aepages - User contributions [en]

L-event

2025-12-10T13:11:21Z

RD1994: Fixed a typo in the "Exai" release year (it said 2010 before)

{{Infobox
|title=L-event
|artist=[[Autechre]]
|cover=L-event.jpg
|date=11 October 2013 (Digital) 28 October 2013 (LP/CD)
|label=Warp Records (WAP345)
|previous=[[Exai]]
|previous year=2013
|next=[[AE_LIVE]]
|next year=2015
}}'''''L-event''''' is the eleventh EP by [[Autechre]] released on [https://warp.net/ Warp Records]. It was available digitially on October 11th, 2013, and physically on October 28th, 2013.<ref>https://web.archive.org/web/20131002041610/http://warp.net:80/records/releases/autechre/l-event</ref>

== History ==

On July 11th, 2013, The Designers Republic posted an announcement that they completed design work for ''L-event''.<ref name=":0">{{Cite AAA doc|647}}</ref><ref>https://ghostarchive.org/archive/zdlv8</ref> ''L-event'' was officially announced on September 16, 2013 for a October 28th release date with a entry on autechre.ws.<ref>https://www.factmag.com/2013/09/16/autechre-announce-l-event-ep-out-next-month-on-warp/</ref><ref>https://www.facebook.com/permalink.php?story_fbid=627189453979543&id=106935292671631&__cft__[0]=AZWJnfdY_J33mfxg9bd-EpBppW7W0-79BIGM8DANB1jMqJ7Pi4j5Epi-D-VlPnawiNAn0yACGhy1CZgNm0WKwGwQtigs_b8NLQ0K5v_PHXQtzzJWvHDkwlvyAiOuCf91-nF9ppYdE8_y3aqSFDFv19BMO5V2hfwuArozV18zp-DGgSHuehyAsA9gZIIAohLcK8edeKVvgkwsq0hkS-4o0qWF&__tn__=%2CO%2CP-R</ref>

When visiting the page, it sometimes would become "corrupted" with elements randomly getting resized and replaced with images of ''L-event''<nowiki/>'s cover.<ref name=":0" /><ref>https://watmm-archive.com/t/79689/21</ref> On October 11th, the EP's tracks were made available for streaming and download from the site. The site was also set up as a [https://web.archive.org/web/20140410163610/http://p.autechre.ws/proxy?lnk=http%3A%2F%2Fautechre.ws%2F proxy] such that those aforementioned corruptions alongside the music stream would not only occured on autechre.ws, but also on any sites the proxy was applied to.<ref>https://web.archive.org/web/20131014092340/http://warp.net:80/records/autechre/stream-l-event</ref><ref>https://www.reddit.com/r/autechre/comments/10ujt3r/promotional_website_that_distorted_and_glitched/</ref><ref>https://www.spin.com/2013/10/autechre-l-event-ep-stream-hack-website-warp/</ref><ref>https://www.clashmusic.com/news/autechre-have-hacked-their-own-discogs-page/</ref><ref>https://all-noise.co.uk/ep-stream-autechre-l-event/6019/</ref>

Physical copies would release as per the announced date, with the USA getting it a day later.<ref>https://web.archive.org/web/20131022071854/http://warp.net:80/records/autechre/l-event-is-out-now-digitally</ref> The initial plan was for ''L-event'' to be released before ''[[Exai]]'', however Warp switched around the release dates.<ref name=":1">{{Cite AAA doc|118}}</ref>
==Tracks==

===tac Lacora===

* "tac Lacora" was edited down by Sean within a week, with the original live jam recorded a few months earlier. <ref>{{Cite AAA doc|494|495}}</ref>
* Much of the track's dynamics were achieved in realltime with mostly envelopes "changing according to conditions" and "a ton of bus compression". <ref>{{Cite AAA doc|572}}</ref>

=== M39 Diffain ===

* In an interview with The Quietus, Rob explained that much of "M39 Diffain" was mostly constructed out of found sounds: "rain, New York, bits of city life, bits of weather, direct recordings of rain on certain objects mic'd-up."<ref>{{Cite interview|page=Anatomy Of An Engima: An Interview With Autechre, Novermber 2013|quote=''''M39 Diffain'''' RB: "It took a while to make that track, because it was made up of disparate elements. It was less of the machine-building and a lot of found sounds, a lot of field recordings going into it – rain, New York, bits of city life, bits of weather, direct recordings of rain on certain objects mic'd-up – things like that. Oddly enough, I remember walking into town with it on my headphones, demoing it to see where it's going next. As it happened, I was on my way to an Untold gig. None of my friends could make it, and I basically got pissed and listened to Untold on my own and it was brilliant, even though I was this kind of sad dickhead at the back of the club with some Red Stripe having a great time and being all ears. I totally remember walking in the rain with it on headphones to a gig. It was just the best night, because I got to check this track out in the rain, [and] it was recorded using bits of rain… I went for a long, late-night walk listening to a nearly-finished version, went home and put the final touches to it, and then it was done. I think it's a good one for depth and scapes, just listening on headphones and being isolated with a weather pattern nearby."}}</ref>

=== Osla for n ===

* "Osla for n" was done during the night.<ref>{{Cite AAA doc|324}}</ref>
* Sean kept the technicalities of the formant synthesis type of sounds under warps saying it was some other weird method, however he did note that "the source was white noise".<ref>{{Cite AAA doc|1426}}</ref>

=== newbound ===

==Tracklist==
{{Tracklist|list=
{{tl track|number=1|title=tac Lacora|length=6:03}}
{{tl track|number=2|title=M39 Diffain|length=5:46}}
{{tl track|number=3|title=Osla for n|length=8:11}}
{{tl track|number=4|title=newbound|length=6:01}}
{{tl finaltime|time=26:04}}
}}

== Credits ==

* [[Rob Brown]] (writer)
* [[Sean Booth]] (writer)
* [[Autechre]] (production)
* [[The Designers Republic]] (design)
* [[Noel Summerville]] (lacquer cut) <ref>https://www.discogs.com/master/606561-Autechre-L-event</ref>

== References ==
<references />
[[Category:EP]]

elseq 1-5

2025-04-25T07:45:26Z

RD1994: fixed a typo its REULEAUX not REALEAUX

{{Infobox
|title=elseq 1-5
|artist=[[Autechre]]
|cover=elseq 1-5.jpg
|date=19 May 2016
|label=Warp Records (WARP512)
|previous=[[AE_LIVE]]
|previous year=2015
|next=[[JNSN CODE GL16 / spl47]]
|next year=2017
}}
'''''elseq 1-5''''', often shortened to just '''''elseq''''', is the twelfth studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on May 19th, 2016.

== History ==
''elseq'' was all recorded directly to stereo<ref>https://web.archive.org/web/20241107183922/https://post.lurk.org/@sean_ae/113442509470527990</ref>''.'' The tracks are all solo tracks, split evenly between Sean and Rob.<ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Phoenix: can you tell us one track that was yours from elseq?''' XH HX: we try not to do that so i'm not gonna. just pick one at random and there's about a 50% chance}}</ref>

In [[Autechre: elseq et al, June 2016]], Autechre explained much of the background for the record. The store-front was initially set up in collaboration with Warp to just release [[AE LIVE|live shows]], before Autechre realised they could also use it for putting out long tracks that were otherwise ill-suited for any proper release, similar to ''[[Quaristice.Quadrange.ep.ae]]''. The initial plan was that for any track, they would do a session on Friday, get it approved by Warp, have designs made by [[The Designers Republic]] and then put them out by Monday morning. However, Warp instead wanted to package the material into something promotable, which coalesced the tracks into groupings. Sean noted that due to the bizarre format, they didn't know if "it's an album, or a collection of EPs or albums or just... things. We have no idea what this actually is."<ref name=":1">{{Cite interview|page=Autechre: elseq et al, June 2016}}</ref>

''elseq 1-5'' was released on May 19th, 2016 as a digital-only release, with no plans for a physical release.<ref>https://ghostarchive.org/archive/7HMs9</ref> Initially Autechre planned to just throw it onto the store, but Warp wanted to first give a promotional cycle before releasing it.<ref name=":1" /> This included debuting "feed1" and "c16 deep tread" as singles before release.

== Tracks ==

=== elseq 1 ===
[[File:elseq1.jpeg|thumb|150x150px|elseq 1]]

==== feed1 ====
* BPM: 112
* In a leadup to the release of ''elseq'', "feed1" was debuted on May 13th, 2016 on BBC Radio 6 at 9PM.<ref>https://www.factmag.com/2016/05/14/hear-a-new-autechre-track-feed-1/</ref><ref>https://ghostarchive.org/archive/r4MxG</ref><ref name=":0">https://cdm.link/2016/05/hours-and-hours-and-hours-of-autechre/</ref>
* The name comes from the main synth on the track "going into a delay effect which put the studio monitors and laptop mic in the feedback path."<ref name=":2">{{Cite AAA2 doc|629}}</ref>
* The track was made by Sean.<ref name=":2" />
* One analysis of "feed1" put forth by IOS from WATMM is that the bass drums are a basic 2 bar loop (shown below), with probability to retrigger any amount of the main kicks again after 3 sixteenths notes. <ref>https://forum.watmm.com/topic/93475-feed1s-kicks/?do=findComment&comment=2557279</ref>
==== c16 deep tread ====
* BPM: 157, 160
* "c16 deep tread" was debutted as the second single on KSUA, a small Alaskan college radio channel on May 18th, 2016, at 12PM Alaskan time.<ref>https://www.factmag.com/2016/05/18/autechre-alaskan-radio-appearance/</ref> A now-deleted SoundCloud upload of it was also linked by Warp.<ref name=":0" />
* The track appeared on [[AE_LIVE|the 2014/2015 live sets]] in a mostly final, albeit abridged form. ([https://youtu.be/c3GxvP_U_jc?si=tm2MqrWeJ8wQFIlo&t=2063 example])
* The main snare sound on "c16 deep tread" was made using subtractive synthesis of oscillator and noise plus frequency shifting with feedback, among other things. <ref>https://web.archive.org/web/20230726161856/https://post.lurk.org/@sean_ae/110771366258863281#:~:text=that%20snare%20is%20a%20combination%20of%20things%20but%20mainly%20subtractive%20(oscillator%2Bnoise)%20and%20frequency%20shifting%20w/feedback</ref>

==== 13x0 step ====

* BPM: 130

==== pendulu hv moda ====

* BPM: ?, 74
* "pendulu" is one letter short of "pendulum". A possible theory for "hv' is that it stands for "heavy", as Rob mentioned that amongst their archives they had a few tracks categorised as "heavies".<ref>{{Cite interview|page=Autechre on Their Epic NTS Sessions, David Lynch, and Where Code Meets Music, August 2018|quote=There’s a few “idles,” a few “casuals,” a few “heavies.”}}</ref>
* An early version of the track appeared at the end of most of the [[AE LIVE|2015 US live sets]]. ([https://youtu.be/TSH81CdJGFU?si=j33P1LVjp_OrUhlm&t=3370 example])

==== curvcaten ====

* BPM: 162 (?)

=== elseq 2 ===
[[File:elseq2.jpeg|thumb|150x150px|elseq 2]]

==== elyc6 0nset ====

* BPM: 160
* The elyc sounds were only made around 2014/2015.<ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote=the elyc stuff was 2014/15 iirc}}</ref>
* Sean confirmed that he recorded "elyc6 0nset" in a day. <ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''How did you make elyc6 0nset, and is it true you made it in one day?''' Yeah, but I don't know where, I don't think I ever said that to anyone. But yeah, it's true that I made it in a day, yeah.}}</ref>
* Certain elements of this track were later reused on [[NTS Sessions 1-4#elyc9 7hres|"elyc9 7hres"]]

==== chimer 1-5-1 ====

* BPM: 151

==== c7b2 ====

* BPM: 120

* "c7b2" appears on the [[AE LIVE|2015 US live sets]]. ([https://youtu.be/pmlbwJ5LXbY?si=VoDb_983KJyaO7b7&t=3185 example])
* Sean was unable to explain what exactly was going on behind the scenes for "c7b2", however notes that "a lot of the sort of screamy stuff is sort of delays and something that's a bit like a phaser, but it's getting webbed around quite a lot." <ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''Anything you say about c7b2 sequencing sound engineering? It seems to have a lot of interesting reoccurring themes like the rumbling low end?''' Yeah, I mean, I don't know what to tell you about it. It's quite, it was quite a few different patches working together, that track. So, a lot of the sort of screamy stuff is sort of delays and something that's a bit like a phaser, but it's getting webbed around quite a lot. So there's a lot of, kind of, I don't know. I don't even know what it was doing to be honest. I'd have to open it all up again and have a look because, you know, once it's set up and saved, I don't really look at it so. But I know roughly which modules were getting used and I know roughly what they would have been doing, so yeah. “I don't know” is the short answer.}}</ref>

=== elseq 3 ===
[[File:elseq3.jpeg|thumb|150x150px|elseq 3]]

==== eastre ====
* BPM: 153 (?)
* [[ae mixlr 300320|In a Mixlr stream on 30 March 2020]], Sean remarked that he had a 52 minute long version of "eastre" as he was skimming through jam folder snippets. <ref>https://docs.google.com/spreadsheets/d/1g52y2e2rnqVhQJdkw0Qk1YYJoen1uhVvn2Fd-tABywA/edit#gid=1580406988&range=E16</ref>

==== TBM2 ====

* BPM: 85.91

==== mesh cinereaL ====

* BPM: 83 (?)

=== elseq 4 ===
[[File:elseq4.jpeg|thumb|150x150px|elseq 4]]

==== acdwn2 ====

* BPM: 124
* Elements of "acdwn2" first appeared on the [[AE LIVE|2014 live sets]]. ([https://www.youtube.com/watch?v=OdvWpAS-dVk&t=336s example]) They were also later reused on [[NTS Sessions 1-4#xflood|"xflood"]].
* The horns on "acdwn2" were sampled from an unreleased track of theirs.<ref>{{Cite AAA2 doc|364}}</ref>

==== foldfree casual ====

* BPM: 160
* The track shares elements with both "pendulu hv moda" and [[NTS Sessions 1-4#carefree counter dronal|"carefree counter dronal"]]

==== latentcall ====

* BPM: 148
* Elements of "latentcall" appeared in the 2015 live sets. ([https://www.youtube.com/watch?v=m_SnP2px8to&t=2600s example])

==== artov chain ====

* BPM: 148
* "artov chain" is a play on [[wikipedia:Markov_chain|Markov Chains]].
* Early versions of "artov chain" appeared in the 2015 US live sets. ([https://www.youtube.com/watch?v=m_SnP2px8to&t=3097s example])
* The main "ah" sample in the track is from the [https://archive.org/details/cmi-sound-library-rev-1.3 Fairlight CMI sound library],<ref>https://web.archive.org/web/20240119174137/https://post.lurk.org/@sean_ae/111783830699925880</ref> specifically HUMANS1/AAHHL2.wav being stacked harmonically.

==== 7th slip ====

* BPM: 160
* The synths were previously used in the [[AE LIVE|2014/2015 live sets]]. ([https://youtu.be/38Cmbmupb3M?si=u8gNxs59jn0Foxtc&t=3027 example])
* "7th slip" was done by Rob. The track was constructed out of "70s prog samples and an off cut of a beat sean made".<ref>{{Cite AAA2 doc|132}}</ref>
* The name has no reference to [[Amber#Slip|"Slip"]] from Amber, instead just referring to how slippery it sounded "compared to their other '7th' works."<ref>{{Cite AAA2 doc|511}}</ref>

=== elseq 5 ===
[[File:elseq5.jpeg|thumb|150x150px|elseq 5]]

==== pendulu casual ====

* BPM: 80
* "pendulu casual" shares a few elements with [[NTS Sessions 1-4#frane%20casual|"frane casual"]].

==== spTh ====

* BPM: 186

==== spaces how V ====

* BPM: 162
* In the July 2022 Twitch AMA, Sean confirmed that "spaces how V" was made by Rob. <ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote=spaces how V was Rob, so I can't talk about how he did it. You're gonna have to ask him. Rob knows some mean tricks for stereo manipulation, and he doesn't even share him with me, so.}}</ref>
* The track reused "liveset outtakes practises and proof tests" for material that was performed at the [[Oversteps Tour|2010 live shows]] [https://youtu.be/dEtauI9aN1E?t=1108 (example)], using both the Nord V2 Rack Engine for the vocal patch and the NMv2e for beats. The longform outtakes ended up in [[List of Rarities#Atoms Vectors Pixels Ghosts™|Atoms Vectors Pixels Ghosts™]] as well as a project "for a particular municipal historical science and astronomical facility in NYC" which fell through, all of which contributed to the final track.<ref>{{Cite AAA2 doc|62}}</ref> 

==== freulaeux ====

* BPM: 137

* The track title is a reference to [[wikipedia:Franz_Reuleaux|Franz Reuleaux]] that was chosen by Rob because of Reuleaux's work in kinematics.<ref>{{Cite AAA2 doc|129}}</ref><ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Anuel: thoughts on Franz Reuleaux?''' XH HX: that was rob's reference so i guess ask him}}</ref>

==== oneum ====

* BPM: 95 (?)
* "oneum" shares a few elements with [[NTS Sessions 1-4#turbile epic casual, stpl idle|"turbile epic casual, stpl idle"]].

== Tracklist ==
{{Tracklist|list=
{{tl section|section=elseq 1}}
{{tl track|number=1|title=feed1|length=11:38}}
{{tl track|number=2|title=c16 deep tread|length=12:31}}
{{tl track|number=3|title=13x0 step|length=8:57}}
{{tl track|number=4|title=pendulu hv moda|length=12:15}}
{{tl track|number=5|title=curvcaten|length=6:59}}
{{tl total|time=52:21}}
{{tl section|section=elseq 2}}
{{tl track|number=6|title=elyc6 0nset|length=27:09}}
{{tl track|number=7|title=chimer 1-5-1|length=5:03}}
{{tl track|number=8|title=c7b2|length=13:22}}
{{tl total|time=45:35}}
{{tl section|section=elseq 3}}
{{tl track|number=9|title=eastre|length=22:15}}
{{tl track|number=10|title=TBM2|length=6:44}}
{{tl track|number=11|title=mesh cinereaL|length=24:28}}
{{tl total|time=53:29}}
{{tl section|section=elseq 4}}
{{tl track|number=12|title=acdwn2|length=11:52}}
{{tl track|number=13|title=foldfree casual|length=9:49}}
{{tl track|number=14|title=latentcall|length=14:31}}
{{tl track|number=15|title=artov chain|length=4:04}}
{{tl track|number=16|title=7th slip|length=6:36}}
{{tl total|time=46:54}}
{{tl section|section=elseq 5}}
{{tl track|number=17|title=pendulu casual|length=9:01}}
{{tl track|number=18|title=spTh|length=8:21}}
{{tl track|number=19|title=spaces how V|length=9:57}}
{{tl track|number=20|title=freulaeux|length=11:06}}
{{tl track|number=21|title=oneum|length=11:01}}
{{tl total|time=49:28}}
{{tl finaltime|time=4:07:49}}
}}
== Trivia ==

* ''elseq 1-5'' is the only Autechre album to have a title stylized in lowercase.
* One theory argue that “elseq” is an abbreviation of “'''e'''dited '''l'''ive '''seq'''uences”, meaning it would be pronounced "ell seek". During interviews Sean did pronounce it as "ell seek", lending credence to that theory.
* The CAT number, WARP512, was likely specifically requested by Autechre. 512 is a power of 2, as are WARP128 ([[Confield|''Confield'']]) and WAP256 ([[Gantz Graf|''Gantz Graf'']]). Another theory is that the “5” represents the 5 parts of elseq, whereas the 12 represents it being the twelfth Autechre album.

== Gallery ==
<gallery>
File:feed1.jpg|feed1
File:c16 deep tread.jpg|c16 deep tread
File:13x0 step.jpg|13x0 step
File:pendulu hv moda.jpg|pendulu hv moda
File:curvcaten.jpg|curvcaten
File:elyc6 0nset.jpg|elyc6 0nset
File:chimer 1-5-1.jpg|chimer 1-5-1
File:c7b2.jpg|c7b2
File:eastre.jpg|eastre
File:TBM2.jpg|TBM2
File:mesh cinereaL.jpg|mesh cinereaL
File:acdwn2.jpg|acdwn2
File:foldfree casual.jpg|foldfree casual
File:latentcall.jpg|latentcall
File:artov chain.jpg|artov chain
File:7th slip.jpg|7th slip
File:pendulu casual.jpg|pendulu casual
File:spTh.jpg|spTh
File:spaces how V.jpg|spaces how V
File:freulaeux.jpg|freulaeux
File:oneum.jpg|oneum
</gallery>

== Links ==

* [https://autechre.warp.net/release/73330-autechre-elseq-15 AE_STORE]
* [https://www.discogs.com/master/1003066-Autechre-elseq-15 Discogs]
* [https://open.spotify.com/album/7raDh1kdExEdaPyOJAtl9E Spotify]

== Credits==
*[[The Designers Republic]] (design) <ref>https://www.discogs.com/master/1003066-Autechre-elseq-15</ref>

== References ==
<references />
[[Category:Album]]

Peel Session 2

2025-04-24T19:14:52Z

RD1994: Thats how I understood it anyway

{{Infobox
|title=Peel Session 2
|artist=[[Autechre]]
|cover=Peel Session 2.jpg
|date=11 December 2000
|label=Warp Records (WAP150)
|previous=[[EP7]]
|previous year=1999
|next=[[Confield]]
|next year=2001
}}'''''Peel Session 2''''' is the second of two live sessions EPs by [[Autechre]] released on [https://warp.net/ Warp Records] The tracks were debuted on John Peel's show on September 8th, 1999,<ref>https://archive.org/details/thejohnpeelshow1999_201907/Peelenium+09-08-1999.mp3</ref><ref name=":0">https://peel.fandom.com/wiki/08_September_1999</ref> and later released on December 11th, 2000. 

== History ==
The first 3 tracks were named by John Peel live on air. The tracks originally had titles by Autechre, but the list didn't get to Peel, letting Peel deduce on air they were untitled and thus thought he could name the tracks. Autechre ultimately decided to go with the names for the first 3.<ref name=":1" /><ref>[https://aepages.org/wiki/Sean_Twitch_AMA,_June_2022#:~:text=Yeah%2C%20because%20for%20some%20reason%20the%20tracks%20list%2C%20the%20list%20of%20the%20titles%20didn%27t%20get%20through%20to%20him%20or%20something.%20So%20we%20just%20phoned%20up%20the%20show%2C%20we%2C%20like%2C%20phoned%20up%20Radio%201%20and%20went%20%E2%80%9COh%2C%20it%27s%20Autechre!%20Tell%20John%20Peel%E2%80%A6%E2%80%9D%20you%20know%2C%20and%20that%20was%20it.%20He%20named%20them.%20So%20that%20was%20fun. https://aepages.org/wiki/Sean_Twitch_AMA,_June_2022#:~:text=Yeah%2C%20because%20for%20some%20reason%20the%20tracks%20list%2C%20the%20list%20of%20the%20titles%20didn%27t%20get%20through%20to%20him%20or%20something.%20So%20we%20just%20phoned%20up%20the%20show%2C%20we%2C%20like%2C%20phoned%20up%20Radio%201%20and%20went%20%E2%80%9COh%2C%20it%27s%20Autechre!%20Tell%20John%20Peel%E2%80%A6%E2%80%9D%20you%20know%2C%20and%20that%20was%20it.%20He%20named%20them.%20So%20that%20was%20fun.]</ref> The only track to not get named by Peel was "19 Headaches". According to Sean the ASCAP titles were the original titles before John Peel / Autechre changed the title. {{Cite AAA2 doc|207}}

== Tracks ==

=== Gelk ===

* According to the ASCAP database, the track's alternate name is "Czr".<ref>https://www.ascap.com/repertory#/ace/search/workID/896427335</ref>

=== Blifil ===

* According to the ASCAP database, the track's alternate name is "C-Down".<ref>https://www.ascap.com/repertory#/ace/search/workID/896426992</ref>

=== Gaekwad ===

* John Peel mentioned in the broadcast he was thinking of the Indian cricket player Datta Gaekwad as he named the track. <ref name=":1">https://youtu.be/XqIETZFJ6pg</ref>
* According to the ASCAP database, the track's alternate name is "Sqr Map".<ref>https://www.ascap.com/repertory#/ace/search/workID/896427315</ref>
* The track appeared in their 1997 live shows. ([https://youtu.be/-NF9ImTAUWI?t=2220 example])

=== 19 Headaches ===

* "19 Headaches" was made using Nord and Yahama RY30 with Logic Pro Environment. <ref>[https://aepages.org/wiki/Sean_Twitch_AMA,_June_2022#:~:text=Interesting%20question%2C%20yes.%20Both%20Nord%2C%20mostly.%20I%20think%20Pencha%20is%20completely%20Nord.%20Actually%2C%20oh%20no%2C%20the%20drums%20are%20Yamaha%20RY30.%20Yeah%2C%20RY30%20and%20Nord.%20In%20fact%2C%20they%27re%20both%20RY30%20or%20Nord.%20So%20yeah%2C%20basically%20yeah%2C%20they%20are%2C%20and%20Logic%20%5BPro%5D%20Environment%2C%20sort%20of%20pre%2DMax%20patches%2C%20I%20guess%20you%20could%20call%20them. https://aepages.org/wiki/Sean_Twitch_AMA,_June_2022#:~:text=Interesting%20question%2C%20yes.%20Both%20Nord%2C%20mostly.%20I%20think%20Pencha%20is%20completely%20Nord.%20Actually%2C%20oh%20no%2C%20the%20drums%20are%20Yamaha%20RY30.%20Yeah%2C%20RY30%20and%20Nord.%20In%20fact%2C%20they%27re%20both%20RY30%20or%20Nord.%20So%20yeah%2C%20basically%20yeah%2C%20they%20are%2C%20and%20Logic%20%5BPro%5D%20Environment%2C%20sort%20of%20pre%2DMax%20patches%2C%20I%20guess%20you%20could%20call%20them.]</ref>
* Peel wanted to originally call the track "Breadthwidth", but Autechre got in touch via email during the show to say the title should be "19 Headaches."<ref name=":1" /> Earlier in the show at 23:43 (an hour before the track was played), Peel mentioned that the program was a lot calmer "cause I got about 19 headaches," coinciding with the cold he had that day.<ref name=":0" /> This is highly likely where Autechre got the new name from.
* According to the ASCAP database, the track's alternate name is "Pantium Chromedioxid".<ref>https://www.ascap.com/repertory#/ace/search/workID/896427703</ref>

== Tracklist ==
{{Tracklist|list=
{{tl track|number=1|title=Gelk|length=8:51}}
{{tl track|number=2|title=Blifil|length=7:00}}
{{tl track|number=3|title=Gaekwad|length=6:25}}
{{tl track|number=4|title=19 Headaches|length=7:14}}
{{tl finaltime|time=29:30}}}}

== Credits ==

* [[Rob Brown]] (writer)
* [[Sean Booth]] (writer)
* [[Autechre]] (performer, production)
* [[The Designers Republic]] (design) <ref>https://www.discogs.com/master/8565-Autechre-Peel-Session-2</ref>

== References ==
<references />
[[Category:EP]]

EP7

2025-04-24T19:09:50Z

RD1994: MORE KEYOSC STUFF

{{Infobox
|title=EP7
|artist=[[Autechre]]
|cover=EP7.jpg
|date=7 June 1999
|label=Warp Records (WAPEP7)
|previous=[[Peel Session]]
|previous year=1999
|next=[[Peel Session 2]]
|next year=2000
}}
'''''EP7''''' is the seventh EP by [[Autechre]] released on [https://warp.net/ Warp Records] It was originally released on June 7th, 1999.<ref>https://bleep.com/release/23103-autechre-ep7</ref>

== History ==
The reason ''EP7'' is an EP despite its length was that so they could, as Sean noted, "do things that weren't album-like."<ref>{{Cite interview|page=Autechre: elseq et al, June 2016|quote=It all comes back to this idea of the album, and the sacred thing that it is. We're not really from an albums background, though, we're from a 12-inches-and-weird-tracks-on-tapes-where-you-don't-know-who-the-artists-are background! So it kind of makes sense for us to do things that aren't format-related as such. Like when we did EP7, we deliberately called it an EP so we could do things that weren't album-like.}}</ref> The material shown on the record were all from "four or five different periods of work."<ref>{{Cite interview|page=Autechre's Interview with Мatt O'Leary, March 2005|quote=With EP7 we did the same thing -- approached it like an album, but as an EP, with an album mentality, saying "this thing's like an album" without really giving a shit about the criteria, whether a track's really correct for the format or not. But we've spent such a long time doing it -- there's literally four or five different periods of work in that album, just on its own, so it's actually quite difficult to talk about it as an album.}}</ref> 

''EP7'' was the first release to utilise Max.<ref name=":02">{{Cite interview|page=Sean Twitch AMA, June 2022|quote=So how old is the oldest part? I don't know, I don't, I don't know. 20 years, 25 years? Probably still using bits from when we've done EP7 because that was the first release where we properly used Max. It's the first release work, in fact I think it's the first release where we use Max at all, yeah, it is. So yeah, there's bits because that original, I think the first track I did in Max was Liccflii off EP7. So that was, and there are bits of the way that that works, or the idea behind the way that the rhythm works in that that I still use now, and it's just part of the vocabulary of our program rhythm in Max so. But I don't know if you could strictly say that it's the same patch.}}</ref>

The cover of ''EP7'' was made by Sean using Freehand.<ref>{{Cite interview|page=Soundproof interviews Sean & Rob, 1999|quote='''Soundproof: How was that shape created? The artwork on EP7.''' '''Sean:''' We drew it in Freehand. '''Rob:''' That’s something that was done on like a circuit board designer.}}</ref> According to a Q&A from the Warp website, the cover art was based on trees.<ref>[https://web.archive.org/web/20020816104848/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid1018136565,21609, https://web.archive.org/web/20020816104848/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid1018136565,21609,]</ref>

To promote ''EP7,'' a [https://web.archive.org/web/20010430120118/http://www.warprecords.com/ography/WAPEP7/ minisite] was created featuring an applet, coded by Dorian Fraser Moore at Kleber Digital,<ref>https://dorian.fraser-moore.com/works/49/autechre-ep7</ref> which would randomly regenerate one of the 9 unique fractal designsfrom ''EP7''<nowiki/>'s designs, which you could zoom in and move around. [https://archive.theusefularts.org/warp/ography/single/WAPEP7/ An archived version exists here], however it requires a Java emulator like [https://chromewebstore.google.com/detail/cheerpj-applet-runner/bbmolahhldcbngedljfadjlognfaaein?hl=en CheerpJ Applet Runner] to run.<ref>Courtesy of atlasstorm contacting Dorian. This was dorian's response on 17 December 2023: ''"@atlasstorm Hiya, it wasn’t quite a rfactal generator, but rather a java Applet which regenerated the artwork from simplified version of the source files. Someone asked me about this back in 2022 and I found an archive of the old, 1999, site and the code still works: <nowiki>https://archive.theusefularts.org/warp/ography/single/WAPEP7/</nowiki> You need to be able to run Jave in your browser to view it … I got it working in Chrome using CheerpJ Applet Runner, <nowiki>https://chrome.google.com/webstore/detail/cheerpj-applet-runner/bbmolahhldcbngedljfadjlognfaaein?hl=en</nowiki> Can try and answer other questionsbif you have ‘em!"''</ref>

==Tracks==

===[untitled]===

*The untitled hidden track at the beginning of the album is only present on some CD releases of the album, and is only accessible by navigating to the previous song while playing "Rpeg".
*The track itself consists of recordings run through delays feeding into pitchshifters.<ref>https://web.archive.org/web/20240425190840/https://post.lurk.org/@sean_ae/112331895371759798</ref>
[[File:ep7.1.jpg|thumb|150x150px|EP7.1]]

===Rpeg===

===Ccec===

*The title is pronounced "check".<ref name=":1">https://web.archive.org/web/20240505014108/https://post.lurk.org/@sean_ae/112384617982904846</ref>
*The vocals were processed by assiging the start position of the sample to the mod wheel and then messing with the mod wheel and additional sequencing.<ref name=":1" />

===Squeller===

*The end of the track used a Kyma Phase vocoder patch (same as "Liccflii" and [[List of Remixes#Nightmares On Wax - Sal Batardes (Autechre's Purple Mix)|"Nightmares On Wax - Sal Batardes (Autechre's Purple Mix)"]]) as well as SoundEdit 16 for pitch warbling similar to [[LP5#Vose In|"Vose In"]].<ref>{{Cite AAA2 doc|106}}</ref>

===Left Blank===

*The second half of "Left Blank" uses the Kyma Capybara for the "fft sounding stuff". That same patch went on to be reused on [[List of Remixes#Nightmares On Wax - Sal Batardes (Autechre's Purple Mix)|"Sal Batardes (Autechre Purple Mix)"]].<ref>{{Cite interview|quote=i never much liked kyma (horrible nested structuring, but it did sound pretty nice). we used it on a few things (second half of left blank, the nightmares on wax remix and the bic remix), and i eventually gave it to daz fitton|page=Hanalgig AMA, July 2022}}</ref><ref>https://web.archive.org/web/20231217191142/https://post.lurk.org/@sean_ae/111595944351176551</ref>

===Outpt===

*The white noise heard through most of the track was actually unintentional, but it worked with the track as a whole so it was left in.<ref>{{Cite AAA2 doc|324}}</ref>

[[File:ep7.2.jpg|thumb|150x150px|EP7.2]]

===Dropp===

*The main synth for "Dropp" uses a Nord sequenced in Logic.<ref>{{Cite AAA doc|1003}}</ref>

===Liccflii===

*"Liccflii" was the first track Sean did in Max.<ref name=":0">{{Cite interview|page=Sean Twitch AMA, June 2022|quote=So how old is the oldest part? I don't know, I don't, I don't know. 20 years, 25 years? Probably still using bits from when we've done EP7 because that was the first release where we properly used Max. It's the first release work, in fact I think it's the first release where we use Max at all, yeah, it is. So yeah, there's bits because that original, I think the first track I did in Max was Liccflii off EP7. So that was, and there are bits of the way that that works, or the idea behind the way that the rhythm works in that that I still use now, and it's just part of the vocabulary of our program rhythm in Max so. But I don't know if you could strictly say that it's the same patch.}}</ref>

===Maphive 6.1 ===

*"Maphive 6.1" was created entirely on a Roland PMA-5.<ref>{{Cite AAA doc|615}}</ref><ref>{{Cite web|author=Wilson, Scott|title=Designing chaos: 7 pieces of gear that helped define Autechre’s game-changing sound|website=Factmag|date=25 February 2017|link=https://www.factmag.com/2017/02/25/autechre-gear-synths-samplers-drum-machines-effects/|accessdate=15 April 2024}}</ref> The title "Maphive" is derived from the equipment, shuffling "PMA-5" to "MAP-5".

===Zeiss Contarex===

*The tracks shares its name with the Contarex camera made by Zeiss Ikon.<ref>https://web.archive.org/web/20221005023155/http://autechre.wikifoundry.com/page/EP7#:~:text=Pun%20on%20%22Output%22-,Zeiss%20Contarex%3A,-Contarex%20is%20a</ref>
*The sample near the end of the track originates from a shortwave radio broadcast, although Sean clarifies he doesn't know what the sample itself was.<ref>https://web.archive.org/web/20231221142328/https://post.lurk.org/@sean_ae/111608211662796491</ref>

===Netlon Sentinel===

*According to Sean "Netlon Sentinel" was a company they drove past a lot and the name was pointed out every time it happened. {{Cite AAA2 doc|620}}

===Pir ===

==Tracklist==
{{Tracklist|list=
{{tl track|number=-1|title=''untitled''|length=9:47}}
{{tl track|number=1|title=Rpeg|length=6:01}}
{{tl track|number=2|title=Ccec|length=4:59}}
{{tl track|number=3|title=Squeller|length=4:38}}
{{tl track|number=4|title=Left Blank|length=6:40}}
{{tl track|number=5|title=Outpt|length=7:12}}
{{tl track|number=6|title=Dropp|length=3:16}}
{{tl track|number=7|title=Liccflii|length=4:58}}
{{tl track|number=8|title=Maphive 6.1|length=8:18}}
{{tl track|number=9|title=Zeiss Contarex|length=6:33}}
{{tl track|number=10|title=Netlon Sentinel|length=4:06}}
{{tl track|number=11|title=Pir|length=3:32}}
{{tl finaltime|time=1:09:54}}
}}
==Credits==

*[[Rob Brown]] (writer)
*[[Sean Booth]] (writer)
*[[Autechre]] (production)
*[[Frank Arkwright]] (mastering) <ref>https://www.discogs.com/master/1992-Autechre-EP7</ref>

==References==
<references />
[[Category:EP]]

Tri Repetae

2025-04-24T19:07:13Z

RD1994: just saw that while reading thru

[[Category:Album]]
{{Infobox
|title=Tri Repetae
|artist=[[Autechre]]
|cover=Tri repetae.jpg
|date=6 November 1995
|label=Warp Records (WARP38)
|previous=[[Anvil Vapre]]
|previous year=1995
|next=[[We R Are Why / Are Y Are We?]]
|next year=1996
}}'''''Tri Repetae''''' is the third studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on November 6th, 1995<ref>https://bleep.com/release/20864-autechre-tri-repetae</ref>, then later repressed on vinyl in 2016, alongside ''[[Incunabula]]'', and ''[[Amber]]''.

== History ==
Some of the equipment used for ''Tri Repetae'' include the R8, Juno, 202, MS-10 Korg, Quadraverb, Ensoniq EPS, Atari 1040 running C-Lab Creator, Boss RSD-10, and possibly the 606.<ref name=":0">{{Cite interview|quote='''What synths and drum machines did you use on tri rep?''' R8, Juno, 202, MS-10 Korg, 606 I think? Maybe not. [Roland] CR-8000 on Overand, Quadraverb, have I said Ensoniq EPS? Should do. I think the [Alesis] MMT-8 as well. I think Clipper was done on that, I can't remember. Atari 1040[ST] running C-Lab Creator, Boss RSD-10. I think that's it.|page=Sean Twitch AMA, June 2022}}</ref> The record consists of one-shot takes recorded straight to DAT, largely due to the lack of good multitrack and editing technology they could use.<ref>https://web.archive.org/web/20240517123145/https://post.lurk.org/@sean_ae/112455763494901574</ref>

For the designs of ''Tri Repetae'', The Designers Republic initially used reference shots of the machinery from Chris Cunningham's [[Anvil Vapre#Second Bad Vilbel|"Second Bad Vilbel"]] music video, which were then heavily modified in Photoshop. The final album cover was however collectively decided by both Autechre and TDR to instead be a "totally plain metallic (technology) green (nature) cover (somewhere between Beatles White and Prince's Black)."<ref>https://www.thedesignersrepublic.com/tri-repetae</ref>

== Tracks ==

=== Dael ===

* "Dael" is Autechre's abbreviation for [[wikipedia:Rochdale|Rochdale]].<ref>{{Cite interview|page=Skamboys from Dael, October 1996|quote=(P.S. : Dael is Ae's abreviation for Rochdale. Home of Ae headquarters in the north of Manchester.)}}</ref>
* During the AAAA also mentioned an old mate of his called Dale, saying that "tri rep trk 1 name is a reference to dale" {{Cite AAA2 doc|616}}

=== Clipper ===

* "Clipper" used the CR-8000<ref>https://imgur.com/a/sean-ae-mastodon-2024-08-17-clipper-cr-8000-https-post-lurk-org-sean-ae-112976514184882638-U07MiX3</ref> as well as possibly the Alesis MMT-8.
* The intro to "Clipper" uses a glitch where the old ram contents of the Ensoniq EPS got rapidly read out when the loop end was set before the actual start of the sample.<ref>https://imgur.com/a/sean-ae-mastodon-2024-08-15-clipper-ensoniq-glitch-https-post-lurk-org-sean-ae-112965040822257308-NW00Kll</ref> The same effect can be seen on the intro to [[Chiastic Slide#Cipater|"Cipater"]] as well as on Gescom Minidisc's R M I Corporate ID 1 & 2.
* "Clipper" appeared in the Tri repetour shows. ([https://youtu.be/qeaXQo4nJEg?si=G1X26jLuPYzhSJ-Y&t=1726 example])
* "Clipper" was licensed out to be used in Volkswagen's New Beetle Isotope Green Commercial.<ref>https://www.youtube.com/watch?v=hZOAAdnneBs</ref> 

=== Leterel ===

* An early version of "Leterel" appeared on ''[[Warp Tapes 89-93]]'' as a segment in [https://youtu.be/9RQFxBFhGl4?t=5013 Part 2]. In the [[Sean Twitch AMA, July 2022]], Sean not only confirmed that it appeared in Warp Tapes, but also in ''[[AE_LIVE 2016/2018]]'' where the track was heavily retooled.<ref>{{Cite interview|quote='''did the onesix sets feature a remix of Leterel? the part with all the loud chords that ppl would shout in between''' Yeah, that's what I was. But it's also a remix of an older tune, which I'm not going to tell you the title of, but it's under Warp Tapes. There's like a full circle type in that.|page=Sean Twitch AMA, July 2022}}</ref>

=== Rotar ===

=== Stud ===

=== Eutow ===

* An extended version of "Eutow" combined with "Basscadet" from ''[[Incunabula]]'' and "Djarum" from ''[[Anti]]'' appeared in their 1995-1996 live shows. ([https://youtu.be/qeaXQo4nJEg?si=KThpxtrAp4qYhs7h&t=2699 example]) 
* In 2001, [[Alex Rutherford]] made an unofficial music video on Channel 4's Lo-fi programme. As of writing, the video has yet to resurface.

=== C/Pach ===

* The cowbell on "C/Pach" was done by using the EPS-16+ to loop a bit of reverb on the sample and then pitch bending it.<ref>{{Cite interview|quote='''How did you make the rolling pitch effect of the cowbell in C/Pach, Ensoniq EPS-16+?''' Yeah, it's just sampled on the EPS. I think there was a reverb on the sample, and then we had to loop in the EPS, extending that and then it's just pitch bent, basically.|page=Sean Twitch AMA, July 2022}}</ref>

=== Gnit ===

=== Overand ===

* "Overand" uses the Roland CR-8000 on the drums.<ref name=":0" /> Sean also mentioned that the main riff was a "dx100 sound with a fairly short decay, low sustain (i think 0) and the release set rly long" with possibly RSD-10 used for delay, and the background high-end sounds were achieved by creating aliasing effects on a resonant 202 a Quadraverb patch with cutoff set above its Nyquist.<ref>https://web.archive.org/web/*/https://post.lurk.org/@sean_ae/111755474737128425</ref> 
* "Overand" was used as the opening track in [https://archive.org/details/one.hour.photo.workprint the workprint for the film "One Hour Photo"], but was later replaced in the final version.<ref>https://web.archive.org/web/20231228214319/https://post.lurk.org/@sean_ae/111659499585057460</ref>

=== Rsdio ===

* The track name, “Rsdio” is a reference to the BOSS RSD-10 Sampler/Delay unit. According to Sean, the main loop is a click fed through the RSD-10.<ref>{{Cite AAA doc|173}}</ref>

=== Medrey ===

== Tracklist ==
{{Tracklist|list=
{{tl track|number=1|title=Dael|length=6:40}}
{{tl track|number=2|title=Clipper|length=8:34}}
{{tl track|number=3|title=Leterel|length=7:08}}
{{tl track|number=4|title=Rotar|length=8:04}}
{{tl track|number=5|title=Stud|length=9:41}}
{{tl track|number=6|title=Eutow|length=4:16}}
{{tl track|number=7|title=C/Pach|length=4:39}}
{{tl track|number=8|title=Gnit|length=5:50}}
{{tl track|number=9|title=Overand|length=7:33}}
{{tl track|number=10|title=Rsdio|length=10:08}}
{{tl total|time=1:12:33}}
{{tl track|number=11|title=Medrey (Japanese CD exclusive)|length=4:12}}
{{tl finaltime|time=1:16:46}}
}}

== Trivia ==

* Tri repetae translates to "three times" in Latin.
* ''Tri Repetae'' is the first Autechre album to have a bonus track for the Japanese CD release.
* ''Tri Repetae'' is the first Autechre album to have its title include a numerical reference to the album's placement in the discography (tri = three). Other subsequent records which also clearly reference the placement number in the title include ''[[LP5]]'', [[Draft 7.30|''Draft 7.30'']] and ''[[Exai]]''.
* The sticker on the CD issue reads "Incomplete without surface noise"<ref>https://ia600301.us.archive.org/6/items/mbid-d7838033-55fe-4fa4-949a-7bb96cc88839/mbid-d7838033-55fe-4fa4-949a-7bb96cc88839-19075543374.jpg</ref> while the sticker on the vinyl issue reads "Complete with surface noise."<ref>https://ia801406.us.archive.org/14/items/mbid-ebf439dc-fda5-4e5e-8201-0f7299f4a05c/mbid-ebf439dc-fda5-4e5e-8201-0f7299f4a05c-16747806626.jpg</ref>

== Links ==

* [https://autechre.warp.net/release/202839-autechre-tri-repetae AE_STORE]
* [https://music.apple.com/us/album/tri-repetae/281109010 Apple Music]
* [https://autechre.bandcamp.com/album/tri-repetae Bandcamp]
* [https://bleep.com/release/20864-autechre-tri-repetae Bleep]
* [https://www.discogs.com/master/2339-Autechre-Tri-Repetae Discogs]
* [https://soundcloud.com/autechreofficial/sets/tri-repetae Soundcloud]
* [https://open.spotify.com/album/3p1ZD8q3sGC6tf81QeVrYI Spotify]

== Credits ==

* [[Autechre]] (production)
* [[Rob Brown]] (writer)
* [[Sean Booth]] (writer)
* [[Chris Cunningham]] (design)
* Russell Haswell (design)
* [[The Designers Republic]] (design) <ref>https://www.discogs.com/master/2339-Autechre-Tri-Repetae</ref>

== References ==
<references />

elseq 1-5

2025-04-22T10:13:53Z

RD1994: MORE KEYOSC STUFF

{{Infobox
|title=elseq 1-5
|artist=[[Autechre]]
|cover=elseq 1-5.jpg
|date=19 May 2016
|label=Warp Records (WARP512)
|previous=[[AE_LIVE]]
|previous year=2015
|next=[[JNSN CODE GL16 / spl47]]
|next year=2017
}}
'''''elseq 1-5''''', often shortened to just '''''elseq''''', is the twelfth studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on May 19th, 2016.

== History ==
''elseq'' was all recorded directly to stereo<ref>https://web.archive.org/web/20241107183922/https://post.lurk.org/@sean_ae/113442509470527990</ref>''.'' The tracks are all solo tracks, split evenly between Sean and Rob.<ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Phoenix: can you tell us one track that was yours from elseq?''' XH HX: we try not to do that so i'm not gonna. just pick one at random and there's about a 50% chance}}</ref>

In [[Autechre: elseq et al, June 2016]], Autechre explained much of the background for the record. The store-front was initially set up in collaboration with Warp to just release [[AE LIVE|live shows]], before Autechre realised they could also use it for putting out long tracks that were otherwise ill-suited for any proper release, similar to ''[[Quaristice.Quadrange.ep.ae]]''. The initial plan was that for any track, they would do a session on Friday, get it approved by Warp, have designs made by [[The Designers Republic]] and then put them out by Monday morning. However, Warp instead wanted to package the material into something promotable, which coalesced the tracks into groupings. Sean noted that due to the bizarre format, they didn't know if "it's an album, or a collection of EPs or albums or just... things. We have no idea what this actually is."<ref name=":1">{{Cite interview|page=Autechre: elseq et al, June 2016}}</ref>

''elseq 1-5'' was released on May 19th, 2016 as a digital-only release, with no plans for a physical release.<ref>https://ghostarchive.org/archive/7HMs9</ref> Initially Autechre planned to just throw it onto the store, but Warp wanted to first give a promotional cycle before releasing it.<ref name=":1" /> This included debuting "feed1" and "c16 deep tread" as singles before release.

== Tracks ==

=== elseq 1 ===
[[File:elseq1.jpeg|thumb|150x150px|elseq 1]]

==== feed1 ====
* BPM: 112
* In a leadup to the release of ''elseq'', "feed1" was debuted on May 13th, 2016 on BBC Radio 6 at 9PM.<ref>https://www.factmag.com/2016/05/14/hear-a-new-autechre-track-feed-1/</ref><ref>https://ghostarchive.org/archive/r4MxG</ref><ref name=":0">https://cdm.link/2016/05/hours-and-hours-and-hours-of-autechre/</ref>
* The name comes from the main synth on the track "going into a delay effect which put the studio monitors and laptop mic in the feedback path."<ref>{{Cite AAA2 doc|629}}</ref>
* The track was made by Sean.
* One analysis of "feed1" put forth by IOS from WATMM is that the bass drums are a basic 2 bar loop (shown below), with probability to retrigger any amount of the main kicks again after 3 sixteenths notes. <ref>https://forum.watmm.com/topic/93475-feed1s-kicks/?do=findComment&comment=2557279</ref>
|1 . 2 . 3 . 4 . |1 . 2 . 3 . 4 . |
|B . . B . . B . |. B . . B . . . |

==== c16 deep tread ====
* BPM: 157, 160
* "c16 deep tread" was debutted as the second single on KSUA, a small Alaskan college radio channel on May 18th, 2016, at 12PM Alaskan time.<ref>https://www.factmag.com/2016/05/18/autechre-alaskan-radio-appearance/</ref> A now-deleted SoundCloud upload of it was also linked by Warp.<ref name=":0" />
* The track appeared on [[AE_LIVE|the 2014/2015 live sets]] in a mostly final, albeit abridged form. ([https://youtu.be/c3GxvP_U_jc?si=tm2MqrWeJ8wQFIlo&t=2063 example])
* The main snare sound on "c16 deep tread" was made using subtractive synthesis of oscillator and noise plus frequency shifting with feedback, among other things. <ref>https://web.archive.org/web/20230726161856/https://post.lurk.org/@sean_ae/110771366258863281#:~:text=that%20snare%20is%20a%20combination%20of%20things%20but%20mainly%20subtractive%20(oscillator%2Bnoise)%20and%20frequency%20shifting%20w/feedback</ref>

==== 13x0 step ====

* BPM: 130

==== pendulu hv moda ====

* BPM: ?, 74
* "pendulu" is one letter short of "pendulum". A possible theory for "hv' is that it stands for "heavy", as Rob mentioned that amongst their archives they had a few tracks categorised as "heavies".<ref>{{Cite interview|page=Autechre on Their Epic NTS Sessions, David Lynch, and Where Code Meets Music, August 2018|quote=There’s a few “idles,” a few “casuals,” a few “heavies.”}}</ref>
* An early version of the track appeared at the end of most of the [[AE LIVE|2015 US live sets]]. ([https://youtu.be/TSH81CdJGFU?si=j33P1LVjp_OrUhlm&t=3370 example])

==== curvcaten ====

* BPM: 162 (?)

=== elseq 2 ===
[[File:elseq2.jpeg|thumb|150x150px|elseq 2]]

==== elyc6 0nset ====

* BPM: 160
* The elyc sounds were only made around 2014/2015.<ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote=the elyc stuff was 2014/15 iirc}}</ref>
* Sean confirmed that he recorded "elyc6 0nset" in a day. <ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''How did you make elyc6 0nset, and is it true you made it in one day?''' Yeah, but I don't know where, I don't think I ever said that to anyone. But yeah, it's true that I made it in a day, yeah.}}</ref>
* Certain elements of this track were later reused on [[NTS Sessions 1-4#elyc9 7hres|"elyc9 7hres"]]

==== chimer 1-5-1 ====

* BPM: 151

==== c7b2 ====

* BPM: 120

* "c7b2" appears on the [[AE LIVE|2015 US live sets]]. ([https://youtu.be/pmlbwJ5LXbY?si=VoDb_983KJyaO7b7&t=3185 example])
* Sean was unable to explain what exactly was going on behind the scenes for "c7b2", however notes that "a lot of the sort of screamy stuff is sort of delays and something that's a bit like a phaser, but it's getting webbed around quite a lot." <ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''Anything you say about c7b2 sequencing sound engineering? It seems to have a lot of interesting reoccurring themes like the rumbling low end?''' Yeah, I mean, I don't know what to tell you about it. It's quite, it was quite a few different patches working together, that track. So, a lot of the sort of screamy stuff is sort of delays and something that's a bit like a phaser, but it's getting webbed around quite a lot. So there's a lot of, kind of, I don't know. I don't even know what it was doing to be honest. I'd have to open it all up again and have a look because, you know, once it's set up and saved, I don't really look at it so. But I know roughly which modules were getting used and I know roughly what they would have been doing, so yeah. “I don't know” is the short answer.}}</ref>

=== elseq 3 ===
[[File:elseq3.jpeg|thumb|150x150px|elseq 3]]

==== eastre ====
* BPM: 153 (?)
* [[ae mixlr 300320|In a Mixlr stream on 30 March 2020]], Sean remarked that he had a 52 minute long version of "eastre" as he was skimming through jam folder snippets. <ref>https://docs.google.com/spreadsheets/d/1g52y2e2rnqVhQJdkw0Qk1YYJoen1uhVvn2Fd-tABywA/edit#gid=1580406988&range=E16</ref>

==== TBM2 ====

* BPM: 85.91

==== mesh cinereaL ====

* BPM: 83 (?)

=== elseq 4 ===
[[File:elseq4.jpeg|thumb|150x150px|elseq 4]]

==== acdwn2 ====

* BPM: 124
* Elements of "acdwn2" first appeared on the [[AE LIVE|2014 live sets]]. ([https://www.youtube.com/watch?v=OdvWpAS-dVk&t=336s example]) They were also later reused on [[NTS Sessions 1-4#xflood|"xflood"]].
* The horns on "acdwn2" were sampled from an unreleased track of theirs.<ref>{{Cite AAA2 doc|364}}</ref>

==== foldfree casual ====

* BPM: 160
* The track shares elements with both "pendulu hv moda" and [[NTS Sessions 1-4#carefree counter dronal|"carefree counter dronal"]]

==== latentcall ====

* BPM: 148
* Elements of "latentcall" appeared in the 2015 live sets. ([https://www.youtube.com/watch?v=m_SnP2px8to&t=2600s example])

==== artov chain ====

* BPM: 148
* "artov chain" is a play on [[wikipedia:Markov_chain|Markov Chains]].
* Early versions of "artov chain" appeared in the 2015 US live sets. ([https://www.youtube.com/watch?v=m_SnP2px8to&t=3097s example])
* The main "ah" sample in the track is from the [https://archive.org/details/cmi-sound-library-rev-1.3 Fairlight CMI sound library],<ref>https://web.archive.org/web/20240119174137/https://post.lurk.org/@sean_ae/111783830699925880</ref> specifically HUMANS1/AAHHL2.wav being stacked harmonically.

==== 7th slip ====

* BPM: 160
* The synths were previously used in the [[AE LIVE|2014/2015 live sets]]. ([https://youtu.be/38Cmbmupb3M?si=u8gNxs59jn0Foxtc&t=3027 example])
* "7th slip" was done by Rob. The track was constructed out of "70s prog samples and an off cut of a beat sean made".<ref>{{Cite AAA2 doc|132}}</ref>
* The name has no reference to [[Amber#Slip|"Slip"]] from Amber, instead just referring to how slippery it sounded "compared to their other '7th' works."<ref>{{Cite AAA2 doc|511}}</ref>

=== elseq 5 ===
[[File:elseq5.jpeg|thumb|150x150px|elseq 5]]

==== pendulu casual ====

* BPM: 80
* "pendulu casual" shares a few elements with [[NTS Sessions 1-4#frane%20casual|"frane casual"]].

==== spTh ====

* BPM: 186

==== spaces how V ====

* BPM: 162
* In the July 2022 Twitch AMA, Sean confirmed that "spaces how V" was made by Rob. <ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote=spaces how V was Rob, so I can't talk about how he did it. You're gonna have to ask him. Rob knows some mean tricks for stereo manipulation, and he doesn't even share him with me, so.}}</ref>
* The track reused "liveset outtakes practises and proof tests" for material that was performed at the [[Oversteps Tour|2010 live shows]] [https://youtu.be/dEtauI9aN1E?t=1108 (example)], using both the Nord V2 Rack Engine for the vocal patch and the NMv2e for beats. The longform outtakes ended up in [[List of Rarities#Atoms Vectors Pixels Ghosts™|Atoms Vectors Pixels Ghosts™]] as well as a project "for a particular municipal historical science and astronomical facility in NYC" which fell through, all of which contributed to the final track.<ref>{{Cite AAA2 doc|62}}</ref> 

==== freulaeux ====

* BPM: 137

* The track title is a reference to [[wikipedia:Franz_Reuleaux|Franz Realeaux]] that was chosen by Rob because of Realeaux's work in kinematics.<ref>{{Cite AAA2 doc|129}}</ref><ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Anuel: thoughts on Franz Reuleaux?''' XH HX: that was rob's reference so i guess ask him}}</ref>

==== oneum ====

* BPM: 95 (?)
* "oneum" shares a few elements with [[NTS Sessions 1-4#turbile epic casual, stpl idle|"turbile epic casual, stpl idle"]].

== Tracklist ==
{{Tracklist|list=
{{tl section|section=elseq 1}}
{{tl track|number=1|title=feed1|length=11:38}}
{{tl track|number=2|title=c16 deep tread|length=12:31}}
{{tl track|number=3|title=13x0 step|length=8:57}}
{{tl track|number=4|title=pendulu hv moda|length=12:15}}
{{tl track|number=5|title=curvcaten|length=6:59}}
{{tl total|time=52:21}}
{{tl section|section=elseq 2}}
{{tl track|number=6|title=elyc6 0nset|length=27:09}}
{{tl track|number=7|title=chimer 1-5-1|length=5:03}}
{{tl track|number=8|title=c7b2|length=13:22}}
{{tl total|time=45:35}}
{{tl section|section=elseq 3}}
{{tl track|number=9|title=eastre|length=22:15}}
{{tl track|number=10|title=TBM2|length=6:44}}
{{tl track|number=11|title=mesh cinereaL|length=24:28}}
{{tl total|time=53:29}}
{{tl section|section=elseq 4}}
{{tl track|number=12|title=acdwn2|length=11:52}}
{{tl track|number=13|title=foldfree casual|length=9:49}}
{{tl track|number=14|title=latentcall|length=14:31}}
{{tl track|number=15|title=artov chain|length=4:04}}
{{tl track|number=16|title=7th slip|length=6:36}}
{{tl total|time=46:54}}
{{tl section|section=elseq 5}}
{{tl track|number=17|title=pendulu casual|length=9:01}}
{{tl track|number=18|title=spTh|length=8:21}}
{{tl track|number=19|title=spaces how V|length=9:57}}
{{tl track|number=20|title=freulaeux|length=11:06}}
{{tl track|number=21|title=oneum|length=11:01}}
{{tl total|time=49:28}}
{{tl finaltime|time=4:07:49}}
}}
== Trivia ==

* ''elseq 1-5'' is the only Autechre album to have a title stylized in lowercase.
* One theory argue that “elseq” is an abbreviation of “'''e'''dited '''l'''ive '''seq'''uences”, meaning it would be pronounced "ell seek". During interviews Sean did pronounce it as "ell seek", lending credence to that theory.
* The CAT number, WARP512, was likely specifically requested by Autechre. 512 is a power of 2, as are WARP128 ([[Confield|''Confield'']]) and WAP256 ([[Gantz Graf|''Gantz Graf'']]). Another theory is that the “5” represents the 5 parts of elseq, whereas the 12 represents it being the twelfth Autechre album.

== Gallery ==
<gallery>
File:feed1.jpg|feed1
File:c16 deep tread.jpg|c16 deep tread
File:13x0 step.jpg|13x0 step
File:pendulu hv moda.jpg|pendulu hv moda
File:curvcaten.jpg|curvcaten
File:elyc6 0nset.jpg|elyc6 0nset
File:chimer 1-5-1.jpg|chimer 1-5-1
File:c7b2.jpg|c7b2
File:eastre.jpg|eastre
File:TBM2.jpg|TBM2
File:mesh cinereaL.jpg|mesh cinereaL
File:acdwn2.jpg|acdwn2
File:foldfree casual.jpg|foldfree casual
File:latentcall.jpg|latentcall
File:artov chain.jpg|artov chain
File:7th slip.jpg|7th slip
File:pendulu casual.jpg|pendulu casual
File:spTh.jpg|spTh
File:spaces how V.jpg|spaces how V
File:freulaeux.jpg|freulaeux
File:oneum.jpg|oneum
</gallery>

== Links ==

* [https://autechre.warp.net/release/73330-autechre-elseq-15 AE_STORE]
* [https://www.discogs.com/master/1003066-Autechre-elseq-15 Discogs]
* [https://open.spotify.com/album/7raDh1kdExEdaPyOJAtl9E Spotify]

== Credits==
*[[The Designers Republic]] (design) <ref>https://www.discogs.com/master/1003066-Autechre-elseq-15</ref>

== References ==
<references />
[[Category:Album]]

Incunabula

2025-04-21T18:27:18Z

RD1994: MORE KEYOSC STUFF

[[Category:Album]]
{{Infobox
|title=Incunabula
|artist=[[Autechre]]
|cover=Incunabula.jpg
|date= 29 November 1993
|label=Warp Records (WARP17)
|previous=[[Cavity Job]]
|previous year=1991
|next=[[Basscad,EP]]
|next year=1994
}}'''''Incunabula''''' is the first studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on November 29th, 1993<ref>{{Cite web|title=Autechre - Incunabula. Bleep.|website=Bleep|link=https://bleep.com/release/20360-autechre-incunabula|accessdate=20 May 2024}}</ref>, as part of the Artificial Intelligence series. It was later repressed on vinyl in 2016, alongside ''[[Amber]]'', and [[Tri Repetae|''Tri Repetae'']].

== History ==

The material on Incunabula took about 2 years to compile.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=I don't know if I think of it as being that cheesy now. I do think that Incunabula sounds like a very curated album. It isn't the album that we would have put together. It’s the album Warp put together from hundreds of tracks that we had. Amber was trying to give him another one of those albums because we knew that they wanted an album like that, you know, and it took us two years to actually figure out what that album should look like with Incunabula, and I think that the whole thing of dealing with a label of them taking an active curatorial role in your release makes you question whether it's good or not.}}</ref> [[Sean Booth]] has later recounted in interviews that ''Incunabula'' was “more of a compilation of old material” than an album.<ref>https://web.archive.org/web/20060220061144/http://www.bbc.co.uk/dna/collective/A3895806</ref> The compilation was largely done by Warp, selecting from hundreds of tracks Autechre made, which included cutting the more club-orientated tracks. <ref>{{Cite interview|page=Autechre's Interview with Мatt O'Leary, March 2005|quote=Originally Incunabula would have probably been half dance music, if we'd have been doing the compiling, but it was Warp, which is why it sounded the way it did.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=I don't know if I think of it as being that cheesy now. I do think that Incunabula sounds like a very curated album. It isn't the album that we would have put together. It’s the album Warp put together from hundreds of tracks that we had.}}</ref>

Gear known to have been used in ''Incunabula'' creation includes the Casio SK-1<ref>{{Cite web|author=Wilson, Scott|title=Designing chaos: 7 pieces of gear that helped define Autechre’s game-changing sound|website=Factmag|date=25 February 2017|link=https://www.factmag.com/2017/02/25/autechre-gear-synths-samplers-drum-machines-effects/|accessdate=20 May 2024}}</ref>, the Roland R8 and the Roland TR-606.

The title is a real word, which comes from Latin's "incunabel" to mean a book's first pressing.<ref name=":0">{{Cite web|link=https://lonelymachines.org/the-autechre-faq-v-199/|author=Ruud, Knut Andreas|website=LonelyMachines|date=December 2000|title=The _alt.music.autechre_ FAQ (Frequently Asked Questions) version 1.15|accessdate=20 May 2024}}</ref>

=== Cover ===
The design of Incunabula consists of manipulated photos of Sean and Rob taken by Daniel 72 and edited by The Designers Republic. The original photos are from taking photographs of a video being played through an out of tune TV (the photos are on the cover [top left] and design for Incunabula).<ref>{{Cite AAA doc|1377}}</ref> The Designers Republic noted that the designs took days to make due to the slow speeds and clunky nature of pre-layer Photoshop, and that Autechre refered to the finalised designs as "moonscapes". <ref>{{Cite web|title=Incunabula|link=https://www.thedesignersrepublic.com/project/incunabula|website=The Designers Republic|accessdate=20 May 2024}}</ref>
==Tracks==

===Kalpol Introl ===
*"Kalpol Introl" is featured in the 1998 film ''[[wikipedia:Pi_(film)|Pi]]'' by [[wikipedia:Darren_Aronofsky|Darren Aronofsky]], but is incorrectly titled "Kalpol Intro" on the film's soundtrack.
*The original version of version of "Kalpol Introl" was much longer before being edited down into the 3 minute version on ''Incunabula''. However, the 15-minute original version appeared in their 1993/1994 live shows ([https://www.youtube.com/watch?v=7uTUnTGb15c example]).<ref name=":0" />

===Bike ===
*An alternate version of "Bike" was played during<nowiki/> one of Autechre's webcasts in March 2013, following the release of ''[[Exai]].'' Compared to the released version, the alternate version is slightly shorter and features different modulations of the lead synth.<ref>https://youtube.com/watch?v=GiKDDsFEYpI</ref>
*"Bike" appeared in ''Grand Theft Auto IV'' as one o<nowiki/>f the tracks that could be played on the "Self-Actualization FM" radio station.

===Autriche===

* Sean mentioned that a Ensoniq sampling a 606 appeared on "Autriche".<ref name=":1">{{Cite interview|page=Sean Twitch AMA, June 2022|quote=So we were like, we got the Ensoniq in ’93, so just right towards the tail end of doing Incunabula. so the only track with an Ensoniq on Incunabula, I think Autriche’s got it because we sampled the 606 on it, and then Eggshell was done with that. But everything prior, everything else on there is, it was pre us owning a sampler and we were using it only to sample our own gear, right?}}</ref>
* According to Rob the voices in this track were recorded off of the TV and then fed through an RSD-10. It should also be noted that the samples have been edited to be palindromic {{Cite AAA2 doc|357}}

===Bronchus 2===

* "Bronchus 2" also had alternate versions, namely [[Garbage#Bronchusevenmx24|"Bronchusevenmx24"]] and [[List of Rarities#Bronchus One.1|"Bronchus One.1"]].

===Basscadet===

* The vocal sample is from a live version of Jean-Michel Jarre's "Les Chants Magnetiques 1".<ref>https://www.whosampled.com/sample/991775/Autechre-Basscadet-Jean-Michel-Jarre-Chants-Magnetiques-1/</ref>
* A bunch of remixes of "Basscadet" were released for ''[[Basscad,EP]]''.

=== Eggshell ===
*"Eggshell" is an remixed version of their previously released song “The Egg”, which was included on the first ''[[wikipedia:Artificial Intelligence (compilation album)|Artificial Intelligence]]'' compilation in 1992.<ref name=":0" />
*Sean noted that this track was the only track to use the Ensoniq ASR-10 as they were only able to get it near the end of production.<ref name=":1" />

===Doctrine===
===Maetl===

* In an early interview on MTV, Autechre mentioned the track title was chosen to poke fun at Australians who call each other "mate". The original working title was "Dudl", after Americans who call each other "dude".<ref>https://youtu.be/yuPNwLYrMm0?si=5O35huU4rGXN6eox&t=222</ref> In another FAQ, they mentioned that a random day in the studio they just came up with it by pronouncing mate "with an odd sottish accent".<ref name=":0" />

===Windwind===

* "Windwind" was possibly named because the word "wind" has two pronunciations. Autechre would follow this convention again on [[Amber]] with the track "Teartear".

===Lowride===

* The two major samples on "Lowride" are of Gang Starr's "DJ Premier in Deep Concentration" <ref>https://www.whosampled.com/sample/14893/Autechre-Lowride-Gang-Starr-DJ-Premier-in-Deep-Concentration/</ref> and Holy Noise's 'The Noise (Extreme Sounds!)"<ref>https://www.whosampled.com/sample/1009119/Autechre-Lowride-Holy-Noise-The-Noise-(X-Treme-Sounds!)/</ref>

===444===

== Tracklist ==
{{Tracklist|list=
{{tl track|number=1|title=Kalpol Introl|length=3:19}}
{{tl track|number=2|title=Bike|length=8:00}}
{{tl track|number=3|title=Autriche|length=6:56}}
{{tl track|number=4|title=Bronchus 2|length=3:33}}
{{tl track|number=5|title=Basscadet|length=5:34}}
{{tl track|number=6|title=Eggshell|length=9:02}}
{{tl track|number=7|title=Doctrine|length=7:49}}
{{tl track|number=8|title=Maetl|length=6:33}}
{{tl track|number=9|title=Windwind|length=11:17}}
{{tl track|number=10|title=Lowride|length=7:16}}
{{tl track|number=11|title=444|length=8:55}}
{{tl finaltime|time=1:18:03}}
}}

== Links ==
* [https://autechre.warp.net/release/202833-autechre-incunabula AE_STORE]
* [https://music.apple.com/us/album/incunabula/281042835 Apple Music]
* [https://autechre.bandcamp.com/album/incunabula Bandcamp]
* [https://bleep.com/release/20360-autechre-incunabula Bleep]
* [https://www.discogs.com/master/316433-Autechre-Incunabula Discogs]
* [https://soundcloud.com/autechreofficial/sets/incunabula-3 Soundcloud]
* [https://open.spotify.com/album/3uQcFgoUvMlfYKy7GUPRXf Spotify]

== Credits ==

* [[Rob Brown]] (producer, writer)
* [[Sean Booth]] (producer, writer)
* Geoff Pesche (mastering engineer)
* Adrian Harrow (engineer)
* Darrell Fitton (engineer)
* Richard Brown (engineer)
* [[The Designers Republic]] (design)
* Daniel 72 (design) <ref>https://www.discogs.com/master/316433-Autechre-Incunabula</ref>

== References ==
<references />

EP7

2025-04-21T17:42:34Z

RD1994: KEYOSC INFO

{{Infobox
|title=EP7
|artist=[[Autechre]]
|cover=EP7.jpg
|date=7 June 1999
|label=Warp Records (WAPEP7)
|previous=[[Peel Session]]
|previous year=1999
|next=[[Peel Session 2]]
|next year=2000
}}
'''''EP7''''' is the seventh EP by [[Autechre]] released on [https://warp.net/ Warp Records] It was originally released on June 7th, 1999.<ref>https://bleep.com/release/23103-autechre-ep7</ref>

== History ==
The reason ''EP7'' is an EP despite its length was that so they could, as Sean noted, "do things that weren't album-like."<ref>{{Cite interview|page=Autechre: elseq et al, June 2016|quote=It all comes back to this idea of the album, and the sacred thing that it is. We're not really from an albums background, though, we're from a 12-inches-and-weird-tracks-on-tapes-where-you-don't-know-who-the-artists-are background! So it kind of makes sense for us to do things that aren't format-related as such. Like when we did EP7, we deliberately called it an EP so we could do things that weren't album-like.}}</ref> The material shown on the record were all from "four or five different periods of work."<ref>{{Cite interview|page=Autechre's Interview with Мatt O'Leary, March 2005|quote=With EP7 we did the same thing -- approached it like an album, but as an EP, with an album mentality, saying "this thing's like an album" without really giving a shit about the criteria, whether a track's really correct for the format or not. But we've spent such a long time doing it -- there's literally four or five different periods of work in that album, just on its own, so it's actually quite difficult to talk about it as an album.}}</ref> 

''EP7'' was the first release to utilise Max.<ref name=":02">{{Cite interview|page=Sean Twitch AMA, June 2022|quote=So how old is the oldest part? I don't know, I don't, I don't know. 20 years, 25 years? Probably still using bits from when we've done EP7 because that was the first release where we properly used Max. It's the first release work, in fact I think it's the first release where we use Max at all, yeah, it is. So yeah, there's bits because that original, I think the first track I did in Max was Liccflii off EP7. So that was, and there are bits of the way that that works, or the idea behind the way that the rhythm works in that that I still use now, and it's just part of the vocabulary of our program rhythm in Max so. But I don't know if you could strictly say that it's the same patch.}}</ref>

The cover of ''EP7'' was made by Autechre using Freehand.<ref>{{Cite interview|page=Soundproof interviews Sean & Rob, 1999|quote='''Soundproof: How was that shape created? The artwork on EP7.''' '''Sean:''' We drew it in Freehand. '''Rob:''' That’s something that was done on like a circuit board designer.}}</ref> According to a Q&A from the Warp website, the cover art was based on trees.<ref>[https://web.archive.org/web/20020816104848/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid1018136565,21609, https://web.archive.org/web/20020816104848/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid1018136565,21609,]</ref>

To promote ''EP7,'' a [https://web.archive.org/web/20010430120118/http://www.warprecords.com/ography/WAPEP7/ minisite] was created featuring an applet, coded by Dorian Fraser Moore at Kleber Digital,<ref>https://dorian.fraser-moore.com/works/49/autechre-ep7</ref> which would randomly regenerate one of the 9 unique fractal designsfrom ''EP7''<nowiki/>'s designs, which you could zoom in and move around. [https://archive.theusefularts.org/warp/ography/single/WAPEP7/ An archived version exists here], however it requires a Java emulator like [https://chromewebstore.google.com/detail/cheerpj-applet-runner/bbmolahhldcbngedljfadjlognfaaein?hl=en CheerpJ Applet Runner] to run.<ref>Courtesy of atlasstorm contacting Dorian. This was dorian's response on 17 December 2023: ''"@atlasstorm Hiya, it wasn’t quite a rfactal generator, but rather a java Applet which regenerated the artwork from simplified version of the source files. Someone asked me about this back in 2022 and I found an archive of the old, 1999, site and the code still works: <nowiki>https://archive.theusefularts.org/warp/ography/single/WAPEP7/</nowiki> You need to be able to run Jave in your browser to view it … I got it working in Chrome using CheerpJ Applet Runner, <nowiki>https://chrome.google.com/webstore/detail/cheerpj-applet-runner/bbmolahhldcbngedljfadjlognfaaein?hl=en</nowiki> Can try and answer other questionsbif you have ‘em!"''</ref>

== Tracks ==

=== [untitled] ===

* The untitled hidden track at the beginning of the album is only present on some CD releases of the album, and is only accessible by navigating to the previous song while playing "Rpeg".
* The track itself consists of recordings run through delays feeding into pitchshifters.<ref>https://web.archive.org/web/20240425190840/https://post.lurk.org/@sean_ae/112331895371759798</ref>
[[File:ep7.1.jpg|thumb|150x150px|EP7.1]]

=== Rpeg ===

=== Ccec ===

* The title is pronounced "check".<ref name=":1">https://web.archive.org/web/20240505014108/https://post.lurk.org/@sean_ae/112384617982904846</ref>
* The vocals were processed by assiging the start position of the sample to the mod wheel and then messing with the mod wheel and additional sequencing.<ref name=":1" />

=== Squeller ===

* The end of the track used a Kyma Phase vocoder patch (same as "Liccflii" and [[List of Remixes#Nightmares On Wax - Sal Batardes (Autechre's Purple Mix)|"Nightmares On Wax - Sal Batardes (Autechre's Purple Mix)"]]) as well as SoundEdit 16 for pitch warbling similar to [[LP5#Vose In|"Vose In"]].<ref>{{Cite AAA2 doc|106}}</ref>

=== Left Blank ===

* The second half of "Left Blank" uses the Kyma Capybara for the "fft sounding stuff". That same patch went on to be reused on [[List of Remixes#Nightmares On Wax - Sal Batardes (Autechre's Purple Mix)|"Sal Batardes (Autechre Purple Mix)"]].<ref>{{Cite interview|quote=i never much liked kyma (horrible nested structuring, but it did sound pretty nice). we used it on a few things (second half of left blank, the nightmares on wax remix and the bic remix), and i eventually gave it to daz fitton|page=Hanalgig AMA, July 2022}}</ref><ref>https://web.archive.org/web/20231217191142/https://post.lurk.org/@sean_ae/111595944351176551</ref>

=== Outpt ===

* The white noise heard through most of the track was actually unintentional, but it worked with the track as a whole so it was left in {{Cite AAA2 doc|324}}

[[File:ep7.2.jpg|thumb|150x150px|EP7.2]]

=== Dropp ===

* The main synth for "Dropp" uses a Nord sequenced in Logic.<ref>{{Cite AAA doc|1003}}</ref>

=== Liccflii ===

* "Liccflii" was the first track Sean did in Max.<ref name=":0">{{Cite interview|page=Sean Twitch AMA, June 2022|quote=So how old is the oldest part? I don't know, I don't, I don't know. 20 years, 25 years? Probably still using bits from when we've done EP7 because that was the first release where we properly used Max. It's the first release work, in fact I think it's the first release where we use Max at all, yeah, it is. So yeah, there's bits because that original, I think the first track I did in Max was Liccflii off EP7. So that was, and there are bits of the way that that works, or the idea behind the way that the rhythm works in that that I still use now, and it's just part of the vocabulary of our program rhythm in Max so. But I don't know if you could strictly say that it's the same patch.}}</ref>

=== Maphive 6.1 ===

* "Maphive 6.1" was created entirely on a Roland PMA-5.<ref>{{Cite AAA doc|615}}</ref><ref>{{Cite web|author=Wilson, Scott|title=Designing chaos: 7 pieces of gear that helped define Autechre’s game-changing sound|website=Factmag|date=25 February 2017|link=https://www.factmag.com/2017/02/25/autechre-gear-synths-samplers-drum-machines-effects/|accessdate=15 April 2024}}</ref> The title "Maphive" is derived from the equipment, shuffling "PMA-5" to "MAP-5".

=== Zeiss Contarex ===

* The tracks shares its name with the Contarex camera made by Zeiss Ikon.<ref>https://web.archive.org/web/20221005023155/http://autechre.wikifoundry.com/page/EP7#:~:text=Pun%20on%20%22Output%22-,Zeiss%20Contarex%3A,-Contarex%20is%20a</ref>
* The sample near the end of the track originates from a shortwave radio broadcast, although Sean clarifies he doesn't know what the sample itself was.<ref>https://web.archive.org/web/20231221142328/https://post.lurk.org/@sean_ae/111608211662796491</ref>

=== Netlon Sentinel ===

* The track is named after the garden fence mesh by Netlon of the same name.

=== Pir ===

== Tracklist ==
{{Tracklist|list=
{{tl track|number=-1|title=''untitled''|length=9:47}}
{{tl track|number=1|title=Rpeg|length=6:01}}
{{tl track|number=2|title=Ccec|length=4:59}}
{{tl track|number=3|title=Squeller|length=4:38}}
{{tl track|number=4|title=Left Blank|length=6:40}}
{{tl track|number=5|title=Outpt|length=7:12}}
{{tl track|number=6|title=Dropp|length=3:16}}
{{tl track|number=7|title=Liccflii|length=4:58}}
{{tl track|number=8|title=Maphive 6.1|length=8:18}}
{{tl track|number=9|title=Zeiss Contarex|length=6:33}}
{{tl track|number=10|title=Netlon Sentinel|length=4:06}}
{{tl track|number=11|title=Pir|length=3:32}}
{{tl finaltime|time=1:09:54}}
}}
== Credits ==

* [[Rob Brown]] (writer)
* [[Sean Booth]] (writer)
* [[Autechre]] (production)
* [[Frank Arkwright]] (mastering) <ref>https://www.discogs.com/master/1992-Autechre-EP7</ref>

== References ==
<references />
[[Category:EP]]

Gantz Graf

2025-04-21T16:50:41Z

RD1994: KEYOSC INFO

{{Infobox
|title=Gantz Graf
|artist=[[Autechre]]
|cover=Gantz Graf.jpg
|date=5 August 2002
|label=Warp Records (WAP256)
|previous=[[Confield]]
|previous year=2001
|next=[[Draft 7.30]]
|next year=2003
}}'''''Gantz Graf''''' is the eighth EP by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on August 5th, 2002.<ref>https://bleep.com/release/4580-autechre-gantz-graf</ref><ref>https://web.archive.org/web/20030503125916/http://www.warprecords.com/news/?offset=80&ti_id=437</ref>

== History ==
''Gantz Graf'' was completed around the time of ''[[EP7]]'', but was held back due to being too distinct at the time. It was then held back even longer as the music video by Alex Rutherford was in production.<ref>{{Cite AAA doc|85}}</ref>

=== Music Video ===
The main idea came from a LSD trip around 1996-1997. To set the visuals to the music, pages of keyframes filled with numbers were used. The sections with slicing was the only part that was "an automated process."<ref>https://web.archive.org/web/20090707032939/https://warp.net/records/autechre/alex-rutterford-on-the-creation-of-the-gantz-graf-video</ref> In another interview with icon magazine in 2004, Alex Rutherford mentioned that the animation was done in Lightwave 3D.<ref>[https://www.iconeye.com/back-issues/warp-records-icon-018-december-2004#:~:text=I%20used%20the%20LightWave%20program%2C%20a%203D%20animation%20application. https://www.iconeye.com/back-issues/warp-records-icon-018-december-2004#:~:text=I%20used%20the%20LightWave%20program%2C%20a%203D%20animation%20application.]</ref> The entire video took over four months to complete.<ref>https://autechre.neocities.org/pics/ae_video.jpg</ref>

=== DVD Release ===
Gantz Graf was released on 12" LP, CD, and a double-disc edition that contained the CD release of the EP, a DVD, and a fold-out booklet.<ref>https://www.discogs.com/release/36895-Autechre-Gantz-Graf</ref> The DVD contains the original Gantz Graf video, stills from the video in a slideshow format, and two bonus videos for [[Anvil Vapre|"Second Bad Vilbel"]] and [[Basscad,EP|"Basscadet (Bcdtmx)"]]. The booklet also contains a still from Gantz Graf. The package, DVD menus, and Autechre logo animation when starting the DVD were designed by Alex Rutterford. The opening ident music was custom made for the DVD.<ref>{{Cite AAA doc|280}}</ref>

== Tracks==

===Gantz Graf===

* In a 2020 mixlr chat when asked about how the effects were done on "Gantz Graf", Sean refused to answer because "rob would kill me if i told you what he did that with". 
* [https://5against4.com/2022/08/05/20-years-on-autechre-gantz-graf/ Gantz Graf analysis by Simon Cummings of 5:4.]
* According to Rob, most of Gantz Graf consists of hip hop samples {{Cite AAA2 doc|105}}

===Dial.===

===Cap.IV===

* Despite the similarities to Draft 7.30's titlings, Sean noted that the title is referring to the vocal sample used on the track.<ref>{{Cite AAA doc|683}}</ref>

==Tracklist==
{{Tracklist|list=
{{tl track|number=1|title=Gantz Graf|length=3:58}}
{{tl track|number=2|title=Dial.|length=6:17}}
{{tl track|number=3|title=Cap.IV|length=9:02}}
{{tl finaltime|time=19:17}}
}}
==Trivia==

*The CAT number, WAP256, was likely specifically chosen by Autechre. Their previous release, ''Confield'', had the CAT number WARP128, which is exactly half. ''[[elseq 1-5]]'' released much later had WARP512, which is exactly double. All of these are powers of 2.
*''Gantz Graf'' is one of only two Autechre releases to have a title track, with the other being ''[[Cavity Job]].''

== Credits ==

* [[Rob Brown]] (writer)
* [[Sean Booth]] (writer)
* [[Autechre]] (production)
* [[Alex Rutterford]] (design)
* [[Frank Arkwright]] (mastering) <ref>https://www.discogs.com/master/2043-Autechre-Gantz-Graf</ref>

== References ==
[[Category:EP]]

EP7

2025-04-21T16:47:56Z

RD1994: KEYOSC INFO

{{Infobox
|title=EP7
|artist=[[Autechre]]
|cover=EP7.jpg
|date=7 June 1999
|label=Warp Records (WAPEP7)
|previous=[[Peel Session]]
|previous year=1999
|next=[[Peel Session 2]]
|next year=2000
}}
'''''EP7''''' is the seventh EP by [[Autechre]] released on [https://warp.net/ Warp Records] It was originally released on June 7th, 1999.<ref>https://bleep.com/release/23103-autechre-ep7</ref>

== History ==
The reason ''EP7'' is an EP despite its length was that so they could, as Sean noted, "do things that weren't album-like."<ref>{{Cite interview|page=Autechre: elseq et al, June 2016|quote=It all comes back to this idea of the album, and the sacred thing that it is. We're not really from an albums background, though, we're from a 12-inches-and-weird-tracks-on-tapes-where-you-don't-know-who-the-artists-are background! So it kind of makes sense for us to do things that aren't format-related as such. Like when we did EP7, we deliberately called it an EP so we could do things that weren't album-like.}}</ref> The material shown on the record were all from "four or five different periods of work."<ref>{{Cite interview|page=Autechre's Interview with Мatt O'Leary, March 2005|quote=With EP7 we did the same thing -- approached it like an album, but as an EP, with an album mentality, saying "this thing's like an album" without really giving a shit about the criteria, whether a track's really correct for the format or not. But we've spent such a long time doing it -- there's literally four or five different periods of work in that album, just on its own, so it's actually quite difficult to talk about it as an album.}}</ref> 

''EP7'' was the first release to utilise Max.<ref name=":02">{{Cite interview|page=Sean Twitch AMA, June 2022|quote=So how old is the oldest part? I don't know, I don't, I don't know. 20 years, 25 years? Probably still using bits from when we've done EP7 because that was the first release where we properly used Max. It's the first release work, in fact I think it's the first release where we use Max at all, yeah, it is. So yeah, there's bits because that original, I think the first track I did in Max was Liccflii off EP7. So that was, and there are bits of the way that that works, or the idea behind the way that the rhythm works in that that I still use now, and it's just part of the vocabulary of our program rhythm in Max so. But I don't know if you could strictly say that it's the same patch.}}</ref>

The cover of ''EP7'' was made by Autechre using Freehand.<ref>{{Cite interview|page=Soundproof interviews Sean & Rob, 1999|quote='''Soundproof: How was that shape created? The artwork on EP7.''' '''Sean:''' We drew it in Freehand. '''Rob:''' That’s something that was done on like a circuit board designer.}}</ref> According to a Q&A from the Warp website, the cover art was based on trees.<ref>[https://web.archive.org/web/20020816104848/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid1018136565,21609, https://web.archive.org/web/20020816104848/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid1018136565,21609,]</ref>

To promote ''EP7,'' a [https://web.archive.org/web/20010430120118/http://www.warprecords.com/ography/WAPEP7/ minisite] was created featuring an applet, coded by Dorian Fraser Moore at Kleber Digital,<ref>https://dorian.fraser-moore.com/works/49/autechre-ep7</ref> which would randomly regenerate one of the 9 unique fractal designsfrom ''EP7''<nowiki/>'s designs, which you could zoom in and move around. [https://archive.theusefularts.org/warp/ography/single/WAPEP7/ An archived version exists here], however it requires a Java emulator like [https://chromewebstore.google.com/detail/cheerpj-applet-runner/bbmolahhldcbngedljfadjlognfaaein?hl=en CheerpJ Applet Runner] to run.<ref>Courtesy of atlasstorm contacting Dorian. This was dorian's response on 17 December 2023: ''"@atlasstorm Hiya, it wasn’t quite a rfactal generator, but rather a java Applet which regenerated the artwork from simplified version of the source files. Someone asked me about this back in 2022 and I found an archive of the old, 1999, site and the code still works: <nowiki>https://archive.theusefularts.org/warp/ography/single/WAPEP7/</nowiki> You need to be able to run Jave in your browser to view it … I got it working in Chrome using CheerpJ Applet Runner, <nowiki>https://chrome.google.com/webstore/detail/cheerpj-applet-runner/bbmolahhldcbngedljfadjlognfaaein?hl=en</nowiki> Can try and answer other questionsbif you have ‘em!"''</ref>

== Tracks ==

=== [untitled] ===

* The untitled hidden track at the beginning of the album is only present on some CD releases of the album, and is only accessible by navigating to the previous song while playing "Rpeg".
* The track itself consists of recordings run through delays feeding into pitchshifters.<ref>https://web.archive.org/web/20240425190840/https://post.lurk.org/@sean_ae/112331895371759798</ref>
[[File:ep7.1.jpg|thumb|150x150px|EP7.1]]

=== Rpeg ===

=== Ccec ===

* The title is pronounced "check".<ref name=":1">https://web.archive.org/web/20240505014108/https://post.lurk.org/@sean_ae/112384617982904846</ref>
* The vocals were processed by assiging the start position of the sample to the mod wheel and then messing with the mod wheel and additional sequencing.<ref name=":1" />

=== Squeller ===

* Sean confirmed during the AMA on KEYOSC that the ending, similar to Vose In uses SoundEdit 16 {{Cite AAA2 doc|106}}

=== Left Blank ===

* The second half of "Left Blank" uses the Kyma Capybara for the "fft sounding stuff". That same patch went on to be reused on [[List of Remixes#Nightmares On Wax - Sal Batardes (Autechre's Purple Mix)|"Sal Batardes (Autechre Purple Mix)"]].<ref>{{Cite interview|quote=i never much liked kyma (horrible nested structuring, but it did sound pretty nice). we used it on a few things (second half of left blank, the nightmares on wax remix and the bic remix), and i eventually gave it to daz fitton|page=Hanalgig AMA, July 2022}}</ref><ref>https://web.archive.org/web/20231217191142/https://post.lurk.org/@sean_ae/111595944351176551</ref>

=== Outpt ===
[[File:ep7.2.jpg|thumb|150x150px|EP7.2]]

=== Dropp ===

* The main synth for "Dropp" uses a Nord sequenced in Logic.<ref>{{Cite AAA doc|1003}}</ref>

=== Liccflii ===

* "Liccflii" was the first track Sean did in Max.<ref name=":0">{{Cite interview|page=Sean Twitch AMA, June 2022|quote=So how old is the oldest part? I don't know, I don't, I don't know. 20 years, 25 years? Probably still using bits from when we've done EP7 because that was the first release where we properly used Max. It's the first release work, in fact I think it's the first release where we use Max at all, yeah, it is. So yeah, there's bits because that original, I think the first track I did in Max was Liccflii off EP7. So that was, and there are bits of the way that that works, or the idea behind the way that the rhythm works in that that I still use now, and it's just part of the vocabulary of our program rhythm in Max so. But I don't know if you could strictly say that it's the same patch.}}</ref>

=== Maphive 6.1 ===

* "Maphive 6.1" was created entirely on a Roland PMA-5.<ref>{{Cite AAA doc|615}}</ref><ref>{{Cite web|author=Wilson, Scott|title=Designing chaos: 7 pieces of gear that helped define Autechre’s game-changing sound|website=Factmag|date=25 February 2017|link=https://www.factmag.com/2017/02/25/autechre-gear-synths-samplers-drum-machines-effects/|accessdate=15 April 2024}}</ref> The title "Maphive" is derived from the equipment, shuffling "PMA-5" to "MAP-5".

=== Zeiss Contarex ===

* The tracks shares its name with the Contarex camera made by Zeiss Ikon.<ref>https://web.archive.org/web/20221005023155/http://autechre.wikifoundry.com/page/EP7#:~:text=Pun%20on%20%22Output%22-,Zeiss%20Contarex%3A,-Contarex%20is%20a</ref>
* The sample near the end of the track originates from a shortwave radio broadcast, although Sean clarifies he doesn't know what the sample itself was.<ref>https://web.archive.org/web/20231221142328/https://post.lurk.org/@sean_ae/111608211662796491</ref>

=== Netlon Sentinel ===

* The track is named after the garden fence mesh by Netlon of the same name.

=== Pir ===

== Tracklist ==
{{Tracklist|list=
{{tl track|number=-1|title=''untitled''|length=9:47}}
{{tl track|number=1|title=Rpeg|length=6:01}}
{{tl track|number=2|title=Ccec|length=4:59}}
{{tl track|number=3|title=Squeller|length=4:38}}
{{tl track|number=4|title=Left Blank|length=6:40}}
{{tl track|number=5|title=Outpt|length=7:12}}
{{tl track|number=6|title=Dropp|length=3:16}}
{{tl track|number=7|title=Liccflii|length=4:58}}
{{tl track|number=8|title=Maphive 6.1|length=8:18}}
{{tl track|number=9|title=Zeiss Contarex|length=6:33}}
{{tl track|number=10|title=Netlon Sentinel|length=4:06}}
{{tl track|number=11|title=Pir|length=3:32}}
{{tl finaltime|time=1:09:54}}
}}
== Credits ==

* [[Rob Brown]] (writer)
* [[Sean Booth]] (writer)
* [[Autechre]] (production)
* [[Frank Arkwright]] (mastering) <ref>https://www.discogs.com/master/1992-Autechre-EP7</ref>

== References ==
<references />
[[Category:EP]]

LP5

2025-04-21T16:44:28Z

RD1994: /* History */

[[Category:Album]]{{Infobox
|title=LP5
|artist=[[Autechre]]
|cover=LP5.jpg
|date=13 July 1998
|label=Warp Records (WARP66)
|previous=[[Cichlisuite]]
|previous year=1997
|next=[[Peel Session]]
|next year=1999
}}'''''LP5''''', also refered to as '''''Autechre''''', '''''Album''''', or otherwise untitled, is the fifth studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on July 13th, 1998,<ref>https://bleep.com/release/249531-autechre-lp5</ref> then later repressed on vinyl in 2021, alongside ''[[Chiastic Slide]]''.

== History ==
In an 1998 interview with Keyboards, Rob noted that the album was "just a collection of our favourite tracks from the last twelve or thirteen months."<ref name=":2">Between Styles and Stools, Keyboards, August 1998 </ref> The whole record was predominately made in Logic,<ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote=So, and that's the kind of point where we stopped using the Atari, really. After that I, like LP5 is just Logic, and getting into the, in Logic, getting into the Logic Environment, and so that was our first foray into doing kind of, I don't want to call it generative music, but you know, like this kind of slightly more automatic riffing on kind of arpeggios and kind of, building our own little machines in there. Like little sequences, building little sequences in the environments window, which I believe still exists. Although I've not really used Logic much in recent years. I think it's still in there somewhere. I think you can still do that. It's like a very rudimentary version of Max and it was using that that somebody said to me, see me using that, a guy said to me like, “oh, you'd probably like Max,” and then I sort of started to explore that world a little bit more and ended up getting Max after that. So after we'd done LP5, got Max and then yeah, so. Yeah, one thing leads to another.}}</ref> with some other equipment used on ''LP5'' including the Nord Lead 1, ASR-10 and DX100.<ref name=":1">{{Cite AAA doc|1038}}</ref>

The record had no title printed on any physical copies beyond just the word "Autechre". While this indicated the record was untitled, promotional material varied across calling it ''LP5'',<ref>https://archive.org/details/the-wire-magazine-1998-07-cbz/page/n23/mode/2up</ref><ref>https://web.archive.org/web/19990127105321/http://subnet.virtual-pc.com/%7Esk393820/news.html</ref> a self-titled record ''Autechre,<ref name=":0" /><ref>https://www.tumblr.com/grrl-beetle/748357197923237888/nothing-records</ref>'' or ''Album'' on some promotional copies.<ref>https://www.discogs.com/release/354772-Autechre-LP5</ref> 

In their AMA on keyosc Sean said that the title was always meant to be LP5 {{Cite AAA2 doc|346}}

While uncredited on the release, it was later confirmed in Warp20 that the album cover was made by Autechre themselves.<ref>https://www.reddit.com/r/autechre/comments/q5hulv/comment/hg7g4f1/</ref>

== Tracks ==

=== Acroyear2 ===

* On some releases the title is written as either "AcroyearII" or "Acro Year II".<ref name=":3">https://www.discogs.com/release/22734533-Autechre-LP5/image/SW1hZ2U6NzU5ODU5OTE=</ref>
* Acroyear2 was named after the Micronauts toy.<ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote='''Was Acroyear2 named after the Micronauts toy?''' Yes. Acroyear Two in the US and Acroyear One in Japan. So I named it after Acroyear Two because I grew up in the UK, and we had the Mego line, so, you get on a Micronauts conversation now. Micronauts were cool as well. First time anyone's asked me that.}}</ref>

=== 777 ===

* The title bares resemblance to "444" from ''[[Incunabula]]''.
* The track is heavily built around a 7-count time signature or 3.5 whole beats. Alexander Mesker annotated a transcript of the main recurring percussive structure here.<ref>https://archive.org/details/analysis-and-recreation-of-key-features-in-selected-autechre-tracks-from-1998-2005/page/79/mode/2up</ref>

=== Rae ===

* In an interview with nialler9, Sean mentioned that he wrote "Rae" after a hangover.<ref>{{Cite interview|quote=Sean: Yeah, I mean, Rae was written in a really emotional state as well. I remember exactly what I was doing, where I was and everything when I did that [...] Yeah, it was a hangover (laughs) It wasn’t even real sadness, I wasn’t even going through anything. I was just, I was just feeling really fragile that day.|page=Exploring the parameter space: A conversation with Autechre, October 2023}}</ref>

=== Melve ===

=== Vose In ===

* The main melody was written first, with the rest of the track being built around it.<ref name=":2" />
* Sound Edit 16 was used for the outro of "Vose In".<ref name=":1" />

=== Fold4,Wrap5 ===

* "Fold4,Wrap5" employs a Risset rhythm which creates an illusion that the track perpetually slows down. In the track, this manifests as the tempo slowing down ever 2 bars to half its tempo, approximately 126 to 63 bpm.<ref>https://archive.org/details/analysis-and-recreation-of-key-features-in-selected-autechre-tracks-from-1998-2005/page/51/mode/2up</ref> Sean clarified that unlike the method whereby two tempos fade into one another, he just had the single tempo change and programmed on the subdivisions to achieve the illusion. He also notes that he came up with the idea on its own, not realising it was already a thing.<ref>https://web.archive.org/web/20230723133325/https://post.lurk.org/@sean_ae/110763235451439348</ref>

=== Under BOAC ===

* For percussion, they recorded a pen being dragged down a radiator, which was then subsequently cut up using ReCycle, frequency-shifted, ring modulated and then connected via SCSI into the Ensonqi ASR-10 which handled a majority of the effects with a sample bank, compression and limiting. For the first chord synths it was possibly DX100, the second half's synths were Nord, bass was possibly Juno 106, and voice samples were ring modulated. The track was fully sequenced in Emagic Logic<ref>{{Cite AAA doc|1541}}</ref> and all mixed via a Tascam mixer onto DAT, with the voices through an audio channel and the rest being realtime.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''The drums / percussion sounds on Under BOAC, sampled or synthesized?''' A bit of both, I guess? They, it was originally a pen going down the side of a radiator, then it also [imitates action], and then it was taken into ReCycle and then it was cut up into bits, and then there was some kind of, I can't remember what I did to it. Yeah, there was some kind of spectral, what did I do to it now? Frequency shifting. So, there was frequency shifting on it and then it was taken into the [Ensoniq] ASR[-10] for the ASR’s, and then there's a bunch, it's like a sample bank, and then there was all the compression and everything is in the ASR, so you get them transients because the compressor in the inside the ASR is just absolutely nuts. That's the thing that we used to do the Stereolab remix and anything that's like that where it's like super fat sound but like the attacks on the sounds are just mentally like tight. A lot of that stuff was ASR, so repping Ensoniq, always, so.}}</ref><ref>https://web.archive.org/web/20230111075106/https://post.lurk.org/@sean_ae/109664718256478811</ref>

=== Corc ===

=== Caliper Remote ===

=== Arch Carrier ===

=== Drane2 ===

*On CD and Digital releases of ''LP5'', “Drane2” has a length of over 21 minutes, with approximately 12 minutes being complete silence, and the remaining minute and a half being discordant digital noises. The vinyl pressing does not contain the silence and discordant noises, and ended after the main track stopped.
* After creating “[[Peel Session#Drane|Drane]]” with the exponential delay speed-up, Aphex Twin responded with his own take with “Bucephalus Bouncing Ball”. Autechre responded to that by feeding percussion into that delay with "Drane2", completing the unofficial trilogy. Sean mention that Aphex Twin was planning to make another "bouncing ball revenge track" but it never got released.<ref>{{Cite AAA doc|1049}}</ref>
* A US promo CD of this album lists the track as "Drane (Sleight Return)"<ref name=":3" />, however in the ASCAP Repertory, the title is listed as an alternate title for the first "Drane" from [[Peel Session]].<ref>https://www.ascap.com/repertory#/ace/search/workID/884314181</ref>
== Tracklist ==
{{Tracklist|list={{tl track|number=1|title=Acroyear2|length=8:39}}
{{tl track|number=2|title=777|length=5:50}}
{{tl track|number=3|title=Rae|length=7:14}}
{{tl track|number=4|title=Melve|length=1:14}}
{{tl track|number=5|title=Vose In|length=5:21}}
{{tl track|number=6|title=Fold4,Wrap5|length=4:03}}
{{tl track|number=7|title=Under BOAC|length=6:17}}
{{tl track|number=8|title=Corc|length=5:51}}
{{tl track|number=9|title=Caliper Remote|length=1:41}}
{{tl track|number=10|title=Arch Carrier|length=6:49}}
{{tl track|number=11|title=Drane2|length=9:38}}
{{tl track|number=-|title=''(silence)''|length=12:04}}
{{tl track|number=-|title=''untitled''|length=1:37}}
{{tl finaltime|time=1:16:19}}}}

== Links ==

* [https://autechre.warp.net/release/249326-autechre-lp5 AE_STORE]
* [https://music.apple.com/us/album/lp5/290960611 Apple Music]
* [https://autechre.bandcamp.com/album/lp5 Bandcamp]
* [https://bleep.com/release/249531-autechre-lp5 Bleep]
* [https://www.discogs.com/master/2165-Autechre-LP5 Discogs]
* [https://soundcloud.com/autechreofficial/sets/lp5-4 Soundcloud]
* [https://open.spotify.com/album/5TiPpuwLSWSJl98yTyE8BK Spotify]

== Credits ==
*[[Autechre]] (production)
*[[Rob Brown]] (writer)
*[[Sean Booth]] (writer)
*[[Frank Arkwright]] (mastering engineer) <ref name=":0">https://www.discogs.com/master/2165-Autechre-LP5</ref>

== References ==
<references />

Amber

2025-04-21T16:40:06Z

RD1994:

[[Category:Album]]
{{Infobox
|title=Amber
|artist=[[Autechre]]
|cover=Amber.jpg
|date=7 November 1994
|label=Warp Records (WARP25)
|previous=[[Anti]]
|previous year=1994
|next=[[Garbage]]
|next year=1995
}}'''''Amber''''' is the second studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on November 7th, 1994,<ref>{{Cite web|title=Autechre - Amber. Bleep.|website=Bleep|link=https://bleep.com/release/20366-autechre-amber|accessdate=20 May 2024}}</ref> then later repressed on vinyl in 2016, alongside ''[[Incunabula]]'', and [[Tri Repetae|''Tri Repetae'']].

== History ==
Much of ''Amber'' had individuals tracks completed within a day.<ref>{{Cite AAA doc|1119}}</ref> The album was compiled from tracks made over the span of a year<ref name=":0">https://www.flickr.com/photos/nothingelseon/53306579754/in/album-72177720312403761/</ref> with the final record being completed only 6 months after the release of ''[[Incunabula]]''.<ref>{{Cite interview|page=Autechre's Interview with Мatt O'Leary, March 2005|quote=Amber was literally written in six months after Incunabula came out, really quickly,}}</ref> Sean noted that ''Amber'' felt more like their first proper album<ref>https://metalmagazine.eu/en/post/autechre</ref> compared to ''Incunabula'' which was more “a collection of tracks than an album”.<ref name=":0" />

Some equipment used for ''Amber'' included "a 202, a Juno, a sampler and a couple of sequencers, and a Korg MS-10, with a lot of routing, and reconfiguring and messing about."<ref>{{Cite interview|page=Autechre's Interview with Мatt O'Leary, March 2005|quote=Amber was done on nothing -- a 202, a Juno, a sampler and a couple of sequencers, and a Korg MS-10, with a lot of routing, and reconfiguring and messing about.}}</ref> 

=== Cover ===
The artwork depicts the sandstone cliffs in Rose Valley, [[wikipedia:Cappadocia|Cappadocia]], Turkey, with the photograph taken by Nick Meyer<ref>https://www.nickmeers.co.uk/pano/h96c57ec#h96c57ec</ref> and artwork designed by The Designers Republic. ''Amber'' is the only album from Autechre to have a nearly unedited photograph as the cover art, with Ian Anderson noting that "the only retouching we did was at the edges, where we didn't have the full width, but there's no retouching in terms of colouration."<ref>{{Cite web|title=Amber|link=https://www.thedesignersrepublic.com/amber|website=The Designers Republic|accessdate=20 May 2024}}</ref>

== Tracks ==

=== Foil ===

* The "flanging sound" on the lead in "Foil" was done by Rob using EPS.<ref name=":1">{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''How is the flanging sound in the first track of Amber, Foil, made?''' I think that's EPS. Rob did that. I think it's EPS. If you mean the [imitates lead sound effect], that bit, I think that's EPS. Yeah, I think it's, but it might not be, ‘cause the one in Montreal, that's just after it, is the trigger flange in the Quadraverb. So we were really into those type of effects at the time, but I think it's actually, I don't think it's a flanger. I think it's the chorus in the EPS, but I'm not totally hundred percent sure about that. Foil I mean.}}</ref>

=== Montreal ===

* "Montreal" uses the trigger flanger from the Quadraverb.<ref name=":1" />
* Sean noted that he had friends in the city of Montreal, which he dedicated this track to.<ref name=":02">{{Cite web|link=https://lonelymachines.org/the-autechre-faq-v-199/|author=Ruud, Knut Andreas|website=LonelyMachines|date=December 2000|title=The _alt.music.autechre_ FAQ (Frequently Asked Questions) version 1.15|accessdate=20 May 2024}}</ref>

=== Silverside ===

* An alternative version of "Silverside" was released on a [https://www.discogs.com/release/748632-Various-FMCD-January-1995 Future Magazine CD Compilation] titled "[[List of Rarities#Silversub|Silversub]]"
* The track is named after the [[wikipedia:Atheriniformes|fish species]].

=== Slip ===

=== Glitch ===

* Uses the Roland MC-202 and Quadraverb. <ref>{{Cite AAA doc|330}}</ref>

=== Piezo ===

* One of the samples on "Piezo" are of Autechre discussing how the track should be arranged, "micd up really quiet through a chrous all the way through it". <ref>[https://web.archive.org/web/20020816104848/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid1018136565,21609,#:~:text=no%20sorry.%20there%20is%20the%20sound%20of%20us%20discussing%20how%20we%20should%20arrange%20the%20track%20though.%20micd%20up%20really%20quiet%20through%20a%20chorus%20all%20the%20way%20through%20it. https://web.archive.org/web/20020816104848/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid1018136565,21609,#:~:text=no%20sorry.%20there%20is%20the%20sound%20of%20us%20discussing%20how%20we%20should%20arrange%20the%20track%20though.%20micd%20up%20really%20quiet%20through%20a%20chorus%20all%20the%20way%20through%20it.]</ref>
* Rob later elaborated on this, saying that they were making sounds recorded with piezoelectronic mics, which is also where the title stems from {{Cite AAA2 doc|242}}

=== Nine ===

* "Nine" was licensed out to Orange Telecommunications for an advertising campaign.<ref>https://forum.watmm.com/topic/78185-autechre-score-the-soundtrack-to-an-advert/?do=findComment&comment=1973748</ref> <ref>https://www.reddit.com/r/ambientmusic/comments/z5zeqn/comment/j11xpnr/</ref> When Autechre went to watch Star Wars: Episode I – The Phantom Menace in theatres, they discovered in the screening that Orange was airing the ad with "Nine" before every Star Wars screening in England. <ref>{{Cite interview|page=Dancing in the Dark, 2001|quote=Autechre is extremely selective when allowing their music to be used onscreen. Yet one track licensed for an ad for mega-corp Orange Telecommunications took them by surprise one night at the movies. "We knew they were going to use it, but we didn't know it would be aired directly before every Star Wars screening in England," recalls Brown. "We thought everybody in the cinema was looking at us. Of course, they had no idea who we were, but it was clearly the weirdest thing they'd ever heard."}}</ref>

=== Further ===

=== Yulquen ===

* The IATA code for the Montréal–Trudeau International Airport is YUL. Looking at the Queen Elizabeth Hotel (also in Montreal) gives the code as YUL QUEN

=== Nil ===

=== Teartear ===

* In the same vein as "[[Incunabula#Windwind|Windwind]]", the word "tear" also has two different pronunciations.
* On the back cover of Amber, it notes that "Teartear is for Gerrard O'Hara"<ref>https://www.discogs.com/release/15195108-Autechre-Amber/image/SW1hZ2U6NDYwMTcwODA=</ref>, one of the founders of Skam Records. His voice can also be heard on the track "The Egg" 

== Tracklist ==
{{Tracklist|list=
{{tl track|number=1|title=Foil|length=6:05}}
{{tl track|number=2|title=Montreal|length=7:16}}
{{tl track|number=3|title=Silverside|length=5:31}}
{{tl track|number=4|title=Slip|length=6:21}}
{{tl track|number=5|title=Glitch|length=6:16}}
{{tl track|number=6|title=Piezo|length=8:01}}
{{tl track|number=7|title=Nine|length=3:40}}
{{tl track|number=8|title=Further|length=10:07}}
{{tl track|number=9|title=Yulquen|length=6:37}}
{{tl track|number=10|title=Nil|length=7:49}}
{{tl track|number=11|title=Teartear|length=6:46}}
{{tl finaltime|time=1:14:27}}
}}

== Links ==

* [https://autechre.warp.net/release/202836-autechre-amber AE_STORE]
* [https://music.apple.com/us/album/amber/281074742 Apple Music]
* [https://autechre.bandcamp.com/album/amber Bandcamp]
* [https://bleep.com/release/20366-autechre-amber Bleep]
* [https://www.discogs.com/master/1302-Autechre-Amber Discogs]
* [https://soundcloud.com/autechreofficial/sets/amber-384961498 Soundcloud]
* [https://open.spotify.com/album/1brMCJ3wB9KNzAANIKJf32 Spotify]

== Credits ==

* [[Autechre]] (production)
* [[Rob Brown]] (writer)
* [[Sean Booth]] (writer)
* [[The Designers Republic]] (design) <ref>https://www.discogs.com/master/1302-Autechre-Amber</ref>

== References ==
<references />

NTS Sessions 1-4

2025-04-12T19:58:43Z

RD1994: added track times for the physicals if applicable

[[Category:Album]]
{{Infobox
|title=NTS Sessions 1-4
|artist=[[Autechre]]
|cover=NTS Sessions 1-4.png
|date=26 April 2018 (Digital) August 2018 (LP/CD)
|label=Warp Records (WARP364)
|previous=[[JNSN CODE GL16 / spl47]]
|previous year=2017
|next=[[Warp Tapes 89-93]]
|next year=2019
}}'''''NTS Sessions 1-4''','' often shortened to '''''NTS Sessions''''', is the thirteenth studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. The four sessions were first individually broadcasted on London-based online radio station [https://www.nts.live/ NTS] throughout April 2018, before the entire project became available for download on the April 26th, 2018. Physical versions later became available for purchase over August 2018.<ref name=":0" /><ref>https://headphonecommute.com/2018/08/28/autechre-nts-sessions-warp/</ref>
== History ==
Having previously done a DJ Mix for NTS Radio on January 22nd, 2016<ref>{{Cite web|link=https://www.nts.live/shows/guests/episodes/autechre-22nd-january-2016|date=22 January 2016|title=Autechre 22nd January 2016 {{!}} Listen on NTS|website=NTS Radio|accessdate=8 March 2024|author=Autechre}}</ref>, NTS Radio approached Autechre with a residency offer. They were initially hesitant whether they wanted to construct an 8-hour DJ mix until they realised that they had enough original material to span that time.<ref>[[Autechre: ‘Something happens when you listen to music in the dark’, July 2018]]</ref><ref name=":0">[[Autechre on Their Epic NTS Sessions, David Lynch, and Where Code Meets Music, August 2018]]</ref> Autechre noted that ''NTS Sessions 1-4'' was conceived first as a radio show performance, with the release instead being the archival version similar to their previous [[Peel Session|''Peel Sessions'']].<ref name=":0" /><ref>{{Cite web|link=https://www.rollingstone.it/musica/interviste-musica/autechre-niente-di-piu-umano-dei-computer/424382/|date=25 August 2018|title=Autechre: niente di più umano dei computer|website=Rolling Stone Italia|accessdate=8 March 2024|author=Biazzetti, Claudio}}</ref> Other points of influence noted by Autechre for this format includes both their IBC pirate radio shows around the time of ''[[Lego Feet]]''<ref name=":0" /> as well as their Kiss FM Disengage shows.<ref name=":1">{{Cite web|link=https://www.ele-king.net/interviews/006477/|date=28 August 2018|title=音楽とともにオーディエンスも進化する|website=ele-king|accessdate=8 March 2024|author=野田努, 小林君}} </ref>

Autechre explicitly noted the aesthetic goals were to create "developed alternate versions of existing Autechre material",<ref name=":1" /> and to focus on "deep mixing", where elements are not upfront or noticeable on first listen.<ref name=":0" />

Similar to other adjacent records, the material was a lot of long jams sessions that were edited down.<ref name=":1" /><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''What's the process of collecting or creating a tracklist as big as NTS? How do you decide to flow the album?''' You just do, I don't know. I've been doing long mixes for a long time, so I'm really into planning out these long sessions. I used to do mixes for just acid sessions. We used to use DATs because that's, you could get like four hours on a tape back in a day, so we'd do these big long fucking mixes and you'd know at what point the drugs start working and at what point you're gonna start getting trails and all that, so. That was just that, you know what I mean? But I'm saying yeah, I mean long term, long mixes for long periods of time, I've always liked that. I always liked Mixmaster Morris sets, you know, he could play sets all day. He would just play a set all day and it, and you'd still be with him by the end of the day. He'd still be able to keep you interested and I always admired that about him because he's got such a kind of, you know, encyclopedic knowledge of music history that he can keep pulling him out the bag as it were. I feel like he doesn't get enough credit as a DJ, to be honest.}}</ref> Much of the material either came from jams done between ''[[Exai]]'' and ''[[elseq 1-5]]'' or new jams done on old patches, with the oldest material dating back to 2011 with a "bladelores" jam.<ref name=":0" /> Some of the material was also performed at their [[AE LIVE|2014/2015]] and [[AE LIVE 2016/2018|2016/2018]] live shows, with Sean noting that "most of NTS Sessions was like cells from live sets".<ref name=":3">{{Cite interview|page=Sean Twitch AMA, July 2022|quote=column thirteen, I think it was a live set cell. I don't know if we'd used it before NTS came out. I think we might have used a bit of it, I can't remember. Most of NTS Sessions was like cells from live sets, either at the time or a bit prior to that, that we already had jams fully recorded. So we just editing them down into things, and we basically like made it knowing that it was going to go out on the radio. So it was kind of, there's a different editing process to what we'd normally do. So bits of it from before, bits of it were from just then, bits of it were made especially for the thing, for the broadcast, you know. It was a combination of stuff.}}</ref> Most of the tracks were done solo by either Sean or Rob.<ref>https://web.archive.org/web/20231118215345/https://post.lurk.org/@sean_ae/111433472440615681</ref> All tracks were recorded directly "in the box" to stereo.<ref>https://web.archive.org/web/20241107183922/https://post.lurk.org/@sean_ae/113442509470527990</ref>

On April 3rd, 2018, the announcement was sent out that each 2-hour session would be aired every week Thursday at 4PM GMT throughout April on the 5th, 12th, 19th and 26th respectively.<ref name=":2">{{Cite web|link=https://web.archive.org/web/20180417023755/http://warp.net/news/autechre-nts-sessions/|date=8 April 2018|title='NTS Sessions' 01–04|website=Warp|accessdate=8 March 2024|author=}}</ref><ref>{{Cite web|link=https://www.factmag.com/2018/04/03/autechre-nts-radio-residency/|date=3 April 2018|title=Autechre announce four day NTS Radio residency|website=Fact Magazine|accessdate=8 March 2024|author=Twells, John}}</ref> The first session was made available for download on April 9th, with the rest being made available hours after being aired.<ref name=":2" /> After all four sessions were aired, the entire 8 hours were then looped constantly in a permanent residency, which is still ongoing as of writing.<ref>{{Cite web|link=https://www.nts.live/projects/autechre-nts-residency/|date=|title=NTS Residency.|website=NTS Radio|accessdate=8 March 2024|author=Autechre}}</ref>

Initially, the plan was to just keep it as a digital-only release similar to ''[[elseq 1-5]]'', however with the wider audience that ''NTS Sessions'' would reach'','' physicals were arranged for 12xLP boxset, 8xCD boxset and individual 3xLP for each session, which were sent out a few months later to customers who pre-ordered.<ref name=":2" /><ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote=So yeah, that's what elseq was, but when we come to doing NTS, we kind of knew that, with the boost of it being on the radio, that we might be able to get away with doing a physical for it. So we pushed it a little bit, and it turned out to be a wise move. But it was a gamble, you know. But we would have done the same for NTS otherwise. It would have been digi only, but Warp was pretty convinced that we could move physicals of it. So we tried it and it worked, so. Fair play to Warp for taking a chance on that, because I probably wouldn't have, left to my own devices, but I approached them with it and they were up for it. So we did it, so.}}</ref> The initial 12xLP box set however was laden with warping issues and had replacement copies sent to buyers.<ref>{{Cite web|link=https://www.reddit.com/r/autechre/comments/99fodl/warped_box_set/|date=22 August 2018|title=Warped Box Set|website=Reddit|accessdate=8 March 2024|author=tjech}}</ref> Due to the length restraints of physical copies, edits were made to fit tracks on each CD/disc, mostly in regard to their transitions.

=== Design ===
Regarding the design of the physical releases by [[The Designers Republic]], Anderson noted that "there was a sense that the physical releases (conceptually) served to archive the radio sessions — so we imagined what Autechre archives would look like."<ref>"NTS Sessions". ''The Designers Republic'', https://www.thedesignersrepublic.com/nts-sessions. Accessed 19 Sep 2024.</ref>

== Tracks ==

=== NTS Session 1 ===
[[File:NTS_Session_1.jpg|thumb|150x150px|NTS Session 1]]
==== t1a1 ====

* BPM: 140
* The percussion was previously used at the start of the [[AE LIVE|2014/2015 live sets]]. ([https://youtu.be/hGevT4L4f74?si=Xssb1mBABltjfKnP&t=197 example])

==== bqbqbq ====

==== debris_funk ====

* On the LP version, the outro ends solely with the note decay rather than the immediate transition into "l3 ctrl".

==== l3 ctrl ====

==== carefree counter dronal ====

* BPM: 160

==== north spiral ====

* BPM: 164
* On the CD version, the intro has been altered to just start with the clicks, rather than the transition from "carefree counter dronal" to it.
* "north spiral" appears in an remixed form on the [[AE LIVE|14/15 live sets]]. ([https://youtu.be/wc9BmSemYRU?si=qRq0QAlah2oBj6SC&t=1521 example])

==== gonk steady one ====

* BPM: 124

==== four of seven ====

* BPM: 120

==== 32a_reflected====

* BPM: 80
* The synths used in "32a_reflected" appear at the end of the [[AE LIVE 2016/2018|2016 live sets]]. ([https://www.youtube.com/watch?v=zCWGYrsf5Lo&t=3830s example])
* The "reflected" in the title likely refers to the composition of track, whereby the original recording was duplicated, its channels flipped, and then played in reversed against the original track, creating a musical palindrome via reflection.

=== NTS Session 2 ===
[[File:NTS_Session_2.jpg|thumb|150x150px|NTS Session 2]]
==== elyc9 7hres ====

* The title shares its name with [[elseq 1-5#elyc6 0nset|"elyc6 0nset"]]'','' which "elyc9 7hres" reuses certain elements from.

==== six of eight (midst) ====

==== xflood ====

==== gonk tuf hi ====

==== dummy casual pt2 ====

==== violvoic ====

* "violvoic" appears partially on the [[AE LIVE|2014/2015 live sets]]. ([https://www.youtube.com/watch?v=7FMRK4ToByk&t=2976s example])
* Sean notes that the bass in the second half is mostly acomplished using delays with frequency shifting, allpass in the feedback loop, and an impulse "being pitched up a couple of octaves with a quick cutoff sweep and setting the delay time directly from the seq note frequency (a la karplus)" <ref>https://web.archive.org/web/20250309203629/https://post.lurk.org/@sean_ae/114131958235957572</ref>

==== sinistrailAB air ====

==== wetgelis casual interval ====

* The synths from "wetgelis casual interval" appeared a few times in their [[AE LIVE|14/15 live shows]]. ([https://youtu.be/Zr5hQmbtNlY?si=bEFvo70iT9yRyqLL&t=4303 example])
* "wetgelis" likely references the composer Vangelis.
* On the CD version of the album this track runs for 2:56 due to not crossfading with e0.

==== e0 ====

* On the vinyl version this track runs for 15:32, due to cutting the intro (see below)

==== peal MA ====

* On the LP version, "peal MA" has a much longer intro that got separated from "e0", resulting in a track time of 5:30.

==== 9 chr0 ====

==== turbile epic casual, stpl idle ====

* "turbile epic casual, stpl idle" shares a few commonality with [[elseq 1-5#oneum|"oneum"]].<nowiki/>
* Elements of "turbile epic casual, stpl idle" appear in the [[AE LIVE 2016/2018|2016/2018 liv]]<nowiki/>[[AE LIVE 2016/2018|e sets]]. ([https://www.youtube.com/watch?v=KallOfGzdzw&t=2837s example])

=== NTS Session 3 ===
[[File:NTS_Session_3.jpg|thumb|150x150px|NTS Session 3]]
==== clustro casual ====

==== splesh ====

* "all end" briefly appears at the end of "splesh".

==== tt1pd ====

==== acid mwan idle ====

* On the LP version, "acid mwan idle" fades in rather than transitioning straight from "tt1pd".

==== fLh ====

* Sean was involved with "fLh" and noted the track had "quartertone abuse" <ref>https://web.archive.org/web/20240612141855/https://post.lurk.org/@sean_ae/112603198530829122 </ref>

==== glos ceramic ====

==== g 1 e 1 ====

* In the [[AE LIVE|2014 live shows]], "g 1 e 1" could be heard near the end of the sets. ([https://youtu.be/_Ec0hR6FlKo?si=duGZIXd2yP5UMo-n&t=3382 example])
* "g 1 e 1" is constructued mostly from tuned delay lines.<ref>https://web.archive.org/web/20230726161856/https://post.lurk.org/@sean_ae/110771366258863281#:~:text=the%20g1e1%20stuff%20is%20just%20tuned%20delay%20lines%20iirc</ref>

==== nineFly ====

* An early version of "nineFly" appears on the 2015 US live sets ([https://www.youtube.com/watch?v=m_SnP2px8to&t=2712s example]).
* The studio version of this track uses "basic threshold fft" noise reduction.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''How exactly was the sound of nineFly made? Spectral stuff?''' Noise reduction. Just basic threshold fft shit, you know. So, really simple. It's not hard to do. It's like pretty entry-level fft stuff, so.}}</ref>

==== shimripl air ====

* "shimripl" may be a shortened version of "shimmer, ripple"

==== icari ====

=== NTS Session 4 ===
[[File:NTS_Session_4.jpg|thumb|150x150px|NTS Session 4]]
==== frane casual ====

* "frane casual" shares a lot of similarities with "pendulu casual".

==== mirrage ====

==== column thirteen ====

* An altered version of "column thirteen" appeared in the middle of the [[AE LIVE 2016/2018|2018 live sets]]. ([https://youtu.be/SF8k6oSTQ-A?si=1GrBWyRLj7ZVZfFK&t=2634 example])<ref name=":3" />
* On the LP version, the transition element from "mirrage" is removed.

==== shimripl casual ====

* "shimripl casual" appears in the [[AE LIVE 2016/2018|2016/2018 live sets]]. ([https://www.youtube.com/watch?v=TGqbpV6qS6M&t=775s example])
* On both the CD and LP version, the track ends with a fadeout.
* On the LP version, the track is split into 2 parts, with a few minutes on the side with "column thirteen" and the rest on a different side.
* Due to the aforementioned fadeout, shimripl casual has a length of 25:19 on the CD version, whereas, due to some overlap between the two sides, the vinyl version of the track runs for 25:44.

==== all end ====

* BPM: 11
* The particular drone sound at the end of "bladelores" is what became "all end". In an interview, they confirmed that the name is in fact because the track uses the end of "bladelores" for all of the track, alongside feeling right because "It was the end, and it was long and all."<ref name=":1" /> It also appears at the end of "splesh".
* It was confirmed that "all end" was solely made by Rob. <ref>[[Hanalgig AMA, July 2022]]</ref>
* On the LP and CD versions of ''NTS Sessions'', "all end" only has a fade in rather than the short transition from "shimripl casual" at the start. Due to the length of "all end", it was split up into 3 parts to fit on 3 sides.
* On the CD version this track runs for 58:40. Due to some overlap between the different sides, the vinyl version runs about a minute longer with a total time of 59:22.

=== sinistrail sentinel ===

* Exclusive bonus track for people who brought NTS Sessions on AE_STORE and Bleep. Part of the Adult Swim Single Program.
* "sinistrail sentinel" appeared on the [[AE LIVE|2014/2015 live sets]]. ([https://www.youtube.com/watch?v=3B_wgxTYe9s&t=813s example])

== Tracklist ==
{{Tracklist|list=
{{tl section|section=NTS Session 1}}
{{tl track|number=1|title=t1a1|length=18:40}}
{{tl track|number=2|title=bqbqbq|length=11:16}}
{{tl track|number=3|title=debris_funk|length=10:25}}
{{tl track|number=4|title=l3 ctrl|length=16:52}}
{{tl track|number=5|title=carefree counter dronal|length=5:14}}
{{tl track|number=6|title=north spiral|length=15:01}}
{{tl track|number=7|title=gonk steady one|length=22:25}}
{{tl track|number=8|title=four of seven|length=13:06}}
{{tl track|number=9|title=32a_reflected|length=7:02}}
{{tl total|time=2:00:00}}
{{tl section|section=NTS Session 2}}
{{tl track|number=10|title=elyc9 7hres|length=10:21}}
{{tl track|number=11|title=six of eight (midst)|length=8:42}}
{{tl track|number=12|title=xflood|length=9:25}}
{{tl track|number=13|title=gonk tuf hi|length=7:53}}
{{tl track|number=14|title=dummy casual pt2|length=5:16}}
{{tl track|number=15|title=violvoic|length=15:01}}
{{tl track|number=16|title=sinistrailAB air|length=2:41}}
{{tl track|number=17|title=wetgelis casual interval|length=2:39}}
{{tl track|number=18|title=e0|length=15:45}}
{{tl track|number=19|title=peal MA|length=5:04}}
{{tl track|number=20|title=9 chr0|length=15:45}}
{{tl track|number=21|title=turbile epic casual, stpl idle|length=21:30}}
{{tl total|time=2:00:00}}
{{tl section|section=NTS Session 3}}
{{tl track|number=22|title=clustro casual|length=11:03}}
{{tl track|number=23|title=splesh|length=8:56}}
{{tl track|number=24|title=tt1pd|length=22:12}}
{{tl track|number=25|title=acid mwan idle|length=11:57}}
{{tl track|number=26|title=fLh|length=8:18}}
{{tl track|number=27|title=glos ceramic|length=13:26}}
{{tl track|number=28|title=g 1 e 1|length=7:00}}
{{tl track|number=29|title=nineFly|length=10:04}}
{{tl track|number=30|title=shimripl air|length=7:06}}
{{tl track|number=31|title=icari|length=19:58}}
{{tl total|time=2:00:00}}
{{tl section|section=NTS Session 4}}
{{tl track|number=32|title=frane casual|length=13:43}}
{{tl track|number=33|title=mirrage|length=6:22}}
{{tl track|number=34|title=column thirteen|length=17:02}}
{{tl track|number=35|title=shimripl casual|length=24:32}}
{{tl track|number=36|title=all end|length=58:22}}
{{tl total|time=2:00:00}}
{{tl track|number=37|title=sinistrail sentinel (AE_Store & Bleep exclusive bonus track)|length=11:42}}
{{tl finaltime|time=8:11:42}}
}}

== Trivia ==
* ''NTS Sessions 1-4'' is by far the longest Autechre album, with a runtime of exactly 8 hours. The vinyl release of ''NTS Sessions 1-4'' spans twelve LPs (24 sides, A-X), making it the largest album Warp Records has ever released.

== Links ==

* [https://autechre.warp.net/stream/nts-sessions AE_STORE]
* [https://www.nts.live/projects/autechre-nts-residency/ NTS Residency]
* [https://bleep.com/release/104160-autechre-nts-sessions-1-4 Bleep]
* [https://www.discogs.com/master/1395770-Autechre-NTS-Sessions Discogs]

==Credits ==
* [[Autechre]] (production)
*[[Rob Brown]] (writer, producer)
*[[Sean Booth]] (writer, producer)
*[[Noel Summerville]] (mastering engineer)
*[[The Designers Republic]] (design) <ref>https://www.discogs.com/master/1395770-Autechre-NTS-Sessions</ref>

== References ==
<references />

LP5

2025-03-21T21:02:47Z

RD1994: Found a new info about Drane2

[[Category:Album]]{{Infobox
|title=LP5
|artist=[[Autechre]]
|cover=LP5.jpg
|date=13 July 1998
|label=Warp Records (WARP66)
|previous=[[Cichlisuite]]
|previous year=1997
|next=[[Peel Session]]
|next year=1999
}}'''''LP5''''', also refered to as '''''Autechre''''', '''''Album''''', or otherwise untitled, is the fifth studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on July 13th, 1998,<ref>https://bleep.com/release/249531-autechre-lp5</ref> then later repressed on vinyl in 2021, alongside ''[[Chiastic Slide]]''.

== History ==
In an 1998 interview with Keyboards, Rob noted that the album was "just a collection of our favourite tracks from the last twelve or thirteen months."<ref name=":2">Between Styles and Stools, Keyboards, August 1998 </ref> The whole record was predominately made in Logic,<ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote=So, and that's the kind of point where we stopped using the Atari, really. After that I, like LP5 is just Logic, and getting into the, in Logic, getting into the Logic Environment, and so that was our first foray into doing kind of, I don't want to call it generative music, but you know, like this kind of slightly more automatic riffing on kind of arpeggios and kind of, building our own little machines in there. Like little sequences, building little sequences in the environments window, which I believe still exists. Although I've not really used Logic much in recent years. I think it's still in there somewhere. I think you can still do that. It's like a very rudimentary version of Max and it was using that that somebody said to me, see me using that, a guy said to me like, “oh, you'd probably like Max,” and then I sort of started to explore that world a little bit more and ended up getting Max after that. So after we'd done LP5, got Max and then yeah, so. Yeah, one thing leads to another.}}</ref> with some other equipment used on ''LP5'' including the Nord Lead 1, ASR-10 and DX100.<ref name=":1">{{Cite AAA doc|1038}}</ref>

The record initially had no title printed, only "Autechre" on the cover, leading to it either being referred to as untitled or as a self-titled record called ''Autechre.<ref name=":0" /><ref>https://www.tumblr.com/grrl-beetle/748357197923237888/nothing-records</ref> Album'' was also a name seen on promotional copies.<ref>https://www.discogs.com/release/354772-Autechre-LP5</ref>

While uncredited on the release, it was later confirmed in Warp20 that the album cover was made by Autechre themselves.<ref>https://www.reddit.com/r/autechre/comments/q5hulv/comment/hg7g4f1/</ref>

== Tracks ==

=== Acroyear2 ===

* Some digital releases had the track renamed to "AcroyearII".
* Acroyear2 was named after the Micronauts toy.<ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote='''Was Acroyear2 named after the Micronauts toy?''' Yes. Acroyear Two in the US and Acroyear One in Japan. So I named it after Acroyear Two because I grew up in the UK, and we had the Mego line, so, you get on a Micronauts conversation now. Micronauts were cool as well. First time anyone's asked me that.}}</ref>

=== 777 ===

* The title bares resemblance to "444" from ''[[Incunabula]]''.
* The track is heavily built around a 7-count time signature or 3.5 whole beats. Alexander Mesker annotated a transcript of the main recurring percussive structure here.<ref>https://archive.org/details/analysis-and-recreation-of-key-features-in-selected-autechre-tracks-from-1998-2005/page/79/mode/2up</ref>

=== Rae ===

* In an interview with nialler9, Sean mentioned that he wrote "Rae" after a hangover.<ref>{{Cite interview|quote=Sean: Yeah, I mean, Rae was written in a really emotional state as well. I remember exactly what I was doing, where I was and everything when I did that [...] Yeah, it was a hangover (laughs) It wasn’t even real sadness, I wasn’t even going through anything. I was just, I was just feeling really fragile that day.|page=Exploring the parameter space: A conversation with Autechre, October 2023}}</ref>

=== Melve ===

=== Vose In ===

* The main melody was written first, with the rest of the track being built around it.<ref name=":2" />
* Sound Edit 16 was used for the outro of "Vose In".<ref name=":1" />

=== Fold4,Wrap5 ===

* "Fold4,Wrap5" employs a Risset rhythm which creates an illusion that the track perpetually slows down. In the track, this manifests as the tempo slowing down ever 2 bars to half its tempo, approximately 126 to 63 bpm.<ref>https://archive.org/details/analysis-and-recreation-of-key-features-in-selected-autechre-tracks-from-1998-2005/page/51/mode/2up</ref> Sean clarified that unlike the method whereby two tempos fade into one another, he just had the single tempo change and programmed on the subdivisions to achieve the illusion. He also notes that he came up with the idea on its own, not realising it was already a thing.<ref>https://web.archive.org/web/20230723133325/https://post.lurk.org/@sean_ae/110763235451439348</ref>

=== Under BOAC ===

* For percussion, they recorded a pen being dragged down a radiator, which was then subsequently cut up using ReCycle, frequency-shifted, ring modulated and then connected via SCSI into the Ensonqi ASR-10 which handled a majority of the effects with a sample bank, compression and limiting. For the first chord synths it was possibly DX100, the second half's synths were Nord, bass was possibly Juno 106, and voice samples were ring modulated. The track was fully sequenced in Emagic Logic<ref>{{Cite AAA doc|1541}}</ref> and all mixed via a Tascam mixer onto DAT, with the voices through an audio channel and the rest being realtime.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''The drums / percussion sounds on Under BOAC, sampled or synthesized?''' A bit of both, I guess? They, it was originally a pen going down the side of a radiator, then it also [imitates action], and then it was taken into ReCycle and then it was cut up into bits, and then there was some kind of, I can't remember what I did to it. Yeah, there was some kind of spectral, what did I do to it now? Frequency shifting. So, there was frequency shifting on it and then it was taken into the [Ensoniq] ASR[-10] for the ASR’s, and then there's a bunch, it's like a sample bank, and then there was all the compression and everything is in the ASR, so you get them transients because the compressor in the inside the ASR is just absolutely nuts. That's the thing that we used to do the Stereolab remix and anything that's like that where it's like super fat sound but like the attacks on the sounds are just mentally like tight. A lot of that stuff was ASR, so repping Ensoniq, always, so.}}</ref><ref>https://web.archive.org/web/20230111075106/https://post.lurk.org/@sean_ae/109664718256478811</ref>

=== Corc ===

=== Caliper Remote ===

=== Arch Carrier ===

=== Drane2 ===

*On CD and Digital releases of ''LP5'', “Drane2” has a length of over 21 minutes, with approximately 12 minutes being complete silence, and the remaining minute and a half being discordant digital noises. The vinyl pressing does not contain the silence and discordant noises, and ended after the main track stopped.
* After creating “[[Peel Session#Drane|Drane]]” with the exponential delay speed-up, Aphex Twin responded with his own take with “Bucephalus Bouncing Ball”. Autechre responded to that by feeding percussion into that delay with "Drane2", completing the unofficial trilogy. Sean mention that Aphex Twin was planning to make another "bouncing ball revenge track" but it never got released.<ref>{{Cite AAA doc|1049}}</ref>
* A US promo CD of this album lists the track titled as "Drane (Sleight Return)".[https://www.discogs.com/release/22734533-Autechre-LP5/image/SW1hZ2U6NzU5ODU5OTE=]. The same title was previously found to be given to the track "Drane" on the Peel Session EP under ASCAP
== Tracklist ==
{{Tracklist|list={{tl track|number=1|title=Acroyear2|length=8:39}}
{{tl track|number=2|title=777|length=5:50}}
{{tl track|number=3|title=Rae|length=7:14}}
{{tl track|number=4|title=Melve|length=1:14}}
{{tl track|number=5|title=Vose In|length=5:21}}
{{tl track|number=6|title=Fold4,Wrap5|length=4:03}}
{{tl track|number=7|title=Under BOAC|length=6:17}}
{{tl track|number=8|title=Corc|length=5:51}}
{{tl track|number=9|title=Caliper Remote|length=1:41}}
{{tl track|number=10|title=Arch Carrier|length=6:49}}
{{tl track|number=11|title=Drane2|length=9:38}}
{{tl track|number=-|title=''(silence)''|length=12:04}}
{{tl track|number=-|title=''untitled''|length=1:37}}
{{tl finaltime|time=1:16:19}}}}

== Links ==

* [https://autechre.warp.net/release/249326-autechre-lp5 AE_STORE]
* [https://music.apple.com/us/album/lp5/290960611 Apple Music]
* [https://autechre.bandcamp.com/album/lp5 Bandcamp]
* [https://bleep.com/release/249531-autechre-lp5 Bleep]
* [https://www.discogs.com/master/2165-Autechre-LP5 Discogs]
* [https://soundcloud.com/autechreofficial/sets/lp5-4 Soundcloud]
* [https://open.spotify.com/album/5TiPpuwLSWSJl98yTyE8BK Spotify]

== Credits ==
*[[Autechre]] (production)
*[[Rob Brown]] (writer)
*[[Sean Booth]] (writer)
*[[Frank Arkwright]] (mastering engineer) <ref name=":0">https://www.discogs.com/master/2165-Autechre-LP5</ref>

== References ==
<references />

Anti

2024-11-27T08:44:58Z

RD1994: The sticker is one big sticker that acts like a seal that needs to be broken to access the content

[[Category:EP]]
{{Infobox
|title=Anti
|artist=[[Autechre]]
|cover=Anti.jpg
|date=3 September 1994
|label=Warp Records (WAP54)
|previous=[[Basscad,EP]]
|previous year=1994
|next=[[Amber]]
|next year=1994
}}'''''Anti''''' is the second EP by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on September 3rd, 1994.<ref>{{Cite web|title=Autechre - Anti. Bleep.|website=Bleep|link=https://bleep.com/release/23110-autechre-anti|accessdate=20 May 2024}}</ref>

== History ==
After the success of the 1992 Castlemorton Common Festival, the biggest illegal rave in the UK, the UK parliament responded with the Criminal Justice and Public Order Act 1994 c. 33 which in part was targetting the rise of illegal rave culture. <ref>{{Cite web|author=Pattison, Louis|title=How the Political Warning of Autechre's Anti EP Made it a Warp Records Classic|link=https://www.vice.com/en/article/78ab5d/warp-25-autechre-anti-ep|website=Vice|date=21 July 2014|accessdate=2 March 2024}}</ref><ref>{{Cite web|author=Chester, Jerry|title=Castlemorton Common: The rave that changed the law|link=https://www.bbc.com/news/uk-england-hereford-worcester-39960232|website=BBC|date=28 May 2017|accessdate=2 March 2024}}</ref> In Chapter V, sections 63-66 "Powers in relation to raves", the main aim of the sections was to set out how raves should be broken up. At the start of section 63, it provided a definition for what consituted a rave.<blockquote>(1)This section applies to a gathering on land in the open air of 20 or more persons (whether or not trespassers) at which amplified music is played during the night (with or without intermissions) and is such as, by reason of its loudness and duration and the time at which it is played, is likely to cause serious distress to the inhabitants of the locality; and for this purpose—

(a) such a gathering continues during intermissions in the music and, where the gathering extends over several days, throughout the period during which amplified music is played at night (with or without intermissions); and

(b) “music” includes sounds wholly or predominantly characterised by the emission of a succession of repetitive beats. <ref>https://www.legislation.gov.uk/ukpga/1994/33/part/V/crossheading/powers-in-relation-to-raves</ref></blockquote>Autechre strongly opposed the bill. For an feature in NME, they discussed how "Nobody really knows what's going to happen if the Criminal Justice Bill becomes law, [...] that's what's so scary about it. Why on earth do you want to ban music with repetative beats?"<ref name=":0" /> In an interview with Pete Lawrence, Sean noted that "The clause that irritated me was the one about repetitive beats...it's the single most idiotic legislative move I've ever seen, but impossible to enforce. It's easy to get around - you simply don't quantize your bass drum, you play it in live."<ref>[[Ae in conversation with ON magazine's Pete Lawrence, 1994]]</ref> [[File:anti-ep-warning.jpg|thumb|219x219px]]When ''Anti'' was released, it came with a warning label:<blockquote>'''Warning. Lost and Djarum contain repetitive beats.'''

We advise you not to play these tracks if the Criminal Justice Bill becomes law. Flutter has been programmed in such a way that no bars contain identical beats and can therefore be played at both forty five and thirty three revolutions under the proposed new law. However, we advise DJs to have a lawyer and a musicologist present at all times to confirm the non-repetitive nature of the music in the event of police harassment.

'''Important.'''

By breaking the seal, you accept full responsibility for any consequential action resulting from product's use, as playing the music contained within these recordings may be interpreted as opposition to the Criminal Justice and Public Order Bill.</blockquote>[[File:anti-ep-profits.jpg|thumb|219x219px]]The sticker went around to the back similar to a seal with extra information explaining that all profits would go to Liberty.<ref>https://www.discogs.com/release/158-Autechre-Anti-EP/image/SW1hZ2U6MjQ1MjQwMw==</ref><ref>{{Cite web|author=Negative_Interest_20|title=Autechre - Anti EP|link=https://www.reddit.com/r/vinyl/comments/13drzuf/autechre_anti_ep/|website=Reddit|date=10 March 2023|accessdate=2 March 2024}}</ref> <blockquote>'''AeP Agitate. educate. Protest.'''

'''All profits from this release will be donated to Liberty.'''

[...]

Autechre is politically non-aligned. This is about personal freedom. </blockquote>

== Tracks ==

=== Lost ===

=== Djarum ===

=== Flutter ===

* "Flutter" was previewed on July 24th, 1994 at a Socialist Worker's Party-run march. <ref>{{Cite web|author=Gallivan, Jospeh|title=Jospeh Gallivan on pop|link=https://www.independent.co.uk/life-style/jospeh-gallivan-on-pop-1414727.html|website=The Independent|date=18 July 1994|accessdate=2 March 2024}}</ref>
* "Flutter" was designed such that it can be played at "at both forty five and thirty three revolutions" as said on the sticker, however the CD and digital version stuck to the 45 rpm version. <ref>https://www.discogs.com/release/157-Autechre-Anti-EP#:~:text=Although%20the%20note,and%20Other%20Identifiers</ref>
* The track consists of an Roland R8 for both drums sounds and sequencing for both precussion and melody, QuadraVerb for delay and reverb, and an EPS sampler for the melody sounds. <ref>{{Cite AAA doc|216}}</ref><ref>{{Cite AAA doc|697}}</ref><ref>{{Cite interview|quote='''Is that something you miss about composing songs like Flutter?''' I mean no, because I’ll be doing it if I missed it. I've still got the gear, so there's nothing stopping me getting the EPS and the R8 out and doing Flutter 2, you know. I just don't feel like doing it, so. But you are welcome to have a go if you want, you know. Just get the sound effects card for the R8, sample some kind of arbitrary sound like a vocal or something, and just knock out your own version of Flutter. I think there's like a Quadraverb on there as well, so you might need that. Not hard though. If you want it, just make it.|page=Sean Twitch AMA, July 2022}}</ref> The sequencing on the R8 was played in and completed within a day. <ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''How much time it took to sequence Flutter with the R8?''' Just like a day. Not long, just played in. You can do the rolls with the pressure on the pad and all that, right, so. And yeah, the pitches. You can do with the slider so you kind of, you know, you write in the pattern first and then you do the pitches with the slider sort of thing. You do it a few times until it sounds good and then I say it's done right, so. It's very fast and that's partly why I used the R8 so long because it's just so fast to write on. It's like much faster than doing those kind of rolls in Cubase. We had to draw them in. You just do your hand on the pad like the pressure. Just change the pressure. You can do it on an MPC, you know, same thing so.}}</ref><ref name=":0">https://www.flickr.com/photos/nothingelseon/53306579754/in/album-72177720312403761/</ref>
* In [[URB Magazine Issue 42, May 1995]], the writer mentioned that Flutter contains "a string of 65 distinct drum patterns."
* A "slow burnt out version of Flutter" was performed at Sankey's in Manchester. <ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''Sankey's set.''' My goodness, yes. [laughs] No way, someone was there, yeah. Yeah, Flutter, fucking, we did a really kind of slow burnt out version of Flutter in that Sankey's set and it's pretty good. It's, like, quite different to the other ones. It's like playing it at 33 except the sounds that's a lot down, you know. But yeah, that was fun. But yeah, I've got a DAT of that somewhere in Manchester, so.}}</ref>

==Tracklist==
{{Tracklist|list=
{{tl track|number=1|title=Lost|length=7:24}}
{{tl track|number=2|title=Djarum|length=7:20}}
{{tl track|number=3|title=Flutter|length=10:00}}
{{tl finaltime|time=24:44}}
}}

==Credits==

*[[Rob Brown]] (writer)
*[[Sean Booth]] (writer)
*[[Autechre]] (production)
*[[The Designers Republic]] (design)
*Maxwell Anandappa (plated) <ref>https://www.discogs.com/master/1315-Autechre-Anti-EP</ref>

==References==
<references />

SIGN

2024-09-09T11:11:04Z

RD1994:

[[Category:Album]]
{{Infobox
|title=SIGN
|artist=[[Autechre]]
|cover=SIGN.jpg
|date=16 October 2020
|label=Warp Records (WARP329)
|previous=[[AE_LIVE 2016/2018]]
|previous year=2020
|next=[[PLUS]]
|next year=2020
}}'''''SIGN''''' is the fourteenth studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It originally released on October 16th, 2020,<ref>https://bleep.com/release/202853-autechre-sign</ref> with the companion record ''[[PLUS]]'' releasing a few days later.

== History ==
Much of ''SIGN'' was made using a ported version of their rig in Max for Ableton Live,<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=And then there's a version that’s ported to [Max for Ableton] Live before we did SIGN and PLUS and all that was very different because there's not as much recursion in it. It's a kind of top-down, kind of, control hierarchy and I'd say both of them are good systems, but they're very different the way that the rig works in Max, when we're running it in Max is that everything's real-time. So, everything's informing everything else and there's a lot more cross-communication. So, there is no hierarchy as such, it's more of a web of interactions, whereas the Ableton stuff is very hierarchical. It's, there's a kind of top layer of control information and then everything else responds to that, and that's how SIGN was done, and I'm, I got a bit bored with it, if I'm being honest. It was like, it's good, but I prefer the web to the tree.}} </ref> as well as MC Max.<ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote='''Have you used MC Max much?''' Yeah. Quite a lot. It's really flexible and amazing basically, I really rate it. I think MC's like, yeah, just amazing, and it's kind of weird because I've been doing like massively polyphonic kind of stuff and then suddenly MC popped up and it was like, oh okay! It just gave me a whole new way of looking at it, so. Used it quite a bit on SIGN actually, which you might be able to hear.}}</ref>

In March of 2020, Sean noted during a Mixlr chat that they had two albums ready for release.<ref>https://ra.co/news/72301</ref>

''SIGN'' was first announced on September 2nd, 2020. On October 8th, it was livestreamed via Autechre’s website in full, and made available for download on October 16th.<ref>https://twitter.com/WarpRecords/status/1301159486447669248</ref><ref>https://twitter.com/WarpRecords/status/1313841530524884992</ref>

In an interview with the New York Times, Rob mentioned that the title ''SIGN'' is "an initialization, but we don't want to tell anybody what it stands for." <ref>https://www.nytimes.com/2020/10/13/arts/music/autechre-sign-interview.html</ref>

== Tracks ==
===M4 Lema===

* The track was developed over 3 months. Sean notes that it started out with more intense percussion, but Rob kept sending multiple revisions until it lead to the album version which reduced it to minimal beats.<ref>{{Cite interview|page=Autechre_Worked_in_Isolation_for_Decades._Now_It%E2%80%99s_Unintentionally_Timely,_October_2020|quote='''The album’s opening track is “M4 Lema.” It starts out feeling less like music than like a rush of pure motion, and a lot of silences. BOOTH''' That started out quite different. The beats were louder and it was more slamming. It went through various stages and Rob kept sending it to me slightly modified, and then eventually the beats were almost not there. It’s definitely a kind of slow builder. I think it probably took about three months to finish it in total. Sometimes I’ll just write bits of software, send them to Rob and then he’ll send to me these weird tracks. I don’t even know how he does half of them. Even though we’re the only people who use our software, he still manages to find an unorthodox way of using it.}}</ref>
* This track uses the Deckards Dream synth.

===F7===

* Elements on "F7" appear in the [[AE LIVE 2022－|2022 live sets]]. ([https://youtu.be/lrSIKl-IbY4?t=2376 example])

===si00===

===esc desc===

===au14===

* The title could be an abbreviation for "autechre 14", in accordance to the 14th album motif.

===Metaz form8===

===sch.mefd 2===

===gr4===

===th red a===

===psin AM===

* In the [https://youtu.be/jgMArRJswIQ&t=71 15 December 2022 max demo], the synthesizer in channel 9 is called "psinAMbq.MC", likely indicating that module was the origin for the title of "psin AM".

===r cazt===

===n Cur===

== Tracklist ==
{{Tracklist|list={{tl track|number=1|title=M4 Lema|length=8:50}}
{{tl track|number=2|title=F7|length=5:57}}
{{tl track|number=3|title=si00|length=5:51}}
{{tl track|number=4|title=esc desc|length=4:56}}
{{tl track|number=5|title=au14|length=5:04}}
{{tl track|number=6|title=Metaz form8|length=6:00}}
{{tl track|number=7|title=sch.mefd 2|length=5:26}}
{{tl track|number=8|title=gr4|length=3:21}}
{{tl track|number=9|title=th red a|length=6:36}}
{{tl track|number=10|title=psin AM|length=6:20}}
{{tl track|number=11|title=r cazt|length=7:12}}
{{tl total|time=1:05:32}}
{{tl track|number=12|title=n Cur [Japanese CD exclusive]|length=6:15}}
{{tl finaltime|time=1:11:47}}}}

==Trivia==

*One theory is that the catalogue numbers were chosen such that each digit adds up to 14 (3+2+9) to match ''SIGN'' being the 14th album.
*It s<nowiki/>hould be noted that, in a first for<nowiki/> Autechre, the CD versions for both SIGN and PLUS use different artworks. In SIGN's case, the dark grey b<nowiki/>ackground has been replaced with a solid black one.<ref>https://www.discogs.com/release/16065078-Autechre-SIGN/image/SW1hZ2U6NTQ0MTE4ODY=</ref>

== Links ==

* [https://autechre.warp.net/release/202875-autechre-sign AE_STORE]
* [https://music.apple.com/us/album/sign/1527795661 Apple Music]
* [https://autechre.bandcamp.com/album/sign Bandcamp]
* [https://bleep.com/release/202853-autechre-sign Bleep]
* [https://www.discogs.com/master/1819720-Autechre-SIGN Discogs]
* [https://soundcloud.com/autechreofficial/sets/sign-489384382 Soundcloud]
* [https://open.spotify.com/album/6bZID6hhfiOoLYwAm3fliK Spotify]

==Credits==
*[[Autechre]] (production)
*[[Rob Brown]] (writer)
*[[Sean Booth]] (writer)
*[[Noel Summerville]] (mastering engineer)
*[[The Designers Republic]] (design) <ref>https://www.discogs.com/master/1819720-Autechre-SIGN</ref>

== References ==
<references />

Quaristice

2024-09-06T07:29:31Z

RD1994:

[[Category:Album]]
{{Infobox
|title=Quaristice
|artist=[[Autechre]]
|cover=Quaristice.jpg
|date=3 March 2008
|label=Warp Records (WARP333)
|previous=[[Untilted]]
|previous year=2005
|next=[[Digital Exclusives EP]]
|next year=2008
}}'''''Quaristice''''' is the ninth studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on March 3rd, 2008.<ref>https://bleep.com/release/9230-autechre-quaristice</ref> Alongside the release of ''Quaristice'' was the limited edition ''Quaristice (Versions)'', followed a few months later by [[Digital Exclusives EP|''Digital Exclusives EP'']] and ''[[Quaristice.Quadrange.ep.ae]]''.

== History ==
Around 2005, Sean moved to Manchester, which meant Sean had no studio set up and thus both him and Rob (in London at the time)<ref name=":2">{{Cite interview|page=Easy to be Hard, April 2008|quote=Autechre's latest release, Quaristice (Warp, 2008), is more fuzzy and emotional than you might expect. Working on practically identical rigs in separate cities (Booth, Manchester; Brown, London), Autechre pursued conventional recording methods for past efforts like Confield (Warp, 2001) and Untilted (Warp, 2005), but Quaristice is the result of the duo's live improvisations, recorded largely on its touring setup: Apple Mac G4, Elektron Machinedrum and Monomachine, Clavia Nord Modular G2 and Nord Rack, Yamaha FS1R, Akai MPC1000, Alesis QuadraVerb and Lexicon PCM 80 and 90.}}</ref> couldn't make music in the traditional sense.<ref>{{Cite interview|page=FutureMusic Interview, 2008|quote='''Even by your own high standards, some of the frequencies employed on Quaristice go further than you've gone before. Was that a conscious decision?''' '''Sean Booth:''' "This album sort of happened by chance really. I moved up to Manchester in 2005 and for about six months we were messing around with ideas and half doing tracks. We had to rewrite stuff for the live set but we thought 'before we do that we'll put down the stuff we've already got in the kit.' Soo we had a lot of the live set running in the studio and were putting down some long jam versions of the tracks, which we'd then cut down into much shorter tracks. So it just happened like that. Rather than us consciously thinking we'd do a load of live tracks it was more like we'd been doing it and having fun doing them, and the tunes were coming out so quickly because we were so used to working with the interface." '''Rob Brown:''' "I was just gonna say that it was quicker because of the hardware. When Sean was moving house I could’ve been in a state of limbo but I'd built a studio at mine and I'd been using the equipment from our live setup and stuff was just coming out — deeper stuff than you'd usually get from an afternoon’s work. You can spend three weeks working on something and end up with it sounding really staid compared to the original idea, but this stuff was coming out queasy, really weird and nice."}}</ref> Around the same time, they were performing a lot of shows during the [[Untilted Tour]] for money.<ref name=":1" /> The outcome was thus that a majority of the material that would later become ''Quaristice'' were instead the product of hundreds of jams done on their live equipment rather than the heavily sequenced music of ''[[Draft 7.30]]'' and ''[[Untilted]]''.<ref>{{Cite interview|page=We control the dice, 2008|quote=With their new album Quaristice, however, Autechre have traded scrupulous construction for spontaneity, looseness and improvisation. Since the turn of millennium, a gap existed between their ever more experimental album releases and their (slightly) more straightforward live sets, in which their uncanny rapport reaches its fullest expression. The new album draws heavily on this live methodology. "We were putting live tracks down in the studio, messing them up, making them into versions, which eventually became new tracks," explains Booth. "We put down loads of hour-long jams of bits of the live set that we were going to edit later. But we found ourselves just writing new tracks on the same set-up. We'd got to the point where we were fluid enough for stuff to just come out." Brown elaborates: "Anything that existed from the live set we'd already been changing for a year or more. We were totally adept at getting stuff from nowhere. So the new tracks are like ghosts of what we'd been doing live." Bearing in mind their famed meticulousness - by Booth's own account they are "incredibly anal and precise people" - it seems remarkable that they made the decision deliberately to limit the scope for tampering with the fine details of the tracks. "I wish it were that romantic, but basically we'd barely set our studio up after I'd moved to Manchester," admits Booth. "It was just convenience. We can't resist temptation; it's more that we've learned to remove it. Once you record something as audio, two channels, you're pretty much stuck with it. So we've learned to prevent ourselves from being able to do it."}}</ref><ref>{{Cite interview|page=Autechre: Dancers in the Dark, March 2008|quote="Quaristice was all made from massive long jams,"}}</ref><ref>{{Cite interview|page=We control the dice, 2008}} </ref>

Much of it was done using their live setup which at the time consisted of "Apple Mac G4, Elektron Machinedrum and Monomachine, Clavia Nord Modular G2 and Nord Rack, Yamaha FS1R, Akai MPC1000, Alesis QuadraVerb and Lexicon PCM 80 and 90",<ref name=":2" /> a majority of which were equipment carried over from ''[[Untilted]]''.''<ref>{{Cite interview|quote=“There are all sorts of limitations implied with algorithmic music based on the way the system functions that we wanted to get around,” Booth continues. “That is what the last two albums were about, really. We used almost the same hardware for Untilted as Quaristice, but in a nonreal-time way, where we programmed all the sequencers to run in quite complex ways, retriggering each other and receiving each other's outputs and inputs. That was press and play and leaving it for a while and adding slight bits of unpredictability. This one being live is a completely opposite path.”|page=Easy to be Hard, April 2008}}</ref>'' The process consisted of months recording "two hour-long jams a day".<ref name=":3">{{Cite interview|page=Easy to be Hard, April 2008|quote=“This album was made from really long live jam sessions,” Booth explains. “When I moved to Manchester in 2005, the first thing we did was set up a new studio with the live kit and record these really long jams. It turned out good, so we just kept doing it and writing new stuff with the same setup. Having that ability and so much drive capacity nowadays makes it easy to record everything. We did two hour-long jams a day. It took six months to edit it all down to six- or eight-minute tracks. Then we would reduce them again and again. We had a lot of different versions to choose from. We were also reusing bits of sequences from other tracks. Once we got them in a rough format, we used [MOTU] Digital Performer for all the editing.”}}</ref> 

After much of live jams were done, they realised they had too much material and spent the last six months before the delivery date editing down all the jams.<ref>{{Cite interview|page=Autechre: Dancers in the Dark, March 2008|quote="Six months before we had to deliver the album we realised we had too much and we were like, 'shit we'd better start editing now!'}}</ref><ref name=":3" /> Sean noted in FutureMusic that there was a four month period of "just pure listening through and editing."<ref name=":0">{{Cite interview|page=FutureMusic Interview, 2008|quote=SB: "We did have about four months of just pure listening through and editing, but Digital Performer has all those new tools like Slide, where you can move the audio within the sections."}}</ref> The mixes were first edited down to 6-8 minutes, then edited down even further, before creating the finalised edits in MOTU Digital Performer.<ref name=":3" />


===Cover===
''Quaristice'' was the first new artwork commissions by The Designers Republic since ''[[Chiastic Slide]]''.<ref>https://www.thedesignersrepublic.com/quaristice</ref> ''Quaristice'' and ''[[Quaristice.Quadrange.ep.ae]]'' also marked the first time Autechre had covers made for individual tracks. Other releases to also have individual track art include ''[[Oversteps]]'' and ''[[elseq 1-5]]''.

==Tracks==

===Altibzz===

*The title possibly comes from Audioease's Altiverb.

===The Plc===

*The vocal samples on the outro of "The Plc" are from Run-DMC's "Here We Go (Live at the Funhouse)" <ref>https://www.whosampled.com/sample/126386/Autechre-The-Plc-Run-DMC-Here-We-Go-(Live-at-the-Funhouse)/</ref>

===IO===

*As demonstrated by Landon Lechner, the main melodic line alternates between two whole-tone scale lines, one ascending and one descending. When viewed in piano roll, it forms an X. <ref>https://www.youtube.com/watch?v=LAZPhRLqpOs</ref>
*A few of the lyrics in "IO" appear to be quotations of Stephen Hawking's "A Brief History of Time"<ref>https://www.reddit.com/r/autechre/comments/1f86v4a/some_possibly_all_of_the_lyrics_of_io_are_from/</ref>, however Sean has no memory of this being used.<ref>https://imgur.com/a/sean-ae-mastodon-2024-09-05-io-stephen-hawking-sample-https-post-lurk-org-sean-ae-113084508782375421-CvQrfU0</ref>
*"IO" appeared during the [[Untilted Tour|2005-2007 live sets]]. ([https://youtu.be/JSpS3TFS3P0?si=7L-VoIxqV8tV424H&t=2491 example]) and [[Quaristice Tour|2008 live sets]]. ([https://youtu.be/BOl6sIMYPs0?si=pLb0CLF2fRkNRXMV&t=1888 example]).

===plyPhon===

*"plyPhon" was made by Rob on the MPC.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=No, plyPhon was, I think it was MPC. It's Rob’s, so you've got to ask him.}}</ref>

===Perlence===

*For "Perlence", the MPC bits were done by Rob and the Machinedrum/Monomachine bits were done by Sean. <ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote=Some of the tracks that [Rob] did with [the MPC] like Perlence, I think are just fucking amazing.}}</ref><ref>https://forum.watmm.com/topic/102698-twitch-ama/?do=findComment&comment=2923175</ref>
*The snare sound in "Perlence" is the TRX Clap.<ref>{{Cite AAA doc|1=28}}</ref>

=== SonDEremawe===

===Simmm===

===paralel Suns ===

* Sean mentioned that "paralel Suns" was made by first recording a Nord Lead 1 through Lexicon reverb, which was then edited down in Digital Performer by having the "slabs" crossfade into each other to get the final track. <ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote=paralel Suns is a Nord Lead 1 through a Lexicon reverb, and then slabs of that were then taken, and kind of edited and faded into each other, kind of thing. So I had loads of different notes in the DAW, which I think was DP at the time. And then I was doing loads of crossfading between all these different slabs. So yeah, it's a bit long process really to get the result, considering it's just a sort of short ambient thing. But it was, it gives it that weird wet but dry sound, so.}}</ref>

=== Steels===

* Elements of "Steels" made an appearance in the [[Quaristice Tour|2008 live sets.]] ([https://youtu.be/BOl6sIMYPs0?si=pDxv0Ks5xO45Ikxb&t=2330 example])
*In the Quaristice tour file dump, the MPC had a bunch of samples of sounds used in "Steels"; 64 samples of steeldif ("steeldif01.WAV" to "steeldif64.WAV") and 37 samples of steelxif ("steelxif01.WAV" to "steelxid37.WAV").

===Tankakern===

*The TR-606 appears on "Tankakern" <ref>{{Cite interview|page=FutureMusic Interview, 2008|quote='''Is that the trusty old TR-606 Drumatix dusted down for an appearance on the track Tankakern?''' RB: "As with every album, a facet of the older stuff perhaps comes alive again.}}</ref>
*The main samples on Tankakern are of an old oil tank (likely the origin of the title) alongside birdsong that was recorded in that same garden. Sean also mentioned that the samples for Tankakern were also used for the Skeng mix, Gescom's "Tangle Ill", and some other miscellaneous track <ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''do you use bird samples? i’m fairly certain theres some in tankakern and the…''' Yeah, that's true. There is, I think there is in Tankakern because Tankakern was an oil tank in the garden, or one of the sounds was. And yeah, there were birds in the garden. So I've used that old tank on a few things. It's on Tankakern but it's on the Skeng mix and a few things. Still got them samples. I think the first track we used them on was Tangle Ill?}}</ref>

=== rale===

*"rale" was made by Sean with his laptop using Renoise.<ref name=":1">{{Cite interview|page=Sean Twitch AMA, July 2022|quote='''Is there a major shift in your methodology around the transition from Untilted to Quaristice? What was going on behind the scenes?''' Yeah, I mean, fuck, you know a lot of stuff for me. I mean my dad died in 2004, so that was a blow and that sent me off on a weird spiral of not knowing where the fuck I was or who I was, and then a lot of stuff that my family had kept from me came out, and then we toured and then, I'm not gonna talk about any of that stuff, so don't ask. And then me and Chantal [Passamonte, fka Mira Calix] split up [in] 2005 and then I moved to Manchester and I hardly had a studio for ages because we were just doing gigs for money. So for about three years, I didn't really have a studio. I just had kind of a live setup on a desk in a room and my speakers and a mixer and I was building a studio up slowly while we were doing that. So Quaristice is the sort of sound of me putting the studio back together, plus a few tracks that I did on my laptop in Renoise, sort of mixed in there. So like, Fol3, fol4, WNSN, rale, they’re all Renoise tracks. And then there's a bunch of like, Rob’s MPC things, you know, Rob was doing like MPC tracks and then yeah, I don't know like, that was a good fit, so yeah. I don't know, like a bit of a mixed bag really, of things happening, you know what I mean? But I was enjoying being in Manchester in my new space and feeling quite free and liberated and not really wanting to work with DAWs because I felt like I'd reached a bit of a ceiling with them and I didn't really want to go much further into it. I started getting a bit bored with timeline sequencing. Starting just wanting to do things in the room and have a bit more of a live vibe to them, which was a bit more like a return to roots, which is the kind of thing you do when you just split up with your wife that you've been with for ten years, you know I mean? So in a lot of ways, I was returning to my roots, really, you know, going back up to Manchester and then doing all that. I hope that offers some understandable context for that.}}</ref><ref name=":4">https://imgur.com/a/sean-ae-mastodon-2024-08-12-renoise-tracks-PLdJ5Wb</ref>

===Fol3===

* "Fol3" initially started in Max, compiling various sound sources, before getting cut up in Renoise on Sean's laptop.<ref name=":1" /><ref name=":4" />

===fwzE===

===90101-5l-l===

*Elements of "90101-5l-l" appear in the [[Quaristice Tour|2008 live sets]]. ([https://www.youtube.com/watch?v=BOl6sIMYPs0&t=2126s example])
*On some promotional copies, the track was labelled "90101-51-1".<ref>https://www.discogs.com/release/9192508-Autechre-Quaristice/image/SW1hZ2U6MTEwMzE4MTU4</ref>

===bnc Castl===

*"bnc Castl" may be short for "bouncy castle"
*Elements of "bnc Castl" appear in the [[Untilted Tour|2005-2007 live sets]]. ([https://www.youtube.com/watch?v=JSpS3TFS3P0&t=3790s example])

===Theswere ===

===WNSN===

*"WNSN" was made by Sean with his laptop using Renoise.<ref name=":1" /><ref name=":4" />
*"WNSN" contains field recordings of rain buried deep within the mix.

===chenc9===

*"chenc9" had an early appearance on the [[Untilted Tour|2005-2007 live sets]]. ([https://youtu.be/JSpS3TFS3P0?si=J6X9T6wriRPt6-LF&t=1734 example]) <ref>{{Cite interview|page=Interview with SB for Reverb Magazine, January 2008|quote='''Having had the pleasure of taking in your live set in Glasgow back in April ’05 (and being totally blown away), I wondered if any of the material released on Quaristice had featured in some guise or other in that Untilted tour…was sure I detected something familiar about chenc9 for example?''' Yeah, a couple of bits, there were a couple of bits here and there…yeah there’s one riff right at the end of chenc9 and the bass thing. It’s hard to remember now, we did so many versions and re-versions and odd mixes of a melody of this bit and melody off that bit, it all got really mushy.}}</ref>

===Notwo===

===Outh9X===

*"Outh9X" uses the NMG2 and Simmons SDE.<ref>{{Cite AAA doc|1=1004}}</ref>

===nu-Nr6d===

*On the Japanese issue of ''Quaristice'', the cover was altered to include the Japanese bonus track "nu-Nr6d" as part of the design.<ref>https://ia802202.us.archive.org/21/items/mbid-8bc65240-4c57-4f21-b49f-fb80f0bea5bb/mbid-8bc65240-4c57-4f21-b49f-fb80f0bea5bb-35945482710.jpg</ref>

==Quaristice (Versions)==
{{Infobox|
|title=Quaristice (Versions)
|artist=[[Autechre]]
|cover=Quaristice Versions.jpg
|date=3 March 2008
|label=Warp Records (WarpCD333X)
}}
Coinciding with the March 3rd release, a steel case edition of the ''Quaristice'' CD was released. It was limited to 1,000 copies and was sold out within a day after the announcement. In the limited edition CD set, a second disc is included, titled ''Quaristice (Versions)'', which consists of alternate and extended versions of certain tracks.
===Altichyre===

===The PlclCpC===

*This particular version of "The Plc" first appeared in the [[Untilted Tour|2005-2007 live sets]]. ([https://www.youtube.com/watch?v=li7wXbFnMKU&t=341s example])

===IO (mons) ===

*This track was one of the few to be released multiple times, appearing also on [[Digital Exclusives EP]].

===Phylopn===

===Perlence range3===

===SonDEre-ix===

===Tankraken ===

===fol4===

*"fol4" was first made in Max before being cut up in Renoise, similar to "Fol3" <ref name=":1" /><ref name=":4" />

===90101-61-01===

===chenc9-x===

===nofour===

==Tracklist==
{{Tracklist|list=
{{tl track|number=1|title=Altibzz|length=2:52}}
{{tl track|number=2|title=The Plc|length=4:17}}
{{tl track|number=3|title=IO|length=3:08}}
{{tl track|number=4|title=plyPhon|length=2:33}}
{{tl track|number=5|title=Perlence|length=3:25}}
{{tl track|number=6|title=SonDEremawe|length=1:21}}
{{tl track|number=7|title=Simmm|length=5:00}}
{{tl track|number=8|title=paralel Suns|length=3:03}}
{{tl track|number=9|title=Steels|length=2:56}}
{{tl track|number=10|title=Tankakern|length=3:39}}
{{tl track|number=11|title=rale|length=3:43}}
{{tl track|number=12|title=Fol3|length=3:47}}
{{tl track|number=13|title=fwzE|length=2:39}}
{{tl track|number=14|title=90101-5l-l|length=3:11}}
{{tl track|number=15|title=bnc Castl|length=2:52}}
{{tl track|number=16|title=Theswere|length=2:12}}
{{tl track|number=17|title=WNSN|length=4:57}}
{{tl track|number=18|title=chenc9|length=4:57}}
{{tl track|number=19|title=Notwo|length=5:34}}
{{tl track|number=20|title=Outh9X|length=7:15}}
{{tl total|time=1:13:22}}
{{tl track|number=21|title=nu-Nr6d (Japanese CD exclusive)|length=3:51}}
{{tl total|time=1:17:13}}
{{tl section|section=Quaristice (Versions)}}
{{tl track|number=1|title=Altichyre|length=1:43}}
{{tl track|number=2|title=The PlclCpC|length=9:18}}
{{tl track|number=3|title=IO (mons)|length=7:52}}
{{tl track|number=4|title=Phylopn|length=2:40}}
{{tl track|number=5|title=Perlence range3|length=7:37}}
{{tl track|number=6|title=SonDEre-ix|length=3:27}}
{{tl track|number=7|title=Tankraken|length=5:28}}
{{tl track|number=8|title=fol4|length=11:41}}
{{tl track|number=9|title=90101-61-01|length=5:10}}
{{tl track|number=10|title=chenc9-x|length=8:29}}
{{tl track|number=11|title=nofour|length=4:24}}
{{tl total|time=1:07:55}}
{{tl finaltime|time=2:25:09}}
}}

==Trivia==

*The CAT number, WARP333, was likely specifically requested by Autechre.
*At the time of release, ''Quaristice'' had the most tracks for a singe Autechre album, totally at 20 tracks (excluding the bonus track on the Japanese CD). It would eventually be beaten by ''[[elseq 1-5]]'', which had 21 tracks.
*On ''[[Hanalgig]],'' a 2007 demo from the ''Quaristice'' sessions was leaked''.''

==Gallery==
<gallery>
File:Altibzz.jpg|Altibzz
File:The Plc.jpg|The Plc
File:IO.jpg|IO
File:plyPhon.jpg|plyPhon
File:Perlence.jpg|Perlence
File:SonDEremawe.jpg|SonDEremawe
File:Simmm.jpg|Simmm
File:paralel Suns.jpg|paralel Suns
File:Steels.jpg|Steels
File:Tankakern.jpg|Tankakern
File:rale.jpg|rale
File:Fol3.jpg|Fol3
File:fwzE.jpg|fwzE
File:90101-5l-l.jpg|90101-5l-l
File:bnc Castl.jpg|bnc Castl
File:Theswere.jpg|Theswere
File:WNSN.jpg|WNSN
File:chenc9.jpg|chenc9
File:Notwo.jpg|Notwo
File:Outh9X.jpg|Outh9X
</gallery>

==Links==

*[https://autechre.warp.net/release/249272-autechre-quaristice AE_STORE]
*[https://music.apple.com/us/album/quaristice/273111825 Apple Music]
*[https://autechre.bandcamp.com/album/quaristice Bandcamp]
*[https://bleep.com/release/9230-autechre-quaristice Bleep]
*[https://www.discogs.com/master/2472-Autechre-Quaristice Discogs]
*[https://soundcloud.com/autechreofficial/sets/quaristice Soundcloud]
*[https://open.spotify.com/album/21mZBXYBKljtRluyCoCqCK Spotify]

==Credits==
*[[Autechre]] (production)
*[[Rob Brown]] (writer)
*[[Sean Booth]] (writer)
*[[Noel Summerville]] (mastering engineer)
*[[The Designers Republic]] (design) <ref>https://www.discogs.com/master/2472-Autechre-Quaristice</ref>

==References==
<references />

Cavity Job

2024-07-13T20:13:08Z

RD1994:

{{Infobox
|title=Cavity Job
|artist=[[Autechre]]
|cover=Cavity Job.jpg
|date= 1991
|label=Hardcore Records (HARD003)
|previous=[[Lego Feet]]
|previous year=1991
|next=[[Incunabula]]
|next year=1993
}}'''''Cavity Job''''' is an EP by [[Autechre]] released around 1991. It is both the only Autechre release and the 3rd of only 4 records to be released on [https://www.discogs.com/label/214592-Hardcore-Records-3 Hardcore Records].

== Tracks ==

=== Cavity Job ===

* An demo version of "Cavity Job"<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=B1347:B1348</ref> appeared in live shows like Sweatbox 1991<ref>https://www.youtube.com/watch?v=lC7LGzCZ-q0</ref> and on IBC Radio.<ref>https://youtu.be/E_7ttPWn1bU</ref> There is also "Cavity Job Original 244 Mix" with changes from the other demo.<ref name=":0">https://www.reddit.com/r/autechre/comments/1bbc89f/old_lego_feetae_leak_of_early_material/</ref>
* Sean explained much of the background for "Cavity Job / Accelera 1 & 2" in Mastodon posts, <ref>https://web.archive.org/web/20231224114430/https://post.lurk.org/@sean_ae/111635157753588040</ref> starting with the equipment used for that early rough version being their old setup: RSD-10, SK-1, SK-5 for samplers and 202, SH-2 for synths, all on Tascam 244 mixer "with at least one bounce IIRC." He further elaborated in the same post on specific parts: "The kick and snare were played live on the SK-5 to tape, and then a bar of that was looped on the RSD-10 so it had a really dirty feel. The hats were 606.  We’d just got the R8 at that point but it’s only doing the claps." The cleaner version of the track for the official Cavity Job was rebuilt using an Atari, FZ-10 and 202 mixed to quarter-inch cartridge tape at Daz's studio. Sean's estimate is that the original version took probably a few nights across 1-2 weeks, and the EP remake took a few days.
* The original EP version opened with a sample of [https://www.youtube.com/watch?v=Lg025Dzxy7s "Valium Ten" by Hawkwind], which was removed when it was re-released on [[EPs 1991 - 2002|''EPs 1991 - 2002'']], however a pitchshifted and reversed repetition of the sample, remains at the end of the track.

=== Accelera 1 & 2 ===

* "Accelera 1 & 2" initially started out as a 1989 track by Rob called "Ripping Circuits" (which was later released on ''[[Warp Tapes 89-93]]'') before being reworked into "Accelera 1 & 2". <ref>[https://web.archive.org/web/20231224114430/https://post.lurk.org/@sean_ae/111635157753588040#:~:text=There%E2%80%99s%20also%20a%20way%20older%20original%20original%20of%20Accelera%20(from%20%E2%80%9889)%20called%20Rippin%20Circuits%20that%E2%80%99s%20on%20the%20Warp%20Tapes%20thing%20(I%20think%20the%20oldest%20track%20on%20there)%20but%20it%27s%20a%20different%20vibe%20really%2C%20just%20the%20riff%20is%20the%20same. https://web.archive.org/web/20231224114430/https://post.lurk.org/@sean_ae/111635157753588040#:~:text=There%E2%80%99s%20also%20a%20way%20older%20original%20original%20of%20Accelera%20(from%20%E2%80%9889)%20called%20Rippin%20Circuits%20that%E2%80%99s%20on%20the%20Warp%20Tapes%20thing%20(I%20think%20the%20oldest%20track%20on%20there)%20but%20it%27s%20a%20different%20vibe%20really%2C%20just%20the%20riff%20is%20the%20same.]</ref><ref>https://aepages.org/wiki/Sean_Twitch_AMA,_July_2022#:~:text=which%20was%20originally%20it%20was%20called%20Ripping%20Circuits</ref> The woman sample also appeared on Gescom's ''[[Minidisc]]'' on the track "PT/AE". There also exist another version called "2 Accelerippin R8 Edit".<ref name=":0" />
* While the equipment was not listed, it's likely they used the same old setup for the original version as the original version of "Cavity Job", with the only noteworthy change being the ease of reworking due to the drums being all R8. Some other differences on the reworked version for the EP version included a dropped chord sample "that we were never gonna get away with" and some smaller sounds differing due to them being unable to reproduce it on Daz's gear. <ref>[https://web.archive.org/web/20231224114430/https://post.lurk.org/@sean_ae/111635157753588040#:~:text=We%20remade%20the%20b%2Dside%20track%20Accelera%201%262%20at%20the%20same%20time%20but%20that%20was%20a%20bit%20easier%20cos%20the%20drums%20were%20all%20R8%20IIRC. https://web.archive.org/web/20231224114430/https://post.lurk.org/@sean_ae/111635157753588040#:~:text=We%20remade%20the%20b%2Dside%20track%20Accelera%201%262%20at%20the%20same%20time%20but%20that%20was%20a%20bit%20easier%20cos%20the%20drums%20were%20all%20R8%20IIRC.]</ref>
* The original EP version opened with a sample of [https://youtu.be/ajhSklf9Oy8?feature=shared&t=197 "Equinoxe Part 5" Live in Houston by Jean Michel-Jarre], which was removed when it was re-released on [[EPs 1991 - 2002|''EPs 1991 - 2002'']]. The sample of the woman yelling "yeah" comes from a sex scene between Thomas and Mary-Lou in the 1976 film ''The Man Who Fell To Earth''.

== Tracklist ==
{{Tracklist|list=
{{tl track|number=1|title=Cavity Job|length=6:10}}
{{tl track|number=2|title=Accelera 1 & 2|length=6:39}}
{{tl finaltime|time=12:49}}
}}

==Trivia ==

*''Cavity Job'' is one of only two Autechre releases to have a title track, with the other being ''[[Gantz Graf]]''.
*The Casio SK-1 was used on ''Cavity Job''.<ref>https://web.archive.org/web/20020816104848/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid1018136565,21609,#:~:text=cavity%20job%2C%20incunabula%2C%20chiastic%20slide</ref>
* In [[URB Magazine Issue 42, May 1995]], Hardcore Records was described as a con that immediately filed for bankruptcy and fled soon after the release of ''Cavity Job'', meaning they earned nothing from the record. In the same interview Sean mentioned that it was "the worst record we ever did!".

== Credits ==

* [[Rob Brown]] (producer, writer)
* [[Sean Booth]] (producer, writer)
* [[Autechre]] (design)
* [[Dave Hanal]] (artwork)
* [[Darrel Fitton]] (engineer, co-producer)
* [[Paul Solomons]] (lacquer cut) <ref>https://www.discogs.com/master/235196-Autechre-Cavity-Job</ref>

== References ==
<references />
[[Category:EP]]

Basscad,EP

2024-06-29T14:13:13Z

RD1994: Basscaddoublemx is in fact NOT only included on vinyl copies. While not on the initial CD copies of the EP, the EP boxset includes it.

[[Category:EP]]
{{Infobox
|title=Basscad,EP
|artist=[[Autechre]]
|cover=Basscad,EP.jpg
|date= 25 April 1994
|label=Warp Records (WAP44)
|previous=[[Incunabula]]
|previous year=1993
|next=[[Anti]]
|next year=1994
}}
'''''Basscad,EP''','' otherwise known as '''''Basscadet Mixes''''', '''''Basscadetmxs''''' or just '''''Basscadet''''', is the first EP by [[Autechre]] released on [https://warp.net/ Warp Records], consisting of remixes of Basscadet from ''[[Incunabula]]''. It was originally released on April 25th, 1994.<ref>https://bleep.com/release/1200-autechre-basscadet-mixes</ref>

== History ==
Basscad,EP is the only Autechre record to feature tracks that were not primarily made by Autechre, having remixing (or "Reproduced" as credits list it) and some addition production done by Beaumont Hannant ("Beaumonthannanttwomx" and "12/4cadetmx") and Seefeel's Mark Clifford ("Seefeelmx").

When it came time to reissue the tracks for ''[[EPs 1991 - 2002]]'', the 3 tracks that were not remixed by Autechre were not included.
== Tracks ==

=== Bcdtmx ===

* "Bcdtmx" went on to be used for a segment in Warp's Artificial Intelligence mixtape video.<ref>https://youtu.be/Y9XuVklbLI8?t=1873</ref> It was also shown off on its own as the "Basscadet" music video on MTV.<ref>https://www.youtube.com/watch?v=TztURwquY74</ref>
* The vinyl side for "Bcdtmx" has a runout etching that says "THERES A SHEEP LOOSE IN THE LANE"<ref name=":1">https://www.discogs.com/release/793894-Autechre-BasscadEP-Basscadetmxs123</ref> This comes from Roger Hargreaves's story "Mr. Forgetful".<ref name=":0">https://mrmenlittlemiss.fandom.com/wiki/Mr._Forgetful_(story)</ref>

=== Beaumonthannanttwomx ===

* The vinyl side for "Beaumonthannanttwomx" has a runout etching that says "THERES A GOOSE ASLEEP IN THE RAIN"<ref name=":1" /> This comes from Roger Hargreaves's story "Mr. Forgetful".<ref name=":0" />

=== Seefeelmx ===

* The vinyl side for "Seefeelmx" has a runout etching that says "HOW'D THAT HAPPEN, MUST BE A GHOST IN 'ERE"<ref name=":1" /> This comes from the "Son of the Invisible Man" short in the 1987 film "Amazon Women on the Moon".<ref name=":2">https://www.reddit.com/r/autechre/comments/3ni5a3/comment/cw6qwaj/</ref>

=== Basscadoublemx ===
* The vinyl side for "Basscadoublemx" has a runout etching that says "BEING INVISIBLE IS THE BEST!"<ref name=":1" /> This comes from the "Son of the Invisible Man" short in the 1987 film "Amazon Women on the Moon".<ref name=":2" />

=== Tazmx ===

* The vinyl side for "Tazmx" has a runout etching that says "DIG THAT CRAZY FULL MOON"<ref name=":1" /> This comes from the title short in the 1987 film "Amazon Women on the Moon".<ref name=":2" />

=== 12/4cadetmx ===

* This track is the only one from ''Basscad,EP'' which has yet to be rereleased digitally.
* The vinyl side for "12/4cadetmx" has a runout etching that says "THAT’S A FULL EARTH, BUTCH"<ref name=":1" /> This comes from the title short in the 1987 film "Amazon Women on the Moon".<ref name=":2" />

=== Basscadubmx ===

* This track is only included on CD copies of the EP.

== Tracklist ==
{{Tracklist|list={{tl track|number=1|title=Basscadet (Bcdtmx)|length=6:48}}
{{tl track|number=2|title=Basscadet (Beaumonthannanttwomx)|length=8:13}}
{{tl track|number=3|title=Basscadet (Seefeelmx)|length=6:50}}
{{tl track|number=4|title=Basscadet (Tazmx)|length=6:54}}
{{tl track|number=5|title=Basscadet (Basscadubmx)|length=9:38}}
{{tl total|time=38:23}}
{{tl track|number=6|title=Basscadet (12/4cadetmx) [10" vinyl boxset exclusive]|length=4:12}}
{{tl track|number=7|title=Basscadet (Basscadoublemx) |length=4:26}}
{{tl finaltime|time=47:01}}
}}

==Credits==

* [[Rob Brown]] (writer, producer, engineer)
* [[Sean Booth]] (writer, producer, engineer)
* [[The Designers Republic]] (design) <ref>https://www.discogs.com/master/1799-Autechre-BasscadEP</ref>

== References ==
<references />

Garbage

2024-05-04T20:49:36Z

RD1994:

{{Infobox
|title=Garbage
|artist=[[Autechre]]
|cover=garbage.jpg
|date= 27 February 1995
|label=Warp Records (WAP58)
|previous=[[Amber]]
|previous year=1995
|next=[[Anvil Vapre]]
|next year=1995
}}'''''Garbage''''' is the third EP by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on February 27th, 1995.

== Tracks ==

=== Garbagemx36 ===

* The track utilises both R8 programming and EPS+ FX units.<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D990</ref>

=== PIOBmx19 ===

=== Bronchusevenmx24 ===

* The voice samples across the track are cut up from a single sample, but played in consecutive order.<ref>https://www.reddit.com/r/autechre/comments/1bixzv3/help_with_bronchusevenmx24_sample/</ref>
* The title shares its name with [[Incunabula#Bronchus 2|"Bronchus 2"]]. Rob mentioned that they were sharing titles to act as tracks "from an imaginary series"<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0</ref>

=== VLetrmx21 ===

* On promotional casettes of ''Garbage'', the track was labelled as "Baletta".<ref>https://www.discogs.com/release/15228262-Autechre-Garbage/image/SW1hZ2U6NjIxOTk1OTU=</ref>. On the same tape, the track was also listed as being nearly 90 seconds longer.
* In a QnA on the Warp Records site, Autechre noted that they felt "overwhelming happiness" while making "VLetrmx". <ref>https://web.archive.org/web/20020816104848/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid1018136565,21609,#:~:text=overwhelming%20happiness%20while%20making%20v.letr</ref>

== Tracklist ==
{{Tracklist|list=
{{tl track|number=1|title=Garbagemx36|length=14:12}}
{{tl track|number=2|title=PIOBmx19|length=7:37}}
{{tl track|number=3|title=Bronchusevenmx24|length=9:44}}
{{tl track|number=4|title=VLetrmx21|length=8:27}}
{{tl finaltime|time=39:59}}
}}

==Trivia==

* According to Sean, the numbers at the end of the track titles represent the percentage of the EP the songs take up. With the rerelease on ''[[EPs 1991 - 2002]]'', the numbers were dropped. user perlieu guessed it was because the percentage didn't make sense as they now occupied different amount among the other tracks, which Sean confirmed to be the case. <ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D355</ref>

== Credits ==

* [[Rob Brown]] (writer)
* [[Sean Booth]] (writer)
* [[Autechre]] (production)
* [[The Designers Republic]] (design) <ref>https://www.discogs.com/master/2149-Autechre-Garbage</ref>

== References ==
<references />
[[Category:EP]]

EP7

2024-05-04T20:18:29Z

RD1994:

{{Infobox
|title=EP7
|artist=[[Autechre]]
|cover=EP7.jpg
|date=7 June 1999
|label=Warp Records (WAPEP7)
|previous=[[Peel Session]]
|previous year=1999
|next=[[Peel Session 2]]
|next year=2000
}}
'''''EP7''''' is the seventh EP by [[Autechre]] released on [https://warp.net/ Warp Records] It was originally released on June 7th, 1999.

== History ==
''EP7'' was the first release to utilise Max.<ref name=":0">{{Cite interview|page=Sean Twitch AMA, June 2022|quote=So how old is the oldest part? I don't know, I don't, I don't know. 20 years, 25 years? Probably still using bits from when we've done EP7 because that was the first release where we properly used Max. It's the first release work, in fact I think it's the first release where we use Max at all, yeah, it is. So yeah, there's bits because that original, I think the first track I did in Max was Liccflii off EP7. So that was, and there are bits of the way that that works, or the idea behind the way that the rhythm works in that that I still use now, and it's just part of the vocabulary of our program rhythm in Max so. But I don't know if you could strictly say that it's the same patch.}}</ref> In an offhand comment Sean mentioned that part of the reason ''EP7'' is an EP despite its length was that so they could "do things that weren't album-like."<ref>{{Cite interview|page=Autechre: elseq et al, June 2016|quote=It all comes back to this idea of the album, and the sacred thing that it is. We're not really from an albums background, though, we're from a 12-inches-and-weird-tracks-on-tapes-where-you-don't-know-who-the-artists-are background! So it kind of makes sense for us to do things that aren't format-related as such. Like when we did EP7, we deliberately called it an EP so we could do things that weren't album-like.}}</ref> 

The cover of ''EP7'' was made by Autechre using a circuit board designer (Freehand).<ref>{{Cite interview|page=Soundproof interviews Sean & Rob, 1999|quote='''Soundproof: How was that shape created? The artwork on EP7.''' '''Sean:''' We drew it in Freehand. '''Rob:''' That’s something that was done on like a circuit board designer.}}</ref> According to a Q&A from the Warp website, the cover art was based on trees.<ref>[https://web.archive.org/web/20020816104848/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid1018136565,21609, https://web.archive.org/web/20020816104848/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid1018136565,21609,]</ref>

To promote ''EP7,'' a [https://web.archive.org/web/20010430120118/http://www.warprecords.com/ography/WAPEP7/ minisite] was created featuring an applet, coded by Dorian Fraser Moore at Kleber Digital,<ref>https://dorian.fraser-moore.com/works/49/autechre-ep7</ref> which would randomly regenerate one of the 9 unique fractal designsfrom ''EP7''<nowiki/>'s designs, which you could zoom in and move around. [https://archive.theusefularts.org/warp/ography/single/WAPEP7/ An archived version exists here], however it requires a Java emulator like [https://chromewebstore.google.com/detail/cheerpj-applet-runner/bbmolahhldcbngedljfadjlognfaaein?hl=en CheerpJ Applet Runner] to run.<ref>Courtesy of atlasstorm contacting Dorian. This was dorian's response on 17 December 2023: ''"@atlasstorm Hiya, it wasn’t quite a rfactal generator, but rather a java Applet which regenerated the artwork from simplified version of the source files. Someone asked me about this back in 2022 and I found an archive of the old, 1999, site and the code still works: <nowiki>https://archive.theusefularts.org/warp/ography/single/WAPEP7/</nowiki> You need to be able to run Jave in your browser to view it … I got it working in Chrome using CheerpJ Applet Runner, <nowiki>https://chrome.google.com/webstore/detail/cheerpj-applet-runner/bbmolahhldcbngedljfadjlognfaaein?hl=en</nowiki> Can try and answer other questionsbif you have ‘em!"''</ref>

== Tracks ==

=== [untitled] ===

* The untitled hidden track at the beginning of the album is only present on some CD releases of the album, and is only accessible by navigating to the previous song while playing "Rpeg".
* The track itself consists of recordings run through delays feeding into pitchshifters.<ref>https://web.archive.org/web/20240425190840/https://post.lurk.org/@sean_ae/112331895371759798</ref>
[[File:ep7.1.jpg|thumb|150x150px|EP7.1]]

=== Rpeg ===

=== Ccec ===

* The title is pronounced "Check"
* The vocals were processed by assiging the "start position" of the sample to a mod wheel and then messing with the mod wheel and additional sequencing.

=== Squeller ===

=== Left Blank ===

* The second half of "Left Blank" uses the Kyma Capybara for the "fft sounding stuff". That same patch using the Kyma went on to be reused on [[List of Remixes#Nightmares On Wax - Sal Batardes (Autechre's Purple Mix)|"Sal Batardes (Autechre Purple Mix)"]].<ref>{{Cite interview|quote=i never much liked kyma (horrible nested structuring, but it did sound pretty nice). we used it on a few things (second half of left blank, the nightmares on wax remix and the bic remix), and i eventually gave it to daz fitton|page=Hanalgig AMA, July 2022}}</ref><ref>https://web.archive.org/web/20231217191142/https://post.lurk.org/@sean_ae/111595944351176551</ref> 

=== Outpt ===
[[File:ep7.2.jpg|thumb|150x150px|EP7.2]]

=== Dropp ===

* The main synth for "Dropp" uses a Nord sequenced in Logic.<ref>{{Cite AAA doc|1003}}</ref>

=== Liccflii ===

* "Liccflii" was the first track Sean did in Max.<ref name=":0" />

=== Maphive 6.1 ===

* "Maphive 6.1" was created entirely on a Roland PMA-5.<ref>{{Cite AAA doc|615}}</ref><ref>{{Cite web|author=Wilson, Scott|title=Designing chaos: 7 pieces of gear that helped define Autechre’s game-changing sound|website=Factmag|date=25 February 2017|link=https://www.factmag.com/2017/02/25/autechre-gear-synths-samplers-drum-machines-effects/|accessdate=15 April 2024}}</ref> The title "Maphive" is derived from the equipment, shuffling "PMA-5" to "MAP-5".

=== Zeiss Contarex ===

* The tracks shares its name with the Contarex camera made by Zeiss Ikon.<ref>https://web.archive.org/web/20221005023155/http://autechre.wikifoundry.com/page/EP7#:~:text=Pun%20on%20%22Output%22-,Zeiss%20Contarex%3A,-Contarex%20is%20a</ref>
* The sample near the end of the track originates from a shortwave radio broadcast, although Sean clarifies he doesn't know what the sample itself was.<ref>https://web.archive.org/web/20231221142328/https://post.lurk.org/@sean_ae/111608211662796491</ref>

=== Netlon Sentinel ===

* The track is named after the garden fence mesh by Netlon of the same name.

=== Pir ===

== Tracklist ==
{{Tracklist|list=
{{tl track|number=-1|title=''untitled''|length=9:47}}
{{tl track|number=1|title=Rpeg|length=6:01}}
{{tl track|number=2|title=Ccec|length=4:59}}
{{tl track|number=3|title=Squeller|length=4:38}}
{{tl track|number=4|title=Left Blank|length=6:40}}
{{tl track|number=5|title=Outpt|length=7:12}}
{{tl track|number=6|title=Dropp|length=3:16}}
{{tl track|number=7|title=Liccflii|length=4:58}}
{{tl track|number=8|title=Maphive 6.1|length=8:18}}
{{tl track|number=9|title=Zeiss Contarex|length=6:33}}
{{tl track|number=10|title=Netlon Sentinel|length=4:06}}
{{tl track|number=11|title=Pir|length=3:32}}
{{tl finaltime|time=1:09:54}}
}}
== Credits ==

* [[Rob Brown]] (writer)
* [[Sean Booth]] (writer)
* [[Autechre]] (production)
* [[Frank Arkwright]] (mastering) <ref>https://www.discogs.com/master/1992-Autechre-EP7</ref>

== References ==
<references />
[[Category:EP]]

Amber

2024-03-02T18:43:35Z

RD1994: Just looked at my CD copy (again). The "The Egg" info comes from the liner notes of the AI compilation

EP7

2024-02-29T08:10:37Z

RD1994: added a new trivia point

Anvil Vapre

2024-02-19T12:32:25Z

RD1994:

{{Infobox
|title=Anvil Vapre
|artist=[[Autechre]]
|cover=Anvil Vapre.jpg
|date= 2 October 1995
|label=Warp Records (WAP64)
|previous=[[Garbage]]
|previous year=(1995)
|next=[[Tri Repetae]]
|next year=(1995)
}}'''''Anvil Vapre''''' is the fourth EP by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on October 2nd, 1995.
== Tracks ==

=== Second Bad Vilbel ===

* [[wikipedia:Bad_Vilbel|Bad Vilbel refers to the German spa town.]] 

=== Second Scepe ===

* Second Scepe was featured in the video game Sleeping Dogs

=== Second Scout ===

=== Second Peng ===

== Tracklist ==
{{Tracklist|list={{tl track|number=1|title=Second Bad Vilbel|length=9:47}}
{{tl track|number=2|title=Second Scepe|length=7:45}}
{{tl track|number=3|title=Second Scout|length=7:23}}
{{tl track|number=4|title=Second Peng|length=10:53}}
{{tl finaltime|time=35:53}}}}

== Trivia ==

* On the original double vinyl issue and on streaming services, the track titles "Second Scepe" and "Second Scout" have been swapped with each other. This is an error - the actual lengths for "Second Scepe" and "Second Scout" are 7:45 and 7:23 respectively.

== Credits ==

* [[Rob Brown]] (writer)
* [[Sean Booth]] (writer)
* [[Autechre]] (production)
* [[Chris Cunningham]] (design)
* [[The Designers Republic]] (design) [https://www.discogs.com/master/1917-Autechre-Anvil-Vapre]

[[Category:EP]]

Basscad,EP

2024-02-19T09:02:00Z

RD1994: The Basscaddubmx is only on CD copies (that includes the later EP box set)

Chiastic Slide

2024-02-02T13:09:11Z

RD1994:

[[Category:Album]]
{{Infobox
|title=Chiastic Slide
|artist=[[Autechre]]
|cover=Chiastic Slide.jpg
|date=17 February 1997
|label=Warp Records (WARP49)
|previous=[[Envane]]
|previous year=(1997)
|next=[[Cichlisuite]]
|next year=(1997)
}}'''''Chiastic Slide''''' is the fourth studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on February 17th, 1997, then later repressed on vinyl in 2021, alongside ''[[LP5]]''.

== Tracks ==

=== Cipater ===

* "Cipater" was done on the Atari (C-Lab Creator)

=== Rettic AC ===

* In an interview Sean revealed that this track is the sound of paper being rubbed over a microphone https://youtu.be/j_nt4lFvZ1w?t=240

=== Tewe ===

* The ending features the purrs of Sean's first cat, Winterbottom. [https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D187]

=== Cichli ===

* "Cichli" was done in Logic.
* The track had elements reused for ''[[Cichlisuite]]''.
* The title is likely derived from [[wikipedia:Cichlid|Cichlid]], a family of fish. This fish naming theme was further explored on ''[[Cichlisuite]]''.
* Sean mentioned in the [[Sean Twitch AMA, June 2022|June 2022 Twitch AMA]] that he has Boards of Canada's acoustic cover of "Cichli" on cassette. [https://aepages.org/wiki/Sean_Twitch_AMA,_June_2022#:~:text=%E2%80%9CWhen%20will%20you%20release%20the%20Boards%20of%20Canada%20Chicli%20cover%3F%E2%80%9D]

=== Hub ===

=== Calbruc ===

=== Recury ===

* "Recury" was done in Logic.
* The title is likely a play on "Reoccurring"

=== Pule ===

* "Pule" was done in Logic.
* An alternate version of "Pule" was debuted on a test stream on autechre.ws called "Lupe Mx" featuring percussion, however no version of it is widely available. A "beatless" version of "Lupe Mx" sent in by Sean was performed on NTS Radio by Powell on March 7th, 2018 (7:10). [https://www.nts.live/shows/powell/episodes/melon-magic-7th-march-2018]

=== Nuane ===

* "Nuane" was done on the Atari (C-Lab Creator)
* A slightly modified version of the title was possibly used for ''[[Envane]]'' (Nvane).

== Tracklist ==
{{Tracklist|list=
{{tl track|number=1|title=Cipater|length=8:56}}
{{tl track|number=2|title=Rettic AC|length=2:08}}
{{tl track|number=3|title=Tewe|length=6:57}}
{{tl track|number=4|title=Cichli|length=8:53}}
{{tl track|number=5|title=Hub|length=7:35}}
{{tl track|number=6|title=Calbruc|length=3:51}}
{{tl track|number=7|title=Recury|length=9:44}}
{{tl track|number=8|title=Pule|length=8:33}}
{{tl track|number=9|title=Nuane|length=13:14}}
{{tl finaltime|time=1:09:51}}
}}

== Trivia ==

* The cover art, designed by The Designers Republic, is a collage of simplified abstract shapes using images from a New York trip, specifically "some street-level structural (under the E-train tracks), a shot overlooking the Brooklyn Bridge (probably) from the Empire State Building, and some images found in magazines in hotel lobbies and airline magazines on the flight back (shots of the NASA control room, of white goods junkyards)." [https://www.thedesignersrepublic.com/chiastic-slide]
* In the July 2022 Twitch AMA, Sean mentioned that they were using C-Lab Creator on the Atari up until about "halfway through doing ''Chiastic Slide"'' before getting Macs where they used Logic "towards the end of doing Chiastic" . [https://aepages.org/wiki/Sean_Twitch_AMA,_July_2022#:~:text=And%20then%20when%2C%20and%20we%20used%20that%20up%20until%20about%20halfway%20through%20doing%20Chiastic%20Slide.]

== Links ==
* [https://autechre.warp.net/release/249325-autechre-chiastic-slide AE_STORE]
* [https://music.apple.com/us/album/chiastic-slide/281853123 Apple Music]
* [https://autechre.bandcamp.com/album/chiastic-slide Bandcamp]
* [https://bleep.com/release/249530-autechre-chiastic-slide Bleep]
* [https://www.discogs.com/master/1348-Autechre-Chiastic-Slide Discogs]
* [https://soundcloud.com/autechreofficial/sets/chiastic-slide Soundcloud]
* [https://open.spotify.com/album/7BAYND1fTWAwOr7QwLhXMB Spotify]

==Credits ==
*[[Autechre]] (production)
*[[Rob Brown]] (writer)
*[[Sean Booth]] (writer) 
*[[The Designers Republic]] (design)[https://rateyourmusic.com/release/album/autechre/chiastic_slide_f1/] [https://www.discogs.com/master/1348-Autechre-Chiastic-Slide]

PLUS

2024-01-17T13:13:41Z

RD1994: added new info

[[Category:Album]]
{{Infobox
|title=PLUS
|artist=[[Autechre]]
|cover=PLUS.jpg
|date=28 October 2020
|label=Warp Records (WARP338)
|previous=[[SIGN]]
|previous year=(2020)
|next=[[AE_LIVE 2022－]]
|next year=(2023)
}}
'''''PLUS''''' is the fifteenth studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was simultaneously announced and released digitally on October 28th, 2020. The CD and vinyl issues were later released on November 20th, 2020.

== Tracks ==
=== DekDre Scap B===

* "DekDre" is short for [https://black-corporation.com/product/deckards-dream-mk2/ Deckard's Dream]. [https://aepages.org/wiki/Sean_Twitch_AMA,_June_2022#:~:text=Yeah%2C%20first%20track%20on%20SIGN%20%5BM4%20Lema%5D%2C%20it%27s%20on%20there.%20That%20DekDre%20%5BScap%20B%5D%2C%20that%27s%20why%20it%27s%20called%20DekDre.] 

===7FM ic===

===marhide===

===ecol4===

* This track makes an appearance in the [[AE LIVE 2022－|2022 live sets]]. ([https://www.youtube.com/watch?v=sTdW2hsOLVc&t=500s example]) [https://aepages.org/wiki/Sean_AMA_Transcript_220605#:~:text=Yeah%2C%20basically%20that.%20It%20started%20out%20quite%20different.%20So%2C%20you%20can%20hear%20a%20bit%20of%20ecol%5B4%5D%20in%20the%20set%2C%20ecol4%20that%20was%20basically%20like%20the%20ecol4%20that%27s%20on%20PLUS%20when%20we%20started%20out]
* "ecol4" was fully done in Max/MSP. [https://aepages.org/wiki/Sean_Twitch_AMA,_June_2022#:~:text=No%2C%20that%E2%80%99s%20all%20Max/MSP.] 

===lux 106 mod===

* The track is possibly named after the Juno 106.

===X4===

===ii.pre esc===

===esle 0===

=== TM1 open===

===p1p2===

== Tracklist==
{{Tracklist|list=
{{tl track|number=1|title=DekDre Scap B|length=2:46}}
{{tl track|number=2|title=7FM ic|length=5:56}}
{{tl track|number=3|title=marhide|length=3:43}}
{{tl track|number=4|title=ecol4|length=14:52}}
{{tl track|number=5|title=lux 106 mod|length=5:06}}
{{tl track|number=6|title=X4|length=12:21}}
{{tl track|number=7|title=ii.pre esc|length=4:47}}
{{tl track|number=8|title=esle 0|length=3:13}}
{{tl track|number=9|title=TM1 open|length=11:07}}
{{tl total|time=1:03:52}}
{{tl track|number=10|title=p1p2 (Japanese CD exclusive)|length=3:44}}
{{tl finaltime|time=1:07:36}}
}}

== Trivia==

*''[[PLUS]]'''s catalogue number's digits add up to 14 (3+3+8) in the same way as ''[[SIGN]] (3+2+9)''. This could imply that both ''SIGN'' and ''PLUS'' are considered to be the 14th album, or that they are part of the same project.
*In one of the Twitch AMAs, [[Sean]] remarked that ''PLUS'' should've been an EP with a few tracks removed, but that they "got greedy" and made it an album. [https://aepages.org/wiki/Sean_AMA_Transcript_220605#:~:text=PLUS%20should%E2%80%99ve%20been%20an%20EP%2C%20and%20it%20should%E2%80%99ve%20had%20two%2C%20three%20tracks%20removed%20from%20it%2C%20but%20I%20was%20being%20greedy]
**When asked which tracks should've been removed, he stated "the mellow synth ones" (likely referring to "lux 106 mod", "ii.pre esc" and "esle 0"). [https://aepages.org/wiki/Sean_AMA_Transcript_220605#:~:text=From%2C%20are%20you%20asking%20me%20about%20PLUS%20there%2C%20I%20assume%20so%3F%20Yeah%2C%20the%2C%20sort%20of%2C%20the%20more%20mellow%20synth%20ones.%20I%20probably%20would%20have%20pulled%20off%20and%20just%20kept%20the%20beatty%20ones%20on%20there%20and%20then%20the%20mellowy%20synth%20ones%20that%20are%20just%20thrown%20out%20as%20little%20one%2Doffs%20in%20different%20places.]
*As with SIGN the Japanese CD cover is minimally different compared to other versions. In PLUS' case the background has been darkened slightly and the yellow parts have been recolored green. [https://www.discogs.com/release/16237400-Autechre-Plus/image/SW1hZ2U6NTAwMzk0MjA=]

== Links ==

* [https://autechre.warp.net/release/208935-autechre-plus AE_STORE]
* [https://music.apple.com/us/album/plus/1535821290 Apple Music]
* [https://autechre.bandcamp.com/album/plus Bandcamp]
* [https://bleep.com/release/209219-autechre-plus Bleep]
* [https://www.discogs.com/master/1830021-Autechre-PLUS Discogs]
* [https://soundcloud.com/autechreofficial/sets/plus-828060307 Soundcloud]
* [https://open.spotify.com/album/1uFL8idnNTz0CdvLYyCGBC Spotify]

==Credits==
*[[Autechre]] (production)
*[[Rob Brown]] (writer)
*[[Sean Booth]] (writer)
*[[Noel Summerville]] (mastering engineer)
*[[The Designers Republic]] (design) [https://www.discogs.com/master/1819720-Autechre-SIGN] [https://www.discogs.com/master/1830021-Autechre-PLUS]

SIGN

2024-01-17T13:08:53Z

RD1994: Added info about the Japanese artwork for SIGN

elseq 1-5

2024-01-16T16:22:51Z

RD1994:

{{Infobox
|title=elseq 1-5
|artist=[[Autechre]]
|cover=elseq 1-5.jpg
|date=19 May 2016
|label=Warp Records (WARP512)
|previous=[[AE_LIVE]]
|previous year=(2015)
|next=[[JNSN CODE GL16 / spl47]]
|next year=(2017)
}}
'''''elseq 1-5''''', often shortened to just '''''elseq''''', is the twelfth studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on May 19th, 2016.
== Tracks ==
[[File:elseq1.jpeg|thumb|150x150px|elseq 1]]

=== feed1 ===
* In a leadup to the release of ''elseq'', "feed1" was debuted on the 13th of May, 2016 on BBC Radio 6 at 9PM. [https://www.factmag.com/2016/05/14/hear-a-new-autechre-track-feed-1/] [https://twitter.com/WarpRecords/status/731183045575905284] 
* One analysis of "feed1" put forth by IOS from WATMM is that the bass drums are a basic 2 bar loop (shown below), with probability to retrigger any amount of the main kicks again after 3 sixteenths notes. [https://forum.watmm.com/topic/93475-feed1s-kicks/?do=findComment&comment=2557279]
|1 . 2 . 3 . 4 . |1 . 2 . 3 . 4 . |
|B . . B . . B . |. B . . B . . . |

=== c16 deep tread ===
* After the debut of "feed1", "c16 deep tread" was debutted as the second single on the 18th of May, 2016, at 12PM Alaskan time; on KSUA, a small Alaskan college radio channel. A now-dead SoundCloud upload of it was also provided. [https://www.factmag.com/2016/05/18/autechre-alaskan-radio-appearance/]
* The track appeared on [[AE_LIVE|the 2014/2015 live sets]] in a mostly final, albeit abridged form. ([https://youtu.be/c3GxvP_U_jc?si=tm2MqrWeJ8wQFIlo&t=2063 example])
* The main snare sound on "c16 deep tread" was made using subtractive synthesis of oscillator and noise, frequency shifting with feedback, and a combination of other things. [https://web.archive.org/web/20230726161856/https://post.lurk.org/@sean_ae/110771366258863281#:~:text=that%20snare%20is%20a%20combination%20of%20things%20but%20mainly%20subtractive%20(oscillator%2Bnoise)%20and%20frequency%20shifting%20w/feedback]

=== 13x0 step ===

=== pendulu hv moda ===

* A possible theory is that the hv stands for "heavy", as Rob mentioned that amongst their archives they had a few tracks categorised as "heavies".[https://aepages.org/wiki/Autechre_on_Their_Epic_NTS_Sessions,_David_Lynch,_and_Where_Code_Meets_Music,_August_2018#:~:text=a%20few%20%E2%80%9Ccasuals%2C%E2%80%9D-,a%20few%20%E2%80%9Cheavies.%E2%80%9D,-Like%20tags%2C%20almost]
* "pendulu" is one letter short of "pendulum". 
* An early version of the track appeared on near the end of the [[AE LIVE|2015 US live sets]]. ([https://youtu.be/TSH81CdJGFU?si=j33P1LVjp_OrUhlm&t=3370 example])

=== curvcaten ===
[[File:elseq2.jpeg|thumb|150x150px|elseq 2]]

=== elyc6 0nset ===

* In the [[Hanalgig AMA, July 2022]], Sean corrected someone by saying that the elyc sounds were only made around 2014/2015.
* In the June Twitch AMA, Sean confirmed that he recorded "elyc6 0nset" in a day. [https://aepages.org/wiki/Sean_Twitch_AMA,_June_2022#:~:text=%E2%80%9CHow%20did%20you%20make%20elyc6%200nset%2C%20and%20is%20it%20true%20you%20made%20it%20in%20one%20day%3F%E2%80%9D]
* Certain elements of this track were later reused on "elyc9 7hres" from ''[[NTS Sessions 1-4]]''.

=== chimer 1-5-1 ===

=== c7b2 ===

* "c7b2" appears on the [[AE LIVE|2015 US live sets]]. ([https://youtu.be/pmlbwJ5LXbY?si=VoDb_983KJyaO7b7&t=3185 example])

[[File:elseq3.jpeg|thumb|150x150px|elseq 3]]

=== eastre ===
* [[ae mixlr 300320|In a Mixlr stream on 30 March 2020]], Sean dryly remarked that he had a 52 minute long version of "eastre" as he was skimming through jam folder snippets. [https://docs.google.com/spreadsheets/d/1g52y2e2rnqVhQJdkw0Qk1YYJoen1uhVvn2Fd-tABywA/edit#gid=1580406988&range=E16]

=== TBM2 ===

=== mesh cinereaL ===
[[File:elseq4.jpeg|thumb|150x150px|elseq 4]]

=== acdwn2 ===

* Elements of "acdwn2" first appeared on the [[AE LIVE|2014 live sets]]. ([https://www.youtube.com/watch?v=OdvWpAS-dVk&t=336s example]) They were also later reused on "xflood" from ''NTS Sessions 1-4''.

=== foldfree casual ===

=== latentcall ===

* Elements of "latentcall" appeared in the 2015 live sets. ([https://www.youtube.com/watch?v=m_SnP2px8to&t=2600s example])

=== artov chain ===

* "artov chain" is likely a play on [[wikipedia:Markov_chain|Markov Chains]].
* An early version of "artov chain" appeared in the 2015 US live sets. ([https://www.youtube.com/watch?v=m_SnP2px8to&t=3097s example])

=== 7th slip ===

* The synths were previously used in the [[AE LIVE|2014/2015 live sets]]. ([https://youtu.be/38Cmbmupb3M?si=u8gNxs59jn0Foxtc&t=3027 example])

[[File:elseq5.jpeg|thumb|150x150px|elseq 5]]

=== pendulu casual ===

=== spTh ===

=== spaces how V ===

* In the July 2022 Twitch AMA, Sean confirmed that "spaces how V" was made by Rob. [https://aepages.org/wiki/Sean_Twitch_AMA,_July_2022#:~:text=spaces%20how%20V%20was%20Rob]
* The track had early apperances in both the [[Oversteps Tour|2010 live shows]] [https://youtu.be/dEtauI9aN1E?t=1108 (example)] as well as appearing in Atoms Vectors Pixels Ghosts™ [https://vimeo.com/41905073 (see 0:46)]

=== freulaeux ===

* In the [[Hanalgig AMA, July 2022]], Sean confirmed that the track title is a reference to [[wikipedia:Franz_Reuleaux|Franz Realeaux]] that was chosen by Rob. [https://aepages.org/wiki/Hanalgig_AMA#:~:text=thoughts%20on%20Franz%20Reuleaux]

=== oneum ===

== Tracklist ==
{{Tracklist|list=
{{tl section|section=elseq 1}}
{{tl track|number=1|title=feed1|length=11:38}}
{{tl track|number=2|title=c16 deep tread|length=12:31}}
{{tl track|number=3|title=13x0 step|length=8:57}}
{{tl track|number=4|title=pendulu hv moda|length=12:15}}
{{tl track|number=5|title=curvcaten|length=6:59}}
{{tl total|time=52:21}}
{{tl section|section=elseq 2}}
{{tl track|number=6|title=elyc6 0nset|length=27:09}}
{{tl track|number=7|title=chimer 1-5-1|length=5:03}}
{{tl track|number=8|title=c7b2|length=13:22}}
{{tl total|time=45:35}}
{{tl section|section=elseq 3}}
{{tl track|number=9|title=eastre|length=22:15}}
{{tl track|number=10|title=TBM2|length=6:44}}
{{tl track|number=11|title=mesh cinereaL|length=24:28}}
{{tl total|time=53:29}}
{{tl section|section=elseq 4}}
{{tl track|number=12|title=acdwn2|length=11:52}}
{{tl track|number=13|title=foldfree casual|length=9:49}}
{{tl track|number=14|title=latentcall|length=14:31}}
{{tl track|number=15|title=artov chain|length=4:04}}
{{tl track|number=16|title=7th slip|length=6:36}}
{{tl total|time=46:54}}
{{tl section|section=elseq 5}}
{{tl track|number=17|title=pendulu casual|length=9:01}}
{{tl track|number=18|title=spTh|length=8:21}}
{{tl track|number=19|title=spaces how V|length=9:57}}
{{tl track|number=20|title=freulaeux|length=11:06}}
{{tl track|number=21|title=oneum|length=11:01}}
{{tl total|time=49:28}}
{{tl finaltime|time=4:07:49}}
}}
== Trivia ==

* ''elseq 1-5'' is the only Autechre album to have a title stylized in lowercase.
* ''elseq 1-5'' is the only Autechre album to not have a physical release. Although, in interviews, Autechre have mentioned that ''[[Quaristice]]'' is technically a digital-only release, and that the physical versions were extra.
* A popular theory is that “elseq” is an abbreviation of “edited live sequences”, meaning it would be pronounced "ell seek". During the Twitch AMAs Sean did, in fact, pronounce "elseq" as "ell seek", lending credence to that theory.
* The CAT number, WARP512, was likely specifically requested by Autechre. A popular theory is that the “5” represents the 5 parts of elseq, whereas the 12 represents it being the twelfth Autechre album.
* With a runtime of over 4 hours, ''elseq 1-5'' was by far the longest Autechre album at the time of release. It was quickly beaten by their next album, ''[[NTS Sessions 1-4]]'', which was almost double the length of ''elseq 1-5''.

== Gallery ==
<gallery>
File:feed1.jpg|feed1
File:c16 deep tread.jpg|c16 deep tread
File:13x0 step.jpg|13x0 step
File:pendulu hv moda.jpg|pendulu hv moda
File:curvcaten.jpg|curvcaten
File:elyc6 0nset.jpg|elyc6 0nset
File:chimer 1-5-1.jpg|chimer 1-5-1
File:c7b2.jpg|c7b2
File:eastre.jpg|eastre
File:TBM2.jpg|TBM2
File:mesh cinereaL.jpg|mesh cinereaL
File:acdwn2.jpg|acdwn2
File:foldfree casual.jpg|foldfree casual
File:latentcall.jpg|latentcall
File:artov chain.jpg|artov chain
File:7th slip.jpg|7th slip
File:pendulu casual.jpg|pendulu casual
File:spTh.jpg|spTh
File:spaces how V.jpg|spaces how V
File:freulaeux.jpg|freulaeux
File:oneum.jpg|oneum
</gallery>

== Links ==

* [https://autechre.warp.net/release/73330-autechre-elseq-15 AE_STORE]
* [https://www.discogs.com/master/1003066-Autechre-elseq-15 Discogs]
* [https://open.spotify.com/album/7raDh1kdExEdaPyOJAtl9E Spotify]

== Credits==
*[[The Designers Republic]] (design) [https://rateyourmusic.com/release/comp/autechre/elseq-1%E2%80%935/] [https://www.discogs.com/master/1003066-Autechre-elseq-15]
[[Category:Album]]

Tri Repetae

2023-12-08T13:17:32Z

RD1994: /* Rsdio */

[[Category:Album]]
[[File:Tri repetae.jpg|alt=cover art|thumb|WARP38]]'''''Tri Repetae''''' is the third studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on November 6th, 1995, then later repressed on vinyl in 2016, alongside ''[[Incunabula]]'', and ''[[Amber]]''.

== Tracks ==

=== Dael ===

* "Dael" is Autechre's abbreviation for [[wikipedia:Rochdale|Rochdale]]. [https://aepages.org/wiki/Skamboys_from_Dael#:~:text=P.S.%C2%A0%3A%20Dael%20is%20Ae%27s%20abreviation%20for%20Rochdale]

=== Clipper ===

* "Clipper" possibly used the Alesis MMT-8.
* "Clipper" appeared in Tri repetour shows. ([https://youtu.be/qeaXQo4nJEg?si=G1X26jLuPYzhSJ-Y&t=1726 example])
* "Clipper" was licensed out to be used in Volkswagen's New Beetle Isotope Green Commerical. [https://www.youtube.com/watch?v=hZOAAdnneBs] 

=== Leterel ===

=== Rotar ===

=== Stud ===

=== Eutow ===

* An extended version of "Eutow" combined with "Basscadet" from ''[[Incunabula]]'' and "Djarum" from ''[[Anti]]'' appeared in their 1995-1996 live shows. ([https://youtu.be/qeaXQo4nJEg?si=KThpxtrAp4qYhs7h&t=2699 example])

=== C/Pach ===

=== Gnit ===

=== Overand ===

* "Overand" uses the Roland CR-8000.[https://aepages.org/wiki/Sean_AMA_Transcript_220605#:~:text=What%20synths%20and%20drum%20machines%20did%20you%20use%20on%20tri%20rep]

=== Rsdio ===

* The track name, “Rsdio” is a reference to the BOSS RSD-10 Sampler/Delay unit. According to Sean in the AAA the main loop of the sound is a click fed through the RSD-10. Interestingly, Merzbow's Ecobondage Ending (which Autechre remixed later) features the same sound, although it likely is a coincidence

=== Medrey ===

== Tracklist ==
{{Tracklist|list=
{{tl track|number=1|title=Dael|length=6:40}}
{{tl track|number=2|title=Clipper|length=8:34}}
{{tl track|number=3|title=Leterel|length=7:08}}
{{tl track|number=4|title=Rotar|length=8:04}}
{{tl track|number=5|title=Stud|length=9:41}}
{{tl track|number=6|title=Eutow|length=4:16}}
{{tl track|number=7|title=C/Pach|length=4:39}}
{{tl track|number=8|title=Gnit|length=5:50}}
{{tl track|number=9|title=Overand|length=7:33}}
{{tl track|number=10|title=Rsdio|length=10:08}}
{{tl total|time=1:12:33}}
{{tl track|number=11|title=Medrey (Japanese CD exclusive)|length=4:12}}
{{tl finaltime|time=1:16:46}}
}}

== Trivia ==

* Some of the equipment used for''Tri Repetae'' include the R8, Juno, 202, MS-10 Korg, Quadraverb, Ensoniq EPS, Atari 1040 running C-Lab Creator, Boss RSD-10, and possibly the 606.[https://aepages.org/wiki/Sean_AMA_Transcript_220605#:~:text=What%20synths%20and%20drum%20machines%20did%20you%20use%20on%20tri%20rep]
* Tri repetae translates to "three times" in Latin.
* ''Tri Repetae'' is the first Autechre album to have a bonus track for the Japanese CD release.
* ''Tri Repetae'' is the first Autechre album to have its title include a numerical reference to the album's placement in the discography (tri = three). Other subsequent records which also clearly reference the placement number in the title include [[LP5]], [[Draft 7.30]] and [[Exai]].
* The sticker on the CD issue reads "Incomplete without surface noise"[https://ia600301.us.archive.org/6/items/mbid-d7838033-55fe-4fa4-949a-7bb96cc88839/mbid-d7838033-55fe-4fa4-949a-7bb96cc88839-19075543374.jpg] while the sticker on the vinyl issue reads "Complete with surface noise."[https://ia801406.us.archive.org/14/items/mbid-ebf439dc-fda5-4e5e-8201-0f7299f4a05c/mbid-ebf439dc-fda5-4e5e-8201-0f7299f4a05c-16747806626.jpg]
* The Designers Republic intiailly used reference shots of the machinery from Chris Cunningham's [[Anvil Vapre|Second Bad Vilbel]] music video which were then heavily modified in Photoshop to make much of the designs present in the inner sleeves of ''Tri Repetae's'' packaging. The final album cover however was collectively decided by both Autechre and TDR to instead be a "totally plain metallic (technology) green (nature) cover (somewhere between Beatles White and Prince's Black)." [https://www.thedesignersrepublic.com/tri-repetae]

== Links ==

* [https://autechre.warp.net/release/202839-autechre-tri-repetae AE_STORE]
* [https://music.apple.com/us/album/tri-repetae/281109010 Apple Music]
* [https://autechre.bandcamp.com/album/tri-repetae Bandcamp]
* [https://bleep.com/release/20864-autechre-tri-repetae Bleep]
* [https://soundcloud.com/autechreofficial/sets/tri-repetae Soundcloud]
* [https://open.spotify.com/album/3p1ZD8q3sGC6tf81QeVrYI Spotify]

== Credits ==

* [[Autechre]] (production)
* [[Rob Brown]] (writer)
* [[Sean Booth]] (writer)
* [[Chris Cunningham]] (design)
* Russell Haswell (design)
* [[The Designers Republic]] (design) [https://rateyourmusic.com/release/album/autechre/tri-repetae/][https://www.discogs.com/master/2339-Autechre-Tri-Repetae]

Gantz Graf

2023-11-28T19:09:52Z

RD1994: added a quote that was needed

[[File:Gantz Graf.jpg|alt=cover art|thumb|WAP256]]
'''''Gantz Graf''''' is the eighth EP by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on August 8th, 2002.

== Tracks==

===Gantz Graf===

* For future writing, check this analysis: [https://5against4.com/2022/08/05/20-years-on-autechre-gantz-graf/]

===Dial.===

===Cap.IV===

* Despite the similarities to Draft 7.30's titlings, Sean noted that the title is referring to the vocal sample used on the track.[https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D683]

==Tracklist==
{{Tracklist|list=
{{tl track|number=1|title=Gantz Graf|length=3:58}}
{{tl track|number=2|title=Dial.|length=6:17}}
{{tl track|number=3|title=Cap.IV|length=9:02}}
{{tl finaltime|time=19:17}}
}}
==Trivia==

*The CAT number, WAP256, was likely specifically chosen by Autechre. Their previous release, ''Confield'', had the CAT number WARP128, which is exactly half. ''[[elseq 1-5]]'' released much later had WAP512, which is exactly double. All of these are powers of 2.
*''Gantz Graf'' is one of only two Autechre releases to have a title track, with the other being ''[[Cavity Job]].''
*According to Sean, Gantz Graf was actually completed around the time of EP7 but was held back, then held back even longer because the video was in production. [https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D85]
[[Category:EP]]

Amber

2023-11-28T18:59:20Z

RD1994: Added new trivia and expanded some info

[[Category:Album]]
[[File:Amber.jpg|alt=cover art|thumb|WARP25]]'''''Amber''''' is the second studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on November 7th, 1994, then later repressed on vinyl in 2016, alongside ''[[Incunabula]]'', and [[Tri Repetae|''Tri Repetae'']].

[[Sean Booth]] has later recounted in interviews that Amber was “genuinely the first album” they released on Warp Records, and that their previous, ''Incunabula'', was “more of a compilation of old material”.

== Tracks ==

=== Foil ===

* The "flanging sound" on the lead in "Foil" was done by Rob using EPS. [https://aepages.org/wiki/Sean_Twitch_AMA,_June_2022#:~:text=Amber%2C%20Foil%2C%20made%3F%E2%80%9D-,I%20think%20that%27s%20EPS.,-Rob%20did%20that]

=== Montreal ===

* "Montreal" uses the trigger flanger from the Quadraverb. [https://aepages.org/wiki/Sean_Twitch_AMA,_June_2022#:~:text=%E2%80%98cause%20the%20one%20in%20Montreal%2C%20that%27s%20just%20after%20it%2C%20is%20the%20trigger%20flange%20in%20the%20Quadraverb.]

=== Silverside ===

* An alternative version of "Silverside" was released on a [https://www.discogs.com/release/748632-Various-FMCD-January-1995 Future Magazine CD Compilation] titled "Silversub" 
* The track is named after the [[wikipedia:Atheriniformes|fish species]].

=== Slip ===

=== Glitch ===

* Uses the Roland MC-202 and Quadraverb. [https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D330]

=== Piezo ===

=== Nine ===

* "Nine" was licensed out to Orange Telecommunications for an advertising campaign[https://forum.watmm.com/topic/78185-autechre-score-the-soundtrack-to-an-advert/?do=findComment&comment=1973748] [https://www.reddit.com/r/ambientmusic/comments/z5zeqn/comment/j11xpnr/]. When Autechre went to watch Star Wars: Episode I – The Phantom Menace in theatres, they discovered in the screening that Orange was airing the ad with "Nine" before every Star Wars screening in England. [https://aepages.org/wiki/Dancing_in_the_Dark,_2001#:~:text=%22We%20knew%20they%20were%20going%20to%20use%20it%2C%20but%20we%20didn%27t%20know%20it%20would%20be%20aired%20directly%20before%20every%20Star%20Wars%20screening%20in%20England%2C%22%20recalls%20Brown.]

=== Further ===

=== Yulquen ===

* The IATA code for the Montréal–Trudeau International Airport is YUL. Looking at the Queen Elizabeth Hotel (also in Montreal) gives the code as YUL QUEN

=== Nil ===

=== Teartear ===

== Tracklist ==
{{Tracklist|list=
{{tl track|number=1|title=Foil|length=6:05}}
{{tl track|number=2|title=Montreal|length=7:16}}
{{tl track|number=3|title=Silverside|length=5:31}}
{{tl track|number=4|title=Slip|length=6:21}}
{{tl track|number=5|title=Glitch|length=6:16}}
{{tl track|number=6|title=Piezo|length=8:01}}
{{tl track|number=7|title=Nine|length=3:40}}
{{tl track|number=8|title=Further|length=10:07}}
{{tl track|number=9|title=Yulquen|length=6:37}}
{{tl track|number=10|title=Nil|length=7:49}}
{{tl track|number=11|title=Teartear|length=6:46}}
{{tl finaltime|time=1:14:27}}
}}

== Trivia ==

* The artwork depicts the sandstone cliffs in Rose Valley, [[wikipedia:Cappadocia|Cappadocia]], Turkey, with [https://www.nickmeers.co.uk/pano/h96c57ec#h96c57ec the photograph taken by Nick Meyer] and artwork designed by The Designers Republic.
** Amber is the only album to have a nearly unedited photograph as the cover art. Ian Anderson noted that "the only retouching we did was at the edges, where we didn't have the full width, but there's no retouching in terms of colouration."[https://www.thedesignersrepublic.com/amber]
* Much of Amber had tracks done within a day. [https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D1119]

== Links ==

* [https://autechre.warp.net/release/202836-autechre-amber AE_STORE]
* [https://music.apple.com/us/album/amber/281074742 Apple Music]
* [https://autechre.bandcamp.com/album/amber Bandcamp]
* [https://bleep.com/release/20366-autechre-amber Bleep]
* [https://soundcloud.com/autechreofficial/sets/amber-384961498 Soundcloud]
* [https://open.spotify.com/album/1brMCJ3wB9KNzAANIKJf32 Spotify]

== Credits ==

* [[Autechre]] (production)
* [[Rob Brown]] (writer)
* [[Sean Booth]] (writer)
* [[The Designers Republic]] (design) [https://rateyourmusic.com/release/album/autechre/amber/] [https://www.discogs.com/master/1302-Autechre-Amber]

Cichlisuite

2023-11-28T18:54:34Z

RD1994: new trivia

[[File:Cichlisuite.jpg|alt=cover art|thumb|WAP96]]
'''''Cichlisuite''''' is the sixth EP by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally release on August 26th, 1997.

== Tracks ==

=== Yeesland ===

=== Pencha ===

* "Pencha" was made using Nord and Yahama RY30 with Logic Pro Environment. [https://aepages.org/wiki/Sean_Twitch_AMA,_June_2022#:~:text=Interesting%20question%2C%20yes.%20Both%20Nord%2C%20mostly.%20I%20think%20Pencha%20is%20completely%20Nord.%20Actually%2C%20oh%20no%2C%20the%20drums%20are%20Yamaha%20RY30.%20Yeah%2C%20RY30%20and%20Nord.%20In%20fact%2C%20they%27re%20both%20RY30%20or%20Nord.%20So%20yeah%2C%20basically%20yeah%2C%20they%20are%2C%20and%20Logic%20%5BPro%5D%20Environment%2C%20sort%20of%20pre%2DMax%20patches%2C%20I%20guess%20you%20could%20call%20them.]

=== Characi ===

* It should be noted that "Characi" are a type of fish from the Cichli family.

=== Krib ===

* In the [[Hanalgig AMA]], Sean responded that for "Krib", the kicks were "fingertips on a loose painting canvas" and the snares were "shot glasses".[https://aepages.org/wiki/Hanalgig_AMA#:~:text=XH%20HX%3A-,the%20snares%20on%20krib,-were%20shot%20glasses]
* "Krib" is yet another type of fish from the Cichli family

=== Tilapia ===

* [https://www.youtube.com/watch?v=pO9_j6ZEfeM&pp=ygUUQXV0ZWNocmUgYXQgTWVsdGRvd24%3D A extended version of "Tilapia" was played at John Peel's Meltdown 1998.] 
* It should be noted that Tilapia are also a type of fish from the Cichli family.

== Tracklist ==
{{Tracklist|list=
{{tl track|number=1|title=Yeesland|length=6:22}}
{{tl track|number=2|title=Pencha|length=6:14}}
{{tl track|number=3|title=Characi|length=7:23}}
{{tl track|number=4|title=Krib|length=3:11}}
{{tl track|number=5|title=Tilapia|length=6:14}}
{{tl finaltime|time=29:24}}
}}

==Trivia==

*The pronounciation of ''Cichilisuite'' is "sickly sweet".
*''Cichlisuite'' is sometimes listed as having a space between "cichli" and "suite".
*Sean mentioned that a few tracks on ''Cichlisuite'' were enitrely Nord. [https://www.soundonsound.com/people/autechre-techno-logical#:~:text=Sean%3A%20%22There%27s%20a%20couple%20of%20tracks%20on%20the%20Cichlisuite%20single%20that%20are%20entirely%20Nord.%20I%20think%20you%27d%20say%20that%20our%20music%20is%20well%20f**king%20complicated%2C%20so%20how%20much%20polyphony%20do%20you%20want%3F%22]
[[Category:EP]]

Draft 7.30

2023-11-28T18:50:44Z

RD1994: Added new trivia

[[Category:Album]]
[[File:Draft 7.30.jpg|alt=cover art|thumb|WARP111]]
'''''Draft 7.30''''' is the seventh studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on April 7th, 2003, then later repressed on vinyl in 2023, alongside ''[[Confield]]''.

Sean noted that Draft was "really straight, using straight-up normal sequencers and samplers."[https://aepages.org/wiki/Sound_On_Sound_Interview,_April_2004#:~:text=Draft%20is%20really%20straight%2C%20using%20straight%2Dup%20normal%20sequencers%20and%20samplers.%20It%27s%20written%20note%20by%20note%2C%20where%20we%20know%20exactly%20what%20we%20put%20on.%20Only%20%27Reniform%20Puls%27%20has%20some%20generative%20stuff%2C%20done%20by%20Max%2C%20which%20also%20controls%20a%20vocal%20filter%20in%20that%20track.] With the exception of some generative elements on "RENIFORM PULS", ''Draft 7.30'' was otherwise written "note by note".

== Tracks ==

=== Xylin Room ===

* One of the precussive samples is of a wooden garden table being knocked on. [https://aepages.org/wiki/Sean_AMA_Transcript_220605#:~:text=Xylin%20Room%20was%20like%2C%20originally%20it%20was%20like%20samples%20of%20a%20wooden%20outdoor%20table%2C%20like%20a%20garden%20table%20being%20knocked%20by%20knuckles%2C]
* The original title was "Benk Chin".

=== IV VV IV VV VIII ===

* The original title was "nwnw8", which likely indicate that the final title is a heavily stylised version of that, substituing N for IV and W for VV.

=== 6IE.CR ===

* "6IE.CR" consists of a CR-8000 being fed through a RSD10 with the Nord(?) controlling the pitch of it[https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D1161] with some gating and layering for the second half that Sean couldnt properly remember.
* The original title was "606.ie" in the CDDB, which Sean also confirmed in interview that it was initially called that because "it was based on a manipulation of a 606 sound." [https://aepages.org/wiki/Sound_On_Sound_Interview,_April_2004#:~:text=%22%276IE.CR%27%20was%20actually%20called%20%27606IE%2C%27%20because%20it%20was%20based%20on%20a%20manipulation%20of%20a%20606%20sound.] The title got abbreivated to 6IE, with CR likely being appended to mean the CR-8000.

=== TAPR ===

* The original title was "reppat". 

=== Surripere ===

* The track initially started life as two seperate tracks, with the second half made before the first. Later in development, they realised that both tracks had the same 120BPM tempo and decided to combine it for the final track. [https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D580]
* "Surripere" consists of a a fake analog (Nord?) on the first part, and a Nord Lead with Native Battery's loop modulation on the second part's "crunchy stuff."[https://aepages.org/wiki/Sean_AMA_Transcript_220605#:~:text=sequenced%20really%20heavily.-,And%20then%20Surripere%2C,-I%20can%2C%20the]
* The original title was "Theft". The final title "Surripere" is the Latin word that became surreptitious, meaning doing something stealthily. [https://aepages.org/wiki/Sound_On_Sound_Interview,_April_2004#:~:text=%27Surripere%27%20is%20the%20Latin%20word%20that%27s%20the%20root%20of%20%27surreptitious%27.]A straight translation of "Surripere" is in fact "theft"

=== Theme of Sudden Roundabout ===

* “Theme Of Sudden Roundabout” is a reference to Sudden, a suburb of Rochdale, where Rob and Sean grew up. [https://aepages.org/wiki/Sound_On_Sound_Interview,_April_2004#:~:text=And%20in%20%27Theme%20of%20Sudden%20Roundabout%27%2C%20%27Sudden%27%20is%20actually%20the%20name%20of%20a%20place.%22] The titular roundabout in question could be [https://www.google.com/maps/place/53%C2%B035'55.6%22N+2%C2%B009'49.2%22W/@53.5987227,-2.1638831,191m/data=!3m1!1e3!4m4!3m3!8m2!3d53.5987778!4d-2.1636667 this one], as seen on Google Maps.
* The original title, as listed on CDDB, was "Prince Moth Mothy Moth Moth". In the 2013 WATMM AMA, Rob mentions this was wrong, that the original title ended with Mother, as in someone who does moth.[https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D708] However, in 2023, when Sean was asked about the title again, he mentioned that it was just Moth at the end.[https://www.reddit.com/r/autechre/comments/1828tlp/sean_answering_why_theme_of_sudden_roundabout_was/] In that same post, Sean explained that the track was called that after an "epically large moth" landed on their Nord Modular and sat there for much of the track.

=== VL AL 5 ===

* [https://www.youtube.com/watch?v=bt5efp1-IfA A 12-minute version of VL AL 5] was played during the 2008-02-23 Webcast.
* The original title was "Vlimpton Alpha 5", which the final title is just an abbreviation of.

=== P.:NTIL ===

* The original title was "Foam Conduit".

=== V-PROC ===

* The original title was "uprock".

=== RENIFORM PULS ===

* The original title listed in the CDDB was "kidney bean". The final title consists of "Reniform" which means kidney-shaped, riffing on the original title, and "Puls" which is just short for Pulse. [https://aepages.org/wiki/Sound_On_Sound_Interview,_April_2004#:~:text=%27Reniform%27%20is%20a%20real%20word%2C%20meaning%20kidney%2Dshaped%2C%20and%20%27Puls%27%20of%20course%20is%20%27Pulse%27%20without%20the%20%27e%27.]
* Additionally a "pulse" is also a type of bean, also tying in with the origninal title.

== Tracklist ==
{{Tracklist|list={{tl track|number=1|title=Xylin Room|length=6:09}}
{{tl track|number=2|title=IV VV IV VV VIII|length=4:51}}
{{tl track|number=3|title=6IE.CR|length=5:39}}
{{tl track|number=4|title=TAPR|length=3:15}}
{{tl track|number=5|title=Surripere|length=11:23}}
{{tl track|number=6|title=Theme Of Sudden Roundabout|length=4:52}}
{{tl track|number=7|title=VL AL 5|length=4:57}}
{{tl track|number=8|title=P.:NTIL|length=7:08}}
{{tl track|number=9|title=V-PROC|length=6:00}}
{{tl track|number=10|title=RENIFORM PULS|length=8:39}}
{{tl finaltime|time=1:02:51}}
}}
== Trivia ==

* The album’s title implies that the released version is the 30th edit of the band’s seventh album.
* Random quotes:
** "a lot of the stuff around draft time was done in dp, just triggering a sampler from the sequencer (akai z8 over midi)" [https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D261]
** "tbh a lot of that on draft was done with amp envelopes, but there are some really light touches of quadraverb and lexicon on select parts as well, usually with some feedback matrixing thru quite brutal eq and really quiet in the mix" [https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D189]
* The track titles are sometimes stylized as being in all uppercase. (Ex. "XYLIN ROOM")
* Before the release of ''Draft 7.30'', early tracks titles were uploaded to CDDB (each track has their original title listed in their respective section). In the WATMM AAA, Sean confirmed that they were the actual working file titles that he threw onto CDDB "for a laugh." [https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D1091]

== Links ==

* [https://autechre.warp.net/release/354841-autechre-draft-730 AE_STORE]
* [https://music.apple.com/us/album/draft-7-30/305130524 Apple Music]
* [https://autechre.bandcamp.com/album/draft-730 Bandcamp]
* [https://bleep.com/release/23111-autechre-draft-730 Bleep]
* [https://soundcloud.com/autechreofficial/sets/draft-7-30 Soundcloud]
* [https://open.spotify.com/album/1V0mCXjrTqQoq45Ti2hAmO Spotify]
* [https://twitter.com/WarpRecords/status/1622631137762746368 Repress announcement tweet]
* [https://twitter.com/WarpRecords/status/1629134504320200704 Repress release tweet]
==Credits==
*[[Autechre]] (production)
*[[Rob Brown]] (writer)
*[[Sean Booth]] (writer)
* [[Noel Summerville]] (mastering engineer)
* [[Alexander Rutterford]] (images, design) [https://rateyourmusic.com/release/album/autechre/draft-7_30/] [https://www.discogs.com/master/960-Autechre-Draft-730]

Confield

2023-11-28T18:48:38Z

RD1994: Added new info, removed some bogus / otherwise incorrect info

[[Category:Album]]
[[File:Confield.jpg|alt=cover art|thumb|WARP128]]
'''''Confield''''' is the sixth studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on April 30th, 2001, then later repressed on vinyl in 2023, alongside ''[[Draft 7.30]]''.

== Tracks ==
=== VI Scose Poise ===

* The same reyong instrument used on "Parhelic Triangle" was also used on "VI Scose Poise" [https://aepages.org/wiki/Sean_Twitch_AMA,_July_2022#:~:text=I%20used%20them%20on%20VI%20Scose%20Poise%20and%20Parhelic%20Triangle%2C]
* On an old promotional website the track used to be called "VI Code Spoilse"

=== Cfern ===

=== Pen Expers ===

* "Pen Expers" was made using a Minidisk, "like by pausing a DMX drum machine." [https://aepages.org/wiki/Interview_with_SB_for_Reverb_Magazine,_January_2008#:~:text=I%20mean%20Pen%20Expers%20was%20made%20using%20a%20minidisk%2C%20like%20by%20pausing%20a%20DMX%20drum%20machine%2C]
* The title is likely a reference to [https://docs.cycling74.com/max7/vignettes/gen_genexpr GenExpr], the Max patching language.
* An early version of "Pen Expers" mashed up with [https://www.youtube.com/watch?v=JE1H5FymBaw Vangelis's "Cosmos"] was performed at Coachella 1999. [https://www.youtube.com/watch?v=2yehrsC51z4]

=== Sim Gishel ===

=== Parhelic Triangle ===

* Rob noted that "Parhelic Triangle" didn't rely on any generative/algorithmic elements at all.[https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D1193]
* In the July Twitch AMA, Sean explained that the process behind "Parhelic Triangle" was that he recorded himself playing a reyong (type of gamelan instrument) which was then taken into Logic. The precussion was assembled from "rubber bands in a shoebox sampled on an Emu E-synth". The "couple of MIDI parts laid over the top" of the track were also detuned to 9 EDO to be in key with the reyong. The loose pulse of the track is due to the reyong being played somewhat irregularly by Sean and him having to manually time it up in Logic before overlaying the precussion to it. [https://aepages.org/wiki/Sean_Twitch_AMA,_July_2022#:~:text=How%20the%20hell%20were%20the%20sounds%20on%20Parhelic%20Triangle%20made%3F]

=== Bine ===

=== Eidetic Casein ===

=== Uviol ===

* [https://www.youtube.com/watch?v=p_B_dT8MrxU A 16-minute version of "Uviol"] was played during the 2008-02-23 Webcast. In the WATMM AMA Sean mentioned that the longer versions are often parts of the realtime jams without as much editing. [https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D289]
* "Uviol" was one of the track to use a lot of Max sequencing. [https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D1193]

=== Lentic Catachresis ===

* The ending half of "Lentic Catachresis" samples a part in "Lego Feet - Part 1" [https://youtu.be/eYNGy5k53k8?si=IEW3BcGV21y2j3fb&t=919]

=== MCR Quarter ===

* The title is likely a play on<nowiki/> ''[[Envane]]'''s "Quarter" naming aesthetic, and MCR likely is just short for Manchester.
* As listed on the Japanese CD <nowiki/>issue, "MCR Quarter" was recorded in 1998 at Manchester's Band On The Wall, however it reappeared (possibly just replayed the bootleg recording) at Warp's 10th Anniversary event on November, 5 1999. [https://youtu.be/4x8tWLjqnU0?si=bYg7QXF8kiueouzQ&t=1294]

== Cover ==
For the promotion cycle of ''Confield'', a page was posted by Warp on (3rd April? 4th March? i hate dates) 2001 titled Confileid (Con File ID). On the page, it featured an animation of dozens of 3D planes being scattered with a moving camera.[https://www.youtube.com/shorts/-NsvXJ5DyAk] Multiple frames of the animation went on to be used in the design of ''Confield,'' including the main cover.

When ''Confield'' and ''[[Draft 7.30]]'' was reissued in 2023, Warp put out a promotional video for ''Confield'' featuring the same animation but in higher quality. They also put out a series of shorts of album tracks played over animations; both of the original for [https://www.youtube.com/shorts/LgZQGpK3o-8 Sim Gishel] and [https://www.youtube.com/shorts/6Zci4NpOQlA Lentic Catachresis], as well as different versions including a fountain-like eruption for [https://www.youtube.com/shorts/sSgvFBESo_A VI Scose Poise], [https://www.youtube.com/shorts/o1Mu3VcN8tE Cfern], [https://www.youtube.com/shorts/pyJmCTBjJZ8 Pen Expers]; a side downpour for [https://www.youtube.com/shorts/rtstpM8WJ-A Bine] and [https://www.youtube.com/shorts/kCOVyc-Jw3M Eidetic Casein]; and a top-down view for [https://www.youtube.com/shorts/MAipXaToYQs Parhelic Triangle] and [https://www.youtube.com/shorts/GC5k4dDyhjU Uviol]. The vinyl versions also use a different frame for the cover from the original Confield cover. [https://www.discogs.com/release/8434-Autechre-Confield]

[https://web.archive.org/web/20231021172129/https://static-cdn.jtvnw.net/jtv_user_pictures/97bd9d1b-0349-4936-b8b1-712257ec4e85-channel_offline_image-1920x1080.jpeg&quot A high quality frame from the animation was also used as a Twitch image for au7echre.]

== Tracklist ==
{{Tracklist|list={{tl track|number=1|title=VI Scose Poise|length=6:57}}
{{tl track|number=2|title=Cfern|length=6:41}}
{{tl track|number=3|title=Pen Expers|length= 7:08}}
{{tl track|number=4|title=Sim Gishel|length=7:15}}
{{tl track|number=5|title=Parhelic Triangle|length=6:04}}
{{tl track|number=6|title=Bine|length=4:41}}
{{tl track|number=7|title=Eidetic Casein|length=6:12}}
{{tl track|number=8|title=Uviol|length=8:35}}
{{tl track|number=9|title=Lentic Catachresis|length=8:30}}
{{tl total|time=1:02:03}}
{{tl track|number=10|title=MCR Quarter (Recorded Live At Band On The Wall, Manchester 1998) [Japanese CD exclusive]|length=11:03}}
{{tl finaltime|time=1:13:06}}}}
== Trivia ==

* The CAT number, WARP128, was likely specifically requested by Autechre. 128 is the seventh power of 2.
* ''Confield'' was originally titled "[https://www.discogs.com/release/24370391-Autechre-LED L.E.D.]" on a promotional CDr, distributed by [https://www.discogs.com/label/22255-Source Source 360°]
* Despite the common belief that ''Confield'' was all generative, Sean noted in the WATMM ama that only about 10% of ''Confield'' was properly generative. [https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=B1193:B1194]In an interview with Reverb Magazine he further clarified that only 3 tracks on ''Confield'' even used Max sequencing. [https://aepages.org/wiki/Interview_with_SB_for_Reverb_Magazine,_January_2008#:~:text=Well%2C%20there%20was%20only%203%20tracks%20on%20Confield%20that%20had%20Max%20sequencing.] 

== Links ==

* [https://autechre.warp.net/release/356362-autechre-confield AE_STORE]
* [https://music.apple.com/us/album/confield/282571770 Apple Music]
* [https://autechre.bandcamp.com/album/confield Bandcamp]
* [https://bleep.com/release/23107-autechre-confield Bleep]
* [https://soundcloud.com/autechreofficial/sets/confield-1 Soundcloud]
* [https://open.spotify.com/album/7fMTyCtIeBoYck15biPRaQ Spotify]
* [https://twitter.com/WarpRecords/status/1622631137762746368 Repress announcement tweet]
* [https://twitter.com/WarpRecords/status/1629134504320200704 Repress release tweet]

== Credits ==
*[[Autechre]] (production)
*[[Rob Brown]] (writer)
*[[Sean Booth]] (writer)
*[[Frank Arkwright]] (mastering engineer) [https://rateyourmusic.com/release/album/autechre/confield/] [https://www.discogs.com/master/1374-Autechre-Confield]

Chiastic Slide

2023-11-28T18:19:34Z

RD1994: /* Tracks */

[[Category:Album]]
[[File:Chiastic Slide.jpg|alt=cover art|thumb|WARP49]]'''''Chiastic Slide''''' is the fourth studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on February 17th, 1997, then later repressed on vinyl in 2021, alongside ''[[LP5]]''.

== Tracks ==

=== Cipater ===

* "Cipater" was done on the Atari (C-Lab Creator)

=== Rettic AC ===

=== Tewe ===

* The ending features the purrs of Sean's first cat, Winterbottom. [https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D187]

=== Cichli ===

* "Cichli" was done in Logic.
* The track had elements reused for ''[[Cichlisuite]]''.
* Cichli is a type of fish. This theme was later expanted on on the ''[[Cichlisuite]]'' release.

=== Hub ===

=== Calbruc ===

=== Recury ===

* "Recury" was done in Logic.
* The title is likely a play on "Reoccurring"

=== Pule ===

* "Pule" was done in Logic.

=== Nuane ===

* "Nuane" was done on the Atari (C-Lab Creator)
* A slightly modified version of the title was possibly used for ''[[Envane]]'' (Nvane).

== Tracklist ==
{{Tracklist|list=
{{tl track|number=1|title=Cipater|length=8:56}}
{{tl track|number=2|title=Rettic AC|length=2:08}}
{{tl track|number=3|title=Tewe|length=6:57}}
{{tl track|number=4|title=Cichli|length=8:53}}
{{tl track|number=5|title=Hub|length=7:35}}
{{tl track|number=6|title=Calbruc|length=3:51}}
{{tl track|number=7|title=Recury|length=9:44}}
{{tl track|number=8|title=Pule|length=8:33}}
{{tl track|number=9|title=Nuane|length=13:14}}
{{tl finaltime|time=1:09:51}}
}}

== Trivia ==

* The cover art, designed by The Designers Republic, is a collage of simplified abstract shapes using images from a New York trip, specifically "some street-level structual (under the E-train tracks), a shot overlooking the Brooklyn Bridge (probably) from the Empire State Building, and some images found in magazines in hotel lobbies and airline magazines on the flight back (shots of the NASA control room, of white goods junkyards)." [https://www.thedesignersrepublic.com/chiastic-slide]
* In the July 2022 Twitch AMA, Sean mentioned that they were using C-Lab Creator on the Atari up until about "halfway through doing ''Chiastic Slide"'' before getting Macs where they used Logic "towards the end of doing Chiastic" . [https://aepages.org/wiki/Sean_Twitch_AMA,_July_2022#:~:text=And%20then%20when%2C%20and%20we%20used%20that%20up%20until%20about%20halfway%20through%20doing%20Chiastic%20Slide.]

== Links ==
* [https://autechre.warp.net/release/249325-autechre-chiastic-slide AE_STORE]
* [https://music.apple.com/us/album/chiastic-slide/281853123 Apple Music]
* [https://autechre.bandcamp.com/album/chiastic-slide Bandcamp]
* [https://bleep.com/release/249530-autechre-chiastic-slide Bleep]
* [https://soundcloud.com/autechreofficial/sets/chiastic-slide Soundcloud]
* [https://open.spotify.com/album/7BAYND1fTWAwOr7QwLhXMB Spotify]

==Credits ==
*[[Autechre]] (production)
*[[Rob Brown]] (writer)
*[[Sean Booth]] (writer) 
*[[The Designers Republic]] (design)[https://rateyourmusic.com/release/album/autechre/chiastic_slide_f1/] [https://www.discogs.com/master/1348-Autechre-Chiastic-Slide]