AE LIVE: Difference between revisions
Jump to navigation
Jump to search
mNo edit summary |
(approved because policy is that any actual edits will be approved for transparency, but edit was reverted because A) the new titles contradict the previously listed elseq 6-10 source that was still cited in the opening paragraph as the origin, B) it needlessly removed a widely known fan titling in a section about widely known fan titles, and C) the new titles are nowhere else online that i could find.Just let the creator make a public post distributing the new splits/titles and ill add them back) |
||
| (9 intermediate revisions by 2 users not shown) | |||
| Line 4: | Line 4: | ||
|artist=[[Autechre]] | |artist=[[Autechre]] | ||
|cover=AE LIVE.jpg | |cover=AE LIVE.jpg | ||
|date=29 October 2015 | |date=29 October 2015 <small>(Krakow 2014-Dublin 2014)</small><br>8 December 2015 <small>(Krems 2015-Katowice 2015)</small><br> 30 January 2019 <small>(Portland 2015-Denver 2015)</small> | ||
|label=Warp Records (WARP360) | |label=Warp Records (WARP360) | ||
|previous=[[L-event]] | |previous=[[L-event]] | ||
| Line 10: | Line 10: | ||
|next=[[elseq 1-5]] | |next=[[elseq 1-5]] | ||
|next year=2016 | |next year=2016 | ||
}}'''''AE_LIVE''''' is a compilation of twenty-eight | }}'''''AE_LIVE''''' is a compilation of twenty-eight soundboard recordings taken from live shows performed in 2014 and 2015. | ||
== History ==<!-- add tour progression info, i.e. announcements --> | == History ==<!-- add tour progression info, i.e. announcements --> | ||
For the US leg of the tour (known as '''''AENA''''')<ref name=":0">https://web.archive.org/web/20150812054937/http://autechre.ws:80/</ref>, Cygnus and Rob Hall came along as support.<ref name=":0" /> | |||
On October 28th, people were asked to sign up to Autechre's mailing list within the next 24 hours.<ref>https://www.facebook.com/warprecords/posts/10153195416617686</ref><ref>https://forum.watmm.com/topic/89160-sign-up-to-autechres-mailing-list</ref> The following day on the 29th, the first four sets (Krakow 2014 to Dublin 2014) were made availabe for purchase on Autechre's newly set-up<!-- (BLEEP) --> store exclusively to those subscribed to the mailing list.<ref>https://forum.watmm.com/topic/89167-ae_live/</ref><ref name=":1">https://www.factmag.com/2015/10/30/autechre-are-selling-exclusive-live-recordings/</ref> The official announcement came on November 1st, 2015 that it was made available.<ref name=":2">https://web.archive.org/web/20160304184647/https://twitter.com/AE_STORE_</ref><ref>https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html</ref><!-- do a write up about the experimental store front thing, see twitch ama where sean also talks about this for sharing live shows, and how primitive it was initially + the connection to Bleep. --> Later on December 8th, 2015, the compilation was updated with another five sets (Krems 2015 to Katowice 2015),<ref name=":2" /> which also included making it available for everyone to purchase.<ref name=":1" /> | |||
After a few years, it was amended with the 19 sets from AENA (Portland 2015 to Denver 2015) on January 30th, 2019.<ref>https://ra.co/news/43195</ref> | |||
Much of the material on the 14/15 live shows have elements and tracks that later appeared on ''[[elseq 1-5]]'' and ''[[NTS Sessions 1-4]]''. | <!-- might add a sublist of live shows for this tour to include EVERY date --><!-- also include https://www.thedesignersrepublic.com/ae-vs-tdr at some point --><!-- there's also an image of The System floating about from 2013-2014, try to refind that -->== Analysis == | ||
* '''#1''' | Main analysis by [[User:EnergyIsMassiveLight|EnergyIsMassiveLight]]. Major sources (especially fan names) are from daffodil's splits<ref>https://docs.google.com/spreadsheets/u/0/d/1QQxmk9UZ4Xq9lmmkQWI8Pd2B6ArEce0tWpML1LtaoNA/htmlview#</ref> and elseq 6-10.<ref>https://www.reddit.com/r/autechre/comments/me39ad/elseq_610_ae_live_exclusives_remake/</ref> Track titles are numbered on the mega spreadsheet, however track matches/elements are included in the immediate analysis below. The officially released sets in the list are highlighted in bold and bootlegs recordings of unreleased shows are italicized. Much of the material on the 14/15 live shows have elements and tracks that later appeared on ''[[elseq 1-5]]'' and ''[[NTS Sessions 1-4]]''. | ||
* '''#2''' Possibly elements of '''"e0"''' and '''"glos ceramic"''' ''<small>(fan names: ceramic / clipcon)</small>'' | * '''#1''' Elements of '''"acdwn2"''' and '''"t1a1"''' ''<small>(fan names: acdwn2 / ralcose locator</small>''<!-- renamed to tacdwn1 -->''<small>)</small>'' | ||
* '''#3''' '''"sinistrail sentinel"''' ''<small>(fan names: sentinel / sinistrail casual)</small>'' | * '''#2''' Possibly containing elements of '''"e0"''' and '''"glos ceramic"''' ''<small>(fan names: ceramic / clipcon</small>''<!-- renamed to dros ceramic -->''<small>)</small>'' | ||
* '''#3''' '''"sinistrail sentinel"''' ''<small>(fan names: sentinel / sinistrail casual</small>''<!-- renamed to sinistrail carpeal -->''<small>)</small>'' | |||
* '''#4''' ''<small>(fan names: rave / rainbow cerebricon)</small>'' | * '''#4''' ''<small>(fan names: rave / rainbow cerebricon)</small>'' | ||
* '''#5''' ''<small>(fan names: drunk / probat emp2 + dummy casual pt1)</small>''<!-- mght split this further some point in the future --> | * '''#5''' ''<small>(fan names: drunk / probat emp2 + dummy casual pt1</small>''<!-- renamed to dummyfold -->''<small>)</small>''<!-- mght split this further some point in the future --> | ||
* '''#6''' Shared elements with #7. ''<small>(fan names: spiral / cantilla helio4)</small>'' | * '''#6''' Shared elements with #7. ''<small>(fan names: spiral / cantilla helio4</small>''<!-- renamed to cantilla morphfree -->''<small>)</small>'' | ||
** For Krakow 2014 and Dublin 2014, the track's outro is replaced by a continuous transition into #7 | ** For Krakow 2014 and Dublin 2014, the track's outro is replaced by a continuous transition into #7 | ||
* '''#7''' Early version of '''"north spiral"''' with elements of '''"gonk tuf hi"'''. ''<small>(fan names: spiral / allefte ping hi)</small>'' | * '''#7''' Early version of '''"north spiral"''' with elements of '''"gonk tuf hi"'''. ''<small>(fan names: spiral / allefte ping hi</small>''<!-- renamed to east helix -->''<small>)</small>'' | ||
* '''#8''' ''<small>(fan names: wub / ticplayal hv hypnotic)</small>'' | * '''#8''' ''<small>(fan names: wub / ticplayal hv hypnotic</small>''<!-- renamed to ticplayal hv TBM -->''<small>)</small>'' | ||
* '''#9''' <!-- often considered part of (wub), but including it makes that segment way longer than usual. cutting out the outro as its own track makes both sense to bring it in line with other track lengths, but also early on it was quite awkward transitioned early on, it's a new segments not unlike spiral (vibe) to spiral, and it is not included in most versions of the sets --> ''<small>(fan names: wub / ticplayal hv hypnotic)</small>'' | * '''#9''' <!-- often considered part of (wub), but including it makes that segment way longer than usual. cutting out the outro as its own track makes both sense to bring it in line with other track lengths, but also early on it was quite awkward transitioned early on, it's a new segments not unlike spiral (vibe) to spiral, and it is not included in most versions of the sets --> ''<small>(fan names: wub / ticplayal hv hypnotic)</small>'' | ||
* '''#10''' ''<small>(fan names: c16 - emotive / kandern)</small>'' | * '''#10''' ''<small>(fan names: c16 - emotive / kandern</small>''<!-- renamed to kandercall -->''<small>)</small>'' | ||
* '''#11''' '''"c16 deep tread"''' ''<small>(fan names: c16 / c13 tight shred)</small>'' | * '''#11''' '''"c16 deep tread"''' ''<small>(fan names: c16 / c13 tight shred</small>''<!-- renamed to c14 tight shread -->''<small>)</small>'' | ||
* '''#12''' ''<small>(fan names: c16 - sunken / distal felrate7)</small>''<!-- might be further split --> | * '''#12''' ''<small>(fan names: c16 - sunken / distal felrate7)</small>''<!-- might be further split --> | ||
* '''#13''' ''<small>(fan names: c16 - sunken / distal felrate7)</small>'' | * '''#13''' ''<small>(fan names: c16 - sunken / distal felrate7)</small>'' | ||
* '''#14''' Uses elements of '''"g 1 e 1"''' only in the 2014 shows. <small>''(fan names: g 1 e 1 - brisk + didgeridoo / j 1 | * '''#14''' Uses elements of '''"g 1 e 1"''' only in the 2014 shows. <small>''(fan names: g 1 e 1 - brisk + didgeridoo / j 1 b 1'')</small> | ||
* '''#15''' A mix of '''"7th slip",''' "'''c16 deep tread"''', and '''"c7b2"''' <!-- violvoic might be here as well? maybe gonk tuf hi --> ''<small>(fan names: c7b2 slip / renices hv collida | * '''#15''' A mix of '''"7th slip",''' "'''c16 deep tread"''', '''"violvoic"''', and '''"c7b2"''' <!-- violvoic might be here as well? maybe gonk tuf hi --> ''<small>(fan names: c7b2 slip / renices hv collida</small>''<!-- renamed to voic hv collida -->''<small>)</small>'' | ||
* '''#16''' A mix of '''"violvoic"''' and '''"7th slip".''' ''<small>(fan names: slip - acid + violvoic slip / renices hv collida</small>''<!-- renamed to renice slip -->''<small>)</small>'' | |||
* '''# | ** On Krems 2015 the "violvoic" elements are missing. | ||
* '''# | * '''#17''' Fusion of #19 and '''"7th slip"''' ''<small>(fan names: warble - heady / renices hv collida</small>''<!-- renamed to renice slip -->''<small>)</small>'' | ||
* '''# | * '''#18''' ''<small>(fan names: dotty / landciv3)</small>'' | ||
* '''# | * '''#19''' Contains elements of '''"wetgelis causal interval"''' ''<small>(fan names: warble / wetgelis litefil)</small>'' | ||
* '''# | * '''#20''' ''<small>(fan names: c16 - alert / kandern</small>''<!-- renamed to kdr freeze 2.4t -->''<small>)</small>'' | ||
* '''# | * '''#21''' Contains bits of '''"latentcall"''' ''<small>(fan names: airy / kandern</small>''<!-- renamed to kdr freeze 2.4t -->''<small>)</small>'' | ||
* '''# | * '''#22''' <!-- 1 1 is? --> ''<small>(fan names: trudge / two of five (loose))</small>'' | ||
* '''# | * '''#23''' '''"nineFly"''' without noise-reduction, which combined bits from #1 and #3 ''<small>(fan names: acd sentinel / threeJay)</small>'' | ||
* '''# | * '''#24''' '''"c7b2"''' with elements of '''"artov chain"''' ''<small>(fan names: c7b2 - US version / c9b4)</small>'' | ||
* '''# | * '''#25''' Elements of '''"artov chain"''' and '''"c16 deep tread"''' ''<small>(fan names: c16 artov / kandern</small>''<!-- renamed to artov lt moda -->''<small>)</small>'' | ||
* '''# | * '''#26''' <!-- possibly gonk steady one? --> ''<small>(fan names: warble - US version / two of five (loose)</small><!-- renamed to gonk hedron sperse --><small>)</small>'' | ||
* '''# | * '''#27''' An early version of '''"pendulu hv moda"''' with elements of '''"carefree counter dronal"''' ''<small>(fan names: leaper / pendulu freeplifal)</small>'' | ||
** For Asheville 2015, it was performed out of order before # | ** For Asheville 2015, it was performed out of order before #23 and #24 | ||
{| class="wikitable" | {| class="wikitable" | ||
| Line 83: | Line 84: | ||
!#26 | !#26 | ||
!#27 | !#27 | ||
|- | |- | ||
|'''KRAKOW_201914''' | |'''KRAKOW_201914''' | ||
| Line 100: | Line 100: | ||
|54:56 | |54:56 | ||
|56:21 | |56:21 | ||
| | | | ||
| | | | ||
| Line 130: | Line 129: | ||
|58:03 | |58:03 | ||
|60:18 | |60:18 | ||
| | | | ||
| | | | ||
| Line 161: | Line 159: | ||
|45:26 | |45:26 | ||
|50:50 | |50:50 | ||
| | | | ||
| | | | ||
| Line 191: | Line 188: | ||
|58:58 | |58:58 | ||
|62:17 | |62:17 | ||
| | | | ||
| | | | ||
| Line 222: | Line 218: | ||
|42:13 | |42:13 | ||
|46:15 | |46:15 | ||
| | | | ||
|48:23 | |48:23 | ||
| Line 251: | Line 246: | ||
| | | | ||
|48:00 | |48:00 | ||
| | | | ||
| | | | ||
| Line 281: | Line 275: | ||
|43:09 | |43:09 | ||
|47:27 | |47:27 | ||
|52:35 | |52:35 | ||
|58:03 | |58:03 | ||
| Line 311: | Line 304: | ||
|40:40 | |40:40 | ||
|45:34 | |45:34 | ||
|49:50 | |49:50 | ||
| | | | ||
| Line 341: | Line 333: | ||
|47:22 | |47:22 | ||
|50:46 | |50:46 | ||
|54:30 | |54:30 | ||
| | | | ||
| Line 371: | Line 362: | ||
|26:00 | |26:00 | ||
|29:18 | |29:18 | ||
|33:10 | |33:10 | ||
| | | | ||
| Line 401: | Line 391: | ||
|44:24 | |44:24 | ||
|47:54 | |47:54 | ||
|52:26 | |52:26 | ||
| | | | ||
| Line 431: | Line 420: | ||
| | | | ||
|37:24 | |37:24 | ||
|41:16 | |41:16 | ||
| | | | ||
| Line 461: | Line 449: | ||
|36:31 | |36:31 | ||
|39:49 | |39:49 | ||
|42:53 | |42:53 | ||
| | | | ||
| Line 491: | Line 478: | ||
| | | | ||
|41:26 | |41:26 | ||
|46:06 | |46:06 | ||
| | | | ||
| Line 521: | Line 507: | ||
|38:01 | |38:01 | ||
|40:55 | |40:55 | ||
| | | | ||
| | | | ||
| Line 551: | Line 536: | ||
|41:00 | |41:00 | ||
|44:00 | |44:00 | ||
| | | | ||
| | | | ||
| Line 581: | Line 565: | ||
|43:04 | |43:04 | ||
|46:51 | |46:51 | ||
|50:59 | |50:59 | ||
| | | | ||
| Line 611: | Line 594: | ||
|35:57 | |35:57 | ||
|38:45 | |38:45 | ||
| | | | ||
| | | | ||
| Line 641: | Line 623: | ||
|38:06 | |38:06 | ||
|41:30 | |41:30 | ||
|45:42 | |45:42 | ||
| | | | ||
| Line 671: | Line 652: | ||
|37:13 | |37:13 | ||
|40:49 | |40:49 | ||
| | | | ||
| | | | ||
| Line 701: | Line 681: | ||
|35:32 | |35:32 | ||
|38:20 | |38:20 | ||
| | | | ||
| | | | ||
| Line 731: | Line 710: | ||
|41:57 | |41:57 | ||
|44:33 | |44:33 | ||
| | | | ||
| | | | ||
| Line 761: | Line 739: | ||
|39:02 | |39:02 | ||
|42:38 | |42:38 | ||
|46:34 | |46:34 | ||
| | | | ||
| Line 791: | Line 768: | ||
|34:16 | |34:16 | ||
|37:22 | |37:22 | ||
| | | | ||
| | | | ||
| Line 821: | Line 797: | ||
|38:23 | |38:23 | ||
|41:47 | |41:47 | ||
|45:35 | |45:35 | ||
| | | | ||
| Line 851: | Line 826: | ||
|45:09 | |45:09 | ||
|48:45 | |48:45 | ||
| | | | ||
| | | | ||
| Line 881: | Line 855: | ||
|37:36 | |37:36 | ||
|41:36 | |41:36 | ||
|45:44 | |45:44 | ||
| | | | ||
| Line 911: | Line 884: | ||
|33:26 | |33:26 | ||
|37:20 | |37:20 | ||
| | | | ||
| | | | ||
| Line 925: | Line 897: | ||
|54:32 | |54:32 | ||
|- | |- | ||
| | | | ||
| | | | ||
| Line 971: | Line 942: | ||
| | | | ||
|[https://www.youtube.com/watch?v=1hdGo67nWtY] | |[https://www.youtube.com/watch?v=1hdGo67nWtY] | ||
| | | | ||
| | | | ||
| Line 1,001: | Line 971: | ||
| | | | ||
|52:58 | |52:58 | ||
| | | | ||
| | | | ||
| Line 1,017: | Line 986: | ||
|''Barcelona_180615'' | |''Barcelona_180615'' | ||
|[https://www.youtube.com/watch?v=6-QMnIvleXI] | |[https://www.youtube.com/watch?v=6-QMnIvleXI] | ||
| | | | ||
| | | | ||
| Line 1,057: | Line 1,025: | ||
|[https://www.youtube.com/watch?v=ZFtspc2R0oE] | |[https://www.youtube.com/watch?v=ZFtspc2R0oE] | ||
|[https://www.youtube.com/watch?v=ZFtspc2R0oE] | |[https://www.youtube.com/watch?v=ZFtspc2R0oE] | ||
| | | | ||
| | | | ||
| Line 1,075: | Line 1,042: | ||
| | | | ||
|- | |- | ||
|'' | |''[https://www.youtube.com/watch?v=SVwjk73AnEg London_211115]'' | ||
|0:21 | |||
|4:44 | |||
| | |7:47 | ||
| | |10:41 | ||
| | |14:46 | ||
|18:59 | |||
|21:14 | |||
|24:42 | |||
|27:58 | |||
|31:25 | |||
| | |35:31 | ||
| | |39:20 | ||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | | | ||
|41:47 | |||
|45:11 | |||
| | | | ||
| | | | ||
|48:47 | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|53:11 | |||
|56:35 | |||
| | | | ||
| | | | ||
|57:07 | |||
|} | |} | ||
| Line 1,109: | Line 1,075: | ||
* Sean mentioned that there's a DMX kick and snare in the live shows "but nobody ever comments on them". <ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Yeah, I mean, occasionally, we'll fuck around with something old and do something new with it, like there's a[n Oberheim] DMX, there's DMX drum sounds in that first AE_LIVE 2015 stuff's got some DMX drum sounds in, but nobody ever comments on them, but I don't know. To me, they're like really obvious. Like, I'll put those things in as reference points and no one ever gets them, so, you know.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''“Do you make sounds in AE_LIVE stuff?”''' I'm assuming you're talking about samples from the DMX? Yeah. No it's not modeled or anything, it's just samples, but the DMX is samples, right? So I don't have to feel weird about that. But yeah, it's a bit mutated as well. it's, being fucked with, so, in a cool way, so. But yeah, it's basically one track where it's just DMX kick and snare, and I don't know if there's a clap in there. I really like the DMX sounds. They're like, they just immediately put me somewhere. It's like there's a certain kind of like late night radio soul that used the DMX that was just massively appealing to us. I don't know why the DMX and not the LinnDrum was just the drum machine a choice for a lot of soul artists, but it just has that feel to it. There's only a subtle difference between them really, but I've always preferred the DMX. I don’t know.}}</ref> | * Sean mentioned that there's a DMX kick and snare in the live shows "but nobody ever comments on them". <ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Yeah, I mean, occasionally, we'll fuck around with something old and do something new with it, like there's a[n Oberheim] DMX, there's DMX drum sounds in that first AE_LIVE 2015 stuff's got some DMX drum sounds in, but nobody ever comments on them, but I don't know. To me, they're like really obvious. Like, I'll put those things in as reference points and no one ever gets them, so, you know.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''“Do you make sounds in AE_LIVE stuff?”''' I'm assuming you're talking about samples from the DMX? Yeah. No it's not modeled or anything, it's just samples, but the DMX is samples, right? So I don't have to feel weird about that. But yeah, it's a bit mutated as well. it's, being fucked with, so, in a cool way, so. But yeah, it's basically one track where it's just DMX kick and snare, and I don't know if there's a clap in there. I really like the DMX sounds. They're like, they just immediately put me somewhere. It's like there's a certain kind of like late night radio soul that used the DMX that was just massively appealing to us. I don't know why the DMX and not the LinnDrum was just the drum machine a choice for a lot of soul artists, but it just has that feel to it. There's only a subtle difference between them really, but I've always preferred the DMX. I don’t know.}}</ref> | ||
* For the ''[[Incunabula]]'', ''[[Amber]]'' and ''[[Tri Repetae]]'' reissues, a copy of AE_LIVE_GRAFENHAINICHEN_170715 was also provided.<ref>https://autechre.warp.net/format/594952-tri-repetae#:~:text=INCLUDES%20DOWNLOAD%20CARD%20FOR%20ALBUM%20%26%20BONUS%20LIVE%20SET%20AE_LIVE_GRAFENHAINICHEN_170715</ref> <!-- | * Some sets that were highlighted by Sean in interviews were the Los Angeles set for the LA times<ref>[https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html#:~:text=The%20duo%20was%20especially%20fond%20of%20their%20L.A.%20date. https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html#:~:text=The%20duo%20was%20especially%20fond%20of%20their%20L.A.%20date.]</ref> as well as the Orlando and Montreal sets<ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''it’s been fun exploring your live sets, especially the sheer quantity of 14-15. anything you could share about memories of that tour that stick out to you? places you loved/hated? shows that went well/awful?''' XH HX: that tour was pure laughs. i rem the driver making phil go on the bus roof to check the ac unit at one point, idk why phil. usa bus tours are always a bit mad. i rly enjoyed orlando and montreal. nyc was terrible (the gig not the city).}}</ref>. Although Sean also noted the New York gig "was terrible". For the ''[[Incunabula]]'', ''[[Amber]]'' and ''[[Tri Repetae]]'' reissues, a copy of AE_LIVE_GRAFENHAINICHEN_170715 was also provided.<ref>https://autechre.warp.net/format/594952-tri-repetae#:~:text=INCLUDES%20DOWNLOAD%20CARD%20FOR%20ALBUM%20%26%20BONUS%20LIVE%20SET%20AE_LIVE_GRAFENHAINICHEN_170715</ref> | ||
* On early AENA promotional material, the Seattle show was redacted.<ref>https://web.archive.org/web/20150801005858/http://autechre.ws/ <!-- this is a earlier archive of the page --></ref><!-- should i specultate that this was making sure the venue was not properly confirmed? --> | |||
== Gallery == | == Gallery == | ||
Latest revision as of 10:55, 9 June 2024
| AE_LIVE
|
||||||
|
AE_LIVE is a compilation of twenty-eight soundboard recordings taken from live shows performed in 2014 and 2015.
History
For the US leg of the tour (known as AENA)[1], Cygnus and Rob Hall came along as support.[1]
On October 28th, people were asked to sign up to Autechre's mailing list within the next 24 hours.[2][3] The following day on the 29th, the first four sets (Krakow 2014 to Dublin 2014) were made availabe for purchase on Autechre's newly set-up store exclusively to those subscribed to the mailing list.[4][5] The official announcement came on November 1st, 2015 that it was made available.[6][7] Later on December 8th, 2015, the compilation was updated with another five sets (Krems 2015 to Katowice 2015),[6] which also included making it available for everyone to purchase.[5]
After a few years, it was amended with the 19 sets from AENA (Portland 2015 to Denver 2015) on January 30th, 2019.[8]
Analysis
Main analysis by EnergyIsMassiveLight. Major sources (especially fan names) are from daffodil's splits[9] and elseq 6-10.[10] Track titles are numbered on the mega spreadsheet, however track matches/elements are included in the immediate analysis below. The officially released sets in the list are highlighted in bold and bootlegs recordings of unreleased shows are italicized. Much of the material on the 14/15 live shows have elements and tracks that later appeared on elseq 1-5 and NTS Sessions 1-4.
- #1 Elements of "acdwn2" and "t1a1" (fan names: acdwn2 / ralcose locator')
- #2 Possibly containing elements of "e0" and "glos ceramic" (fan names: ceramic / clipcon')
- #3 "sinistrail sentinel" (fan names: sentinel / sinistrail casual')
- #4 (fan names: rave / rainbow cerebricon)
- #5 (fan names: drunk / probat emp2 + dummy casual pt1')
- #6 Shared elements with #7. (fan names: spiral / cantilla helio4')
- For Krakow 2014 and Dublin 2014, the track's outro is replaced by a continuous transition into #7
- #7 Early version of "north spiral" with elements of "gonk tuf hi". (fan names: spiral / allefte ping hi')
- #8 (fan names: wub / ticplayal hv hypnotic')
- #9 (fan names: wub / ticplayal hv hypnotic)
- #10 (fan names: c16 - emotive / kandern')
- #11 "c16 deep tread" (fan names: c16 / c13 tight shred')
- #12 (fan names: c16 - sunken / distal felrate7)
- #13 (fan names: c16 - sunken / distal felrate7)
- #14 Uses elements of "g 1 e 1" only in the 2014 shows. (fan names: g 1 e 1 - brisk + didgeridoo / j 1 b 1)
- #15 A mix of "7th slip", "c16 deep tread", "violvoic", and "c7b2" (fan names: c7b2 slip / renices hv collida')
- #16 A mix of "violvoic" and "7th slip". (fan names: slip - acid + violvoic slip / renices hv collida')
- On Krems 2015 the "violvoic" elements are missing.
- #17 Fusion of #19 and "7th slip" (fan names: warble - heady / renices hv collida')
- #18 (fan names: dotty / landciv3)
- #19 Contains elements of "wetgelis causal interval" (fan names: warble / wetgelis litefil)
- #20 (fan names: c16 - alert / kandern')
- #21 Contains bits of "latentcall" (fan names: airy / kandern')
- #22 (fan names: trudge / two of five (loose))
- #23 "nineFly" without noise-reduction, which combined bits from #1 and #3 (fan names: acd sentinel / threeJay)
- #24 "c7b2" with elements of "artov chain" (fan names: c7b2 - US version / c9b4)
- #25 Elements of "artov chain" and "c16 deep tread" (fan names: c16 artov / kandern')
- #26 (fan names: warble - US version / two of five (loose))
- #27 An early version of "pendulu hv moda" with elements of "carefree counter dronal" (fan names: leaper / pendulu freeplifal)
- For Asheville 2015, it was performed out of order before #23 and #24
| #1 | #2 | #3 | #4 | #5 | #6 | #7 | #8 | #9 | #10 | #11 | #12 | #13 | #14 | #15 | #16 | #17 | #18 | #19 | #20 | #21 | #22 | #23 | #24 | #25 | #26 | #27 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| KRAKOW_201914 | 0:00 | 8:20 | 13:46 | 18:52 | 24:04 | 31:39 | 33:17 | 41:14 | 47:21 | 50:24 | 54:19 | 54:56 | 56:21 | ||||||||||||||
| BRUSSELS_031014 | 0:00 | 11:29 | 18:11 | 23:47 | 28:59 | 35:06 | 38:16 | 42:45 | 46:50 | 50:18 | 53:36 | 56:50 | 58:03 | 60:18 | |||||||||||||
| UTRECHT_221114 | 0:00 | 5:50 | 10:40 | 14:17 | 17:54 | 23:12 | 26:16 | 30:20 | 33:12 | 34:28 | 37:06 | 40:20 | 42:35 | 45:26 | 50:50 | 53:20 | |||||||||||
| DUBLIN_191214 | 0:00 | 7:19 | 12:31 | 13:32 | 18:44 | 24:48 | 26:53 | 34:47 | 38:27 | 42:23 | 49:56 | 53:04 | 56:20 | 58:58 | 62:17 | 64:23 | 69:59 | ||||||||||
| KREMS_020515 | 0:00 | 8:07 | 13:33 | 17:46 | 22:03 | 26:30 | 28:44 | 32:48 | 35:15 | 37:26 | 40:18 | 42:13 | 46:15 | 48:23 | |||||||||||||
| NAGANO_300515 | 0:00 | 7:22 | 12:23 | 15:57 | 20:23 | 25:38 | 28:41 | 33:22 | 36:13 | 38:25 | 42:20 | 45:45 | 48:00 | 51:34 | |||||||||||||
| GRAFENHAINICHEN_170715 | 0:00 | 4:06 | 7:37 | 10:40 | 14:45 | 19:47 | 23:27 | 27:08 | 30:48 | 36:28 | 40:24 | 43:09 | 47:27 | 52:35 | 58:03 | 59:39 | |||||||||||
| DOUR_180715 | 0:00 | 5:33 | 8:17 | 11:20 | 15:22 | 20:15 | 23:55 | 28:12 | 31:52 | 36:56 | 40:40 | 45:34 | 49:50 | 54:02 | 61:16 | ||||||||||||
| KATOWICE_210815 | 0:00 | 5:32 | 9:18 | 13:07 | 17:30 | 22:24 | 25:21 | 29:50 | 33:06 | 36:33 | 40:54 | 44:07 | 47:22 | 50:46 | 54:30 | 58:38 | |||||||||||
| PORTLAND_240915 | 0:00 | 5:37 | 7:46 | 8:57 | 13:03 | 15:35 | 19:28 | 21:55 | 26:00 | 29:18 | 33:10 | 36:38 | 39:56 | 42:55 | 44:48 | 48:12 | 51:37 | 54:37 | 56:52 | ||||||||
| SEATTLE_250915 | 0:00 | 4:58 | 8:55 | 12:26 | 16:15 | 21:27 | 23:29 | 27:46 | 31:01 | 36:11 | 39:06 | 41:45 | 44:24 | 47:54 | 52:26 | 55:50 | 60:14 | ||||||||||
| VANCOUVER_260915 | 0:00 | 5:05 | 8:17 | 11:21 | 15:41 | 20:37 | 23:34 | 26:50 | 29:17 | 34:23 | 37:24 | 41:16 | 44:36 | 47:54 | 50:57 | 53:45 | 56:30 | ||||||||||
| CHICAGO_290915 | 0:00 | 4:03 | 7:43 | 10:58 | 15:03 | 18:43 | 20:39 | 23:43 | 26:09 | 30:33 | 33:40 | 36:31 | 39:49 | 42:53 | 46:41 | 50:18 | 53:05 | 56:41 | 59:38 | ||||||||
| TORONTO_011015 | 0:00 | 5:12 | 8:51 | 12:16 | 16:27 | 21:32 | 25:00 | 28:40 | 32:20 | 37:18 | 41:26 | 46:06 | 48:18 | 51:54 | 55:45 | ||||||||||||
| MONTREAL_021015 | 0:00 | 4:13 | 7:52 | 10:40 | 15:06 | 19:29 | 21:13 | 24:41 | 27:57 | 32:09 | 35:35 | 38:01 | 40:55 | 44:51 | 48:57 | 51:44 | 54:28 | ||||||||||
| NEW_YORK_031015 | 0:00 | 5:18 | 8:35 | 11:57 | 15:37 | 19:05 | 20:43 | 23:58 | 27:38 | 30:42 | 33:55 | 37:51 | 41:00 | 44:00 | 47:52 | 51:22 | 54:58 | 57:46 | |||||||||
| BOSTON_041015 | 0:00 | 4:13 | 7:46 | 10:37 | 14:17 | 18:06 | 20:08 | 23:12 | 26:28 | 29:28 | 34:32 | 38:10 | 41:26 | 43:04 | 46:51 | 50:59 | 55:47 | ||||||||||
| PORTSMOUTH_051015 | 0:00 | 4:10 | 7:16 | 10:05 | 13:26 | 17:22 | 19:06 | 23:47 | 26:38 | 29:53 | 33:18 | 35:57 | 38:45 | 41:57 | 45:27 | 48:06 | 51:30 | 54:36 | |||||||||
| PHILADELPHIA_061015 | 0:00 | 5:08 | 8:02 | 10:50 | 14:42 | 19:12 | 21:08 | 24:48 | 28:28 | 33:08 | 35:39 | 38:06 | 41:30 | 45:42 | 46:38 | 50:02 | 53:02 | 56:14 | 59:58 | ||||||||
| WASHINGTON_071015 | 0:00 | 4:34 | 7:15 | 9:51 | 14:01 | 19:07 | 21:22 | 25:38 | 28:54 | 33:47 | 37:13 | 40:49 | 43:37 | 47:43 | 50:46 | 55:26 | |||||||||||
| ASHEVILLE_081015 | 0:00 | 4:55 | 8:36 | 11:12 | 14:46 | 18:17 | 20:25 | 24:18 | 26:45 | 30:22 | 33:05 | 35:32 | 38:20 | 42:20 | 48:56 | 51:38 | 46:08 | ||||||||||
| ATLANTA_091015 | 0:00 | 4:55 | 8:08 | 11:14 | 14:48 | 18:38 | 21:41 | 25:33 | 28:49 | 32:25 | 35:44 | 39:06 | 41:57 | 44:33 | 48:45 | 52:09 | 55:12 | 60:04 | |||||||||
| ORLANDO_101015 | 0:00 | 4:17 | 7:17 | 10:57 | 15:02 | 19:46 | 22:43 | 26:23 | 30:03 | 33:34 | 36:35 | 39:02 | 42:38 | 46:34 | 51:26 | 55:56 | 56:23 | ||||||||||
| MIAMI_111015 | 0:00 | 3:40 | 6:16 | 9:13 | 12:44 | 17:53 | 20:26 | 23:54 | 26:45 | 30:56 | 34:16 | 37:22 | 42:56 | 46:50 | 49:59 | 52:43 | 55:34 | ||||||||||
| AUSTIN_131015 | 0:00 | 5:56 | 9:36 | 12:51 | 17:17 | 21:28 | 24:19 | 28:24 | 31:15 | 35:04 | 38:23 | 41:47 | 45:35 | 49:27 | 54:09 | 57:03 | 59:07 | ||||||||||
| LOS_ANGELES_151015 | 0:00 | 4:03 | 7:17 | 10:14 | 14:31 | 19:36 | 22:03 | 25:19 | 28:10 | 31:38 | 36:07 | 39:38 | 42:42 | 45:09 | 48:45 | 53:21 | 57:08 | 59:51 | 62:47 | ||||||||
| SAN_FRANCISCO_161015 | 0:00 | 4:52 | 8:01 | 10:43 | 14:30 | 19:29 | 22:08 | 25:36 | 29:41 | 34:23 | 37:36 | 41:36 | 45:44 | 48:28 | 52:46 | 55:46 | |||||||||||
| DENVER_171015 | 0:00 | 3:50 | 7:39 | 10:52 | 15:27 | 17:47 | 21:27 | 25:32 | 30:07 | 33:26 | 37:20 | 41:40 | 45:17 | 48:25 | 51:33 | 54:32 | |||||||||||
| Glasgow_011114 | [1] | [2] | [3] | [4] | [5] | [6] | [7] | [8] | |||||||||||||||||||
| Minehead_130315 | 0:07 | 5:58 | 9:41 | 13:19 | 17:37 | 23:20 | 26:49 | 32:19 | 36:49 | 39:29 | 44:08 | 48:28 | 50:20 | 52:58 | 55:47 | ||||||||||||
| Barcelona_180615 | [9] | ||||||||||||||||||||||||||
| Amsterdam_300715 | [10] | [11] | [12] | [13] | [14] | [15] | [16] | [17] | [18] | [19] | |||||||||||||||||
| London_211115 | 0:21 | 4:44 | 7:47 | 10:41 | 14:46 | 18:59 | 21:14 | 24:42 | 27:58 | 31:25 | 35:31 | 39:20 | 41:47 | 45:11 | 48:47 | 53:11 | 56:35 | 57:07 |
Trivia
- Sean mentioned that there's a DMX kick and snare in the live shows "but nobody ever comments on them". [11][12]
- Some sets that were highlighted by Sean in interviews were the Los Angeles set for the LA times[13] as well as the Orlando and Montreal sets[14]. Although Sean also noted the New York gig "was terrible". For the Incunabula, Amber and Tri Repetae reissues, a copy of AE_LIVE_GRAFENHAINICHEN_170715 was also provided.[15]
- On early AENA promotional material, the Seattle show was redacted.[16]
Gallery
AE_LIVE_KRAKOW_200914
AE_LIVE_BRUSSELS_031014
AE_LIVE_UTRECHT_221114
AE_LIVE_DUBLIN_191214
AE_LIVE_KREMS_020515
AE_LIVE_NAGANO_300515
AE_LIVE_GRAFENHAINICHEN_170715
AE_LIVE_DOUR_180715
AE_LIVE_KATOWICE_210815
AE_LIVE_PORTLAND_240915
AE_LIVE_SEATTLE_250915
AE_LIVE_VANCOUVER_260915
AE_LIVE_CHICAGO_290915
AE_LIVE_TORONTO_011015
AE_LIVE_MONTREAL_021015
AE_LIVE_NEW_YORK_031015
AE_LIVE_BOSTON_041015
AE_LIVE_PORTSMOUTH_051015
AE_LIVE_PHILADELPHIA_061015
AE_LIVE_WASHINGTON_071015
AE_LIVE_ASHEVILLE_081015
AE_LIVE_ATLANTA_091015
AE_LIVE_ORLANDO_101015
AE_LIVE_MIAMI_111015
AE_LIVE_AUSTIN_131015
AE_LIVE_LOS_ANGELES_151015
AE_LIVE_SAN_FRANCISCO_161015
AE_LIVE_DENVER_171015
Tracklist
| # | Title | Length |
|---|---|---|
| 1 | AE_LIVE_KRAKOW_200914 | 57:55 |
| 2 | AE_LIVE_BRUSSELS_031014 | 1:04:00 |
| 3 | AE_LIVE_UTRECHT_221114 | 1:00:45 |
| 4 | AE_LIVE_DUBLIN_191214 | 1:13:18 |
| 5 | AE_LIVE_KREMS_020515 | 54:26 |
| 6 | AE_LIVE_NAGANO_300515 | 56:50 |
| 7 | AE_LIVE_GRAFENHAINICHEN_170715 | 1:04:31 |
| 8 | AE_LIVE_DOUR_180715 | 1:04:25 |
| 9 | AE_LIVE_KATOWICE_210815 | 1:02:52 |
| 10 | AE_LIVE_PORTLAND_240915 | 1:00:25 |
| 11 | AE_LIVE_SEATTLE_250915 | 1:04:30 |
| 12 | AE_LIVE_VANCOUVER_260915 | 1:00:02 |
| 13 | AE_LIVE_CHICAGO_290915 | 1:03:46 |
| 14 | AE_LIVE_TORONTO_011015 | 1:00:02 |
| 15 | AE_LIVE_MONTREAL_021015 | 56:50 |
| 16 | AE_LIVE_NEW_YORK_031015 | 1:01:48 |
| 17 | AE_LIVE_BOSTON_041015 | 59:59 |
| 18 | AE_LIVE_PORTSMOUTH_051015 | 58:27 |
| 19 | AE_LIVE_PHILADELPHIA_061015 | 1:03:34 |
| 20 | AE_LIVE_WASHINGTON_071015 | 58:55 |
| 21 | AE_LIVE_ASHEVILLE_081015 | 55:03 |
| 22 | AE_LIVE_ATLANTA_091015 | 1:03:46 |
| 23 | AE_LIVE_ORLANDO_101015 | 59:38 |
| 24 | AE_LIVE_MIAMI_111015 | 1:00:46 |
| 25 | AE_LIVE_AUSTIN_131015 | 1:02:35 |
| 26 | AE_LIVE_LOS_ANGELES_151015 | 1:06:49 |
| 27 | AE_LIVE_SAN_FRANCISCO_161015 | 1:00:34 |
| 28 | AE_LIVE_DENVER_171015 | 58:55 |
| Total | 28:35:36 | |
Links
Credits
- The Designers Republic (design)
- Jamie Harley (recording/sound engineer)[17][18]
References
- ↑ 1.0 1.1 https://web.archive.org/web/20150812054937/http://autechre.ws:80/
- ↑ https://www.facebook.com/warprecords/posts/10153195416617686
- ↑ https://forum.watmm.com/topic/89160-sign-up-to-autechres-mailing-list
- ↑ https://forum.watmm.com/topic/89167-ae_live/
- ↑ 5.0 5.1 https://www.factmag.com/2015/10/30/autechre-are-selling-exclusive-live-recordings/
- ↑ 6.0 6.1 https://web.archive.org/web/20160304184647/https://twitter.com/AE_STORE_
- ↑ https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html
- ↑ https://ra.co/news/43195
- ↑ https://docs.google.com/spreadsheets/u/0/d/1QQxmk9UZ4Xq9lmmkQWI8Pd2B6ArEce0tWpML1LtaoNA/htmlview#
- ↑ https://www.reddit.com/r/autechre/comments/me39ad/elseq_610_ae_live_exclusives_remake/
- ↑ Sean Twitch AMA, June 2022. "Yeah, I mean, occasionally, we'll fuck around with something old and do something new with it, like there's a[n Oberheim] DMX, there's DMX drum sounds in that first AE_LIVE 2015 stuff's got some DMX drum sounds in, but nobody ever comments on them, but I don't know. To me, they're like really obvious. Like, I'll put those things in as reference points and no one ever gets them, so, you know."
- ↑ Sean Twitch AMA, June 2022. "“Do you make sounds in AE_LIVE stuff?” I'm assuming you're talking about samples from the DMX? Yeah. No it's not modeled or anything, it's just samples, but the DMX is samples, right? So I don't have to feel weird about that. But yeah, it's a bit mutated as well. it's, being fucked with, so, in a cool way, so. But yeah, it's basically one track where it's just DMX kick and snare, and I don't know if there's a clap in there. I really like the DMX sounds. They're like, they just immediately put me somewhere. It's like there's a certain kind of like late night radio soul that used the DMX that was just massively appealing to us. I don't know why the DMX and not the LinnDrum was just the drum machine a choice for a lot of soul artists, but it just has that feel to it. There's only a subtle difference between them really, but I've always preferred the DMX. I don’t know."
- ↑ https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html#:~:text=The%20duo%20was%20especially%20fond%20of%20their%20L.A.%20date.
- ↑ Hanalgig AMA, July 2022. "it’s been fun exploring your live sets, especially the sheer quantity of 14-15. anything you could share about memories of that tour that stick out to you? places you loved/hated? shows that went well/awful? XH HX: that tour was pure laughs. i rem the driver making phil go on the bus roof to check the ac unit at one point, idk why phil. usa bus tours are always a bit mad. i rly enjoyed orlando and montreal. nyc was terrible (the gig not the city)."
- ↑ https://autechre.warp.net/format/594952-tri-repetae#:~:text=INCLUDES%20DOWNLOAD%20CARD%20FOR%20ALBUM%20%26%20BONUS%20LIVE%20SET%20AE_LIVE_GRAFENHAINICHEN_170715
- ↑ https://web.archive.org/web/20150801005858/http://autechre.ws/
- ↑ https://www.discogs.com/master/907329-Autechre-AE_LIVE
- ↑ https://musicbrainz.org/release/a20926fb-dea0-406f-a923-1c2842a4e985