AE 2022－: Difference between revisions

From aepages
Jump to navigation Jump to search
(→‎Analysis: '23 bootlegs)
(rewrote because it's definitely a sample in the set)
 
(89 intermediate revisions by 5 users not shown)
Line 1: Line 1:
{{DISPLAYTITLE:AE_LIVE 2022－}}
{{DISPLAYTITLE:AE_2022－}}
{{Infobox
{{Infobox
|title=AE_LIVE 2022－
|title=AE_2022－
|artist=[[Autechre]]
|artist=[[Autechre]]
|cover=AE LIVE 2022.jpg
|cover=AE 2022－.jpg
|date=10 August 2023
|date=10 August 2023 <small>(Milan 2022 - Turin 2022)</small><br>4 November 2024 <small>(Melbourne 2023 - Lyon 2024)<small>
|label=Warp Records (WARP444)
|label=Warp Records (WARP444)
|previous=[[PLUS]]
|previous=[[PLUS]]
Line 11: Line 11:
|next year=  
|next year=  
}}
}}
'''''AE_LIVE 2022－''','' otherwise known as the '''''twentytwentytwo''''' tour<ref>https://autechre.warp.net/twentytwentytwo</ref>'','' is a compilation of seven soundboard recordings taken from live shows performed throughout 2022. The first batch was released on August 10th, 2023.  
'''''AE_2022－''','' otherwise known as '''''AE_LIVE 2022－''','' '''''2022 dash'''''<ref name=":2">https://metalmagazine.eu/en/post/autechre</ref> or the '''''twentytwentytwo''''' tour,<ref>https://autechre.warp.net/twentytwentytwo</ref> is a compilation of nineteen soundboard recordings taken from live shows performed throughout 2022, 2023 and 2024. The first batch was released on August 10th, 2023. The second batch was released on November 4th, 2024.  


== History ==
==History==
The main equipment used for the tour are two M1<ref name=":0">{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''“Do you like the new Mac chip situation? Is it any different to work on compared to the old CPU?”''' Yes. So my patch was using about 75, 80% towards the end of last year or the year before, whenever it was I got it, and then, yeah, I got the M1 and then it was just flying! 30%, just flying! Just absolutely insane! So there's no turning back now I'm fucked because I'm filling it up already. Loads of Live physmod things, and things that were a bit, you know, expensive. So yeah, I love it. Just amazing, kind of a little bit too much if anything, and the disking out speeds are amazing. The transitions are all super tight. The timing's super tight. All the control rate stuff is super tight. So yeah, I think if you're using Max and you've got an M1, you're basically living the dream at this point. it's just insane.}}</ref> Macs running Max/MSP, Kenton Killamix controllers, Apogee Symphony Desktop, Apogee Element 24, and MOTU M2.<ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote='''Can u describe the live setup of the last gigs, laptop, controllers, souncard, thx''' I mean you know, two, I mean the latest ones are just two M1 Macs, Kenton Killamix controllers, two interfaces; I've got an Apogee Symphony Desktop, Rob's using the Apogee Element 24. The mixer is like a little Mackie Onyx12 channel thing just because it fits on a plane easily, and it's easier to get around. And it's replaceable if it breaks, you know, it's not, we're not relying on some esoteric mixer being found by the promoter at the last minute, so. Because that's always a consideration, you know? There's only the controllers really that be hard to source. So we often carry spares like if we're on a tour bus, we'll have spares of the controllers we’ll source.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''What's your live setup nowadays?''' Two Macs, and these Kenton Killamix things, and a couple of interfaces.}}</ref><ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Tebbisimo: [...] What audio interface you using on the live sets ATM? [...]''' XH HX: i'm using apogee symphony desktop lately which i really rate but before that was using apogee element 24 (also good but harder to get now) and before that was using RME ADI2 converter (had to stop since apple borked the optical port but i loved that thing). i also got a MOTU M2 which is mad value for ESS sabre converters if u want something cheapish}}</ref> In 2024, they got four custom-made Killamix Minis.<ref>https://web.archive.org/web/20240309004321/https://post.lurk.org/@sean_ae/112054867478643903</ref>
On March 9th, 2022, the ''twentytwentytwo'' tour was officially announced.<ref>https://twitter.com/WarpRecords/status/1501513203431493639</ref>  


<!-- also posted later about getting custom made kenton killamix controllers --><!-- announce when the tour started? -->During the [[Sean Twitch AMA, June 2022]], Sean answered a few questions regarding the live material after having performed the first show of the twentytwentytwo tour. The tour was initially planned to be held in 2020<!-- trivia that there is speculation the title may be a second attempt at the twentytwenty tour, aka twentytwenty two? -->, before the COVID-19 pandemic delayed the tour. Sean mentioned that on his end, he spent the time reworking the back end, getting interested in MC (multi-channel audio in Max), physical modelling<ref name=":0" /> (such as [https://forum.ircam.fr/projects/detail/modalys/ Modalys]), and scratching (as seen on Gescom's ''[[AMKS_1]]'')''.''<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Basically when COVID hit, I had a lot of time on my hands to rebuild a lot of it. So it's, yeah, it’s a lot of it you wouldn't even notice because a lot of it's just porting things to Gen that didn't need to be ported but just because I wanted a bit more control, and that led me off on loads of tangents because once you start building basic things like oscillators, you get a bit mad with all the options. So yeah, that happened and then I got heavily into MC, and then that happened. And then I built a lot more [physical] modeling stuff, and I did that scratching thing that we used on that Gescom thing that we've done about just over a year ago. And then did that and then, and then, yeah the set sort of grew out of all that tech basically. So sty listically, it's not that far off what we've been doing for the last few years because I think we're still in the same sort of place mentally. But, tech wise, the underlying, the kind of back end stuff is all fresh.}}</ref> [[ae mixlr 300320|During a mixlr stream back in March 30th, 2020]], Sean shared snippets from their jams folder, which included the live material at that time, showing how long they've been developing the material. The end product was Sean noting that, on his side, he had about three and a half hours of total material prepared that may or may not be shown.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=[...] I mean some, they will share elements and the probably, I mean in all likelihood it'll be mostly similar material but there's a bunch of material that's not aired yet. That's because we've had too long to work on this fucking set, right, so. Least my part of the set is, I don't know, like three and a half hours of stuff, so I don't know how much of it will end up using.}}</ref>
During the [[Sean Twitch AMA, June 2022]], Sean answered a few questions regarding the live material after having performed the first show of the twentytwentytwo tour. The tour was initially planned to be held in 2020<!-- trivia that there is speculation the title may be a second attempt at the twentytwenty tour, aka twentytwenty two? -->, before the COVID-19 pandemic delayed the tour. Sean mentioned that on his end, he spent the time reworking the back end, getting interested in MC (multi-channel audio in Max), physical modelling<ref name=":0">{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''“Do you like the new Mac chip situation? Is it any different to work on compared to the old CPU?”''' Yes. So my patch was using about 75, 80% towards the end of last year or the year before, whenever it was I got it, and then, yeah, I got the M1 and then it was just flying! 30%, just flying! Just absolutely insane! So there's no turning back now I'm fucked because I'm filling it up already. Loads of Live physmod things, and things that were a bit, you know, expensive. So yeah, I love it. Just amazing, kind of a little bit too much if anything, and the disking out speeds are amazing. The transitions are all super tight. The timing's super tight. All the control rate stuff is super tight. So yeah, I think if you're using Max and you've got an M1, you're basically living the dream at this point. it's just insane.}}</ref> (such as [https://forum.ircam.fr/projects/detail/modalys/ Modalys]), and scratching (as seen on Gescom's ''[[AMKS_1]]'')''.''<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Basically when COVID hit, I had a lot of time on my hands to rebuild a lot of it. So it's, yeah, it’s a lot of it you wouldn't even notice because a lot of it's just porting things to Gen that didn't need to be ported but just because I wanted a bit more control, and that led me off on loads of tangents because once you start building basic things like oscillators, you get a bit mad with all the options. So yeah, that happened and then I got heavily into MC, and then that happened. And then I built a lot more [physical] modeling stuff, and I did that scratching thing that we used on that Gescom thing that we've done about just over a year ago. And then did that and then, and then, yeah the set sort of grew out of all that tech basically. So sty listically, it's not that far off what we've been doing for the last few years because I think we're still in the same sort of place mentally. But, tech wise, the underlying, the kind of back end stuff is all fresh.}}</ref> The end product was Sean noting that, on his side, he had about three and a half hours of total material prepared that may or may not be shown.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=[...] I mean some, they will share elements and the probably, I mean in all likelihood it'll be mostly similar material but there's a bunch of material that's not aired yet. That's because we've had too long to work on this fucking set, right, so. Least my part of the set is, I don't know, like three and a half hours of stuff, so I don't know how much of it will end up using.}}</ref>


The first show of the tour was performed at Primavera in Barcelona on the 3rd of June. In the AMA, Sean mentioned that that particular show did not go well, as they were struggling to negotiate the rights to the soundboard from Primavera before messing up the recording, meaning it was left off the release.<ref>[[Sean AMA Transcript 220605#:~:text%3DYeah%2C%20there's%20not%20really%20any%20good%20pictures%2C%20but%20the%20problem%20was%20with%20Primavera%2C|<nowiki/>]]{{Cite interview|page=Sean Twitch AMA, June 2022|quote=[...] the problem was with Primavera, they were trying to get rights for everything, right? So they were trying to get broadcast, they were trying to record it, you know? Obviously we're thinking about releasing them, so we didn't want to okay it. We ended up fucking up the recording anyway, so it wouldn't have mattered.}}</ref>
The first show of the tour was performed at Primavera in Barcelona on June 3rd, 2022, however, due to issues of negotiating the rights to the soundboard from Primavera as well as messing up the recording, it was left off the release.<ref>[[Sean AMA Transcript 220605#:~:text%3DYeah%2C%20there's%20not%20really%20any%20good%20pictures%2C%20but%20the%20problem%20was%20with%20Primavera%2C|<nowiki/>]]{{Cite interview|page=Sean Twitch AMA, June 2022|quote=[...] the problem was with Primavera, they were trying to get rights for everything, right? So they were trying to get broadcast, they were trying to record it, you know? Obviously we're thinking about releasing them, so we didn't want to okay it. We ended up fucking up the recording anyway, so it wouldn't have mattered.}}</ref> The show in Den Haag on April 5th, 2024 also had a failed recording because they forgot to hit record.<ref>https://web.archive.org/web/20240406161357/https://post.lurk.org/@sean_ae/112224480826307858</ref>


On October 4th, 2022, "AE_LIVE_HELSINKI_110922_LTD" was released early exclusively to attendants of the show due to technical issues during the show.<ref>{{Cite web|author=RaelGenious|title=Exclusive release incoming for Helsinki attendees|website=Reddit|date=26 September 2022|link=https://www.reddit.com/r/autechre/comments/xobdtd/exclusive_release_incoming_for_helsinki_attendees/|accessdate=25 March 2024}}</ref> Small glitches such as pops and audio dropouts appeared early into the show and got progressively more distracting as the show went on. A possible explanation is that the venue's poor subwoofer setup, exacerbated by the set's use of heavy subbass, experienced a coil short circuit leading to the malfunctions.<ref>{{Cite web|author=avalyn__|title=There were some audio issues during Helsinki gig.|website=Reddit|date=11 September 2022|link=https://www.reddit.com/r/autechre/comments/xbspfv/there_were_some_audio_issues_during_helsinki_gig/?rdt=51772|accessdate=25 March 2024}} <!-- might need to add a Cite post/reply thing --></ref><ref>{{Cite web|author=dcom|title=Comment in Autechre. Live. Twentytwentytwo.|website=We Are The Music Makers|date=15 September 2022|link=https://www.reddit.com/r/autechre/comments/xobdtd/exclusive_release_incoming_for_helsinki_attendees/|accessdate=25 March 2024}}</ref> The soundboard was sent out as is without mastering, and was later rereleased with proper mastering. <!-- there's mention of similar issues at Athens, though it was not intense enough to warrant any announcement. Doubt it should be included but thought I should note. -->
"AE_LIVE_HELSINKI_110922_LTD" was released early exclusively to attendants of the show on October 4th, 2022, due to technical issues during the show.<ref>{{Cite web|author=RaelGenious|title=Exclusive release incoming for Helsinki attendees|website=Reddit|date=26 September 2022|link=https://www.reddit.com/r/autechre/comments/xobdtd/exclusive_release_incoming_for_helsinki_attendees/|accessdate=25 March 2024}}</ref> Small glitches such as pops and audio dropouts appeared early into the show and got progressively more distracting as the show went on. A possible explanation is that the venue's poor subwoofer setup, exacerbated by the set's use of heavy sub-bass, experienced a coil short circuit leading to the malfunctions.<ref>{{Cite web|author=avalyn__|title=There were some audio issues during Helsinki gig.|website=Reddit|date=11 September 2022|link=https://www.reddit.com/r/autechre/comments/xbspfv/there_were_some_audio_issues_during_helsinki_gig/?rdt=51772|accessdate=25 March 2024}} <!-- might need to add a Cite post/reply thing --></ref><ref>{{Cite web|author=dcom|title=Comment in Autechre. Live. Twentytwentytwo.|website=We Are The Music Makers|date=15 September 2022|link=https://www.reddit.com/r/autechre/comments/xobdtd/exclusive_release_incoming_for_helsinki_attendees/|accessdate=25 March 2024}}</ref> The soundboard was sent out as is without mastering as an apology, and was later re-released with proper mastering.  


On August 7th, 2023, Warp sent out an announcement to sign up for to the newsletter. The following day, ''AE_LIVE 2022－'' was officially announced, and the first batch of shows from Milan 2022 to Turin 2022 was released individually and as a compilation on the 10th. The hyphen added to the end of the title indicated the possibility of future sets being added at a later date. In a Mastodon post in late 2023, Sean gave an update that the material was up to "about 4 hours long so far and growing steadily." <ref>[https://web.archive.org/web/20231118215345/https://post.lurk.org/@sean_ae/111433472440615681#:~:text=We%20took%20a,from%20our%20POV. @sean_ae Mastodon post, November 18, 2023]</ref>
On August 7th, 2023, Warp sent out an announcement to sign up for to the newsletter.<ref>https://twitter.com/WarpRecords/status/1688580822519951360</ref> The following day, ''AE_LIVE 2022－'' was officially announced,<ref>https://www.reddit.com/r/autechre/comments/15ln5o3/ae_live_2022_out_thursday/</ref> and the first batch of 2022 shows from Milan to Turin was released individually and as a compilation on the 10th.


== Analysis ==
On October 25th, 2024, Warp again sent out a newsletter sign-up announcement, with 12 dates listed.<ref>https://x.com/WarpRecords/status/1849844754197987687#m</ref><ref>https://www.instagram.com/warprecords/p/DBjZTuNIg1A/?hl=en</ref> On November 4th, 2024, twelve sets from Melbourne 2023 to Lyon 2024 were released individually and added onto the now renamed compilation ''AE_2022－'', dropping the "LIVE" part both in the compilation title and sets names.<ref>https://web.archive.org/web/20241104173202/https://autechre.warp.net/release/476436-autechre-ae2022</ref> Sean noted that the idea came from Warp to drop the LIVE part of the naming convention.<ref>https://web.archive.org/web/20241106150525/https://post.lurk.org/@sean_ae/113436310329414162</ref>
Main analysis by [[User:Zythion|Zythion]] and [[User:EnergyIsMassiveLight|EnergyIsMassiveLight]]. Fan titles taken from fan-edit TT2- (AE_LIVE 2022 Exclusives).<ref>{{Cite web|author=Twistrose|title=TT2－ (AE_LIVE 2022 Exclusives)|website=Reddit|date=19 August 2023|link=https://www.reddit.com/r/autechre/comments/15vkklu/tt2_ae_live_2022_exclusives/|accessdate=25 March 2024}}</ref> Officially released sets are highlighted in bold while the unreleased sets with bootleg recordings are italicized. Timestamps are still a work in progress and are not final.


*'''#1''' ''<small>(fan name: T2)</small>''
In a Mastodon thread late 2023, Sean gave an update that the material ended up becoming one long track they just kept adding onto. At that point, it was "about 4 hours long so far and growing steadily", noting it was the "most interesting thing we’ve done in ages from our POV." <ref>[https://web.archive.org/web/20231118215345/https://post.lurk.org/@sean_ae/111433472440615681#:~:text=We%20took%20a,from%20our%20POV. @sean_ae Mastodon post, November 18, 2023]</ref> In an interview in October 2024, they mentioned that "we could keep [the current live shows] going for another ten years."<ref name=":2" /> <!-- "This is genuinely our best material."
*'''#2''' '''"ecol4"'''<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=So, you can hear a bit of ecol[4] in the set, ecol4 that was basically like the ecol4 that's on PLUS when we started out.}}</ref> ''<small>(fan name: ical7)</small>''
sean pls --> <!-- everything above this is chronological history, below this is technical details -->
* '''#3''' ''<small>(fan name: L cemp)</small>''
 
*'''#4''' Contains elements of '''"F7"'''''<small>(fan name: F4)</small>''
During a mixlr stream on March 21st, 2020, Sean mentioned in chat that the "live set is 99% complete just need to do the intro."<ref>https://ra.co/news/72301</ref> [[ae mixlr 300320|In a later mixlr stream on the 30th]] while Sean was quickly skimming through their jams folder, he showed off a few seconds of the (then unknown) in-development live material (specifically segments '''#2, #3''' and '''#5'''). In December 2022, Sean posted two Max demos to Mastodon; [https://www.youtube.com/watch?v=3poN6FDyB28 one on December 10th] and [https://www.youtube.com/watch?v=jgMArRJswIQ one on December 15th], which were both bits of segments '''#28''' and '''#25''' respectively. In 2023, two more demos were posted, with [https://www.youtube.com/watch?v=UE8ug56Ijls July 26th's "Markov Chain"] and [https://www.youtube.com/watch?v=_R3JorLEwNE December 16th's "Fuckery"]<ref name=":1">https://web.archive.org/web/20231221224324/https://post.lurk.org/@sean_ae/111591524233807832</ref><!-- the video upload censored "fuckery" for the title, and also said 17th when the post was on the 16th --> for segments '''#37''' and '''#41/46'''.
*'''#5''' ''<small>(fan name: prin Cur)</small>''
 
*'''#6''' ''<small>(fan name: asle 1)</small>''
The main equipment used for the tour are two M1<ref name=":0" /> Macs running Max/MSP, Kenton Killamix controllers, Apogee Symphony Desktop, Apogee Element 24, and Sound Devices 888.<ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote='''Can u describe the live setup of the last gigs, laptop, controllers, souncard, thx''' I mean you know, two, I mean the latest ones are just two M1 Macs, Kenton Killamix controllers, two interfaces; I've got an Apogee Symphony Desktop, Rob's using the Apogee Element 24. The mixer is like a little Mackie Onyx12 channel thing just because it fits on a plane easily, and it's easier to get around. And it's replaceable if it breaks, you know, it's not, we're not relying on some esoteric mixer being found by the promoter at the last minute, so. Because that's always a consideration, you know? There's only the controllers really that be hard to source. So we often carry spares like if we're on a tour bus, we'll have spares of the controllers we’ll source.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''What's your live setup nowadays?''' Two Macs, and these Kenton Killamix things, and a couple of interfaces.}}</ref><ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Tebbisimo: [...] What audio interface you using on the live sets ATM? [...]''' XH HX: i'm using apogee symphony desktop lately which i really rate but before that was using apogee element 24 (also good but harder to get now) and before that was using RME ADI2 converter (had to stop since apple borked the optical port but i loved that thing). i also got a MOTU M2 which is mad value for ESS sabre converters if u want something cheapish}}</ref><ref>https://web.archive.org/web/20240509143259/https://post.lurk.org/@sean_ae/112400607304881021</ref> In 2024, they got four custom-made Killamix Minis.<ref>https://web.archive.org/web/20240309004321/https://post.lurk.org/@sean_ae/112054867478643903</ref>
* '''#7''' ''<small>(fan name: M3 Luni)</small>''
 
*'''#8''' ''<small>(fan name: osin PM)</small>''
==Analysis==
*'''#9''' ''<small>(fan name: nal.1)</small>''
Main analysis by [[User:Zythion|Zythion]] and [[User:EnergyIsMassiveLight|EnergyIsMassiveLight]]. Fan titles taken from fan-edit TT2- (AE_LIVE 2022 Exclusives).<ref>{{Cite web|author=Twistrose|title=TT2－ (AE_LIVE 2022 Exclusives)|website=Reddit|date=19 August 2023|link=https://www.reddit.com/r/autechre/comments/15vkklu/tt2_ae_live_2022_exclusives/|accessdate=25 March 2024}}</ref> Officially released sets are highlighted in bold while the unreleased sets with bootleg recordings are italicized. 
*'''#10''' ''<small>(fan name: corcine)</small>''
 
*'''#11''' ''<small>(fan name: drane3)</small>''<!-- zy: still mulling over the timestamps for Set A, so these are subject to change later -->
Some segments as they appear at the start and end of sets may not be similar to the same segment when it is in the middle of a set.


'''<big>The timestamps below are still a work in progress and are not final.</big>'''
{| class="wikitable"
{| class="wikitable"
!
!
!#1
!#1
!#2
! #2
!#3
!#3
!#4
!#4
Line 49: Line 49:
!#7
!#7
!#8
!#8
!#9  
!#9
!#10
!#10
!#11
!#11
!#12
! #12
!#13
!#13
!#14
!#14
!#15
!#15
!#16
! #16
!#17
!#17
!#18
!#18
!#19
!#20
!#21
!#22
!#23
!#24
!#25
!#26
!#27
!#28
!#29
!#30
!#31<!-- ? -->
!#32
!#33
!#34
!#35
!#36
!#37
!#38
!#39
!#40
!#41
!#42
!#43<!-- ? -->
!#44
!#45
!#46
!#47
!#48
!#49
!#50
|-
|-
|'''MILAN_010722'''
|'''MILAN_010722'''
|0:00
|0:00
|7:06
|7:06
|12:02
|17:59
|24:20
|24:20
|31:42
|35:47
|35:47
|41:09
|46:23
|46:23
|51:29
|57:40
|62:14
|62:14
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Line 83: Line 148:
|0:00
|0:00
|7:41
|7:41
|14:16
|20:00
|25:32
|25:32
|32:54
|36:17
|36:17
|41:28
|46:42
|46:42
|51:48
|57:30
|64:02
|64:02
|69:03
|73:53
|73:53
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Line 103: Line 200:
|0:00
|0:00
|7:42
|7:42
|12:50
|18:10
|24:19
|24:19
|31:41
|35:40
|35:40
|40:50
|46:38
|46:38
|51:44
|57:15
|64:27
|64:27
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Line 123: Line 252:
|0:00
|0:00
|6:12
|6:12
|9:54
|14:36
|19:20
|19:20
|26:05
|29:16
|29:16
|33:18
|37:13
|37:13
|42:19
|47:13
|53:06
|53:06
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Line 141: Line 302:
|-
|-
|'''LONDON_071022_B'''
|'''LONDON_071022_B'''
|
|
|
|
|
|
|
|
|
|
|
Line 148: Line 316:
|
|
|0:00
|0:00
|5:51
|9:46
|9:46
|15:26
|22:05
|25:14
|25:14
|32:59
|32:59
|44:54
|36:56
|42:50
|46:24
|52:12
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Line 163: Line 356:
|0:00
|0:00
|7:00
|7:00
| 19:19
|10:42
|29:15  
|15:00
|37:12  
|19:19
|26:04
|29:15
|33:16
|37:12
|42:18
|47:08
|52:23
|52:23
| 59:47
|56:09
|59:47
|63:52
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Line 183: Line 408:
| 0:00
| 0:00
| 5:59
| 5:59
|9:42
|14:01
|18:19
|18:19
|25:05
|28:15
|28:15
| 36:12
|32:17
| 52:41  
|36:12
|41:18
|46:09
|52:41
|57:42
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''MELBOURNE_250823'''
|0:00
|7:54
|12:37
|18:22
|24:06
|31:29
|35:29
|40:51
|46:05
|51:11
|56:01
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''SYDNEY_270823'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|5:04
|12:00
|16:24
|21:25
|26:13
|33:24
|38:44
|43:02
|48:26
|52:55
|57:41
|63:43
|69:48
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''VENICE_261023'''
|
|
|
|
|
|
|
|
|0:00
|5:50
|10:41
|15:55
|19:16
|21:05
|23:19
|25:33
|28:53
|34:51
|38:00
|45:46
|48:20
|53:36
|57:10
|62:58
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''DUBLIN_291023'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|4:42
|11:39
|16:02
|21:50
|28:28
|38:59
|46:06
|51:07
|56:31
|60:20
|62:50
|66:19
|71:51
|75:33
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''BRUSSELS_040424'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|5:23
|11:53
|15:57
|20:58
|25:46
|33:14
|38:03
|42:08
|47:22
|51:01
|54:55
|59:54
|65:20
|69:12
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''PARIS_060424'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|5:06
|11:37
|15:21
|20:13
|25:01
|31:06
|36:41
|40:02
|44:39
|48:59
|52:33
|57:41
|63:34
|68:28
|72:52
|78:24
|82:20
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''RENNES_070424'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|6:10
|10:23
|17:49
|22:23
|27:04
|35:33
|39:40
|43:33
|49:22
|55:04
|59:48
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''BARCELONA_090424'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|5:01
|10:44
|18:27
|23:32
|27:14
|32:18
|36:30
|40:42
|45:49
|51:38
|56:44
|60:58
|66:07
|70:39
|74:25
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''MADRID_100424'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|5:30
|10:37
|18:20
|24:12
|28:23
|33:47
|38:47
|43:01
|48:15
|54:34
|58:36
|62:50
|68:04
|70:59
|74:58
|78:35
|
|
|
|
|
|
|
|
|
|
|
|-
|'''LISBON_120424_B'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|6:49
|12:02
|16:02
|20:17
|26:43
|32:23
|37:44
|46:24
|51:29
| 57:40
|
|
|
|
|
|-
|'''KREMS_270424'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|4:42
|10:34
|14:07
|19:17
|25:20
|32:15
|38:05
|42:09
|47:24
|51:17
|55:05
|60:36
|66:02
|70:25
|
|
|
|
|
|
|
|
Line 200: Line 1,029:
|
|
|-
|-
| colspan="12" |
|'''LYON_070524'''
|
|
|
|
|
|
|
|
|
|
|
|
|
Line 207: Line 1,045:
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|5:01
|9:18
|13:43
|16:54
|23:33
|28:40
|34:52
|44:02
|49:08
|55:46
|62:29
|68:30
|75:30
|83:09
|
|
|-
| colspan="51" |
|-
|-
|''[https://www.youtube.com/watch?v=1hgXKUqSf4c Barcelona_030622]''
|''[https://www.youtube.com/watch?v=1hgXKUqSf4c Barcelona_030622]''
|1:01
|1:01
|8:18
|8:18
|12:50
|18:59
|24:45
|24:45
|32:30
|35:40
|35:40
|45:31
|48:46
|48:46
|52:04
|54:39
|59:14
|59:14
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Line 229: Line 1,135:
|
|
|-
|-
|''[https://www.youtube.com/watch?v=HdPE1X7zq3g Sydney_270823]''
|''Tokyo_180823''
|
|[https://twitter.com/alphabill/status/1692597066193854709]
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Line 239: Line 1,185:
|
|
|
|
|0:00
|14:23
|26:13
|38:43
|45:06
|49:05
|57:41
|69:16
|
|
|-
|-
Line 252: Line 1,190:
|0:00
|0:00
|6:36
|6:36
|10:42
|15:00
|19:19
|19:19
|26:04
|29:15
|29:15
|34:25
|39:40
|39:40
|47:15
|52:27
|57:41
|57:41
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Line 269: Line 1,239:
|
|
|-
|-
|''[https://www.youtube.com/watch?v=zK24uatnllM Dublin_291023]''
|''[https://www.youtube.com/watch?v=xlpOlC8Yn94 Den_Haag_050424]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:14
|4:38
|9:40
|14:28
|21:39
|26:13
|29:34
|34:18
|38:38
|42:35
|48:20
|53:45
|58:40
|64:14
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|[https://www.youtube.com/watch?v=9n1r2gYFMDg ''Lisbon_120424_A'']
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Line 280: Line 1,312:
|
|
|0:00
|0:00
|13:20
|3:34
|28:26
|10:15
|46:04
|13:38
|53:10
|18:19
|57:09
|22:50
|62:48
|29:42
|71:17
|34:32
|73:57
|37:32
|42:35
|46:25
|50:19
|54:34
|59:51
|64:03
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|''[https://www.youtube.com/watch?v=a2BBmb_0B0k Oslo_300924]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:03
|4:33
|11:09
|14:50
|20:40
|26:05
|34:17
|38:34
|43:00
|48:24
|52:22
|56:11
|62:40
|67:40
|71:32
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|''[https://www.youtube.com/watch?v=KCKl8qwx_O4 Stockholm_021024]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:06
|5:58
|10:22
|13:28
|16:40
|23:18
|29:31
|35:11
|44:22
|49:27
|55:53
|62:58
|68:57
|74:16
|
|
|-
|''[https://www.youtube.com/watch?v=HluNk9R53l8 Riga_041024]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|4:31
|10:14
|18:30
|24:35
|29:00
|34:55
|38:55
|42:48
|46:44
|50:40
|53:48
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|''[https://www.youtube.com/watch?v=b2is1FnLrNw Copenhagen_061024]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:02
|6:56
|11:06
|15:28
|19:19
|26:59
|33:12
|38:52
|48:03
| 53:08
|59:36
| 67:09
|71:50
|78:30
|85:19
|90:22
|}
|}


==Trivia==
*'''#1''' ''<small>(fan name: T2)</small>''
*'''#2-4''' '''"ecol4"'''<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=So, you can hear a bit of ecol[4] in the set, ecol4 that was basically like the ecol4 that's on PLUS when we started out.}}</ref> ''<small>(fan name: ical7)</small>''
*'''#5-6''' ''<small>(fan name: L cemp)</small>''
*'''#7-8''' Contains elements of '''"F7"''' ''<small>(fan name: F4)</small>''
*'''#9-11''' ''<small>(fan name: prin Cur)</small>''
*'''#12-13''' ''<small>(fan name: asle 1)</small>''
*'''#14-15''' ''<small>(fan name: M3 Luni)</small>''
*'''#16-18''' ''<small>(fan name: osin PM)</small>''
*'''#19''' ''<small>(fan name: nal.1)</small>''
*'''#20-22''' ''<small>(fan name: corcine)</small>''
**One sample that gets scratched in this segment is a "It's time to change!" sample. The actual file may be the original sample from Jan and Dean's [https://youtu.be/beri03qdlEM?t=70 "A Stench in Time"], however the same sample is also present in Chris The Glove Taylor's [https://youtu.be/EE4_K9HTsto?t=130 "Itchiban Scratch"], a track that appeared in Autechre's 2015 Dekmantel mix.<ref>https://forum.watmm.com/topic/104035-ae_2022%EF%BC%8D/?do=findComment&comment=2993739</ref> <!-- someone ask sean which one it is thx xoxo -->
*'''#23-24''' ''<small>(fan name: drane3)</small>''
**A sample used in the segment is Beside's "Change The Beat", [https://www.youtube.com/watch?v=UbGtcLGQr9o specifically the ending's "Ah, this stuff is really fresh!" as the famous Fresh sample].<!-- bisk was the one who made that connection months ago that i remembered just now so i might cite her -->
*'''#25''' Contains a segment of the [https://www.youtube.com/watch?v=jgMArRJswIQ 12/15/22 demo]
**In the top right corner of the demo, "three tone" is written, possibly indicating the section title.
**One of the files loaded into the sampler sample9scr2 as seen in the demo is Gap Band's [https://www.youtube.com/watch?v=zSsXRWhfN3w&pp=ygUpQnVybiBSdWJiZXIgT24gTWUgKFdoeSBZb3UgR290dGEgSHVydCBNZSk%3D "Burn Rubber On Me (Why You Wanna Hurt Me)"], specifically the "tyre screech faster" part at the start.<!-- quote taken from demo, see next to fader under samp9scr2 -->
*'''#26'''
*'''#27'''
*'''#28''' Contains a segment of the [https://www.youtube.com/watch?v=3poN6FDyB28 12/10/22 demo]
** For the demo, it was captioned with “Reasonable facsimile of the Levee Breaks snare from a model made of water and spider silk (?!) who knew” with alt text further clarifying "A video showing a modelled snare drum roughly emulating the snare drum from When The Levee Breaks by Led Zeppelin". The snare4ml shown is an example snare instrument from [https://forum.ircam.fr/projects/detail/modalys/ Modalys for Max], with Modalys also appearing in the 15th demo for its custom-made clarinet instrument.<ref>Observation by sfn / Davide Vin</ref>
** In Rennes 2024, the section has a unique interlude section before restarting the section.
*'''#29'''
*'''#30'''
*'''#31''' <!-- how to phrase that dublin's here is WILD -->
*'''#32'''
*'''#33'''
*'''#34'''
*'''#35'''
*'''#36'''
*'''#37''' Contains elements of the [https://www.youtube.com/watch?v=UE8ug56Ijls 07/26/23 demo]
**Description by Sean: "after someone pointed out that our cascade sequencer was in fact a simple markov chain i made a version with weights instead of switches. quick demo:"
*'''#38'''
*'''#39'''
*'''#40'''
*'''#41''' Contains a segment of the [https://www.youtube.com/watch?v=_R3JorLEwNE 12/16/23 demo] without manipulations
**Alt text: "fuckery", Description by Sean: "This has to be illegal"<ref name=":1" />
*'''#42'''
*'''#43'''
*'''#44'''
*'''#45'''
*'''#46''' Contains elements of the [https://www.youtube.com/watch?v=_R3JorLEwNE 12/16/23 demo]
*'''#47'''
*'''#48'''
*'''#49'''
*'''#50'''
 
== Trivia==  


*
*<!-- when 2023 batch drops, move this to the specific "segment" in analysis -->In December 2022, Sean posted two max demos to Mastodon; one on the [https://www.youtube.com/watch?v=3poN6FDyB28 10th] and one on the [https://www.youtube.com/watch?v=jgMArRJswIQ 15th].<!-- insert explanation of why he posted it, context of the mastadon thread and shit -->It has since been confirmed to be live show patches as both appeared in the Sydney and Dublin sets.
**In the top right corner of the 15th December demo, "three tone" is written, possibly indicating the section title.
** Also in the 15th demo, one of the files loaded into a sampler (likely indicating a sample used in the live material) is Gap Band's [https://www.youtube.com/watch?v=zSsXRWhfN3w&pp=ygUpQnVybiBSdWJiZXIgT24gTWUgKFdoeSBZb3UgR290dGEgSHVydCBNZSk%3D "Burn Rubber On Me (Why You Wanna Hurt Me)"]
**For the 10th December demo, it was captioned with “Reasonable facsimile of the Levee Breaks snare from a model made of water and spider silk (?!) who knew” with alt text further clarifying "A video showing a modelled snare drum roughly emulating the snare drum from When The Levee Breaks by Led Zeppelin". The snare4ml shown is an example snare instrument from [https://forum.ircam.fr/projects/detail/modalys/ Modalys for Max], with Modalys also appearing in the 15th demo for its custom-made clarinet instrument.<ref>Observation by sfn / Davide Vin</ref>
*The CAT number, WARP444, was likely specifically requested by Autechre, to reference the song "444" off their first album, ''[[Incunabula]]''.
*The CAT number, WARP444, was likely specifically requested by Autechre, to reference the song "444" off their first album, ''[[Incunabula]]''.
*The main cover art for ''AE_LIVE 2022－'' consists of all the individual set art overlaid on top of each other.
*The 2023 compilation cover consisted of all seven individual set art from the first batch overlaid on top of each other.


==Gallery==
==Gallery==
Line 309: Line 1,612:
File:AE LIVE BERGEN 021122.jpg|AE_LIVE_BERGEN_021122
File:AE LIVE BERGEN 021122.jpg|AE_LIVE_BERGEN_021122
File:AE LIVE TURIN 041122.jpg|AE_LIVE_TURIN_041122
File:AE LIVE TURIN 041122.jpg|AE_LIVE_TURIN_041122
File:AE MELBOURNE 250823.jpg|AE_MELBOURNE_250823
File:AE SYDNEY 270823.jpg|AE_SYDNEY_270823
File:AE VENICE 261023.jpg|AE_VENICE_261023
File:AE DUBLIN 291023.jpg|AE_DUBLIN_291023
File:AE BRUSSELS 040424.jpg|AE_BRUSSELS_040424
File:AE PARIS 060424.jpg|AE_PARIS_060424
File:AE RENNES 070424.jpg|AE_RENNES_070424
File:AE BARCELONA 090424.jpg|AE_BARCELONA_090424
File:AE MADRID 100424.jpg|AE_MADRID_100424
File:AE LISBON 120424 B.jpg|AE_LISBON_120424_B
File:AE KREMS 270424.jpg|AE_KREMS_270424
File:AE LYON 070524.jpg|AE_LYON_070524
File:AE LIVE 2022.jpg|AE_LIVE 2022－(2023 compilation cover)
</gallery>
</gallery>


==Tracklist ==
==Tracklist==
{{Tracklist|list=
{{Tracklist|list=
{{tl track|number=1|title=AE_LIVE_MILAN_010722|length=1:06:56}}
{{tl section|section=AE_LIVE 2022－ (2023 batch)}}
{{tl track|number=2|title=AE_LIVE_ATHENS_050722|length=1:20:03}}
{{tl track|number=1|title=AE_MILAN_010722<br><small>(previously AE_LIVE_MILAN_010722)</small>|length=1:06:56}}
{{tl track|number=3|title=AE_LIVE_HELSINKI_110922|length=1:11:07}}
{{tl track|number=2|title=AE_ATHENS_050722<br><small>(previously AE_LIVE_ATHENS_050722)</small>|length=1:20:03}}
{{tl track|number=4|title=AE_LIVE_LONDON_071022_A|length=59:48}}
{{tl track|number=3|title=AE_HELSINKI_110922<br><small>(previously AE_LIVE_HELSINKI_110922)</small>|length=1:11:07}}
{{tl track|number=5|title=AE_LIVE_LONDON_071022_B|length=59:33}}
{{tl track|number=4|title=AE_LONDON_071022_A<br><small>(previously AE_LIVE_LONDON_071022_A)</small>|length=59:48}}
{{tl track|number=6|title=AE_LIVE_BERGEN_021122|length=1:07:59}}
{{tl track|number=5|title=AE_LONDON_071022_B<br><small>(previously AE_LIVE_LONDON_071022_B)</small>|length=59:33}}
{{tl track|number=7|title=AE_LIVE_TURIN_041122|length=1:00:45}}
{{tl track|number=6|title=AE_BERGEN_021122<br><small>(previously AE_LIVE_BERGEN_021122)</small>|length=1:07:59}}
{{tl track|number=7|title=AE_TURIN_041122<br><small>(previously AE_LIVE_TURIN_041122)</small>|length=1:00:45}}
{{tl finaltime|time=7:46:12}}
{{tl finaltime|time=7:46:12}}
{{tl section|section=AE_2022－ (2024 batch)}}
{{tl track|number=8|title=AE_MELBOURNE_250823|length=1:00:36}}
{{tl track|number=9|title=AE_SYDNEY_270823|length=1:12:08}}
{{tl track|number=10|title=AE_VENICE_261023|length=1:09:30}}
{{tl track|number=11|title=AE_DUBLIN_291023|length=1:20:18}}
{{tl track|number=12|title=AE_BRUSSELS_040424|length=1:15:01}}
{{tl track|number=13|title=AE_PARIS_060424|length=1:27:08}}
{{tl track|number=14|title=AE_RENNES_0070424|length=1:05:27}}
{{tl track|number=15|title=AE_BARCELONA_090424|length=1:19:11}}
{{tl track|number=16|title=AE_MADRID_100424|length=1:26:27}}
{{tl track|number=17|title=AE_LISBON_120424_B|length=1:02:42}}
{{tl track|number=18|title=AE_KREMS_270424|length=1:15:40}}
{{tl track|number=19|title=AE_LYON_070524|length=1:27:44}}
{{tl finaltime|time=22:48:04}}
}}
}}


Latest revision as of 16:04, 6 November 2024

AE_2022－

AE 2022－.jpg

Artist Autechre
Released 10 August 2023 (Milan 2022 - Turin 2022)
4 November 2024 (Melbourne 2023 - Lyon 2024)
Label Warp Records (WARP444)
PLUS
(2020) 		AE_2022－

AE_2022－, otherwise known as AE_LIVE 2022－, 2022 dash[1] or the twentytwentytwo tour,[2] is a compilation of nineteen soundboard recordings taken from live shows performed throughout 2022, 2023 and 2024. The first batch was released on August 10th, 2023. The second batch was released on November 4th, 2024.

History

On March 9th, 2022, the twentytwentytwo tour was officially announced.[3]

During the Sean Twitch AMA, June 2022, Sean answered a few questions regarding the live material after having performed the first show of the twentytwentytwo tour. The tour was initially planned to be held in 2020, before the COVID-19 pandemic delayed the tour. Sean mentioned that on his end, he spent the time reworking the back end, getting interested in MC (multi-channel audio in Max), physical modelling[4] (such as Modalys), and scratching (as seen on Gescom's AMKS_1).[5] The end product was Sean noting that, on his side, he had about three and a half hours of total material prepared that may or may not be shown.[6]

The first show of the tour was performed at Primavera in Barcelona on June 3rd, 2022, however, due to issues of negotiating the rights to the soundboard from Primavera as well as messing up the recording, it was left off the release.[7] The show in Den Haag on April 5th, 2024 also had a failed recording because they forgot to hit record.[8]

"AE_LIVE_HELSINKI_110922_LTD" was released early exclusively to attendants of the show on October 4th, 2022, due to technical issues during the show.[9] Small glitches such as pops and audio dropouts appeared early into the show and got progressively more distracting as the show went on. A possible explanation is that the venue's poor subwoofer setup, exacerbated by the set's use of heavy sub-bass, experienced a coil short circuit leading to the malfunctions.[10][11] The soundboard was sent out as is without mastering as an apology, and was later re-released with proper mastering.

On August 7th, 2023, Warp sent out an announcement to sign up for to the newsletter.[12] The following day, AE_LIVE 2022－ was officially announced,[13] and the first batch of 2022 shows from Milan to Turin was released individually and as a compilation on the 10th.

On October 25th, 2024, Warp again sent out a newsletter sign-up announcement, with 12 dates listed.[14][15] On November 4th, 2024, twelve sets from Melbourne 2023 to Lyon 2024 were released individually and added onto the now renamed compilation AE_2022－, dropping the "LIVE" part both in the compilation title and sets names.[16] Sean noted that the idea came from Warp to drop the LIVE part of the naming convention.[17]

In a Mastodon thread late 2023, Sean gave an update that the material ended up becoming one long track they just kept adding onto. At that point, it was "about 4 hours long so far and growing steadily", noting it was the "most interesting thing we’ve done in ages from our POV." [18] In an interview in October 2024, they mentioned that "we could keep [the current live shows] going for another ten years."[1]

During a mixlr stream on March 21st, 2020, Sean mentioned in chat that the "live set is 99% complete just need to do the intro."[19] In a later mixlr stream on the 30th while Sean was quickly skimming through their jams folder, he showed off a few seconds of the (then unknown) in-development live material (specifically segments #2, #3 and #5). In December 2022, Sean posted two Max demos to Mastodon; one on December 10th and one on December 15th, which were both bits of segments #28 and #25 respectively. In 2023, two more demos were posted, with July 26th's "Markov Chain" and December 16th's "Fuckery"[20] for segments #37 and #41/46.

The main equipment used for the tour are two M1[4] Macs running Max/MSP, Kenton Killamix controllers, Apogee Symphony Desktop, Apogee Element 24, and Sound Devices 888.[21][22][23][24] In 2024, they got four custom-made Killamix Minis.[25]

Analysis

Main analysis by Zythion and EnergyIsMassiveLight. Fan titles taken from fan-edit TT2- (AE_LIVE 2022 Exclusives).[26] Officially released sets are highlighted in bold while the unreleased sets with bootleg recordings are italicized.

Some segments as they appear at the start and end of sets may not be similar to the same segment when it is in the middle of a set.

The timestamps below are still a work in progress and are not final.

#1 #2 #3 #4 #5 #6 #7 #8 #9 #10 #11 #12 #13 #14 #15 #16 #17 #18 #19 #20 #21 #22 #23 #24 #25 #26 #27 #28 #29 #30 #31 #32 #33 #34 #35 #36 #37 #38 #39 #40 #41 #42 #43 #44 #45 #46 #47 #48 #49 #50
MILAN_010722 0:00 7:06 12:02 17:59 24:20 31:42 35:47 41:09 46:23 51:29 57:40 62:14
ATHENS_050722 0:00 7:41 14:16 20:00 25:32 32:54 36:17 41:28 46:42 51:48 57:30 64:02 69:03 73:53
HELSINKI_110922 0:00 7:42 12:50 18:10 24:19 31:41 35:40 40:50 46:38 51:44 57:15 64:27
LONDON_071022_A 0:00 6:12 9:54 14:36 19:20 26:05 29:16 33:18 37:13 42:19 47:13 53:06
LONDON_071022_B 0:00 5:51 9:46 15:26 22:05 25:14 32:59 36:56 42:50 46:24 52:12
BERGEN_021122 0:00 7:00 10:42 15:00 19:19 26:04 29:15 33:16 37:12 42:18 47:08 52:23 56:09 59:47 63:52
TURIN_041122 0:00 5:59 9:42 14:01 18:19 25:05 28:15 32:17 36:12 41:18 46:09 52:41 57:42
MELBOURNE_250823 0:00 7:54 12:37 18:22 24:06 31:29 35:29 40:51 46:05 51:11 56:01
SYDNEY_270823 0:00 5:04 12:00 16:24 21:25 26:13 33:24 38:44 43:02 48:26 52:55 57:41 63:43 69:48
VENICE_261023 0:00 5:50 10:41 15:55 19:16 21:05 23:19 25:33 28:53 34:51 38:00 45:46 48:20 53:36 57:10 62:58
DUBLIN_291023 0:00 4:42 11:39 16:02 21:50 28:28 38:59 46:06 51:07 56:31 60:20 62:50 66:19 71:51 75:33
BRUSSELS_040424 0:00 5:23 11:53 15:57 20:58 25:46 33:14 38:03 42:08 47:22 51:01 54:55 59:54 65:20 69:12
PARIS_060424 0:00 5:06 11:37 15:21 20:13 25:01 31:06 36:41 40:02 44:39 48:59 52:33 57:41 63:34 68:28 72:52 78:24 82:20
RENNES_070424 0:00 6:10 10:23 17:49 22:23 27:04 35:33 39:40 43:33 49:22 55:04 59:48
BARCELONA_090424 0:00 5:01 10:44 18:27 23:32 27:14 32:18 36:30 40:42 45:49 51:38 56:44 60:58 66:07 70:39 74:25
MADRID_100424 0:00 5:30 10:37 18:20 24:12 28:23 33:47 38:47 43:01 48:15 54:34 58:36 62:50 68:04 70:59 74:58 78:35
LISBON_120424_B 0:00 6:49 12:02 16:02 20:17 26:43 32:23 37:44 46:24 51:29 57:40
KREMS_270424 0:00 4:42 10:34 14:07 19:17 25:20 32:15 38:05 42:09 47:24 51:17 55:05 60:36 66:02 70:25
LYON_070524 0:00 5:01 9:18 13:43 16:54 23:33 28:40 34:52 44:02 49:08 55:46 62:29 68:30 75:30 83:09
Barcelona_030622 1:01 8:18 12:50 18:59 24:45 32:30 35:40 45:31 48:46 52:04 54:39 59:14
Tokyo_180823 [1]
Krakow_061023 0:00 6:36 10:42 15:00 19:19 26:04 29:15 34:25 39:40 47:15 52:27 57:41
Den_Haag_050424 0:14 4:38 9:40 14:28 21:39 26:13 29:34 34:18 38:38 42:35 48:20 53:45 58:40 64:14
Lisbon_120424_A 0:00 3:34 10:15 13:38 18:19 22:50 29:42 34:32 37:32 42:35 46:25 50:19 54:34 59:51 64:03
Oslo_300924 0:03 4:33 11:09 14:50 20:40 26:05 34:17 38:34 43:00 48:24 52:22 56:11 62:40 67:40 71:32
Stockholm_021024 0:06 5:58 10:22 13:28 16:40 23:18 29:31 35:11 44:22 49:27 55:53 62:58 68:57 74:16
Riga_041024 0:00 4:31 10:14 18:30 24:35 29:00 34:55 38:55 42:48 46:44 50:40 53:48
Copenhagen_061024 0:02 6:56 11:06 15:28 19:19 26:59 33:12 38:52 48:03 53:08 59:36 67:09 71:50 78:30 85:19 90:22
  • #1 (fan name: T2)
  • #2-4 "ecol4"[27] (fan name: ical7)
  • #5-6 (fan name: L cemp)
  • #7-8 Contains elements of "F7" (fan name: F4)
  • #9-11 (fan name: prin Cur)
  • #12-13 (fan name: asle 1)
  • #14-15 (fan name: M3 Luni)
  • #16-18 (fan name: osin PM)
  • #19 (fan name: nal.1)
  • #20-22 (fan name: corcine)
    • One sample that gets scratched in this segment is a "It's time to change!" sample. The actual file may be the original sample from Jan and Dean's "A Stench in Time", however the same sample is also present in Chris The Glove Taylor's "Itchiban Scratch", a track that appeared in Autechre's 2015 Dekmantel mix.[28]
  • #23-24 (fan name: drane3)
  • #25 Contains a segment of the 12/15/22 demo
    • In the top right corner of the demo, "three tone" is written, possibly indicating the section title.
    • One of the files loaded into the sampler sample9scr2 as seen in the demo is Gap Band's "Burn Rubber On Me (Why You Wanna Hurt Me)", specifically the "tyre screech faster" part at the start.
  • #26
  • #27
  • #28 Contains a segment of the 12/10/22 demo
    • For the demo, it was captioned with “Reasonable facsimile of the Levee Breaks snare from a model made of water and spider silk (?!) who knew” with alt text further clarifying "A video showing a modelled snare drum roughly emulating the snare drum from When The Levee Breaks by Led Zeppelin". The snare4ml shown is an example snare instrument from Modalys for Max, with Modalys also appearing in the 15th demo for its custom-made clarinet instrument.[29]
    • In Rennes 2024, the section has a unique interlude section before restarting the section.
  • #29
  • #30
  • #31
  • #32
  • #33
  • #34
  • #35
  • #36
  • #37 Contains elements of the 07/26/23 demo
    • Description by Sean: "after someone pointed out that our cascade sequencer was in fact a simple markov chain i made a version with weights instead of switches. quick demo:"
  • #38
  • #39
  • #40
  • #41 Contains a segment of the 12/16/23 demo without manipulations
    • Alt text: "fuckery", Description by Sean: "This has to be illegal"[20]
  • #42
  • #43
  • #44
  • #45
  • #46 Contains elements of the 12/16/23 demo
  • #47
  • #48
  • #49
  • #50

Trivia

  • The CAT number, WARP444, was likely specifically requested by Autechre, to reference the song "444" off their first album, Incunabula.
  • The 2023 compilation cover consisted of all seven individual set art from the first batch overlaid on top of each other.

Gallery

  • AE_LIVE_MILAN_010722

    AE_LIVE_MILAN_010722

  • AE_LIVE_ATHENS_050722

    AE_LIVE_ATHENS_050722

  • AE_LIVE_HELSINKI_110922

    AE_LIVE_HELSINKI_110922

  • AE_LIVE_LONDON_071022_A

    AE_LIVE_LONDON_071022_A

  • AE_LIVE_LONDON_071022_B

    AE_LIVE_LONDON_071022_B

  • AE_LIVE_BERGEN_021122

    AE_LIVE_BERGEN_021122

  • AE_LIVE_TURIN_041122

    AE_LIVE_TURIN_041122

  • AE_MELBOURNE_250823

    AE_MELBOURNE_250823

  • AE_SYDNEY_270823

    AE_SYDNEY_270823

  • AE_VENICE_261023

    AE_VENICE_261023

  • AE_DUBLIN_291023

    AE_DUBLIN_291023

  • AE_BRUSSELS_040424

    AE_BRUSSELS_040424

  • AE_PARIS_060424

    AE_PARIS_060424

  • AE_RENNES_070424

    AE_RENNES_070424

  • AE_BARCELONA_090424

    AE_BARCELONA_090424

  • AE_MADRID_100424

    AE_MADRID_100424

  • AE_LISBON_120424_B

    AE_LISBON_120424_B

  • AE_KREMS_270424

    AE_KREMS_270424

  • AE_LYON_070524

    AE_LYON_070524

  • AE_LIVE 2022－(2023 compilation cover)

    AE_LIVE 2022－(2023 compilation cover)

Tracklist

# Title Length
AE_LIVE 2022－ (2023 batch)
1 AE_MILAN_010722
(previously AE_LIVE_MILAN_010722) 		1:06:56
2 AE_ATHENS_050722
(previously AE_LIVE_ATHENS_050722) 		1:20:03
3 AE_HELSINKI_110922
(previously AE_LIVE_HELSINKI_110922) 		1:11:07
4 AE_LONDON_071022_A
(previously AE_LIVE_LONDON_071022_A) 		59:48
5 AE_LONDON_071022_B
(previously AE_LIVE_LONDON_071022_B) 		59:33
6 AE_BERGEN_021122
(previously AE_LIVE_BERGEN_021122) 		1:07:59
7 AE_TURIN_041122
(previously AE_LIVE_TURIN_041122) 		1:00:45
Total 7:46:12
AE_2022－ (2024 batch)
8 AE_MELBOURNE_250823 1:00:36
9 AE_SYDNEY_270823 1:12:08
10 AE_VENICE_261023 1:09:30
11 AE_DUBLIN_291023 1:20:18
12 AE_BRUSSELS_040424 1:15:01
13 AE_PARIS_060424 1:27:08
14 AE_RENNES_0070424 1:05:27
15 AE_BARCELONA_090424 1:19:11
16 AE_MADRID_100424 1:26:27
17 AE_LISBON_120424_B 1:02:42
18 AE_KREMS_270424 1:15:40
19 AE_LYON_070524 1:27:44
Total 22:48:04

Links

References

  1. ↑ 1.0 1.1 https://metalmagazine.eu/en/post/autechre
  2. ↑ https://autechre.warp.net/twentytwentytwo
  3. ↑ https://twitter.com/WarpRecords/status/1501513203431493639
  4. ↑ 4.0 4.1 Sean Twitch AMA, June 2022. "“Do you like the new Mac chip situation? Is it any different to work on compared to the old CPU?” Yes. So my patch was using about 75, 80% towards the end of last year or the year before, whenever it was I got it, and then, yeah, I got the M1 and then it was just flying! 30%, just flying! Just absolutely insane! So there's no turning back now I'm fucked because I'm filling it up already. Loads of Live physmod things, and things that were a bit, you know, expensive. So yeah, I love it. Just amazing, kind of a little bit too much if anything, and the disking out speeds are amazing. The transitions are all super tight. The timing's super tight. All the control rate stuff is super tight. So yeah, I think if you're using Max and you've got an M1, you're basically living the dream at this point. it's just insane."
  5. ↑ Sean Twitch AMA, June 2022. "Basically when COVID hit, I had a lot of time on my hands to rebuild a lot of it. So it's, yeah, it’s a lot of it you wouldn't even notice because a lot of it's just porting things to Gen that didn't need to be ported but just because I wanted a bit more control, and that led me off on loads of tangents because once you start building basic things like oscillators, you get a bit mad with all the options. So yeah, that happened and then I got heavily into MC, and then that happened. And then I built a lot more [physical] modeling stuff, and I did that scratching thing that we used on that Gescom thing that we've done about just over a year ago. And then did that and then, and then, yeah the set sort of grew out of all that tech basically. So sty listically, it's not that far off what we've been doing for the last few years because I think we're still in the same sort of place mentally. But, tech wise, the underlying, the kind of back end stuff is all fresh."
  6. ↑ Sean Twitch AMA, June 2022. "[...] I mean some, they will share elements and the probably, I mean in all likelihood it'll be mostly similar material but there's a bunch of material that's not aired yet. That's because we've had too long to work on this fucking set, right, so. Least my part of the set is, I don't know, like three and a half hours of stuff, so I don't know how much of it will end up using."
  7. ↑ Sean Twitch AMA, June 2022. "[...] the problem was with Primavera, they were trying to get rights for everything, right? So they were trying to get broadcast, they were trying to record it, you know? Obviously we're thinking about releasing them, so we didn't want to okay it. We ended up fucking up the recording anyway, so it wouldn't have mattered."
  8. ↑ https://web.archive.org/web/20240406161357/https://post.lurk.org/@sean_ae/112224480826307858
  9. ↑ RaelGenious. "Exclusive release incoming for Helsinki attendees". Reddit, 26 September 2022, https://www.reddit.com/r/autechre/comments/xobdtd/exclusive_release_incoming_for_helsinki_attendees/. Accessed 25 March 2024.
  10. ↑ avalyn__. "There were some audio issues during Helsinki gig.". Reddit, 11 September 2022, https://www.reddit.com/r/autechre/comments/xbspfv/there_were_some_audio_issues_during_helsinki_gig/?rdt=51772. Accessed 25 March 2024.
  11. ↑ dcom. "Comment in Autechre. Live. Twentytwentytwo.". We Are The Music Makers, 15 September 2022, https://www.reddit.com/r/autechre/comments/xobdtd/exclusive_release_incoming_for_helsinki_attendees/. Accessed 25 March 2024.
  12. ↑ https://twitter.com/WarpRecords/status/1688580822519951360
  13. ↑ https://www.reddit.com/r/autechre/comments/15ln5o3/ae_live_2022_out_thursday/
  14. ↑ https://x.com/WarpRecords/status/1849844754197987687#m
  15. ↑ https://www.instagram.com/warprecords/p/DBjZTuNIg1A/?hl=en
  16. ↑ https://web.archive.org/web/20241104173202/https://autechre.warp.net/release/476436-autechre-ae2022
  17. ↑ https://web.archive.org/web/20241106150525/https://post.lurk.org/@sean_ae/113436310329414162
  18. ↑ @sean_ae Mastodon post, November 18, 2023
  19. ↑ https://ra.co/news/72301
  20. ↑ 20.0 20.1 https://web.archive.org/web/20231221224324/https://post.lurk.org/@sean_ae/111591524233807832
  21. ↑ Sean Twitch AMA, July 2022. "Can u describe the live setup of the last gigs, laptop, controllers, souncard, thx I mean you know, two, I mean the latest ones are just two M1 Macs, Kenton Killamix controllers, two interfaces; I've got an Apogee Symphony Desktop, Rob's using the Apogee Element 24. The mixer is like a little Mackie Onyx12 channel thing just because it fits on a plane easily, and it's easier to get around. And it's replaceable if it breaks, you know, it's not, we're not relying on some esoteric mixer being found by the promoter at the last minute, so. Because that's always a consideration, you know? There's only the controllers really that be hard to source. So we often carry spares like if we're on a tour bus, we'll have spares of the controllers we’ll source."
  22. ↑ Sean Twitch AMA, June 2022. "What's your live setup nowadays? Two Macs, and these Kenton Killamix things, and a couple of interfaces."
  23. ↑ Hanalgig AMA, July 2022. "Tebbisimo: [...] What audio interface you using on the live sets ATM? [...] XH HX: i'm using apogee symphony desktop lately which i really rate but before that was using apogee element 24 (also good but harder to get now) and before that was using RME ADI2 converter (had to stop since apple borked the optical port but i loved that thing). i also got a MOTU M2 which is mad value for ESS sabre converters if u want something cheapish"
  24. ↑ https://web.archive.org/web/20240509143259/https://post.lurk.org/@sean_ae/112400607304881021
  25. ↑ https://web.archive.org/web/20240309004321/https://post.lurk.org/@sean_ae/112054867478643903
  26. ↑ Twistrose. "TT2－ (AE_LIVE 2022 Exclusives)". Reddit, 19 August 2023, https://www.reddit.com/r/autechre/comments/15vkklu/tt2_ae_live_2022_exclusives/. Accessed 25 March 2024.
  27. ↑ Sean Twitch AMA, June 2022. "So, you can hear a bit of ecol[4] in the set, ecol4 that was basically like the ecol4 that's on PLUS when we started out."
  28. ↑ https://forum.watmm.com/topic/104035-ae_2022%EF%BC%8D/?do=findComment&comment=2993739
  29. ↑ Observation by sfn / Davide Vin
Retrieved from "http://aepages.org/wiki/index.php?title=AE_2022－&oldid=3798"