Draft 7.30 and AE 2022－: Difference between pages

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[[Category:Album]]{{Infobox
{{DISPLAYTITLE:AE_LIVE 2022－}}
|title=Draft 7.30
{{Infobox
|title=AE_LIVE 2022－
|artist=[[Autechre]]
|artist=[[Autechre]]
|cover=Draft 7.30.jpg
|cover=AE LIVE 2022.jpg
|date=7 April 2003
|date=10 August 2023
|label=Warp Records (WARP111)
|label=Warp Records (WARP444)
|previous=[[Gantz Graf]]
|previous=[[PLUS]]
|previous year=(2002)
|previous year=(2020)
|next=[[Untilted]]
|next=  
|next year=(2005)
|next year=  
}}'''''Draft 7.30''''' is the seventh studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on April 7th, 2003, then later repressed on vinyl in 2023, alongside ''[[Confield]]''.
}}
'''''AE_LIVE 2022－''','' otherwise known as '''''twentytwentytwo''','' is a compilation of seven soundboard recordings taken from live shows performed throughout 2022. The first batch was released on August 10th, 2023.  


== Tracks ==
== History ==
During the [[Sean Twitch AMA, June 2022]], Sean answered a few questions regarding the live material after having performed the first show of the twentytwentytwo tour. The tour was initially planned to be held in 2020<!-- trivia that there is speculation the title may be a second attempt at the twentytwenty tour, aka twentytwenty two? -->, before the COVID-19 pandemic delayed the tour. Sean mentioned that on his end, he spent the time reworking the back end, getting interested in MC (multi-channel audio in max), physical modelling and scratching, with the last one seeing use on Gescom's ''[[AMKS_1]]''. [https://aepages.org/wiki/Sean_Twitch_AMA,_June_2022#:~:text=Basically%20when%20COVID%20hit%2C%20I%20had%20a%20lot%20of%20time%20on%20my%20hands%20to%20rebuild%20a%20lot%20of%20it.] The end product was Sean noting that they had at least 3 and a half hours of material prepared.


=== XYLIN ROOM===
The first show of the tour was performed at Primavera in Barcelona on the 3rd of June. In the AMA, Sean mentioned that that particular show did not go well, as they had to negotiate the rights to the soundboard from Primavera before messing up the recording regardless causing it to be left off the initial 2022 batch.[https://aepages.org/wiki/Sean_AMA_Transcript_220605#:~:text=Yeah%2C%20there%27s%20not%20really%20any%20good%20pictures%2C%20but%20the%20problem%20was%20with%20Primavera%2C]


* One of the percussive samples is of a wooden garden table being knocked on. [https://aepages.org/wiki/Sean_AMA_Transcript_220605#:~:text=Xylin%20Room%20was%20like%2C%20originally%20it%20was%20like%20samples%20of%20a%20wooden%20outdoor%20table%2C%20like%20a%20garden%20table%20being%20knocked%20by%20knuckles%2C]
On October 4th, 2022, "AE_LIVE_HELSINKI_110922_LTD" was released early exclusively to attendants of the show, with the reasoning being due to technical issues during the show.[https://www.reddit.com/r/autechre/comments/xobdtd/exclusive_release_incoming_for_helsinki_attendees/]<!-- should we possibly include the original cover? --><!-- also maybe find the official announcement of this --> Small glitches started to materialize a third into the show, which progressively became so distracting that by the last third of the show, it was plagued with loud pops and audio dropouts. <!-- very rough synthesis of the reddit and watmm source -->Explanation for the issues reigned in on it being due to the poor subwoofer setup and system clock drift, which in combination with the heavy subbass in the set caused a coil short circuit in the speakers.[https://www.reddit.com/r/autechre/comments/xbspfv/there_were_some_audio_issues_during_helsinki_gig/?rdt=51772][https://forum.watmm.com/topic/102400-autechre-live-twentytwentytwo/?do=findComment&comment=2925915] The soundboard was left unmastered for this release, and later rereleased with proper mastering. <!-- there's mention of similar issues at Athens, though it was not intense enough to warrant any announcement. Doubt it should be included but thought I should note. -->
* The original title was "Benk Chin".


=== IV VV IV VV VIII ===
On August 7th, 2023, Warp sent out an announcement to sign up for to the newsletter. The following day, ''AE_LIVE 2022－'' was officially announced, and the first batch of shows from Milan 2022 to Turin 2022 was released individually and as a compilation on the 10th. The hyphen added to the end of the title indicated the possibility of future sets being added at a later date.


* The original title was "nwnw8", with the final title being a heavily stylised version of that title - substituting N for IV and W for VV.
In a Mastodon post on November 18th, 2023, he gave an update that the material was up to "about 4 hours long so far and growing steadily." [https://web.archive.org/web/20231118215345/https://post.lurk.org/@sean_ae/111433472440615681#:~:text=We%20took%20a,from%20our%20POV.]
* "IV VV IV VV VIII" was initially released as a single for ''Draft 7.30'', both for radio play[https://www.discogs.com/release/545749-Autechre-IV-VV-IV-VV-VIII] and download.[https://web.archive.org/web/20030420192456/http://www.warprecords.com/draft7_30/]<!-- the second link requires a flash player like Ruffle, but it shows a minisite which has a link to an IV VV mp3 download -->


=== 6IE.CR ===
== Analysis ==
Main analysis by [[User:Zythion|Zythion]] and some extra by [[User:EnergyIsMassiveLight|EnergyIsMassiveLight]]. Bootlegs are italised. [https://aepages.org/wiki/List_of_Live_Shows#:~:text=AE_LIVE_MILAN_010722 Details of tour shows here.]


* "6IE.CR" consists of a CR-8000 being fed through a RSD10 with the Nord(?) controlling the pitch of it[https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D1161] with some gating and layering for the second half that Sean couldnt properly remember.
* '''#1'''
* The original title was "606.ie" in the CDDB, which Sean also confirmed in interview that it was initially called that because "it was based on a manipulation of a 606 sound." [https://aepages.org/wiki/Sound_On_Sound_Interview,_April_2004#:~:text=%22%276IE.CR%27%20was%20actually%20called%20%27606IE%2C%27%20because%20it%20was%20based%20on%20a%20manipulation%20of%20a%20606%20sound.] The title got abbreivated to 6IE, with CR likely being appended to mean the CR-8000.
* '''#2''' '''"ecol4"''' [https://aepages.org/wiki/Sean_AMA_Transcript_220605#:~:text=Yeah%2C%20basically%20that.%20It%20started%20out%20quite%20different.%20So%2C%20you%20can%20hear%20a%20bit%20of%20ecol%5B4%5D%20in%20the%20set%2C%20ecol4%20that%20was%20basically%20like%20the%20ecol4%20that%27s%20on%20PLUS%20when%20we%20started%20out]
* '''#3'''
* '''#4'''
* '''#5''' Contains elements of '''"F7"'''
* '''#6'''
* '''#7'''
* '''#8''' Contains elements of '''"psin AM"'''
* '''#9'''
* '''#10'''
* '''#11'''<!-- zy: still mulling over the timestamps for Set A, so these are subject to change later -->


=== TAPR ===
{| class="wikitable"
 
!
* The original title was "reppat", which when reversed spells out "tapper".
!#1
 
!#2
=== SURRIPERE ===
!#3
 
!#4
* The track initially started life as two separate tracks, with the second half made before the first. Later in development, they realised that both tracks had the same 120BPM tempo and decided to combine it for the final track. [https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D580]<!-- Subtle note, Sean used "us" which implies Surripere at the minimum was decided together to be combined. But this could also indicate that the track was a collaborative effort as a whole -->
!#5
* "Surripere" consists of a a fake analog (Nord?) on the first part, and a Nord Lead with Native Battery's loop modulation on the second part's "crunchy stuff."[https://aepages.org/wiki/Sean_AMA_Transcript_220605#:~:text=sequenced%20really%20heavily.-,And%20then%20Surripere%2C,-I%20can%2C%20the]
!#6
* The original title was "Theft". The final title "Surripere" is the Latin word that became surreptitious, meaning doing something stealthily. [https://aepages.org/wiki/Sound_On_Sound_Interview,_April_2004#:~:text=%27Surripere%27%20is%20the%20Latin%20word%20that%27s%20the%20root%20of%20%27surreptitious%27.] A straight translation of "Surripere" is in fact "theft"
!#7
 
!#8
=== THEME OF SUDDEN ROUNDABOUT ===
!#9
 
!#10
* “Theme Of Sudden Roundabout” is a reference to Sudden, a suburb of Rochdale, where Rob and Sean grew up. [https://aepages.org/wiki/Sound_On_Sound_Interview,_April_2004#:~:text=And%20in%20%27Theme%20of%20Sudden%20Roundabout%27%2C%20%27Sudden%27%20is%20actually%20the%20name%20of%20a%20place.%22] The titular roundabout in question could be [https://www.google.com/maps/place/53%C2%B035'55.6%22N+2%C2%B009'49.2%22W/@53.5987227,-2.1638831,191m/data=!3m1!1e3!4m4!3m3!8m2!3d53.5987778!4d-2.1636667 this one], as seen on Google Maps.
!#11
* The original title, as listed on CDDB, was "Prince Moth Mothy Moth Moth". In the [[WATMM Ask Autechre Anything, November 2013|WATMM Ask Autechre Anything,]] Rob mentions this was wrong, that the original title ended with Mother, as in someone who does moth.[https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D708] However, in 2023, when Sean was asked about the title again, he mentioned that it was just Moth at the end. [https://www.reddit.com/r/autechre/comments/1828tlp/sean_answering_why_theme_of_sudden_roundabout_was/] In that same post, Sean explained that the track was called that after an "epically large moth" landed on their Nord Modular and sat there for much of the track.
|-
 
|MILAN_010722
=== VL AL 5 ===
|0:00
|7:06
|24:20
|35:47
|46:23
|62:14
|
|
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|-
|ATHENS_050722
|0:00
|7:41
|25:32
|36:17
|46:42
|64:02
|73:53
|
|
|
|
|-
|HELSINKI_110922
|0:00
|7:42
|24:19
|35:40
|46:38
|64:27
|
|
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|
|-
|LONDON_071022_A
|0:00
|6:12
|19:20
| 29:16
|37:13
|53:06
|
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|-
|LONDON_071022_B
|
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|
|
|0:00
|9:46
|25:14
|32:59
|44:54
|-
|BERGEN_021122
|0:00
|7:00
|19:19
|29:15
|37:12
|52:23
|59:47
|
|
|
|
|-
|TURIN_041122
|0:00
|5:59
|18:19
|28:15
|36:12
|52:41
|
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|-
|
|
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|-
|''[https://www.youtube.com/watch?v=1hgXKUqSf4c Barcelona_030622]''
|1:00
|8:18
|24:44
|35:40
|48:46
|59:15
|
|
|
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|
|}
== Trivia ==


* [https://www.youtube.com/watch?v=bt5efp1-IfA A 12-minute version of VL AL 5] was played during the 2008-02-23 Webcast.
* The main equipment used for live shows are two M1 Macs running Max/MSP, Kenton Killamix controllers, Apogee Symphony Desktop, Apogee Element 24, and MOTU M2. [https://aepages.org/wiki/Sean_Twitch_AMA,_June_2022#:~:text=%E2%80%9CWhat%27s%20your%20live%20setup%20nowadays%3F%E2%80%9D][https://aepages.org/wiki/Hanalgig_AMA,_July_2022#:~:text=Tebbisimo%3A%20Shit%20sorry%20mate%20actual%20question%20here.%20What%20audio%20interface%20you%20using%20on%20the%20live%20sets%20ATM%3F%20I%20couldn%27t%20care%20less%20tbh%20but%20my%20mate%20is%20desperate][https://aepages.org/wiki/Sean_Twitch_AMA,_July_2022#:~:text=vektrian%3A%20Can%20u%20describe%20the%20live%20setup%20of%20the%20last%20gigs%2C%20laptop%2C%20controllers%2C%20souncard%2C%20thx]
* The original title was "Vlimpton Alpha 5", which the final title is just an abbreviation of.
* [[ae mixlr 300320|During a mixlr stream on March 30th, 2020]], Sean skimmed through some of their jam folders, which included a few snippets of material of the live material in an early state.
* In December 2022, Sean posted two max demos to Mastodon; one on the [https://www.youtube.com/watch?v=3poN6FDyB28 10th] and one on the [https://www.youtube.com/watch?v=jgMArRJswIQ 15th].<!-- insert explanation of why he posted it, context of the mastadon thread and shit -->It has since been confirmed to be live show patches as both appeared in the Sydney and Dublin sets.<!-- slightly premature but i think AE_LIVE pages can contain information about the tour of not released soundboards. -->
** In the top right corner of the 15th December demo, "three tone" is written, possibly indicating the section title.
** Also in the 15th demo, one of the files loaded into a sampler (likely indicating a sample used in the live material) is Gap Band's [https://www.youtube.com/watch?v=zSsXRWhfN3w&pp=ygUpQnVybiBSdWJiZXIgT24gTWUgKFdoeSBZb3UgR290dGEgSHVydCBNZSk%3D "Burn Rubber On Me (Why You Wanna Hurt Me)"]
* The CAT number, WARP444, was likely specifically requested by Autechre, to reference the song "444" off their first album, ''[[Incunabula]]''.
* The main cover art for ''AE_LIVE 2022－'' consists of all the individual set art overlaid on top of each other.


=== P.:NTIL ===
== Gallery ==
 
<gallery>
* The original title was "Foam Conduit".
File:AE LIVE MILAN 010722.jpg|AE_LIVE_MILAN_010722
 
File:AE LIVE ATHENS 050722.jpg|AE_LIVE_ATHENS_050722
=== V-PROC ===
File:AE LIVE HELSINKI 110922.jpg|AE_LIVE_HELSINKI_110922
 
File:AE LIVE LONDON 071022 A.jpg|AE_LIVE_LONDON_071022_A
* The original title was "uprock".
File:AE LIVE LONDON 071022 B.jpg|AE_LIVE_LONDON_071022_B
 
File:AE LIVE BERGEN 021122.jpg|AE_LIVE_BERGEN_021122
=== RENIFORM PULS ===
File:AE LIVE TURIN 041122.jpg|AE_LIVE_TURIN_041122
 
</gallery>
* The original title listed in the CDDB was "kidney bean". The final title consists of "Reniform", which means kidney-shaped, and "Puls", which is just short for Pulse. [https://aepages.org/wiki/Sound_On_Sound_Interview,_April_2004#:~:text=%27Reniform%27%20is%20a%20real%20word%2C%20meaning%20kidney%2Dshaped%2C%20and%20%27Puls%27%20of%20course%20is%20%27Pulse%27%20without%20the%20%27e%27.] "Pulse" can be either be interpreted in an electronic context (i.e. clock pulse) or as a synonym for legume/bean, the latter of which would indicate that Reniform (kidney-shaped) Puls (bean) directly references the original title.
* "Reniform Puls" is the only track to have any use of Max/MSP on ''Draft 7.30,''[https://aepages.org/wiki/Sound_On_Sound_Interview,_April_2004#:~:text=Draft%20is%20really%20straight%2C%20using%20straight%2Dup%20normal%20sequencers%20and%20samplers.%20It%27s%20written%20note%20by%20note%2C%20where%20we%20know%20exactly%20what%20we%20put%20on.%20Only%20%27Reniform%20Puls%27%20has%20some%20generative%20stuff%2C%20done%20by%20Max%2C%20which%20also%20controls%20a%20vocal%20filter%20in%20that%20track.] however most of it was still DAWs: "mostly done in digital performer, but there's loads of hardware on there, and bits of modular stuff." [https://web.archive.org/web/20240209152633/https://post.lurk.org/@sean_ae/111901878065350503]


== Tracklist ==
== Tracklist ==
{{Tracklist|list={{tl track|number=1|title=XYLIN ROOM|length=6:09}}
{{Tracklist|list=
{{tl track|number=2|title=IV VV IV VV VIII|length=4:51}}
{{tl track|number=1|title=AE_LIVE_MILAN_010722|length=1:06:56}}
{{tl track|number=3|title=6IE.CR|length=5:39}}
{{tl track|number=2|title=AE_LIVE_ATHENS_050722|length=1:20:03}}
{{tl track|number=4|title=TAPR|length=3:15}}
{{tl track|number=3|title=AE_LIVE_HELSINKI_110922|length=1:11:07}}
{{tl track|number=5|title=SURRIPERE|length=11:23}}
{{tl track|number=4|title=AE_LIVE_LONDON_071022_A|length=59:48}}
{{tl track|number=6|title=THEME OF SUDDEN ROUNDABOUT|length=4:52}}
{{tl track|number=5|title=AE_LIVE_LONDON_071022_B|length=59:33}}
{{tl track|number=7|title=VL AL 5|length=4:57}}
{{tl track|number=6|title=AE_LIVE_BERGEN_021122|length=1:07:59}}
{{tl track|number=8|title=P.:NTIL|length=7:08}}
{{tl track|number=7|title=AE_LIVE_TURIN_041122|length=1:00:45}}
{{tl track|number=9|title=V-PROC|length=6:00}}
{{tl finaltime|time=7:46:12}}
{{tl track|number=10|title=RENIFORM PULS|length=8:39}}
}}
{{tl finaltime|time=1:02:51}}
}}''(Note: the capitalisation used here comes from the sleeves of the LP [https://www.discogs.com/release/130319-Autechre-Draft-730/image/SW1hZ2U6MTc1ODUwNw==] and CD [https://www.discogs.com/release/130115-Autechre-Draft-730/image/SW1hZ2U6NTQyMTU=] releases as well as the current Bandcamp version[https://autechre.bandcamp.com/album/draft-730], which prints all the titles in all caps. However, there are alternate capitalisations such as Bleep[https://bleep.com/release/23111-autechre-draft-730?lang=en_US], the MusicBrainz database[https://musicbrainz.org/release/f69a0c28-4490-4185-8555-a951ff567c44]'' ''and other streaming services whereby some titles are standard case.)''
 
== Trivia ==
 
* The album’s title implies that the released version is the 30th edit of the band’s seventh album.
* Sean noted that ''Draft 7.30'' was "really straight, using straight-up normal sequencers and samplers." With the exception of some generative elements on "RENIFORM PULS", ''Draft 7.30'' was otherwise written "note by note".[https://aepages.org/wiki/Sound_On_Sound_Interview,_April_2004#:~:text=Draft%20is%20really%20straight%2C%20using%20straight%2Dup%20normal%20sequencers%20and%20samplers.%20It%27s%20written%20note%20by%20note%2C%20where%20we%20know%20exactly%20what%20we%20put%20on.%20Only%20%27Reniform%20Puls%27%20has%20some%20generative%20stuff%2C%20done%20by%20Max%2C%20which%20also%20controls%20a%20vocal%20filter%20in%20that%20track.] Alongside that, a lot of Digital Performer was used, with some use cases being "triggering a sampler from the sequencer (akai z8 over midi)". [https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D261] ''Draft 7.30'' also uses a lot amplitude envelopes, alongside "really light touches of quadraverb and lexicon on select parts" [https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D189]
* Before the release of ''Draft 7.30'', early tracks titles were uploaded to CDDB (each track has their original title listed in their respective section). In the [[WATMM Ask Autechre Anything, November 2013|WATMM Ask Autechre Anything]], Sean confirmed that they were the actual working file titles that he threw onto CDDB "for a laugh." [https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D1091]


== Links ==
== Links ==


* [https://autechre.warp.net/release/354841-autechre-draft-730 AE_STORE]
* [https://autechre.warp.net/release/408603-autechre-aelive-2022 AE_STORE]
* [https://music.apple.com/us/album/draft-7-30/305130524 Apple Music]
* [https://bleep.com/release/430787-autechre-aelive-2022 Bleep]
* [https://autechre.bandcamp.com/album/draft-730 Bandcamp]
* [https://www.discogs.com/master/3199512-Autechre-AE_LIVE-2022 Discogs]
* [https://bleep.com/release/23111-autechre-draft-730 Bleep]
* [https://twitter.com/WarpRecords/status/1689637725731954688 Announcement Tweet]
* [https://www.discogs.com/master/960-Autechre-Draft-730 Discogs]
[[Category:Live]]
* [https://soundcloud.com/autechreofficial/sets/draft-7-30 Soundcloud]
[[Category:Compilation]]
* [https://open.spotify.com/album/1V0mCXjrTqQoq45Ti2hAmO Spotify]
* [https://twitter.com/WarpRecords/status/1622631137762746368 Repress announcement tweet]
* [https://twitter.com/WarpRecords/status/1629134504320200704 Repress release tweet]
==Credits==
*[[Autechre]] (production)
*[[Rob Brown]] (writer)
*[[Sean Booth]] (writer)
* [[Noel Summerville]] (mastering engineer)
* [[Alexander Rutterford]] (images, design) [https://www.discogs.com/master/960-Autechre-Draft-730]

Revision as of 15:52, 10 February 2024

AE_LIVE 2022－

AE LIVE 2022.jpg

Artist Autechre
Released 10 August 2023
Label Warp Records (WARP444)
PLUS
((2020)) 		AE_LIVE 2022－

AE_LIVE 2022－, otherwise known as twentytwentytwo, is a compilation of seven soundboard recordings taken from live shows performed throughout 2022. The first batch was released on August 10th, 2023.

History

During the Sean Twitch AMA, June 2022, Sean answered a few questions regarding the live material after having performed the first show of the twentytwentytwo tour. The tour was initially planned to be held in 2020, before the COVID-19 pandemic delayed the tour. Sean mentioned that on his end, he spent the time reworking the back end, getting interested in MC (multi-channel audio in max), physical modelling and scratching, with the last one seeing use on Gescom's AMKS_1. [1] The end product was Sean noting that they had at least 3 and a half hours of material prepared.

The first show of the tour was performed at Primavera in Barcelona on the 3rd of June. In the AMA, Sean mentioned that that particular show did not go well, as they had to negotiate the rights to the soundboard from Primavera before messing up the recording regardless causing it to be left off the initial 2022 batch.[2]

On October 4th, 2022, "AE_LIVE_HELSINKI_110922_LTD" was released early exclusively to attendants of the show, with the reasoning being due to technical issues during the show.[3] Small glitches started to materialize a third into the show, which progressively became so distracting that by the last third of the show, it was plagued with loud pops and audio dropouts. Explanation for the issues reigned in on it being due to the poor subwoofer setup and system clock drift, which in combination with the heavy subbass in the set caused a coil short circuit in the speakers.[4][5] The soundboard was left unmastered for this release, and later rereleased with proper mastering.

On August 7th, 2023, Warp sent out an announcement to sign up for to the newsletter. The following day, AE_LIVE 2022－ was officially announced, and the first batch of shows from Milan 2022 to Turin 2022 was released individually and as a compilation on the 10th. The hyphen added to the end of the title indicated the possibility of future sets being added at a later date.

In a Mastodon post on November 18th, 2023, he gave an update that the material was up to "about 4 hours long so far and growing steadily." [6]

Analysis

Main analysis by Zythion and some extra by EnergyIsMassiveLight. Bootlegs are italised. Details of tour shows here.

  • #1
  • #2 "ecol4" [7]
  • #3
  • #4
  • #5 Contains elements of "F7"
  • #6
  • #7
  • #8 Contains elements of "psin AM"
  • #9
  • #10
  • #11
#1 #2 #3 #4 #5 #6 #7 #8 #9 #10 #11
MILAN_010722 0:00 7:06 24:20 35:47 46:23 62:14
ATHENS_050722 0:00 7:41 25:32 36:17 46:42 64:02 73:53
HELSINKI_110922 0:00 7:42 24:19 35:40 46:38 64:27
LONDON_071022_A 0:00 6:12 19:20 29:16 37:13 53:06
LONDON_071022_B 0:00 9:46 25:14 32:59 44:54
BERGEN_021122 0:00 7:00 19:19 29:15 37:12 52:23 59:47
TURIN_041122 0:00 5:59 18:19 28:15 36:12 52:41
Barcelona_030622 1:00 8:18 24:44 35:40 48:46 59:15

Trivia

  • The main equipment used for live shows are two M1 Macs running Max/MSP, Kenton Killamix controllers, Apogee Symphony Desktop, Apogee Element 24, and MOTU M2. [8][9][10]
  • During a mixlr stream on March 30th, 2020, Sean skimmed through some of their jam folders, which included a few snippets of material of the live material in an early state.
  • In December 2022, Sean posted two max demos to Mastodon; one on the 10th and one on the 15th.It has since been confirmed to be live show patches as both appeared in the Sydney and Dublin sets.
    • In the top right corner of the 15th December demo, "three tone" is written, possibly indicating the section title.
    • Also in the 15th demo, one of the files loaded into a sampler (likely indicating a sample used in the live material) is Gap Band's "Burn Rubber On Me (Why You Wanna Hurt Me)"
  • The CAT number, WARP444, was likely specifically requested by Autechre, to reference the song "444" off their first album, Incunabula.
  • The main cover art for AE_LIVE 2022－ consists of all the individual set art overlaid on top of each other.

Gallery

  • AE_LIVE_MILAN_010722

    AE_LIVE_MILAN_010722

  • AE_LIVE_ATHENS_050722

    AE_LIVE_ATHENS_050722

  • AE_LIVE_HELSINKI_110922

    AE_LIVE_HELSINKI_110922

  • AE_LIVE_LONDON_071022_A

    AE_LIVE_LONDON_071022_A

  • AE_LIVE_LONDON_071022_B

    AE_LIVE_LONDON_071022_B

  • AE_LIVE_BERGEN_021122

    AE_LIVE_BERGEN_021122

  • AE_LIVE_TURIN_041122

    AE_LIVE_TURIN_041122

Tracklist

# Title Length
1 AE_LIVE_MILAN_010722 1:06:56
2 AE_LIVE_ATHENS_050722 1:20:03
3 AE_LIVE_HELSINKI_110922 1:11:07
4 AE_LIVE_LONDON_071022_A 59:48
5 AE_LIVE_LONDON_071022_B 59:33
6 AE_LIVE_BERGEN_021122 1:07:59
7 AE_LIVE_TURIN_041122 1:00:45
Total 7:46:12

Links

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