aepages - User contributions [en]

Sto Lend EP

2025-07-10T21:18:54Z

Wulffo: more descriptive writing around the nord part

'''''Sto Lend EP''''', full title '''''Sil-Taper (Sto Lend EP)''''', is an EP by Auto-Pilot (consisting of Derek Marin and Se Jun Ho) featuring beats programming by [[Autechre]] left over from a show. It was initially released under the false pretense as a lost collection of Autechre tracks.

== History ==
Around 2008, an EP listed under Autechre was uploaded onto streaming services iTunes<ref>https://en.wikipedia.org/wiki/Talk:Autechre#Sto_Lend_EP_(?)</ref> and Amazon<ref>https://watmm-archive.com/t/35909/1</ref> purporting a December 01, 1996 release date, before being taken down after a few months. It was later reuploaded as ''Sil-Taper (Sto Lend EP)'' by Autopilot around 2010. On Oct 13, 2010 in the WATMM thread, a random user explained that the EP was produced "after a self-titled limited edition CD by the duo ... and never released." The connection to Autechre was explained to be leftover sounds from programmed beats on a Roland R8 after a Warp event (New York Blech party) after Derek Marin of Autopilot lent Autechre their R8. Those recordings went on to be used on some of the tracks.<ref>https://watmm-archive.com/t/35909/2 </ref>

In the [https://aepages.org/wiki/AAA_(Ask_Autechre_Anything),_November_2013 2013 Autechre AAA], Autechre directly answered questions about that story.<ref>{{Cite AAA doc|814}}</ref> Rob corroborated that they did regularly borrow gear, however Sean clarified that he only used to R8 from sequencing, and the actual sounds would come from his Nord Lead, "so all the sound would be wrong" using purely the R8.

== Tracklist <ref>https://www.discogs.com/release/13844900-Autopilot-Sil-Taper-Sto-Lend-EP</ref> ==
{{Tracklist|list={{tl track|number=1|title=Klabin|length=12:08}}
{{tl track|number=2|title=Sil-Taper|length=8:47}}
{{tl track|number=3|title=Mend/Cin|length=2:47}}
{{tl track|number=4|title=Cynic|length=7:23}}
{{tl track|number=5|title=It's Not|length=8:29}}
{{tl track|number=6|title= Sil-Taper (With Words Mix)|length=2:50}}
{{tl finaltime|time=42:23}}}}

== References ==
<references />
[[Category:EP]]

The Designers Republic

2025-02-06T21:03:08Z

Wulffo: edits in punctuation and mention of what age of chance record was designed for

The Designers Republic is a Sheffield-based design studio, founded in 1986<ref>https://www.thedesignersrepublic.com/about</ref> by Ian Anderson and Nick Phillips. They've since become a highly influential design studio, accredited for pioneering the Vectorheart,<ref>https://cari.institute/aesthetics/vectorheart</ref> and Y2K Futurism art style,<ref>https://cari.institute/aesthetics/y2k-aesthetic</ref> examples of this including Psygnosis' [https://en.wikipedia.org/wiki/Wipeout_(video_game) Wipeout], packaging for the Sony Aibo ERS-210, and the majority of their output post-millenium. Other notable works include building the brand identity for [https://warp.net/ Warp Records], anti-establishment, post-modern works such as Pho-Ku Corporation and [https://www.thedesignersrepublic.com/buy-me merchandising lines]. Their collaboration with Autechre spans from ''[[Incunabula]]'' to ''[[AE_2022－]]'', however with a "break"<ref>https://www.thedesignersrepublic.com/quaristice</ref> following [[Chiastic Slide|''Chiastic Slide'']], and ending with ''[[Quaristice]]''.

== History ==

Before The Designers Republic, Ian Anderson had become engrained in the Sheffield music scene, managing and working with various bands—something which naturally lead him into design, having to create flyers for various gigs. This resulted in him being asked to manage the band Person to Person, for which he created the Designers Republic banner, both to take advantage of the [https://en.wikipedia.org/wiki/Enterprise_Allowance_Scheme Enterprise Allowance Scheme] and as a necessity due to a conflict of interest in him being band manager and also designer.<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'', Thames and Hudson ISBN 978-0500027356, p.10</ref> After being asked to create the artwork for [https://en.wikipedia.org/wiki/Chakk Chakk's] ''10 Days in an Elevator,'' he requested help from his friend Nick Phillips, with whom he created the artwork for [https://en.wikipedia.org/wiki/Age_of_Chance Age of Chance's] Crush Collision (and subsequent records), their indie success provided tDR with wider recognition, and consequently work for Pop Will Eat Itself.<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.12</ref> It was also at this time that they created the brand identity then-nascent Warp Records.

Their rising popularity in the design world lead them to work with various large-scale entities in the late 90's and early 2000's, such as [https://www.thedesignersrepublic.com/coca-cola Coca-Cola], [https://www.thedesignersrepublic.com/gatecrasher Gatecrasher], [https://www.thedesignersrepublic.com/emigre Emigre], [https://www.thedesignersrepublic.com/e4 Channel 4], Nickelodeon,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.284</ref> Pulp,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.366</ref> and various others.

Changes in the music industry, large-scale copying of their style and mismanagement meant that in 2009, The Designers Republic would go into voluntary liquidation, emerging as a "leaner operation" since.<ref>https://www.creativereview.co.uk/the-designers-republic-is-dead-long-live-the-designers-republic/</ref><ref>https://www.eyemagazine.com/feature/article/reputations-ian-anderson</ref><ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.17</ref>

== Relationship with Autechre==

Autechre has a long-standing relationship with The Designers Republic and Ian Anderson. First learning of them through tapes sent to Warp Records and being "blown away" on first listen,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.15</ref> he would then foster a personal relationship with the duo, liking the "intellectualization of the design process" and the dynamic between them.

Autechre and The Designers Republic took a creative break following ''Chiastic Slide'', presumably for greater creative freedom, they would re-unite professionally for the artwork for ''[[Quaristice]],'' inspired by the abrasiveness of the music and Norton Disk Tools' disk defragmentation graphic, they would create the erratically spaced typographic cover for the album. They have since worked together for nearly all their following projects.

The Designers Republic has had a continuous theme of humanity vs. technology in their works with Autechre,<ref>https://www.thedesignersrepublic.com/incunabula</ref> from ''Incunabula'' to the unreal nature of the ''Amber'' cover, impossible, strange machinery for ''Tri Repetae'', fragmentation and abstraction for ''Chiastic Slide'', ''Exai's'' abstract, brutalist typography to the entirely human covers for ''Oversteps'' (both the circle and typography were handwritten in the cover).<ref>https://www.thedesignersrepublic.com/oversteps</ref>

As of ''AE_2022－'', The Designers Republic have worked with Autechre on the following releases:

*''[[Incunabula]]'' (1993)
*''[[Basscad,EP]]'' (1994)
*''[[Anti]]'' (1994)
*''[[Amber]]'' (1994)
*''[[Garbage]]'' (1995)
*''[[Anvil Vapre]]'' (1995)
*''[[Tri Repetae]]'' (1995)
*''[[Chiastic Slide]]'' (1997)
*''[[Envane]]'' (1997)
*''[[Cichlisuite]]'' (1997)
*''[[Peel Session]]'' (1999)
*''[[Peel Session 2]]'' (2000)
*''[[Quaristice]]'' (2008)
*''[[Quaristice.Quadrange.ep.ae]]'' (2008)
*''[[Oversteps]] (''2010)
*''[[Move Of Ten]]'' (2010)
*''[[Exai]]'' (2013)
*''[[L-event]]'' (2013)
*''[[AE_LIVE]]'' (2015/2019)
*''[[elseq 1-5]]'' (2016)
*''[[NTS Sessions 1-4]]'' (2018)
*[[AE LIVE 2016/2018|''AE_LIVE 2016/2018'']] (2020)
*''[[SIGN]]'' (2020)
*''[[PLUS]]'' (2020)
*''[[AE_2022－]]'' (2023－)

==References==
<references />

The Designers Republic

2024-07-30T18:17:25Z

Wulffo: im a monkey and cannot write

The Designers Republic is a Sheffield-based design studio, founded in 1986<ref>https://www.thedesignersrepublic.com/about</ref> by Ian Anderson and Nick Phillips. They've since become a highly influential design studio, accredited for pioneering the Vectorheart,<ref>https://cari.institute/aesthetics/vectorheart</ref> and Y2K Futurism art style,<ref>https://cari.institute/aesthetics/y2k-aesthetic</ref> examples of this including Psygnosis' [https://en.wikipedia.org/wiki/Wipeout_(video_game) Wipeout], packaging for the Sony Aibo ERS-210, and the majority of their output post-millenium. Other notable works include building the brand identity for [https://warp.net/ Warp Records], anti-establishment, post-modern works such as Pho-Ku Corporation and [https://www.thedesignersrepublic.com/buy-me merchandising lines]. Their collaboration with Autechre spans from [[Incunabula]] to [https://aepages.org/wiki/AE_LIVE_2022%EF%BC%8D AE_LIVE 2022], however with a "break"<ref>https://www.thedesignersrepublic.com/quaristice</ref> following [[Chiastic Slide]], and ending with [[Quaristice]].

== History ==

Before The Designers Republic, Ian Anderson had become engrained in the Sheffield music scene, managing and working with various bands—something which naturally lead him into design—having to create flyers for various gigs. This resulted in him being asked to manage the band Person to Person, for which he created the Designers Republic banner, both to take advantage of the [https://en.wikipedia.org/wiki/Enterprise_Allowance_Scheme Enterprise Allowance Scheme] and as a necessity due to a conflict of interest in him being band manager and also designer.<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'', Thames and Hudson ISBN 978-0500027356, p.10</ref> After being asked to create the artwork for [https://en.wikipedia.org/wiki/Chakk Chakk's] ''10 Days in an Elevator,'' he requested help from his friend Nick Phillips, with whom he created the artwork for [https://en.wikipedia.org/wiki/Age_of_Chance Age of Chance's], their indie success provided tDR with wider recognition, and consequently work for Pop Will Eat Itself.<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.12</ref>. It was also at this time that they created the brand identity then-nascent Warp Records.

Their rising popularity in the design world lead them to work with various large-scale entities in the late 90's and early 2000's, such as [https://www.thedesignersrepublic.com/coca-cola Coca-Cola,] [https://www.thedesignersrepublic.com/gatecrasher Gatecrasher,] [https://www.thedesignersrepublic.com/emigre Emigre,] [https://www.thedesignersrepublic.com/e4 Channel 4,] Nickelodeon,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.284</ref> Pulp,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.366</ref> and various others.

Changes in the music industry, large-scale copying of their style and mismanagement meant that in 2009, The Designers Republic would go into voluntary liquidation, emerging as a "leaner operation" since.<ref>https://www.creativereview.co.uk/the-designers-republic-is-dead-long-live-the-designers-republic/</ref><ref>https://www.eyemagazine.com/feature/article/reputations-ian-anderson</ref><ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.17</ref>

== Relationship with Autechre ==

Autechre has a long-standing relationship with The Designers Republic and Ian Anderson. First learning of them through tapes sent to Warp Records and being "blown away" on first listen,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.15</ref> he would then foster a personal relationship with the duo, liking the "intellectualization of the design process" and the dynamic between them.

Autechre and The Designers Republic took a creative break following Chiastic Slide, presumably for greater creative freedom, they would re-unite professionally for the artwork for [[Quaristice]], inspired by the abrasiveness of the music and Norton Disk Tools' disk defragmentation graphic, they would create the erratically spaced typographic cover for the album. They have since worked together for nearly all their following projects.

The Designers Republic has had a continuous theme of humanity vs. technology in their works with Autechre,<ref>https://www.thedesignersrepublic.com/incunabula</ref> from Incunabula to the unreal nature of the Amber cover, impossible, strange machinery for Tri Repetae, fragmentation and abstraction for Chiastic Slide, Exai's abstract, brutalist typography to the entirely human covers for Oversteps (both the circle and typography were handwritten in the cover).<ref>https://www.thedesignersrepublic.com/oversteps</ref>

As of AE_LIVE 2022, The Designers Republic have worked with Autechre on the following releases:

*''[[Incunabula]]'' (1993)
*''[[Basscad,EP]]'' (1994)
*''[[Anti]]'' (1994)
*''[[Amber]]'' (1994)
*''[[Garbage]]'' (1995)
*''[[Anvil Vapre]]'' (1995)
*''[[Tri Repetae]]'' (1995)
*''[[Chiastic Slide]]'' (1997)
*''[[Envane]]'' (1997)
*''[[Cichlisuite]]'' (1997)
*''[[Peel Session]]'' (1999)
*''[[Peel Session 2]]'' (2000)
*''[[Quaristice]]'' (2008)
*''[[Quaristice.Quadrange.ep.ae]]'' (2008)
*''[[Oversteps]] (''2010)
* ''[[Move Of Ten]]'' (2010)
*''[[Exai]]'' (2013)
*''[[L-event]]'' (2013)
*''[[AE_LIVE]]'' (2015/2019)
*''[[elseq 1-5]]'' (2016)
*''[[NTS Sessions 1-4]]'' (2018)
* [[AE LIVE 2016/2018|''AE_LIVE 2016/2018'']] (2020)
*''[[SIGN]]'' (2020)
*''[[PLUS]]'' (2020)
* [[AE LIVE 2022－|''AE_LIVE 2022－'']] (2023)

== References ==
<references />

The Designers Republic

2024-07-05T19:16:15Z

Wulffo:

The Designers Republic is a Sheffield-based design studio, founded in 1986<ref>https://www.thedesignersrepublic.com/about</ref> by Ian Anderson and Nick Phillips. They've since become a highly influential design studio, accredited for pioneering the Vectorheart,<ref>https://cari.institute/aesthetics/vectorheart</ref> and Y2K Futurism art style,<ref>https://cari.institute/aesthetics/y2k-aesthetic</ref> examples of this including Psygnosis' [https://en.wikipedia.org/wiki/Wipeout_(video_game) Wipeout]. Other notable works include building the brand identity for [https://warp.net/ Warp Records], and anti-establishment, post-modern works such as Pho-Ku Corporation and [https://www.thedesignersrepublic.com/buy-me merchandising lines]. Their collaboration with Autechre spans from [[Incunabula]] to [https://aepages.org/wiki/AE_LIVE_2022%EF%BC%8D AE_LIVE 2022], however with a "break"<ref>https://www.thedesignersrepublic.com/quaristice</ref> following [[Chiastic Slide]], and ending with [[Quaristice]].

== History ==

Before The Designers Republic, Ian Anderson had become engrained in the Sheffield music scene, managing and working with various bands—something which naturally lead him into design—having to create flyers for various gigs. This resulted in him being asked to manage the band Person to Person, for which he created the Designers Republic banner, both to take advantage of the [https://en.wikipedia.org/wiki/Enterprise_Allowance_Scheme Enterprise Allowance Scheme] and as a necessity due to a conflict of interest in him being band manager and also designer.<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'', Thames and Hudson ISBN 978-0500027356, p.10</ref> After being asked to create the artwork for [https://en.wikipedia.org/wiki/Chakk Chakk's] ''10 Days in an Elevator,'' he requested help from his friend Nick Phillips, with whom he created the artwork for [https://en.wikipedia.org/wiki/Age_of_Chance Age of Chance's], their indie success provided tDR with wider recognition, and consequently work for Pop Will Eat Itself.<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.12</ref>. It was also at this time that they created the brand identity then-nascent Warp Records.

Their rising popularity in the design world lead them to work with various large-scale entities in the late 90's and early 2000's, such as the aforementioned [https://en.wikipedia.org/wiki/Wipeout_(video_game) Wipeout,] [https://www.thedesignersrepublic.com/coca-cola Coca-Cola,] [https://www.thedesignersrepublic.com/gatecrasher Gatecrasher,] [https://www.thedesignersrepublic.com/emigre Emigre,] [https://www.thedesignersrepublic.com/e4 Channel 4,] Nickelodeon,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.284</ref> Pulp,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.366</ref> and various others.

Changes in the music industry, large-scale copying of their style and mismanagement meant that in 2009, The Designers Republic would go into voluntary liquidation, emerging as a "leaner operation" since.<ref>https://www.creativereview.co.uk/the-designers-republic-is-dead-long-live-the-designers-republic/</ref><ref>https://www.eyemagazine.com/feature/article/reputations-ian-anderson</ref><ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.17</ref>

== Relationship with Autechre ==

Autechre has a long-standing relationship with The Designers Republic and Ian Anderson. First learning of them through tapes sent to Warp Records and being "blown away" on first listen,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.15</ref> he would then foster a personal relationship with the duo, liking the "intellectualization of the design process" and the dynamic between them.

Autechre and The Designers Republic took a creative break following Chiastic Slide, presumably for greater creative freedom, they would re-unite professionally for the artwork for [[Quaristice]], inspired by the abrasiveness of the music and Norton Disk Tools' disk defragmentation graphic, they would create the erratically spaced typographic cover for the album. They have since worked together for nearly all their following projects.

The Designers Republic has had a continuous theme of humanity vs. technology in their works with Autechre,<ref>https://www.thedesignersrepublic.com/incunabula</ref> from Incunabula to the unreal nature of the Amber cover, impossible, strange machinery for Tri Repetae, fragmentation and abstraction for Chiastic Slide, Exai's abstract, brutalist typography to the entirely human covers for Oversteps (both the circle and typography was handwritten in the cover).<ref>https://www.thedesignersrepublic.com/oversteps</ref>

As of AE_LIVE 2022, The Designers Republic have worked with Autechre on the following releases:

*''[[Incunabula]]'' (1993)
*''[[Basscad,EP]]'' (1994)
*''[[Anti]]'' (1994)
*''[[Amber]]'' (1994)
*''[[Garbage]]'' (1995)
*''[[Anvil Vapre]]'' (1995)
*''[[Tri Repetae]]'' (1995)
*''[[Chiastic Slide]]'' (1997)
*''[[Envane]]'' (1997)
*''[[Cichlisuite]]'' (1997)
*''[[Peel Session]]'' (1999)
*''[[Peel Session 2]]'' (2000)
*''[[Quaristice]]'' (2008)
*''[[Quaristice.Quadrange.ep.ae]]'' (2008)
*''[[Oversteps]] (''2010)
* ''[[Move Of Ten]]'' (2010)
*''[[Exai]]'' (2013)
*''[[L-event]]'' (2013)
*''[[AE_LIVE]]'' (2015/2019)
*''[[elseq 1-5]]'' (2016)
*''[[NTS Sessions 1-4]]'' (2018)
* [[AE LIVE 2016/2018|''AE_LIVE 2016/2018'']] (2020)
*''[[SIGN]]'' (2020)
*''[[PLUS]]'' (2020)
* [[AE LIVE 2022－|''AE_LIVE 2022－'']] (2023)

== References ==
<references />

The Designers Republic

2024-07-05T14:17:41Z

Wulffo: Created page with "The Designers Republic is a Sheffield-based design studio, founded in 1986<ref>https://www.thedesignersrepublic.com/about</ref> by Ian Anderson and Nick Phillips. They've since become a highly influential design studio, best known for their futuristic works, such as [https://en.wikipedia.org/wiki/Wipeout_(video_game) Wipeout], and building the brand identity for [https://warp.net/ Warp Records]. Their collaboration with Autechre spans from Incunabula to PLUS, alt..."

The Designers Republic is a Sheffield-based design studio, founded in 1986<ref>https://www.thedesignersrepublic.com/about</ref> by Ian Anderson and Nick Phillips. They've since become a highly influential design studio, best known for their futuristic works, such as [https://en.wikipedia.org/wiki/Wipeout_(video_game) Wipeout], and building the brand identity for [https://warp.net/ Warp Records]. Their collaboration with Autechre spans from [[Incunabula]] to [[PLUS]], although with a "break"<ref>https://www.thedesignersrepublic.com/quaristice</ref> following [[Chiastic Slide]], and ending with [[Quaristice]].

== History ==

Before The Designers Republic, Ian Anderson had become engrained in the Sheffield music scene, managing and working with various bands—which naturally lead him into design—having to create flyers for various gigs. This resulted in him being asked to manage the band Person to Person, for which he created the Designers Republic banner, both to take advantage of the [https://en.wikipedia.org/wiki/Enterprise_Allowance_Scheme Enterprise Allowance Scheme] and as a necessity due to a conflict of interest in him being band manager and also designer.<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'', Thames and Hudson ISBN 978-0500027356, p.10</ref> After being asked to create the artwork for [https://en.wikipedia.org/wiki/Chakk Chakk's] ''10 Days in an Elevator,'' he requested help from his friend Nick Phillips, with whom he created the artwork for [https://en.wikipedia.org/wiki/Age_of_Chance Age of Chance's], their indie success provided tDR with wider recognition, and consequently work for Pop Will Eat Itself.<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'', Thames and Hudson ISBN 978-0500027356, p.12</ref>. It was also at this time that they created the brand identity then-nascent Warp Records.

Their rising popularity in the design world lead them to work with various large-scale entities in the late 90's and early 2000's, such as the aforementioned [https://en.wikipedia.org/wiki/Wipeout_(video_game) Wipeout,] [https://www.thedesignersrepublic.com/coca-cola Coca-Cola,] [https://www.thedesignersrepublic.com/gatecrasher Gatecrasher,] [https://www.thedesignersrepublic.com/emigre Emigre,] [https://www.thedesignersrepublic.com/e4 Channel 4,] Nickelodeon,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.284</ref> Pulp,<ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.366</ref> and various others.

Changes in the music industry, large-scale copying of their style and mismanagement meant that in 2009, The Designers Republic would go into voluntary liquidation, emerging as a "leaner operation" since.<ref>https://www.creativereview.co.uk/the-designers-republic-is-dead-long-live-the-designers-republic/</ref><ref>https://www.eyemagazine.com/feature/article/reputations-ian-anderson</ref><ref>Anderson, Ian (2023) ''A to Z of The Designers Republic,'' Thames and Hudson ISBN 978-0500027356, p.17</ref>

== Relationship with Autechre ==

'''work in progress'''

Autechre has a long-standing relationship with The Designers Republic and Ian Anderson.

== References ==
<references />