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Autechre / Saw You

Quants0 — Tue, 21 Jul 2026 21:46:57 GMT

Autechre: added timestamp for yt link of 808 state show

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	* The track name came from typing "Au" (due to a 'au' type sample appearing in the track) and then keysmashing the rest until the Atari's 8 character limit was hit. The band themselves liked the name so much they later adopted it as their new pseudonym.<ref>{{Cite interview\|page=Sound On Sound Interview, April 2004\|quote=Autechre pronounce their name as 'autecker'. Sean Booth explains that the name came about when the duo were working on an Atari. "The first two letters were intentional, because there was an 'au' sound in the track, and the rest of the letters were bashed randomly on the keyboard. We had this track title for ages, and we had written it on a cassette, with some graphics. It looked good, and we began using it as our name."}}</ref><ref>{{Cite interview\|page=SECONDS Magazine Issue 31, 1994\|quote='''SECONDS: What does "Autechre" mean?''' Brown: It means nothing actually. It's kind of a mistake. With a lot of computer sequencing programs, you have eight characters to name a track. We had a name for a track that was kind of descriptive of the track --- it was a couple of words. When we decided to randomize it by messing around with the computer, it actually freaked out and came out with this word "autechre". We decided that you could pronounce it, so it became the name of that track. Then about six months later we decided to adopt it as the title of us.}}</ref><!-- rewrite, see dedicated Autechre (artist) page -->		* The track name came from typing "Au" (due to a 'au' type sample appearing in the track) and then keysmashing the rest until the Atari's 8 character limit was hit. The band themselves liked the name so much they later adopted it as their new pseudonym.<ref>{{Cite interview\|page=Sound On Sound Interview, April 2004\|quote=Autechre pronounce their name as 'autecker'. Sean Booth explains that the name came about when the duo were working on an Atari. "The first two letters were intentional, because there was an 'au' sound in the track, and the rest of the letters were bashed randomly on the keyboard. We had this track title for ages, and we had written it on a cassette, with some graphics. It looked good, and we began using it as our name."}}</ref><ref>{{Cite interview\|page=SECONDS Magazine Issue 31, 1994\|quote='''SECONDS: What does "Autechre" mean?''' Brown: It means nothing actually. It's kind of a mistake. With a lot of computer sequencing programs, you have eight characters to name a track. We had a name for a track that was kind of descriptive of the track --- it was a couple of words. When we decided to randomize it by messing around with the computer, it actually freaked out and came out with this word "autechre". We decided that you could pronounce it, so it became the name of that track. Then about six months later we decided to adopt it as the title of us.}}</ref><!-- rewrite, see dedicated Autechre (artist) page -->
	* "Autechre" was [https://www.youtube.com/watch?v=~~wFpnAqrXVBI~~ played on Sunset 102 FM] on December 18th, 1990 by 808 State.		* "Autechre" was [https://www.youtube.com/watch?v=qfapsdDwbfY&t=5270s played on Sunset 102 FM] on December 18th, 1990 by 808 State.
	* The pads on "Autechre" was later reused in "Persuit 2" from [[Warp Tapes 89-93]] along with noise <!-- noise? -->from "Saw You" in 1992.		* The pads on "Autechre" was later reused in "Persuit 2" from [[Warp Tapes 89-93]] along with noise <!-- noise? -->from "Saw You" in 1992.
	* According to the metadata of Sean's download, it was recorded in 1989.		* According to the metadata of Sean's download, it was recorded in 1989.

SIGN

RD1994 — Tue, 21 Jul 2026 21:43:02 GMT

missed a detail here!

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	*One theory is that the catalogue numbers were chosen such that each digit adds up to 14 (3+2+9) to match ''SIGN'' being the 14th album.		*One theory is that the catalogue numbers were chosen such that each digit adds up to 14 (3+2+9) to match ''SIGN'' being the 14th album.
	*It s<nowiki/>hould be noted that, in a first for<nowiki/> Autechre, the CD versions for both SIGN and PLUS use different artworks. In SIGN's case, the ~~dark grey b~~<nowiki/>~~ackground~~ has been replaced with a solid black one.<ref>https://www.discogs.com/release/16065078-Autechre-SIGN/image/SW1hZ2U6NTQ0MTE4ODY=</ref>		*It s<nowiki/>hould be noted that, in a first for<nowiki/> Autechre, the Japanese CD versions for both SIGN and PLUS use different artworks. In SIGN's case, the da<nowiki/>rk grey background has been replaced with a solid black one.<ref>https://www.discogs.com/release/16065078-Autechre-SIGN/image/SW1hZ2U6NTQ0MTE4ODY=</ref>

	== Links ==		== Links ==

Oversteps

EnergyIsMassiveLight — Sat, 18 Jul 2026 22:41:14 GMT

r ess synths

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	* BPM: 120<ref name=":0">{{Cite web\|author=IOS\|title=Beats per minute\|website=We Are The Music Makers\|date=8 November 2013\|link=https://watmm-archive.com/t/81171/1\|accessdate=21 March 2024}}</ref>		* BPM: 120<ref name=":0">{{Cite web\|author=IOS\|title=Beats per minute\|website=We Are The Music Makers\|date=8 November 2013\|link=https://watmm-archive.com/t/81171/1\|accessdate=21 March 2024}}</ref>
	* The track ~~title “r ess” could be in reference to the first initials of Rob and Sean~~.<!-- ~~just as~~ a ~~note, i think~~ this ~~needs to be SO much denser in regards to title speculations because there's SO many interesting interpretations for this one~~. -->		* The main synth used on the track is RS Integrator.<ref>https://web.archive.org/web/20260718223755/https://post.lurk.org/@sean_ae/116943026220044755 <!-- in case the image is missing in archive, it was a screenshot of this post about r ess & lanzarote https://www.reddit.com/r/autechre/comments/1v06b6x/sample_spotting_r_ess_lanzarote/ --></ref>

	=== ilanders ===		=== ilanders ===

Chiastic Slide

EnergyIsMassiveLight — Sat, 18 Jul 2026 22:39:45 GMT

cichli credit

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	* "Cichli" was done in Logic.<ref name=":0" /><ref name=":1" />		* "Cichli" was done in Logic.<ref name=":0" /><ref name=":1" />
			* Most of the track was done by Sean, except for the strings at the end.<ref>https://web.archive.org/web/20260718223719/https://post.lurk.org/@sean_ae/116942992134518944</ref>
	* Elements of the track were later reused for ''[[Cichlisuite]]''.		* Elements of the track were later reused for ''[[Cichlisuite]]''.
	* The title is likely derived from [[wikipedia:Cichlid\|Cichlid]], a family of fish. This fish naming theme was further explored on ''[[Cichlisuite]]''.		* The title is likely derived from [[wikipedia:Cichlid\|Cichlid]], a family of fish. This fish naming theme was further explored on ''[[Cichlisuite]]''.

Warp Tapes 89-93

EnergyIsMassiveLight — Sat, 18 Jul 2026 19:22:19 GMT

sample sourcing for two tracks

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	\|0:21:12 - 0:27:55		\|0:21:12 - 0:27:55
	\|'''#6 "Destroyer"'''<ref>{{Cite AAA doc\|274}}</ref> <!-- there's a mastadon post where sean talks about Destroyer, cant find it doe -->		\|'''#6 "Destroyer"'''<ref>{{Cite AAA doc\|274}}</ref> <!-- there's a mastadon post where sean talks about Destroyer, cant find it doe -->
	Samples [https://www.youtube.com/watch?v=lb13ynu3Iac J. Robert Oppenheimer's 1965 speech] using the Boss RSD-10.<ref>{{Cite interview\|page=Sean Twitch AMA, July 2022\|quote=Yeah, that was our only sampler for quite a long time, like that Destroyer of Worlds track was done just using that as a sampler, done on the four track.}}</ref> Performed at [[1991-06-04 Rochdale, England, UK @ Sweatbox 2 (Bojangles)\|Sweatbox 2 1991]].		Samples [https://www.youtube.com/watch?v=lb13ynu3Iac J. Robert Oppenheimer's 1965 speech] (specifically sampled from 1987's "Art of Memory"<ref name=":2">https://web.archive.org/web/20260709132427/https://post.lurk.org/@sean_ae/116889151177928975</ref>) using the Boss RSD-10.<ref>{{Cite interview\|page=Sean Twitch AMA, July 2022\|quote=Yeah, that was our only sampler for quite a long time, like that Destroyer of Worlds track was done just using that as a sampler, done on the four track.}}</ref> Performed at [[1991-06-04 Rochdale, England, UK @ Sweatbox 2 (Bojangles)\|Sweatbox 2 1991]].
	\|-		\|-
	\|0:26:58 - 0:31:35		\|0:26:58 - 0:31:35
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	\|0:40:27 - 0:48:16		\|0:40:27 - 0:48:16
	\|'''#10'''		\|'''#10'''
			Contains a one-shot sample from "Weekend" by Class Action.<ref name=":2" />
	\|-		\|-
	\|0:47:17 - 0:54:20		\|0:47:17 - 0:54:20

User:A4-Paper-For-Sale7564

A4-Paper-For-Sale7564 — Mon, 13 Jul 2026 12:08:47 GMT

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Confield Tour

EnergyIsMassiveLight — Fri, 10 Jul 2026 17:40:04 GMT

confield tour cite, get back to this later

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	== History ==		== History ==
	The equipment consisted of "two powerbooks max/msp patches, audio & sequencing w/MIDI to nords w/NM patches self sequencing. except Sean used Nord Lead Rack."<ref>{{Cite AAA doc\|933}}</ref><ref>{{Cite interview\|page=Sean Twitch AMA, July 2022\|quote='''“Can you elaborate a bit on the process behind the Confield live sets? I hear lots of FM synths?”''' This, yeah, I mean it was, like so we had, I had the Nord Lead and Rob had the Nord modular, the original one, the G1 or whatever. And then we had Max running them, and then there was a couple of tracks where we used MSP to do the synthesis and that was all FM stuff, just real basic two operator FM stuff. And then there was a bunch of kind of MSP processing on that, like gating and chopping up and kind of weird reverb, delay things that we've done, but it was all quite basic processes just using them quite heavily, you know, with a lot of modulation. I guess you call it modulation. The sequencing was the main thing.}}</ref>		The equipment consisted of "two powerbooks max/msp patches, audio & sequencing w/MIDI to nords w/NM patches self sequencing. except Sean used Nord Lead Rack."<ref>{{Cite AAA doc\|933}}</ref><ref>{{Cite interview\|page=Sean Twitch AMA, July 2022\|quote='''“Can you elaborate a bit on the process behind the Confield live sets? I hear lots of FM synths?”''' This, yeah, I mean it was, like so we had, I had the Nord Lead and Rob had the Nord modular, the original one, the G1 or whatever. And then we had Max running them, and then there was a couple of tracks where we used MSP to do the synthesis and that was all FM stuff, just real basic two operator FM stuff. And then there was a bunch of kind of MSP processing on that, like gating and chopping up and kind of weird reverb, delay things that we've done, but it was all quite basic processes just using them quite heavily, you know, with a lot of modulation. I guess you call it modulation. The sequencing was the main thing.}}</ref><ref>https://web.archive.org/web/20260710171854/https://post.lurk.org/@sean_ae/116890650587793075 <!-- note, might be broken on the 18th! --></ref>

	==Analysis==		==Analysis==

User:JanBuilder

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User:JoeyTaul86420660

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Gescom

EnergyIsMassiveLight — Thu, 02 Jul 2026 02:40:33 GMT

Live Shows: blackpool26 recording

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	2024-10-31 Bristol @ Strange Brew (Diagonal Records presents '13')<ref>https://ra.co/events/1983229</ref><ref>https://www.instagram.com/strange_brew_briz/p/DBqfBTuNm_c/?hl=en&img_index=6</ref> (DJ Mix by Rob Brown)		2024-10-31 Bristol @ Strange Brew (Diagonal Records presents '13')<ref>https://ra.co/events/1983229</ref><ref>https://www.instagram.com/strange_brew_briz/p/DBqfBTuNm_c/?hl=en&img_index=6</ref> (DJ Mix by Rob Brown)

	2026-06-26:28(?) Blackpool, Lancashire @ The Black Lights (venue tba)<ref>https://ra.co/events/2219188</ref><ref>https://www.instagram.com/p/DRPZgp9DOm0/?igsh=Y2NzZXZ0NGJ0b2Fj</ref>		2026-06-26:28(?) Blackpool, Lancashire @ The Black Lights (venue tba)<ref>https://ra.co/events/2219188</ref><ref>https://www.instagram.com/p/DRPZgp9DOm0/?igsh=Y2NzZXZ0NGJ0b2Fj</ref> ([https://www.mixcloud.com/Tebbisimo/theblacklights-2026-skam-rob-brown/ rec])

	== References ==		== References ==
	<references />		<references />

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