NTS Sessions 1-4 - Revision history

Miracle372: add missing links to bladelores and frane casual's respective pages

2026-03-17T06:38:44Z

add missing links to bladelores and frane casual's respective pages

← Older revision		Revision as of 02:38, 17 March 2026
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	Autechre explicitly noted the aesthetic goals were to create "developed alternate versions of existing Autechre material",<ref name=":1" /> and to focus on "deep mixing", where elements are not upfront or noticeable on first listen.<ref name=":0" />		Autechre explicitly noted the aesthetic goals were to create "developed alternate versions of existing Autechre material",<ref name=":1" /> and to focus on "deep mixing", where elements are not upfront or noticeable on first listen.<ref name=":0" />

	Similar to other adjacent records, the material was a lot of long jams sessions that were edited down.<ref name=":1" /><ref>{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote='''What's the process of collecting or creating a tracklist as big as NTS? How do you decide to flow the album?''' You just do, I don't know. I've been doing long mixes for a long time, so I'm really into planning out these long sessions. I used to do mixes for just acid sessions. We used to use DATs because that's, you could get like four hours on a tape back in a day, so we'd do these big long fucking mixes and you'd know at what point the drugs start working and at what point you're gonna start getting trails and all that, so. That was just that, you know what I mean? But I'm saying yeah, I mean long term, long mixes for long periods of time, I've always liked that. I always liked Mixmaster Morris sets, you know, he could play sets all day. He would just play a set all day and it, and you'd still be with him by the end of the day. He'd still be able to keep you interested and I always admired that about him because he's got such a kind of, you know, encyclopedic knowledge of music history that he can keep pulling him out the bag as it were. I feel like he doesn't get enough credit as a DJ, to be honest.}}</ref> Much of the material either came from jams done between ''[[Exai]]'' and ''[[elseq 1-5]]'' or new jams done on old patches, with the oldest material dating back to 2011 with a "bladelores" jam.<ref name=":0" /> Some of the material was also performed at their [[AE LIVE\|2014/2015]] and [[AE LIVE 2016/2018\|2016/2018]] live shows, with Sean noting that "most of NTS Sessions was like cells from live sets",<ref name=":3">{{Cite interview\|page=Sean Twitch AMA, July 2022\|quote=column thirteen, I think it was a live set cell. I don't know if we'd used it before NTS came out. I think we might have used a bit of it, I can't remember. Most of NTS Sessions was like cells from live sets, either at the time or a bit prior to that, that we already had jams fully recorded. So we just editing them down into things, and we basically like made it knowing that it was going to go out on the radio. So it was kind of, there's a different editing process to what we'd normally do. So bits of it from before, bits of it were from just then, bits of it were made especially for the thing, for the broadcast, you know. It was a combination of stuff.}}</ref>, although only using 1-3 cells "with a lot of live tweaking"<ref>https://web.archive.org/web/20250823160621/https://post.lurk.org/@sean_ae/115078509915195794</ref>. Most of the tracks were done solo by either Sean or Rob.<ref>https://web.archive.org/web/20231118215345/https://post.lurk.org/@sean_ae/111433472440615681</ref> All tracks were recorded directly "in the box"<!-- clunky phrasing --> to stereo.<ref>https://web.archive.org/web/20241107183922/https://post.lurk.org/@sean_ae/113442509470527990</ref>		Similar to other adjacent records, the material was a lot of long jams sessions that were edited down.<ref name=":1" /><ref>{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote='''What's the process of collecting or creating a tracklist as big as NTS? How do you decide to flow the album?''' You just do, I don't know. I've been doing long mixes for a long time, so I'm really into planning out these long sessions. I used to do mixes for just acid sessions. We used to use DATs because that's, you could get like four hours on a tape back in a day, so we'd do these big long fucking mixes and you'd know at what point the drugs start working and at what point you're gonna start getting trails and all that, so. That was just that, you know what I mean? But I'm saying yeah, I mean long term, long mixes for long periods of time, I've always liked that. I always liked Mixmaster Morris sets, you know, he could play sets all day. He would just play a set all day and it, and you'd still be with him by the end of the day. He'd still be able to keep you interested and I always admired that about him because he's got such a kind of, you know, encyclopedic knowledge of music history that he can keep pulling him out the bag as it were. I feel like he doesn't get enough credit as a DJ, to be honest.}}</ref> Much of the material either came from jams done between ''[[Exai]]'' and ''[[elseq 1-5]]'' or new jams done on old patches, with the oldest material dating back to 2011 with a [[Exai#bladelores\|"bladelores"]] jam.<ref name=":0" /> Some of the material was also performed at their [[AE LIVE\|2014/2015]] and [[AE LIVE 2016/2018\|2016/2018]] live shows, with Sean noting that "most of NTS Sessions was like cells from live sets",<ref name=":3">{{Cite interview\|page=Sean Twitch AMA, July 2022\|quote=column thirteen, I think it was a live set cell. I don't know if we'd used it before NTS came out. I think we might have used a bit of it, I can't remember. Most of NTS Sessions was like cells from live sets, either at the time or a bit prior to that, that we already had jams fully recorded. So we just editing them down into things, and we basically like made it knowing that it was going to go out on the radio. So it was kind of, there's a different editing process to what we'd normally do. So bits of it from before, bits of it were from just then, bits of it were made especially for the thing, for the broadcast, you know. It was a combination of stuff.}}</ref>, although only using 1-3 cells "with a lot of live tweaking"<ref>https://web.archive.org/web/20250823160621/https://post.lurk.org/@sean_ae/115078509915195794</ref>. Most of the tracks were done solo by either Sean or Rob.<ref>https://web.archive.org/web/20231118215345/https://post.lurk.org/@sean_ae/111433472440615681</ref> All tracks were recorded directly "in the box"<!-- clunky phrasing --> to stereo.<ref>https://web.archive.org/web/20241107183922/https://post.lurk.org/@sean_ae/113442509470527990</ref>

	On April 3rd, 2018, the announcement was sent out that each 2-hour session would be aired every week Thursday at 4PM GMT throughout April on the 5th, 12th, 19th and 26th respectively.<ref name=":2">{{Cite web\|link=https://web.archive.org/web/20180417023755/http://warp.net/news/autechre-nts-sessions/\|date=8 April 2018\|title='NTS Sessions' 01–04\|website=Warp\|accessdate=8 March 2024\|author=}}</ref><ref>{{Cite web\|link=https://www.factmag.com/2018/04/03/autechre-nts-radio-residency/\|date=3 April 2018\|title=Autechre announce four day NTS Radio residency\|website=Fact Magazine\|accessdate=8 March 2024\|author=Twells, John}}</ref> The first session was made available for download on April 9th, with the rest being made available hours after being aired.<ref name=":2" /><!-- removed the part about "looping in the week between sessions" because i couldn't source the claim, might be just the shown session, all the previous ones, or even worse, they didn't loop it at all --> After all four sessions were aired, the entire 8 hours were then looped constantly in a permanent residency, which is still ongoing as of writing.<ref>{{Cite web\|link=https://www.nts.live/projects/autechre-nts-residency/\|date=\|title=NTS Residency.\|website=NTS Radio\|accessdate=8 March 2024\|author=Autechre}}</ref>		On April 3rd, 2018, the announcement was sent out that each 2-hour session would be aired every week Thursday at 4PM GMT throughout April on the 5th, 12th, 19th and 26th respectively.<ref name=":2">{{Cite web\|link=https://web.archive.org/web/20180417023755/http://warp.net/news/autechre-nts-sessions/\|date=8 April 2018\|title='NTS Sessions' 01–04\|website=Warp\|accessdate=8 March 2024\|author=}}</ref><ref>{{Cite web\|link=https://www.factmag.com/2018/04/03/autechre-nts-radio-residency/\|date=3 April 2018\|title=Autechre announce four day NTS Radio residency\|website=Fact Magazine\|accessdate=8 March 2024\|author=Twells, John}}</ref> The first session was made available for download on April 9th, with the rest being made available hours after being aired.<ref name=":2" /><!-- removed the part about "looping in the week between sessions" because i couldn't source the claim, might be just the shown session, all the previous ones, or even worse, they didn't loop it at all --> After all four sessions were aired, the entire 8 hours were then looped constantly in a permanent residency, which is still ongoing as of writing.<ref>{{Cite web\|link=https://www.nts.live/projects/autechre-nts-residency/\|date=\|title=NTS Residency.\|website=NTS Radio\|accessdate=8 March 2024\|author=Autechre}}</ref>
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	==== frane casual ====		==== frane casual ====

	* "frane casual" shares a lot of similarities with "pendulu casual".		* "frane casual" shares a lot of similarities with [[elseq 1-5#pendulu casual\|"pendulu casual"]].

	==== mirrage ====		==== mirrage ====
Line 193:		Line 193:

	* BPM: 88 <!-- own analysis gave some multiple of 44, said 11 before, but bladelores is 88. -->		* BPM: 88 <!-- own analysis gave some multiple of 44, said 11 before, but bladelores is 88. -->
	* "all end" was made in 2011, on the same day as the jam that later was reworked into "bladelores".<ref>{{Cite interview\|page=Autechre on Their Epic NTS Sessions, David Lynch, and Where Code Meets Music, August 2018\|quote='''How far back does this material go?''' SB: I think the oldest thing is from 2011. But that was just an archive of the jam that became “bladelores,” which is on Exai [from 2013].}}</ref><ref>{{Cite AAA2 doc\|298}}</ref> Rob noted that the original jam is longer than an hour and was edited down for release.<ref>{{Cite AAA2 doc\|506}}</ref>		* "all end" was made in 2011, on the same day as the jam that later was reworked into [[Exai#bladelores\|"bladelores"]].<ref>{{Cite interview\|page=Autechre on Their Epic NTS Sessions, David Lynch, and Where Code Meets Music, August 2018\|quote='''How far back does this material go?''' SB: I think the oldest thing is from 2011. But that was just an archive of the jam that became “bladelores,” which is on Exai [from 2013].}}</ref><ref>{{Cite AAA2 doc\|298}}</ref> Rob noted that the original jam is longer than an hour and was edited down for release.<ref>{{Cite AAA2 doc\|506}}</ref>
	* Autechre confirmed that the name of the track is in fact because the track uses the end of "bladelores" for all of the track, alongside feeling that "It was the end, and it was long and all."<ref name=":1" /> The same drone pad sound also appears at the end of "splesh".		* Autechre confirmed that the name of the track is in fact because the track uses the end of "bladelores" for all of the track, alongside feeling that "It was the end, and it was long and all."<ref name=":1" /> The same drone pad sound also appears at the end of "splesh".
	* It was confirmed that "all end" was solely made by Rob.<ref>[[Hanalgig AMA, July 2022]]</ref>		* It was confirmed that "all end" was solely made by Rob.<ref>[[Hanalgig AMA, July 2022]]</ref>

EnergyIsMassiveLight: all end clarify

2025-11-11T01:46:58Z

all end clarify

← Older revision		Revision as of 21:46, 10 November 2025
Line 193:		Line 193:

	* BPM: 88 <!-- own analysis gave some multiple of 44, said 11 before, but bladelores is 88. -->		* BPM: 88 <!-- own analysis gave some multiple of 44, said 11 before, but bladelores is 88. -->
	* "all end" ~~comes from a~~ 2011 jam ~~which~~ later was reworked into "bladelores".<ref>{{Cite interview\|page=Autechre on Their Epic NTS Sessions, David Lynch, and Where Code Meets Music, August 2018\|quote='''How far back does this material go?''' SB: I think the oldest thing is from 2011. But that was just an archive of the jam that became “bladelores,” which is on Exai [from 2013].}}</ref> ~~They~~ confirmed that the name of the track is in fact because the track uses the end of "bladelores" for all of the track, alongside feeling that "It was the end, and it was long and all."<ref name=":1" /> The same drone pad sound also appears at the end of "splesh".		* "all end" was made in 2011, on the same day as the jam that later was reworked into "bladelores".<ref>{{Cite interview\|page=Autechre on Their Epic NTS Sessions, David Lynch, and Where Code Meets Music, August 2018\|quote='''How far back does this material go?''' SB: I think the oldest thing is from 2011. But that was just an archive of the jam that became “bladelores,” which is on Exai [from 2013].}}</ref><ref>{{Cite AAA2 doc\|298}}</ref> Rob noted that the original jam is longer than an hour and was edited down for release.<ref>{{Cite AAA2 doc\|506}}</ref>
	* It was confirmed that "all end" was solely made by Rob.<ref>[[Hanalgig AMA, July 2022]]</ref>		* Autechre confirmed that the name of the track is in fact because the track uses the end of "bladelores" for all of the track, alongside feeling that "It was the end, and it was long and all."<ref name=":1" /> The same drone pad sound also appears at the end of "splesh".
			* It was confirmed that "all end" was solely made by Rob.<ref>[[Hanalgig AMA, July 2022]]</ref>
	* On the LP and CD versions of ''NTS Sessions'', "all end" only has a fade in rather than the short transition from "shimripl casual" at the start. Due to the length of "all end", it was split up into 3 parts to fit on 3 sides.		* On the LP and CD versions of ''NTS Sessions'', "all end" only has a fade in rather than the short transition from "shimripl casual" at the start. Due to the length of "all end", it was split up into 3 parts to fit on 3 sides.
	* On the CD version this track runs for 58:40. Due to some overlap between the different sides, the vinyl version runs about a minute longer with a total time of 59:22.		* On the CD version this track runs for 58:40. Due to some overlap between the different sides, the vinyl version runs about a minute longer with a total time of 59:22.

EnergyIsMassiveLight: /* all end */ bpm 88

2025-09-11T21:50:01Z

all end: bpm 88

← Older revision		Revision as of 17:50, 11 September 2025
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	==== all end ====		==== all end ====

	* BPM: 11		* BPM: 88 <!-- own analysis gave some multiple of 44, said 11 before, but bladelores is 88. -->
	* "all end" comes from a 2011 jam which later was reworked into "bladelores".<ref>{{Cite interview\|page=Autechre on Their Epic NTS Sessions, David Lynch, and Where Code Meets Music, August 2018\|quote='''How far back does this material go?''' SB: I think the oldest thing is from 2011. But that was just an archive of the jam that became “bladelores,” which is on Exai [from 2013].}}</ref> They confirmed that the name of the track is in fact because the track uses the end of "bladelores" for all of the track, alongside feeling that "It was the end, and it was long and all."<ref name=":1" /> The same drone pad sound also appears at the end of "splesh".		* "all end" comes from a 2011 jam which later was reworked into "bladelores".<ref>{{Cite interview\|page=Autechre on Their Epic NTS Sessions, David Lynch, and Where Code Meets Music, August 2018\|quote='''How far back does this material go?''' SB: I think the oldest thing is from 2011. But that was just an archive of the jam that became “bladelores,” which is on Exai [from 2013].}}</ref> They confirmed that the name of the track is in fact because the track uses the end of "bladelores" for all of the track, alongside feeling that "It was the end, and it was long and all."<ref name=":1" /> The same drone pad sound also appears at the end of "splesh".
	* It was confirmed that "all end" was solely made by Rob.<ref>[[Hanalgig AMA, July 2022]]</ref>		* It was confirmed that "all end" was solely made by Rob.<ref>[[Hanalgig AMA, July 2022]]</ref>

EnergyIsMassiveLight: /* all end */ rewrite

2025-09-11T21:15:07Z

all end: rewrite

← Older revision		Revision as of 17:15, 11 September 2025
Line 193:		Line 193:

	* BPM: 11		* BPM: 11
	* ~~The particular drone sound at the~~ end of "bladelores" is ~~what became "all end"~~. In an ~~interview~~, ~~they~~ confirmed that the name is in fact because the track uses the end of "bladelores" for all of the track, alongside feeling ~~right because~~ "It was the end, and it was long and all."<ref name=":1" /> It also appears at the end of "splesh".		* "all end" comes from a 2011 jam which later was reworked into "bladelores".<ref>{{Cite interview\|page=Autechre on Their Epic NTS Sessions, David Lynch, and Where Code Meets Music, August 2018\|quote='''How far back does this material go?''' SB: I think the oldest thing is from 2011. But that was just an archive of the jam that became “bladelores,” which is on Exai [from 2013].}}</ref> They confirmed that the name of the track is in fact because the track uses the end of "bladelores" for all of the track, alongside feeling that "It was the end, and it was long and all."<ref name=":1" /> The same drone pad sound also appears at the end of "splesh".
	* It was confirmed that "all end" was solely made by Rob. <ref>[[Hanalgig AMA, July 2022]]</ref>		* It was confirmed that "all end" was solely made by Rob.<ref>[[Hanalgig AMA, July 2022]]</ref>
	* On the LP and CD versions of ''NTS Sessions'', "all end" only has a fade in rather than the short transition from "shimripl casual" at the start. Due to the length of "all end", it was split up into 3 parts to fit on 3 sides.		* On the LP and CD versions of ''NTS Sessions'', "all end" only has a fade in rather than the short transition from "shimripl casual" at the start. Due to the length of "all end", it was split up into 3 parts to fit on 3 sides.
	* On the CD version this track runs for 58:40. Due to some overlap between the different sides, the vinyl version runs about a minute longer with a total time of 59:22.		* On the CD version this track runs for 58:40. Due to some overlap between the different sides, the vinyl version runs about a minute longer with a total time of 59:22.

Ghy201: Typo

2025-09-03T17:56:15Z

Typo

← Older revision		Revision as of 13:56, 3 September 2025
Line 55:		Line 55:
	* BPM: 164		* BPM: 164
	* On the CD version, the intro has been altered to just start with the clicks, rather than the transition from "carefree counter dronal" to it.		* On the CD version, the intro has been altered to just start with the clicks, rather than the transition from "carefree counter dronal" to it.
	* "north spiral" appears in an remixed form on the [[AE LIVE\|14/15 live sets]]. ([https://youtu.be/wc9BmSemYRU?si=qRq0QAlah2oBj6SC&t=1521 example])		* "north spiral" appears in a remixed form on the [[AE LIVE\|14/15 live sets]]. ([https://youtu.be/wc9BmSemYRU?si=qRq0QAlah2oBj6SC&t=1521 example])

	==== gonk steady one ====		==== gonk steady one ====

EnergyIsMassiveLight: nts cells

2025-08-23T16:25:17Z

nts cells

← Older revision		Revision as of 12:25, 23 August 2025
Line 16:		Line 16:
	Autechre explicitly noted the aesthetic goals were to create "developed alternate versions of existing Autechre material",<ref name=":1" /> and to focus on "deep mixing", where elements are not upfront or noticeable on first listen.<ref name=":0" />		Autechre explicitly noted the aesthetic goals were to create "developed alternate versions of existing Autechre material",<ref name=":1" /> and to focus on "deep mixing", where elements are not upfront or noticeable on first listen.<ref name=":0" />

	Similar to other adjacent records, the material was a lot of long jams sessions that were edited down.<ref name=":1" /><ref>{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote='''What's the process of collecting or creating a tracklist as big as NTS? How do you decide to flow the album?''' You just do, I don't know. I've been doing long mixes for a long time, so I'm really into planning out these long sessions. I used to do mixes for just acid sessions. We used to use DATs because that's, you could get like four hours on a tape back in a day, so we'd do these big long fucking mixes and you'd know at what point the drugs start working and at what point you're gonna start getting trails and all that, so. That was just that, you know what I mean? But I'm saying yeah, I mean long term, long mixes for long periods of time, I've always liked that. I always liked Mixmaster Morris sets, you know, he could play sets all day. He would just play a set all day and it, and you'd still be with him by the end of the day. He'd still be able to keep you interested and I always admired that about him because he's got such a kind of, you know, encyclopedic knowledge of music history that he can keep pulling him out the bag as it were. I feel like he doesn't get enough credit as a DJ, to be honest.}}</ref> Much of the material either came from jams done between ''[[Exai]]'' and ''[[elseq 1-5]]'' or new jams done on old patches, with the oldest material dating back to 2011 with a "bladelores" jam.<ref name=":0" /> Some of the material was also performed at their [[AE LIVE\|2014/2015]] and [[AE LIVE 2016/2018\|2016/2018]] live shows, with Sean noting that "most of NTS Sessions was like cells from live sets".<ref name=":3">{{Cite interview\|page=Sean Twitch AMA, July 2022\|quote=column thirteen, I think it was a live set cell. I don't know if we'd used it before NTS came out. I think we might have used a bit of it, I can't remember. Most of NTS Sessions was like cells from live sets, either at the time or a bit prior to that, that we already had jams fully recorded. So we just editing them down into things, and we basically like made it knowing that it was going to go out on the radio. So it was kind of, there's a different editing process to what we'd normally do. So bits of it from before, bits of it were from just then, bits of it were made especially for the thing, for the broadcast, you know. It was a combination of stuff.}}</ref> Most of the tracks were done solo by either Sean or Rob.<ref>https://web.archive.org/web/20231118215345/https://post.lurk.org/@sean_ae/111433472440615681</ref> All tracks were recorded directly "in the box"<!-- clunky phrasing --> to stereo.<ref>https://web.archive.org/web/20241107183922/https://post.lurk.org/@sean_ae/113442509470527990</ref>		Similar to other adjacent records, the material was a lot of long jams sessions that were edited down.<ref name=":1" /><ref>{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote='''What's the process of collecting or creating a tracklist as big as NTS? How do you decide to flow the album?''' You just do, I don't know. I've been doing long mixes for a long time, so I'm really into planning out these long sessions. I used to do mixes for just acid sessions. We used to use DATs because that's, you could get like four hours on a tape back in a day, so we'd do these big long fucking mixes and you'd know at what point the drugs start working and at what point you're gonna start getting trails and all that, so. That was just that, you know what I mean? But I'm saying yeah, I mean long term, long mixes for long periods of time, I've always liked that. I always liked Mixmaster Morris sets, you know, he could play sets all day. He would just play a set all day and it, and you'd still be with him by the end of the day. He'd still be able to keep you interested and I always admired that about him because he's got such a kind of, you know, encyclopedic knowledge of music history that he can keep pulling him out the bag as it were. I feel like he doesn't get enough credit as a DJ, to be honest.}}</ref> Much of the material either came from jams done between ''[[Exai]]'' and ''[[elseq 1-5]]'' or new jams done on old patches, with the oldest material dating back to 2011 with a "bladelores" jam.<ref name=":0" /> Some of the material was also performed at their [[AE LIVE\|2014/2015]] and [[AE LIVE 2016/2018\|2016/2018]] live shows, with Sean noting that "most of NTS Sessions was like cells from live sets",<ref name=":3">{{Cite interview\|page=Sean Twitch AMA, July 2022\|quote=column thirteen, I think it was a live set cell. I don't know if we'd used it before NTS came out. I think we might have used a bit of it, I can't remember. Most of NTS Sessions was like cells from live sets, either at the time or a bit prior to that, that we already had jams fully recorded. So we just editing them down into things, and we basically like made it knowing that it was going to go out on the radio. So it was kind of, there's a different editing process to what we'd normally do. So bits of it from before, bits of it were from just then, bits of it were made especially for the thing, for the broadcast, you know. It was a combination of stuff.}}</ref>, although only using 1-3 cells "with a lot of live tweaking"<ref>https://web.archive.org/web/20250823160621/https://post.lurk.org/@sean_ae/115078509915195794</ref>. Most of the tracks were done solo by either Sean or Rob.<ref>https://web.archive.org/web/20231118215345/https://post.lurk.org/@sean_ae/111433472440615681</ref> All tracks were recorded directly "in the box"<!-- clunky phrasing --> to stereo.<ref>https://web.archive.org/web/20241107183922/https://post.lurk.org/@sean_ae/113442509470527990</ref>

	On April 3rd, 2018, the announcement was sent out that each 2-hour session would be aired every week Thursday at 4PM GMT throughout April on the 5th, 12th, 19th and 26th respectively.<ref name=":2">{{Cite web\|link=https://web.archive.org/web/20180417023755/http://warp.net/news/autechre-nts-sessions/\|date=8 April 2018\|title='NTS Sessions' 01–04\|website=Warp\|accessdate=8 March 2024\|author=}}</ref><ref>{{Cite web\|link=https://www.factmag.com/2018/04/03/autechre-nts-radio-residency/\|date=3 April 2018\|title=Autechre announce four day NTS Radio residency\|website=Fact Magazine\|accessdate=8 March 2024\|author=Twells, John}}</ref> The first session was made available for download on April 9th, with the rest being made available hours after being aired.<ref name=":2" /><!-- removed the part about "looping in the week between sessions" because i couldn't source the claim, might be just the shown session, all the previous ones, or even worse, they didn't loop it at all --> After all four sessions were aired, the entire 8 hours were then looped constantly in a permanent residency, which is still ongoing as of writing.<ref>{{Cite web\|link=https://www.nts.live/projects/autechre-nts-residency/\|date=\|title=NTS Residency.\|website=NTS Radio\|accessdate=8 March 2024\|author=Autechre}}</ref>		On April 3rd, 2018, the announcement was sent out that each 2-hour session would be aired every week Thursday at 4PM GMT throughout April on the 5th, 12th, 19th and 26th respectively.<ref name=":2">{{Cite web\|link=https://web.archive.org/web/20180417023755/http://warp.net/news/autechre-nts-sessions/\|date=8 April 2018\|title='NTS Sessions' 01–04\|website=Warp\|accessdate=8 March 2024\|author=}}</ref><ref>{{Cite web\|link=https://www.factmag.com/2018/04/03/autechre-nts-radio-residency/\|date=3 April 2018\|title=Autechre announce four day NTS Radio residency\|website=Fact Magazine\|accessdate=8 March 2024\|author=Twells, John}}</ref> The first session was made available for download on April 9th, with the rest being made available hours after being aired.<ref name=":2" /><!-- removed the part about "looping in the week between sessions" because i couldn't source the claim, might be just the shown session, all the previous ones, or even worse, they didn't loop it at all --> After all four sessions were aired, the entire 8 hours were then looped constantly in a permanent residency, which is still ongoing as of writing.<ref>{{Cite web\|link=https://www.nts.live/projects/autechre-nts-residency/\|date=\|title=NTS Residency.\|website=NTS Radio\|accessdate=8 March 2024\|author=Autechre}}</ref>

EnergyIsMassiveLight: extra bpms

2025-06-03T15:44:56Z

extra bpms

← Older revision		Revision as of 11:44, 3 June 2025
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	==== bqbqbq ====		==== bqbqbq ====

			* BPM: 120

	==== debris_funk ====		==== debris_funk ====

			* BPM: 166
	* On the LP version, the outro ends solely with the note decay rather than the immediate transition into "l3 ctrl".		* On the LP version, the outro ends solely with the note decay rather than the immediate transition into "l3 ctrl".

	==== l3 ctrl ====		==== l3 ctrl ====

			* BPM: 148, 111

	==== carefree counter dronal ====		==== carefree counter dronal ====
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	==== elyc9 7hres ====		==== elyc9 7hres ====

			* BPM: 160
	* The title shares its name with [[elseq 1-5#elyc6 0nset\|"elyc6 0nset"]]'','' which "elyc9 7hres" reuses certain elements from.		* The title shares its name with [[elseq 1-5#elyc6 0nset\|"elyc6 0nset"]]'','' which "elyc9 7hres" reuses certain elements from.

	==== six of eight (midst) ====		==== six of eight (midst) ====

			* BPM: 160

	==== xflood ====		==== xflood ====

			* BPM: 124

	==== gonk tuf hi ====		==== gonk tuf hi ====

			* BPM: 157

	==== dummy casual pt2 ====		==== dummy casual pt2 ====

			* BPM: 158

	==== violvoic ====		==== violvoic ====

			* BPM: 160

	* "violvoic" appears partially on the [[AE LIVE\|2014/2015 live sets]]. ([https://www.youtube.com/watch?v=7FMRK4ToByk&t=2976s example])		* "violvoic" appears partially on the [[AE LIVE\|2014/2015 live sets]]. ([https://www.youtube.com/watch?v=7FMRK4ToByk&t=2976s example])
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	==== wetgelis casual interval ====		==== wetgelis casual interval ====

			* BPM: 83
	* The synths from "wetgelis casual interval" appeared a few times in their [[AE LIVE\|14/15 live shows]]. ([https://youtu.be/Zr5hQmbtNlY?si=bEFvo70iT9yRyqLL&t=4303 example])		* The synths from "wetgelis casual interval" appeared a few times in their [[AE LIVE\|14/15 live shows]]. ([https://youtu.be/Zr5hQmbtNlY?si=bEFvo70iT9yRyqLL&t=4303 example])
	* "wetgelis" likely references the composer Vangelis.		* "wetgelis" likely references the composer Vangelis.
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	==== e0 ====		==== e0 ====

	* On the vinyl version this track runs for 15:32, due to cutting the intro (see below)		* BPM: 80
			* On the vinyl version this track runs for 15:32, due to cutting the intro of "peal MA" (see below)

	==== peal MA ====		==== peal MA ====

			* BPM: 80

	* On the LP version, "peal MA" has a much longer intro that got separated from "e0", resulting in a track time of 5:30.		* On the LP version, "peal MA" has a much longer intro that got separated from "e0", resulting in a track time of 5:30.

	==== 9 chr0 ====		==== 9 chr0 ====

			* BPM: 85

	==== turbile epic casual, stpl idle ====		==== turbile epic casual, stpl idle ====

	* "turbile epic casual, stpl idle" shares ~~a few commonality~~ with [[elseq 1-5#oneum\|"oneum"]].<nowiki/>		* BPM: ?<!-- got both 85 and 70, either one of those two probably for the first section -->, 160
	* Elements of "turbile epic casual, stpl idle" appear in the [[AE LIVE 2016/2018\|2016/2018 liv]]<nowiki/>[[AE LIVE 2016/2018\|e sets]]. ([https://www.youtube.com/watch?v=KallOfGzdzw&t=2837s example])		* "turbile epic casual, stpl idle" shares elements with <nowiki/>[[elseq 1-5#oneum\|"oneum"]].
			* Ele<nowiki/>ments of "turbile epic casual, stpl idle" appear in the [[AE LIVE 2016/2018\|2016/2018 liv]]<nowiki/>[[AE LIVE 2016/2018\|e sets]]. ([https://www.youtube.com/watch?v=KallOfGzdzw&t=2837s example])

	=== NTS Session 3 ===		=== NTS Session 3 ===
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	==== tt1pd ====		==== tt1pd ====

			* BPM: 168

	==== acid mwan idle ====		==== acid mwan idle ====

RD1994: added track times for the physicals if applicable

2025-04-12T19:58:43Z

added track times for the physicals if applicable

← Older revision		Revision as of 15:58, 12 April 2025
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	* The synths from "wetgelis casual interval" appeared a few times in their [[AE LIVE\|14/15 live shows]]. ([https://youtu.be/Zr5hQmbtNlY?si=bEFvo70iT9yRyqLL&t=4303 example])		* The synths from "wetgelis casual interval" appeared a few times in their [[AE LIVE\|14/15 live shows]]. ([https://youtu.be/Zr5hQmbtNlY?si=bEFvo70iT9yRyqLL&t=4303 example])
	* "wetgelis" likely references the composer Vangelis.		* "wetgelis" likely references the composer Vangelis.
			* On the CD version of the album this track runs for 2:56 due to not crossfading with e0.

	==== e0 ====		==== e0 ====

			* On the vinyl version this track runs for 15:32, due to cutting the intro (see below)

	==== peal MA ====		==== peal MA ====

	* On the LP version, "peal MA" has a much longer intro that got separated from "e0"		* On the LP version, "peal MA" has a much longer intro that got separated from "e0", resulting in a track time of 5:30.

	==== 9 chr0 ====		==== 9 chr0 ====
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	* On both the CD and LP version, the track ends with a fadeout.		* On both the CD and LP version, the track ends with a fadeout.
	* On the LP version, the track is split into 2 parts, with a few minutes on the side with "column thirteen" and the rest on a different side.		* On the LP version, the track is split into 2 parts, with a few minutes on the side with "column thirteen" and the rest on a different side.
			* Due to the aforementioned fadeout, shimripl casual has a length of 25:19 on the CD version, whereas, due to some overlap between the two sides, the vinyl version of the track runs for 25:44.

	==== all end ====		==== all end ====
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	* It was confirmed that "all end" was solely made by Rob. <ref>[[Hanalgig AMA, July 2022]]</ref>		* It was confirmed that "all end" was solely made by Rob. <ref>[[Hanalgig AMA, July 2022]]</ref>
	* On the LP and CD versions of ''NTS Sessions'', "all end" only has a fade in rather than the short transition from "shimripl casual" at the start. Due to the length of "all end", it was split up into 3 parts to fit on 3 sides.		* On the LP and CD versions of ''NTS Sessions'', "all end" only has a fade in rather than the short transition from "shimripl casual" at the start. Due to the length of "all end", it was split up into 3 parts to fit on 3 sides.
			* On the CD version this track runs for 58:40. Due to some overlap between the different sides, the vinyl version runs about a minute longer with a total time of 59:22.

	=== sinistrail sentinel ===		=== sinistrail sentinel ===

EnergyIsMassiveLight: violvoic

2025-03-09T20:39:52Z

violvoic

← Older revision		Revision as of 16:39, 9 March 2025
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	* "violvoic" appears partially on the [[AE LIVE\|2014/2015 live sets]]. ([https://www.youtube.com/watch?v=7FMRK4ToByk&t=2976s example])		* "violvoic" appears partially on the [[AE LIVE\|2014/2015 live sets]]. ([https://www.youtube.com/watch?v=7FMRK4ToByk&t=2976s example])
			* Sean notes that the bass in the second half is mostly acomplished using delays with frequency shifting, allpass in the feedback loop, and an impulse "being pitched up a couple of octaves with a quick cutoff sweep and setting the delay time directly from the seq note frequency (a la karplus)" <ref>https://web.archive.org/web/20250309203629/https://post.lurk.org/@sean_ae/114131958235957572</ref>

	==== sinistrailAB air ====		==== sinistrailAB air ====

Roxwize: move refs

2024-11-20T14:46:38Z

move refs

← Older revision		Revision as of 10:46, 20 November 2024
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	\|next=[[Warp Tapes 89-93]]		\|next=[[Warp Tapes 89-93]]
	\|next year=2019		\|next year=2019
	}}'''''NTS Sessions 1-4''',''<!-- should probably include the dash --> often shortened to '''''NTS Sessions''''', is the thirteenth studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. The four sessions were first individually broadcasted on London-based online radio station [https://www.nts.live/ NTS] throughout April 2018, before the entire project became available for download on the April 26th, 2018. Physical versions later became available for purchase over August 2018<ref name=":0" /><ref>https://headphonecommute.com/2018/08/28/autechre-nts-sessions-warp/</ref>.<!-- dates range between 13 and 24, so that explains wikipedia's "idk august" thing. also only got onto streaming at that point? -->		}}'''''NTS Sessions 1-4''',''<!-- should probably include the dash --> often shortened to '''''NTS Sessions''''', is the thirteenth studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. The four sessions were first individually broadcasted on London-based online radio station [https://www.nts.live/ NTS] throughout April 2018, before the entire project became available for download on the April 26th, 2018. Physical versions later became available for purchase over August 2018.<ref name=":0" /><ref>https://headphonecommute.com/2018/08/28/autechre-nts-sessions-warp/</ref><!-- dates range between 13 and 24, so that explains wikipedia's "idk august" thing. also only got onto streaming at that point? -->
	== History ==		== History ==
	Having previously done a DJ Mix for NTS Radio on January 22nd, 2016<ref>{{Cite web\|link=https://www.nts.live/shows/guests/episodes/autechre-22nd-january-2016\|date=22 January 2016\|title=Autechre 22nd January 2016 {{!}} Listen on NTS\|website=NTS Radio\|accessdate=8 March 2024\|author=Autechre}}</ref>, NTS Radio approached Autechre with a residency offer. They were initially hesitant whether they wanted to construct an 8-hour DJ mix until they realised that they had enough original material to span that time.<ref>[[Autechre: ‘Something happens when you listen to music in the dark’, July 2018]]</ref><ref name=":0">[[Autechre on Their Epic NTS Sessions, David Lynch, and Where Code Meets Music, August 2018]]</ref> Autechre noted that ''NTS Sessions 1-4'' was conceived first as a radio show performance, with the release instead being the archival version similar to their previous [[Peel Session\|''Peel Sessions'']].<ref name=":0" /><ref>{{Cite web\|link=https://www.rollingstone.it/musica/interviste-musica/autechre-niente-di-piu-umano-dei-computer/424382/\|date=25 August 2018\|title=Autechre: niente di più umano dei computer\|website=Rolling Stone Italia\|accessdate=8 March 2024\|author=Biazzetti, Claudio}}</ref> Other points of influence noted by Autechre for this format includes both their IBC pirate radio shows around the time of ''[[Lego Feet]]''<ref name=":0" /> as well as their Kiss FM<!-- Kiss Radio? Kiss FM? Kiss Manchester? --> Disengage shows.<ref name=":1">{{Cite web\|link=https://www.ele-king.net/interviews/006477/\|date=28 August 2018\|title=音楽とともにオーディエンスも進化する\|website=ele-king\|accessdate=8 March 2024\|author=野田努, 小林君}} <!-- unsure how to deal with this because using english here is probs not the best move --></ref>		Having previously done a DJ Mix for NTS Radio on January 22nd, 2016<ref>{{Cite web\|link=https://www.nts.live/shows/guests/episodes/autechre-22nd-january-2016\|date=22 January 2016\|title=Autechre 22nd January 2016 {{!}} Listen on NTS\|website=NTS Radio\|accessdate=8 March 2024\|author=Autechre}}</ref>, NTS Radio approached Autechre with a residency offer. They were initially hesitant whether they wanted to construct an 8-hour DJ mix until they realised that they had enough original material to span that time.<ref>[[Autechre: ‘Something happens when you listen to music in the dark’, July 2018]]</ref><ref name=":0">[[Autechre on Their Epic NTS Sessions, David Lynch, and Where Code Meets Music, August 2018]]</ref> Autechre noted that ''NTS Sessions 1-4'' was conceived first as a radio show performance, with the release instead being the archival version similar to their previous [[Peel Session\|''Peel Sessions'']].<ref name=":0" /><ref>{{Cite web\|link=https://www.rollingstone.it/musica/interviste-musica/autechre-niente-di-piu-umano-dei-computer/424382/\|date=25 August 2018\|title=Autechre: niente di più umano dei computer\|website=Rolling Stone Italia\|accessdate=8 March 2024\|author=Biazzetti, Claudio}}</ref> Other points of influence noted by Autechre for this format includes both their IBC pirate radio shows around the time of ''[[Lego Feet]]''<ref name=":0" /> as well as their Kiss FM<!-- Kiss Radio? Kiss FM? Kiss Manchester? --> Disengage shows.<ref name=":1">{{Cite web\|link=https://www.ele-king.net/interviews/006477/\|date=28 August 2018\|title=音楽とともにオーディエンスも進化する\|website=ele-king\|accessdate=8 March 2024\|author=野田努, 小林君}} <!-- unsure how to deal with this because using english here is probs not the best move --></ref>