The Designers Republic - Revision history

Wulffo: edits in punctuation and mention of what age of chance record was designed for

2025-02-06T21:03:08Z

edits in punctuation and mention of what age of chance record was designed for

← Older revision		Revision as of 17:03, 6 February 2025
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	== History ==		== History ==

	Before The Designers Republic, Ian Anderson had become engrained in the Sheffield music scene, managing and working with various bands—something which naturally lead him into ~~design—having~~ to create flyers for various gigs. This resulted in him being asked to manage the band Person to Person, for which he created the Designers Republic banner, both to take advantage of the [https://en.wikipedia.org/wiki/Enterprise_Allowance_Scheme Enterprise Allowance Scheme] and as a necessity due to a conflict of interest in him being band manager and also designer.<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'', Thames and Hudson ISBN 978-0500027356, p.10</ref> After being asked to create the artwork for [https://en.wikipedia.org/wiki/Chakk Chakk's] ''10 Days in an Elevator,'' he requested help from his friend Nick Phillips, with whom he created the artwork for [https://en.wikipedia.org/wiki/Age_of_Chance Age of Chance's], their indie success provided tDR with wider recognition, and consequently work for Pop Will Eat Itself.<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.12</ref>. It was also at this time that they created the brand identity then-nascent Warp Records.		Before The Designers Republic, Ian Anderson had become engrained in the Sheffield music scene, managing and working with various bands—something which naturally lead him into design, having to create flyers for various gigs. This resulted in him being asked to manage the band Person to Person, for which he created the Designers Republic banner, both to take advantage of the [https://en.wikipedia.org/wiki/Enterprise_Allowance_Scheme Enterprise Allowance Scheme] and as a necessity due to a conflict of interest in him being band manager and also designer.<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'', Thames and Hudson ISBN 978-0500027356, p.10</ref> After being asked to create the artwork for [https://en.wikipedia.org/wiki/Chakk Chakk's] ''10 Days in an Elevator,'' he requested help from his friend Nick Phillips, with whom he created the artwork for [https://en.wikipedia.org/wiki/Age_of_Chance Age of Chance's] Crush Collision (and subsequent records), their indie success provided tDR with wider recognition, and consequently work for Pop Will Eat Itself.<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.12</ref> It was also at this time that they created the brand identity then-nascent Warp Records.

	Their rising popularity in the design world lead them to work with various large-scale entities in the late 90's and early 2000's, such as [https://www.thedesignersrepublic.com/coca-cola Coca-Cola], [https://www.thedesignersrepublic.com/gatecrasher Gatecrasher], [https://www.thedesignersrepublic.com/emigre Emigre], [https://www.thedesignersrepublic.com/e4 Channel 4], Nickelodeon,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.284</ref> Pulp,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.366</ref> and various others.		Their rising popularity in the design world lead them to work with various large-scale entities in the late 90's and early 2000's, such as [https://www.thedesignersrepublic.com/coca-cola Coca-Cola], [https://www.thedesignersrepublic.com/gatecrasher Gatecrasher], [https://www.thedesignersrepublic.com/emigre Emigre], [https://www.thedesignersrepublic.com/e4 Channel 4], Nickelodeon,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.284</ref> Pulp,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.366</ref> and various others.
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	Changes in the music industry, large-scale copying of their style and mismanagement meant that in 2009, The Designers Republic would go into voluntary liquidation, emerging as a "leaner operation" since.<ref>https://www.creativereview.co.uk/the-designers-republic-is-dead-long-live-the-designers-republic/</ref><ref>https://www.eyemagazine.com/feature/article/reputations-ian-anderson</ref><ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.17</ref>		Changes in the music industry, large-scale copying of their style and mismanagement meant that in 2009, The Designers Republic would go into voluntary liquidation, emerging as a "leaner operation" since.<ref>https://www.creativereview.co.uk/the-designers-republic-is-dead-long-live-the-designers-republic/</ref><ref>https://www.eyemagazine.com/feature/article/reputations-ian-anderson</ref><ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.17</ref>

	== Relationship with Autechre ==		== Relationship with Autechre==

	Autechre has a long-standing relationship with The Designers Republic and Ian Anderson. First learning of them through tapes sent to Warp Records and being "blown away" on first listen,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.15</ref> he would then foster a personal relationship with the duo, liking the "intellectualization of the design process" and the dynamic between them.		Autechre has a long-standing relationship with The Designers Republic and Ian Anderson. First learning of them through tapes sent to Warp Records and being "blown away" on first listen,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.15</ref> he would then foster a personal relationship with the duo, liking the "intellectualization of the design process" and the dynamic between them.

	Autechre and The Designers Republic took a creative break following ''Chiastic Slide'', presumably for greater creative freedom, they would re-unite professionally for the artwork for ''[[Quaristice]]'', inspired by the abrasiveness of the music and Norton Disk Tools' disk defragmentation graphic, they would create the erratically spaced typographic cover for the album. They have since worked together for nearly all their following projects.		Autechre and The Designers Republic took a creative break following ''Chiastic Slide'', presumably for greater creative freedom, they would re-unite professionally for the artwork for ''[[Quaristice]],'' inspired by the abrasiveness of the music and Norton Disk Tools' disk defragmentation graphic, they would create the erratically spaced typographic cover for the album. They have since worked together for nearly all their following projects.

	The Designers Republic has had a continuous theme of humanity vs. technology in their works with Autechre,<ref>https://www.thedesignersrepublic.com/incunabula</ref> from ''Incunabula'' to the unreal nature of the ''Amber'' cover, impossible, strange machinery for ''Tri Repetae'', fragmentation and abstraction for ''Chiastic Slide'', ''Exai's'' abstract, brutalist typography to the entirely human covers for ''Oversteps'' (both the circle and typography were handwritten in the cover).<ref>https://www.thedesignersrepublic.com/oversteps</ref>		The Designers Republic has had a continuous theme of humanity vs. technology in their works with Autechre,<ref>https://www.thedesignersrepublic.com/incunabula</ref> from ''Incunabula'' to the unreal nature of the ''Amber'' cover, impossible, strange machinery for ''Tri Repetae'', fragmentation and abstraction for ''Chiastic Slide'', ''Exai's'' abstract, brutalist typography to the entirely human covers for ''Oversteps'' (both the circle and typography were handwritten in the cover).<ref>https://www.thedesignersrepublic.com/oversteps</ref>
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	*''[[Quaristice.Quadrange.ep.ae]]'' (2008)		*''[[Quaristice.Quadrange.ep.ae]]'' (2008)
	*''[[Oversteps]] (''2010)		*''[[Oversteps]] (''2010)
	* ''[[Move Of Ten]]'' (2010)		*''[[Move Of Ten]]'' (2010)
	*''[[Exai]]'' (2013)		*''[[Exai]]'' (2013)
	*''[[L-event]]'' (2013)		*''[[L-event]]'' (2013)
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	*''[[elseq 1-5]]'' (2016)		*''[[elseq 1-5]]'' (2016)
	*''[[NTS Sessions 1-4]]'' (2018)		*''[[NTS Sessions 1-4]]'' (2018)
	* [[AE LIVE 2016/2018\|''AE_LIVE 2016/2018'']] (2020)		*[[AE LIVE 2016/2018\|''AE_LIVE 2016/2018'']] (2020)
	*''[[SIGN]]'' (2020)		*''[[SIGN]]'' (2020)
	*''[[PLUS]]'' (2020)		*''[[PLUS]]'' (2020)
	* [[~~AE 2022－\|''~~AE_2022－'']] (2023－)		*''[[AE_2022－]]'' (2023－)

	== References ==		==References==
	<references />		<references />

Zythion: /* Relationship with Autechre */

2025-01-27T15:58:47Z

Relationship with Autechre

← Older revision		Revision as of 11:58, 27 January 2025
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	The Designers Republic is a Sheffield-based design studio, founded in 1986<ref>https://www.thedesignersrepublic.com/about</ref> by Ian Anderson and Nick Phillips. They've since become a highly influential design studio, accredited for pioneering the Vectorheart,<ref>https://cari.institute/aesthetics/vectorheart</ref> and Y2K Futurism art style,<ref>https://cari.institute/aesthetics/y2k-aesthetic</ref> examples of this including Psygnosis' [https://en.wikipedia.org/wiki/Wipeout_(video_game) Wipeout], packaging for the Sony Aibo ERS-210, and the majority of their output post-millenium. Other notable works include building the brand identity for [https://warp.net/ Warp Records], anti-establishment, post-modern works such as Pho-Ku Corporation and [https://www.thedesignersrepublic.com/buy-me merchandising lines]. Their collaboration with Autechre spans from ''[[Incunabula]]'' to [[~~AE_LIVE 2022－\|''~~AE_2022－'']], however with a "break"<ref>https://www.thedesignersrepublic.com/quaristice</ref> following [[Chiastic Slide\|''Chiastic Slide'']], and ending with ''[[Quaristice]]''.		The Designers Republic is a Sheffield-based design studio, founded in 1986<ref>https://www.thedesignersrepublic.com/about</ref> by Ian Anderson and Nick Phillips. They've since become a highly influential design studio, accredited for pioneering the Vectorheart,<ref>https://cari.institute/aesthetics/vectorheart</ref> and Y2K Futurism art style,<ref>https://cari.institute/aesthetics/y2k-aesthetic</ref> examples of this including Psygnosis' [https://en.wikipedia.org/wiki/Wipeout_(video_game) Wipeout], packaging for the Sony Aibo ERS-210, and the majority of their output post-millenium. Other notable works include building the brand identity for [https://warp.net/ Warp Records], anti-establishment, post-modern works such as Pho-Ku Corporation and [https://www.thedesignersrepublic.com/buy-me merchandising lines]. Their collaboration with Autechre spans from ''[[Incunabula]]'' to ''[[AE_2022－]]'', however with a "break"<ref>https://www.thedesignersrepublic.com/quaristice</ref> following [[Chiastic Slide\|''Chiastic Slide'']], and ending with ''[[Quaristice]]''.

	== History ==		== History ==
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	*''[[SIGN]]'' (2020)		*''[[SIGN]]'' (2020)
	*''[[PLUS]]'' (2020)		*''[[PLUS]]'' (2020)
	* [[AE ~~LIVE~~ 2022－\|''AE_2022－'']] (~~2023~~)		* [[AE 2022－\|''AE_2022－'']] (2023－)

	== References ==		== References ==
	<references />		<references />

Zythion: /* Relationship with Autechre */

2025-01-27T15:57:01Z

Relationship with Autechre

← Older revision		Revision as of 11:57, 27 January 2025
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	*''[[SIGN]]'' (2020)		*''[[SIGN]]'' (2020)
	*''[[PLUS]]'' (2020)		*''[[PLUS]]'' (2020)
	* [[AE LIVE 2022－\|''~~AE_LIVE 2022－~~'']] (2023)		* [[AE LIVE 2022－\|''AE_2022－'']] (2023)

	== References ==		== References ==
	<references />		<references />

Zythion: /* Relationship with Autechre */

2025-01-27T15:56:29Z

Relationship with Autechre

← Older revision		Revision as of 11:56, 27 January 2025
Line 1:		Line 1:
	The Designers Republic is a Sheffield-based design studio, founded in 1986<ref>https://www.thedesignersrepublic.com/about</ref> by Ian Anderson and Nick Phillips. They've since become a highly influential design studio, accredited for pioneering the Vectorheart,<ref>https://cari.institute/aesthetics/vectorheart</ref> and Y2K Futurism art style,<ref>https://cari.institute/aesthetics/y2k-aesthetic</ref> examples of this including Psygnosis' [https://en.wikipedia.org/wiki/Wipeout_(video_game) Wipeout], packaging for the Sony Aibo ERS-210, and the majority of their output post-millenium. Other notable works include building the brand identity for [https://warp.net/ Warp Records], anti-establishment, post-modern works such as Pho-Ku Corporation and [https://www.thedesignersrepublic.com/buy-me merchandising lines]. Their collaboration with Autechre spans from [[Incunabula]] to [[AE_LIVE 2022－]], however with a "break"<ref>https://www.thedesignersrepublic.com/quaristice</ref> following [[Chiastic Slide]], and ending with [[Quaristice]].		The Designers Republic is a Sheffield-based design studio, founded in 1986<ref>https://www.thedesignersrepublic.com/about</ref> by Ian Anderson and Nick Phillips. They've since become a highly influential design studio, accredited for pioneering the Vectorheart,<ref>https://cari.institute/aesthetics/vectorheart</ref> and Y2K Futurism art style,<ref>https://cari.institute/aesthetics/y2k-aesthetic</ref> examples of this including Psygnosis' [https://en.wikipedia.org/wiki/Wipeout_(video_game) Wipeout], packaging for the Sony Aibo ERS-210, and the majority of their output post-millenium. Other notable works include building the brand identity for [https://warp.net/ Warp Records], anti-establishment, post-modern works such as Pho-Ku Corporation and [https://www.thedesignersrepublic.com/buy-me merchandising lines]. Their collaboration with Autechre spans from ''[[Incunabula]]'' to [[AE_LIVE 2022－\|''AE_2022－'']], however with a "break"<ref>https://www.thedesignersrepublic.com/quaristice</ref> following [[Chiastic Slide\|''Chiastic Slide'']], and ending with ''[[Quaristice]]''.

	== History ==		== History ==
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	Autechre has a long-standing relationship with The Designers Republic and Ian Anderson. First learning of them through tapes sent to Warp Records and being "blown away" on first listen,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.15</ref> he would then foster a personal relationship with the duo, liking the "intellectualization of the design process" and the dynamic between them.		Autechre has a long-standing relationship with The Designers Republic and Ian Anderson. First learning of them through tapes sent to Warp Records and being "blown away" on first listen,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.15</ref> he would then foster a personal relationship with the duo, liking the "intellectualization of the design process" and the dynamic between them.

	Autechre and The Designers Republic took a creative break following Chiastic Slide, presumably for greater creative freedom, they would re-unite professionally for the artwork for [[Quaristice]], inspired by the abrasiveness of the music and Norton Disk Tools' disk defragmentation graphic, they would create the erratically spaced typographic cover for the album. They have since worked together for nearly all their following projects.		Autechre and The Designers Republic took a creative break following ''Chiastic Slide'', presumably for greater creative freedom, they would re-unite professionally for the artwork for ''[[Quaristice]]'', inspired by the abrasiveness of the music and Norton Disk Tools' disk defragmentation graphic, they would create the erratically spaced typographic cover for the album. They have since worked together for nearly all their following projects.

	The Designers Republic has had a continuous theme of humanity vs. technology in their works with Autechre,<ref>https://www.thedesignersrepublic.com/incunabula</ref> from Incunabula to the unreal nature of the Amber cover, impossible, strange machinery for Tri Repetae, fragmentation and abstraction for Chiastic Slide, Exai's abstract, brutalist typography to the entirely human covers for Oversteps (both the circle and typography were handwritten in the cover).<ref>https://www.thedesignersrepublic.com/oversteps</ref>		The Designers Republic has had a continuous theme of humanity vs. technology in their works with Autechre,<ref>https://www.thedesignersrepublic.com/incunabula</ref> from ''Incunabula'' to the unreal nature of the ''Amber'' cover, impossible, strange machinery for ''Tri Repetae'', fragmentation and abstraction for ''Chiastic Slide'', ''Exai's'' abstract, brutalist typography to the entirely human covers for ''Oversteps'' (both the circle and typography were handwritten in the cover).<ref>https://www.thedesignersrepublic.com/oversteps</ref>

	As of ~~AE_LIVE 2022~~, The Designers Republic have worked with Autechre on the following releases:		As of ''AE_2022－'', The Designers Republic have worked with Autechre on the following releases:

	*''[[Incunabula]]'' (1993)		*''[[Incunabula]]'' (1993)

Roxwize: comma consistency

2024-08-23T14:31:02Z

comma consistency

← Older revision		Revision as of 10:31, 23 August 2024
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	Before The Designers Republic, Ian Anderson had become engrained in the Sheffield music scene, managing and working with various bands—something which naturally lead him into design—having to create flyers for various gigs. This resulted in him being asked to manage the band Person to Person, for which he created the Designers Republic banner, both to take advantage of the [https://en.wikipedia.org/wiki/Enterprise_Allowance_Scheme Enterprise Allowance Scheme] and as a necessity due to a conflict of interest in him being band manager and also designer.<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'', Thames and Hudson ISBN 978-0500027356, p.10</ref> After being asked to create the artwork for [https://en.wikipedia.org/wiki/Chakk Chakk's] ''10 Days in an Elevator,'' he requested help from his friend Nick Phillips, with whom he created the artwork for [https://en.wikipedia.org/wiki/Age_of_Chance Age of Chance's], their indie success provided tDR with wider recognition, and consequently work for Pop Will Eat Itself.<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.12</ref>. It was also at this time that they created the brand identity then-nascent Warp Records.		Before The Designers Republic, Ian Anderson had become engrained in the Sheffield music scene, managing and working with various bands—something which naturally lead him into design—having to create flyers for various gigs. This resulted in him being asked to manage the band Person to Person, for which he created the Designers Republic banner, both to take advantage of the [https://en.wikipedia.org/wiki/Enterprise_Allowance_Scheme Enterprise Allowance Scheme] and as a necessity due to a conflict of interest in him being band manager and also designer.<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'', Thames and Hudson ISBN 978-0500027356, p.10</ref> After being asked to create the artwork for [https://en.wikipedia.org/wiki/Chakk Chakk's] ''10 Days in an Elevator,'' he requested help from his friend Nick Phillips, with whom he created the artwork for [https://en.wikipedia.org/wiki/Age_of_Chance Age of Chance's], their indie success provided tDR with wider recognition, and consequently work for Pop Will Eat Itself.<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.12</ref>. It was also at this time that they created the brand identity then-nascent Warp Records.

	Their rising popularity in the design world lead them to work with various large-scale entities in the late 90's and early 2000's, such as [https://www.thedesignersrepublic.com/coca-cola Coca-Cola,] [https://www.thedesignersrepublic.com/gatecrasher Gatecrasher,] [https://www.thedesignersrepublic.com/emigre Emigre,] [https://www.thedesignersrepublic.com/e4 Channel 4,] Nickelodeon,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.284</ref> Pulp,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.366</ref> and various others.		Their rising popularity in the design world lead them to work with various large-scale entities in the late 90's and early 2000's, such as [https://www.thedesignersrepublic.com/coca-cola Coca-Cola], [https://www.thedesignersrepublic.com/gatecrasher Gatecrasher], [https://www.thedesignersrepublic.com/emigre Emigre], [https://www.thedesignersrepublic.com/e4 Channel 4], Nickelodeon,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.284</ref> Pulp,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.366</ref> and various others.

	Changes in the music industry, large-scale copying of their style and mismanagement meant that in 2009, The Designers Republic would go into voluntary liquidation, emerging as a "leaner operation" since.<ref>https://www.creativereview.co.uk/the-designers-republic-is-dead-long-live-the-designers-republic/</ref><ref>https://www.eyemagazine.com/feature/article/reputations-ian-anderson</ref><ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.17</ref>		Changes in the music industry, large-scale copying of their style and mismanagement meant that in 2009, The Designers Republic would go into voluntary liquidation, emerging as a "leaner operation" since.<ref>https://www.creativereview.co.uk/the-designers-republic-is-dead-long-live-the-designers-republic/</ref><ref>https://www.eyemagazine.com/feature/article/reputations-ian-anderson</ref><ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.17</ref>

Roxwize: use a wikilink

2024-08-23T14:30:37Z

use a wikilink

← Older revision		Revision as of 10:30, 23 August 2024
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	The Designers Republic is a Sheffield-based design studio, founded in 1986<ref>https://www.thedesignersrepublic.com/about</ref> by Ian Anderson and Nick Phillips. They've since become a highly influential design studio, accredited for pioneering the Vectorheart,<ref>https://cari.institute/aesthetics/vectorheart</ref> and Y2K Futurism art style,<ref>https://cari.institute/aesthetics/y2k-aesthetic</ref> examples of this including Psygnosis' [https://en.wikipedia.org/wiki/Wipeout_(video_game) Wipeout], packaging for the Sony Aibo ERS-210, and the majority of their output post-millenium. Other notable works include building the brand identity for [https://warp.net/ Warp Records], anti-establishment, post-modern works such as Pho-Ku Corporation and [https://www.thedesignersrepublic.com/buy-me merchandising lines]. Their collaboration with Autechre spans from [[Incunabula]] to [~~https://aepages.org/wiki/AE_LIVE_2022%EF%BC%8D~~ AE_LIVE ~~2022~~], however with a "break"<ref>https://www.thedesignersrepublic.com/quaristice</ref> following [[Chiastic Slide]], and ending with [[Quaristice]].		The Designers Republic is a Sheffield-based design studio, founded in 1986<ref>https://www.thedesignersrepublic.com/about</ref> by Ian Anderson and Nick Phillips. They've since become a highly influential design studio, accredited for pioneering the Vectorheart,<ref>https://cari.institute/aesthetics/vectorheart</ref> and Y2K Futurism art style,<ref>https://cari.institute/aesthetics/y2k-aesthetic</ref> examples of this including Psygnosis' [https://en.wikipedia.org/wiki/Wipeout_(video_game) Wipeout], packaging for the Sony Aibo ERS-210, and the majority of their output post-millenium. Other notable works include building the brand identity for [https://warp.net/ Warp Records], anti-establishment, post-modern works such as Pho-Ku Corporation and [https://www.thedesignersrepublic.com/buy-me merchandising lines]. Their collaboration with Autechre spans from [[Incunabula]] to [[AE_LIVE 2022－]], however with a "break"<ref>https://www.thedesignersrepublic.com/quaristice</ref> following [[Chiastic Slide]], and ending with [[Quaristice]].

	== History ==		== History ==

Wulffo: im a monkey and cannot write

2024-07-30T18:17:25Z

im a monkey and cannot write

← Older revision		Revision as of 14:17, 30 July 2024
Line 1:		Line 1:
	The Designers Republic is a Sheffield-based design studio, founded in 1986<ref>https://www.thedesignersrepublic.com/about</ref> by Ian Anderson and Nick Phillips. They've since become a highly influential design studio, accredited for pioneering the Vectorheart,<ref>https://cari.institute/aesthetics/vectorheart</ref> and Y2K Futurism art style,<ref>https://cari.institute/aesthetics/y2k-aesthetic</ref> examples of this including Psygnosis' [https://en.wikipedia.org/wiki/Wipeout_(video_game) Wipeout]. Other notable works include building the brand identity for [https://warp.net/ Warp Records], ~~and~~ anti-establishment, post-modern works such as Pho-Ku Corporation and [https://www.thedesignersrepublic.com/buy-me merchandising lines]. Their collaboration with Autechre spans from [[Incunabula]] to [https://aepages.org/wiki/AE_LIVE_2022%EF%BC%8D AE_LIVE 2022], however with a "break"<ref>https://www.thedesignersrepublic.com/quaristice</ref> following [[Chiastic Slide]], and ending with [[Quaristice]].		The Designers Republic is a Sheffield-based design studio, founded in 1986<ref>https://www.thedesignersrepublic.com/about</ref> by Ian Anderson and Nick Phillips. They've since become a highly influential design studio, accredited for pioneering the Vectorheart,<ref>https://cari.institute/aesthetics/vectorheart</ref> and Y2K Futurism art style,<ref>https://cari.institute/aesthetics/y2k-aesthetic</ref> examples of this including Psygnosis' [https://en.wikipedia.org/wiki/Wipeout_(video_game) Wipeout], packaging for the Sony Aibo ERS-210, and the majority of their output post-millenium. Other notable works include building the brand identity for [https://warp.net/ Warp Records], anti-establishment, post-modern works such as Pho-Ku Corporation and [https://www.thedesignersrepublic.com/buy-me merchandising lines]. Their collaboration with Autechre spans from [[Incunabula]] to [https://aepages.org/wiki/AE_LIVE_2022%EF%BC%8D AE_LIVE 2022], however with a "break"<ref>https://www.thedesignersrepublic.com/quaristice</ref> following [[Chiastic Slide]], and ending with [[Quaristice]].

	== History ==		== History ==
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	Before The Designers Republic, Ian Anderson had become engrained in the Sheffield music scene, managing and working with various bands—something which naturally lead him into design—having to create flyers for various gigs. This resulted in him being asked to manage the band Person to Person, for which he created the Designers Republic banner, both to take advantage of the [https://en.wikipedia.org/wiki/Enterprise_Allowance_Scheme Enterprise Allowance Scheme] and as a necessity due to a conflict of interest in him being band manager and also designer.<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'', Thames and Hudson ISBN 978-0500027356, p.10</ref> After being asked to create the artwork for [https://en.wikipedia.org/wiki/Chakk Chakk's] ''10 Days in an Elevator,'' he requested help from his friend Nick Phillips, with whom he created the artwork for [https://en.wikipedia.org/wiki/Age_of_Chance Age of Chance's], their indie success provided tDR with wider recognition, and consequently work for Pop Will Eat Itself.<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.12</ref>. It was also at this time that they created the brand identity then-nascent Warp Records.		Before The Designers Republic, Ian Anderson had become engrained in the Sheffield music scene, managing and working with various bands—something which naturally lead him into design—having to create flyers for various gigs. This resulted in him being asked to manage the band Person to Person, for which he created the Designers Republic banner, both to take advantage of the [https://en.wikipedia.org/wiki/Enterprise_Allowance_Scheme Enterprise Allowance Scheme] and as a necessity due to a conflict of interest in him being band manager and also designer.<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'', Thames and Hudson ISBN 978-0500027356, p.10</ref> After being asked to create the artwork for [https://en.wikipedia.org/wiki/Chakk Chakk's] ''10 Days in an Elevator,'' he requested help from his friend Nick Phillips, with whom he created the artwork for [https://en.wikipedia.org/wiki/Age_of_Chance Age of Chance's], their indie success provided tDR with wider recognition, and consequently work for Pop Will Eat Itself.<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.12</ref>. It was also at this time that they created the brand identity then-nascent Warp Records.

	Their rising popularity in the design world lead them to work with various large-scale entities in the late 90's and early 2000's, such as ~~the aforementioned [https://en.wikipedia.org/wiki/Wipeout_(video_game) Wipeout,]~~ [https://www.thedesignersrepublic.com/coca-cola Coca-Cola,] [https://www.thedesignersrepublic.com/gatecrasher Gatecrasher,] [https://www.thedesignersrepublic.com/emigre Emigre,] [https://www.thedesignersrepublic.com/e4 Channel 4,] Nickelodeon,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.284</ref> Pulp,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.366</ref> and various others.		Their rising popularity in the design world lead them to work with various large-scale entities in the late 90's and early 2000's, such as [https://www.thedesignersrepublic.com/coca-cola Coca-Cola,] [https://www.thedesignersrepublic.com/gatecrasher Gatecrasher,] [https://www.thedesignersrepublic.com/emigre Emigre,] [https://www.thedesignersrepublic.com/e4 Channel 4,] Nickelodeon,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.284</ref> Pulp,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.366</ref> and various others.

	Changes in the music industry, large-scale copying of their style and mismanagement meant that in 2009, The Designers Republic would go into voluntary liquidation, emerging as a "leaner operation" since.<ref>https://www.creativereview.co.uk/the-designers-republic-is-dead-long-live-the-designers-republic/</ref><ref>https://www.eyemagazine.com/feature/article/reputations-ian-anderson</ref><ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.17</ref>		Changes in the music industry, large-scale copying of their style and mismanagement meant that in 2009, The Designers Republic would go into voluntary liquidation, emerging as a "leaner operation" since.<ref>https://www.creativereview.co.uk/the-designers-republic-is-dead-long-live-the-designers-republic/</ref><ref>https://www.eyemagazine.com/feature/article/reputations-ian-anderson</ref><ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.17</ref>
Line 15:		Line 15:
	Autechre and The Designers Republic took a creative break following Chiastic Slide, presumably for greater creative freedom, they would re-unite professionally for the artwork for [[Quaristice]], inspired by the abrasiveness of the music and Norton Disk Tools' disk defragmentation graphic, they would create the erratically spaced typographic cover for the album. They have since worked together for nearly all their following projects.		Autechre and The Designers Republic took a creative break following Chiastic Slide, presumably for greater creative freedom, they would re-unite professionally for the artwork for [[Quaristice]], inspired by the abrasiveness of the music and Norton Disk Tools' disk defragmentation graphic, they would create the erratically spaced typographic cover for the album. They have since worked together for nearly all their following projects.

	The Designers Republic has had a continuous theme of humanity vs. technology in their works with Autechre,<ref>https://www.thedesignersrepublic.com/incunabula</ref> from Incunabula to the unreal nature of the Amber cover, impossible, strange machinery for Tri Repetae, fragmentation and abstraction for Chiastic Slide, Exai's abstract, brutalist typography to the entirely human covers for Oversteps (both the circle and typography ~~was~~ handwritten in the cover).<ref>https://www.thedesignersrepublic.com/oversteps</ref>		The Designers Republic has had a continuous theme of humanity vs. technology in their works with Autechre,<ref>https://www.thedesignersrepublic.com/incunabula</ref> from Incunabula to the unreal nature of the Amber cover, impossible, strange machinery for Tri Repetae, fragmentation and abstraction for Chiastic Slide, Exai's abstract, brutalist typography to the entirely human covers for Oversteps (both the circle and typography were handwritten in the cover).<ref>https://www.thedesignersrepublic.com/oversteps</ref>


	As of AE_LIVE 2022, The Designers Republic have worked with Autechre on the following releases:		As of AE_LIVE 2022, The Designers Republic have worked with Autechre on the following releases:

Wulffo at 19:16, 5 July 2024

2024-07-05T19:16:15Z

← Older revision		Revision as of 15:16, 5 July 2024
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	The Designers Republic is a Sheffield-based design studio, founded in 1986<ref>https://www.thedesignersrepublic.com/about</ref> by Ian Anderson and Nick Phillips. They've since become a highly influential design studio, ~~best known~~ for ~~their futuristic works~~, ~~such as~~ [https://en.wikipedia.org/wiki/Wipeout_(video_game) Wipeout]~~, and~~ building the brand identity for [https://warp.net/ Warp Records]. Their collaboration with Autechre spans from [[Incunabula]] to [~~[PLUS]~~], ~~although~~ with a "break"<ref>https://www.thedesignersrepublic.com/quaristice</ref> following [[Chiastic Slide]], and ending with [[Quaristice]].		The Designers Republic is a Sheffield-based design studio, founded in 1986<ref>https://www.thedesignersrepublic.com/about</ref> by Ian Anderson and Nick Phillips. They've since become a highly influential design studio, accredited for pioneering the Vectorheart,<ref>https://cari.institute/aesthetics/vectorheart</ref> and Y2K Futurism art style,<ref>https://cari.institute/aesthetics/y2k-aesthetic</ref> examples of this including Psygnosis' [https://en.wikipedia.org/wiki/Wipeout_(video_game) Wipeout]. Other notable works include building the brand identity for [https://warp.net/ Warp Records], and anti-establishment, post-modern works such as Pho-Ku Corporation and [https://www.thedesignersrepublic.com/buy-me merchandising lines]. Their collaboration with Autechre spans from [[Incunabula]] to [https://aepages.org/wiki/AE_LIVE_2022%EF%BC%8D AE_LIVE 2022], however with a "break"<ref>https://www.thedesignersrepublic.com/quaristice</ref> following [[Chiastic Slide]], and ending with [[Quaristice]].

	== History ==		== History ==

	Before The Designers Republic, Ian Anderson had become engrained in the Sheffield music scene, managing and working with various ~~bands—which~~ naturally lead him into design—having to create flyers for various gigs. This resulted in him being asked to manage the band Person to Person, for which he created the Designers Republic banner, both to take advantage of the [https://en.wikipedia.org/wiki/Enterprise_Allowance_Scheme Enterprise Allowance Scheme] and as a necessity due to a conflict of interest in him being band manager and also designer.<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'', Thames and Hudson ISBN 978-0500027356, p.10</ref> After being asked to create the artwork for [https://en.wikipedia.org/wiki/Chakk Chakk's] ''10 Days in an Elevator,'' he requested help from his friend Nick Phillips, with whom he created the artwork for [https://en.wikipedia.org/wiki/Age_of_Chance Age of Chance's], their indie success provided tDR with wider recognition, and consequently work for Pop Will Eat Itself.<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'', Thames and Hudson ISBN 978-0500027356, p.12</ref>. It was also at this time that they created the brand identity then-nascent Warp Records.		Before The Designers Republic, Ian Anderson had become engrained in the Sheffield music scene, managing and working with various bands—something which naturally lead him into design—having to create flyers for various gigs. This resulted in him being asked to manage the band Person to Person, for which he created the Designers Republic banner, both to take advantage of the [https://en.wikipedia.org/wiki/Enterprise_Allowance_Scheme Enterprise Allowance Scheme] and as a necessity due to a conflict of interest in him being band manager and also designer.<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'', Thames and Hudson ISBN 978-0500027356, p.10</ref> After being asked to create the artwork for [https://en.wikipedia.org/wiki/Chakk Chakk's] ''10 Days in an Elevator,'' he requested help from his friend Nick Phillips, with whom he created the artwork for [https://en.wikipedia.org/wiki/Age_of_Chance Age of Chance's], their indie success provided tDR with wider recognition, and consequently work for Pop Will Eat Itself.<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.12</ref>. It was also at this time that they created the brand identity then-nascent Warp Records.

	Their rising popularity in the design world lead them to work with various large-scale entities in the late 90's and early 2000's, such as the aforementioned [https://en.wikipedia.org/wiki/Wipeout_(video_game) Wipeout,] [https://www.thedesignersrepublic.com/coca-cola Coca-Cola,] [https://www.thedesignersrepublic.com/gatecrasher Gatecrasher,] [https://www.thedesignersrepublic.com/emigre Emigre,] [https://www.thedesignersrepublic.com/e4 Channel 4,] Nickelodeon,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.284</ref> Pulp,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.366</ref> and various others.		Their rising popularity in the design world lead them to work with various large-scale entities in the late 90's and early 2000's, such as the aforementioned [https://en.wikipedia.org/wiki/Wipeout_(video_game) Wipeout,] [https://www.thedesignersrepublic.com/coca-cola Coca-Cola,] [https://www.thedesignersrepublic.com/gatecrasher Gatecrasher,] [https://www.thedesignersrepublic.com/emigre Emigre,] [https://www.thedesignersrepublic.com/e4 Channel 4,] Nickelodeon,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.284</ref> Pulp,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.366</ref> and various others.
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	== Relationship with Autechre ==		== Relationship with Autechre ==

			Autechre has a long-standing relationship with The Designers Republic and Ian Anderson. First learning of them through tapes sent to Warp Records and being "blown away" on first listen,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.15</ref> he would then foster a personal relationship with the duo, liking the "intellectualization of the design process" and the dynamic between them.
	''~~'work in progress'~~''

	Autechre ~~has a long-standing relationship with~~ The Designers Republic and ~~Ian Anderson~~.		Autechre and The Designers Republic took a creative break following Chiastic Slide, presumably for greater creative freedom, they would re-unite professionally for the artwork for [[Quaristice]], inspired by the abrasiveness of the music and Norton Disk Tools' disk defragmentation graphic, they would create the erratically spaced typographic cover for the album. They have since worked together for nearly all their following projects.

			The Designers Republic has had a continuous theme of humanity vs. technology in their works with Autechre,<ref>https://www.thedesignersrepublic.com/incunabula</ref> from Incunabula to the unreal nature of the Amber cover, impossible, strange machinery for Tri Repetae, fragmentation and abstraction for Chiastic Slide, Exai's abstract, brutalist typography to the entirely human covers for Oversteps (both the circle and typography was handwritten in the cover).<ref>https://www.thedesignersrepublic.com/oversteps</ref>


			As of AE_LIVE 2022, The Designers Republic have worked with Autechre on the following releases:

			*''[[Incunabula]]'' (1993)
			*''[[Basscad,EP]]'' (1994)
			*''[[Anti]]'' (1994)
			*''[[Amber]]'' (1994)
			*''[[Garbage]]'' (1995)
			*''[[Anvil Vapre]]'' (1995)
			*''[[Tri Repetae]]'' (1995)
			*''[[Chiastic Slide]]'' (1997)
			*''[[Envane]]'' (1997)
			*''[[Cichlisuite]]'' (1997)
			*''[[Peel Session]]'' (1999)
			*''[[Peel Session 2]]'' (2000)
			*''[[Quaristice]]'' (2008)
			*''[[Quaristice.Quadrange.ep.ae]]'' (2008)
			*''[[Oversteps]] (''2010)
			* ''[[Move Of Ten]]'' (2010)
			*''[[Exai]]'' (2013)
			*''[[L-event]]'' (2013)
			*''[[AE_LIVE]]'' (2015/2019)
			*''[[elseq 1-5]]'' (2016)
			*''[[NTS Sessions 1-4]]'' (2018)
			* [[AE LIVE 2016/2018\|''AE_LIVE 2016/2018'']] (2020)
			*''[[SIGN]]'' (2020)
			*''[[PLUS]]'' (2020)
			* [[AE LIVE 2022－\|''AE_LIVE 2022－'']] (2023)

	== References ==		== References ==
	<references />		<references />

Wulffo: Created page with "The Designers Republic is a Sheffield-based design studio, founded in 1986https://www.thedesignersrepublic.com/about by Ian Anderson and Nick Phillips. They've since become a highly influential design studio, best known for their futuristic works, such as [https://en.wikipedia.org/wiki/Wipeout_(video_game) Wipeout], and building the brand identity for [https://warp.net/ Warp Records]. Their collaboration with Autechre spans from Incunabula to PLUS, alt..."

2024-07-05T14:17:41Z

Created page with "The Designers Republic is a Sheffield-based design studio, founded in 1986<ref>https://www.thedesignersrepublic.com/about</ref> by Ian Anderson and Nick Phillips. They've since become a highly influential design studio, best known for their futuristic works, such as [https://en.wikipedia.org/wiki/Wipeout_(video_game) Wipeout], and building the brand identity for [https://warp.net/ Warp Records]. Their collaboration with Autechre spans from Incunabula to PLUS, alt..."

New page

The Designers Republic is a Sheffield-based design studio, founded in 1986<ref>https://www.thedesignersrepublic.com/about</ref> by Ian Anderson and Nick Phillips. They've since become a highly influential design studio, best known for their futuristic works, such as [https://en.wikipedia.org/wiki/Wipeout_(video_game) Wipeout], and building the brand identity for [https://warp.net/ Warp Records]. Their collaboration with Autechre spans from [[Incunabula]] to [[PLUS]], although with a "break"<ref>https://www.thedesignersrepublic.com/quaristice</ref> following [[Chiastic Slide]], and ending with [[Quaristice]].

== History ==

Before The Designers Republic, Ian Anderson had become engrained in the Sheffield music scene, managing and working with various bands—which naturally lead him into design—having to create flyers for various gigs. This resulted in him being asked to manage the band Person to Person, for which he created the Designers Republic banner, both to take advantage of the [https://en.wikipedia.org/wiki/Enterprise_Allowance_Scheme Enterprise Allowance Scheme] and as a necessity due to a conflict of interest in him being band manager and also designer.<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'', Thames and Hudson ISBN 978-0500027356, p.10</ref> After being asked to create the artwork for [https://en.wikipedia.org/wiki/Chakk Chakk's] ''10 Days in an Elevator,'' he requested help from his friend Nick Phillips, with whom he created the artwork for [https://en.wikipedia.org/wiki/Age_of_Chance Age of Chance's], their indie success provided tDR with wider recognition, and consequently work for Pop Will Eat Itself.<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'', Thames and Hudson ISBN 978-0500027356, p.12</ref>. It was also at this time that they created the brand identity then-nascent Warp Records.

Their rising popularity in the design world lead them to work with various large-scale entities in the late 90's and early 2000's, such as the aforementioned [https://en.wikipedia.org/wiki/Wipeout_(video_game) Wipeout,] [https://www.thedesignersrepublic.com/coca-cola Coca-Cola,] [https://www.thedesignersrepublic.com/gatecrasher Gatecrasher,] [https://www.thedesignersrepublic.com/emigre Emigre,] [https://www.thedesignersrepublic.com/e4 Channel 4,] Nickelodeon,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.284</ref> Pulp,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.366</ref> and various others.

Changes in the music industry, large-scale copying of their style and mismanagement meant that in 2009, The Designers Republic would go into voluntary liquidation, emerging as a "leaner operation" since.<ref>https://www.creativereview.co.uk/the-designers-republic-is-dead-long-live-the-designers-republic/</ref><ref>https://www.eyemagazine.com/feature/article/reputations-ian-anderson</ref><ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.17</ref>

== Relationship with Autechre ==

'''work in progress'''

Autechre has a long-standing relationship with The Designers Republic and Ian Anderson.

== References ==
<references />