardise where it starts. | |||
--- | |||
46: the ending to 45 is a transition from 8/4 and 7/4, so this might be moved earlier. might also be split into two parts, since the droning only happen in the second half which may be accounted for after having more of the first half exist from the initial moved split. example lisbonB is ~56:58 then ~59:45 --></big>''' | |||
=== 2022/2023 === | |||
<div class="noresize"> | |||
{| class="wikitable frozen-table" | |||
! | |||
!#1 | |||
!#2 | |||
!#3 | |||
!#4 | |||
!#5 | |||
!#6 | |||
!#7 | |||
!#8 | |||
!#9 | |||
!#10 | |||
!#11 | |||
!#12 | |||
!#13 | |||
!#14 | |||
!#15 | |||
!#16 | |||
!#17 | |||
!#18 | |||
!#19 | |||
!#20 | |||
!#21 | |||
!#22 | |||
!#23 | |||
!#24 | |||
!#25 | |||
!#26 | |||
!#27 | |||
!#28 | |||
!#29 | |||
!#30 | |||
!#31 | |||
!#32 | |||
!#33 | |||
!#34 | |||
!#35 | |||
|- | |||
|'''MILAN_010722''' | |||
|0:00 | |||
|7:06 | |||
|12:02 | |||
|17:59 | |||
|24:20 | |||
|31:42 | |||
|35:47 | |||
|41:09 | |||
|46:23 | |||
|51:29 | |||
|57:40 | |||
|62:14 | |||
| | |||
| | |||
| | |||
| | |||
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| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
|'''ATHENS_050722''' | |||
|0:00 | |||
|7:41 | |||
|14:16 | |||
|20:00 | |||
|25:32 | |||
|32:54 | |||
|36:17 | |||
|41:28 | |||
|46:42 | |||
|51:48 | |||
|57:30 | |||
|64:02 | |||
|69:03 | |||
|73:53 | |||
| | |||
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| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
|'''HELSINKI_110922''' | |||
|0:00 | |||
|7:42 | |||
|12:50 | |||
|18:10 | |||
|24:19 | |||
|31:41 | |||
|35:40 | |||
|40:50 | |||
|46:38 | |||
|51:44 | |||
|57:15 | |||
|64:27 | |||
| | |||
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| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
|'''LONDON_071022_A''' | |||
|0:00 | |||
|6:12 | |||
|9:54 | |||
|14:36 | |||
|19:20 | |||
|26:05 | |||
|29:16 | |||
|33:18 | |||
|37:13 | |||
|42:19 | |||
|47:13 | |||
|53:06 | |||
| | |||
| | |||
| | |||
| | |||
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| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
|'''LONDON_071022_B''' | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|0:00 | |||
|5:51 | |||
|9:46 | |||
|15:26 | |||
|22:05 | |||
|25:14 | |||
|29:29 | |||
|32:59 | |||
|36:56 | |||
|42:50 | |||
|46:24 | |||
|52:12 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
|'''BERGEN_021122''' | |||
|0:00 | |||
|7:00 | |||
|10:42 | |||
|15:00 | |||
|19:19 | |||
|26:04 | |||
|29:15 | |||
|33:16 | |||
|37:12 | |||
|42:18 | |||
|47:08 | |||
|52:23 | |||
|56:09 | |||
|59:47 | |||
|63:52 | |||
| | |||
| | |||
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| | |||
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| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
|'''TURIN_041122''' | |||
|0:00 | |||
|5:59 | |||
|9:42 | |||
|14:01 | |||
|18:19 | |||
|25:05 | |||
|28:15 | |||
|32:17 | |||
|36:12 | |||
|41:18 | |||
|46:09 | |||
|52:41 | |||
|57:42 | |||
| | |||
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| | |||
| | |||
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| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
|'''MELBOURNE_250823''' | |||
|0:00 | |||
|7:54 | |||
|12:37 | |||
|18:22 | |||
|24:06 | |||
|31:29 | |||
|35:29 | |||
|40:51 | |||
|46:05 | |||
|51:11 | |||
|56:01 | |||
| | |||
| | |||
| | |||
| | |||
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| | |||
| | |||
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| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
|'''SYDNEY_270823''' | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|0:00 | |||
|5:04 | |||
|12:00 | |||
|16:24 | |||
|21:25 | |||
|26:13 | |||
|33:24 | |||
|38:44 | |||
|43:02 | |||
|48:26 | |||
|52:55 | |||
|57:41 | |||
|62:35 | |||
|67:29 | |||
| | |||
|- | |||
|'''VENICE_261023''' | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|0:00 | |||
|5:50 | |||
|10:41 | |||
|15:55 | |||
|19:16 | |||
|21:05 | |||
|23:19 | |||
|25:33 | |||
|28:53 | |||
|34:51 | |||
|38:00 | |||
|42:16 | |||
|45:46 | |||
|48:20 | |||
|53:36 | |||
|57:10 | |||
|62:58 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
|'''DUBLIN_291023''' | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|0:00 | |||
|4:42 | |||
|11:39 | |||
|16:02 | |||
|21:50 | |||
|28:28 | |||
|38:59 | |||
|46:06 | |||
|51:07 | |||
|56:31 | |||
|60:20 | |||
|62:50 | |||
|66:19 | |||
|69:40 | |||
| 73:59 | |||
|- | |||
| colspan="36" | | |||
|- | |||
|Barcelona_030622 ''<small><small>[https://www.youtube.com/watch?v=1hgXKUqSf4c <nowiki>[AUD #2]</nowiki>]</small></small>'' | |||
|1:01 | |||
|8:18 | |||
|12:50 | |||
|18:59 | |||
|24:45 | |||
|32:30 | |||
|35:40 | |||
|45:31 | |||
|48:46 | |||
|52:04 | |||
|54:39 | |||
|59:14 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
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| | |||
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| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
|Tokyo_180823 | |||
| | |||
|[https://twitter.com/alphabill/status/1692597066193854709] | |||
| | |||
| | |||
| | |||
|[https://www.instagram.com/_makimusic_/reel/C1eUr_zvbFs/] | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
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| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
|Krakow_061023 ''<small><small>[AUD #1]</small></small>'' | |||
|0:00 | |||
|6:36 | |||
|10:42 | |||
|15:00 | |||
|19:19 | |||
|26:04 | |||
|29:15 | |||
|34:25 | |||
|39:40 | |||
|47:15 | |||
|52:27 | |||
|57:41 | |||
| | |||
| | |||
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| | |||
| | |||
| | |||
|} | |||
</div> | |||
*'''#1''' ''<small>(fan name: T2)</small>'' | |||
*'''#2-4''' '''"ecol4"'''<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=So, you can hear a bit of ecol[4] in the set, ecol4 that was basically like the ecol4 that's on PLUS when we started out.}}</ref> ''<small>(fan name: ical7)</small>'' | |||
* '''#5-6''' ''<small>(fan name: L cemp)</small>'' | |||
*'''#7-8''' Contains elements of '''"F7"''' ''<small>(fan name: F4)</small>'' | |||
*'''#9-11''' ''<small>(fan name: prin Cur)</small>'' | |||
*'''#12-13''' ''<small>(fan name: asle 1)</small>'' | |||
*'''#14-15''' ''<small>(fan name: M3 Luni)</small>'' | |||
*'''#16-18''' ''<small>(fan name: osin PM)</small>''<!-- column name for the intro might be temu blade https://web.archive.org/web/2/https://post.lurk.org/@sean_ae/115084437074449807 | |||
doubts are mostly that it may either not be a live set screenshot or it could've possibly been overriden with newer set developments given the limited size of [preset] --> | |||
*'''#19-20''' ''<small>(fan name: nal.1)</small>'' | |||
*'''#21-23''' ''<small>(fan name: corcine)</small>'' | |||
** One sample that gets scratched in this segment is the "It's time to change!" sample from Jan and Dean's [https://youtu.be/beri03qdlEM?t=70 "A Stench in Time"]. It should be noted that the same sample is present in Chris The Glove Taylor's [https://youtu.be/EE4_K9HTsto?t=130 "Itchiban Scratch"] which appeared in multiple of Autechre mixes, including 2015's Dekmantel mix.<!-- https://watmm-archive.com/t/104035/28 --> | |||
*'''#24-25''' ''<small>(fan name: drane3)</small>'' | |||
**A sample used in the segment is Beside's "Change The Beat", specifically [https://www.youtube.com/watch?v=UbGtcLGQr9o the famous Fresh sample].<!-- bisk was the one who made that connection months ago that i remembered just now so i might cite her --> | |||
*'''#26-27''' Contains the [https://www.youtube.com/watch?v=jgMArRJswIQ 12/15/22 demo] ''<small>(fan name: three tone)</small>'' | |||
** In the top right corner of the demo, "three tone" is shown as a column name.<ref>{{Cite AAA2 doc|81}}</ref> | |||
**In the demo, one of the files loaded into the sampler sample9scr2 is Gap Band's [https://www.youtube.com/watch?v=zSsXRWhfN3w&pp=ygUpQnVybiBSdWJiZXIgT24gTWUgKFdoeSBZb3UgR290dGEgSHVydCBNZSk%3D "Burn Rubber On Me (Why You Wanna Hurt Me)"], specifically the "tyre screech faster" part at the start.<!-- quote taken from demo, see next to fader under samp9scr2 --> | |||
*'''#28-31''' Contains the [https://www.youtube.com/watch?v=3poN6FDyB28 12/10/22 demo] ''<small>(fan name: 2MM lv)</small>'' | |||
**Alt text: "A video showing a modelled snare drum roughly emulating the snare drum from When The Levee Breaks by Led Zeppelin". Description by Sean: “Reasonable facsimile of the Levee Breaks snare from a model made of water and spider silk (?!) who knew” | |||
**The snare4ml shown is an example snare instrument from [https://forum.ircam.fr/projects/detail/modalys/ Modalys for Max], with Modalys also appearing in the 12/15/22 demo for its custom-made clarinet instrument.<ref>Observation by sfn / Davide Vin</ref> | |||
*'''#32-33''' ''<small>(fan name: vineseve)</small>'' | |||
*'''#34-35''' ''<small>(fan name: cata7)</small>'' | |||
===2024=== | |||
<div class="noresize"> | |||
{| class="wikitable frozen-table" | |||
! | |||
!#21 | |||
!#22 | |||
!#23 | |||
!#24 | |||
!#25 | |||
!#26 | |||
!#27 | |||
!#28 | |||
!#29 | |||
!#30 | |||
!#31 | |||
!#32 | |||
!#33 | |||
!#34 | |||
!#35 | |||
!#36 | |||
!#37 | |||
!#38 | |||
!#39 | |||
!#40 | |||
!#41 | |||
!#42 | |||
!#43 | |||
!#44 | |||
!#45 | |||
!#46 | |||
!#47 | |||
!#48 | |||
!#49 | |||
!#50 | |||
!#51 | |||
|- | |||
|'''BRUSSELS_040424''' | |||
|0:00 | |||
|5:23 | |||
|11:53 | |||
|15:57 | |||
|20:58 | |||
|25:46 | |||
|33:14 | |||
|38:03 | |||
|42:08 | |||
|47:22 | |||
|51:01 | |||
|54:55 | |||
|59:03 | |||
|62:59 | |||
|67:38 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
|'''PARIS_060424''' | |||
|0:00 | |||
|5:06 | |||
|11:37 | |||
|15:21 | |||
|20:13 | |||
|25:01 | |||
|31:06 | |||
|36:41 | |||
|40:02 | |||
|44:39 | |||
|48:59 | |||
|52:33 | |||
|56:33 | |||
|60:29 | |||
|66:03 | |||
|72:52 | |||
|78:24 | |||
|82:20 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
|'''RENNES_070424''' | |||
| | |||
| | |||
| | |||
|0:00 | |||
|6:10 | |||
|10:23 | |||
|17:49 | |||
|22:23 | |||
|27:04 | |||
|35:33 | |||
|39:40 | |||
|43:33 | |||
|47:56 | |||
|52:09 | |||
|57:22 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
|'''BARCELONA_090424''' | |||
| | |||
| | |||
| | |||
|0:00 | |||
|5:01 | |||
|10:44 | |||
|18:27 | |||
|23:32 | |||
|27:14 | |||
|32:18 | |||
|36:30 | |||
|40:42 | |||
|44:32 | |||
|48:45 | |||
|53:57 | |||
|60:58 | |||
|66:07 | |||
|70:39 | |||
|74:25 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
|'''MADRID_100424''' | |||
| | |||
| | |||
| | |||
|0:00 | |||
|5:30 | |||
|10:37 | |||
|18:20 | |||
|24:12 | |||
|28:23 | |||
|33:47 | |||
|38:47 | |||
|43:01 | |||
|46:58 | |||
|52:01 | |||
|56:41 | |||
|62:50 | |||
|68:04 | |||
|70:59 | |||
|74:58 | |||
|78:35 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
|'''LISBON_120424_B''' | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|0:00 | |||
|6:49 | |||
|12:02 | |||
|16:02 | |||
|20:17 | |||
|26:43 | |||
|33:29 | |||
|37:44 | |||
|43:52 | |||
|47:02 | |||
|51:29 | |||
|57:47 | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
|'''KREMS_270424''' | |||
|0:00 | |||
|4:42 | |||
|10:34 | |||
|14:07 | |||
|19:17 | |||
|25:20 | |||
|32:15 | |||
|38:05 | |||
|42:09 | |||
|47:24 | |||
|51:17 | |||
|55:05 | |||
|59:28 | |||
|63:40 | |||
|68:09 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
|'''LYON_070524''' | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|0:00 | |||
|5:01 | |||
|9:18 | |||
|13:43 | |||
|16:54 | |||
|23:33 | |||
|29:55 | |||
|34:52 | |||
|41:31 | |||
|44:40 | |||
|49:08 | |||
|55:36 | |||
|62:29 | |||
|71:30 | |||
| 75:30 | |||
|83:09 | |||
|- | |||
| colspan="32" | | |||
|- | |||
|Den_Haag_050424 ''<small><small>[https://www.youtube.com/watch?v=xlpOlC8Yn94 <nowiki>[AUD #1c]</nowiki>]</small></small>'' | |||
| | |||
| | |||
|0:14 | |||
|4:38 | |||
|9:40 | |||
|14:28 | |||
|21:39 | |||
|26:13 | |||
|29:34 | |||
|34:18 | |||
|38:38 | |||
|42:35 | |||
|47:02 | |||
|51:23 | |||
|56:35 | |||
|64:14 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
|Lisbon_120424_A ''<small><small>[AUD #1]</small></small>'' | |||
|0:00 | |||
|3:34 | |||
|10:15 | |||
|13:38 | |||
|18:19 | |||
|22:50 | |||
|29:42 | |||
|34:32 | |||
|37:32 | |||
|42:35 | |||
|46:25 | |||
|50:19 | |||
|53:58 | |||
|57:27 | |||
|62:17 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
|Oslo_300924 ''<small><small>[https://www.youtube.com/watch?v=a2BBmb_0B0k <nowiki>[AUD #1]</nowiki>]</small></small>'' | |||
|0:03 | |||
|4:33 | |||
|11:09 | |||
|14:50 | |||
|20:40 | |||
|26:05 | |||
|34:17 | |||
|38:34 | |||
|43:00 | |||
|48:24 | |||
|52:22 | |||
|56:11 | |||
|60:57 | |||
|65:18 | |||
|69:47 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
|Stockholm_021024 ''<small><small>[https://www.youtube.com/watch?v=KCKl8qwx_O4 <nowiki>[AUD #1]</nowiki>]</small></small>'' | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
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|Riga_041024 ''<small><small>[AUD #1]</small></small>'' | |||
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|Copenhagen_061024 ''<small><small>[AUD #2]</small></small>'' | |||
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|67:09 | |||
|74:31 | |||
|78:30 | |||
|85:19 | |||
|} | |||
</div> | |||
* '''#36''' ''<small>(fan name: luxes n2)</small>'' | |||
* '''#37-39''' Contains elements of the [https://www.youtube.com/watch?v=UE8ug56Ijls 07/26/23 demo] ''<small>(fan name: aurorsle)</small>'' | |||
**Alt text: "a max sequencer with a matrixctrl driving a prob object (first order markov chain)". Description by Sean: "after someone pointed out that our cascade sequencer was in fact a simple markov chain i made a version with weights instead of switches. quick demo:"<ref name=":7" /><!-- elements appear Turin 2010 Oversteps tour @16:00 --> | |||
*'''#40''' ''<small>(fan name: 3sc)</small>'' | |||
*'''#41-42''' Contains the underlying segment in the [https://www.youtube.com/watch?v=_R3JorLEwNE 12/16/23 demo] without manipulations ''<small>(fan name: 1qry)</small>'' | |||
**Alt text: "fuckery". Description by Sean: "This has to be illegal". The effect is achieved using a realtime phase vocoder.<ref name=":1" /> | |||
*'''#43-44''' ''<small>(fan name: TSS TV)</small>'' | |||
*'''#45-46''' ''<small>(fan name: P void)</small>'' | |||
*'''#47-48''' Contains the manipulations from the [https://www.youtube.com/watch?v=_R3JorLEwNE 12/16/23 demo] ''<small>(fan name: r enc LT)</small>'' | |||
*'''#49-51''' ''<small>(fan name: newfree－)</small>'' | |||
===2025=== | |||
<div class="noresize"> | |||
{| class="wikitable frozen-table" | |||
! | |||
!#36 | |||
!#37 | |||
!#38 | |||
!#39 | |||
!#40 | |||
!#41 | |||
!#42 | |||
!#43 | |||
!#44 | |||
!#45 | |||
!#46 | |||
!#47<!-- ? --> | |||
!#48 | |||
!#49 | |||
!#50 | |||
!#51 | |||
!#52 | |||
!#53 | |||
!#54 | |||
!#55 | |||
!#56 | |||
!#57 | |||
!#58 | |||
!#59 | |||
!#60 | |||
!#61 | |||
!#62 | |||
!#63 | |||
|- | |||
| colspan="29" | | |||
|- | |||
|Manchester_220225 <small><small>''[AUD #3]''</small></small> | |||
|0:17 | |||
|7:33* | |||
|27:33 | |||
|31:32 | |||
|35:22 | |||
|42:00 | |||
|48:13 | |||
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|60:30 | |||
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|71:56? | |||
|78:49? | |||
|84:45 | |||
|88:10 | |||
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|Amsterdam_060825 [https://www.reddit.com/r/autechre/comments/1mjiplt/autechre_live_2025_amsterdam_bootleg/ <small><small>''<nowiki>[AUD #1]</nowiki>''</small></small>] | |||
|0:11 | |||
|7:25 | |||
|12:18 | |||
|16:17* | |||
|4:42 | |||
|11:21 | |||
|18:18 | |||
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|Helsinki_080825 [https://www.youtube.com/watch?v=VFyaWvlcZbY <small><small>''<nowiki>[AUD #1]</nowiki>''</small></small>] | |||
| | |||
|0:02 | |||
|7:32 | |||
|11:31 | |||
|15:21 | |||
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|Warsaw_100825 [https://www.youtube.com/watch?v=P8m1fGvDzjM <small><small>''<nowiki>[AUD #1]</nowiki>''</small></small>] | |||
|0:06 | |||
|5:57 | |||
|11:17 | |||
|15:17 | |||
|19:06 | |||
|25:45 | |||
|32:41 | |||
|39:14 | |||
|45:54 | |||
|48:24 | |||
|52:03 | |||
|59:47 | |||
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|70:30 | |||
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|- | |||
|Berlin_130825 [https://www.youtube.com/watch?v=Nv4GzfXxr6o <small><small>''<nowiki>[AUD #1]</nowiki>''</small></small>] | |||
|0:00 | |||
|3:56 | |||
|8:48 | |||
|12:47 | |||
|17:28 | |||
|24:07 | |||
|28:51 | |||
|33:47 | |||
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|- | |- | ||
|1 | |Reykjavik_150825 <small><small>''[AUD #1]''</small></small> | ||
| | |0:03 | ||
| | |6:38 | ||
|11:30 | |||
|15:28 | |||
|20:11 | |||
|26:48 | |||
|33:44 | |||
|38:41 | |||
|45:20 | |||
|48:30 | |||
|52:58 | |||
|58:26? | |||
|64:10 | |||
|69:28 | |||
|72:08 | |||
|78:07? | |||
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| | |Denver_011025 <small><small>''[https://www.youtube.com/watch?v=7yXBKJev7uM <nowiki>[MAT #1]</nowiki>]''</small></small> | ||
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|16:41 | |||
|23:54 | |||
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|50:43 | |||
|55:16 | |||
|61:48 | |||
|69:30 | |||
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|- | |- | ||
| | |Minneapolis_031025 | ||
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|[https://www.youtube.com/watch?v=HSpgNnFz8Lg] | |||
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|[https://www.youtube.com/watch?v=HSpgNnFz8Lg] | |||
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|[https://www.youtube.com/watch?v=HSpgNnFz8Lg] | |||
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|[https://www.youtube.com/watch?v=HSpgNnFz8Lg] | |||
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|- | |- | ||
| | |Vancouver_051025 <small><small>''<nowiki>[AUD #1]</nowiki>''</small></small> | ||
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|0:16 | |||
|3:36 | |||
|9:35 | |||
|16:47 | |||
|24:00 | |||
|30:19 | |||
|36:52 | |||
|42:30 | |||
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|82:08 | |||
|- | |- | ||
| | |Seattle_061025_A <small><small>''<nowiki>[AUD #1]</nowiki>''</small></small> | ||
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|4:30 | |||
|7:47 | |||
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|28:11 | |||
|34:30 | |||
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|46:40 | |||
|51:39 | |||
|55:00 | |||
|59:33 | |59:33 | ||
|66:06 | |||
|73:47 | |||
|79:37 | |||
|87:54 | |||
|- | |||
|Seattle_061025_B <small><small>''[http://www.youtube.com/watch?v=taArl7VS1Eo <nowiki>[AUD #2]</nowiki>]''</small></small> | |||
|0:00 | |||
|7:39 | |||
|12:31 | |||
|16:30 | |||
|20:20 | |||
|26:58 | |||
|33:11 | |||
|38:51 | |||
|45:30 | |||
|48:40 | |||
|53:55 | |||
|58:36 | |||
|65:10 | |||
|73:39 | |||
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|Portland_071025 <small><small>''[https://www.youtube.com/watch?v=v26MX-pXswc <nowiki>[AUD #1]</nowiki>]''</small></small> | |||
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|1:15 | |||
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|10:31 | |||
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|24:10 | |||
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|42:38 | |||
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|62:28 | |||
|70:09 | |||
|75:59 | |||
|84:19 | |||
|- | |||
|San_Francisco_091025 <small><small>''[https://www.reddit.com/r/autechre/comments/1o33ktm/sf_recording/ <nowiki>[AUD #1]</nowiki>]''</small></small> | |||
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|0:12 | |||
|3:29 | |||
|9:28 | |||
|16:43 | |||
|23:56 | |||
|30:14 | |||
|36:48 | |||
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|62:25 | |||
|70:06 | |||
|75:23 | |||
|81:41 | |||
|- | |||
|Los_Angeles_101025_A <small><small>''<nowiki>[AUD #1]</nowiki>''</small></small> | |||
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|15:11 | |||
|19:23 | |||
|25:21 | |||
|32:34 | |||
|39:47 | |||
|46:05 | |||
|52:39 | |||
|58:17? | |||
|63:13 | |||
|66:37 | |||
|71:09 | |||
|77:41 | |||
|85:23 | |||
|90:40 | |||
|97:03 | |||
|- | |||
|Los_Angeles_101025_B <small><small>''[https://www.youtube.com/watch?v=ZTHHOq-W4qM <nowiki>[AUD #3]</nowiki>]''</small></small> | |||
|0:04 | |||
|7:18 | |||
|12:11 | |||
|17:03 | |||
|22:09 | |||
|34:01 | |||
|39:18 | |||
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|Mexico_City_121025 <small><small>''[https://www.youtube.com/watch?v=5D7bbBprSlg <nowiki>[AUD #1]</nowiki>]''</small></small> | |||
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|- | |||
|Austin_141025 <small><small>''<nowiki>[AUD #1]</nowiki>''</small></small> | |||
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|? | |||
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|? | |||
|? | |||
|? | |||
|? | |||
|? | |||
|0:00 | |||
|2:55 | |||
|7:53 | |||
|19:01? | |||
|27:36? | |||
|32:53 | |||
|39:03 | |||
|- | |||
|New_Orleans_151025 <small><small>''<nowiki>[AUD #1]</nowiki>''</small></small> | |||
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|0:07 | |||
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|10:06 | |||
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|89:48 | |||
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|- | |||
|Birmingham_161025 <small><small>''<nowiki>[AUD #1]</nowiki>''</small></small> | |||
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|0:02 | |||
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|9:19 | |||
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|- | |- | ||
| | |Atlanta_171025 <small><small>''[https://archive.org/details/ae-atlanta-101725 <nowiki>[AUD #2]</nowiki>]''</small></small> | ||
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|85:54 | |||
|- | |- | ||
| | |Louisville_181025 [https://www.reddit.com/r/autechre/comments/1oajcyw/louisville_recording/ <small><small>''<nowiki>[AUD #1]</nowiki>''</small></small>] | ||
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|42:03? | |||
|49:51 | |||
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|- | |- | ||
|Saint_Louis_191025 | |||
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|[https://bsky.app/profile/esopus.bsky.social/post/3m3lwrxkpv22n] | |||
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|[https://bsky.app/profile/esopus.bsky.social/post/3m3lwrxkpv22n] | |||
|[https://bsky.app/profile/esopus.bsky.social/post/3m3lwrxkpv22n] | |||
|[https://bsky.app/profile/esopus.bsky.social/post/3m3lwrxkpv22n] | |||
| | |||
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|- | |||
|Chicago_201025 <small><small>''[https://www.reddit.com/r/autechre/comments/1oc5pvv/chicago_recording/ <nowiki>[AUD #1]</nowiki>]''</small></small> | |||
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|? | |||
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|0:00 | |||
|8:56 | |||
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|23:23 | |||
|33:13 | |||
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|69:10 | |||
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|- | |||
|Detroit_211025 <small><small>''[https://www.reddit.com/r/autechre/comments/1oczdtj/de2roit_recording/?share_id=pIDaWtl6WXIITMGJPC3dD&utm_name=androidcss <nowiki>[AUD #1]</nowiki>]''</small></small> | |||
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|91:04? | |||
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|- | |||
|Toronto_221025 <small><small>''[https://www.youtube.com/watch?v=j46NGrb86o8 <nowiki>[AUD #2]</nowiki>]''</small></small> | |||
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|Montreal_241025 <small><small>''[https://www.reddit.com/r/autechre/comments/1orrp44/montreal_october_24_2025_autechre_mark_broom_and/ <nowiki>[AUD #1]</nowiki>]''</small></small> | |||
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|New_York_251025_A <small><small>''<nowiki>[AUD #1]</nowiki>''</small></small> | |||
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|New_York_251025_B <small><small>''<nowiki>[AUD #1]</nowiki>''</small></small> | |||
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|Philadelphia_261025 <small><small>''[AUD #2]''</small></small> | |||
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|Boston_271025 <small><small>''<nowiki>[AUD #1]</nowiki>''</small></small> | |||
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|Portsmouth_281025 <small><small>''<nowiki>[AUD #1]</nowiki>''</small></small> | |||
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|[https://www.youtube.com/watch?v=Kju7284zNYI Glasgow_021125] | |||
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|Newcastle_031125 | |||
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|[https://forum.keyosc.com/topic/1403-ae_leeds_041125_aud/ Leeds_041125] | |||
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|[https://www.youtube.com/watch?v=nUelUQPTGrE] | |||
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|[https://www.mixcloud.com/keyfumbler/autechre-belfast-2025/ Belfast_071125] | |||
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|83:13? | |||
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|} | |||
</div> | |||
*'''#52''' | |||
*'''#53''' Contains the 09/23/24 demo “playing with stereo”<ref name=":8">https://web.archive.org/web/20240928141307/https://post.lurk.org/@sean_ae/113186625238764271</ref> and a sound from [[Incunabula#Basscadet|"Basscadet"]]<ref>https://web.archive.org/web/20251013032707/https://post.lurk.org/@sean_ae/115363631277006962</ref> | |||
*'''#54''' | |||
*'''#55''' Contains the [https://www.youtube.com/watch?v=6GRNWAkIlQQ 01/07/25 demo “quick gong jam”]<ref name=":9">https://web.archive.org/web/20250107140034/https://post.lurk.org/@sean_ae/113786941624175064</ref> | |||
*'''#56''' | |||
*'''#57''' | |||
*'''#58''' | |||
*'''#59''' | |||
*'''#60''' | |||
*'''#61''' | |||
*'''#62''' | |||
*'''#63''' | |||
=== 2026 === | |||
<div class="noresize"> | |||
{| class="wikitable frozen-table" | |||
! | |||
|- | |||
| | |||
|} | |} | ||
</div> | |||
===Footnotes=== | |||
*Performance anomalies (not including irregular start/end points) | |||
** Barcelona22 - '''#7''' played twice in a row | |||
**Dublin23 - unique variant of '''#32''' | |||
**Rennes24 - unique interlude in '''#29''' before restarting the section. | |||
**Manchester25 - halted at start of '''#37''', then restarted. Also during '''#46,''' it briefly plays a bit of '''#40''' before returning to normal setlist. | |||
**Amsterdam25 - halted during '''#39''', then restarted. | |||
**Austin25 - unique interlude in '''#60''' | |||
**Louisville25 - unique interlude in '''#56''' | |||
**Detroit25 - unique interlude in '''#54''' | |||
**Boston25 - unique interlude in '''#52''' | |||
==Tour Dates== | |||
See ''[[List of Live Shows]]'' | |||
<div style="column-count:2"> | |||
*[[2022-06-03 Barcelona, Spain @ Auditori Rockdelux (Primavera 2022)]] | |||
*'''[[2022-07-01 Milan, Italy @ Villa Arconati (Terraforma 2022)]]''' | |||
*'''[[2022-07-05 Athens, Greece @ Odeon of Herodes Atticus (Athens Epidaurus Festival)]]''' | |||
*'''[[2022-09-11 Helsinki, Finland @ Musiikkitalo]]''' ''(+ Ilpo Väisänen)'' | |||
*'''[[2022-10-07 London, England, UK @ Barbican Centre (show A)]]''' ''(+ Zoviet France)'' | |||
*'''[[2022-10-07 London, England, UK @ Barbican Centre (show B)]]''' | |||
*'''[[2022-11-02 Bergen, Norway @ Østre (Ekko Festival 2022)]]''' | |||
*'''[[2022-11-04 Turin, Italy @ Lingotto Fiere (Club 2 Club 2022)]]''' | |||
*[[2023-08-18 Tokyo, Japan @ Makuhari Messe (SONICMANIA 2023)]] | |||
*'''[[2023-08-25 Melbourne, Australia @ Royal Exhibition Building (Now or Never 2023)]]''' | |||
*'''[[2023-08-27 Sydney, Australia @ City Recital Hall (Switched On 2023)]]''' ''(+ Actress, E. Fishpool)'' | |||
*[[2023-10-06 Kraków, Poland @ Teatr Łaźnia Nowa (Unsound 2023)]] | |||
*'''[[2023-10-26 Venice, Italy @ Teatro alle Tese (Biennale Musica 2023)]]''' | |||
*'''[[2023-10-29 Dublin, Ireland @ Vicar Street]]''' ''(+ Minced Oath)'' | |||
*'''[[2024-04-04 Brussels, Belgium @ Ancienne Belgique (BRDCST ‘24)]]''' ''(+ Russell Haswell)'' | |||
*[[2024-04-05 Den Haag, Netherlands @ Grote Kerk (Rewire Festival 2024)]] | |||
*'''[[2024-04-06 Paris, France @ Le Trianon]]''' ''(+ Aho Ssan)'' | |||
*'''[[2024-04-07 Rennes, France @ Antipode]]''' ''(+ Lime68k)'' | |||
*'''[[2024-04-09 Barcelona, Spain @ Sala Apolo (MUTEK Barcelona 2024)]]''' ''(+ Roméo Poirier & Ohme)'' | |||
*'''[[2024-04-10 Madrid, Spain @ La Sala]]''' | |||
*[[2024-04-12 Lisbon, Portugal @ Culturgest (show A)]] | |||
*'''[[2024-04-12 Lisbon, Portugal @ Culturgest (show B)]]''' | |||
*'''[[2024-04-27 Krems, Austria @ Stadtsaal Krems (Donaufestival 2024)]]''' | |||
*'''[[2024-05-07 Lyon, France @ Le Transbordeur (Nuits Sonores 2024)]]''' | |||
*[[2024-09-30 Oslo, Norway @ Sentrum Scene]] ''(+ Kristoffer Lislegaard)'' | |||
*[[2024-10-02 Stockholm, Sweden @ Slaktkyrkan]] ''(+ Undveld)'' | |||
*[[2024-10-04 Riga, Latvia @ Hanzas Perons (Skaņu Mežs’ 2024)]] | |||
*[[2024-10-06 Copenhagen, Denmark @ VEGA]] ''(+ SØS Gunver Ryberg)'' | |||
*[[2025-02-22 Manchester, England, UK @ New Century]] ''(+ SDEM, edv3ctor, DJ Rob Hall)'' | |||
*[[2025-08-06 Amsterdam, Netherlands @ Melkweg]] ''(+ Roel Funcken, Russell Haswell)'' | |||
*[[2025-08-08 Helsinki, Finland @ Flow Festival 2025]] | |||
*[[2025-08-10 Warsaw, Poland @ Klub Progresja]] ''(+ Russell Haswell, Ann On Bast)'' | |||
*[[2025-08-13 Berlin, Germany @ ASTRA Kulturhaus]] ''(+ Russell Haswell, ACLDS)'' | |||
*[[2025-08-15 Reykjavík, Iceland @ Harpa]] ''(+ sideproject, John McCowen)'' | |||
*[[2025-10-01 Denver, CO, USA @ Ogden Theatre]] ''(+ Mark Broom, C. Reider)'' | |||
*[[2025-10-03 Minneapolis, MN, USA @ Icehouse]] ''(+ Mark Broom, deep glens)'' | |||
*[[2025-10-05 Vancouver, Canada @ Hollywood Theatre]] ''(+ Mark Broom)'' | |||
*[[2025-10-06 Seattle, WA, USA @ The Crocodile (show A)]] ''(+ Mark Broom)'' | |||
*[[2025-10-06 Seattle, WA, USA @ The Crocodile (show B)]] ''(+ Mark Broom)'' | |||
*[[2025-10-07 Portland, OR, USA @ The Den]] ''(+ Mark Broom, Cygnus)'' | |||
*[[2025-10-09 San Francisco, CA, USA @ Regency Ballroom]] ''(+ Mark Broom, Cygnus)'' | |||
*[[2025-10-10 Los Angeles, CA, USA @ Belasco Theater (show A)]] ''(+ Mark Broom)'' | |||
*[[2025-10-10 Los Angeles, CA, USA @ Belasco Theater (show B)]] ''(+ Mark Broom)'' | |||
*[[2025-10-12 Mexico City, Mexico @ MUTEK MX]] ''(+ Leslie García)'' | |||
*[[2025-10-14 Austin, TX, USA @ Kingdom Nightclub]] ''(+ Mark Broom, tsrono)'' | |||
*[[2025-10-15 New Orleans, LA, USA @ Joy Theatre]] ''(+ Mark Broom, tsrono)'' | |||
*[[2025-10-16 Birmingham, AL, USA @ Saturn]] ''(+ Mark Broom, Cygnus)'' | |||
*[[2025-10-17 Atlanta, GA, USA @ Terminal West]] ''(+ Mark Broom, Cygnus)'' | |||
*[[2025-10-18 Louisville, KY, USA @ Portal]] ''(+ Mark Broom, deep glens)'' | |||
*[[2025-10-19 Saint Louis, MO, USA @ Delmar Hall]] ''(+ Mark Broom, deep glens)'' | |||
*[[2025-10-20 Chicago, IL, USA @ Concord Hall]] ''(+ Mark Broom, deep glens)'' | |||
*[[2025-10-21 Detroit, MI, USA @ Building 6, Russell Industrial Center]] ''(+ Mark Broom, nnirror)'' | |||
*[[2025-10-22 Toronto, Canada @ Danforth Hall]] ''(+ Mark Broom)'' | |||
*[[2025-10-24 Montreal, Canada @ Société des arts technologiques]] ''(+ Mark Broom, nixtrove)'' | |||
*[[2025-10-25 New York, NY, USA @ Brooklyn Steel (show A)]] ''(+ Mark Broom)'' | |||
*[[2025-10-25 New York, NY, USA @ Brooklyn Steel (show B)]] ''(+ Mark Broom)'' | |||
*[[2025-10-26 Philadelphia, PA, USA @ Union Transfer]] ''(+ Mark Broom, William Fields)'' | |||
*[[2025-10-27 Boston, MA, USA @ Paradise]] ''(+ Mark Broom, Cube)'' | |||
*[[2025-10-28 Portsmouth, NH, USA @ 3S Artspace]] ''(+ Mark Broom, Cube)'' | |||
*[[2025-10-29 Washington, DC, USA @ Howard Theatre]] ''(+ Mark Broom, Cube)'' | |||
*[[2025-11-02 Glasgow, Scotland, UK @ SWG3]] ''(+ Mark Broom, Russell Haswell)'' | |||
*[[2025-11-03 Newcastle, England, UK @ Digital]] ''(+ Mark Broom, Russell Haswell)'' | |||
*[[2025-11-04 Leeds, England, UK @ Project House]] ''(+ Mark Broom, SDEM)'' | |||
*[[2025-11-05 Brighton, England, UK @ Chalk]] ''(+ Mark Broom, Alex Peverett)'' | |||
*[[2025-11-06 Bristol, England, UK @ The Prospect Building]] ''(+ Mark Broom, William Telford & Tobias Hilder)'' | |||
*[[2025-11-07 Belfast, Northern Ireland, UK @ Mandela Hall]] ''(+ Mark Broom, S>>D)'' | |||
*[[2026-02-04 Tokyo, Japan @ ZEPP Divercity]] ''(+ Kohei Matsunaga)'' | |||
*[[2026-02-05 Osaka, Japan @ Yogibo META VALLEY]] ''(+ Kohei Matsunaga)'' | |||
*2026-09-24 Liège, Belgium @ OM | |||
*2026-09-25 Zurich, Switzerland @ Rote Fabrik | |||
*2026-09-26 Munich, Germany @ Muffathalle | |||
*2026-09-27 Prague, Czechia @ Lunchmeat Festival | |||
*2026-09-28 Wrocław, Poland @ Zaklęte Rewiry | |||
*2026-09-29 Vienna, Austria @ Gasometer | |||
*2026-09-30 Zagreb, Croatia @ Tvornica Kulture | |||
*2026-10-01 Belgrade, Serbia @ Ložionica | |||
*2026-10-02 Skopje, North Macedonia @ MKC | |||
*2026-10-03 Athens, Greece @ Universe | |||
*2026-10-04 Thessaloniki, Greece @ Block33 | |||
*2026-10-06 Sofia, Bulgaria @ Toplocentrala | |||
*2026-10-07 Bucharest, Romania @ Club Guesthouse | |||
*2026-10-09 Ljubljana, Slovenia @ Cukrarna | |||
*2026-10-10 Bologne, Italy @ Estragon | |||
*2026-10-11 Milan, Italy @ Alcatraz | |||
*2026-10-12 Geneva, Switzerland @ L'usine | |||
*2026-10-13 Marseille, France @ Cabaret aléatoire | |||
*2026-10-14 Paris, France @ Bataclan | |||
*2026-10-15 Nantes, France @ Le Lieu Unique | |||
*2026-10-16 Lille, France @ L'Aéronef | |||
*2026-10-17 Nijmegen, Netherlands @ Doornroosje | |||
*2026-10-20 Dublin, Ireland @ Vicar Street | |||
*2026-10-22 Cardiff, Wales, UK @ Depot | |||
*2026-10-24 London, England, UK @ Magazine | |||
</div> | |||
==Trivia== | |||
*The CAT number, WARP444, was likely specifically requested by Autechre, to reference the song "444" off their first album, ''[[Incunabula]]''. | |||
*The 2023 compilation cover consisted of all seven individual set art from the first batch overlaid on top of each other. | |||
*A variant of "7th slip" is present in Rob's side of the live set.<ref>https://web.archive.org/web/20241107160026/https://post.lurk.org/@sean_ae/113441779347595762</ref> | |||
*When asked which 2022 show's crowd smelt the best so far, Sean replied "the italians obviously" at Milan 2022.<ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Tebbisimo: which crowd in '22 smelt the best so far?''' XH HX: the italians obviously}}</ref> | |||
* A font used across promotional material is [https://lineto.com/typefaces/circular-mono Circular Mono]. | |||
==Gallery== | |||
<gallery> | |||
File:AE LIVE 2022.jpg|AE_LIVE 2022－(2023 compilation cover) | |||
File:AE LIVE MILAN 010722.jpg|AE_MILAN_010722 | |||
File:AE LIVE ATHENS 050722.jpg|AE_ATHENS_050722 | |||
File:AE LIVE HELSINKI 110922.jpg|AE_HELSINKI_110922 | |||
File:AE LIVE LONDON 071022 A.jpg|AE_LONDON_071022_A | |||
File:AE LIVE LONDON 071022 B.jpg|AE_LONDON_071022_B | |||
File:AE LIVE BERGEN 021122.jpg|AE_BERGEN_021122 | |||
File:AE LIVE TURIN 041122.jpg|AE_TURIN_041122 | |||
File:AE MELBOURNE 250823.jpg|AE_MELBOURNE_250823 | |||
File:AE SYDNEY 270823.jpg|AE_SYDNEY_270823 | |||
File:AE VENICE 261023.jpg|AE_VENICE_261023 | |||
File:AE DUBLIN 291023.jpg|AE_DUBLIN_291023 | |||
File:AE BRUSSELS 040424.jpg|AE_BRUSSELS_040424 | |||
File:AE PARIS 060424.jpg|AE_PARIS_060424 | |||
File:AE RENNES 070424.jpg|AE_RENNES_070424 | |||
File:AE BARCELONA 090424.jpg|AE_BARCELONA_090424 | |||
File:AE MADRID 100424.jpg|AE_MADRID_100424 | |||
File:AE LISBON 120424 B.jpg|AE_LISBON_120424_B | |||
File:AE KREMS 270424.jpg|AE_KREMS_270424 | |||
File:AE LYON 070524.jpg|AE_LYON_070524 | |||
</gallery> | |||
== | ==Tracklist== | ||
{{Tracklist|list= | |||
{{tl section|section=AE_LIVE 2022－ (batch 1)}} | |||
{{tl track|number=1|title=AE_MILAN_010722<br><small>(previously AE_LIVE_MILAN_010722)</small>|length=1:06:56}} | |||
{{tl track|number=2|title=AE_ATHENS_050722<br><small>(previously AE_LIVE_ATHENS_050722)</small>|length=1:20:03}} | |||
{{tl track|number=3|title=AE_HELSINKI_110922<br><small>(previously AE_LIVE_HELSINKI_110922)</small>|length=1:11:07}} | |||
{{tl track|number=4|title=AE_LONDON_071022_A<br><small>(previously AE_LIVE_LONDON_071022_A)</small>|length=59:48}} | |||
{{tl track|number=5|title=AE_LONDON_071022_B<br><small>(previously AE_LIVE_LONDON_071022_B)</small>|length=59:33}} | |||
{{tl track|number=6|title=AE_BERGEN_021122<br><small>(previously AE_LIVE_BERGEN_021122)</small>|length=1:07:59}} | |||
{{tl track|number=7|title=AE_TURIN_041122<br><small>(previously AE_LIVE_TURIN_041122)</small>|length=1:00:45}} | |||
{{tl section|section=AE_2022－ (batch 2)}} | |||
{{tl track|number=8|title=AE_MELBOURNE_250823|length=1:00:36}} | |||
{{tl track|number=9|title=AE_SYDNEY_270823|length=1:12:08}} | |||
{{tl track|number=10|title=AE_VENICE_261023|length=1:09:30}} | |||
{{tl track|number=11|title=AE_DUBLIN_291023|length=1:20:18}} | |||
{{tl track|number=12|title=AE_BRUSSELS_040424|length=1:15:01}} | |||
{{tl track|number=13|title=AE_PARIS_060424|length=1:27:08}} | |||
{{tl track|number=14|title=AE_RENNES_0070424|length=1:05:27}} | |||
{{tl track|number=15|title=AE_BARCELONA_090424|length=1:19:11}} | |||
{{tl track|number=16|title=AE_MADRID_100424|length=1:26:27}} | |||
{{tl track|number=17|title=AE_LISBON_120424_B|length=1:02:42}} | |||
{{tl track|number=18|title=AE_KREMS_270424|length=1:15:40}} | |||
{{tl track|number=19|title=AE_LYON_070524|length=1:27:44}} | |||
{{tl finaltime|time=22:48:04}} | |||
}} | |||
==Links== | |||
*[https://autechre.warp.net/release/408603-autechre-aelive-2022 AE_STORE] | |||
*[https://bleep.com/release/430787-autechre-aelive-2022 Bleep] | |||
*[https://www.discogs.com/master/3199512-Autechre-AE_LIVE-2022 Discogs] | |||
*[https://twitter.com/WarpRecords/status/1689637725731954688 Announcement Tweet] | |||
==References== | |||
<references /> | |||
[[Category:Live]] | |||
[[Category:Compilation]] | |||
Latest revision as of 09:30, 2 December 2025
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AE_2022－, previously AE_LIVE 2022－, and otherwise known as 2022 dash[1] is a compilation of nineteen soundboard recordings taken from live shows performed from 2022 onwards as part of the twentytwentytwo tour.[2] The first batch was released on August 10th, 2023, and the second on November 4th, 2024.
History
Development
Initial planning for a new tour started in late 2019 for dates in late 2020-early 2021, before the COVID-19 pandemic in early 2020 put all plans on hold.[3][4][5] Sean mentioned that he spent that time reworking the back end of their rig, getting interested in MC (multi-channel audio in Max), physical modelling[6] (such as Modalys), and scratching (as seen on Gescom's AMKS_1).[7]
During a mixlr stream on March 21st, 2020, Sean mentioned that the live set was 99% complete, requiring just the intro to be completed.[8] By mid-2022, Sean noted that, on his side, he had about three and a half hours of total material prepared that may or may not be shown.[9] In late 2023, Sean gave an update on Mastodon that the material ended up becoming one long track they just kept adding onto. At that point, it was "about 4 hours long so far and growing steadily", noting it was the "most interesting thing we’ve done in ages from our POV." [10] In an interview in October 2024, they mentioned that "we could keep [this project] going for another ten years."[1]
The main equipment used to perform is two M1[6] Macs running Max/MSP, Kenton Killamix controllers, Apogee Symphony Desktop and Apogee Element 24.[11][12][13][14][15] Both Sean and Rob have different versions of their Max rig; Sean sends nightly builds to Rob, to which Rob adds his own additions.[16][17][18] In 2024, they got four custom-made Killamix Minis.[19] Initially, mixing was done using the Mackie Onyx12,[11] but since Brussels24 they've been using Sound Devices 888.[14][20] For recording with the 888, they have "two mains, two spares and two mons (adjustable using the headphone pot) going to 3 stereo DIs" with separate recordings of Sean and Rob's computers alongside a mixed version.[15][20] For final mixing of the soundboards for release, Sean also listed using "a couple of Meyer UPMs and USW-112Ps" as monitors.[21]
The Max rig itself (seen best in the December 15th, 2022 demo recording) consists of 16 channels with six different slots each (one sequencer, one synthesizer, four effect units) and 4 bus channels with five slots each (one sequencer, four effects units).[22] Between both different rigs, they have a total of 32 channels available.[23] Modules are dynamically loaded into slots (which each have two [poly~] objects)[24] via a global "pattstorage-addressing copy patch" and preloading.[25][26] The general development process was described as "make a cell, save it, come back the next day, tweak it a bit."[27][28] During a show, they traverse through roughly 60-90 'cells' in a prefered order, although sometimes they skip over or extend cells.[29][30]
In a mixlr stream on March 30th, 2020, while quickly skimming through their jams folder, Sean showed off a few seconds of the then unknown in-development live material (segments #2, #3 and #5). In December 2022, Sean posted two Max demos to Mastodon; one on December 10th and one on December 15th, which were both bits of segments #29 and #26 respectively. In 2023, two more demos were posted, with July 26th's "Markov Chain"[31] and December 16th's "Fuckery"[32] for segments #38 and #42/48. Months later, audio-only demos - September 23, 2024's “playing with stereo[33] and January 7th, 2025's “quick gong jam”[34] - were shown for segments #53 and #55.
Tour
On March 9th, 2022, the twentytwentytwo tour was officially announced with five shows in Barcelona, Milan, Helsinki, London, and Turin across 2022.[35]The Barcelona22 show at Primavera, due to issues of negotiating the rights to the soundboard from Primavera as well as messing up the recording, was left off the release.[36] At Helsinki22, small glitches such as pops and dropouts appeared early into the show and got progressively more distracting as the show went on. A possible explanation is that the venue's subwoofer setup, which was poorly set up and possibly worsened by the performance's use of heavy sub-bass, experienced a coil short circuit leading to the malfunctions.[37][38] The raw soundboard recording ("AE_LIVE_HELSINKI_110922_LTD") was sent out to attendees as an apology, and was later re-released with proper mastering.[39]
twentytwentyfour was announced with dates in Paris, Rennes, Barcelona, and Madrid, on October 27th, 2023.[40] Madrid's venue was confirmed on the 30th, coinciding with the general ticket sale at 10:00 CET.[41] New shows were later added for Brussels, The Hague, and Lisbon (second show since the first show already sold out before the announcement) on December 13th, 2023.[42] The last few dates for Krems/Vienna, Lyon, Oslo, Stockholm, Riga, and Copenhagen were confirmed on March 22, 2024.[43][44] DenHaag24 was not released because they forgot to hit record.[45]
Arranged by now wave, Autechre was booked for an exclusive UK show in Manchester for February 22nd, 2025, which was announced on September 18, 2024.[46] About 8 minutes into Manchester25, it catastrophically failed due to the sub of the venue rattling the USB out of Sean's interface[47]. After a 16-minute interruption, the show picked up from where it was interrupted.
On January 21st, 2025, twentytwentyfive was announced with four shows in Amsterdam, Helsinki, Warsaw, and Berlin.[48] On February 26th, nineteen North American shows in October, six UK shows in November, and one additional August Reykjavik show, were all announced, with pre-sale starting on the 27th.[49] Later on March 28th, the North American leg was updated: three venue changes, three dates with a second show added, and the addition of three new shows in New Orleans, Louisville, and Washington.[50] Saint Louis for October 19th was quietly added to the roster in August.
Two twentytwentysix Japan shows were announced on June 17th, 2025.[51] Later on December 2nd, 2025, twentyfive new shows across Europe were anounced, with pre-sale opening on the following day.[52]
Release
"AE_LIVE_HELSINKI_110922_LTD", which was an unmastered soundboard of the Helsinki22 show, was released early exclusively to attendants of the show due to technical issues during the show.[39]
The first batch of live sets was first casually mentioned by Sean in a brief reply on June 17th, 2023, that the audio was done and they were just waiting for Ian of The Designers Republic to do the artworks.[53] On August 7th, 2023, Warp sent out an announcement to sign up to Autechre's newsletter.[54] The following day, AE_LIVE 2022－ was officially announced,[55] and seven 2022 shows from "AE_LIVE_MILAN_010722" to "AE_LIVE_TURIN_041122" were released individually and as a compilation on the 10th.[56] A limited run of 250 AE_LIVE_Print 2022－ posters were also announced for pre-orders on the 24th, which quickly sold out.[57][58]
On October 25th, 2024, Warp again sent out a newsletter sign-up announcement, with 12 dates listed.[59][60] On November 4th, 2024, twelve sets from "AE_MELBOURNE_250823" to "AE_LYON_070524" were released individually and added onto the now renamed compilation AE_2022－, dropping the "LIVE" prefix both in the compilation title and set names.[61] Sean noted that the idea came from Warp to drop the LIVE part of the naming convention.[62] The compilation was later put up on Bleep and Bandcamp on December 3rd.[63][64]
Analysis
Main analysis by EnergyIsMassiveLight and Zythion. Fan titles taken from fan-edit TTT－.[65] Officially released sets are highlighted in bold. Unreleased sets with bootleg recordings are also included, with either clips of the segment or a listed recording with timestamps. Tables have be split for compactness.
Due to the nature of performances, the start and ends of a set may abridge or overextend in a way which don't cleanly fit in the segment splits.
The timestamps below are still a work in progress, thus are not final and are subject to change.
2022/2023
| #1 | #2 | #3 | #4 | #5 | #6 | #7 | #8 | #9 | #10 | #11 | #12 | #13 | #14 | #15 | #16 | #17 | #18 | #19 | #20 | #21 | #22 | #23 | #24 | #25 | #26 | #27 | #28 | #29 | #30 | #31 | #32 | #33 | #34 | #35 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| MILAN_010722 | 0:00 | 7:06 | 12:02 | 17:59 | 24:20 | 31:42 | 35:47 | 41:09 | 46:23 | 51:29 | 57:40 | 62:14 | |||||||||||||||||||||||
| ATHENS_050722 | 0:00 | 7:41 | 14:16 | 20:00 | 25:32 | 32:54 | 36:17 | 41:28 | 46:42 | 51:48 | 57:30 | 64:02 | 69:03 | 73:53 | |||||||||||||||||||||
| HELSINKI_110922 | 0:00 | 7:42 | 12:50 | 18:10 | 24:19 | 31:41 | 35:40 | 40:50 | 46:38 | 51:44 | 57:15 | 64:27 | |||||||||||||||||||||||
| LONDON_071022_A | 0:00 | 6:12 | 9:54 | 14:36 | 19:20 | 26:05 | 29:16 | 33:18 | 37:13 | 42:19 | 47:13 | 53:06 | |||||||||||||||||||||||
| LONDON_071022_B | 0:00 | 5:51 | 9:46 | 15:26 | 22:05 | 25:14 | 29:29 | 32:59 | 36:56 | 42:50 | 46:24 | 52:12 | |||||||||||||||||||||||
| BERGEN_021122 | 0:00 | 7:00 | 10:42 | 15:00 | 19:19 | 26:04 | 29:15 | 33:16 | 37:12 | 42:18 | 47:08 | 52:23 | 56:09 | 59:47 | 63:52 | ||||||||||||||||||||
| TURIN_041122 | 0:00 | 5:59 | 9:42 | 14:01 | 18:19 | 25:05 | 28:15 | 32:17 | 36:12 | 41:18 | 46:09 | 52:41 | 57:42 | ||||||||||||||||||||||
| MELBOURNE_250823 | 0:00 | 7:54 | 12:37 | 18:22 | 24:06 | 31:29 | 35:29 | 40:51 | 46:05 | 51:11 | 56:01 | ||||||||||||||||||||||||
| SYDNEY_270823 | 0:00 | 5:04 | 12:00 | 16:24 | 21:25 | 26:13 | 33:24 | 38:44 | 43:02 | 48:26 | 52:55 | 57:41 | 62:35 | 67:29 | |||||||||||||||||||||
| VENICE_261023 | 0:00 | 5:50 | 10:41 | 15:55 | 19:16 | 21:05 | 23:19 | 25:33 | 28:53 | 34:51 | 38:00 | 42:16 | 45:46 | 48:20 | 53:36 | 57:10 | 62:58 | ||||||||||||||||||
| DUBLIN_291023 | 0:00 | 4:42 | 11:39 | 16:02 | 21:50 | 28:28 | 38:59 | 46:06 | 51:07 | 56:31 | 60:20 | 62:50 | 66:19 | 69:40 | 73:59 | ||||||||||||||||||||
| Barcelona_030622 [AUD #2] | 1:01 | 8:18 | 12:50 | 18:59 | 24:45 | 32:30 | 35:40 | 45:31 | 48:46 | 52:04 | 54:39 | 59:14 | |||||||||||||||||||||||
| Tokyo_180823 | [1] | [2] | |||||||||||||||||||||||||||||||||
| Krakow_061023 [AUD #1] | 0:00 | 6:36 | 10:42 | 15:00 | 19:19 | 26:04 | 29:15 | 34:25 | 39:40 | 47:15 | 52:27 | 57:41 | |||||||||||||||||||||||
- #1 (fan name: T2)
- #2-4 "ecol4"[66] (fan name: ical7)
- #5-6 (fan name: L cemp)
- #7-8 Contains elements of "F7" (fan name: F4)
- #9-11 (fan name: prin Cur)
- #12-13 (fan name: asle 1)
- #14-15 (fan name: M3 Luni)
- #16-18 (fan name: osin PM)
- #19-20 (fan name: nal.1)
- #21-23 (fan name: corcine)
- One sample that gets scratched in this segment is the "It's time to change!" sample from Jan and Dean's "A Stench in Time". It should be noted that the same sample is present in Chris The Glove Taylor's "Itchiban Scratch" which appeared in multiple of Autechre mixes, including 2015's Dekmantel mix.
- #24-25 (fan name: drane3)
- A sample used in the segment is Beside's "Change The Beat", specifically the famous Fresh sample.
- #26-27 Contains the 12/15/22 demo (fan name: three tone)
- In the top right corner of the demo, "three tone" is shown as a column name.[67]
- In the demo, one of the files loaded into the sampler sample9scr2 is Gap Band's "Burn Rubber On Me (Why You Wanna Hurt Me)", specifically the "tyre screech faster" part at the start.
- #28-31 Contains the 12/10/22 demo (fan name: 2MM lv)
- Alt text: "A video showing a modelled snare drum roughly emulating the snare drum from When The Levee Breaks by Led Zeppelin". Description by Sean: “Reasonable facsimile of the Levee Breaks snare from a model made of water and spider silk (?!) who knew”
- The snare4ml shown is an example snare instrument from Modalys for Max, with Modalys also appearing in the 12/15/22 demo for its custom-made clarinet instrument.[68]
- #32-33 (fan name: vineseve)
- #34-35 (fan name: cata7)
2024
| #21 | #22 | #23 | #24 | #25 | #26 | #27 | #28 | #29 | #30 | #31 | #32 | #33 | #34 | #35 | #36 | #37 | #38 | #39 | #40 | #41 | #42 | #43 | #44 | #45 | #46 | #47 | #48 | #49 | #50 | #51 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| BRUSSELS_040424 | 0:00 | 5:23 | 11:53 | 15:57 | 20:58 | 25:46 | 33:14 | 38:03 | 42:08 | 47:22 | 51:01 | 54:55 | 59:03 | 62:59 | 67:38 | ||||||||||||||||
| PARIS_060424 | 0:00 | 5:06 | 11:37 | 15:21 | 20:13 | 25:01 | 31:06 | 36:41 | 40:02 | 44:39 | 48:59 | 52:33 | 56:33 | 60:29 | 66:03 | 72:52 | 78:24 | 82:20 | |||||||||||||
| RENNES_070424 | 0:00 | 6:10 | 10:23 | 17:49 | 22:23 | 27:04 | 35:33 | 39:40 | 43:33 | 47:56 | 52:09 | 57:22 | |||||||||||||||||||
| BARCELONA_090424 | 0:00 | 5:01 | 10:44 | 18:27 | 23:32 | 27:14 | 32:18 | 36:30 | 40:42 | 44:32 | 48:45 | 53:57 | 60:58 | 66:07 | 70:39 | 74:25 | |||||||||||||||
| MADRID_100424 | 0:00 | 5:30 | 10:37 | 18:20 | 24:12 | 28:23 | 33:47 | 38:47 | 43:01 | 46:58 | 52:01 | 56:41 | 62:50 | 68:04 | 70:59 | 74:58 | 78:35 | ||||||||||||||
| LISBON_120424_B | 0:00 | 6:49 | 12:02 | 16:02 | 20:17 | 26:43 | 33:29 | 37:44 | 43:52 | 47:02 | 51:29 | 57:47 | |||||||||||||||||||
| KREMS_270424 | 0:00 | 4:42 | 10:34 | 14:07 | 19:17 | 25:20 | 32:15 | 38:05 | 42:09 | 47:24 | 51:17 | 55:05 | 59:28 | 63:40 | 68:09 | ||||||||||||||||
| LYON_070524 | 0:00 | 5:01 | 9:18 | 13:43 | 16:54 | 23:33 | 29:55 | 34:52 | 41:31 | 44:40 | 49:08 | 55:36 | 62:29 | 71:30 | 75:30 | 83:09 | |||||||||||||||
| Den_Haag_050424 [AUD #1c] | 0:14 | 4:38 | 9:40 | 14:28 | 21:39 | 26:13 | 29:34 | 34:18 | 38:38 | 42:35 | 47:02 | 51:23 | 56:35 | 64:14 | |||||||||||||||||
| Lisbon_120424_A [AUD #1] | 0:00 | 3:34 | 10:15 | 13:38 | 18:19 | 22:50 | 29:42 | 34:32 | 37:32 | 42:35 | 46:25 | 50:19 | 53:58 | 57:27 | 62:17 | ||||||||||||||||
| Oslo_300924 [AUD #1] | 0:03 | 4:33 | 11:09 | 14:50 | 20:40 | 26:05 | 34:17 | 38:34 | 43:00 | 48:24 | 52:22 | 56:11 | 60:57 | 65:18 | 69:47 | ||||||||||||||||
| Stockholm_021024 [AUD #1] | 0:06 | 5:58 | 10:22 | 13:28 | 16:40 | 23:18 | 29:31 | 35:11 | 41:49 | 44:59 | 49:27 | 55:53 | 62:58 | 70:57 | 74:16 | ||||||||||||||||
| Riga_041024 [AUD #1] | 0:00 | 4:31 | 10:14 | 18:30 | 24:35 | 29:00 | 34:55 | 38:55 | 42:48 | 46:14 | 49:02 | 52:14 | |||||||||||||||||||
| Copenhagen_061024 [AUD #2] | 0:02 | 6:56 | 11:06 | 15:28 | 19:19 | 26:59 | 33:12 | 38:52 | 45:31 | 48:40 | 53:08 | 59:36 | 67:09 | 74:31 | 78:30 | 85:19 | |||||||||||||||
- #36 (fan name: luxes n2)
- #37-39 Contains elements of the 07/26/23 demo (fan name: aurorsle)
- Alt text: "a max sequencer with a matrixctrl driving a prob object (first order markov chain)". Description by Sean: "after someone pointed out that our cascade sequencer was in fact a simple markov chain i made a version with weights instead of switches. quick demo:"[31]
- #40 (fan name: 3sc)
- #41-42 Contains the underlying segment in the 12/16/23 demo without manipulations (fan name: 1qry)
- Alt text: "fuckery". Description by Sean: "This has to be illegal". The effect is achieved using a realtime phase vocoder.[32]
- #43-44 (fan name: TSS TV)
- #45-46 (fan name: P void)
- #47-48 Contains the manipulations from the 12/16/23 demo (fan name: r enc LT)
- #49-51 (fan name: newfree－)
2025
| #36 | #37 | #38 | #39 | #40 | #41 | #42 | #43 | #44 | #45 | #46 | #47 | #48 | #49 | #50 | #51 | #52 | #53 | #54 | #55 | #56 | #57 | #58 | #59 | #60 | #61 | #62 | #63 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Manchester_220225 [AUD #3] | 0:17 | 7:33* | 27:33 | 31:32 | 35:22 | 42:00 | 48:13 | 53:53 | 60:30 | 63:42 | 68:10 | 71:56? | 78:49? | 84:45 | 88:10 | |||||||||||||
| Amsterdam_060825 [AUD #1] | 0:11 | 7:25 | 12:18 | 16:17* | 4:42 | 11:21 | 18:18 | 23:14 | 30:22 | 32:52 | 38:35 | 44:45 | 49:24 | 55:27 | 59:25 | 68:44 | ||||||||||||
| Helsinki_080825 [AUD #1] | 0:02 | 7:32 | 11:31 | 15:21 | 22:00 | 30:48 | 36:27 | 43:16 | 45:47 | 48:20 | 54:36 | |||||||||||||||||
| Warsaw_100825 [AUD #1] | 0:06 | 5:57 | 11:17 | 15:17 | 19:06 | 25:45 | 32:41 | 39:14 | 45:54 | 48:24 | 52:03 | 59:47 | 64:04 | 70:30 | 73:09 | 79:48? | ||||||||||||
| Berlin_130825 [AUD #1] | 0:00 | 3:56 | 8:48 | 12:47 | 17:28 | 24:07 | 28:51 | 33:47 | 38:48 | 41:00 | 45:28 | 50:56 | 56:20 | 62:00 | 64:18 | 70:15 | 77:30 | |||||||||||
| Reykjavik_150825 [AUD #1] | 0:03 | 6:38 | 11:30 | 15:28 | 20:11 | 26:48 | 33:44 | 38:41 | 45:20 | 48:30 | 52:58 | 58:26? | 64:10 | 69:28 | 72:08 | 78:07? | ||||||||||||
| Denver_011025 [MAT #1] | 0:10 | 3:30 | 9:29 | 16:41 | 23:54 | 30:12 | 36:46 | 42:24 | 47:20 | 50:43 | 55:16 | 61:48 | 69:30 | 74:47 | ||||||||||||||
| Minneapolis_031025 | [3] | [4] | [5] | [6] | ||||||||||||||||||||||||
| Vancouver_051025 [AUD #1] | 0:16 | 3:36 | 9:35 | 16:47 | 24:00 | 30:19 | 36:52 | 42:30 | 47:27 | 50:50 | 55:22 | 61:55 | 69:36 | 74:53 | 82:08 | |||||||||||||
| Seattle_061025_A [AUD #1] | 4:30 | 7:47 | 13:46 | 20:58 | 28:11 | 34:30 | 41:03 | 46:40 | 51:39 | 55:00 | 59:33 | 66:06 | 73:47 | 79:37 | 87:54 | |||||||||||||
| Seattle_061025_B [AUD #2] | 0:00 | 7:39 | 12:31 | 16:30 | 20:20 | 26:58 | 33:11 | 38:51 | 45:30 | 48:40 | 53:55 | 58:36 | 65:10 | 73:39 | 77:59 | 83:57 | ||||||||||||
| Portland_071025 [AUD #1] | 1:15 | 4:32 | 10:31 | 16:57 | 24:10 | 30:28 | 37:02 | 42:38 | 47:36 | 50:59 | 55:31 | 62:28 | 70:09 | 75:59 | 84:19 | |||||||||||||
| San_Francisco_091025 [AUD #1] | 0:12 | 3:29 | 9:28 | 16:43 | 23:56 | 30:14 | 36:48 | 42:24 | 47:57 | 51:20 | 55:52 | 62:25 | 70:06 | 75:23 | 81:41 | |||||||||||||
| Los_Angeles_101025_A [AUD #1] | 15:11 | 19:23 | 25:21 | 32:34 | 39:47 | 46:05 | 52:39 | 58:17? | 63:13 | 66:37 | 71:09 | 77:41 | 85:23 | 90:40 | 97:03 | |||||||||||||
| Los_Angeles_101025_B [AUD #3] | 0:04 | 7:18 | 12:11 | 17:03 | 22:09 | 34:01 | 39:18 | 44:58 | 51:37 | 54:46 | 59:14 | 64:42 | 72:39 | |||||||||||||||
| Mexico_City_121025 [AUD #1] | 0:07 | 3:26 | 9:25 | 16:38 | 23:51 | 31:05 | 40:55 | 46:59 | 53:49 | 57:39 | 62:10 | 68:44 | 76:25 | 82:04 | ||||||||||||||
| Austin_141025 [AUD #1] | ? | ? | ? | ? | ? | ? | ? | ? | 0:00 | 2:55 | 7:53 | 19:01? | 27:36? | 32:53 | 39:03 | |||||||||||||
| New_Orleans_151025 [AUD #1] | 0:07 | 4:07 | 10:06 | 16:39 | 23:52 | 31:25 | 41:15 | 48:46 | 55:21 | 59:52 | 65:55 | 74:06 | 81:48 | 89:48 | ||||||||||||||
| Birmingham_161025 [AUD #1] | 0:02 | 3:19 | 9:19 | 16:31 | 23:43 | 30:03 | 36:36 | 42:51 | 48:31 | 51:54 | 57:44 | 65:55 | 75:57 | 81:14 | 86:51 | |||||||||||||
| Atlanta_171025 [AUD #2] | 0:44 | 4:41 | 10:39 | 17:52 | 25:05 | 31:24 | 37:57 | 43:36 | 48:32 | 52:35 | 58:38 | 65:36 | 73:18 | 79:08 | 85:54 | |||||||||||||
| Louisville_181025 [AUD #1] | 13:10 | 16:35 | 22:34 | 29:46 | 36:59 | 42:03? | 49:51 | 55:29 | 60:07 | 64:13 | 69:09 | 76:07 | 83:48 | 89:05 | 95:20 | |||||||||||||
| Saint_Louis_191025 | [7] | [8] | [9] | [10] | ||||||||||||||||||||||||
| Chicago_201025 [AUD #1] | ? | ? | 0:00 | 8:56 | 16:09 | 23:23 | 33:13 | 39:40 | 44:37 | 49:07 | 54:32 | 61:28 | 69:10 | 75:10 | ||||||||||||||
| Detroit_211025 [AUD #1] | 0:06 | 2:48 | 9:46 | 19:57 | 28:48 | 38:53 | 49:31 | 55:02 | 61:45 | 65:21 | 69:54 | 76:38 | 84:20 | 91:04? | ||||||||||||||
| Toronto_221025 [AUD #2] | 0:05 | 2:47 | 9:26 | 16:58 | 25:49 | 31:51? | 41:29 | 48:16 | 54:23 | 57:46 | 62:19 | 68:51 | 76:32 | 82:00 | ||||||||||||||
| Montreal_241025 [AUD #1] | 14:06 | 16:46 | 22:45 | 29:37 | 37:20 | 45:50 | 54:10 | 61:27 | 67:06 | 70:42 | 75:41 | 82:14 | 89:54 | 96:16? | ||||||||||||||
| New_York_251025_A [AUD #1] | 0:00 | 2:38 | 8:37 | 15:35 | 23:56 | 30:24? | 38:46 | 45:48 | 52:09 | 56:13 | 61:37 | 68:10 | 75:51 | |||||||||||||||
| New_York_251025_B [AUD #1] | 3:50 | 10:24 | 16:54 | 21:33 | 26:39 | 35:31 | 43:47 | 48:45? | 55:21 | 57:54 | 62:23 | 67:50? | 75:53? | |||||||||||||||
| Philadelphia_261025 [AUD #2] | ? | 0:00 | 5:18 | 13:30 | 21:22 | 28:20 | 35:11 | 41:57 | 46:54 | 50:17 | 55:02 | 61:35 | 69:16 | 75:16 | ||||||||||||||
| Boston_271025 [AUD #1] | 0:00 | 2:42 | 8:41 | 20:52 | 34:27? | 40:51 | 47:25 | 53:55 | 59:33 | 63:50 | 68:23 | 74:52 | 82:37 | |||||||||||||||
| Portsmouth_281025 [AUD #1] | 0:06 | 2:48 | 9:26 | 16:46 | 24:58 | 32:36 | 39:42 | 45:18? | 53:06 | 57:35 | 62:35 | 69:08 | 76:49 | 84:16 | ||||||||||||||
| Washington_291025 [AUD #1] | 0:00 | 2:35 | 8:34 | 15:46 | 22:59 | 30:13 | 40:03 | 46:16 | 51:55 | 56:25 | 62:02 | 68:32 | 76:14 | 82:04 | ||||||||||||||
| Glasgow_021125 | 0:00 | 3:22 | 9:21 | 17:26 | 24:36 | 30:55 | 37:46 | 44:16 | 49:40 | 53:17 | 57:49 | 64:21 | 72:03 | 80:03 | ||||||||||||||
| Newcastle_031125 | 0:00 | 2:40 | 9:59 | 18:50 | 27:22 | 35:53 | 43:55 | 50:42 | 56:48 | 61:19 | 66:31 | 73:03 | 80:44 | 87:17 | ||||||||||||||
| Leeds_041125 | 0:06 | 2:47 | 10:05 | 21:36 | 32:25 | 41:53 | 49:39 | 56:55 | 62:19 | 66:36 | 71:09 | 78:29 | 86:11 | |||||||||||||||
| Bristol_061125 | [11] | |||||||||||||||||||||||||||
| Belfast_071125 | 0:02 | 2:49 | 8:48 | 16:00 | 25:11 | 31:30 | 38:03 | 44:51 | 50:57 | 55:28 | 60:26 | 66:59 | 74:40 | 83:13? | ||||||||||||||
- #52
- #53 Contains the 09/23/24 demo “playing with stereo”[33] and a sound from "Basscadet"[69]
- #54
- #55 Contains the 01/07/25 demo “quick gong jam”[34]
- #56
- #57
- #58
- #59
- #60
- #61
- #62
- #63
2026
Footnotes
- Performance anomalies (not including irregular start/end points)
- Barcelona22 - #7 played twice in a row
- Dublin23 - unique variant of #32
- Rennes24 - unique interlude in #29 before restarting the section.
- Manchester25 - halted at start of #37, then restarted. Also during #46, it briefly plays a bit of #40 before returning to normal setlist.
- Amsterdam25 - halted during #39, then restarted.
- Austin25 - unique interlude in #60
- Louisville25 - unique interlude in #56
- Detroit25 - unique interlude in #54
- Boston25 - unique interlude in #52
Tour Dates
- 2022-06-03 Barcelona, Spain @ Auditori Rockdelux (Primavera 2022)
- 2022-07-01 Milan, Italy @ Villa Arconati (Terraforma 2022)
- 2022-07-05 Athens, Greece @ Odeon of Herodes Atticus (Athens Epidaurus Festival)
- 2022-09-11 Helsinki, Finland @ Musiikkitalo (+ Ilpo Väisänen)
- 2022-10-07 London, England, UK @ Barbican Centre (show A) (+ Zoviet France)
- 2022-10-07 London, England, UK @ Barbican Centre (show B)
- 2022-11-02 Bergen, Norway @ Østre (Ekko Festival 2022)
- 2022-11-04 Turin, Italy @ Lingotto Fiere (Club 2 Club 2022)
- 2023-08-18 Tokyo, Japan @ Makuhari Messe (SONICMANIA 2023)
- 2023-08-25 Melbourne, Australia @ Royal Exhibition Building (Now or Never 2023)
- 2023-08-27 Sydney, Australia @ City Recital Hall (Switched On 2023) (+ Actress, E. Fishpool)
- 2023-10-06 Kraków, Poland @ Teatr Łaźnia Nowa (Unsound 2023)
- 2023-10-26 Venice, Italy @ Teatro alle Tese (Biennale Musica 2023)
- 2023-10-29 Dublin, Ireland @ Vicar Street (+ Minced Oath)
- 2024-04-04 Brussels, Belgium @ Ancienne Belgique (BRDCST ‘24) (+ Russell Haswell)
- 2024-04-05 Den Haag, Netherlands @ Grote Kerk (Rewire Festival 2024)
- 2024-04-06 Paris, France @ Le Trianon (+ Aho Ssan)
- 2024-04-07 Rennes, France @ Antipode (+ Lime68k)
- 2024-04-09 Barcelona, Spain @ Sala Apolo (MUTEK Barcelona 2024) (+ Roméo Poirier & Ohme)
- 2024-04-10 Madrid, Spain @ La Sala
- 2024-04-12 Lisbon, Portugal @ Culturgest (show A)
- 2024-04-12 Lisbon, Portugal @ Culturgest (show B)
- 2024-04-27 Krems, Austria @ Stadtsaal Krems (Donaufestival 2024)
- 2024-05-07 Lyon, France @ Le Transbordeur (Nuits Sonores 2024)
- 2024-09-30 Oslo, Norway @ Sentrum Scene (+ Kristoffer Lislegaard)
- 2024-10-02 Stockholm, Sweden @ Slaktkyrkan (+ Undveld)
- 2024-10-04 Riga, Latvia @ Hanzas Perons (Skaņu Mežs’ 2024)
- 2024-10-06 Copenhagen, Denmark @ VEGA (+ SØS Gunver Ryberg)
- 2025-02-22 Manchester, England, UK @ New Century (+ SDEM, edv3ctor, DJ Rob Hall)
- 2025-08-06 Amsterdam, Netherlands @ Melkweg (+ Roel Funcken, Russell Haswell)
- 2025-08-08 Helsinki, Finland @ Flow Festival 2025
- 2025-08-10 Warsaw, Poland @ Klub Progresja (+ Russell Haswell, Ann On Bast)
- 2025-08-13 Berlin, Germany @ ASTRA Kulturhaus (+ Russell Haswell, ACLDS)
- 2025-08-15 Reykjavík, Iceland @ Harpa (+ sideproject, John McCowen)
- 2025-10-01 Denver, CO, USA @ Ogden Theatre (+ Mark Broom, C. Reider)
- 2025-10-03 Minneapolis, MN, USA @ Icehouse (+ Mark Broom, deep glens)
- 2025-10-05 Vancouver, Canada @ Hollywood Theatre (+ Mark Broom)
- 2025-10-06 Seattle, WA, USA @ The Crocodile (show A) (+ Mark Broom)
- 2025-10-06 Seattle, WA, USA @ The Crocodile (show B) (+ Mark Broom)
- 2025-10-07 Portland, OR, USA @ The Den (+ Mark Broom, Cygnus)
- 2025-10-09 San Francisco, CA, USA @ Regency Ballroom (+ Mark Broom, Cygnus)
- 2025-10-10 Los Angeles, CA, USA @ Belasco Theater (show A) (+ Mark Broom)
- 2025-10-10 Los Angeles, CA, USA @ Belasco Theater (show B) (+ Mark Broom)
- 2025-10-12 Mexico City, Mexico @ MUTEK MX (+ Leslie García)
- 2025-10-14 Austin, TX, USA @ Kingdom Nightclub (+ Mark Broom, tsrono)
- 2025-10-15 New Orleans, LA, USA @ Joy Theatre (+ Mark Broom, tsrono)
- 2025-10-16 Birmingham, AL, USA @ Saturn (+ Mark Broom, Cygnus)
- 2025-10-17 Atlanta, GA, USA @ Terminal West (+ Mark Broom, Cygnus)
- 2025-10-18 Louisville, KY, USA @ Portal (+ Mark Broom, deep glens)
- 2025-10-19 Saint Louis, MO, USA @ Delmar Hall (+ Mark Broom, deep glens)
- 2025-10-20 Chicago, IL, USA @ Concord Hall (+ Mark Broom, deep glens)
- 2025-10-21 Detroit, MI, USA @ Building 6, Russell Industrial Center (+ Mark Broom, nnirror)
- 2025-10-22 Toronto, Canada @ Danforth Hall (+ Mark Broom)
- 2025-10-24 Montreal, Canada @ Société des arts technologiques (+ Mark Broom, nixtrove)
- 2025-10-25 New York, NY, USA @ Brooklyn Steel (show A) (+ Mark Broom)
- 2025-10-25 New York, NY, USA @ Brooklyn Steel (show B) (+ Mark Broom)
- 2025-10-26 Philadelphia, PA, USA @ Union Transfer (+ Mark Broom, William Fields)
- 2025-10-27 Boston, MA, USA @ Paradise (+ Mark Broom, Cube)
- 2025-10-28 Portsmouth, NH, USA @ 3S Artspace (+ Mark Broom, Cube)
- 2025-10-29 Washington, DC, USA @ Howard Theatre (+ Mark Broom, Cube)
- 2025-11-02 Glasgow, Scotland, UK @ SWG3 (+ Mark Broom, Russell Haswell)
- 2025-11-03 Newcastle, England, UK @ Digital (+ Mark Broom, Russell Haswell)
- 2025-11-04 Leeds, England, UK @ Project House (+ Mark Broom, SDEM)
- 2025-11-05 Brighton, England, UK @ Chalk (+ Mark Broom, Alex Peverett)
- 2025-11-06 Bristol, England, UK @ The Prospect Building (+ Mark Broom, William Telford & Tobias Hilder)
- 2025-11-07 Belfast, Northern Ireland, UK @ Mandela Hall (+ Mark Broom, S>>D)
- 2026-02-04 Tokyo, Japan @ ZEPP Divercity (+ Kohei Matsunaga)
- 2026-02-05 Osaka, Japan @ Yogibo META VALLEY (+ Kohei Matsunaga)
- 2026-09-24 Liège, Belgium @ OM
- 2026-09-25 Zurich, Switzerland @ Rote Fabrik
- 2026-09-26 Munich, Germany @ Muffathalle
- 2026-09-27 Prague, Czechia @ Lunchmeat Festival
- 2026-09-28 Wrocław, Poland @ Zaklęte Rewiry
- 2026-09-29 Vienna, Austria @ Gasometer
- 2026-09-30 Zagreb, Croatia @ Tvornica Kulture
- 2026-10-01 Belgrade, Serbia @ Ložionica
- 2026-10-02 Skopje, North Macedonia @ MKC
- 2026-10-03 Athens, Greece @ Universe
- 2026-10-04 Thessaloniki, Greece @ Block33
- 2026-10-06 Sofia, Bulgaria @ Toplocentrala
- 2026-10-07 Bucharest, Romania @ Club Guesthouse
- 2026-10-09 Ljubljana, Slovenia @ Cukrarna
- 2026-10-10 Bologne, Italy @ Estragon
- 2026-10-11 Milan, Italy @ Alcatraz
- 2026-10-12 Geneva, Switzerland @ L'usine
- 2026-10-13 Marseille, France @ Cabaret aléatoire
- 2026-10-14 Paris, France @ Bataclan
- 2026-10-15 Nantes, France @ Le Lieu Unique
- 2026-10-16 Lille, France @ L'Aéronef
- 2026-10-17 Nijmegen, Netherlands @ Doornroosje
- 2026-10-20 Dublin, Ireland @ Vicar Street
- 2026-10-22 Cardiff, Wales, UK @ Depot
- 2026-10-24 London, England, UK @ Magazine
Trivia
- The CAT number, WARP444, was likely specifically requested by Autechre, to reference the song "444" off their first album, Incunabula.
- The 2023 compilation cover consisted of all seven individual set art from the first batch overlaid on top of each other.
- A variant of "7th slip" is present in Rob's side of the live set.[70]
- When asked which 2022 show's crowd smelt the best so far, Sean replied "the italians obviously" at Milan 2022.[71]
- A font used across promotional material is Circular Mono.
Gallery
AE_LIVE 2022－(2023 compilation cover)
AE_MILAN_010722
AE_ATHENS_050722
AE_HELSINKI_110922
AE_LONDON_071022_A
AE_LONDON_071022_B
AE_BERGEN_021122
AE_TURIN_041122
AE_MELBOURNE_250823
AE_SYDNEY_270823
AE_VENICE_261023
AE_DUBLIN_291023
AE_BRUSSELS_040424
AE_PARIS_060424
AE_RENNES_070424
AE_BARCELONA_090424
AE_MADRID_100424
AE_LISBON_120424_B
AE_KREMS_270424
AE_LYON_070524
Tracklist
| # | Title | Length |
|---|---|---|
| AE_LIVE 2022－ (batch 1) | ||
| 1 | AE_MILAN_010722 (previously AE_LIVE_MILAN_010722) |
1:06:56 |
| 2 | AE_ATHENS_050722 (previously AE_LIVE_ATHENS_050722) |
1:20:03 |
| 3 | AE_HELSINKI_110922 (previously AE_LIVE_HELSINKI_110922) |
1:11:07 |
| 4 | AE_LONDON_071022_A (previously AE_LIVE_LONDON_071022_A) |
59:48 |
| 5 | AE_LONDON_071022_B (previously AE_LIVE_LONDON_071022_B) |
59:33 |
| 6 | AE_BERGEN_021122 (previously AE_LIVE_BERGEN_021122) |
1:07:59 |
| 7 | AE_TURIN_041122 (previously AE_LIVE_TURIN_041122) |
1:00:45 |
| AE_2022－ (batch 2) | ||
| 8 | AE_MELBOURNE_250823 | 1:00:36 |
| 9 | AE_SYDNEY_270823 | 1:12:08 |
| 10 | AE_VENICE_261023 | 1:09:30 |
| 11 | AE_DUBLIN_291023 | 1:20:18 |
| 12 | AE_BRUSSELS_040424 | 1:15:01 |
| 13 | AE_PARIS_060424 | 1:27:08 |
| 14 | AE_RENNES_0070424 | 1:05:27 |
| 15 | AE_BARCELONA_090424 | 1:19:11 |
| 16 | AE_MADRID_100424 | 1:26:27 |
| 17 | AE_LISBON_120424_B | 1:02:42 |
| 18 | AE_KREMS_270424 | 1:15:40 |
| 19 | AE_LYON_070524 | 1:27:44 |
| Total | 22:48:04 | |
Links
References
- ↑ 1.0 1.1 Autechre: Immersive Listening, Synesthesia, and the Manchester Scene, Metal Magazine, October 2024. "Rob: We've been doing this since 2022, calling it 2022 dash. We could keep it going for another ten years. Traveling and meeting people is something you can’t replicate in a studio."
- ↑ https://autechre.warp.net/twentytwentytwo
- ↑ Q5, Ask Autechre Anything Again, KEYOSC, April 2025
- ↑ Autechre: 30 Jahre Afterhour (Teil 1) & „Mehr Menschen mögen Erdbeeren als Autechre” (Teil 2), Groove, 2021. "Vermisst ihr es sehr, live zu spielen? SB: Klar. Allerdings hat uns die Pandemie bisher gar nicht so sehr getroffen, weil wir die Tour erst zum Release des neuen Albums geplant hatten. Jetzt sitzen auf einem fertigen Live-Set, das wir nicht spielen können. Unsere Routine hat sich aber nicht sonderlich verändert, wir bleiben ja sowieso die ganze Zeit zuhause und machen Musik. Rob Brown: Unser Ablauf blieb tatsächlich gleich. Wir hatten Pläne für Gigs, aber, na ja. Wir bekamen zum Beispiel im März ein Angebot für einen Auftritt in Mailand im November. Die Lombardei wurde dann komplett abgeriegelt, und wir haben von den Leuten einen Monat lang nichts gehört. Beim nächsten Kontakt waren sie schon weitaus weniger zuversichtlich. Dann hat sich das Angebot in Luft aufgelöst und wurde auf nächstes Jahr verschoben. Das war unser einziger geplatzter Gig, wenn man so will. Weil wir ja ohnehin erst im Winter oder im Frühling 2021 loslegen wollten."
- ↑ https://web.archive.org/web/20241217152311/https://post.lurk.org/@sean_ae/113663738919715601
- ↑ 6.0 6.1 Sean Twitch AMA, June 2022. "“Do you like the new Mac chip situation? Is it any different to work on compared to the old CPU?” Yes. So my patch was using about 75, 80% towards the end of last year or the year before, whenever it was I got it, and then, yeah, I got the M1 and then it was just flying! 30%, just flying! Just absolutely insane! So there's no turning back now I'm fucked because I'm filling it up already. Loads of Live physmod things, and things that were a bit, you know, expensive. So yeah, I love it. Just amazing, kind of a little bit too much if anything, and the disking out speeds are amazing. The transitions are all super tight. The timing's super tight. All the control rate stuff is super tight. So yeah, I think if you're using Max and you've got an M1, you're basically living the dream at this point. it's just insane."
- ↑ Sean Twitch AMA, June 2022. "Basically when COVID hit, I had a lot of time on my hands to rebuild a lot of it. So it's, yeah, it’s a lot of it you wouldn't even notice because a lot of it's just porting things to Gen that didn't need to be ported but just because I wanted a bit more control, and that led me off on loads of tangents because once you start building basic things like oscillators, you get a bit mad with all the options. So yeah, that happened and then I got heavily into MC, and then that happened. And then I built a lot more [physical] modeling stuff, and I did that scratching thing that we used on that Gescom thing that we've done about just over a year ago. And then did that and then, and then, yeah the set sort of grew out of all that tech basically. So sty listically, it's not that far off what we've been doing for the last few years because I think we're still in the same sort of place mentally. But, tech wise, the underlying, the kind of back end stuff is all fresh."
- ↑ Ryce, Andrew. "Autechre say they have two new albums ready". Resident Advisor, 22 March 2020, https://ra.co/news/72301. Accessed 5 June 2025.
- ↑ Sean Twitch AMA, June 2022. "[...] I mean some, they will share elements and the probably, I mean in all likelihood it'll be mostly similar material but there's a bunch of material that's not aired yet. That's because we've had too long to work on this fucking set, right, so. Least my part of the set is, I don't know, like three and a half hours of stuff, so I don't know how much of it will end up using."
- ↑ @sean_ae Mastodon post, November 18, 2023
- ↑ 11.0 11.1 Sean Twitch AMA, July 2022. "Can u describe the live setup of the last gigs, laptop, controllers, souncard, thx I mean you know, two, I mean the latest ones are just two M1 Macs, Kenton Killamix controllers, two interfaces; I've got an Apogee Symphony Desktop, Rob's using the Apogee Element 24. The mixer is like a little Mackie Onyx12 channel thing just because it fits on a plane easily, and it's easier to get around. And it's replaceable if it breaks, you know, it's not, we're not relying on some esoteric mixer being found by the promoter at the last minute, so. Because that's always a consideration, you know? There's only the controllers really that be hard to source. So we often carry spares like if we're on a tour bus, we'll have spares of the controllers we’ll source."
- ↑ Sean Twitch AMA, June 2022. "What's your live setup nowadays? Two Macs, and these Kenton Killamix things, and a couple of interfaces."
- ↑ Hanalgig AMA, July 2022. "Tebbisimo: [...] What audio interface you using on the live sets ATM? [...] XH HX: i'm using apogee symphony desktop lately which i really rate but before that was using apogee element 24 (also good but harder to get now) and before that was using RME ADI2 converter (had to stop since apple borked the optical port but i loved that thing). i also got a MOTU M2 which is mad value for ESS sabre converters if u want something cheapish"
- ↑ 14.0 14.1 https://web.archive.org/web/20240509143259/https://post.lurk.org/@sean_ae/112400607304881021
- ↑ 15.0 15.1 https://web.archive.org/web/20241107183922/https://post.lurk.org/@sean_ae/113442509470527990
- ↑ Sean Twitch AMA, June 2022. "Like, I've got my version of the rig. Rob's got his version, which is a, it's been mutated so much it's not really the same rig anymore."
- ↑ Sean Twitch AMA, June 2022. "We don't rehearse at all, but the rig, we do share, so, you know. We've, I've got bits of Rob’s stuff. He's got a fully up-to-date version of what I'm doing all the time, so he gets nightly, almost, builds, yeah. So, that happened. I think he can run my rig in his house so he knows exactly what it'll do, but he doesn't know quite how I'm gonna play it on the night and so I'll be doing surprising things with it and it'll be reacting to him with his controllers, so it's a kind of, yeah, it's very much an intuitive thing."
- ↑ Q190, Ask Autechre Anything Again, KEYOSC, April 2025
- ↑ https://web.archive.org/web/20240309004321/https://post.lurk.org/@sean_ae/112054867478643903
- ↑ 20.0 20.1 https://web.archive.org/web/20241113092034/https://post.lurk.org/@sean_ae/113458692313028937
- ↑ https://forum.keyosc.com/topic/720-i-no-longer-strongly-disagree-with-seans-answer-to-gl0tch-in-aaaa/?&do=findComment&comment=19916
- ↑ Sean Twitch AMA, June 2022. "Yeah, so like those three module types are arranged in channels, So like each channel has like, I think, six slots, yeah, it has like a sequencer, a synth and then four effects units on every channel, and there's 16 channels, and they're constantly changing and there are four bus channels as well that don't have sequences. No, sorry, that don't have synths on, but they just have sequences and effects units. So they have the four effects units in the sequences and there's four of those bus channels and they can be routed into each other and stuff, so that's it. So in total, there are 68 slots. Yeah."
- ↑ Sean Twitch AMA, June 2022. "But with this set, it was written with both of us running 16 channels each now."
- ↑ Q175, Ask Autechre Anything Again, KEYOSC, April 2025
- ↑ Sean Twitch AMA, July 2022. "“How'd you deal with preset management live?” It's all pattr, so like, yeah it's all pattr now. It used to be pattr and then presets. So the global stuff was a pattr and then the stuff in the modules was presets, but it got too unwieldy. I had to build, rebuild it all with pattr. Plus I like being able to morph them because morphing is just tons of fun, innit? So, see it's all pattr and then I built a thing that where I can name them. So there's like a little box, you just type the name in and click enter and it just saves it with that name. So then I have like a new menu with all the names in. I found that loads easier to work with than numbers. So yeah, it's pattr all the way down, but it's pattr, it's like a global pattr and then each module has its own pattrs because the modules are loaded dynamically. I couldn't have pattr, the global pattr reaching into the modules, if you know what I mean. so they all have to have their own pattr storage in each module. But that's okay, you know?"
- ↑ Q481, Ask Autechre Anything Again, KEYOSC, April 2025
- ↑ Q74, Ask Autechre Anything Again, KEYOSC, April 2025
- ↑ Q370, Ask Autechre Anything Again, KEYOSC, April 2025
- ↑ Q64, Ask Autechre Anything Again, KEYOSC, April 2025
- ↑ https://web.archive.org/web/20250823160621/https://post.lurk.org/@sean_ae/115078509915195794
- ↑ 31.0 31.1 https://web.archive.org/web/20230727210645/https://post.lurk.org/@sean_ae/110780381387123384
- ↑ 32.0 32.1 https://web.archive.org/web/20231221224324/https://post.lurk.org/@sean_ae/111591524233807832
- ↑ 33.0 33.1 https://web.archive.org/web/20240928141307/https://post.lurk.org/@sean_ae/113186625238764271
- ↑ 34.0 34.1 https://web.archive.org/web/20250107140034/https://post.lurk.org/@sean_ae/113786941624175064
- ↑ https://ghostarchive.org/archive/Qt38G
- ↑ Sean Twitch AMA, June 2022. "[...] the problem was with Primavera, they were trying to get rights for everything, right? So they were trying to get broadcast, they were trying to record it, you know? Obviously we're thinking about releasing them, so we didn't want to okay it. We ended up fucking up the recording anyway, so it wouldn't have mattered."
- ↑ avalyn__. "There were some audio issues during Helsinki gig.". Reddit, 11 September 2022, https://www.reddit.com/r/autechre/comments/xbspfv/there_were_some_audio_issues_during_helsinki_gig/?rdt=51772. Accessed 25 March 2024.
- ↑ dcom. "Comment in Autechre. Live. Twentytwentytwo.". We Are The Music Makers, 15 September 2022, https://watmm-archive.com/t/102400/17. Accessed 25 March 2024.
- ↑ 39.0 39.1 RaelGenious. "Exclusive release incoming for Helsinki attendees". Reddit, 26 September 2022, https://www.reddit.com/r/autechre/comments/xobdtd/exclusive_release_incoming_for_helsinki_attendees/. Accessed 25 March 2024.
- ↑ https://x.com/WarpRecords/status/1717850268132389241
- ↑ https://x.com/WarpRecords/status/1718937652051718603
- ↑ https://x.com/WarpRecords/status/1734943097052660077
- ↑ https://x.com/WarpRecords/status/1771145082055311756
- ↑ https://www.facebook.com/warprecords/posts/ae-live-2024-new-shows-added-autechrewarpnetshows/407106961956344/?_rdr
- ↑ https://web.archive.org/web/20240406161357/https://post.lurk.org/@sean_ae/112224480826307858
- ↑ https://x.com/WarpRecords/status/1836359952509567224
- ↑ Q15, Ask Autechre Anything Again, KEYOSC, April 2025
- ↑ https://ghostarchive.org/archive/OueqP
- ↑ https://ghostarchive.org/archive/OitLD
- ↑ https://ghostarchive.org/archive/Ji35Q
- ↑ https://x.com/WarpRecords/status/1934924348793495735
- ↑ https://ghostarchive.org/archive/gkUxG
- ↑ https://www.reddit.com/r/autechre/comments/14c1ole/the_audios_all_done_just_waiting_for_ian_to_do/
- ↑ https://ghostarchive.org/archive/09TE6
- ↑ https://www.reddit.com/r/autechre/comments/15ln5o3/ae_live_2022_out_thursday/
- ↑ https://web.archive.org/web/20230810192322/https://autechre.warp.net/release/408603-autechre-aelive-2022
- ↑ https://ghostarchive.org/archive/YN0cj
- ↑ https://web.archive.org/web/20230928151404/https://autechre.warp.net/release/410988-autechre-aeliveprint-2022
- ↑ https://ghostarchive.org/archive/UYmeC
- ↑ https://www.instagram.com/warprecords/p/DBjZTuNIg1A/?hl=en
- ↑ https://web.archive.org/web/20241104173202/https://autechre.warp.net/release/476436-autechre-ae2022
- ↑ https://web.archive.org/web/20241106150525/https://post.lurk.org/@sean_ae/113436310329414162
- ↑ https://autechre.bandcamp.com/album/ae-2022
- ↑ https://bleep.com/release/483225-autechre-ae2022
- ↑ FefetaLeixes. "AE_2022－EXCLUSIVES (TTT－)". Reddit, 16 November 2024, https://www.reddit.com/r/autechre/comments/1gs8qum/ae_2022exclusives_ttt/. Accessed 16 November 2024.
- ↑ Sean Twitch AMA, June 2022. "So, you can hear a bit of ecol[4] in the set, ecol4 that was basically like the ecol4 that's on PLUS when we started out."
- ↑ Q81, Ask Autechre Anything Again, KEYOSC, April 2025
- ↑ Observation by sfn / Davide Vin
- ↑ https://web.archive.org/web/20251013032707/https://post.lurk.org/@sean_ae/115363631277006962
- ↑ https://web.archive.org/web/20241107160026/https://post.lurk.org/@sean_ae/113441779347595762
- ↑ Hanalgig AMA, July 2022. "Tebbisimo: which crowd in '22 smelt the best so far? XH HX: the italians obviously"