AE 2022－ - Revision history

EnergyIsMassiveLight: /* Development */ extra 2 hours

2026-08-06T18:05:52Z

Development: extra 2 hours

← Older revision		Revision as of 14:05, 6 August 2026
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	Rob Brown: Unser Ablauf blieb tatsächlich gleich. Wir hatten Pläne für Gigs, aber, na ja. Wir bekamen zum Beispiel im März ein Angebot für einen Auftritt in Mailand im November. Die Lombardei wurde dann komplett abgeriegelt, und wir haben von den Leuten einen Monat lang nichts gehört. Beim nächsten Kontakt waren sie schon weitaus weniger zuversichtlich. Dann hat sich das Angebot in Luft aufgelöst und wurde auf nächstes Jahr verschoben. Das war unser einziger geplatzter Gig, wenn man so will. Weil wir ja ohnehin erst im Winter oder im Frühling 2021 loslegen wollten.}}</ref><ref>https://web.archive.org/web/20241217152311/https://post.lurk.org/@sean_ae/113663738919715601 <!-- (note: reference is for saying project was in development for rougly 4 years indicating 2019/2020 was the start) --></ref><!-- Among the cancelled/postponed gigs was the postponement of a planned Milan gig in November 2020 to the following year. (see groove interview) --> Sean mentioned that he spent that time reworking the back end of their rig, getting interested in MC (multi-channel audio in Max), physical modelling<ref name=":0">{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote='''“Do you like the new Mac chip situation? Is it any different to work on compared to the old CPU?”''' Yes. So my patch was using about 75, 80% towards the end of last year or the year before, whenever it was I got it, and then, yeah, I got the M1 and then it was just flying! 30%, just flying! Just absolutely insane! So there's no turning back now I'm fucked because I'm filling it up already. Loads of Live physmod things, and things that were a bit, you know, expensive. So yeah, I love it. Just amazing, kind of a little bit too much if anything, and the disking out speeds are amazing. The transitions are all super tight. The timing's super tight. All the control rate stuff is super tight. So yeah, I think if you're using Max and you've got an M1, you're basically living the dream at this point. it's just insane.}}</ref> (such as [https://forum.ircam.fr/projects/detail/modalys/ Modalys]), and scratching (as seen on Gescom's ''[[AMKS_1]]'')''.''<ref>{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote=Basically when COVID hit, I had a lot of time on my hands to rebuild a lot of it. So it's, yeah, it’s a lot of it you wouldn't even notice because a lot of it's just porting things to Gen that didn't need to be ported but just because I wanted a bit more control, and that led me off on loads of tangents because once you start building basic things like oscillators, you get a bit mad with all the options. So yeah, that happened and then I got heavily into MC, and then that happened. And then I built a lot more [physical] modeling stuff, and I did that scratching thing that we used on that Gescom thing that we've done about just over a year ago. And then did that and then, and then, yeah the set sort of grew out of all that tech basically. So sty listically, it's not that far off what we've been doing for the last few years because I think we're still in the same sort of place mentally. But, tech wise, the underlying, the kind of back end stuff is all fresh.}}</ref>		Rob Brown: Unser Ablauf blieb tatsächlich gleich. Wir hatten Pläne für Gigs, aber, na ja. Wir bekamen zum Beispiel im März ein Angebot für einen Auftritt in Mailand im November. Die Lombardei wurde dann komplett abgeriegelt, und wir haben von den Leuten einen Monat lang nichts gehört. Beim nächsten Kontakt waren sie schon weitaus weniger zuversichtlich. Dann hat sich das Angebot in Luft aufgelöst und wurde auf nächstes Jahr verschoben. Das war unser einziger geplatzter Gig, wenn man so will. Weil wir ja ohnehin erst im Winter oder im Frühling 2021 loslegen wollten.}}</ref><ref>https://web.archive.org/web/20241217152311/https://post.lurk.org/@sean_ae/113663738919715601 <!-- (note: reference is for saying project was in development for rougly 4 years indicating 2019/2020 was the start) --></ref><!-- Among the cancelled/postponed gigs was the postponement of a planned Milan gig in November 2020 to the following year. (see groove interview) --> Sean mentioned that he spent that time reworking the back end of their rig, getting interested in MC (multi-channel audio in Max), physical modelling<ref name=":0">{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote='''“Do you like the new Mac chip situation? Is it any different to work on compared to the old CPU?”''' Yes. So my patch was using about 75, 80% towards the end of last year or the year before, whenever it was I got it, and then, yeah, I got the M1 and then it was just flying! 30%, just flying! Just absolutely insane! So there's no turning back now I'm fucked because I'm filling it up already. Loads of Live physmod things, and things that were a bit, you know, expensive. So yeah, I love it. Just amazing, kind of a little bit too much if anything, and the disking out speeds are amazing. The transitions are all super tight. The timing's super tight. All the control rate stuff is super tight. So yeah, I think if you're using Max and you've got an M1, you're basically living the dream at this point. it's just insane.}}</ref> (such as [https://forum.ircam.fr/projects/detail/modalys/ Modalys]), and scratching (as seen on Gescom's ''[[AMKS_1]]'')''.''<ref>{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote=Basically when COVID hit, I had a lot of time on my hands to rebuild a lot of it. So it's, yeah, it’s a lot of it you wouldn't even notice because a lot of it's just porting things to Gen that didn't need to be ported but just because I wanted a bit more control, and that led me off on loads of tangents because once you start building basic things like oscillators, you get a bit mad with all the options. So yeah, that happened and then I got heavily into MC, and then that happened. And then I built a lot more [physical] modeling stuff, and I did that scratching thing that we used on that Gescom thing that we've done about just over a year ago. And then did that and then, and then, yeah the set sort of grew out of all that tech basically. So sty listically, it's not that far off what we've been doing for the last few years because I think we're still in the same sort of place mentally. But, tech wise, the underlying, the kind of back end stuff is all fresh.}}</ref>

	During a mixlr stream on March 21st, 2020, Sean mentioned that the live set was 99% complete, requiring just the intro to be completed.<ref>{{Cite web\|author=Ryce, Andrew\|title=Autechre say they have two new albums ready\|website=Resident Advisor\|date=22 March 2020\|link=https://ra.co/news/72301\|accessdate=5 June 2025}}</ref> By mid-2022, Sean noted that, on his side, he had about three and a half hours of total material prepared that may or may not be shown.<ref>{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote=[...] I mean some, they will share elements and the probably, I mean in all likelihood it'll be mostly similar material but there's a bunch of material that's not aired yet. That's because we've had too long to work on this fucking set, right, so. Least my part of the set is, I don't know, like three and a half hours of stuff, so I don't know how much of it will end up using.}}</ref> In late 2023, Sean gave an update on Mastodon that the material ended up becoming one long track they just kept adding onto. At that point, it was "about 4 hours long so far and growing steadily", noting it was the "most interesting thing we’ve done in ages from our POV." <ref>[https://web.archive.org/web/20231118215345/https://post.lurk.org/@sean_ae/111433472440615681#:~:text=We%20took%20a,from%20our%20POV. @sean_ae Mastodon post, November 18, 2023]</ref> In an interview in October 2024, they mentioned that "we could keep [this project] going for another ten years."<ref name=":2" /> <!-- https://web.archive.org/web/20260120230600/https://post.lurk.org/@sean_ae/115898803592753947 no immediatel good spot to fit this but it's a progress update with a bunch of other comments -->		During a mixlr stream on March 21st, 2020, Sean mentioned that the live set was 99% complete, requiring just the intro to be completed.<ref>{{Cite web\|author=Ryce, Andrew\|title=Autechre say they have two new albums ready\|website=Resident Advisor\|date=22 March 2020\|link=https://ra.co/news/72301\|accessdate=5 June 2025}}</ref> By mid-2022, Sean noted that, on his side, he had about three and a half hours of total material prepared that may or may not be shown.<ref>{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote=[...] I mean some, they will share elements and the probably, I mean in all likelihood it'll be mostly similar material but there's a bunch of material that's not aired yet. That's because we've had too long to work on this fucking set, right, so. Least my part of the set is, I don't know, like three and a half hours of stuff, so I don't know how much of it will end up using.}}</ref> In late 2023, Sean gave an update on Mastodon that the material ended up becoming one long track they just kept adding onto. At that point, it was "about 4 hours long so far and growing steadily", noting it was the "most interesting thing we’ve done in ages from our POV." <ref>[https://web.archive.org/web/20231118215345/https://post.lurk.org/@sean_ae/111433472440615681#:~:text=We%20took%20a,from%20our%20POV. @sean_ae Mastodon post, November 18, 2023]</ref> In an interview in October 2024, they mentioned that "we could keep [this project] going for another ten years."<ref name=":2" /> In July 2026, Sean noted that during the NA leg, they already had an hour of extra material ready, but now an additional hour was added ontop of it. <ref>https://web.archive.org/web/20260806175706/https://mastodon.social/@Galarem/117012415339354021</ref> <!-- https://web.archive.org/web/20260120230600/https://post.lurk.org/@sean_ae/115898803592753947 no immediatel good spot to fit this but it's a progress update with a bunch of other comments -->

	The main equipment used to perform is two M1<ref name=":0" /><!-- possibly M2 by now --> Macs running Max/MSP, Kenton Killamix controllers, Apogee Symphony Desktop and Apogee Element 24.<ref name=":4">{{Cite interview\|page=Sean Twitch AMA, July 2022\|quote='''Can u describe the live setup of the last gigs, laptop, controllers, souncard, thx''' I mean you know, two, I mean the latest ones are just two M1 Macs, Kenton Killamix controllers, two interfaces; I've got an Apogee Symphony Desktop, Rob's using the Apogee Element 24. The mixer is like a little Mackie Onyx12 channel thing just because it fits on a plane easily, and it's easier to get around. And it's replaceable if it breaks, you know, it's not, we're not relying on some esoteric mixer being found by the promoter at the last minute, so. Because that's always a consideration, you know? There's only the controllers really that be hard to source. So we often carry spares like if we're on a tour bus, we'll have spares of the controllers we’ll source.}}</ref><ref>{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote='''What's your live setup nowadays?''' Two Macs, and these Kenton Killamix things, and a couple of interfaces.}}</ref><ref>{{Cite interview\|page=Hanalgig AMA, July 2022\|quote='''Tebbisimo: [...] What audio interface you using on the live sets ATM? [...]''' XH HX: i'm using apogee symphony desktop lately which i really rate but before that was using apogee element 24 (also good but harder to get now) and before that was using RME ADI2 converter (had to stop since apple borked the optical port but i loved that thing). i also got a MOTU M2 which is mad value for ESS sabre converters if u want something cheapish}}</ref><ref name=":5">https://web.archive.org/web/20240509143259/https://post.lurk.org/@sean_ae/112400607304881021</ref><ref name=":3">https://web.archive.org/web/20241107183922/https://post.lurk.org/@sean_ae/113442509470527990<!-- https://imgur.com/a/sean-ae-mastodon-2024-11-07-recording-setup-https-post-lurk-org-sean-ae-113442509470527990-92g7anp --></ref> Both Sean and Rob have different versions of their Max rig; Sean sends nightly builds to Rob, to which Rob adds his own additions.<ref>{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote=Like, I've got my version of the rig. Rob's got his version, which is a, it's been mutated so much it's not really the same rig anymore.}}</ref><ref>{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote=We don't rehearse at all, but the rig, we do share, so, you know. We've, I've got bits of Rob’s stuff. He's got a fully up-to-date version of what I'm doing all the time, so he gets nightly, almost, builds, yeah. So, that happened. I think he can run my rig in his house so he knows exactly what it'll do, but he doesn't know quite how I'm gonna play it on the night and so I'll be doing surprising things with it and it'll be reacting to him with his controllers, so it's a kind of, yeah, it's very much an intuitive thing.}}</ref><ref>{{Cite AAA2 doc\|190}}</ref> <!-- include tidbit from june 2022 where sean notes that the rig was on version 4 update 1100? -->In 2024, they got four custom-made Killamix Minis.<ref>https://web.archive.org/web/20240309004321/https://post.lurk.org/@sean_ae/112054867478643903</ref> Initially, mixing was done using the Mackie Onyx12,<ref name=":4" /> but since Brussels24 they've been using Sound Devices 888.<ref name=":5" /><ref name=":6">https://web.archive.org/web/20241113092034/https://post.lurk.org/@sean_ae/113458692313028937</ref> For recording with the 888, they have "two mains, two spares and two mons (adjustable using the headphone pot) going to 3 stereo DIs" with separate recordings of Sean and Rob's computers alongside a mixed version.<ref name=":3" /><ref name=":6" /><!-- this is above my technical understanding, someone clean this up for me thx xoxoxo --> For final mastering of the soundboards for release which Sean fully handles and which mostly consists of "tiny edits and tweaks",<ref>https://web.archive.org/web/20260120230657/https://post.lurk.org/@sean_ae/115907100261965904</ref><!-- awkward phrasing lol, dk where to split it off to doe --> he listed using "a couple of Meyer UPMs and USW-112Ps" as monitors.<ref>https://forum.keyosc.com/topic/720-i-no-longer-strongly-disagree-with-seans-answer-to-gl0tch-in-aaaa/?&do=findComment&comment=19916</ref>		The main equipment used to perform is two M1<ref name=":0" /><!-- possibly M2 by now --> Macs running Max/MSP, Kenton Killamix controllers, Apogee Symphony Desktop and Apogee Element 24.<ref name=":4">{{Cite interview\|page=Sean Twitch AMA, July 2022\|quote='''Can u describe the live setup of the last gigs, laptop, controllers, souncard, thx''' I mean you know, two, I mean the latest ones are just two M1 Macs, Kenton Killamix controllers, two interfaces; I've got an Apogee Symphony Desktop, Rob's using the Apogee Element 24. The mixer is like a little Mackie Onyx12 channel thing just because it fits on a plane easily, and it's easier to get around. And it's replaceable if it breaks, you know, it's not, we're not relying on some esoteric mixer being found by the promoter at the last minute, so. Because that's always a consideration, you know? There's only the controllers really that be hard to source. So we often carry spares like if we're on a tour bus, we'll have spares of the controllers we’ll source.}}</ref><ref>{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote='''What's your live setup nowadays?''' Two Macs, and these Kenton Killamix things, and a couple of interfaces.}}</ref><ref>{{Cite interview\|page=Hanalgig AMA, July 2022\|quote='''Tebbisimo: [...] What audio interface you using on the live sets ATM? [...]''' XH HX: i'm using apogee symphony desktop lately which i really rate but before that was using apogee element 24 (also good but harder to get now) and before that was using RME ADI2 converter (had to stop since apple borked the optical port but i loved that thing). i also got a MOTU M2 which is mad value for ESS sabre converters if u want something cheapish}}</ref><ref name=":5">https://web.archive.org/web/20240509143259/https://post.lurk.org/@sean_ae/112400607304881021</ref><ref name=":3">https://web.archive.org/web/20241107183922/https://post.lurk.org/@sean_ae/113442509470527990<!-- https://imgur.com/a/sean-ae-mastodon-2024-11-07-recording-setup-https-post-lurk-org-sean-ae-113442509470527990-92g7anp --></ref> Both Sean and Rob have different versions of their Max rig; Sean sends nightly builds to Rob, to which Rob adds his own additions.<ref>{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote=Like, I've got my version of the rig. Rob's got his version, which is a, it's been mutated so much it's not really the same rig anymore.}}</ref><ref>{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote=We don't rehearse at all, but the rig, we do share, so, you know. We've, I've got bits of Rob’s stuff. He's got a fully up-to-date version of what I'm doing all the time, so he gets nightly, almost, builds, yeah. So, that happened. I think he can run my rig in his house so he knows exactly what it'll do, but he doesn't know quite how I'm gonna play it on the night and so I'll be doing surprising things with it and it'll be reacting to him with his controllers, so it's a kind of, yeah, it's very much an intuitive thing.}}</ref><ref>{{Cite AAA2 doc\|190}}</ref> <!-- include tidbit from june 2022 where sean notes that the rig was on version 4 update 1100? -->In 2024, they got four custom-made Killamix Minis.<ref>https://web.archive.org/web/20240309004321/https://post.lurk.org/@sean_ae/112054867478643903</ref> Initially, mixing was done using the Mackie Onyx12,<ref name=":4" /> but since Brussels24 they've been using Sound Devices 888.<ref name=":5" /><ref name=":6">https://web.archive.org/web/20241113092034/https://post.lurk.org/@sean_ae/113458692313028937</ref> For recording with the 888, they have "two mains, two spares and two mons (adjustable using the headphone pot) going to 3 stereo DIs" with separate recordings of Sean and Rob's computers alongside a mixed version.<ref name=":3" /><ref name=":6" /><!-- this is above my technical understanding, someone clean this up for me thx xoxoxo --> For final mastering of the soundboards for release which Sean fully handles and which mostly consists of "tiny edits and tweaks",<ref>https://web.archive.org/web/20260120230657/https://post.lurk.org/@sean_ae/115907100261965904</ref><!-- awkward phrasing lol, dk where to split it off to doe --> he listed using "a couple of Meyer UPMs and USW-112Ps" as monitors.<ref>https://forum.keyosc.com/topic/720-i-no-longer-strongly-disagree-with-seans-answer-to-gl0tch-in-aaaa/?&do=findComment&comment=19916</ref>

EnergyIsMassiveLight: openers with released sets

2026-07-29T14:57:39Z

openers with released sets

← Older revision		Revision as of 10:57, 29 July 2026
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	==Trivia==		==Trivia==

			*The following openers have also released their sets:
			**Kristoffer Lislegaard'':'' [https://kristofferlislegaard.bandcamp.com/album/live-at-sentrum-scene-30092024 Oslo24]
			**deep glens: [https://deepglens.bandcamp.com/album/dg-ae-2025 Minneapolis25, Louisville25, StLouis25, Chicago25]
			**Cygnus: [https://cygnusat.bandcamp.com/album/snatchers Portland25, Birmingham25, SanFrancisco25, Atlanta25]
			**tsnoro: [https://tsrono.bandcamp.com/album/25l-ve Austin25, NewOrleans25]
			**nixtrove: [https://nixtrove.bandcamp.com/album/live-sat Montreal25]
			**William Fields: [https://williamfields.bandcamp.com/album/opening-for-autechre-in-philadelphia Philadelphia25]
	*The CAT number, WARP444, was likely specifically requested by Autechre, to reference the song "444" off their first album, ''[[Incunabula]]''.		*The CAT number, WARP444, was likely specifically requested by Autechre, to reference the song "444" off their first album, ''[[Incunabula]]''.
	*The 2023 compilation cover consisted of all seven individual set art from the first batch overlaid on top of each other.		*The 2023 compilation cover consisted of all seven individual set art from the first batch overlaid on top of each other.

EnergyIsMassiveLight: /* Tour Dates */ budapest show

2026-05-30T12:54:42Z

Tour Dates: budapest show

← Older revision		Revision as of 08:54, 30 May 2026
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	*2026-10-06 Sofia, Bulgaria @ Toplocentrala		*2026-10-06 Sofia, Bulgaria @ Toplocentrala
	*2026-10-07 Bucharest, Romania @ Club Guesthouse		*2026-10-07 Bucharest, Romania @ Club Guesthouse
			*2026-10-08 Budapest, Hungary @ House of Music Hungary
	*2026-10-09 Ljubljana, Slovenia @ Cukrarna		*2026-10-09 Ljubljana, Slovenia @ Cukrarna
	*2026-10-10 Bologne, Italy @ Estragon		*2026-10-10 Bologne, Italy @ Estragon

EnergyIsMassiveLight: spreadsheet source

2026-05-19T20:35:11Z

spreadsheet source

← Older revision		Revision as of 16:35, 19 May 2026
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	On October 25th, 2024, Warp again sent out a newsletter sign-up announcement, with 12 dates listed.<ref>https://ghostarchive.org/archive/UYmeC</ref><ref>https://www.instagram.com/warprecords/p/DBjZTuNIg1A/?hl=en</ref> On November 4th, 2024, twelve sets from "AE_MELBOURNE_250823" to "AE_LYON_070524" were released individually and added onto the now renamed compilation ''AE_2022－'', dropping the "LIVE" prefix both in the compilation title and set names.<ref>https://web.archive.org/web/20241104173202/https://autechre.warp.net/release/476436-autechre-ae2022</ref> Sean noted that the idea came from Warp to drop the LIVE part of the naming convention.<ref>https://web.archive.org/web/20241106150525/https://post.lurk.org/@sean_ae/113436310329414162</ref> The compilation was later put up on Bleep and Bandcamp on December 3rd.<ref>https://autechre.bandcamp.com/album/ae-2022</ref><ref>https://bleep.com/release/483225-autechre-ae2022</ref>		On October 25th, 2024, Warp again sent out a newsletter sign-up announcement, with 12 dates listed.<ref>https://ghostarchive.org/archive/UYmeC</ref><ref>https://www.instagram.com/warprecords/p/DBjZTuNIg1A/?hl=en</ref> On November 4th, 2024, twelve sets from "AE_MELBOURNE_250823" to "AE_LYON_070524" were released individually and added onto the now renamed compilation ''AE_2022－'', dropping the "LIVE" prefix both in the compilation title and set names.<ref>https://web.archive.org/web/20241104173202/https://autechre.warp.net/release/476436-autechre-ae2022</ref> Sean noted that the idea came from Warp to drop the LIVE part of the naming convention.<ref>https://web.archive.org/web/20241106150525/https://post.lurk.org/@sean_ae/113436310329414162</ref> The compilation was later put up on Bleep and Bandcamp on December 3rd.<ref>https://autechre.bandcamp.com/album/ae-2022</ref><ref>https://bleep.com/release/483225-autechre-ae2022</ref>
	==Analysis==		==Analysis==
	Main analysis by [[User:EnergyIsMassiveLight\|EnergyIsMassiveLight]] and [[User:Zythion\|Zythion]]. Fan titles taken from the fan-edit compilation TTT－ by FefetaLeixes.<ref>{{Cite web\|author=FefetaLeixes\|title=AE_2022－EXCLUSIVES (TTT－)\|website=Reddit\|date=16 November 2024\|link=https://www.reddit.com/r/autechre/comments/1gs8qum/ae_2022exclusives_ttt/\|accessdate=16 November 2024}}</ref>		Main analysis by [[User:EnergyIsMassiveLight\|EnergyIsMassiveLight]] and [[User:Zythion\|Zythion]]. Fan titles taken from the fan-edit compilation TTT－ by FefetaLeixes.<ref>https://docs.google.com/spreadsheets/d/1TX6GJkeqo0mmRYg2Kx-XNlFSsEa0o1iT7F6Mxz9HOGA/edit?gid=0#gid=0</ref><ref>{{Cite web\|author=FefetaLeixes\|title=AE_2022－EXCLUSIVES (TTT－)\|website=Reddit\|date=16 November 2024\|link=https://www.reddit.com/r/autechre/comments/1gs8qum/ae_2022exclusives_ttt/\|accessdate=16 November 2024}}</ref>

	Officially released sets are highlighted in bold. Unreleased sets with bootleg recordings are also included, with either clips of the segment or a listed recording with timestamps. Tables have be split for compactness.		Officially released sets are highlighted in bold. Unreleased sets with bootleg recordings are also included, with either clips of the segment or a listed recording with timestamps. Tables have be split for compactness.

EnergyIsMassiveLight: rephrased '26 snippets

2026-05-07T07:24:54Z

rephrased '26 snippets

← Older revision		Revision as of 03:24, 7 May 2026
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	[[ae mixlr 300320\|In a mixlr stream on March 30th, 2020]], while quickly skimming through their jams folder, Sean showed off a few seconds of the then unknown in-development live material (segments '''#2, #3''' and '''#5'''). In December 2022, Sean posted two Max demos to Mastodon; [https://www.youtube.com/watch?v=3poN6FDyB28 one on December 10th] and [https://www.youtube.com/watch?v=jgMArRJswIQ one on December 15th], which were both bits of segments '''#29''' and '''#26''' respectively. In 2023, two more demos were posted, with [https://www.youtube.com/watch?v=UE8ug56Ijls July 26th's "Markov Chain"]<ref name=":7">https://web.archive.org/web/20230727210645/https://post.lurk.org/@sean_ae/110780381387123384</ref> and [https://www.youtube.com/watch?v=_R3JorLEwNE December 16th's "Fuckery"]<ref name=":1">https://web.archive.org/web/20231221224324/https://post.lurk.org/@sean_ae/111591524233807832</ref><!-- the video upload censored "fuckery" for the title, and also said 17th when the post was on the 16th --> for segments '''#38''' and '''#42/48'''. Months later, audio-only demos - September 23, 2024's “playing with stereo<ref name=":8" /> and January 7th, 2025's [https://www.youtube.com/watch?v=6GRNWAkIlQQ “quick gong jam”]<ref name=":9" /> - were shown for segments '''#53''' and '''#55'''.		[[ae mixlr 300320\|In a mixlr stream on March 30th, 2020]], while quickly skimming through their jams folder, Sean showed off a few seconds of the then unknown in-development live material (segments '''#2, #3''' and '''#5'''). In December 2022, Sean posted two Max demos to Mastodon; [https://www.youtube.com/watch?v=3poN6FDyB28 one on December 10th] and [https://www.youtube.com/watch?v=jgMArRJswIQ one on December 15th], which were both bits of segments '''#29''' and '''#26''' respectively. In 2023, two more demos were posted, with [https://www.youtube.com/watch?v=UE8ug56Ijls July 26th's "Markov Chain"]<ref name=":7">https://web.archive.org/web/20230727210645/https://post.lurk.org/@sean_ae/110780381387123384</ref> and [https://www.youtube.com/watch?v=_R3JorLEwNE December 16th's "Fuckery"]<ref name=":1">https://web.archive.org/web/20231221224324/https://post.lurk.org/@sean_ae/111591524233807832</ref><!-- the video upload censored "fuckery" for the title, and also said 17th when the post was on the 16th --> for segments '''#38''' and '''#42/48'''. Months later, audio-only demos - September 23, 2024's “playing with stereo<ref name=":8" /> and January 7th, 2025's [https://www.youtube.com/watch?v=6GRNWAkIlQQ “quick gong jam”]<ref name=":9" /> - were shown for segments '''#53''' and '''#55'''.

			Two snippets were shown off across videos promoting upcoming 2026 shows: one with a reworked version of the [[List of Rarities#cowbell%20acid\|"cowbell acid"]] demo,<ref>https://www.instagram.com/p/DW6SZrbjHmh/?img_index=1</ref><ref>https://www.reddit.com/r/autechre/comments/1t0sc33/i_was_looking_for_a_high_quality_ae_logo_and/</ref> and another currently unknown.<ref>https://www.instagram.com/p/DX6VLsMNs6R/</ref><!-- https://www.reddit.com/r/autechre/comments/1t4hs40/another_show_promo_with_original_music/ -->

	=== Tour<!-- Update to include prior announcements add 22, 23, 24, 26 -->===		=== Tour<!-- Update to include prior announcements add 22, 23, 24, 26 -->===
Line 2,408:		Line 2,410:
	**Detroit25 - unique interlude in '''#54'''		**Detroit25 - unique interlude in '''#54'''
	**Boston25 - unique interlude in '''#52'''		**Boston25 - unique interlude in '''#52'''
	*As of May 6th 2026, Two snippets of possible Set F material were found on venue Instagram pages to advertise shows, some of which contain a unique 2022- logo animation.
	**[https://cdn.discordapp.com/attachments/584426198923214865/1501287919309164544/AQPGKTZCW5uZwotT7lqiuHWdKolsa2TYyy3Q9QgwbbN9QT4_a51Iid1LfVgTAvHqCqSM_6o3FV5gdjIsqvhKN8gMpqTVnqcVVoDFPE4.mp4?ex=69fcd854&is=69fb86d4&hm=77480a5548d820bba1636961bfb13c4c31eff1a8392811eff747b11a5768b844& Snippet One] contains a revised version of the "Cowbell Acid" demo published by Sean Booth on Mastodon. It also contains the logo animation.
	**[https://cdn.discordapp.com/attachments/584426198923214865/1501210320746713159/AQPjxUwiSfY0b4GetRm5uIDExAxsJPhvsg8yIw3RYGEhZIDwuxF1nflkfveU0jVUFSP1NT9IXwnwCN-rEeLRWCStkgn1pY2LkB7T0ys.mp4.b5fe28036add8ecbb2157fb36e9e4b93.mp4t0.mp4?ex=69fc900f&is=69fb3e8f&hm=4d9351633d5cfaa0132c1e335f30d51f630a091fba486b70f4175a39300df4ac& Snippet Two] contains a currently unknown section, and has a moving blue haze background, similar to the promotion material for the tours.

	==Tour Dates==		==Tour Dates==

Juneonline: Added a section in the footnotes about the recent snippets from venues.

2026-05-06T22:41:40Z

Added a section in the footnotes about the recent snippets from venues.

← Older revision		Revision as of 18:41, 6 May 2026
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	**Detroit25 - unique interlude in '''#54'''		**Detroit25 - unique interlude in '''#54'''
	**Boston25 - unique interlude in '''#52'''		**Boston25 - unique interlude in '''#52'''
			*As of May 6th 2026, Two snippets of possible Set F material were found on venue Instagram pages to advertise shows, some of which contain a unique 2022- logo animation.
			**[https://cdn.discordapp.com/attachments/584426198923214865/1501287919309164544/AQPGKTZCW5uZwotT7lqiuHWdKolsa2TYyy3Q9QgwbbN9QT4_a51Iid1LfVgTAvHqCqSM_6o3FV5gdjIsqvhKN8gMpqTVnqcVVoDFPE4.mp4?ex=69fcd854&is=69fb86d4&hm=77480a5548d820bba1636961bfb13c4c31eff1a8392811eff747b11a5768b844& Snippet One] contains a revised version of the "Cowbell Acid" demo published by Sean Booth on Mastodon. It also contains the logo animation.
			**[https://cdn.discordapp.com/attachments/584426198923214865/1501210320746713159/AQPjxUwiSfY0b4GetRm5uIDExAxsJPhvsg8yIw3RYGEhZIDwuxF1nflkfveU0jVUFSP1NT9IXwnwCN-rEeLRWCStkgn1pY2LkB7T0ys.mp4.b5fe28036add8ecbb2157fb36e9e4b93.mp4t0.mp4?ex=69fc900f&is=69fb3e8f&hm=4d9351633d5cfaa0132c1e335f30d51f630a091fba486b70f4175a39300df4ac& Snippet Two] contains a currently unknown section, and has a moving blue haze background, similar to the promotion material for the tours.

	==Tour Dates==		==Tour Dates==

EnergyIsMassiveLight: /* Analysis */ proper credited name for titles

2026-02-27T17:51:39Z

Analysis: proper credited name for titles

← Older revision		Revision as of 13:51, 27 February 2026
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	On October 25th, 2024, Warp again sent out a newsletter sign-up announcement, with 12 dates listed.<ref>https://ghostarchive.org/archive/UYmeC</ref><ref>https://www.instagram.com/warprecords/p/DBjZTuNIg1A/?hl=en</ref> On November 4th, 2024, twelve sets from "AE_MELBOURNE_250823" to "AE_LYON_070524" were released individually and added onto the now renamed compilation ''AE_2022－'', dropping the "LIVE" prefix both in the compilation title and set names.<ref>https://web.archive.org/web/20241104173202/https://autechre.warp.net/release/476436-autechre-ae2022</ref> Sean noted that the idea came from Warp to drop the LIVE part of the naming convention.<ref>https://web.archive.org/web/20241106150525/https://post.lurk.org/@sean_ae/113436310329414162</ref> The compilation was later put up on Bleep and Bandcamp on December 3rd.<ref>https://autechre.bandcamp.com/album/ae-2022</ref><ref>https://bleep.com/release/483225-autechre-ae2022</ref>		On October 25th, 2024, Warp again sent out a newsletter sign-up announcement, with 12 dates listed.<ref>https://ghostarchive.org/archive/UYmeC</ref><ref>https://www.instagram.com/warprecords/p/DBjZTuNIg1A/?hl=en</ref> On November 4th, 2024, twelve sets from "AE_MELBOURNE_250823" to "AE_LYON_070524" were released individually and added onto the now renamed compilation ''AE_2022－'', dropping the "LIVE" prefix both in the compilation title and set names.<ref>https://web.archive.org/web/20241104173202/https://autechre.warp.net/release/476436-autechre-ae2022</ref> Sean noted that the idea came from Warp to drop the LIVE part of the naming convention.<ref>https://web.archive.org/web/20241106150525/https://post.lurk.org/@sean_ae/113436310329414162</ref> The compilation was later put up on Bleep and Bandcamp on December 3rd.<ref>https://autechre.bandcamp.com/album/ae-2022</ref><ref>https://bleep.com/release/483225-autechre-ae2022</ref>
	==Analysis==		==Analysis==
	Main analysis by [[User:EnergyIsMassiveLight\|EnergyIsMassiveLight]] and [[User:Zythion\|Zythion]]. Fan titles taken from fan-edit TTT－.<ref>{{Cite web\|author=FefetaLeixes\|title=AE_2022－EXCLUSIVES (TTT－)\|website=Reddit\|date=16 November 2024\|link=https://www.reddit.com/r/autechre/comments/1gs8qum/ae_2022exclusives_ttt/\|accessdate=16 November 2024}}</ref> Officially released sets are highlighted in bold. Unreleased sets with bootleg recordings are also included, with either clips of the segment or a listed recording with timestamps. Tables have be split for compactness.		Main analysis by [[User:EnergyIsMassiveLight\|EnergyIsMassiveLight]] and [[User:Zythion\|Zythion]]. Fan titles taken from the fan-edit compilation TTT－ by FefetaLeixes.<ref>{{Cite web\|author=FefetaLeixes\|title=AE_2022－EXCLUSIVES (TTT－)\|website=Reddit\|date=16 November 2024\|link=https://www.reddit.com/r/autechre/comments/1gs8qum/ae_2022exclusives_ttt/\|accessdate=16 November 2024}}</ref>

			Officially released sets are highlighted in bold. Unreleased sets with bootleg recordings are also included, with either clips of the segment or a listed recording with timestamps. Tables have be split for compactness.

	Due to the nature of performances, the start and ends of a set may abridge or overextend in a way which don't cleanly fit in the segment splits.		Due to the nature of performances, the start and ends of a set may abridge or overextend in a way which don't cleanly fit in the segment splits.

EnergyIsMassiveLight: /* 2026 */

2026-02-07T15:38:48Z

2026

@@ Line 2,391: / Line 2,391: @@
 |80:12
 |87:54
 |}
 </div>

EnergyIsMassiveLight: tokyo26

2026-02-04T13:28:50Z

tokyo26

← Older revision		Revision as of 09:28, 4 February 2026
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	!#60		!#60
	!#61		!#61
	~~!#62~~
	\|-		\|-
	\| colspan="15" \|		\| colspan="14" \|
	\|-		\|-
	\|Tokyo_040226		\|Tokyo_040226 <small><small>''<nowiki>[AUD #1]</nowiki>''</small></small>
	\|		\|17:06
	\|		\|20:26
	\|		\|26:25
	\|		\|33:37
	\|		\|40:50
	\|		\|47:27
	\|		\|54:01
	\|		\|60:48
	\|		\|65:44
	\|		\|69:07
	\|		\|73:41
	\|		\|80:12
	\|		\|87:54
	\|
	\|-		\|-
	\|Osaka_050226		\|Osaka_050226
	\|
	\|		\|
	\|		\|

EnergyIsMassiveLight: /* 2026 */

2026-02-04T12:49:29Z

2026

@@ Line 2,361: / Line 2,361: @@
 {| class="wikitable frozen-table"
+!
+!#49
 |-
-| colspan="2" |
+| colspan="15" |
 |-
 |Tokyo_040226
+|
 |-
 |Osaka_050226
+|
 |}

← Older revision		Revision as of 14:05, 6 August 2026
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	Rob Brown: Unser Ablauf blieb tatsächlich gleich. Wir hatten Pläne für Gigs, aber, na ja. Wir bekamen zum Beispiel im März ein Angebot für einen Auftritt in Mailand im November. Die Lombardei wurde dann komplett abgeriegelt, und wir haben von den Leuten einen Monat lang nichts gehört. Beim nächsten Kontakt waren sie schon weitaus weniger zuversichtlich. Dann hat sich das Angebot in Luft aufgelöst und wurde auf nächstes Jahr verschoben. Das war unser einziger geplatzter Gig, wenn man so will. Weil wir ja ohnehin erst im Winter oder im Frühling 2021 loslegen wollten.}}</ref><ref>https://web.archive.org/web/20241217152311/https://post.lurk.org/@sean_ae/113663738919715601 <!-- (note: reference is for saying project was in development for rougly 4 years indicating 2019/2020 was the start) --></ref><!-- Among the cancelled/postponed gigs was the postponement of a planned Milan gig in November 2020 to the following year. (see groove interview) --> Sean mentioned that he spent that time reworking the back end of their rig, getting interested in MC (multi-channel audio in Max), physical modelling<ref name=":0">{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote='''“Do you like the new Mac chip situation? Is it any different to work on compared to the old CPU?”''' Yes. So my patch was using about 75, 80% towards the end of last year or the year before, whenever it was I got it, and then, yeah, I got the M1 and then it was just flying! 30%, just flying! Just absolutely insane! So there's no turning back now I'm fucked because I'm filling it up already. Loads of Live physmod things, and things that were a bit, you know, expensive. So yeah, I love it. Just amazing, kind of a little bit too much if anything, and the disking out speeds are amazing. The transitions are all super tight. The timing's super tight. All the control rate stuff is super tight. So yeah, I think if you're using Max and you've got an M1, you're basically living the dream at this point. it's just insane.}}</ref> (such as [https://forum.ircam.fr/projects/detail/modalys/ Modalys]), and scratching (as seen on Gescom's ''[[AMKS_1]]'')''.''<ref>{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote=Basically when COVID hit, I had a lot of time on my hands to rebuild a lot of it. So it's, yeah, it’s a lot of it you wouldn't even notice because a lot of it's just porting things to Gen that didn't need to be ported but just because I wanted a bit more control, and that led me off on loads of tangents because once you start building basic things like oscillators, you get a bit mad with all the options. So yeah, that happened and then I got heavily into MC, and then that happened. And then I built a lot more [physical] modeling stuff, and I did that scratching thing that we used on that Gescom thing that we've done about just over a year ago. And then did that and then, and then, yeah the set sort of grew out of all that tech basically. So sty listically, it's not that far off what we've been doing for the last few years because I think we're still in the same sort of place mentally. But, tech wise, the underlying, the kind of back end stuff is all fresh.}}</ref>		Rob Brown: Unser Ablauf blieb tatsächlich gleich. Wir hatten Pläne für Gigs, aber, na ja. Wir bekamen zum Beispiel im März ein Angebot für einen Auftritt in Mailand im November. Die Lombardei wurde dann komplett abgeriegelt, und wir haben von den Leuten einen Monat lang nichts gehört. Beim nächsten Kontakt waren sie schon weitaus weniger zuversichtlich. Dann hat sich das Angebot in Luft aufgelöst und wurde auf nächstes Jahr verschoben. Das war unser einziger geplatzter Gig, wenn man so will. Weil wir ja ohnehin erst im Winter oder im Frühling 2021 loslegen wollten.}}</ref><ref>https://web.archive.org/web/20241217152311/https://post.lurk.org/@sean_ae/113663738919715601 <!-- (note: reference is for saying project was in development for rougly 4 years indicating 2019/2020 was the start) --></ref><!-- Among the cancelled/postponed gigs was the postponement of a planned Milan gig in November 2020 to the following year. (see groove interview) --> Sean mentioned that he spent that time reworking the back end of their rig, getting interested in MC (multi-channel audio in Max), physical modelling<ref name=":0">{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote='''“Do you like the new Mac chip situation? Is it any different to work on compared to the old CPU?”''' Yes. So my patch was using about 75, 80% towards the end of last year or the year before, whenever it was I got it, and then, yeah, I got the M1 and then it was just flying! 30%, just flying! Just absolutely insane! So there's no turning back now I'm fucked because I'm filling it up already. Loads of Live physmod things, and things that were a bit, you know, expensive. So yeah, I love it. Just amazing, kind of a little bit too much if anything, and the disking out speeds are amazing. The transitions are all super tight. The timing's super tight. All the control rate stuff is super tight. So yeah, I think if you're using Max and you've got an M1, you're basically living the dream at this point. it's just insane.}}</ref> (such as [https://forum.ircam.fr/projects/detail/modalys/ Modalys]), and scratching (as seen on Gescom's ''[[AMKS_1]]'')''.''<ref>{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote=Basically when COVID hit, I had a lot of time on my hands to rebuild a lot of it. So it's, yeah, it’s a lot of it you wouldn't even notice because a lot of it's just porting things to Gen that didn't need to be ported but just because I wanted a bit more control, and that led me off on loads of tangents because once you start building basic things like oscillators, you get a bit mad with all the options. So yeah, that happened and then I got heavily into MC, and then that happened. And then I built a lot more [physical] modeling stuff, and I did that scratching thing that we used on that Gescom thing that we've done about just over a year ago. And then did that and then, and then, yeah the set sort of grew out of all that tech basically. So sty listically, it's not that far off what we've been doing for the last few years because I think we're still in the same sort of place mentally. But, tech wise, the underlying, the kind of back end stuff is all fresh.}}</ref>

	During a mixlr stream on March 21st, 2020, Sean mentioned that the live set was 99% complete, requiring just the intro to be completed.<ref>{{Cite web\|author=Ryce, Andrew\|title=Autechre say they have two new albums ready\|website=Resident Advisor\|date=22 March 2020\|link=https://ra.co/news/72301\|accessdate=5 June 2025}}</ref> By mid-2022, Sean noted that, on his side, he had about three and a half hours of total material prepared that may or may not be shown.<ref>{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote=[...] I mean some, they will share elements and the probably, I mean in all likelihood it'll be mostly similar material but there's a bunch of material that's not aired yet. That's because we've had too long to work on this fucking set, right, so. Least my part of the set is, I don't know, like three and a half hours of stuff, so I don't know how much of it will end up using.}}</ref> In late 2023, Sean gave an update on Mastodon that the material ended up becoming one long track they just kept adding onto. At that point, it was "about 4 hours long so far and growing steadily", noting it was the "most interesting thing we’ve done in ages from our POV." <ref>[https://web.archive.org/web/20231118215345/https://post.lurk.org/@sean_ae/111433472440615681#:~:text=We%20took%20a,from%20our%20POV. @sean_ae Mastodon post, November 18, 2023]</ref> In an interview in October 2024, they mentioned that "we could keep [this project] going for another ten years."<ref name=":2" /> <!-- https://web.archive.org/web/20260120230600/https://post.lurk.org/@sean_ae/115898803592753947 no immediatel good spot to fit this but it's a progress update with a bunch of other comments -->		During a mixlr stream on March 21st, 2020, Sean mentioned that the live set was 99% complete, requiring just the intro to be completed.<ref>{{Cite web\|author=Ryce, Andrew\|title=Autechre say they have two new albums ready\|website=Resident Advisor\|date=22 March 2020\|link=https://ra.co/news/72301\|accessdate=5 June 2025}}</ref> By mid-2022, Sean noted that, on his side, he had about three and a half hours of total material prepared that may or may not be shown.<ref>{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote=[...] I mean some, they will share elements and the probably, I mean in all likelihood it'll be mostly similar material but there's a bunch of material that's not aired yet. That's because we've had too long to work on this fucking set, right, so. Least my part of the set is, I don't know, like three and a half hours of stuff, so I don't know how much of it will end up using.}}</ref> In late 2023, Sean gave an update on Mastodon that the material ended up becoming one long track they just kept adding onto. At that point, it was "about 4 hours long so far and growing steadily", noting it was the "most interesting thing we’ve done in ages from our POV." <ref>[https://web.archive.org/web/20231118215345/https://post.lurk.org/@sean_ae/111433472440615681#:~:text=We%20took%20a,from%20our%20POV. @sean_ae Mastodon post, November 18, 2023]</ref> In an interview in October 2024, they mentioned that "we could keep [this project] going for another ten years."<ref name=":2" /> In July 2026, Sean noted that during the NA leg, they already had an hour of extra material ready, but now an additional hour was added ontop of it. <ref>https://web.archive.org/web/20260806175706/https://mastodon.social/@Galarem/117012415339354021</ref> <!-- https://web.archive.org/web/20260120230600/https://post.lurk.org/@sean_ae/115898803592753947 no immediatel good spot to fit this but it's a progress update with a bunch of other comments -->

	The main equipment used to perform is two M1<ref name=":0" /><!-- possibly M2 by now --> Macs running Max/MSP, Kenton Killamix controllers, Apogee Symphony Desktop and Apogee Element 24.<ref name=":4">{{Cite interview\|page=Sean Twitch AMA, July 2022\|quote='''Can u describe the live setup of the last gigs, laptop, controllers, souncard, thx''' I mean you know, two, I mean the latest ones are just two M1 Macs, Kenton Killamix controllers, two interfaces; I've got an Apogee Symphony Desktop, Rob's using the Apogee Element 24. The mixer is like a little Mackie Onyx12 channel thing just because it fits on a plane easily, and it's easier to get around. And it's replaceable if it breaks, you know, it's not, we're not relying on some esoteric mixer being found by the promoter at the last minute, so. Because that's always a consideration, you know? There's only the controllers really that be hard to source. So we often carry spares like if we're on a tour bus, we'll have spares of the controllers we’ll source.}}</ref><ref>{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote='''What's your live setup nowadays?''' Two Macs, and these Kenton Killamix things, and a couple of interfaces.}}</ref><ref>{{Cite interview\|page=Hanalgig AMA, July 2022\|quote='''Tebbisimo: [...] What audio interface you using on the live sets ATM? [...]''' XH HX: i'm using apogee symphony desktop lately which i really rate but before that was using apogee element 24 (also good but harder to get now) and before that was using RME ADI2 converter (had to stop since apple borked the optical port but i loved that thing). i also got a MOTU M2 which is mad value for ESS sabre converters if u want something cheapish}}</ref><ref name=":5">https://web.archive.org/web/20240509143259/https://post.lurk.org/@sean_ae/112400607304881021</ref><ref name=":3">https://web.archive.org/web/20241107183922/https://post.lurk.org/@sean_ae/113442509470527990<!-- https://imgur.com/a/sean-ae-mastodon-2024-11-07-recording-setup-https-post-lurk-org-sean-ae-113442509470527990-92g7anp --></ref> Both Sean and Rob have different versions of their Max rig; Sean sends nightly builds to Rob, to which Rob adds his own additions.<ref>{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote=Like, I've got my version of the rig. Rob's got his version, which is a, it's been mutated so much it's not really the same rig anymore.}}</ref><ref>{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote=We don't rehearse at all, but the rig, we do share, so, you know. We've, I've got bits of Rob’s stuff. He's got a fully up-to-date version of what I'm doing all the time, so he gets nightly, almost, builds, yeah. So, that happened. I think he can run my rig in his house so he knows exactly what it'll do, but he doesn't know quite how I'm gonna play it on the night and so I'll be doing surprising things with it and it'll be reacting to him with his controllers, so it's a kind of, yeah, it's very much an intuitive thing.}}</ref><ref>{{Cite AAA2 doc\|190}}</ref> <!-- include tidbit from june 2022 where sean notes that the rig was on version 4 update 1100? -->In 2024, they got four custom-made Killamix Minis.<ref>https://web.archive.org/web/20240309004321/https://post.lurk.org/@sean_ae/112054867478643903</ref> Initially, mixing was done using the Mackie Onyx12,<ref name=":4" /> but since Brussels24 they've been using Sound Devices 888.<ref name=":5" /><ref name=":6">https://web.archive.org/web/20241113092034/https://post.lurk.org/@sean_ae/113458692313028937</ref> For recording with the 888, they have "two mains, two spares and two mons (adjustable using the headphone pot) going to 3 stereo DIs" with separate recordings of Sean and Rob's computers alongside a mixed version.<ref name=":3" /><ref name=":6" /><!-- this is above my technical understanding, someone clean this up for me thx xoxoxo --> For final mastering of the soundboards for release which Sean fully handles and which mostly consists of "tiny edits and tweaks",<ref>https://web.archive.org/web/20260120230657/https://post.lurk.org/@sean_ae/115907100261965904</ref><!-- awkward phrasing lol, dk where to split it off to doe --> he listed using "a couple of Meyer UPMs and USW-112Ps" as monitors.<ref>https://forum.keyosc.com/topic/720-i-no-longer-strongly-disagree-with-seans-answer-to-gl0tch-in-aaaa/?&do=findComment&comment=19916</ref>		The main equipment used to perform is two M1<ref name=":0" /><!-- possibly M2 by now --> Macs running Max/MSP, Kenton Killamix controllers, Apogee Symphony Desktop and Apogee Element 24.<ref name=":4">{{Cite interview\|page=Sean Twitch AMA, July 2022\|quote='''Can u describe the live setup of the last gigs, laptop, controllers, souncard, thx''' I mean you know, two, I mean the latest ones are just two M1 Macs, Kenton Killamix controllers, two interfaces; I've got an Apogee Symphony Desktop, Rob's using the Apogee Element 24. The mixer is like a little Mackie Onyx12 channel thing just because it fits on a plane easily, and it's easier to get around. And it's replaceable if it breaks, you know, it's not, we're not relying on some esoteric mixer being found by the promoter at the last minute, so. Because that's always a consideration, you know? There's only the controllers really that be hard to source. So we often carry spares like if we're on a tour bus, we'll have spares of the controllers we’ll source.}}</ref><ref>{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote='''What's your live setup nowadays?''' Two Macs, and these Kenton Killamix things, and a couple of interfaces.}}</ref><ref>{{Cite interview\|page=Hanalgig AMA, July 2022\|quote='''Tebbisimo: [...] What audio interface you using on the live sets ATM? [...]''' XH HX: i'm using apogee symphony desktop lately which i really rate but before that was using apogee element 24 (also good but harder to get now) and before that was using RME ADI2 converter (had to stop since apple borked the optical port but i loved that thing). i also got a MOTU M2 which is mad value for ESS sabre converters if u want something cheapish}}</ref><ref name=":5">https://web.archive.org/web/20240509143259/https://post.lurk.org/@sean_ae/112400607304881021</ref><ref name=":3">https://web.archive.org/web/20241107183922/https://post.lurk.org/@sean_ae/113442509470527990<!-- https://imgur.com/a/sean-ae-mastodon-2024-11-07-recording-setup-https-post-lurk-org-sean-ae-113442509470527990-92g7anp --></ref> Both Sean and Rob have different versions of their Max rig; Sean sends nightly builds to Rob, to which Rob adds his own additions.<ref>{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote=Like, I've got my version of the rig. Rob's got his version, which is a, it's been mutated so much it's not really the same rig anymore.}}</ref><ref>{{Cite interview\|page=Sean Twitch AMA, June 2022\|quote=We don't rehearse at all, but the rig, we do share, so, you know. We've, I've got bits of Rob’s stuff. He's got a fully up-to-date version of what I'm doing all the time, so he gets nightly, almost, builds, yeah. So, that happened. I think he can run my rig in his house so he knows exactly what it'll do, but he doesn't know quite how I'm gonna play it on the night and so I'll be doing surprising things with it and it'll be reacting to him with his controllers, so it's a kind of, yeah, it's very much an intuitive thing.}}</ref><ref>{{Cite AAA2 doc\|190}}</ref> <!-- include tidbit from june 2022 where sean notes that the rig was on version 4 update 1100? -->In 2024, they got four custom-made Killamix Minis.<ref>https://web.archive.org/web/20240309004321/https://post.lurk.org/@sean_ae/112054867478643903</ref> Initially, mixing was done using the Mackie Onyx12,<ref name=":4" /> but since Brussels24 they've been using Sound Devices 888.<ref name=":5" /><ref name=":6">https://web.archive.org/web/20241113092034/https://post.lurk.org/@sean_ae/113458692313028937</ref> For recording with the 888, they have "two mains, two spares and two mons (adjustable using the headphone pot) going to 3 stereo DIs" with separate recordings of Sean and Rob's computers alongside a mixed version.<ref name=":3" /><ref name=":6" /><!-- this is above my technical understanding, someone clean this up for me thx xoxoxo --> For final mastering of the soundboards for release which Sean fully handles and which mostly consists of "tiny edits and tweaks",<ref>https://web.archive.org/web/20260120230657/https://post.lurk.org/@sean_ae/115907100261965904</ref><!-- awkward phrasing lol, dk where to split it off to doe --> he listed using "a couple of Meyer UPMs and USW-112Ps" as monitors.<ref>https://forum.keyosc.com/topic/720-i-no-longer-strongly-disagree-with-seans-answer-to-gl0tch-in-aaaa/?&do=findComment&comment=19916</ref>