aepages - User contributions [en]

News

2025-09-06T15:27:20Z

Quants0: i feel like quaristice versions being put on streaming counts as significant enough to be put on the news page

<noinclude>An archive of all recent Autechre news. News on the [[Main Page]] only lists events in the past year.</noinclude>

* 2025-09-05 - ''[[Quaristice#Quaristice (Versions)|Quaristice (Versions)]]'' is added to streaming services.
* 2025-04-28 - ''[[Untilted]]'', ''[[Quaristice]]'' and ''[[Quaristice (Versions)]]'' reissue preorders are put up.
* 2025-04-17 - [[Ask Autechre Anything Again, KEYOSC, April 2025]] concludes.
* 2025-02-26 - The twentytwentyfive tour is announced, with 5 European, 19 North American, and 6 UK dates.
* 2024-12-09 - The first of four mixes by Autechre is aired on ''[[BBC Radio 6 Music's Artist in Residence]]''.
* 2024-11-04 - [https://twitter.com/WarpRecords/status/1853474904416387108 12 new sets] are released as part of ''[[AE_2022－]]''.
* 2024-10-25 - Mailing list sign-up sheet is [https://twitter.com/WarpRecords/status/1849844754197987687#m tweeted out] by [https://www.warp.net Warp Records].
* 2024-10-21 - Metal Magazine [https://metalmagazine.eu/en/post/autechre publishes an interview] with Rob and Sean.
* 2024-10-18 - [[List of Remixes#Russell Haswell - Heavy Handed Sunset (Autechre Form Conversion)|Russell Haswell - "Heavy Handed Sunset (Autechre Form Conversion)"]] releases.
* 2024-05-22 - Sean shares [https://web.archive.org/web/20240522190711/https://post.lurk.org/@sean_ae/112485874698250947 an ''Oversteps'' outtake] on Mastodon.
<noinclude>
* 2024-01-13 - Sean shares a rip of ''[[Autechre / Saw You]]'' on Mastodon.
* 2023-12-15 - [[List of Remixes#Ulver - Ghost Entry (Autechre Re-Entry)|Ulver - "Ghost Entry (Autechre Re-Entry)"]] releases.
* 2023-12-07 - Day 7 of the Bleep 2023 Advent Calender featured downloads for [[AE LIVE 2022－|''AE_LIVE 2022 -'']] on Bleep. The [[Autechre & The Hafler Trio#³oæh|Autechre / The Hafler Trio - ''³oæh'']] vinyl boxset repress and a raffle for one AE_LIVE_PRINT 2022 - Poster were also featured.
* 2023-10-17 - Nialler9 publishes [https://nialler9.com/autechre-conversation-about-music-art-funk-and-emotion-interview/ an interview] with Rob and Sean.
* 2023-08-24 - Via mailing list and a [https://twitter.com/WarpRecords/status/1694720970068754657 tweet] from [https://www.warp.net/ Warp Records], the ''AE_LIVE_Print 2022'' Poster is announced for [https://autechre.warp.net/ae_live pre-order]. All 250 copies sold out within five hours.
* 2023-08-10 - ''[[AE_LIVE 2022－]]'' is released, exclusively on [https://autechre.warp.net/ autechre.warp.net/]
* 2023-08-08 - ''[[AE_LIVE 2022－]]'' is announced via mailing list.
* 2023-08-07 - Mailing list sign-up sheet is [https://twitter.com/WarpRecords/status/1688580822519951360 tweeted out] by [https://www.warp.net Warp Records].

* 2023-06-23 - [[Autechre & The Hafler Trio#³oæh|Autechre / The Hafler Trio - ''³oæh'']] vinyl boxset repress is released.
* 2023-06-20 - [[Mix for Neuvoids|''Mix For Neuvoids'']] mixtape is released.
* 2023-04-13 - [[Autechre & The Hafler Trio#³oæh|Autechre / The Hafler Trio - ''³oæh'']] vinyl boxset repress is made available for preorder.

* 2023-02-24 - ''[[Confield]]'' & [[Draft 7.30|''Draft 7.30'']] represses are [https://twitter.com/WarpRecords/status/1629134504320200704 released].

* 2023-02-06 - ''[[Confield]]'' & [[Draft 7.30|''Draft 7.30'']] represses are [https://twitter.com/WarpRecords/status/1622631137762746368 announced].

* 2022-12-30 - Sean goes live on [https://autechre.mixlr.com/ Mixlr], playing 5.5 hours of early 90's-era techno songs, in celebration of the 20th anniversary repress of [[Artificial Intelligence]].
* 2022-07-24 - [[Hanalgig AMA, July 2022]]
*2022-06-05 - [[Sean Twitch AMA, June 2022]] 
*2022-05-18 - [[AE_LIVE 2016/2018|''AE_LIVE 2016/2018'']] releases on all streaming services.
*2021-12-03 - [[List of Remixes#Humanoid - sT8818r (A664 Mix by Autechre)|Humanoid - "sT8818r (A664 Mix by Autechre)"]] releases.
*2021-11-19 - ''[[Chiastic Slide]]'' & ''[[LP5]]'' represses release.
*2021-09-30 - ''[[Chiastic Slide]]'' & ''[[LP5]]'' represses are [https://twitter.com/WarpRecords/status/1443577053907849221 announced].
*2021-01-14 - [[List of Remixes#SOPHIE - BIPP (Autechre Mx)|SOPHIE - "BIPP (Autechre Mx)"]] releases.
*2020-11-20 - CD and Vinyl editions of ''[[PLUS]]'' are released.
*2020-10-28 - ''[[PLUS]]'' is simultaneously announced and released.
*2020-10-16 - ''[[SIGN]]'' is released.
*2020-10-08 - ''[[SIGN]]'' is broadcasted in full via [https://autechre.warp.net/ autechre.warp.net]
*2020-10-07 - ''[[SIGN]]'' full broadcast announcement is [https://twitter.com/WarpRecords/status/1313841530524884992 announced].
*2020-09-02 - ''[[SIGN]]'' is [https://twitter.com/WarpRecords/status/1301159486447669248 announced].
*2020-04-07 - [[AE_LIVE 2016/2018]] releases, exclusively on [https://autechre.warp.net/ autechre.warp.net/]
</noinclude>

Move Of Ten

2025-04-18T11:24:48Z

Quants0: rob confirmed apache break not sampled in nth dafuseder.b

{{Infobox
|title=Move Of Ten
|artist=[[Autechre]]
|cover=Move Of Ten.jpg
|date=14 June 2010
|label=Warp Records (WAP505)
|previous=[[Oversteps]]
|previous year=2010
|next=[[Exai]]
|next year=2013
}}
'''''Move Of Ten''''' is the tenth EP by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on June 14th, 2010, acting as the companion EP to ''[[Oversteps]]''.

== Tracks ==

=== Etchogon-S ===

=== y7 ===

* On May 21st, 2010, "y7" was released as a single on SoundCloud to promote ''Move of Ten''. <ref>https://web.archive.org/web/20100528194533/http://soundcloud.com:80/warp-records/autechre-y7-move-of-ten/s-7Qeuo</ref>

=== pce freeze 2.8i ===

* In a Mastodon post from July 2023, Sean mentioned that "pce freeze 2.8i" and "rew(1)" were done using a random clip launcher made by Rob while testing out a beta version of Max for Live.<ref>https://web.archive.org/web/20230727210645/https://post.lurk.org/@sean_ae/110780381387123384#:~:text=%40penguini-,pce%20freeze%202.8i,-1</ref> Both tracks also use SonicCharge µTonic.<ref>https://soniccharge.com/forum/topic/109-autechre</ref>

=== rew(1) ===

* Refer to "pce freeze 2.8i"

=== nth Dafuseder.b ===

* The percussion used in "nth Dafuseder.b" was also used in "d-sho qub" on ''[[Oversteps]]''.
* "nth Dafuseder.b" was made exclusively by Rob.<ref>https://web.archive.org/web/20240604170412/https://post.lurk.org/@sean_ae/112559422317005502</ref>
* According to Rob, the percussion sample in this track is sampled from a [[wikipedia:Talking Heads|Talking Heads]] song.<ref>https://forum.keyosc.com/topic/391-aaaa-ask-autechre-anything-again/page/12/</ref> The sample was previously assumed to be the [[wikipedia:Apache (instrumental)#Incredible Bongo Band version|Apache beat]].

===iris was a pupil===

===no border===

===M62===

===ylm0===

===Cep puiqMX===

===ClnChr===

==Tracklist==
{{Tracklist|list=
{{tl track|number=1|title=Etchogon-S|length=4:54}}
{{tl track|number=2|title=y7|length=5:08}}
{{tl track|number=3|title=pce freeze 2.8i|length=5:12}}
{{tl track|number=4|title=rew(1)|length=6:18}}
{{tl track|number=5|title=nth Dafuseder.b|length=5:17}}
{{tl track|number=6|title=iris was a pupil|length=3:40}}
{{tl track|number=7|title=no border|length=3:30}}
{{tl track|number=8|title=M62|length=6:09}}
{{tl track|number=9|title=ylm0|length=3:29}}
{{tl track|number=10|title=Cep puiqMX|length=4:11}}
{{tl total|time=47:48}}
{{tl track|number=11|title=ClnChr (Japanese CD Exclusive)|length=5:34}}
{{tl finaltime|time=53:22}}
}}

==Credits==

*[[Rob Brown]] (writer)
*[[Sean Booth]] (writer)
*[[Autechre]] (production)
*[[The Designers Republic]] (design)
*[[Noel Summerville]] (mastering)<ref>https://www.discogs.com/master/254411-Autechre-Move-Of-Ten</ref>

== References ==
[[Category:EP]]

Warp Tapes 89-93

2025-04-10T13:20:54Z

Quants0: /* Analysis */

{{Infobox
|title=Warp Tapes 89-93
|artist=[[Autechre]]
|cover=Warp Tapes 89-93.jpg
|date=24 June 2019
|label=n/a
|previous=[[NTS Sessions 1-4]]
|previous year=2018
|next=[[AE_LIVE 2016/2018]]
|next year=2020
}}'''''Warp Tapes 89-93''''' is a DJ mix by Autechre compiling material from 1989 to 1993. It was debuted on NTS Radio during Warp's 30th anniversary weekend as two mixes: Part 1 on June 21st, 2019, and Part 2 on June 23rd, 2019.<ref>https://artists.wxaxrxp.net/autechre</ref> It was then officially released on June 24th, 2019 as a free download on the store.<ref>https://ra.co/news/43993</ref><ref>https://www.discogs.com/release/13799471-Autechre-Warp-Tapes-89-93</ref>

== History ==
The tracks were a mix between those recorded straight to cassette and those recorded on a TASCAM 244, which were of much higher quality. Some dubs were added by Rob 10 years earlier for levelling purposes while working on the ''[[Lego Feet]]'' reissue, but otherwise no major changes or mastering was done.<ref>{{Cite interview|quote='''The Warp Tapes are really good,” thank you, “surprising great quality recordings for their age.''' Some of them are. The ones that were recorded on 244 are good because the 244, TASCAM 244, is just beautiful and if you're just recording two channels onto it, because it runs at double speed, then all the noise is, like, out of the way and they're just, it's just really good analog sound. It's really surprising. You can get sound like that out of a cassette, you know. So yeah, all the tracks that were recorded on that thing sound great, and all the stuff that was done straight to normal cassette sounds, well it is what it is, you know. '''Did they need much remastering?''' No. I mean, there weren't, there was no mastering at all. It was just, the tracks were taken. Rob did new dubs of a lot of those tracks which were just literally just getting the line and the levels correct, and then just putting them on a digital and at 24 bit, I think, and so we had, we did, he'd done them quite a while before like a good 10 years before we did that. I think it was around the time that we were recompiling, because we had to rebuild the Lego Feet thing when we did that because we didn't have the masters for that. Just time, and had gone missing, so we had to rebuild that. So the version that Skam released later isn't the same as the version that came out in ‘91. That all the tracks sounded different, I mean, we tried to rip, do, you know, replicate it as close as we could but it's, yeah, in the same, so. So, anyway we had them newer versions and they're just a bit cleaner. They're just better digital copies, so, but there was no EQ or anything on any of it or anything like that, it was just as is, so, and then, yeah. Just to, just kind of mixed as, you know, like mix together, the tracks or whatever, but like not really. There's no mastering or anything, so. I think we were just lucky, really. I think when you're not using much equipment, if using a very, very basic setup like just a drum machine through a DJ mixer into a tape deck, you can't really go wrong, you know, it's gonna sound good. That's the beauty of that shit and we were blessed, really, to grow up at a time where that shit was the only shit we could afford, you know. I think if we'd have had a lot more money and we'd have had bigger studios, you know, like an early Mac maybe or, you know, things wouldn't have sounded quite so correct now from back then. So we were just sort of lucky not to have any equipment, I think, in a lot of ways, and you don't make as many mistakes in your mixing and everything because there's nothing there to mix, you know. So yeah, we were just lucky.|page=Sean Twitch AMA, June 2022}}</ref> The DJ mix format was done after NTS Radio approached Autechre to request one, but Sean noted that the possiblity of releasing them individually was not out of the question.<ref>{{Cite interview|quote='''Any plans to release more early stuff like the Warp tapes?''' No plans because we didn't have a plan to do that. It was just, we got asked by NTS and we had the stuff there. So we just threw the mix together and did it. Was a bit, you know, off the cuff. We haven't got loads and loads of amazing material from that era. We've got loads of material though, so I don't know. Maybe. I mean we even thought about doing a release based on that thing because that's a mix. So maybe we could just put the tracks out individually on some kind of format? I guess, if we could be bothered?|page=Sean Twitch AMA, June 2022}}</ref>

==Analysis==
Analysis by [[User:Quants0|Quants0]]. Timestamps are based on spectral analysis of the waveforms.
{| class="wikitable"
|+
!Timestamp
!Identifer / Notes
|-
! colspan="2" |Warp Tapes 89-93 Part 1
|-
|0:00:00 - 0:04:47
|'''#1'''
|-
|0:04:10 - 0:08:31
|'''#2'''
Uses a 303 synth.
|-
|0:07:57 - 0:12:09
|'''#3 "Westcoast Acid"'''<ref name=":0">{{Cite web|author=EnergyIsMassiveLight|title=old lego feet/ae leak of early material|website=Reddit|date=10 March 2024|link=https://www.reddit.com/r/autechre/comments/1bbc89f/old_lego_feetae_leak_of_early_material/|accessdate=25 March 2024}}</ref>
|-
|0:12:05 - 0:16:02
|'''#4 "Rippin Circuits"'''<ref name=":0" /><ref name=":1">{{Cite interview|page=Sean Twitch AMA, July 2022|quote=But that original Accelera track, which was originally it was called Rippin Circuits, that was Rob's track from ‘89, that was like the first time that we'd done that pitch thing, and it was really cool because like on the 202, if he was using the 202 as to generate the square wave for the pitch input, and then you had your sample in there, and then you started adding resonance to it, it just start losing it slightly and getting really good.}}</ref>
"Rippin Circuits" is an early version of "[https://aepages.org/wiki/Cavity_Job Accelera 1 & 2]" made by Rob in 1989. Sean said that this is likely the oldest track in the compilation.<ref name=":1" /><ref>https://web.archive.org/web/20231224114430/https://post.lurk.org/@sean_ae/111635157753588040#:~:text=(I%20think%20the%20oldest%20track%20on%20there)</ref>
|-
|0:15:36 - 0:22:43
|'''#5'''
Contains elements from [[Incunabula#Kalpol Introl|"Kalpol Introl"]]. Samples [https://www.youtube.com/watch?v=NpsvBvwRuf0 "Pass the Mic" by Beastie Boys].<ref>https://www.whosampled.com/sample/661650/Autechre-Part-1-Track-5-Beastie-Boys-Pass-the-Mic/</ref>
|-
|0:21:12 - 0:27:55
|'''#6 "Destroyer"'''<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D274</ref> 
Samples [https://www.youtube.com/watch?v=lb13ynu3Iac J. Robert Oppenheimer's 1965 speech] using the Boss RSD-10.<ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote=Yeah, that was our only sampler for quite a long time, like that Destroyer of Worlds track was done just using that as a sampler, done on the four track.}}</ref> Performed at [[1991-06-04 Rochdale, England, UK @ Sweatbox 2 (Bojangles)|Sweatbox 2 1991]].
|-
|0:26:58 - 0:31:35
|'''#7'''
|-
|0:31:33 - 0:34:10
|'''#8'''
|-
|0:33:51 - 0:41:05
|'''#9'''
|-
|0:40:27 - 0:48:16
|'''#10'''
|-
|0:47:17 - 0:54:20
|'''#11 "98 Chop"<ref name=":0" />'''
Contains a brief reprise of Part 1 #7 which continues into Part 1 #12
|-
|0:54:20 - 1:00:00
|'''#12'''
Previously appeared in 2013-03-03 webcast on Mixlr at around 04:10:30.<ref>https://archive.org/details/AutechreMixlrWebcast010203032013</ref> Contains percussion from [[List of Rarities#Crystel|"Crystel"]]. Unidentified "cheers mate" sample begins at 0:58:59
|-
! colspan="2" |Warp Tapes 89-93 Part 2
|-
|0:00:00 - 0:08:44
|'''#1 "Luna Chop"'''<ref>https://forum.watmm.com/topic/20728-luna-chop</ref>'''<ref name=":0" />'''
Uses the same bassline as "Keyop" from [[Lego Feet|''Lego Feet'']].
|-
|0:08:37 - 0:12:58
|'''#2'''
Uses the same percussion as [[Incunabula#Maetl|"Maetl"]]
|-
|0:12:44 - 0:18:01
|'''#3'''
|-
|0:17:23 - 0:24:19
|'''#4'''
|-
|0:23:33 - 0:31:54
|'''#5'''
Early version of "[[Tri Repetae#Leterel|Leterel]]"
|-
|0:31:26 - 0:33:40
|'''#6'''
Reprise of Part 1 #7
|-
|0:33:12 - 0:38:37
|'''#7'''
|-
|0:38:07 - 0:45:33
|'''#8 "Persuit 2"<ref name=":0" />'''
|-
|0:44:54 - 0:54:36
|'''#9''' Contains elements of [[Incunabula#444|"444"]]
|-
|0:53:21 - 1:00:00
|'''#10 "Peyaline"<ref name=":0" />'''
|}

==Tracklist==
{{Tracklist|list=
{{tl track|number=1|title=Warp Tapes 89-93 Part 1|length=1:00:00}}
{{tl track|number=2|title=Warp Tapes 89-93 Part 2|length=1:00:00}}
{{tl finaltime|time=2:00:00}}
}}

== Links ==
*[https://www.discogs.com/release/13799471-Autechre-Warp-Tapes-89-93 Discogs]

== References ==
<references />
[[Category:DJ Mix]]
[[Category:Compilation]]

Late 80s Tape

2025-04-10T08:39:09Z

Quants0: typo

[[Category:Bootleg]]
{{Infobox
|title=Late 80s Tape
|artist=Lego Feet
|cover=no cover art.arf
|date=c. 1988-1989
|label=self-released/unknown
|previous=
|previous year=
|next=
|next year=
}}

'''''Late 80s Tape''''' is the unofficial name of a collection of tracks and DJ mixes by Lego Feet (name they used before Autechre), collected sometime in the late 1980s transferred from an unknown tape and leaked to WATMM around the time [[Warp Tapes 89-93]] was released.

==Tracklist==
Tracks 6 and 9 both appear on ''[[Lego Feet]]''. Track 1 and 5 are both DJ mixes. Track 2 is not by Autechre, but by S'Express.<ref>https://www.youtube.com/watch?v=sU8TtClcQgs</ref>
{{Tracklist|list=
{{tl track|number=1|title=Untitled Tape Mix 1|length=4:26}}
{{tl track|number=2|title=S'Express - Coma II (A.M/O.K)|length=4:40}}
{{tl track|number=3|title=Untitled|length=1:05}}
{{tl track|number=4|title=Untitled|length=0:48}}
{{tl track|number=5|title=Untitled Tape Mix 2|length=10:43}}
{{tl track|number=6|title=Untitled|length=2:01}}
{{tl track|number=7|title=Untitled|length=1:30}}
{{tl track|number=8|title=Untitled|length=6:28}}
{{tl track|number=9|title=BlackHitMix<ref>https://web.archive.org/web/20240402205640/https://post.lurk.org/@sean_ae/112201803985443152</ref>|length=3:17}}
}}

== References ==
<references />

Late 80s Tape

2025-04-10T08:38:54Z

Quants0: added category

[[Categiry:Bootleg]]
{{Infobox
|title=Late 80s Tape
|artist=Lego Feet
|cover=no cover art.arf
|date=c. 1988-1989
|label=self-released/unknown
|previous=
|previous year=
|next=
|next year=
}}

'''''Late 80s Tape''''' is the unofficial name of a collection of tracks and DJ mixes by Lego Feet (name they used before Autechre), collected sometime in the late 1980s transferred from an unknown tape and leaked to WATMM around the time [[Warp Tapes 89-93]] was released.

==Tracklist==
Tracks 6 and 9 both appear on ''[[Lego Feet]]''. Track 1 and 5 are both DJ mixes. Track 2 is not by Autechre, but by S'Express.<ref>https://www.youtube.com/watch?v=sU8TtClcQgs</ref>
{{Tracklist|list=
{{tl track|number=1|title=Untitled Tape Mix 1|length=4:26}}
{{tl track|number=2|title=S'Express - Coma II (A.M/O.K)|length=4:40}}
{{tl track|number=3|title=Untitled|length=1:05}}
{{tl track|number=4|title=Untitled|length=0:48}}
{{tl track|number=5|title=Untitled Tape Mix 2|length=10:43}}
{{tl track|number=6|title=Untitled|length=2:01}}
{{tl track|number=7|title=Untitled|length=1:30}}
{{tl track|number=8|title=Untitled|length=6:28}}
{{tl track|number=9|title=BlackHitMix<ref>https://web.archive.org/web/20240402205640/https://post.lurk.org/@sean_ae/112201803985443152</ref>|length=3:17}}
}}

== References ==
<references />

A1-D1

2025-04-10T08:37:29Z

Quants0: added categories

[[Category:Album]]
[[Category:Gescom]]
{{Infobox
|title = A1-D1
|artist = [[Gescom]]
|cover = a1d1.png
|date = 22 October 2007
|label = Skam (SKA028)
|previous =
|previous year =
|next =
|next year =
}}'''''A1-D1''''' is the second album by [[Gescom]] released on Skam Records on October 22, 2007<ref>https://bleep.com/release/403-gescom-a1-d1</ref><ref>https://www.discogs.com/release/1109453-Gescom-A1-D1</ref>.

== Tracks ==

=== A1 ===

* "A1" samples Galactic Force Band's "Space Dust" and The Commodores' "Assembly Line"<ref>https://www.whosampled.com/Gescom/A1/</ref>

=== A2 ===

* "A2" samples Armando's "Downfall"<ref>https://www.whosampled.com/Gescom/A2/</ref>

=== B1 ===

* "B1" samples Brian Eno and David Byrne's "Come With Us" and Pleasure's "Bouncy Lady".<ref>https://www.whosampled.com/Gescom/B1/</ref>

=== C1 ===

=== C2  ===

=== D1 ===

* "D1" samples Adonis's "No Way Back" and the Apache break.<ref>https://www.whosampled.com/Gescom/D1/</ref>

==Tracklist==
{{Tracklist|list=
{{tl track|number=1|title=A1|length=6:44}}
{{tl track|number=2|title=A2|length=5:31}}
{{tl track|number=3|title=B1|length=7:54}}
{{tl track|number=4|title=C1|length=5:33}}
{{tl track|number=5|title=C2|length=4:43}}
{{tl track|number=6|title=D1|length=9:12}}
{{tl finaltime|time=39:37}}
}}

== References ==
<references />

User:Quants0

2025-04-10T02:14:20Z

Quants0:

{{Infobox
|title=arf
|artist=quenk
|date=yesterday
|label=egg records
}}

yes i still exist

Autechre.ws Test Transmission

2025-04-10T02:09:21Z

Quants0: semicolon

{{Infobox
|title=Autechre.ws Test Transmission
|artist=Autechre
|cover=
|date=April 8, 2005
|label=self-released
|previous=
|previous year=
|next=
|next year=
}}

In April 2005, Autechre launched Autechre.ws, a website Autechre would use to announce new albums, as well as stream DJ mixes. On April 8, two days before the final launch of the site<ref>https://igloomag.com/newswire/autechre-radio-april-10</ref>, Autechre broadcast a test transmission. Nearly all of the tracks broadcast during the test transmission were experimental in nature, along with several remixes for other artists and one alternate version of a previously released track, and nearly all remain unreleased; however a few were repurposed for use in Autechre's [[Autechre & The Hafler Trio|collaborations with the Hafler Trio]].

As Sean explained in the [[Sean Twitch AMA, July 2022|July 2022 Twitch AMA]], the tracks broadcast were simply "fuckabouts" not made with the intention of releasing them and were broadcast using Nicecast.<ref>https://www.youtube.com/watch?v=sihCO_RN1tc&t=2h54m26s</ref>

==Tracklist==
The actual order of tracks in the broadcast remains unconfirmed. This list is in alphabetical order based on every track that was known to be played, as sourced from various downloadable versions.

{{Tracklist|list=
{{tl track|number=|title=5thp|length=0:01}}
{{tl track|number=|title=10thkk|length=0:04}}
{{tl track|number=|title=arail|length=0:19}}
{{tl track|number=|title=argument|length=1:07}}
{{tl track|number=|title=benk|length=0:01}}
{{tl track|number=|title=bowl|length=0:26}}
{{tl track|number=|title=btak|length=0:21}}
{{tl track|number=|title=[[List of Remixes#Buck-Tick - Iconoclasm (Autechre's Don't X Ray Da DAT Mix)|buck tick_AUTECHRE_REMIX]]|length=6:39}}
{{tl track|number=|title=cbe|length=0:02}}
{{tl track|number=|title=chanta|length=0:13}}
{{tl track|number=|title=charge1|length=0:36}}
{{tl track|number=|title=chergarre|length=0:22}}
{{tl track|number=|title=chris morris_AUTECHRE_REMIX|length=5:16}}
{{tl track|number=|title=claps|length=0:11}}
{{tl track|number=|title=coil panic_AUTECHRE_REMIX|length=5:40}}
{{tl track|number=|title=concept car tolerance|length=1:13}}
{{tl track|number=|title=derby chargyshire|length=0:10}}
{{tl track|number=|title=[[List of Remixes#Earth - Coda Maestoso In (F)Flat Minor (Remixed By Autechre)|earth6_mix]]|length=5:31}}
{{tl track|number=|title=[[List of Remixes#Edge of Motion - Earth Ball (Autechre Rmx)|edge of_motion_AUTECHRE_REMIX]]|length=8:51}}
{{tl track|number=|title=exp3|length=0:06}}
{{tl track|number=|title=five star|length=2:05}}
{{tl track|number=|title=fkek|length=2:04}}
{{tl track|number=|title=h|length=0:09}}
{{tl track|number=|title=haves|length=0:36}}
{{tl track|number=|title=howw|length=2:27}}
{{tl track|number=|title=howww|length=2:29}}
{{tl track|number=|title=kbr|length=0:03}}
{{tl track|number=|title=kbsb|length=0:06}}
{{tl track|number=|title=kpik|length=0:03}}
{{tl track|number=|title=[[List of Rarities#Lupe Mx|lupe mx]]|length=7:58}}
{{tl track|number=|title=lwo|length=5:01}}
{{tl track|number=|title=mbe|length=0:49}}
{{tl track|number=|title=mbellish1|length=0:05}}
{{tl track|number=|title=mbellish2|length=0:02}}
{{tl track|number=|title=mbellish3|length=0:04}}
{{tl track|number=|title=mbellishair3|length=0:55}}
{{tl track|number=|title=mberz|length=1:43}}
{{tl track|number=|title=ncredulean|length=2:53}}
{{tl track|number=|title=ncredulem|length=1:24}}
{{tl track|number=|title=ncredunation|length=4:20}}
{{tl track|number=|title=ndir nn|length=4:53}}
{{tl track|number=|title=org|length=19:40}}
{{tl track|number=|title=pcer|length=12:08}}
{{tl track|number=|title=pche|length=0:08}}
{{tl track|number=|title=Peter Saville edited by Autechre - lilac|length=2:55}}
{{tl track|number=|title=pfph|length=0:15}}
{{tl track|number=|title=phasperc|length=0:57}}
{{tl track|number=|title=prpiii|length=0:04}}
{{tl track|number=|title=roc|length=0:07}}
{{tl track|number=|title=small animal reprise|length=1:32}}
{{tl track|number=|title=tbg|length=5:47}}
{{tl track|number=|title=toy|length=12:10}}
}}

== References ==
<references />

Autechre.ws Test Transmission

2025-04-09T12:09:50Z

Quants0: /* Tracklist */

{{Infobox
|title=Autechre.ws Test Transmission
|artist=Autechre
|cover=
|date=April 8, 2005
|label=self-released
|previous=
|previous year=
|next=
|next year=
}}

In April 2005, Autechre launched Autechre.ws, a website Autechre would use to announce new albums, as well as stream DJ mixes. On April 8, two days before the final launch of the site<ref>https://igloomag.com/newswire/autechre-radio-april-10</ref>, Autechre broadcast a test transmission. Nearly all of the tracks broadcast during the test transmission were experimental in nature, along with several remixes for other artists and one alternate version of a previously released track, and nearly all remain unreleased, however a few were repurposed for use in Autechre's [[Autechre & The Hafler Trio|collaborations with the Hafler Trio]].

As Sean explained in the [[Sean Twitch AMA, July 2022|July 2022 Twitch AMA]], the tracks broadcast were simply "fuckabouts" not made with the intention of releasing them and were broadcast using Nicecast.<ref>https://www.youtube.com/watch?v=sihCO_RN1tc&t=2h54m26s</ref>

==Tracklist==
The actual order of tracks in the broadcast remains unconfirmed. This list is in alphabetical order based on every track that was known to be played, as sourced from various downloadable versions.

{{Tracklist|list=
{{tl track|number=|title=5thp|length=0:01}}
{{tl track|number=|title=10thkk|length=0:04}}
{{tl track|number=|title=arail|length=0:19}}
{{tl track|number=|title=argument|length=1:07}}
{{tl track|number=|title=benk|length=0:01}}
{{tl track|number=|title=bowl|length=0:26}}
{{tl track|number=|title=btak|length=0:21}}
{{tl track|number=|title=[[List of Remixes#Buck-Tick - Iconoclasm (Autechre's Don't X Ray Da DAT Mix)|buck tick_AUTECHRE_REMIX]]|length=6:39}}
{{tl track|number=|title=cbe|length=0:02}}
{{tl track|number=|title=chanta|length=0:13}}
{{tl track|number=|title=charge1|length=0:36}}
{{tl track|number=|title=chergarre|length=0:22}}
{{tl track|number=|title=chris morris_AUTECHRE_REMIX|length=5:16}}
{{tl track|number=|title=claps|length=0:11}}
{{tl track|number=|title=coil panic_AUTECHRE_REMIX|length=5:40}}
{{tl track|number=|title=concept car tolerance|length=1:13}}
{{tl track|number=|title=derby chargyshire|length=0:10}}
{{tl track|number=|title=[[List of Remixes#Earth - Coda Maestoso In (F)Flat Minor (Remixed By Autechre)|earth6_mix]]|length=5:31}}
{{tl track|number=|title=[[List of Remixes#Edge of Motion - Earth Ball (Autechre Rmx)|edge of_motion_AUTECHRE_REMIX]]|length=8:51}}
{{tl track|number=|title=exp3|length=0:06}}
{{tl track|number=|title=five star|length=2:05}}
{{tl track|number=|title=fkek|length=2:04}}
{{tl track|number=|title=h|length=0:09}}
{{tl track|number=|title=haves|length=0:36}}
{{tl track|number=|title=howw|length=2:27}}
{{tl track|number=|title=howww|length=2:29}}
{{tl track|number=|title=kbr|length=0:03}}
{{tl track|number=|title=kbsb|length=0:06}}
{{tl track|number=|title=kpik|length=0:03}}
{{tl track|number=|title=[[List of Rarities#Lupe Mx|lupe mx]]|length=7:58}}
{{tl track|number=|title=lwo|length=5:01}}
{{tl track|number=|title=mbe|length=0:49}}
{{tl track|number=|title=mbellish1|length=0:05}}
{{tl track|number=|title=mbellish2|length=0:02}}
{{tl track|number=|title=mbellish3|length=0:04}}
{{tl track|number=|title=mbellishair3|length=0:55}}
{{tl track|number=|title=mberz|length=1:43}}
{{tl track|number=|title=ncredulean|length=2:53}}
{{tl track|number=|title=ncredulem|length=1:24}}
{{tl track|number=|title=ncredunation|length=4:20}}
{{tl track|number=|title=ndir nn|length=4:53}}
{{tl track|number=|title=org|length=19:40}}
{{tl track|number=|title=pcer|length=12:08}}
{{tl track|number=|title=pche|length=0:08}}
{{tl track|number=|title=Peter Saville edited by Autechre - lilac|length=2:55}}
{{tl track|number=|title=pfph|length=0:15}}
{{tl track|number=|title=phasperc|length=0:57}}
{{tl track|number=|title=prpiii|length=0:04}}
{{tl track|number=|title=roc|length=0:07}}
{{tl track|number=|title=small animal reprise|length=1:32}}
{{tl track|number=|title=tbg|length=5:47}}
{{tl track|number=|title=toy|length=12:10}}
}}

== References ==
<references />

Autechre.ws Test Transmission

2025-04-09T11:56:52Z

Quants0:

{{Infobox
|title=Autechre.ws Test Transmission
|artist=Autechre
|cover=
|date=April 8, 2005
|label=self-released
|previous=
|previous year=
|next=
|next year=
}}

In April 2005, Autechre launched Autechre.ws, a website Autechre would use to announce new albums, as well as stream DJ mixes. On April 8, two days before the final launch of the site<ref>https://igloomag.com/newswire/autechre-radio-april-10</ref>, Autechre broadcast a test transmission. Nearly all of the tracks broadcast during the test transmission were experimental in nature, along with several remixes for other artists and one alternate version of a previously released track, and nearly all remain unreleased, however a few were repurposed for use in Autechre's [[Autechre & The Hafler Trio|collaborations with the Hafler Trio]].

As Sean explained in the [[Sean Twitch AMA, July 2022|July 2022 Twitch AMA]], the tracks broadcast were simply "fuckabouts" not made with the intention of releasing them and were broadcast using Nicecast.<ref>https://www.youtube.com/watch?v=sihCO_RN1tc&t=2h54m26s</ref>

==Tracklist==
The actual order of tracks in the broadcast remains unconfirmed. This list is in alphabetical order based on every track that was known to be played, as sourced from various downloadable versions.

{{Tracklist|list=
{{tl track|number=|title=5thp|length=0:01}}
{{tl track|number=|title=10thkk|length=0:04}}
{{tl track|number=|title=arail|length=0:19}}
{{tl track|number=|title=argument|length=1:07}}
{{tl track|number=|title=benk|length=0:01}}
{{tl track|number=|title=bowl|length=0:26}}
{{tl track|number=|title=btak|length=0:21}}
{{tl track|number=|title=[[List of Remixes#Buck-Tick - Iconoclasm (Autechre's Don't X Ray Da DAT Mix)|buck tick_AUTECHRE_REMIX]]|length=6:39}}
{{tl track|number=|title=cbe|length=0:02}}
{{tl track|number=|title=chanta|length=0:23}}
{{tl track|number=|title=charge1|length=0:36}}
{{tl track|number=|title=chergarre|length=0:22}}
{{tl track|number=|title=chris morris_AUTECHRE_REMIX|length=5:16}}
{{tl track|number=|title=claps|length=0:11}}
{{tl track|number=|title=coil panic_AUTECHRE_REMIX|length=5:40}}
{{tl track|number=|title=concept car tolerance|length=1:13}}
{{tl track|number=|title=derby chargyshire|length=0:10}}
{{tl track|number=|title=[[List of Remixes#Earth - Coda Maestoso In (F)Flat Minor (Remixed By Autechre)|earth6_mix]]|length=5:31}}
{{tl track|number=|title=[[List of Remixes#Edge of Motion - Earth Ball (Autechre Rmx)|edge of_motion_AUTECHRE_REMIX]]|length=8:51}}
{{tl track|number=|title=exp3|length=0:06}}
{{tl track|number=|title=five star|length=2:05}}
{{tl track|number=|title=fkek|length=2:04}}
{{tl track|number=|title=h|length=0:09}}
{{tl track|number=|title=haves|length=0:36}}
{{tl track|number=|title=howw|length=2:27}}
{{tl track|number=|title=howww|length=2:29}}
{{tl track|number=|title=kbr|length=0:03}}
{{tl track|number=|title=kbsb|length=0:06}}
{{tl track|number=|title=kpik|length=0:03}}
{{tl track|number=|title=[[List of Rarities#Lupe Mx|lupe mx]]|length=7:58}}
{{tl track|number=|title=lwo|length=5:01}}
{{tl track|number=|title=mbe|length=0:49}}
{{tl track|number=|title=mbellish1|length=0:05}}
{{tl track|number=|title=mbellish2|length=0:02}}
{{tl track|number=|title=mbellish3|length=0:04}}
{{tl track|number=|title=mbellishair3|length=0:55}}
{{tl track|number=|title=mberz|length=1:43}}
{{tl track|number=|title=ncredulean|length=2:53}}
{{tl track|number=|title=ncredulem|length=1:24}}
{{tl track|number=|title=ncredunation|length=4:20}}
{{tl track|number=|title=ndir nn|length=4:53}}
{{tl track|number=|title=org|length=19:40}}
{{tl track|number=|title=pcer|length=12:08}}
{{tl track|number=|title=pche|length=0:08}}
{{tl track|number=|title=Peter Saville edited by Autechre - lilac|length=2:55}}
{{tl track|number=|title=pfph|length=0:15}}
{{tl track|number=|title=phasperc|length=0:57}}
{{tl track|number=|title=prpiii|length=0:04}}
{{tl track|number=|title=roc|length=0:07}}
{{tl track|number=|title=small animal reprise|length=1:32}}
{{tl track|number=|title=tbg|length=5:47}}
{{tl track|number=|title=toy|length=12:10}}
}}

== References ==
<references />

List of Rarities

2025-04-09T08:53:35Z

Quants0: /* Autechre.ws Test Transmission */

This page is a collection of all original tracks by [[Autechre]] which were released as part of another series. List partially sourced from [https://docs.google.com/spreadsheets/d/1i1o90JzFLUelov8bydmpurOCDhktdd-oMbErw8G0AXA/edit?hl=en#gid=1 here].

For remixes, refer to [[List of Remixes]].

== Released  ==

=== Crystel ===
* from [https://www.discogs.com/master/30010-Various-Artificial-Intelligence Artificial Intelligence], 1992
* According to Sean, this was the song that got Autechre signed to Warp, and not [[Autechre / Saw You]] as previously assumed.<ref>https://web.archive.org/web/20240113191644/https://post.lurk.org/@sean_ae/111750128290861077</ref>

=== The Egg ===
* from [https://www.discogs.com/master/30010-Various-Artificial-Intelligence Artificial Intelligence], 1992
* This song is in mono. It is not known whether this was done on purpose.

=== Lanx 3 ===
* from [https://www.discogs.com/release/115269-Various-Volume-Eight Volume Eight], 1993

=== Chatter ===
* from [https://www.discogs.com/master/21134-Various-Artificial-Intelligence-II Artificial Intelligence II], 1994

=== Nonima ===
* from [https://www.discogs.com/release/238132-Various-Mind-The-Gap-Volume-5 Mind the Gap Volume 5], 1995

=== Silversub ===
* from [https://www.discogs.com/release/748632-Various-FMCD-January-1995 FMCD January 1995], 1995
* Is an alternate mix of [[Amber#Silverside|Silverside]].

=== P.I.O.B (Mix Two) ===
* from [https://www.discogs.com/master/1377596-The-Fall-Drome-Autechre-Untitled Fall/ Drome/Autechre - Untitled], 1996
* Is an alternate mix of ''[[Garbage#PIOBmx19|PIOBmx19]].''

=== Carni ===
* from [https://www.discogs.com/release/13845-Various-Eurowarp Eurowarp], 1996

=== Inhake 3 ===
* from [https://www.discogs.com/release/55136-Various-22-Class-A-Tracks 22 Class A Tracks], 1997

=== Puch ===
* from [https://www.discogs.com/release/200712-Various-Elements-The-Chemistry-Of-Mutating-Beats Elements], 1997

=== Stop Look Listen ===
* from [https://www.discogs.com/master/2353-Various-We-Are-Reasonable-People We are Reasonable People], 1998

=== Extended Ambience Sample from a Resonant Structure ===
* from [https://www.discogs.com/release/795959-Various-Unique-Sounds-Sonic-Elements-From-The-Stars Future Music Magazine], 1998
* in an interview excerpt, Autechre described the production of this song by saying: "Microphones were positioned around a structure with a resonant frequency of 100Hz. Electrical equipment inside the structure provided a constant tone of 50Hz. Water channelling equipment was also used. Signals from the two microphones were passed through five parallel resonators, all tuned with intervals divisible by 25Hz. Each resonator was filtered and the output mixed down to two channels and reversed."
** Sourced from [https://forum.watmm.com/topic/93486-autechre-interview-future-music-july-1998/ magazine scans, provided by WATMM user frozenreeds].

=== All Tomorrow's Linoleum ===
* from [https://www.discogs.com/master/82780-Various-All-Tomorrows-Parties-10 All Tomorrow's Parties 1.0], 2001

=== Konlied Mx ===
* from [https://www.discogs.com/master/84197-Various-Routine Routine], 2001

=== Naftwa4 ===
* from [https://www.discogs.com/release/96580-Various-Warp-WIFOF2003-Mix WIFOF2003], 2003

=== /]{- /](||) Excerpt ===
* from [https://www.discogs.com/master/48147-Various-Autechre-Curated-All-Tomorrows-Parties-30- All Tomorrow's Parties 3.0], 2003

* The title is an ASCII representation of "AE ACID"

=== Bronchus One.1 ===
* from [https://www.discogs.com/master/250176-Various-An-Anthology-Of-Noise-Electronic-Music-Second-A-Chronology-1936-2003 An Anthology Of Noise & Electronic Music / Second A-Chronology 1936-2003], 2003

* According to the copyright information, the song was published 1991.<ref>https://www.discogs.com/release/156514-Various-An-Anthology-Of-Noise-Electronic-Music-Second-A-Chronology-1936-2003</ref>
* is an alternate mix of [[Incunabula#Bronchus 2|Bronchus 2]].

=== Coenc3 ===
* from [https://www.discogs.com/release/1307559-Various-45-A-Tribute-To-Daniel-Hansson 45 - A Tribute to Daniel Hansson], 2008

* During his [[Sean Twitch AMA, July 2022|July 2022 Twitch AMA]], Sean mentioned that the track was made in 2005.

=== Oval Moon (IBC mx) ===
* from [https://www.discogs.com/master/207276-Various-Warp20-Unheard Warp20 (Unheard)], 2009

* According to the copyright information, the song was published 1991.<ref>https://www.discogs.com/release/2024532-Various-Warp20-Unheard</ref>
* IBC refers to the pirate radio station (short for Illegal Broadcasting Company) where Autechre got their start as radio DJs.[https://www.thepiratearchive.net/ibc/]

=== 6852 ===
[[File:6852.jpg|alt=poster|thumb|ATP "Made In Japan" promotional poster for "6852"|139x139px]]

"'''6852'''" is a digital-only song released by [[Autechre]] on April 17th, 2011. It was given away via a download code when purchasing a ticket for a charity concert hosted by [https://www.discogs.com/label/4961-ATP-Recordings ATP] in support of the Japanese Red Cross after the recent tsunami disaster.
*The title, "6852", likely originally referred to the number of islands that comprised Japan at time of release.
*The Headhunters' "God Make Me Funky" is sampled on the track. <ref>https://www.whosampled.com/sample/234368/Autechre-6852-The-Headhunters-Pointer-Sisters-God-Make-Me-Funky/</ref>

=== Ts1a ===
*from [https://www.discogs.com/master/1359215-Various-Benefit-Compilation-For-Japan Benefit Compilation for Japan], 2011
*The track also appeared on ''[[Hanalgig]]'', where Sean mentioned that it was made in 2009.
*During his July 2022 AMA, Sean said that the track either used Synplant or the Yamaha FS1R for some of the FM sounds.<ref>https://youtu.be/sihCO_RN1tc?feature=shared&t=2698</ref>

=== SYptixed ===
*from [https://www.discogs.com/master/684135-Various-Bleep10 Bleep:10], 2014

== Bonus Tracks ==

=== Medrey ===

* See [[Tri Repetae#Medrey|Medrey]].

=== MCR Quarter ===

* See [[Confield#MCR Quarter|MCR Quarter]].

=== Zurich 2001 ===

* See [[Untilted#Zurich 2001|Zurich 2001]].

=== nu-Nr6d ===

* See [[Quaristice#nu-Nr6d|nu-Nr6d]].

=== Xektses sql ===

* See [[Oversteps#Xektses sql|Xektses sql]].

=== ClnChr ===

* See [[Move Of Ten#ClnChr|ClnChr]].

=== 18 (keyosc) ===

* See [[Exai#18 (keyosc)|18 (keyosc)]].

=== n Cur ===

* See [[SIGN#n Cur|n Cur]].

=== p1p2 ===

* See [[PLUS#p1p2|p1p2]].

== Commissions/Contributions==

=== Onedotzero 8 ===
*[https://vimeo.com/3953671 A commission for the opening of Onedotzero8], with music by Autechre and visuals by [[Alex Rutherford]].

=== Atoms Vectors Pixels Ghosts™ ===
*A visual art project by [[The Designers Republic]] featuring music from Autechre, including an early [[elseq 1-5#spaces how V|"spaces how V"]]. <ref>https://vimeo.com/41905073</ref><ref>https://www.thedesignersrepublic.com/atoms-vectors-pixels-ghosts</ref><ref>https://www.s1artspace.org/programme/atoms-vectors-pixels-ghosts/</ref><ref>https://web.archive.org/web/20240124200545/https://post.lurk.org/@sean_ae/111807273811423116</ref><ref>https://web.archive.org/web/20240124200447/https://post.lurk.org/@sean_ae/111810622481393012</ref> 

=== P1-449 ===
"'''P1-449'''" was released as part of the Sónar Calling GJ273b project on October 16th, 2017. The project was made to transmit music and audio art for extraterrestrial contact.<ref>https://soundcloud.com/sonarcalling/autechre-p1-449/s-v8hVY</ref><ref>https://www.sonarcalling.com/en/</ref> The file was made as an audio representation of the first 449 prime numbers in base ten.<ref>https://www.sonarcalling.com/en/artists/autechre/</ref>

== Unreleased/Miscellaneous Appearances ==

=== [[Late 80s Tape]] ===

* Leaked in 2019 around the same time as Warp Tapes. Contains 5 unreleased tracks, one track which appeared in Lego Feet Part 3, 2 DJ mixes, and one non-Ae track (Coma II (A.M/O.K) by S'Express). 

=== IBC Anthem ===

* Done in 1992 for Andy Richard's IBC Show, with Ged O'Hara on vocals. <ref name=":0">https://www.reddit.com/r/autechre/comments/1bbc89f/old_lego_feetae_leak_of_early_material/</ref><ref>https://web.archive.org/web/20240113193629/https://post.lurk.org/@sean_ae/111749064152560779</ref>

=== Techthree ===

* [https://www.youtube.com/watch?v=pvF2Xq9sUFo Unreleased Lego Feet track.]<ref name=":0" />

=== Bigmistake ===

* [https://www.youtube.com/watch?v=r5nntgNbtsY Unreleased Lego Feet track.]<ref name=":0" />

=== Flight Deck ===

* Performed at Sweatbox 2 1991<ref>https://web.archive.org/web/20240309191939/https://post.lurk.org/@sean_ae/112067053409190575</ref> as well as aired on Sunset 102 FM on December 18th, 1990<ref>https://www.youtube.com/watch?v=IueaLLmy-1U</ref> after they came in with the tape.<ref>https://web.archive.org/web/20240604224813/https://post.lurk.org/@sean_ae/112560743996346551</ref> A snippet appears on ''[[Lego Feet]]''.<ref>https://www.reddit.com/r/autechre/comments/1d7ad8f/comment/l6yp7h7/</ref>

=== MYSLB ===

* BPM: 125
* Performed at Sweatbox 2 1991 + had a demo snippet shared by Sean. Name is short for "Make Your Self Look Bad!" which is the main vocal loop of "[https://www.youtube.com/watch?v=KcGa22wuZ4I Help Me Somebody]" by Brian Eno and David Byrne. The main production is the 606 and FZ-10 on hihats. <ref>[https://web.archive.org/web/20240114152614/https://post.lurk.org/@sean_ae/111754768777276869#:~:text=title%20is%20MYSLB%2C%20maybe%20you%20can%20fig%20out%20the%20sample%20from%20that%20%3B) https://web.archive.org/web/20240114152614/https://post.lurk.org/@sean_ae/111754768777276869#:~:text=title%20is%20MYSLB%2C%20maybe%20you%20can%20fig%20out%20the%20sample%20from%20that%20%3B)]</ref>

=== Untitled 90s Live Track ===

* Performed as a live track during their 1997 tour ([https://www.youtube.com/watch?v=IPqbpe06SVc&t=652 example]) with an R8. No proper track version from Autechre exists.<ref>https://web.archive.org/web/20240424140935/https://post.lurk.org/@sean_ae/112326437984409445</ref> Later reperformed during The Fear Ratio's 2020 DJ Mix.<ref>https://www.youtube.com/watch?v=-AM4eQ-wyWU</ref> Mark Broom confirmed over Facebook it was an Autechre track that was given to him.<ref>https://www.reddit.com/r/autechre/comments/173wc3z/the_greatest_of_all_unreleased_ae_tracks/</ref>

=== Second Crane ===

* Performed at Stormy Waters 1995.<ref>{{Cite AAA doc|1338|1339}}</ref>

=== Untitled Track on Radio Mix ===

* ''[[Radio Mix]]'', 1997

=== Lupe Mx ===

* Alternate version of [[Chiastic Slide#Pule|"Pule"]], appeared in the Untilted test transmission.

=== [[1999-10-10 Indio, CA, USA @ Coachella Festival|Coachella 1999 Tracks]] ===

=== [[Autechre.ws Test Transmission]] ===

* Series of mostly experimental minimal/drone tracks originally broadcast on April 8, 2005. Some of these tracks would be reused as part of [[Autechre & The Hafler Trio|Autechre's collaborations with the Hafler Trio]].

== References ==
<references />

Autechre.ws Test Transmission

2025-04-09T08:53:04Z

Quants0: been meaning to make a page for this for a while

{{Infobox
|title=Autechre.ws Test Transmission
|artist=Autechre
|cover=
|date=April 8, 2005
|label=self-released
|previous=
|previous year=
|next=
|next year=
}}

In April 2005, Autechre launched Autechre.ws, a website Autechre would use to announce new albums, as well as stream DJ mixes. On April 8, two days before the final launch of the site<ref>https://igloomag.com/newswire/autechre-radio-april-10</ref>, Autechre broadcast a test transmission. Nearly all of the tracks broadcast during the test transmission were experimental in nature, along with several remixes for other artists and one alternate version of a previously released track, and nearly all remain unreleased, however a few were repurposed for use in Autechre's [[Autechre & The Hafler Trio|collaborations with the Hafler Trio]].

As Sean explained in the [[Sean Twitch AMA, July 2022|July 2022 Twitch AMA]], the tracks broadcast were simply "fuckabouts" not made with the intention of releasing them and were broadcast using Nicecast.<ref>https://www.youtube.com/watch?v=sihCO_RN1tc&t=2h54m26s</ref>

==Tracklist==
The actual order of tracks in the broadcast remains unconfirmed. This list is in alphabetical order based on every track that was known to be played, as sourced from various downloadable versions.

{{Tracklist|list=
{{tl track|number=|title=5thp|length=0:01}}
{{tl track|number=|title=10thkk|length=0:04}}
{{tl track|number=|title=arail|length=0:19}}
{{tl track|number=|title=argument|length=1:07}}
{{tl track|number=|title=benk|length=0:01}}
{{tl track|number=|title=bowl|length=0:26}}
{{tl track|number=|title=btak|length=0:21}}
{{tl track|number=|title=[[List of Remixes#Buck-Tick - Iconoclasm (Autechre's Don't X Ray Da DAT Mix)|buck tick_AUTECHRE_REMIX]]|length=6:39}}
{{tl track|number=|title=cbe|length=0:02}}
{{tl track|number=|title=chanta|length=0:23}}
{{tl track|number=|title=charge1|length=0:36}}
{{tl track|number=|title=chergarre|length=0:22}}
{{tl track|number=|title=chris morris_AUTECHRE_REMIX|length=5:16}}
{{tl track|number=|title=claps|length=0:11}}
{{tl track|number=|title=coil panic_AUTECHRE_REMIX|length=5:40}}
{{tl track|number=|title=concept car tolerance|length=1:13}}
{{tl track|number=|title=derby chargyshire|length=0:10}}
{{tl track|number=|title=[[List of Remixes#Earth - Coda Maestoso In (F)Flat Minor (Remixed By Autechre)|earth6_mix]]|length=5:31}}
{{tl track|number=|title=[[List of Remixes#Edge of Motion - Earth Ball (Autechre Rmx)|edge of_motion_AUTECHRE_REMIX]]|length=8:51}}
{{tl track|number=|title=exp3|length=0:06}}
{{tl track|number=|title=five star|length=2:05}}
{{tl track|number=|title=fkek|length=2:04}}
{{tl track|number=|title=h|length=0:09}}
{{tl track|number=|title=haves|length=0:36}}
{{tl track|number=|title=howw|length=2:27}}
{{tl track|number=|title=howww|length=2:29}}
{{tl track|number=|title=kbr|length=0:03}}
{{tl track|number=|title=kbsb|length=0:06}}
{{tl track|number=|title=kpik|length=0:03}}
{{tl track|number=|title=[[List of Rarities#Lupe Mx|lupe mx]]|length=7:58}}
{{tl track|number=|title=lwo|length=5:01}}
{{tl track|number=|title=mbe|length=0:49}}
{{tl track|number=|title=mbellish1|length=0:05}}
{{tl track|number=|title=mbellish2|length=0:02}}
{{tl track|number=|title=mbellish3|length=0:04}}
{{tl track|number=|title=mbellishair3|length=0:55}}
{{tl track|number=|title=mberz|length=1:43}}
{{tl track|number=|title=ncredulean|length=2:53}}
{{tl track|number=|title=ncredulem|length=1:24}}
{{tl track|number=|title=ncredunation|length=4:20}}
{{tl track|number=|title=ndir nn|length=4:53}}
{{tl track|number=|title=org|length=19:40}}
{{tl track|number=|title=pcer|length=12:08}}
{{tl track|number=|title=pche|length=0:08}}
{{tl track|number=|title=Peter Saville edited by Autechre - lilac|length=2:55}}
{{tl track|number=|title=pfph|length=0:15}}
{{tl track|number=|title=phasperc|length=0:57}}
{{tl track|number=|title=prpiii|length=0:04}}
{{tl track|number=|title=roc|length=0:07}}
{{tl track|number=|title=small animal reprise|length=1:32}}
{{tl track|number=|title=tbg|length=5:47}}
{{tl track|number=|title=toy|length=12:10}}
}}

Quaristice.Quadrange.ep.ae

2024-11-08T08:08:43Z

Quants0: adding headings for each ep

{{Infobox
|title=Quaristice.Quadrange.ep.ae
|artist=[[Autechre]]
|cover=Quaristice.Quadrange.ep.ae.jpg
|date=19 May - 3 June 2008
|label=Warp Records (WARPD333A)
|previous=[[Digital Exclusives EP]]
|previous year=2008
|next=[[Oversteps]]
|next year=2010
}}'''''Quaristice.Quadrange.ep.ae''''' is the ninth EP by [[Autechre]] released on [https://warp.net/ Warp Records]. A track was released each day from May 19th, 2008,<ref>https://web.archive.org/web/20080610191348/https://autechre.ws/</ref> before concluding on June 3rd, 2008.<ref>https://5against4.com/2008/06/03/versions-versions-everywhere-plus-a-red-herring-autechre-quaristice-quadrange-ep-ae/</ref> 
== History ==
In a 2016 RA interview, Sean mentioned that part of the motivation for the release method for Quadrange was that while making ''[[Quaristice]]'', they had an hour-long track they wanted to put out (referring to "Perlence subrange 6-36") but felt that it would not be worth the physical cost of an extra CD for one track. However, they opted instead to put it up digitally as that freed them from the hassle of both physical limitations and expectations of "album flow".<ref>{{Cite interview|page=Autechre: elseq et al, June 2016|quote=When we did Quaristice, we had an hour-long track, and we thought, "Well, there's no point adding a whole extra CD to the 'proper' album just for this one track, nobody's going to want to pay the extra money for that." But if we put it online a few people might buy it. We did that and that worked, so that fed into what we're doing now.}}</ref> 

==Tracks==

=== Quaristice.PPP9.ep.ae ===
[[File:Quaristice.PPP9.ep.ae.jpg|thumb|150x150px|Quaristice.PPP9.ep.ae]]
==== The Plc ccc ====

* See [[Quaristice#The Plc|"The Plc]]".

==== Perlence range 7 ====

* See [[Quaristice#Perlence|"Perlence"]].

==== Perlence Suns ====

* See [[Quaristice#Perlence|"Perlence"]] and [[Quaristice#paralel Suns|"paralel Suns"]].

==== 90101-51-6 ====

* See [[Quaristice#90101-5l-l|"90101-5l-l"]].

=== Quaristice.9T9P.ep.ae ===
[[File:Quaristice.9T9P.ep.ae.jpg|thumb|150x150px|Quaristice.9T9P.ep.ae]]
==== 9013-2 ====

* See [[Quaristice#90101-5l-l|"90101-5l-l"]].

==== Tkakanren ====

* See [[Quaristice#Tankakern|"Tankakern"]].

==== 90101-51-19 ====

* See [[Quaristice#90101-5l-l|"90101-5l-l"]].

==== Perlence subrange 3 ====

* See [[Quaristice#Perlence|"Perlence"]].

=== Quaristice.c9Pn.ep.ae ===
[[File:Quaristice.c9Pn.ep.ae.jpg|thumb|150x150px|Quaristice.c9Pn.ep.ae]]
==== chenc9-1dub ====

* See [[Quaristice#chenc9|"chenc9"]].

==== 9010171-121 ====

* See [[Quaristice#90101-5l-l|"90101-5l-l"]].

==== Perlence losid 2 ====

* See [[Quaristice#Perlence|"Perlence"]].
* "Perlence losid 2" was done by Sean.<ref name=":0">https://forum.watmm.com/topic/102698-twitch-ama/page/19/#comment-2923175</ref>

==== notwotwo ====

* See [[Quaristice#notwo|"notwo"]].

=== Quaristice.Subrange.ep.ae ===
[[File:Quaristice.Subrange.ep.ae.jpg|thumb|150x150px|Quaristice.Subrange.ep.ae]]
==== Perlence subrange 6-36 ====

* See [[Quaristice#Perlence|"Perlence"]].
* "Perlence subrange 6-36" is the longest track Autechre has released sitting at 58 minutes, 36 seconds. "all end" from ''[[NTS Sessions 1-4]]'' only goes up to 58 minutes, 22 seconds on digital versions.
* This track was also done by Sean with some of his parts slowed down.<ref name=":0" />

== Tracklist ==
{{Tracklist|list=
{{tl section|Quaristice.PPP9.ep.ae}}
{{tl track|1|The Plc ccc|length=10:04}}
{{tl track|2|Perlence range 7|length=10:13}}
{{tl track|3|Perlence Suns|length=4:06}}
{{tl track|4|90101-51-6|length=8:45}}
{{tl total|33:09}}
{{tl section|Quaristice.9T9P.ep.ae}}
{{tl track|5|9013-2|length=2:01}}
{{tl track|6|Tkakanren|length=10:23}}
{{tl track|7|90101-51-19|length=12:47}}
{{tl track|8|Perlence subrange 3|length=7:06}}
{{tl total|32:18}}
{{tl section|Quaristice.c9Pn.ep.ae}}
{{tl track|9|chenc9-1dub|length=3:48}}
{{tl track|10|9010171-121|length=4:32}}
{{tl track|11|Perlence losid 2|length=7:27}}
{{tl track|12|notwotwo|length=9:37}}
{{tl total|25:25}}
{{tl section|Quaristice.Subrange.ep.ae}}
{{tl track|13|Perlence subrange 6-36|length=58:35}}
{{tl total|time=58:35}}
{{tl finaltime|time=2:29:29}}
}}

== Trivia ==

* Each of the sub-EP titles uses abbreviated tracklists as codes (for example, c9Pn for '''c'''henc9-1dub, '''9'''010171-121, '''P'''erlence losid 2, '''n'''otwotwo), with the exception of the last one directly taking Subrange.

== Gallery ==
<gallery>
File:The Plc ccc.jpg|The Plc ccc
File:Perlence range 7.jpg|Perlence range 7
File:Perlence Suns.jpg|Perlence Suns
File:90101-51-6.jpg|90101-51-6
File:9013-2.jpg|9013-2
File:Tkakanren.jpg|Tkakanren
File:90101-51-19.jpg|90101-51-19
File:Perlence subrange 3.jpg|Perlence subrange 3
File:chenc9-1dub.jpg|chenc9-1dub
File:9010171-121.jpg|9010171-121
File:Perlence losid 2.jpg|Perlence losid 2
File:notwotwo.jpg|notwotwo
File:Perlence subrange 6-36.jpg|Perlence subrange 6-36
</gallery>

== References ==
<references />
[[Category:EP]]

AMKS 1

2024-11-04T20:14:59Z

Quants0:

{{DISPLAYTITLE:AMKS_1}}
'''''AMKS_1''''' is a [[Gescom]] DJ mix. It was originally broadcasted via AMKS.live on January 2, 2021 before it was made available for download via Facebook on the same day.

== Trivia ==

* Sean Booth mentioned in one of the Twitch AMAs that he worked on the "scratching" for this set which got developed into the scratching used on [[AE LIVE 2022－|''AE_LIVE 2022－'']]. [https://aepages.org/wiki/Sean_AMA_Transcript_220605#:~:text=So%20yeah%2C%20that%20happened%20and%20then%20I%20got%20heavily%20into%20MC%2C%20and%20then%20that%20happened.%20And%20then%20I%20built%20a%20lot%20more%20%5Bphysical%5D%20modeling%20stuff%2C%20and%20I%20did%20that%20scratching%20thing%20that%20we%20used%20on%20that%20Gescom%20thing%20that%20we%27ve%20done%20about%20just%20over%20a%20year%20ago.]

==Links==

*[https://www.discogs.com/release/16770327-Gescom-AMKS_1 Discogs]
*[https://www.youtube.com/watch?v=Y9Ra87KUK5w YouTube]
[[Category:DJ Mix]]
[[Category:Gescom]]

AE 2022－

2024-11-04T20:04:01Z

Quants0: typo

{{DISPLAYTITLE:AE_2022－}}
{{Infobox
|title=AE_2022－
|artist=[[Autechre]]
|cover=AE LIVE 2022.jpg
|date=10 August 2023 (Milan 2022 - Turin 2022)
4 November 2024 (Melbourne 2023 - Lyon 2024)
|label=Warp Records (WARP444)
|previous=[[PLUS]]
|previous year=2020
|next=
|next year=
}}
'''''AE_2022－''','' otherwise known as '''''AE_LIVE 2022－''','' '''''2022 dash'''''<ref name=":2">https://metalmagazine.eu/en/post/autechre</ref> or the '''''twentytwentytwo''''' tour,<ref>https://autechre.warp.net/twentytwentytwo</ref> is a compilation of nineteen soundboard recordings taken from live shows performed throughout 2022, 2023 and 2024. The first batch was released on August 10th, 2023. The second batch was released on November 4th, 2024.

==History==
On March 9th, 2022, the ''twentytwentytwo'' tour was officially announced.<ref>https://twitter.com/WarpRecords/status/1501513203431493639</ref>

During the [[Sean Twitch AMA, June 2022]], Sean answered a few questions regarding the live material after having performed the first show of the twentytwentytwo tour. The tour was initially planned to be held in 2020, before the COVID-19 pandemic delayed the tour. Sean mentioned that on his end, he spent the time reworking the back end, getting interested in MC (multi-channel audio in Max), physical modelling<ref name=":0">{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''“Do you like the new Mac chip situation? Is it any different to work on compared to the old CPU?”''' Yes. So my patch was using about 75, 80% towards the end of last year or the year before, whenever it was I got it, and then, yeah, I got the M1 and then it was just flying! 30%, just flying! Just absolutely insane! So there's no turning back now I'm fucked because I'm filling it up already. Loads of Live physmod things, and things that were a bit, you know, expensive. So yeah, I love it. Just amazing, kind of a little bit too much if anything, and the disking out speeds are amazing. The transitions are all super tight. The timing's super tight. All the control rate stuff is super tight. So yeah, I think if you're using Max and you've got an M1, you're basically living the dream at this point. it's just insane.}}</ref> (such as [https://forum.ircam.fr/projects/detail/modalys/ Modalys]), and scratching (as seen on Gescom's ''[[AMKS_1]]'')''.''<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Basically when COVID hit, I had a lot of time on my hands to rebuild a lot of it. So it's, yeah, it’s a lot of it you wouldn't even notice because a lot of it's just porting things to Gen that didn't need to be ported but just because I wanted a bit more control, and that led me off on loads of tangents because once you start building basic things like oscillators, you get a bit mad with all the options. So yeah, that happened and then I got heavily into MC, and then that happened. And then I built a lot more [physical] modeling stuff, and I did that scratching thing that we used on that Gescom thing that we've done about just over a year ago. And then did that and then, and then, yeah the set sort of grew out of all that tech basically. So sty listically, it's not that far off what we've been doing for the last few years because I think we're still in the same sort of place mentally. But, tech wise, the underlying, the kind of back end stuff is all fresh.}}</ref> The end product was Sean noting that, on his side, he had about three and a half hours of total material prepared that may or may not be shown.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=[...] I mean some, they will share elements and the probably, I mean in all likelihood it'll be mostly similar material but there's a bunch of material that's not aired yet. That's because we've had too long to work on this fucking set, right, so. Least my part of the set is, I don't know, like three and a half hours of stuff, so I don't know how much of it will end up using.}}</ref>

The first show of the tour was performed at Primavera in Barcelona on June 3rd, 2022, however, due to issues of negotiating the rights to the soundboard from Primavera as well as messing up the recording, it was left off the release.<ref>[[Sean AMA Transcript 220605#:~:text%3DYeah%2C%20there's%20not%20really%20any%20good%20pictures%2C%20but%20the%20problem%20was%20with%20Primavera%2C|<nowiki/>]]{{Cite interview|page=Sean Twitch AMA, June 2022|quote=[...] the problem was with Primavera, they were trying to get rights for everything, right? So they were trying to get broadcast, they were trying to record it, you know? Obviously we're thinking about releasing them, so we didn't want to okay it. We ended up fucking up the recording anyway, so it wouldn't have mattered.}}</ref> The show in Den Haag on April 5th, 2024 also had a failed recording because they forgot to hit record.<ref>https://web.archive.org/web/20240406161357/https://post.lurk.org/@sean_ae/112224480826307858</ref>

"AE_LIVE_HELSINKI_110922_LTD" was released early exclusively to attendants of the show on October 4th, 2022, due to technical issues during the show.<ref>{{Cite web|author=RaelGenious|title=Exclusive release incoming for Helsinki attendees|website=Reddit|date=26 September 2022|link=https://www.reddit.com/r/autechre/comments/xobdtd/exclusive_release_incoming_for_helsinki_attendees/|accessdate=25 March 2024}}</ref> Small glitches such as pops and audio dropouts appeared early into the show and got progressively more distracting as the show went on. A possible explanation is that the venue's poor subwoofer setup, exacerbated by the set's use of heavy sub-bass, experienced a coil short circuit leading to the malfunctions.<ref>{{Cite web|author=avalyn__|title=There were some audio issues during Helsinki gig.|website=Reddit|date=11 September 2022|link=https://www.reddit.com/r/autechre/comments/xbspfv/there_were_some_audio_issues_during_helsinki_gig/?rdt=51772|accessdate=25 March 2024}} </ref><ref>{{Cite web|author=dcom|title=Comment in Autechre. Live. Twentytwentytwo.|website=We Are The Music Makers|date=15 September 2022|link=https://www.reddit.com/r/autechre/comments/xobdtd/exclusive_release_incoming_for_helsinki_attendees/|accessdate=25 March 2024}}</ref> The soundboard was sent out as is without mastering as an apology, and was later re-released with proper mastering.

On August 7th, 2023, Warp sent out an announcement to sign up for to the newsletter.<ref>https://twitter.com/WarpRecords/status/1688580822519951360</ref> The following day, ''AE_LIVE 2022－'' was officially announced,<ref>https://www.reddit.com/r/autechre/comments/15ln5o3/ae_live_2022_out_thursday/</ref> and the first batch of 2022 shows from Milan to Turin was released individually and as a compilation on the 10th. The en dash added to the end of the title indicated the possibility of future sets being added at a later date.

On October 25th, 2024, Warp again sent out a newsletter sign-up announcement, with 12 dates listed.<ref>https://x.com/WarpRecords/status/1849844754197987687#m</ref><ref>https://www.instagram.com/warprecords/p/DBjZTuNIg1A/?hl=en</ref> On November 4th, 2024, twelve sets from Melbourne 2023 to Lyon 2024 were released individually and added onto the now renamed compilation ''AE_2022－'', dropping the "LIVE" part both in the compilation title and sets names.<ref>https://web.archive.org/web/20241104173202/https://autechre.warp.net/release/476436-autechre-ae2022</ref>

In a Mastodon thread late 2023, Sean gave an update that the material ended up becoming one long track they just kept adding onto. At that point, it was "about 4 hours long so far and growing steadily", noting it was the "most interesting thing we’ve done in ages from our POV." <ref>[https://web.archive.org/web/20231118215345/https://post.lurk.org/@sean_ae/111433472440615681#:~:text=We%20took%20a,from%20our%20POV. @sean_ae Mastodon post, November 18, 2023]</ref> In an interview in October 2024, they mentioned that "we could keep [the current live shows] going for another ten years."<ref name=":2" />  

During a mixlr stream on March 21st, 2020, Sean mentioned in chat that the "live set is 99% complete just need to do the intro."<ref>https://ra.co/news/72301</ref> [[ae mixlr 300320|In a later mixlr stream on the 30th]] while Sean was quickly skimming through their jams folder, he showed off a few seconds of the (then unknown) in-development live material (specifically segments '''#2, #3''' and '''#5'''). In December 2022, Sean posted two Max demos to Mastodon; [https://www.youtube.com/watch?v=3poN6FDyB28 one on December 10th] and [https://www.youtube.com/watch?v=jgMArRJswIQ one on December 15th], which were both bits of segments '''#28''' and '''#25''' respectively. In 2023, two more demos were posted, with [https://www.youtube.com/watch?v=UE8ug56Ijls July 26th's "Markov Chain"] and [https://www.youtube.com/watch?v=_R3JorLEwNE 16th December's "Fuckery"]<ref name=":1">https://web.archive.org/web/20231221224324/https://post.lurk.org/@sean_ae/111591524233807832</ref> for segments '''#37''' and '''#41/46'''.

The main equipment used for the tour are two M1<ref name=":0" /> Macs running Max/MSP, Kenton Killamix controllers, Apogee Symphony Desktop, Apogee Element 24, and Sound Devices 888.<ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote='''Can u describe the live setup of the last gigs, laptop, controllers, souncard, thx''' I mean you know, two, I mean the latest ones are just two M1 Macs, Kenton Killamix controllers, two interfaces; I've got an Apogee Symphony Desktop, Rob's using the Apogee Element 24. The mixer is like a little Mackie Onyx12 channel thing just because it fits on a plane easily, and it's easier to get around. And it's replaceable if it breaks, you know, it's not, we're not relying on some esoteric mixer being found by the promoter at the last minute, so. Because that's always a consideration, you know? There's only the controllers really that be hard to source. So we often carry spares like if we're on a tour bus, we'll have spares of the controllers we’ll source.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''What's your live setup nowadays?''' Two Macs, and these Kenton Killamix things, and a couple of interfaces.}}</ref><ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Tebbisimo: [...] What audio interface you using on the live sets ATM? [...]''' XH HX: i'm using apogee symphony desktop lately which i really rate but before that was using apogee element 24 (also good but harder to get now) and before that was using RME ADI2 converter (had to stop since apple borked the optical port but i loved that thing). i also got a MOTU M2 which is mad value for ESS sabre converters if u want something cheapish}}</ref><ref>https://web.archive.org/web/20240509143259/https://post.lurk.org/@sean_ae/112400607304881021</ref> In 2024, they got four custom-made Killamix Minis.<ref>https://web.archive.org/web/20240309004321/https://post.lurk.org/@sean_ae/112054867478643903</ref>

==Analysis==
Main analysis by [[User:Zythion|Zythion]] and [[User:EnergyIsMassiveLight|EnergyIsMassiveLight]]. Fan titles taken from fan-edit TT2- (AE_LIVE 2022 Exclusives).<ref>{{Cite web|author=Twistrose|title=TT2－ (AE_LIVE 2022 Exclusives)|website=Reddit|date=19 August 2023|link=https://www.reddit.com/r/autechre/comments/15vkklu/tt2_ae_live_2022_exclusives/|accessdate=25 March 2024}}</ref> Officially released sets are highlighted in bold while the unreleased sets with bootleg recordings are italicized.

'''<big>The timestamps below are still a work in progress and are not final. (note: currently new 23-24 sets still have old bootleg timestamps)</big>'''

{| class="wikitable"
!
!#1
! #2
!#3
!#4
!#5
!#6
!#7
!#8
!#9
!#10
!#11
! #12
!#13
!#14
!#15
! #16
!#17
!#18
!#19

!#20
!#21
!#22
!#23
!#24
!#25
!#26
!#27
!#28
!#29
!#30
!#31
!#32
!#33
!#34
!#35
!#36
!#37
!#38
!#39
!#40
!#41
!#42
!#43
!#44
!#45
!#46
!#47
!#48
!#49
!#50
|-
|'''MILAN_010722'''
|0:00
|7:06
|12:02
|17:59
|24:20
|31:42
|35:47
|41:09
|46:23
|51:29
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|'''ATHENS_050722'''
|0:00
|7:41
|14:16
|20:00
|25:32
|32:54
|36:17
|41:28
|46:42
|51:48
|57:30
|64:02
|69:03
|73:53
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|'''HELSINKI_110922'''
|0:00
|7:42
|12:50
|18:10
|24:19
|31:41
|35:40
|40:50
|46:38
|51:44
|57:15
|64:27
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|'''LONDON_071022_A'''
|0:00
|6:12
|9:54
|14:36
|19:20
|26:05
|29:16
|33:18
|37:13
|42:19
|47:13
|53:06
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|'''LONDON_071022_B'''
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|0:00
|5:51
|9:46
|15:26
|22:05
|25:14
|32:59
|36:56
|42:50
|46:24
|52:12
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|'''BERGEN_021122'''
|0:00
|7:00
|10:42
|15:00
|19:19
|26:04
|29:15
|33:16
|37:12
|42:18
|47:08
|52:23
|56:09
|59:47
|63:52
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|'''TURIN_041122'''
| 0:00
| 5:59
|9:42
|14:01
|18:19
|25:05
|28:15
|32:17
|36:12
|41:18
|46:09
|52:41
|57:42
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|'''MELBOURNE_250823'''
|0:00
|7:53
|12:37
|18:21
|24:06
|31:28
|35:31
|40:50
|46:04
|51:10
|56:01
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|'''SYDNEY_270823'''
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|0:00
|5:04
|12:00
|16:24
|21:24
|26:13
|33:14
|38:43
|43:33
|48:25
|52:54
|57:41
|64:25
|69:16
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|'''VENICE_261023'''
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|0:16
|6:06
|10:56
|16:11
|19:32
|21:21
|23:34
|26:11
|29:09
|35:07
|38:16
|46:01
|48:36
|53:52
|57:26
|63:13
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|'''DUBLIN_291023'''
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|0:00
|4:41
|11:38
|16:01
|21:49
|28:26
|39:30
|46:04
|52:30
|56:31
|60:20
|62:48
|67:27
|71:17
|75:31
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|'''BRUSSELS_040424'''
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|0:00
|5:24
|11:53
|15:58
|20:58
|25:47
|33:14
|38:04
|42:50
|47:22
|51:02
|54:55
|59:54
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|'''PARIS_060424'''
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|0:06
|5:12
|11:43
|15:26
|20:18
|25:06
|31:11
|36:46
|40:38
|44:44
|49:04
|52:39
|58:20
|62:56
|68:34
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|77:03
|82:26
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|'''RENNES_070424'''
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|0:00
|6:17
|10:30
|17:57
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|27:41
|35:40
|39:47
|43:39
|50:03
|54:27
|59:55
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|'''BARCELONA_090424'''
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|0:07
|5:06
|10:50
|18:33
|23:38
|27:51
|32:24
|36:36
|40:48
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|50:50
|56:50
|61:04
|64:39
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|'''MADRID_100424'''
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|0:00
|2:00
|7:06
|14:52
|20:41
|26:05
|30:16
|35:17
|39:30
|45:44
|49:59
|55:04
|59:19
|63:15
|67:27
|71:27
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|'''LISBON_120424_B'''
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|0:00
|5:38
|11:56
|15:57
|20:11
|26:37
|32:17
|37:38
|46:18
|51:24
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|'''KREMS_270424'''
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|0:00
|5:44
|9:18
|14:28
|20:30
|27:25
|33:15
|37:52
|42:34
|46:27
|50:15
|56:29
|60:28
|65:35
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|'''LYON_070524'''
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|0:25
|4:21
|9:43
|14:08
|17:19
|23:58
|29:03
|35:16
|44:27
|49:33
|56:11
|62:53
|68:54
|75:54
|83:34
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|-
| colspan="51" |
|-
|''[https://www.youtube.com/watch?v=1hgXKUqSf4c Barcelona_030622]''
|1:01
|8:18
|12:50
|18:59
|24:45
|32:30
|35:40
|45:31
|48:46
|52:04
|54:39
|59:14
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|''Tokyo_180823''
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|[https://twitter.com/alphabill/status/1692597066193854709]
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|''[https://soundcloud.com/ignas-gutauskas/autechre-live-at-teatr-laznia-nowa-krakow-2023-10-06 Krakow_061023]''
|0:00
|6:36
|10:42
|15:00
|19:19
|26:04
|29:15
|34:25
|39:40
|47:15
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|''[https://www.youtube.com/watch?v=xlpOlC8Yn94 Den_Haag_050424]''
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|0:14
|4:38
|9:40
|14:28
|21:39
|26:13
|30:05
|34:18
|38:38
|42:35
|48:53
|53:02
|58:40
|64:14
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|[https://www.youtube.com/watch?v=9n1r2gYFMDg ''Lisbon_120424_A'']
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|0:00
|3:34
|10:15
|13:38
|18:19
|22:50
|29:42
|34:32
|38:03
|42:35
|46:25
|50:19
|54:34
|59:16
|64:03
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|''[https://www.youtube.com/watch?v=a2BBmb_0B0k Oslo_300924]''
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|0:03
|4:33
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|20:40
|26:05
|34:17
|38:34
|43:42
|48:24
|52:22
|56:11
|62:40
|65:18
|71:32
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|''[https://www.youtube.com/watch?v=KCKl8qwx_O4 Stockholm_021024]''
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|0:06
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|10:22
|13:28
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|23:18
|29:31
|35:11
|44:22
|49:27
|55:53
|62:58
|68:57
|74:16
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|''[https://www.youtube.com/watch?v=HluNk9R53l8 Riga_041024]''
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|0:00
|4:31
|10:14
|18:30
|24:35
|29:32
|34:55
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|42:48
|47:22
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|''[https://www.youtube.com/watch?v=b2is1FnLrNw Copenhagen_061024]''
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|0:02
|4:46
|11:06
|15:28
|19:19
|26:59
|33:12
|38:52
|48:03
| 53:08
|59:36
| 67:09
|71:50
|78:30
|85:19
|90:22
|}

*'''#1''' ''(fan name: T2)''
*'''#2-4''' '''"ecol4"'''<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=So, you can hear a bit of ecol[4] in the set, ecol4 that was basically like the ecol4 that's on PLUS when we started out.}}</ref> ''(fan name: ical7)''
*'''#5-6''' ''(fan name: L cemp)''
*'''#7-8''' Contains elements of '''"F7"''' ''(fan name: F4)''
*'''#9-11''' ''(fan name: prin Cur)''
*'''#12-13''' ''(fan name: asle 1)''
*'''#14-15''' ''(fan name: M3 Luni)''
*'''#16-18''' ''(fan name: osin PM)''
*'''#19''' ''(fan name: nal.1)''
*'''#20-22''' ''(fan name: corcine)''
*'''#23-24''' ''(fan name: drane3)''
*'''#25''' Contains a segment of the [https://www.youtube.com/watch?v=jgMArRJswIQ 12/15/22 demo]
**In the top right corner of the demo, "three tone" is written, possibly indicating the section title. Also in the demo, one of the files loaded into a sampler (likely indicating a sample used in the live material) is Gap Band's [https://www.youtube.com/watch?v=zSsXRWhfN3w&pp=ygUpQnVybiBSdWJiZXIgT24gTWUgKFdoeSBZb3UgR290dGEgSHVydCBNZSk%3D "Burn Rubber On Me (Why You Wanna Hurt Me)"]
*'''#26'''
*'''#27'''
*'''#28''' Contains a segment of the [https://www.youtube.com/watch?v=3poN6FDyB28 12/10/22 demo]
** For the demo, it was captioned with “Reasonable facsimile of the Levee Breaks snare from a model made of water and spider silk (?!) who knew” with alt text further clarifying "A video showing a modelled snare drum roughly emulating the snare drum from When The Levee Breaks by Led Zeppelin". The snare4ml shown is an example snare instrument from [https://forum.ircam.fr/projects/detail/modalys/ Modalys for Max], with Modalys also appearing in the 15th demo for its custom-made clarinet instrument.<ref>Observation by sfn / Davide Vin</ref>
*'''#29'''
*'''#30'''
*'''#31'''
*'''#32'''
*'''#33'''
*'''#34'''
*'''#35'''
*'''#36'''
*'''#37''' Contains elements of the [https://www.youtube.com/watch?v=UE8ug56Ijls 07/26/23 demo]
**Description by Sean: "after someone pointed out that our cascade sequencer was in fact a simple markov chain i made a version with weights instead of switches. quick demo:"
*'''#38'''
*'''#39'''
*'''#40'''
*'''#41''' Contains a segment of the [https://www.youtube.com/watch?v=_R3JorLEwNE 12/16/23 demo] without manipulations
**Alt text: "fuckery", Description by Sean: "This has to be illegal"<ref name=":1" />
*'''#42'''
*'''#43'''
*'''#44'''
*'''#45'''
*'''#46''' Contains elements of the [https://www.youtube.com/watch?v=_R3JorLEwNE 12/16/23 demo]
*'''#47'''
*'''#48'''
*'''#49'''
*'''#50'''

== Trivia==

*The CAT number, WARP444, was likely specifically requested by Autechre, to reference the song "444" off their first album, ''[[Incunabula]]''.
*The main cover art for ''AE_LIVE 2022－'' consists of all the individual set art overlaid on top of each other.

==Gallery==
<gallery>
File:AE LIVE MILAN 010722.jpg|AE_LIVE_MILAN_010722
File:AE LIVE ATHENS 050722.jpg|AE_LIVE_ATHENS_050722
File:AE LIVE HELSINKI 110922.jpg|AE_LIVE_HELSINKI_110922
File:AE LIVE LONDON 071022 A.jpg|AE_LIVE_LONDON_071022_A
File:AE LIVE LONDON 071022 B.jpg|AE_LIVE_LONDON_071022_B
File:AE LIVE BERGEN 021122.jpg|AE_LIVE_BERGEN_021122
File:AE LIVE TURIN 041122.jpg|AE_LIVE_TURIN_041122
</gallery>

==Tracklist==
{{Tracklist|list=
{{tl section|section=AE_LIVE 2022－ (original release)}}
{{tl track|number=1|title=AE_LIVE_MILAN_010722|length=1:06:56}}
{{tl track|number=2|title=AE_LIVE_ATHENS_050722|length=1:20:03}}
{{tl track|number=3|title=AE_LIVE_HELSINKI_110922|length=1:11:07}}
{{tl track|number=4|title=AE_LIVE_LONDON_071022_A|length=59:48}}
{{tl track|number=5|title=AE_LIVE_LONDON_071022_B|length=59:33}}
{{tl track|number=6|title=AE_LIVE_BERGEN_021122|length=1:07:59}}
{{tl track|number=7|title=AE_LIVE_TURIN_041122|length=1:00:45}}
{{tl finaltime|time=7:46:12}}
{{tl section|section=AE_2022－ (2024 additions)}}
{{tl track|number=8|title=AE_MELBOURNE_250823|length=1:00:36}}
{{tl track|number=9|title=AE_SYDNEY_270823|length=1:12:08}}
{{tl track|number=10|title=AE_VENICE_261023|length=1:09:30}}
{{tl track|number=11|title=AE_DUBLIN_291023|length=1:20:18}}
{{tl track|number=12|title=AE_BRUSSELS_040424|length=1:15:01}}
{{tl track|number=13|title=AE_PARIS_060424|length=1:27:08}}
{{tl track|number=14|title=AE_RENNES_0070424|length=1:05:27}}
{{tl track|number=15|title=AE_BARCELONA_090424|length=1:19:11}}
{{tl track|number=16|title=AE_MADRID_100424|length=1:26:27}}
{{tl track|number=17|title=AE_LISBON_120424_B|length=1:02:42}}
{{tl track|number=18|title=AE_KREMS_270424|length=1:15:40}}
{{tl track|number=19|title=AE_LYON_070524|length=1:27:44}}
{{tl finaltime|time=22:48:04}}
}}

==Links==

*[https://autechre.warp.net/release/408603-autechre-aelive-2022 AE_STORE]
*[https://bleep.com/release/430787-autechre-aelive-2022 Bleep]
*[https://www.discogs.com/master/3199512-Autechre-AE_LIVE-2022 Discogs]
*[https://twitter.com/WarpRecords/status/1689637725731954688 Announcement Tweet]

==References==
<references />
[[Category:Live]]
[[Category:Compilation]]

AE 2022－

2024-11-04T20:01:27Z

Quants0:

{{DISPLAYTITLE:AE_2022－}}
{{Infobox
|title=AE_2022－
|artist=[[Autechre]]
|cover=AE LIVE 2022.jpg
|date=10 August 2023 (Milan 2022 - Turin 2022)
4 November 2024 (Melbourne 2023 - Lyon 2024)
|label=Warp Records (WARP444)
|previous=[[PLUS]]
|previous year=2020
|next=
|next year=
}}
'''''AE_2022－''','' otherwise known as '''''AE_LIVE 2022－''','' '''''2022 dash'''''<ref name=":2">https://metalmagazine.eu/en/post/autechre</ref> or the '''''twentytwentytwo''''' tour,<ref>https://autechre.warp.net/twentytwentytwo</ref> is a compilation of nineteen soundboard recordings taken from live shows performed throughout 2022, 2023 and 2024. The first batch was released on August 10th, 2023. The second batch was released on November 4th, 2024.

==History==
On March 9th, 2022, the ''twentytwentytwo'' tour was officially announced.<ref>https://twitter.com/WarpRecords/status/1501513203431493639</ref>

During the [[Sean Twitch AMA, June 2022]], Sean answered a few questions regarding the live material after having performed the first show of the twentytwentytwo tour. The tour was initially planned to be held in 2020, before the COVID-19 pandemic delayed the tour. Sean mentioned that on his end, he spent the time reworking the back end, getting interested in MC (multi-channel audio in Max), physical modelling<ref name=":0">{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''“Do you like the new Mac chip situation? Is it any different to work on compared to the old CPU?”''' Yes. So my patch was using about 75, 80% towards the end of last year or the year before, whenever it was I got it, and then, yeah, I got the M1 and then it was just flying! 30%, just flying! Just absolutely insane! So there's no turning back now I'm fucked because I'm filling it up already. Loads of Live physmod things, and things that were a bit, you know, expensive. So yeah, I love it. Just amazing, kind of a little bit too much if anything, and the disking out speeds are amazing. The transitions are all super tight. The timing's super tight. All the control rate stuff is super tight. So yeah, I think if you're using Max and you've got an M1, you're basically living the dream at this point. it's just insane.}}</ref> (such as [https://forum.ircam.fr/projects/detail/modalys/ Modalys]), and scratching (as seen on Gescom's ''[[AMKS_1]]'')''.''<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Basically when COVID hit, I had a lot of time on my hands to rebuild a lot of it. So it's, yeah, it’s a lot of it you wouldn't even notice because a lot of it's just porting things to Gen that didn't need to be ported but just because I wanted a bit more control, and that led me off on loads of tangents because once you start building basic things like oscillators, you get a bit mad with all the options. So yeah, that happened and then I got heavily into MC, and then that happened. And then I built a lot more [physical] modeling stuff, and I did that scratching thing that we used on that Gescom thing that we've done about just over a year ago. And then did that and then, and then, yeah the set sort of grew out of all that tech basically. So sty listically, it's not that far off what we've been doing for the last few years because I think we're still in the same sort of place mentally. But, tech wise, the underlying, the kind of back end stuff is all fresh.}}</ref> The end product was Sean noting that, on his side, he had about three and a half hours of total material prepared that may or may not be shown.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=[...] I mean some, they will share elements and the probably, I mean in all likelihood it'll be mostly similar material but there's a bunch of material that's not aired yet. That's because we've had too long to work on this fucking set, right, so. Least my part of the set is, I don't know, like three and a half hours of stuff, so I don't know how much of it will end up using.}}</ref>

The first show of the tour was performed at Primavera in Barcelona on June 3rd, 2022, however, due to issues of negotiating the rights to the soundboard from Primavera as well as messing up the recording, it was left off the release.<ref>[[Sean AMA Transcript 220605#:~:text%3DYeah%2C%20there's%20not%20really%20any%20good%20pictures%2C%20but%20the%20problem%20was%20with%20Primavera%2C|<nowiki/>]]{{Cite interview|page=Sean Twitch AMA, June 2022|quote=[...] the problem was with Primavera, they were trying to get rights for everything, right? So they were trying to get broadcast, they were trying to record it, you know? Obviously we're thinking about releasing them, so we didn't want to okay it. We ended up fucking up the recording anyway, so it wouldn't have mattered.}}</ref> The show in Den Haag on April 5th, 2024 also had a failed recording because they forgot to hit record.<ref>https://web.archive.org/web/20240406161357/https://post.lurk.org/@sean_ae/112224480826307858</ref>

"AE_LIVE_HELSINKI_110922_LTD" was released early exclusively to attendants of the show on October 4th, 2022, due to technical issues during the show.<ref>{{Cite web|author=RaelGenious|title=Exclusive release incoming for Helsinki attendees|website=Reddit|date=26 September 2022|link=https://www.reddit.com/r/autechre/comments/xobdtd/exclusive_release_incoming_for_helsinki_attendees/|accessdate=25 March 2024}}</ref> Small glitches such as pops and audio dropouts appeared early into the show and got progressively more distracting as the show went on. A possible explanation is that the venue's poor subwoofer setup, exacerbated by the set's use of heavy sub-bass, experienced a coil short circuit leading to the malfunctions.<ref>{{Cite web|author=avalyn__|title=There were some audio issues during Helsinki gig.|website=Reddit|date=11 September 2022|link=https://www.reddit.com/r/autechre/comments/xbspfv/there_were_some_audio_issues_during_helsinki_gig/?rdt=51772|accessdate=25 March 2024}} </ref><ref>{{Cite web|author=dcom|title=Comment in Autechre. Live. Twentytwentytwo.|website=We Are The Music Makers|date=15 September 2022|link=https://www.reddit.com/r/autechre/comments/xobdtd/exclusive_release_incoming_for_helsinki_attendees/|accessdate=25 March 2024}}</ref> The soundboard was sent out as is without mastering as an apology, and was later re-released with proper mastering.

On August 7th, 2023, Warp sent out an announcement to sign up for to the newsletter.<ref>https://twitter.com/WarpRecords/status/1688580822519951360</ref> The following day, ''AE_LIVE 2022－'' was officially announced,<ref>https://www.reddit.com/r/autechre/comments/15ln5o3/ae_live_2022_out_thursday/</ref> and the first batch of 2022 shows from Milan to Turin was released individually and as a compilation on the 10th. The en dash added to the end of the title indicated the possibility of future sets being added at a later date.

On October 25th, 2024, Warp again sent out a newsletter sign-up announcement, with 12 dates listed.<ref>https://x.com/WarpRecords/status/1849844754197987687#m</ref><ref>https://www.instagram.com/warprecords/p/DBjZTuNIg1A/?hl=en</ref> On November 4th, 2024, twelve sets from Melbourne 2023 to Lyon 2024 were released individually and added onto the now renamed compilation ''AE_2022－'', dropping the "LIVE" part both in the compilation title and sets names.<ref>https://web.archive.org/web/20241104173202/https://autechre.warp.net/release/476436-autechre-ae2022</ref>

In a Mastodon thread late 2023, Sean gave an update that the material ended up becoming one long track they just kept adding onto. At that point, it was "about 4 hours long so far and growing steadily", noting it was the "most interesting thing we’ve done in ages from our POV." <ref>[https://web.archive.org/web/20231118215345/https://post.lurk.org/@sean_ae/111433472440615681#:~:text=We%20took%20a,from%20our%20POV. @sean_ae Mastodon post, November 18, 2023]</ref> In an interview in October 2024, they mentioned that "we could keep [the current live shows] going for another ten years."<ref name=":2" />  

During a mixlr stream on March 21st, 2020, Sean mentioned in chat that the "live set is 99% complete just need to do the intro."<ref>https://ra.co/news/72301</ref> [[ae mixlr 300320|In a later mixlr stream on the 30th]] while Sean was quickly skimming through their jams folder, he showed off a few seconds of the (then unknown) in-development live material (specifically segments '''#2, #3''' and '''#5'''). In December 2022, Sean posted two Max demos to Mastodon; [https://www.youtube.com/watch?v=3poN6FDyB28 one on December 10th] and [https://www.youtube.com/watch?v=jgMArRJswIQ one on December 15th], which were both bits of segments '''#28''' and '''#25''' respectively. In 2023, two more demos were posted, with [https://www.youtube.com/watch?v=UE8ug56Ijls July 26th's "Markov Chain"] and [https://www.youtube.com/watch?v=_R3JorLEwNE 16th December's "Fuckery"]<ref name=":1">https://web.archive.org/web/20231221224324/https://post.lurk.org/@sean_ae/111591524233807832</ref> for segments '''#37''' and '''#41/46'''.

The main equipment used for the tour are two M1<ref name=":0" /> Macs running Max/MSP, Kenton Killamix controllers, Apogee Symphony Desktop, Apogee Element 24, and Sound Devices 888.<ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote='''Can u describe the live setup of the last gigs, laptop, controllers, souncard, thx''' I mean you know, two, I mean the latest ones are just two M1 Macs, Kenton Killamix controllers, two interfaces; I've got an Apogee Symphony Desktop, Rob's using the Apogee Element 24. The mixer is like a little Mackie Onyx12 channel thing just because it fits on a plane easily, and it's easier to get around. And it's replaceable if it breaks, you know, it's not, we're not relying on some esoteric mixer being found by the promoter at the last minute, so. Because that's always a consideration, you know? There's only the controllers really that be hard to source. So we often carry spares like if we're on a tour bus, we'll have spares of the controllers we’ll source.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''What's your live setup nowadays?''' Two Macs, and these Kenton Killamix things, and a couple of interfaces.}}</ref><ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Tebbisimo: [...] What audio interface you using on the live sets ATM? [...]''' XH HX: i'm using apogee symphony desktop lately which i really rate but before that was using apogee element 24 (also good but harder to get now) and before that was using RME ADI2 converter (had to stop since apple borked the optical port but i loved that thing). i also got a MOTU M2 which is mad value for ESS sabre converters if u want something cheapish}}</ref><ref>https://web.archive.org/web/20240509143259/https://post.lurk.org/@sean_ae/112400607304881021</ref> In 2024, they got four custom-made Killamix Minis.<ref>https://web.archive.org/web/20240309004321/https://post.lurk.org/@sean_ae/112054867478643903</ref>

==Analysis==
Main analysis by [[User:Zythion|Zythion]] and [[User:EnergyIsMassiveLight|EnergyIsMassiveLight]]. Fan titles taken from fan-edit TT2- (AE_LIVE 2022 Exclusives).<ref>{{Cite web|author=Twistrose|title=TT2－ (AE_LIVE 2022 Exclusives)|website=Reddit|date=19 August 2023|link=https://www.reddit.com/r/autechre/comments/15vkklu/tt2_ae_live_2022_exclusives/|accessdate=25 March 2024}}</ref> Officially released sets are highlighted in bold while the unreleased sets with bootleg recordings are italicized.

'''<big>The timestamps below are still a work in progress and are not final. (note: currently new 23-24 sets still have old bootleg timestamps)</big>'''

{| class="wikitable"
!
!#1
! #2
!#3
!#4
!#5
!#6
!#7
!#8
!#9
!#10
!#11
! #12
!#13
!#14
!#15
! #16
!#17
!#18
!#19

!#20
!#21
!#22
!#23
!#24
!#25
!#26
!#27
!#28
!#29
!#30
!#31
!#32
!#33
!#34
!#35
!#36
!#37
!#38
!#39
!#40
!#41
!#42
!#43
!#44
!#45
!#46
!#47
!#48
!#49
!#50
|-
|'''MILAN_010722'''
|0:00
|7:06
|12:02
|17:59
|24:20
|31:42
|35:47
|41:09
|46:23
|51:29
|57:40
|62:14
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|-
|'''ATHENS_050722'''
|0:00
|7:41
|14:16
|20:00
|25:32
|32:54
|36:17
|41:28
|46:42
|51:48
|57:30
|64:02
|69:03
|73:53
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|-
|'''HELSINKI_110922'''
|0:00
|7:42
|12:50
|18:10
|24:19
|31:41
|35:40
|40:50
|46:38
|51:44
|57:15
|64:27
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|-
|'''LONDON_071022_A'''
|0:00
|6:12
|9:54
|14:36
|19:20
|26:05
|29:16
|33:18
|37:13
|42:19
|47:13
|53:06
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|'''LONDON_071022_B'''
|
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|0:00
|5:51
|9:46
|15:26
|22:05
|25:14
|32:59
|36:56
|42:50
|46:24
|52:12
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|-
|'''BERGEN_021122'''
|0:00
|7:00
|10:42
|15:00
|19:19
|26:04
|29:15
|33:16
|37:12
|42:18
|47:08
|52:23
|56:09
|59:47
|63:52
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|-
|'''TURIN_041122'''
| 0:00
| 5:59
|9:42
|14:01
|18:19
|25:05
|28:15
|32:17
|36:12
|41:18
|46:09
|52:41
|57:42
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|-
|'''MELBOURNE_250823'''
|0:00
|7:53
|12:37
|18:21
|24:06
|31:28
|35:31
|40:50
|46:04
|51:10
|56:01
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|'''SYDNEY_270823'''
|
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|0:00
|5:04
|12:00
|16:24
|21:24
|26:13
|33:14
|38:43
|43:33
|48:25
|52:54
|57:41
|64:25
|69:16
|
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|-
|'''VENICE_261023'''
|
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|0:16
|6:06
|10:56
|16:11
|19:32
|21:21
|23:34
|26:11
|29:09
|35:07
|38:16
|46:01
|48:36
|53:52
|57:26
|63:13
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|'''DUBLIN_291023'''
|
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|0:00
|4:41
|11:38
|16:01
|21:49
|28:26
|39:30
|46:04
|52:30
|56:31
|60:20
|62:48
|67:27
|71:17
|75:31
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|'''BRUSSELS_040424'''
|
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|0:00
|5:24
|11:53
|15:58
|20:58
|25:47
|33:14
|38:04
|42:50
|47:22
|51:02
|54:55
|59:54
|64:48
|69:12
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|-
|'''PARIS_060424'''
|
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|0:06
|5:12
|11:43
|15:26
|20:18
|25:06
|31:11
|36:46
|40:38
|44:44
|49:04
|52:39
|58:20
|62:56
|68:34
|72:58
|77:03
|82:26
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|'''RENNES_070424'''
|
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|0:00
|6:17
|10:30
|17:57
|22:30
|27:41
|35:40
|39:47
|43:39
|50:03
|54:27
|59:55
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|-
|'''BARCELONA_090424'''
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|0:07
|5:06
|10:50
|18:33
|23:38
|27:51
|32:24
|36:36
|40:48
|45:56
|50:50
|56:50
|61:04
|64:39
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|'''MADRID_100424'''
|
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|0:00
|2:00
|7:06
|14:52
|20:41
|26:05
|30:16
|35:17
|39:30
|45:44
|49:59
|55:04
|59:19
|63:15
|67:27
|71:27
|75:05
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|'''LISBON_120424_B'''
|
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|0:00
|5:38
|11:56
|15:57
|20:11
|26:37
|32:17
|37:38
|46:18
|51:24
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|'''KREMS_270424'''
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|0:00
|5:44
|9:18
|14:28
|20:30
|27:25
|33:15
|37:52
|42:34
|46:27
|50:15
|56:29
|60:28
|65:35
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|'''LYON_070524'''
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|0:25
|4:21
|9:43
|14:08
|17:19
|23:58
|29:03
|35:16
|44:27
|49:33
|56:11
|62:53
|68:54
|75:54
|83:34
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|''[https://www.youtube.com/watch?v=1hgXKUqSf4c Barcelona_030622]''
|1:01
|8:18
|12:50
|18:59
|24:45
|32:30
|35:40
|45:31
|48:46
|52:04
|54:39
|59:14
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|''Tokyo_180823''
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|[https://twitter.com/alphabill/status/1692597066193854709]
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|''[https://soundcloud.com/ignas-gutauskas/autechre-live-at-teatr-laznia-nowa-krakow-2023-10-06 Krakow_061023]''
|0:00
|6:36
|10:42
|15:00
|19:19
|26:04
|29:15
|34:25
|39:40
|47:15
|52:27
|57:41
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|''[https://www.youtube.com/watch?v=xlpOlC8Yn94 Den_Haag_050424]''
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|0:14
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|9:40
|14:28
|21:39
|26:13
|30:05
|34:18
|38:38
|42:35
|48:53
|53:02
|58:40
|64:14
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|[https://www.youtube.com/watch?v=9n1r2gYFMDg ''Lisbon_120424_A'']
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|64:03
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|''[https://www.youtube.com/watch?v=a2BBmb_0B0k Oslo_300924]''
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|''[https://www.youtube.com/watch?v=KCKl8qwx_O4 Stockholm_021024]''
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|0:06
|5:00
|10:22
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|23:18
|29:31
|35:11
|44:22
|49:27
|55:53
|62:58
|68:57
|74:16
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|''[https://www.youtube.com/watch?v=HluNk9R53l8 Riga_041024]''
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|0:00
|4:31
|10:14
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|34:55
|38:55
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|47:22
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|''[https://www.youtube.com/watch?v=b2is1FnLrNw Copenhagen_061024]''
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|0:02
|4:46
|11:06
|15:28
|19:19
|26:59
|33:12
|38:52
|48:03
| 53:08
|59:36
| 67:09
|71:50
|78:30
|85:19
|90:22
|}

*'''#1''' ''(fan name: T2)''
*'''#2-4''' '''"ecol4"'''<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=So, you can hear a bit of ecol[4] in the set, ecol4 that was basically like the ecol4 that's on PLUS when we started out.}}</ref> ''(fan name: ical7)''
*'''#5-6''' ''(fan name: L cemp)''
*'''#7-8''' Contains elements of '''"F7"''' ''(fan name: F4)''
*'''#9-11''' ''(fan name: prin Cur)''
*'''#12-13''' ''(fan name: asle 1)''
*'''#14-15''' ''(fan name: M3 Luni)''
*'''#16-18''' ''(fan name: osin PM)''
*'''#19''' ''(fan name: nal.1)''
*'''#20-22''' ''(fan name: corcine)''
*'''#23-24''' ''(fan name: drane3)''
*'''#25''' Contains a segment of the [https://www.youtube.com/watch?v=jgMArRJswIQ 12/15/22 demo]
**In the top right corner of the demo, "three tone" is written, possibly indicating the section title. Also in the demo, one of the files loaded into a sampler (likely indicating a sample used in the live material) is Gap Band's [https://www.youtube.com/watch?v=zSsXRWhfN3w&pp=ygUpQnVybiBSdWJiZXIgT24gTWUgKFdoeSBZb3UgR290dGEgSHVydCBNZSk%3D "Burn Rubber On Me (Why You Wanna Hurt Me)"]
*'''#26'''
*'''#27'''
*'''#28''' Contains a segment of the [https://www.youtube.com/watch?v=3poN6FDyB28 12/10/22 demo]
** For the demo, it was captioned with “Reasonable facsimile of the Levee Breaks snare from a model made of water and spider silk (?!) who knew” with alt text further clarifying "A video showing a modelled snare drum roughly emulating the snare drum from When The Levee Breaks by Led Zeppelin". The snare4ml shown is an example snare instrument from [https://forum.ircam.fr/projects/detail/modalys/ Modalys for Max], with Modalys also appearing in the 15th demo for its custom-made clarinet instrument.<ref>Observation by sfn / Davide Vin</ref>
*'''#29'''
*'''#30'''
*'''#31'''
*'''#32'''
*'''#33'''
*'''#34'''
*'''#35'''
*'''#36'''
*'''#37''' Contains elements of the [https://www.youtube.com/watch?v=UE8ug56Ijls 07/26/23 demo]
**Description by Sean: "after someone pointed out that our cascade sequencer was in fact a simple markov chain i made a version with weights instead of switches. quick demo:"
*'''#38'''
*'''#39'''
*'''#40'''
*'''#41''' Contains a segment of the [https://www.youtube.com/watch?v=_R3JorLEwNE 12/16/23 demo] without manipulations
**Alt text: "fuckery", Description by Sean: "This has to be illegal"<ref name=":1" />
*'''#42'''
*'''#43'''
*'''#44'''
*'''#45'''
*'''#46''' Contains elements of the [https://www.youtube.com/watch?v=_R3JorLEwNE 12/16/23 demo]
*'''#47'''
*'''#48'''
*'''#49'''
*'''#50'''

== Trivia==

*The CAT number, WARP444, was likely specifically requested by Autechre, to reference the song "444" off their first album, ''[[Incunabula]]''.
*The main cover art for ''AE_LIVE 2022－'' consists of all the individual set art overlaid on top of each other.

==Gallery==
<gallery>
File:AE LIVE MILAN 010722.jpg|AE_LIVE_MILAN_010722
File:AE LIVE ATHENS 050722.jpg|AE_LIVE_ATHENS_050722
File:AE LIVE HELSINKI 110922.jpg|AE_LIVE_HELSINKI_110922
File:AE LIVE LONDON 071022 A.jpg|AE_LIVE_LONDON_071022_A
File:AE LIVE LONDON 071022 B.jpg|AE_LIVE_LONDON_071022_B
File:AE LIVE BERGEN 021122.jpg|AE_LIVE_BERGEN_021122
File:AE LIVE TURIN 041122.jpg|AE_LIVE_TURIN_041122
</gallery>

==Tracklist==
{{Tracklist|list=
{{tl section|section=AE_LIVE 2022－ (original release)}}
{{tl track|number=1|title=AE_LIVE_MILAN_010722|length=1:06:56}}
{{tl track|number=2|title=AE_LIVE_ATHENS_050722|length=1:20:03}}
{{tl track|number=3|title=AE_LIVE_HELSINKI_110922|length=1:11:07}}
{{tl track|number=4|title=AE_LIVE_LONDON_071022_A|length=59:48}}
{{tl track|number=5|title=AE_LIVE_LONDON_071022_B|length=59:33}}
{{tl track|number=6|title=AE_LIVE_BERGEN_021122|length=1:07:59}}
{{tl track|number=7|title=AE_LIVE_TURIN_041122|length=1:00:45}}
{{tl finaltime|time=7:46:12}}
{{tl section|section=AE_2022－ (2024 additions)}}
{{tl track|number=8|title=AE_MELBOURNE_250823|length=1:00:36}}
{{tl track|number=9|title=AE_SYDNEY_270823|length=1:12:08}}
{{tl track|number=10|title=AE_VENICE_261023|length=1:09:30}}
{{tl track|number=11|title=AE_DUBLIN_291023|length=1:20:18}}
{{tl track|number=12|title=AE_BRUSSELS_040424|length=1:15:01}}
{{tl track|number=13|title=AE_PARIS_060424|length=1:27:08}}
{{tl track|number=14|title=AE_RENNES_0070424|length=1:05:27}}
{{tl track|number=15|title=AE_BARCELONA_090424|length=1:19:11}}
{{tl track|number=16|title=AE_MADRID_100424|length=1:26:27}}
{{tl track|number=17|title=AE_LISBON_120424_B|length=1:02:42}}
{{tl track|number=18|title=AE_KREMS_270424|length=1:15:40}}
{{tl track|number=7|title=AE_LYON_070524|length=1:27:44}}
{{tl finaltime|time=22:48:04}}
}}

==Links==

*[https://autechre.warp.net/release/408603-autechre-aelive-2022 AE_STORE]
*[https://bleep.com/release/430787-autechre-aelive-2022 Bleep]
*[https://www.discogs.com/master/3199512-Autechre-AE_LIVE-2022 Discogs]
*[https://twitter.com/WarpRecords/status/1689637725731954688 Announcement Tweet]

==References==
<references />
[[Category:Live]]
[[Category:Compilation]]

AE 2022－

2024-11-04T19:57:06Z

Quants0: i'll fix the total time in a bit

{{DISPLAYTITLE:AE_2022－}}
{{Infobox
|title=AE_2022－
|artist=[[Autechre]]
|cover=AE LIVE 2022.jpg
|date=10 August 2023 (Milan 2022 - Turin 2022)
4 November 2024 (Melbourne 2023 - Lyon 2024)
|label=Warp Records (WARP444)
|previous=[[PLUS]]
|previous year=2020
|next=
|next year=
}}
'''''AE_2022－''','' otherwise known as '''''AE_LIVE 2022－''','' '''''2022 dash'''''<ref name=":2">https://metalmagazine.eu/en/post/autechre</ref> or the '''''twentytwentytwo''''' tour,<ref>https://autechre.warp.net/twentytwentytwo</ref> is a compilation of nineteen soundboard recordings taken from live shows performed throughout 2022, 2023 and 2024. The first batch was released on August 10th, 2023. The second batch was released on November 4th, 2024.

==History==
On March 9th, 2022, the ''twentytwentytwo'' tour was officially announced.<ref>https://twitter.com/WarpRecords/status/1501513203431493639</ref>

During the [[Sean Twitch AMA, June 2022]], Sean answered a few questions regarding the live material after having performed the first show of the twentytwentytwo tour. The tour was initially planned to be held in 2020, before the COVID-19 pandemic delayed the tour. Sean mentioned that on his end, he spent the time reworking the back end, getting interested in MC (multi-channel audio in Max), physical modelling<ref name=":0">{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''“Do you like the new Mac chip situation? Is it any different to work on compared to the old CPU?”''' Yes. So my patch was using about 75, 80% towards the end of last year or the year before, whenever it was I got it, and then, yeah, I got the M1 and then it was just flying! 30%, just flying! Just absolutely insane! So there's no turning back now I'm fucked because I'm filling it up already. Loads of Live physmod things, and things that were a bit, you know, expensive. So yeah, I love it. Just amazing, kind of a little bit too much if anything, and the disking out speeds are amazing. The transitions are all super tight. The timing's super tight. All the control rate stuff is super tight. So yeah, I think if you're using Max and you've got an M1, you're basically living the dream at this point. it's just insane.}}</ref> (such as [https://forum.ircam.fr/projects/detail/modalys/ Modalys]), and scratching (as seen on Gescom's ''[[AMKS_1]]'')''.''<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Basically when COVID hit, I had a lot of time on my hands to rebuild a lot of it. So it's, yeah, it’s a lot of it you wouldn't even notice because a lot of it's just porting things to Gen that didn't need to be ported but just because I wanted a bit more control, and that led me off on loads of tangents because once you start building basic things like oscillators, you get a bit mad with all the options. So yeah, that happened and then I got heavily into MC, and then that happened. And then I built a lot more [physical] modeling stuff, and I did that scratching thing that we used on that Gescom thing that we've done about just over a year ago. And then did that and then, and then, yeah the set sort of grew out of all that tech basically. So sty listically, it's not that far off what we've been doing for the last few years because I think we're still in the same sort of place mentally. But, tech wise, the underlying, the kind of back end stuff is all fresh.}}</ref> The end product was Sean noting that, on his side, he had about three and a half hours of total material prepared that may or may not be shown.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=[...] I mean some, they will share elements and the probably, I mean in all likelihood it'll be mostly similar material but there's a bunch of material that's not aired yet. That's because we've had too long to work on this fucking set, right, so. Least my part of the set is, I don't know, like three and a half hours of stuff, so I don't know how much of it will end up using.}}</ref>

The first show of the tour was performed at Primavera in Barcelona on June 3rd, 2022, however, due to issues of negotiating the rights to the soundboard from Primavera as well as messing up the recording, it was left off the release.<ref>[[Sean AMA Transcript 220605#:~:text%3DYeah%2C%20there's%20not%20really%20any%20good%20pictures%2C%20but%20the%20problem%20was%20with%20Primavera%2C|<nowiki/>]]{{Cite interview|page=Sean Twitch AMA, June 2022|quote=[...] the problem was with Primavera, they were trying to get rights for everything, right? So they were trying to get broadcast, they were trying to record it, you know? Obviously we're thinking about releasing them, so we didn't want to okay it. We ended up fucking up the recording anyway, so it wouldn't have mattered.}}</ref> The show in Den Haag on April 5th, 2024 also had a failed recording because they forgot to hit record.<ref>https://web.archive.org/web/20240406161357/https://post.lurk.org/@sean_ae/112224480826307858</ref>

"AE_LIVE_HELSINKI_110922_LTD" was released early exclusively to attendants of the show on October 4th, 2022, due to technical issues during the show.<ref>{{Cite web|author=RaelGenious|title=Exclusive release incoming for Helsinki attendees|website=Reddit|date=26 September 2022|link=https://www.reddit.com/r/autechre/comments/xobdtd/exclusive_release_incoming_for_helsinki_attendees/|accessdate=25 March 2024}}</ref> Small glitches such as pops and audio dropouts appeared early into the show and got progressively more distracting as the show went on. A possible explanation is that the venue's poor subwoofer setup, exacerbated by the set's use of heavy sub-bass, experienced a coil short circuit leading to the malfunctions.<ref>{{Cite web|author=avalyn__|title=There were some audio issues during Helsinki gig.|website=Reddit|date=11 September 2022|link=https://www.reddit.com/r/autechre/comments/xbspfv/there_were_some_audio_issues_during_helsinki_gig/?rdt=51772|accessdate=25 March 2024}} </ref><ref>{{Cite web|author=dcom|title=Comment in Autechre. Live. Twentytwentytwo.|website=We Are The Music Makers|date=15 September 2022|link=https://www.reddit.com/r/autechre/comments/xobdtd/exclusive_release_incoming_for_helsinki_attendees/|accessdate=25 March 2024}}</ref> The soundboard was sent out as is without mastering as an apology, and was later re-released with proper mastering.

On August 7th, 2023, Warp sent out an announcement to sign up for to the newsletter.<ref>https://twitter.com/WarpRecords/status/1688580822519951360</ref> The following day, ''AE_LIVE 2022－'' was officially announced,<ref>https://www.reddit.com/r/autechre/comments/15ln5o3/ae_live_2022_out_thursday/</ref> and the first batch of 2022 shows from Milan to Turin was released individually and as a compilation on the 10th. The en dash added to the end of the title indicated the possibility of future sets being added at a later date.

On October 25th, 2024, Warp again sent out a newsletter sign-up announcement, with 12 dates listed.<ref>https://x.com/WarpRecords/status/1849844754197987687#m</ref><ref>https://www.instagram.com/warprecords/p/DBjZTuNIg1A/?hl=en</ref> On November 4th, 2024, twelve sets from Melbourne 2023 to Lyon 2024 were released individually and added onto the now renamed compilation ''AE_2022－'', dropping the "LIVE" part both in the compilation title and sets names.<ref>https://web.archive.org/web/20241104173202/https://autechre.warp.net/release/476436-autechre-ae2022</ref>

In a Mastodon thread late 2023, Sean gave an update that the material ended up becoming one long track they just kept adding onto. At that point, it was "about 4 hours long so far and growing steadily", noting it was the "most interesting thing we’ve done in ages from our POV." <ref>[https://web.archive.org/web/20231118215345/https://post.lurk.org/@sean_ae/111433472440615681#:~:text=We%20took%20a,from%20our%20POV. @sean_ae Mastodon post, November 18, 2023]</ref> In an interview in October 2024, they mentioned that "we could keep [the current live shows] going for another ten years."<ref name=":2" />  

During a mixlr stream on March 21st, 2020, Sean mentioned in chat that the "live set is 99% complete just need to do the intro."<ref>https://ra.co/news/72301</ref> [[ae mixlr 300320|In a later mixlr stream on the 30th]] while Sean was quickly skimming through their jams folder, he showed off a few seconds of the (then unknown) in-development live material (specifically segments '''#2, #3''' and '''#5'''). In December 2022, Sean posted two Max demos to Mastodon; [https://www.youtube.com/watch?v=3poN6FDyB28 one on December 10th] and [https://www.youtube.com/watch?v=jgMArRJswIQ one on December 15th], which were both bits of segments '''#28''' and '''#25''' respectively. In 2023, two more demos were posted, with [https://www.youtube.com/watch?v=UE8ug56Ijls July 26th's "Markov Chain"] and [https://www.youtube.com/watch?v=_R3JorLEwNE 16th December's "Fuckery"]<ref name=":1">https://web.archive.org/web/20231221224324/https://post.lurk.org/@sean_ae/111591524233807832</ref> for segments '''#37''' and '''#41/46'''.

The main equipment used for the tour are two M1<ref name=":0" /> Macs running Max/MSP, Kenton Killamix controllers, Apogee Symphony Desktop, Apogee Element 24, and Sound Devices 888.<ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote='''Can u describe the live setup of the last gigs, laptop, controllers, souncard, thx''' I mean you know, two, I mean the latest ones are just two M1 Macs, Kenton Killamix controllers, two interfaces; I've got an Apogee Symphony Desktop, Rob's using the Apogee Element 24. The mixer is like a little Mackie Onyx12 channel thing just because it fits on a plane easily, and it's easier to get around. And it's replaceable if it breaks, you know, it's not, we're not relying on some esoteric mixer being found by the promoter at the last minute, so. Because that's always a consideration, you know? There's only the controllers really that be hard to source. So we often carry spares like if we're on a tour bus, we'll have spares of the controllers we’ll source.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''What's your live setup nowadays?''' Two Macs, and these Kenton Killamix things, and a couple of interfaces.}}</ref><ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Tebbisimo: [...] What audio interface you using on the live sets ATM? [...]''' XH HX: i'm using apogee symphony desktop lately which i really rate but before that was using apogee element 24 (also good but harder to get now) and before that was using RME ADI2 converter (had to stop since apple borked the optical port but i loved that thing). i also got a MOTU M2 which is mad value for ESS sabre converters if u want something cheapish}}</ref><ref>https://web.archive.org/web/20240509143259/https://post.lurk.org/@sean_ae/112400607304881021</ref> In 2024, they got four custom-made Killamix Minis.<ref>https://web.archive.org/web/20240309004321/https://post.lurk.org/@sean_ae/112054867478643903</ref>

==Analysis==
Main analysis by [[User:Zythion|Zythion]] and [[User:EnergyIsMassiveLight|EnergyIsMassiveLight]]. Fan titles taken from fan-edit TT2- (AE_LIVE 2022 Exclusives).<ref>{{Cite web|author=Twistrose|title=TT2－ (AE_LIVE 2022 Exclusives)|website=Reddit|date=19 August 2023|link=https://www.reddit.com/r/autechre/comments/15vkklu/tt2_ae_live_2022_exclusives/|accessdate=25 March 2024}}</ref> Officially released sets are highlighted in bold while the unreleased sets with bootleg recordings are italicized.

'''<big>The timestamps below are still a work in progress and are not final. (note: currently new 23-24 sets still have old bootleg timestamps)</big>'''

{| class="wikitable"
!
!#1
! #2
!#3
!#4
!#5
!#6
!#7
!#8
!#9
!#10
!#11
! #12
!#13
!#14
!#15
! #16
!#17
!#18
!#19

!#20
!#21
!#22
!#23
!#24
!#25
!#26
!#27
!#28
!#29
!#30
!#31
!#32
!#33
!#34
!#35
!#36
!#37
!#38
!#39
!#40
!#41
!#42
!#43
!#44
!#45
!#46
!#47
!#48
!#49
!#50
|-
|'''MILAN_010722'''
|0:00
|7:06
|12:02
|17:59
|24:20
|31:42
|35:47
|41:09
|46:23
|51:29
|57:40
|62:14
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|'''ATHENS_050722'''
|0:00
|7:41
|14:16
|20:00
|25:32
|32:54
|36:17
|41:28
|46:42
|51:48
|57:30
|64:02
|69:03
|73:53
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|'''HELSINKI_110922'''
|0:00
|7:42
|12:50
|18:10
|24:19
|31:41
|35:40
|40:50
|46:38
|51:44
|57:15
|64:27
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|'''LONDON_071022_A'''
|0:00
|6:12
|9:54
|14:36
|19:20
|26:05
|29:16
|33:18
|37:13
|42:19
|47:13
|53:06
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|'''LONDON_071022_B'''
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|0:00
|5:51
|9:46
|15:26
|22:05
|25:14
|32:59
|36:56
|42:50
|46:24
|52:12
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|'''BERGEN_021122'''
|0:00
|7:00
|10:42
|15:00
|19:19
|26:04
|29:15
|33:16
|37:12
|42:18
|47:08
|52:23
|56:09
|59:47
|63:52
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|'''TURIN_041122'''
| 0:00
| 5:59
|9:42
|14:01
|18:19
|25:05
|28:15
|32:17
|36:12
|41:18
|46:09
|52:41
|57:42
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|'''MELBOURNE_250823'''
|0:00
|7:53
|12:37
|18:21
|24:06
|31:28
|35:31
|40:50
|46:04
|51:10
|56:01
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|'''SYDNEY_270823'''
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|0:00
|5:04
|12:00
|16:24
|21:24
|26:13
|33:14
|38:43
|43:33
|48:25
|52:54
|57:41
|64:25
|69:16
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|'''VENICE_261023'''
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|0:16
|6:06
|10:56
|16:11
|19:32
|21:21
|23:34
|26:11
|29:09
|35:07
|38:16
|46:01
|48:36
|53:52
|57:26
|63:13
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|'''DUBLIN_291023'''
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|0:00
|4:41
|11:38
|16:01
|21:49
|28:26
|39:30
|46:04
|52:30
|56:31
|60:20
|62:48
|67:27
|71:17
|75:31
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|'''BRUSSELS_040424'''
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|0:00
|5:24
|11:53
|15:58
|20:58
|25:47
|33:14
|38:04
|42:50
|47:22
|51:02
|54:55
|59:54
|64:48
|69:12
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|'''PARIS_060424'''
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|0:06
|5:12
|11:43
|15:26
|20:18
|25:06
|31:11
|36:46
|40:38
|44:44
|49:04
|52:39
|58:20
|62:56
|68:34
|72:58
|77:03
|82:26
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|'''RENNES_070424'''
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|0:00
|6:17
|10:30
|17:57
|22:30
|27:41
|35:40
|39:47
|43:39
|50:03
|54:27
|59:55
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|'''BARCELONA_090424'''
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|0:07
|5:06
|10:50
|18:33
|23:38
|27:51
|32:24
|36:36
|40:48
|45:56
|50:50
|56:50
|61:04
|64:39
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|'''MADRID_100424'''
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|0:00
|2:00
|7:06
|14:52
|20:41
|26:05
|30:16
|35:17
|39:30
|45:44
|49:59
|55:04
|59:19
|63:15
|67:27
|71:27
|75:05
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|'''LISBON_120424_B'''
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|0:00
|5:38
|11:56
|15:57
|20:11
|26:37
|32:17
|37:38
|46:18
|51:24
| 57:34
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|'''KREMS_270424'''
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|0:00
|5:44
|9:18
|14:28
|20:30
|27:25
|33:15
|37:52
|42:34
|46:27
|50:15
|56:29
|60:28
|65:35
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|'''LYON_070524'''
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|0:25
|4:21
|9:43
|14:08
|17:19
|23:58
|29:03
|35:16
|44:27
|49:33
|56:11
|62:53
|68:54
|75:54
|83:34
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|-
| colspan="51" |
|-
|''[https://www.youtube.com/watch?v=1hgXKUqSf4c Barcelona_030622]''
|1:01
|8:18
|12:50
|18:59
|24:45
|32:30
|35:40
|45:31
|48:46
|52:04
|54:39
|59:14
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|''Tokyo_180823''
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|[https://twitter.com/alphabill/status/1692597066193854709]
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|''[https://soundcloud.com/ignas-gutauskas/autechre-live-at-teatr-laznia-nowa-krakow-2023-10-06 Krakow_061023]''
|0:00
|6:36
|10:42
|15:00
|19:19
|26:04
|29:15
|34:25
|39:40
|47:15
|52:27
|57:41
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|''[https://www.youtube.com/watch?v=xlpOlC8Yn94 Den_Haag_050424]''
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|0:14
|4:38
|9:40
|14:28
|21:39
|26:13
|30:05
|34:18
|38:38
|42:35
|48:53
|53:02
|58:40
|64:14
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|[https://www.youtube.com/watch?v=9n1r2gYFMDg ''Lisbon_120424_A'']
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|0:00
|3:34
|10:15
|13:38
|18:19
|22:50
|29:42
|34:32
|38:03
|42:35
|46:25
|50:19
|54:34
|59:16
|64:03
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|''[https://www.youtube.com/watch?v=a2BBmb_0B0k Oslo_300924]''
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|0:03
|4:33
|11:09
|14:50
|20:40
|26:05
|34:17
|38:34
|43:42
|48:24
|52:22
|56:11
|62:40
|65:18
|71:32
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|''[https://www.youtube.com/watch?v=KCKl8qwx_O4 Stockholm_021024]''
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|0:06
|5:00
|10:22
|13:28
|16:40
|23:18
|29:31
|35:11
|44:22
|49:27
|55:53
|62:58
|68:57
|74:16
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|''[https://www.youtube.com/watch?v=HluNk9R53l8 Riga_041024]''
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|0:00
|4:31
|10:14
|18:30
|24:35
|29:32
|34:55
|38:55
|42:48
|47:22
|49:01
|53:48
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|''[https://www.youtube.com/watch?v=b2is1FnLrNw Copenhagen_061024]''
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|0:02
|4:46
|11:06
|15:28
|19:19
|26:59
|33:12
|38:52
|48:03
| 53:08
|59:36
| 67:09
|71:50
|78:30
|85:19
|90:22
|}

*'''#1''' ''(fan name: T2)''
*'''#2-4''' '''"ecol4"'''<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=So, you can hear a bit of ecol[4] in the set, ecol4 that was basically like the ecol4 that's on PLUS when we started out.}}</ref> ''(fan name: ical7)''
*'''#5-6''' ''(fan name: L cemp)''
*'''#7-8''' Contains elements of '''"F7"''' ''(fan name: F4)''
*'''#9-11''' ''(fan name: prin Cur)''
*'''#12-13''' ''(fan name: asle 1)''
*'''#14-15''' ''(fan name: M3 Luni)''
*'''#16-18''' ''(fan name: osin PM)''
*'''#19''' ''(fan name: nal.1)''
*'''#20-22''' ''(fan name: corcine)''
*'''#23-24''' ''(fan name: drane3)''
*'''#25''' Contains a segment of the [https://www.youtube.com/watch?v=jgMArRJswIQ 12/15/22 demo]
**In the top right corner of the demo, "three tone" is written, possibly indicating the section title. Also in the demo, one of the files loaded into a sampler (likely indicating a sample used in the live material) is Gap Band's [https://www.youtube.com/watch?v=zSsXRWhfN3w&pp=ygUpQnVybiBSdWJiZXIgT24gTWUgKFdoeSBZb3UgR290dGEgSHVydCBNZSk%3D "Burn Rubber On Me (Why You Wanna Hurt Me)"]
*'''#26'''
*'''#27'''
*'''#28''' Contains a segment of the [https://www.youtube.com/watch?v=3poN6FDyB28 12/10/22 demo]
** For the demo, it was captioned with “Reasonable facsimile of the Levee Breaks snare from a model made of water and spider silk (?!) who knew” with alt text further clarifying "A video showing a modelled snare drum roughly emulating the snare drum from When The Levee Breaks by Led Zeppelin". The snare4ml shown is an example snare instrument from [https://forum.ircam.fr/projects/detail/modalys/ Modalys for Max], with Modalys also appearing in the 15th demo for its custom-made clarinet instrument.<ref>Observation by sfn / Davide Vin</ref>
*'''#29'''
*'''#30'''
*'''#31'''
*'''#32'''
*'''#33'''
*'''#34'''
*'''#35'''
*'''#36'''
*'''#37''' Contains elements of the [https://www.youtube.com/watch?v=UE8ug56Ijls 07/26/23 demo]
**Description by Sean: "after someone pointed out that our cascade sequencer was in fact a simple markov chain i made a version with weights instead of switches. quick demo:"
*'''#38'''
*'''#39'''
*'''#40'''
*'''#41''' Contains a segment of the [https://www.youtube.com/watch?v=_R3JorLEwNE 12/16/23 demo] without manipulations
**Alt text: "fuckery", Description by Sean: "This has to be illegal"<ref name=":1" />
*'''#42'''
*'''#43'''
*'''#44'''
*'''#45'''
*'''#46''' Contains elements of the [https://www.youtube.com/watch?v=_R3JorLEwNE 12/16/23 demo]
*'''#47'''
*'''#48'''
*'''#49'''
*'''#50'''

== Trivia==

*The CAT number, WARP444, was likely specifically requested by Autechre, to reference the song "444" off their first album, ''[[Incunabula]]''.
*The main cover art for ''AE_LIVE 2022－'' consists of all the individual set art overlaid on top of each other.

==Gallery==
<gallery>
File:AE LIVE MILAN 010722.jpg|AE_LIVE_MILAN_010722
File:AE LIVE ATHENS 050722.jpg|AE_LIVE_ATHENS_050722
File:AE LIVE HELSINKI 110922.jpg|AE_LIVE_HELSINKI_110922
File:AE LIVE LONDON 071022 A.jpg|AE_LIVE_LONDON_071022_A
File:AE LIVE LONDON 071022 B.jpg|AE_LIVE_LONDON_071022_B
File:AE LIVE BERGEN 021122.jpg|AE_LIVE_BERGEN_021122
File:AE LIVE TURIN 041122.jpg|AE_LIVE_TURIN_041122
</gallery>

==Tracklist==
{{Tracklist|list=
{{tl section|section=AE_LIVE 2022 - (original release)}}
{{tl track|number=1|title=AE_LIVE_MILAN_010722|length=1:06:56}}
{{tl track|number=2|title=AE_LIVE_ATHENS_050722|length=1:20:03}}
{{tl track|number=3|title=AE_LIVE_HELSINKI_110922|length=1:11:07}}
{{tl track|number=4|title=AE_LIVE_LONDON_071022_A|length=59:48}}
{{tl track|number=5|title=AE_LIVE_LONDON_071022_B|length=59:33}}
{{tl track|number=6|title=AE_LIVE_BERGEN_021122|length=1:07:59}}
{{tl track|number=7|title=AE_LIVE_TURIN_041122|length=1:00:45}}
{{tl finaltime|time=7:46:12}}
{{tl section|section=AE_2022 - (2024 additions)}}
{{tl track|number=8|title=AE_MELBOURNE_250823|length=1:00:36}}
{{tl track|number=9|title=AE_SYDNEY_270823|length=1:12:08}}
{{tl track|number=10|title=AE_VENICE_261023|length=1:09:30}}
{{tl track|number=11|title=AE_DUBLIN_291023|length=1:20:18}}
{{tl track|number=12|title=AE_BRUSSELS_040424|length=1:15:01}}
{{tl track|number=13|title=AE_PARIS_060424|length=1:27:08}}
{{tl track|number=14|title=AE_RENNES_0070424|length=1:05:27}}
{{tl track|number=15|title=AE_BARCELONA_090424|length=1:19:11}}
{{tl track|number=16|title=AE_MADRID_100424|length=1:26:27}}
{{tl track|number=17|title=AE_LISBON_120424_B|length=1:02:42}}
{{tl track|number=18|title=AE_KREMS_270424|length=1:15:40}}
{{tl track|number=7|title=AE_LYON_070524|length=1:27:44}}
{{tl finaltime|time=7:46:12}}
}}

==Links==

*[https://autechre.warp.net/release/408603-autechre-aelive-2022 AE_STORE]
*[https://bleep.com/release/430787-autechre-aelive-2022 Bleep]
*[https://www.discogs.com/master/3199512-Autechre-AE_LIVE-2022 Discogs]
*[https://twitter.com/WarpRecords/status/1689637725731954688 Announcement Tweet]

==References==
<references />
[[Category:Live]]
[[Category:Compilation]]

Minidisc

2024-10-19T14:54:50Z

Quants0: /* History */

[[Category:Album]]
[[Category:Gescom]]
{{Infobox
|title = Minidisc
|artist = [[Gescom]]
|cover = minidisc.png
|date = 27 July 1998
|label = OR (ONLY 3)
|previous = Keynell
|previous year = 1996
|next = Split Series #2
|next year = 1998
}}

'''''Minidisc''''' is the first full-length album by [[Gescom]] and their seventh overall release, released on OR Records on July 27, 1998. Originally released exclusively on minidisc, the album later received a CD reissue in 2006.

==History==
''Minidisc'' was the first album ever to be exclusively released on the minidisc format. It consists of 45 pieces which are split into 88 tracks. The album was designed to take advantage of the format's ability to shuffle tracks completely seamlessly, which no other format could do at the time. While the album can be listened to in album order, the album is intended to be played on shuffle mode, thus creating a unique listening experience every time. This concept could not work on CD, as players add gaps between tracks when shuffling. The experience of listening to the album in shuffle on minidisc can easily be recreated using current technology, as streaming apps such as Spotify and Apple Music, as well as many music player programs, are able to play tracks without gaps even when shuffling.

The album was initially released in a minidisc jewel case with black-on-white packaging, containing quotes about the minidisc format by Jan Maes and Simon Harris. It was rereleased in 2001, packaged similarly but colored orange-on-black, and using a different font. The album's CD issue in 2006 (as well as the version available for streaming) featured completely different artwork, depicting the album's original 1998 release being held by someone at the 2000 Prix Ars Electronica awards, where it received an Award of Distinction in Digital Musics.<ref>https://webarchive.ars.electronica.art/en/archives/prix_archive/prix_projekt.asp%3FiProjectID=2181.html</ref>

==Tracklist==

All tracks written by Rob Brown, Sean Booth, and Russell Haswell.<ref>https://img.macba.cat/public/rwm/uploads/20120508/Composingwithprocess6.2_eng.pdf</ref>

{{Tracklist|list=
{{tl track|number=1|title=Cut Begin|length=0:14}}
{{tl track|number=2|title=Cut Begin|length=0:10}}
{{tl track|number=3|title=Cut Begin|length=0:13}}
{{tl track|number=4|title=Cut Begin|length=0:08}}
{{tl track|number=5|title=Cut Begin|length=0:12}}
{{tl track|number=6|title=Cut Begin|length=0:16}}
{{tl track|number=7|title=Cut Begin|length=0:20}}
{{tl track|number=8|title=Amendment 84|length=1:05}}
{{tl track|number=9|title=Helix Shatterproof|length=1:06}}
{{tl track|number=10|title=A Newer Beginning|length=0:18}}
{{tl track|number=11|title=A Newer Beginning|length=1:09}}
{{tl track|number=12|title=Polarized Beam Splitter|length=0:37}}
{{tl track|number=13|title=Polarized Beam Splitter|length=0:09}}
{{tl track|number=14|title=Polarized Beam Splitter|length=0:43}}
{{tl track|number=15|title=Polarized Beam Splitter|length=1:19}}
{{tl track|number=16|title=Polarized Beam Splitter|length=0:22}}
{{tl track|number=17|title=Inter|length=2:41}}
{{tl track|number=18|title=R M I Corporate ID 1|length=0:09}}
{{tl track|number=19|title=Pricks|length=0:23}}
{{tl track|number=20|title=Pricks|length=3:56}}
{{tl track|number=21|title=Pricks|length=0:23}}
{{tl track|number=22|title=Pricks|length=0:06}}
{{tl track|number=23|title=Devil|length=0:30}}
{{tl track|number=24|title=Is We|length=3:08}}
{{tl track|number=25|title=Is We|length=0:51}}
{{tl track|number=26|title=Dan Dan Dan|length=0:27}}
{{tl track|number=27|title=Dan Dan Dan|length=0:14}}
{{tl track|number=28|title=Dan Dan Dan|length=0:15}}
{{tl track|number=29|title=Dan Dan Dan|length=0:16}}
{{tl track|number=30|title=Le Shark|length=0:04}}
{{tl track|number=31|title=Le Shark|length=0:05}}
{{tl track|number=32|title=Le Shark|length=0:06}}
{{tl track|number=33|title=Le Shark|length=0:06}}
{{tl track|number=34|title=Le Shark|length=0:11}}
{{tl track|number=35|title=Le Shark|length=0:18}}
{{tl track|number=36|title=Le Shark|length=0:15}}
{{tl track|number=37|title=1D Shapethrower|length=2:12}}
{{tl track|number=38|title=Shoegazer|length=4:12}}
{{tl track|number=39|title=Vermin|length=0:14}}
{{tl track|number=40|title=Vermin|length=0:48}}
{{tl track|number=41|title=Vermin|length=0:14}}
{{tl track|number=42|title=Hemiplegia 1|length=1:05}}
{{tl track|number=43|title=MCDCC|length=1:02}}
{{tl track|number=44|title=Gortex|length=0:23}}
{{tl track|number=45|title=Alf Sprey|length=0:13}}
{{tl track|number=46|title=Interchangeable World|length=0:09}}
{{tl track|number=47|title=Interchangeable World|length=0:33}}
{{tl track|number=48|title=Interchangeable World|length=1:17}}
{{tl track|number=49|title=Cranusberg|length=0:48}}
{{tl track|number=50|title=Cranusberg|length=4:15}}
{{tl track|number=51|title=Cranusberg|length=2:55}}
{{tl track|number=52|title=Raindance|length=0:38}}
{{tl track|number=53|title=Horse|length=0:04}}
{{tl track|number=54|title=New Contact Lense|length=1:30}}
{{tl track|number=55|title=Of Our Time|length=1:47}}
{{tl track|number=56|title=Crepe|length=0:04}}
{{tl track|number=57|title=Crepe|length=0:28}}
{{tl track|number=57|title=Crepe|length=0:04}}
{{tl track|number=59|title=Crepe|length=0:23}}
{{tl track|number=60|title=Wab Wat|length=0:49}}
{{tl track|number=61|title='MC|length=0:14}}
{{tl track|number=62|title=Peel|length=1:03}}
{{tl track|number=63|title=I G E|length=0:08}}
{{tl track|number=64|title=Knutsford Services|length=0:57}}
{{tl track|number=65|title=Fully|length=2:24}}
{{tl track|number=66|title=Fully|length=1:46}}
{{tl track|number=67|title=Squashed to Pureness|length=0:09}}
{{tl track|number=68|title=Squashed to Pureness|length=0:15}}
{{tl track|number=69|title=Squashed to Pureness|length=0:10}}
{{tl track|number=70|title=Squashed to Pureness|length=0:49}}
{{tl track|number=71|title=Yo! DMX Crew|length=2:47}}
{{tl track|number=72|title=Go On|length=1:36}}
{{tl track|number=73|title=Stroyer 2|length=0:20}}
{{tl track|number=74|title=_|length=1:05}}
{{tl track|number=75|title=_|length=1:05}}
{{tl track|number=76|title=Shep|length=1:08}}
{{tl track|number=77|title=Langue|length=0:08}}
{{tl track|number=78|title=Poke|length=0:10}}
{{tl track|number=79|title=Poke|length=0:15}}
{{tl track|number=80|title=Poke|length=0:31}}
{{tl track|number=81|title=Poke|length=0:14}}
{{tl track|number=82|title=Hemiplegia 2|length=0:17}}
{{tl track|number=83|title=Territory of Usage|length=0:17}}
{{tl track|number=84|title=Territory of Usage|length=0:36}}
{{tl track|number=85|title=Tomo|length=0:15}}
{{tl track|number=86|title=Tomo|length=0:17}}
{{tl track|number=87|title=R M I Corporate ID 2|length=0:07}}
{{tl track|number=88|title=PT/AE|length=0:07}}
{{tl finaltime|time=1:07:06}}
}}

== Trivia ==
*"Yo! DMX Crew" is a reference to the musician [[wikipedia:DMX Krew|DMX Krew]].
*"_" is not titled in the track listing, and on the original minidisc issue, in place of a title, the built-in metadata reads "Mastered by Denis Blackham @ Country Masters 18/03/98".
*"PT/AE" includes a sample from the film [[wikipedia:The Man Who Fell to Earth|The Man Who Fell to Earth]], which was previously sampled in "Accelera 1&2" from the [[Cavity Job]] EP.

== References ==

aepages:aepages contributors

2024-10-05T08:07:36Z

Quants0:

* [[User:Biznasty|Biznasty]] - Editor/Founder
* [[User:Demo sphere|demo sphere]] - Editor/Founder
* [[User:EnergyIsMassiveLight|EnergyIsMassiveLight]] - Editor
* Canadian Tabernacle - Provided the transcript
** https://www.reddit.com/r/autechre/comments/wpe5f3/4utechre_ama_jun_5_2022_transcript_active_wip/
** https://docs.google.com/document/d/1Vc1bf8EhYrj4cKSKkUyQcBO_MfEGd0nEo_smJz7Nmmc/edit
* [[User:Quants0|Quants]] - exists

aepages:aepages contributors

2024-10-05T08:07:20Z

Quants0: i also exist

User:Quants0

2024-10-05T06:33:58Z

Quants0:

{{Infobox
|title=arf
|artist=quenk
|date=yesterday
|label=egg records
}}

arf

Gescom

2024-09-25T18:15:42Z

Quants0:

[[Category:Gescom]]
Gescom is a musical collective that is associated with [[Autechre]]. The earliest mention of the group was under the thanks credits for ''[[Incunabula]].'' During their 2013 AMA, Rob mentioned that Gescom is a separate project from work as Autechre.<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D226</ref> Sean confirms that at least 15-20 people have been part of the group, including him and Rob.<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D301</ref> Sean also mentions that it means other people can release material without their involvement.<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D325</ref>

==Discography<ref>https://www.discogs.com/artist/49</ref>==

===Album===
*''[[Minidisc]]'' (1998)
**Written by Sean Booth, Rob Brown and Russell Haswell.<ref>https://img.macba.cat/public/rwm/uploads/20120508/Composingwithprocess6.2_eng.pdf</ref>
*''A1-D1'' (2007)

===EPs / Singles===
*''Gescom E.P.'' (1994)
**Written by Sean Booth, Rob Brown, Rob Hall, Darrell Fitton and Daniel 72.<ref>https://www.discogs.com/release/195-Gescom-Gescom-EP</ref>
*''C & D'' (1995) (also known as Gescom 2)
**Written by Rob Brown, Sean Booth, and Andy Maddocks.<ref>https://www.discogs.com/release/1927-Gescom-C-D</ref>
*''The Sounds of Machines Our Parents Used'' (1995)
*''Key Nell'' (1995)
*''Motor'' (1996)
**Written by Rob Brown and Sean Booth, potentially with other contributors.
**Despite releasing in 1996, ''Motor'' carries a 1994 copyright date. Early, rejected copies also contain contributor information which was redacted on all known copies, as well as a misspelling of the word "distributed". Later copies had the labels redesigned to remove all credits and correct the misspelled word. <ref>https://aestheticcomplexity.wordpress.com/2016/11/20/gescom-motor-ep/</ref> 
*''Keynell (Autechre remixes)'' (1996)
*''Ad Vanz Vs Gescom / Foehn - Split Series #2'' (1998)
**Written by Rob Brown and Rob Hall.<ref>https://fatcatrecords.bandcamp.com/album/split-series-2</ref>
*''This'' (1998)
*''That'' (1998)
*''ISS:SA'' (2003)
**Some tracks were made by Sean.<ref>https://imgur.com/a/sean-ae-mastodon-2024-08-23-iss-sa-sean-contribution-https-post-lurk-org-sean-ae-113010561937955988-3Ip8cz3</ref>
**"Megamix" was done with decks consisting of other Gescom records sent to and then edited on MiniDisc.<ref>https://web.archive.org/web/2/https://post.lurk.org/@sean_ae/112591899866808551</ref>
*''Skull Snap'' (2011)

===DJ Mixes===
*Disengage (1994-1996)
*''[[AMKS_1]]'' (2021)

===Rarities<ref>https://docs.google.com/spreadsheets/d/1i1o90JzFLUelov8bydmpurOCDhktdd-oMbErw8G0AXA/edit?hl=en#gid=3</ref>===
*Bronchusix
*Snorkel
**from Various Artists - Groove Techno (From Acid To Ambient). Copyrighted 1994, written by Sean Booth and Rob Brown.<ref>https://www.discogs.com/release/2496846-Various-Groove-Techno-From-Acid-To-Ambient</ref>
*Tony LeMesmer
*Sklf2
*Two Of
*Peel Xyzdub
*Stoop
**Stoop could be a collaborative piece made with Boards of Canada, due to elements of the song appearing among other BoC material as loopable background music on their defunct 2000 - 2001 website. <ref>https://youtu.be/Y6_FlG27Amo?si=_oxF3Ata71fR5TZ6&t=688</ref>
*Leritue (Gibber Mix)
** Written by Sean Booth and Rob Brown. <ref>https://www.discogs.com/release/282-Various-Alt-Frequencies-3</ref>
*Untitled ''(Mask 400)''
*Around Absolute Zero
*9Û5©03^.¶·5K70¸12i--) ..1`2`|||
**frrom Fals.ch 02. A program generating music.<ref>https://www.discogs.com/release/410894-Various-Falsch-02</ref>
*PN-1.3.15
*YXJ440M
[[File:Horizon.png|thumb|Screenshot of the program used to generate Horizon.]]
*Horizon
**Horizon is a generative piece made using the BBC BASIC programming language for the BBC Micro series of microcomputers. It was originally created by Sean in 2004 for the rand()% generative radio station by the BBC.<ref>https://forum.watmm.com/topic/59299-sean-booth-horizon/</ref>
**It was supposed to be reused for the Composing with Process radio series from [https://rwm.macba.cat/ Radio Web MACBA] in 2010, but was mistakenly credited to Sean instead of Gescom.<ref>https://forum.watmm.com/topic/58850-composing-with-process-radio-programme/?do=findComment&comment=1438583</ref><ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D315</ref><ref>https://forum.watmm.com/topic/86350-does-anyone-have-a-recording-to-share-of-sean-booths-piece-horizon/</ref> It was subsequently replaced with a piece by Ryoji Ikeda due to Warp Record's exclusivity policies.<ref>https://rwm.macba.cat/en/research/composing-process-perspectives-generative-and-systems-music-12-exclusives</ref>
**The full BBC BASIC code used to create the track is featured on the artwork of its ID3 metadata – an emulator screenshot of the program after being loaded. It only uses 6 lines.
**The track is named after the emulator that was used in its creation, [https://www.bannister.org/software/horizon.htm Horizon]. The program's filename is actually "EL25", as shown on the screenshot.

*''[[Hanalgig]]''

===Remixes===
*Push Button Objects - Non-Existant (Keyed In by Gescom)
*Man Parrish - Boogie Down Bronx (Remix)
*Hecker - Itiso161/ae (Remix - Gescom)
* Passarani - Phonok (Vacuum Party Mix)
*Kid Acne - Eddy Fresh (Gescom Remix)
*Kid Acne - Eddy Fresh (Gescom Dub Mix)

===Collaborations===
*Mira Calix – ''Ilanga''
**Production Assisted by Gescom <ref>https://www.discogs.com/release/159-Mira-Calix-Ilanga</ref>
*LSD Dream Emulator
**Art Credited to Gescom and Sean Booth<ref>https://web.archive.org/web/20231229114858/https://post.lurk.org/@sean_ae/111660687133105749</ref>

===Live Shows===
See<ref>https://ra.co/dj/gescom</ref>, also Live DJ recording at Cay Aoyama Tokyo 2000-07-01

== References ==
<references />

Category:Gescom

2024-09-25T18:15:00Z

Quants0: h

Minidisc

2024-09-22T00:49:19Z

Quants0: trivia

[[Category:Album]]
[[Category:Gescom]]
{{Infobox
|title = Minidisc
|artist = [[Gescom]]
|cover = minidisc.png
|date = 27 July 1998
|label = OR (ONLY 3)
|previous = Keynell
|previous year = 1996
|next = Split Series #2
|next year = 1998
}}

'''''Minidisc''''' is the first full-length album by [[Gescom]] and their seventh overall release, released on OR Records on July 27, 1998. Originally released exclusively on minidisc, the album later received a CD reissue in 2006.

==History==
''Minidisc'' was the first album ever to be exclusively released on the minidisc format. It consists of 45 pieces which are split into 88 tracks. The album was designed to take advantage of the format's ability to shuffle tracks completely seamlessly, which no other format could do at the time. While the album can be listened to in album order, the album is intended to be played on shuffle mode, thus creating a unique listening experience every time. This concept could not work on CD, as players add gaps between tracks when shuffling. The experience of listening to the album in shuffle on minidisc can easily be recreated using current technology, as streaming apps such as Spotify and Apple Music, as well as many music player programs, are able to play tracks without gaps even when shuffling.

The album was initially released in a minidisc jewel case with black-on-white packaging, containing quotes about the minidisc format by Jan Maes and Simon Harris. It was rereleased in 2001, packaged similarly but colored orange-on-black, and using a different font. The album's CD issue in 2006 featured completely different artwork, depicting the album's original 1998 release being held by someone at the 2000 Prix Ars Electronica awards, where it received an Award of Distinction in Digital Musics.<ref>https://webarchive.ars.electronica.art/en/archives/prix_archive/prix_projekt.asp%3FiProjectID=2181.html</ref>

==Tracklist==

All tracks written by Rob Brown, Sean Booth, and Russell Haswell.<ref>https://img.macba.cat/public/rwm/uploads/20120508/Composingwithprocess6.2_eng.pdf</ref>

{{Tracklist|list=
{{tl track|number=1|title=Cut Begin|length=0:14}}
{{tl track|number=2|title=Cut Begin|length=0:10}}
{{tl track|number=3|title=Cut Begin|length=0:13}}
{{tl track|number=4|title=Cut Begin|length=0:08}}
{{tl track|number=5|title=Cut Begin|length=0:12}}
{{tl track|number=6|title=Cut Begin|length=0:16}}
{{tl track|number=7|title=Cut Begin|length=0:20}}
{{tl track|number=8|title=Amendment 84|length=1:05}}
{{tl track|number=9|title=Helix Shatterproof|length=1:06}}
{{tl track|number=10|title=A Newer Beginning|length=0:18}}
{{tl track|number=11|title=A Newer Beginning|length=1:09}}
{{tl track|number=12|title=Polarized Beam Splitter|length=0:37}}
{{tl track|number=13|title=Polarized Beam Splitter|length=0:09}}
{{tl track|number=14|title=Polarized Beam Splitter|length=0:43}}
{{tl track|number=15|title=Polarized Beam Splitter|length=1:19}}
{{tl track|number=16|title=Polarized Beam Splitter|length=0:22}}
{{tl track|number=17|title=Inter|length=2:41}}
{{tl track|number=18|title=R M I Corporate ID 1|length=0:09}}
{{tl track|number=19|title=Pricks|length=0:23}}
{{tl track|number=20|title=Pricks|length=3:56}}
{{tl track|number=21|title=Pricks|length=0:23}}
{{tl track|number=22|title=Pricks|length=0:06}}
{{tl track|number=23|title=Devil|length=0:30}}
{{tl track|number=24|title=Is We|length=3:08}}
{{tl track|number=25|title=Is We|length=0:51}}
{{tl track|number=26|title=Dan Dan Dan|length=0:27}}
{{tl track|number=27|title=Dan Dan Dan|length=0:14}}
{{tl track|number=28|title=Dan Dan Dan|length=0:15}}
{{tl track|number=29|title=Dan Dan Dan|length=0:16}}
{{tl track|number=30|title=Le Shark|length=0:04}}
{{tl track|number=31|title=Le Shark|length=0:05}}
{{tl track|number=32|title=Le Shark|length=0:06}}
{{tl track|number=33|title=Le Shark|length=0:06}}
{{tl track|number=34|title=Le Shark|length=0:11}}
{{tl track|number=35|title=Le Shark|length=0:18}}
{{tl track|number=36|title=Le Shark|length=0:15}}
{{tl track|number=37|title=1D Shapethrower|length=2:12}}
{{tl track|number=38|title=Shoegazer|length=4:12}}
{{tl track|number=39|title=Vermin|length=0:14}}
{{tl track|number=40|title=Vermin|length=0:48}}
{{tl track|number=41|title=Vermin|length=0:14}}
{{tl track|number=42|title=Hemiplegia 1|length=1:05}}
{{tl track|number=43|title=MCDCC|length=1:02}}
{{tl track|number=44|title=Gortex|length=0:23}}
{{tl track|number=45|title=Alf Sprey|length=0:13}}
{{tl track|number=46|title=Interchangeable World|length=0:09}}
{{tl track|number=47|title=Interchangeable World|length=0:33}}
{{tl track|number=48|title=Interchangeable World|length=1:17}}
{{tl track|number=49|title=Cranusberg|length=0:48}}
{{tl track|number=50|title=Cranusberg|length=4:15}}
{{tl track|number=51|title=Cranusberg|length=2:55}}
{{tl track|number=52|title=Raindance|length=0:38}}
{{tl track|number=53|title=Horse|length=0:04}}
{{tl track|number=54|title=New Contact Lense|length=1:30}}
{{tl track|number=55|title=Of Our Time|length=1:47}}
{{tl track|number=56|title=Crepe|length=0:04}}
{{tl track|number=57|title=Crepe|length=0:28}}
{{tl track|number=57|title=Crepe|length=0:04}}
{{tl track|number=59|title=Crepe|length=0:23}}
{{tl track|number=60|title=Wab Wat|length=0:49}}
{{tl track|number=61|title='MC|length=0:14}}
{{tl track|number=62|title=Peel|length=1:03}}
{{tl track|number=63|title=I G E|length=0:08}}
{{tl track|number=64|title=Knutsford Services|length=0:57}}
{{tl track|number=65|title=Fully|length=2:24}}
{{tl track|number=66|title=Fully|length=1:46}}
{{tl track|number=67|title=Squashed to Pureness|length=0:09}}
{{tl track|number=68|title=Squashed to Pureness|length=0:15}}
{{tl track|number=69|title=Squashed to Pureness|length=0:10}}
{{tl track|number=70|title=Squashed to Pureness|length=0:49}}
{{tl track|number=71|title=Yo! DMX Crew|length=2:47}}
{{tl track|number=72|title=Go On|length=1:36}}
{{tl track|number=73|title=Stroyer 2|length=0:20}}
{{tl track|number=74|title=_|length=1:05}}
{{tl track|number=75|title=_|length=1:05}}
{{tl track|number=76|title=Shep|length=1:08}}
{{tl track|number=77|title=Langue|length=0:08}}
{{tl track|number=78|title=Poke|length=0:10}}
{{tl track|number=79|title=Poke|length=0:15}}
{{tl track|number=80|title=Poke|length=0:31}}
{{tl track|number=81|title=Poke|length=0:14}}
{{tl track|number=82|title=Hemiplegia 2|length=0:17}}
{{tl track|number=83|title=Territory of Usage|length=0:17}}
{{tl track|number=84|title=Territory of Usage|length=0:36}}
{{tl track|number=85|title=Tomo|length=0:15}}
{{tl track|number=86|title=Tomo|length=0:17}}
{{tl track|number=87|title=R M I Corporate ID 2|length=0:07}}
{{tl track|number=88|title=PT/AE|length=0:07}}
{{tl finaltime|time=1:07:06}}
}}

== Trivia ==
*"Yo! DMX Crew" is a reference to the musician [[wikipedia:DMX Krew|DMX Krew]].
*"_" is not titled in the track listing, and on the original minidisc issue, in place of a title, the built-in metadata reads "Mastered by Denis Blackham @ Country Masters 18/03/98".
*"PT/AE" includes a sample from the film [[wikipedia:The Man Who Fell to Earth|The Man Who Fell to Earth]], which was previously sampled in "Accelera 1&2" from the [[Cavity Job]] EP.

== References ==

Minidisc

2024-09-22T00:33:22Z

Quants0:

[[Category:Album]]
[[Category:Gescom]]
{{Infobox
|title = Minidisc
|artist = [[Gescom]]
|cover = minidisc.png
|date = 27 July 1998
|label = OR (ONLY 3)
|previous = Keynell
|previous year = 1996
|next = Split Series #2
|next year = 1998
}}

'''''Minidisc''''' is the first full-length album by [[Gescom]] and their seventh overall release, released on OR Records on July 27, 1998. Originally released exclusively on minidisc, the album later received a CD reissue in 2006.

==History==
''Minidisc'' was the first album ever to be exclusively released on the minidisc format. It consists of 45 pieces which are split into 88 tracks. The album was designed to take advantage of the format's ability to shuffle tracks completely seamlessly, which no other format could do at the time. While the album can be listened to in album order, the album is intended to be played on shuffle mode, thus creating a unique listening experience every time. This concept could not work on CD, as players add gaps between tracks when shuffling. The experience of listening to the album in shuffle on minidisc can easily be recreated using current technology, as streaming apps such as Spotify and Apple Music, as well as many music player programs, are able to play tracks without gaps even when shuffling.

The album was initially released in a minidisc jewel case with black-on-white packaging, containing quotes about the minidisc format by Jan Maes and Simon Harris. It was rereleased in 2001, packaged similarly but colored orange-on-black, and using a different font. The album's CD issue in 2006 featured completely different artwork, depicting the album's original 1998 release being held by someone at the 2000 Prix Ars Electronica awards, where it received an Award of Distinction in Digital Musics.<ref>https://webarchive.ars.electronica.art/en/archives/prix_archive/prix_projekt.asp%3FiProjectID=2181.html</ref>

==Tracklist==

All tracks written by Rob Brown, Sean Booth, and Russell Haswell.<ref>https://img.macba.cat/public/rwm/uploads/20120508/Composingwithprocess6.2_eng.pdf</ref>

{{Tracklist|list=
{{tl track|number=1|title=Cut Begin|length=0:14}}
{{tl track|number=2|title=Cut Begin|length=0:10}}
{{tl track|number=3|title=Cut Begin|length=0:13}}
{{tl track|number=4|title=Cut Begin|length=0:08}}
{{tl track|number=5|title=Cut Begin|length=0:12}}
{{tl track|number=6|title=Cut Begin|length=0:16}}
{{tl track|number=7|title=Cut Begin|length=0:20}}
{{tl track|number=8|title=Amendment 84|length=1:05}}
{{tl track|number=9|title=Helix Shatterproof|length=1:06}}
{{tl track|number=10|title=A Newer Beginning|length=0:18}}
{{tl track|number=11|title=A Newer Beginning|length=1:09}}
{{tl track|number=12|title=Polarized Beam Splitter|length=0:37}}
{{tl track|number=13|title=Polarized Beam Splitter|length=0:09}}
{{tl track|number=14|title=Polarized Beam Splitter|length=0:43}}
{{tl track|number=15|title=Polarized Beam Splitter|length=1:19}}
{{tl track|number=16|title=Polarized Beam Splitter|length=0:22}}
{{tl track|number=17|title=Inter|length=2:41}}
{{tl track|number=18|title=R M I Corporate ID 1|length=0:09}}
{{tl track|number=19|title=Pricks|length=0:23}}
{{tl track|number=20|title=Pricks|length=3:56}}
{{tl track|number=21|title=Pricks|length=0:23}}
{{tl track|number=22|title=Pricks|length=0:06}}
{{tl track|number=23|title=Devil|length=0:30}}
{{tl track|number=24|title=Is We|length=3:08}}
{{tl track|number=25|title=Is We|length=0:51}}
{{tl track|number=26|title=Dan Dan Dan|length=0:27}}
{{tl track|number=27|title=Dan Dan Dan|length=0:14}}
{{tl track|number=28|title=Dan Dan Dan|length=0:15}}
{{tl track|number=29|title=Dan Dan Dan|length=0:16}}
{{tl track|number=30|title=Le Shark|length=0:04}}
{{tl track|number=31|title=Le Shark|length=0:05}}
{{tl track|number=32|title=Le Shark|length=0:06}}
{{tl track|number=33|title=Le Shark|length=0:06}}
{{tl track|number=34|title=Le Shark|length=0:11}}
{{tl track|number=35|title=Le Shark|length=0:18}}
{{tl track|number=36|title=Le Shark|length=0:15}}
{{tl track|number=37|title=1D Shapethrower|length=2:12}}
{{tl track|number=38|title=Shoegazer|length=4:12}}
{{tl track|number=39|title=Vermin|length=0:14}}
{{tl track|number=40|title=Vermin|length=0:48}}
{{tl track|number=41|title=Vermin|length=0:14}}
{{tl track|number=42|title=Hemiplegia 1|length=1:05}}
{{tl track|number=43|title=MCDCC|length=1:02}}
{{tl track|number=44|title=Gortex|length=0:23}}
{{tl track|number=45|title=Alf Sprey|length=0:13}}
{{tl track|number=46|title=Interchangeable World|length=0:09}}
{{tl track|number=47|title=Interchangeable World|length=0:33}}
{{tl track|number=48|title=Interchangeable World|length=1:17}}
{{tl track|number=49|title=Cranusberg|length=0:48}}
{{tl track|number=50|title=Cranusberg|length=4:15}}
{{tl track|number=51|title=Cranusberg|length=2:55}}
{{tl track|number=52|title=Raindance|length=0:38}}
{{tl track|number=53|title=Horse|length=0:04}}
{{tl track|number=54|title=New Contact Lense|length=1:30}}
{{tl track|number=55|title=Of Our Time|length=1:47}}
{{tl track|number=56|title=Crepe|length=0:04}}
{{tl track|number=57|title=Crepe|length=0:28}}
{{tl track|number=57|title=Crepe|length=0:04}}
{{tl track|number=59|title=Crepe|length=0:23}}
{{tl track|number=60|title=Wab Wat|length=0:49}}
{{tl track|number=61|title='MC|length=0:14}}
{{tl track|number=62|title=Peel|length=1:03}}
{{tl track|number=63|title=I G E|length=0:08}}
{{tl track|number=64|title=Knutsford Services|length=0:57}}
{{tl track|number=65|title=Fully|length=2:24}}
{{tl track|number=66|title=Fully|length=1:46}}
{{tl track|number=67|title=Squashed to Pureness|length=0:09}}
{{tl track|number=68|title=Squashed to Pureness|length=0:15}}
{{tl track|number=69|title=Squashed to Pureness|length=0:10}}
{{tl track|number=70|title=Squashed to Pureness|length=0:49}}
{{tl track|number=71|title=Yo! DMX Crew|length=2:47}}
{{tl track|number=72|title=Go On|length=1:36}}
{{tl track|number=73|title=Stroyer 2|length=0:20}}
{{tl track|number=74|title=_|length=1:05}}
{{tl track|number=75|title=_|length=1:05}}
{{tl track|number=76|title=Shep|length=1:08}}
{{tl track|number=77|title=Langue|length=0:08}}
{{tl track|number=78|title=Poke|length=0:10}}
{{tl track|number=79|title=Poke|length=0:15}}
{{tl track|number=80|title=Poke|length=0:31}}
{{tl track|number=81|title=Poke|length=0:14}}
{{tl track|number=82|title=Hemiplegia 2|length=0:17}}
{{tl track|number=83|title=Territory of Usage|length=0:17}}
{{tl track|number=84|title=Territory of Usage|length=0:36}}
{{tl track|number=85|title=Tomo|length=0:15}}
{{tl track|number=86|title=Tomo|length=0:17}}
{{tl track|number=87|title=R M I Corporate ID 2|length=0:07}}
{{tl track|number=88|title=PT/AE|length=0:07}}
{{tl finaltime|time=1:07:06}}
}}

== Trivia ==
*"_" is not titled in the track listing, and on the original minidisc issue, in place of a title, the built-in metadata reads "Mastered by Denis Blackham @ Country Masters 18/03/98".

== References ==

Minidisc

2024-09-21T15:32:54Z

Quants0:

[[Category:Album]]
[[Category:Gescom]]
{{Infobox
|title = Minidisc
|artist = [[Gescom]]
|cover = minidisc.png
|date = 27 July 1998
|label = OR (ONLY 3)
|previous = Keynell
|previous year = 1996
|next = Split Series #2
|next year = 1998
}}

'''''Minidisc''''' is the first full-length album by [[Gescom]] and their seventh overall release, released on OR Records on July 27, 1998. Originally released exclusively on minidisc, the album later received a CD reissue in 2006.

==History==
''Minidisc'' was the first album ever to be exclusively released on the minidisc format. It consists of 45 pieces which are split into 88 tracks. The album was designed to take advantage of the format's ability to shuffle tracks completely seamlessly, which no other format could do at the time. While the album can be listened to in album order, the album is intended to be played on shuffle mode, thus creating a unique listening experience every time. This concept could not work on CD, as players add gaps between tracks when shuffling. The experience of listening to the album in shuffle on minidisc can easily be recreated using current technology, as streaming apps such as Spotify and Apple Music, as well as many music player programs, are able to play tracks without gaps even when shuffling.

The album was initially released in a minidisc jewel case with black-on-white packaging, containing quotes about the minidisc format by Jan Maes and Simon Harris. It was rereleased in 2001, packaged similarly but colored orange-on-black, and using a different font. The album's CD issue in 2006 featured completely different artwork, depicting the album's original 1998 release being held by someone at the 2000 Prix Ars Electronica awards, where it received an Award of Distinction in Digital Musics.<ref>https://webarchive.ars.electronica.art/en/archives/prix_archive/prix_projekt.asp%3FiProjectID=2181.html</ref>

==Tracklist==

All tracks written by Rob Brown, Sean Booth, and Russell Haswell.<ref>https://img.macba.cat/public/rwm/uploads/20120508/Composingwithprocess6.2_eng.pdf</ref>

{{Tracklist|list=
{{tl track|number=1|title=Cut Begin|length=0:14}}
{{tl track|number=2|title=Cut Begin|length=0:10}}
{{tl track|number=3|title=Cut Begin|length=0:13}}
{{tl track|number=4|title=Cut Begin|length=0:08}}
{{tl track|number=5|title=Cut Begin|length=0:12}}
{{tl track|number=6|title=Cut Begin|length=0:16}}
{{tl track|number=7|title=Cut Begin|length=0:20}}
{{tl track|number=8|title=Amendment 84|length=1:05}}
{{tl track|number=9|title=Helix Shatterproof|length=1:06}}
{{tl track|number=10|title=A Newer Beginning|length=0:18}}
{{tl track|number=11|title=A Newer Beginning|length=1:09}}
{{tl track|number=12|title=Polarized Beam Splitter|length=0:37}}
{{tl track|number=13|title=Polarized Beam Splitter|length=0:09}}
{{tl track|number=14|title=Polarized Beam Splitter|length=0:43}}
{{tl track|number=15|title=Polarized Beam Splitter|length=1:19}}
{{tl track|number=16|title=Polarized Beam Splitter|length=0:22}}
{{tl track|number=17|title=Inter|length=2:41}}
{{tl track|number=18|title=R M I Corporate ID 1|length=0:09}}
{{tl track|number=19|title=Pricks|length=0:23}}
{{tl track|number=20|title=Pricks|length=3:56}}
{{tl track|number=21|title=Pricks|length=0:23}}
{{tl track|number=22|title=Pricks|length=0:06}}
{{tl track|number=23|title=Devil|length=0:30}}
{{tl track|number=24|title=Is We|length=3:08}}
{{tl track|number=25|title=Is We|length=0:51}}
{{tl track|number=26|title=Dan Dan Dan|length=0:27}}
{{tl track|number=27|title=Dan Dan Dan|length=0:14}}
{{tl track|number=28|title=Dan Dan Dan|length=0:15}}
{{tl track|number=29|title=Dan Dan Dan|length=0:16}}
{{tl track|number=30|title=Le Shark|length=0:04}}
{{tl track|number=31|title=Le Shark|length=0:05}}
{{tl track|number=32|title=Le Shark|length=0:06}}
{{tl track|number=33|title=Le Shark|length=0:06}}
{{tl track|number=34|title=Le Shark|length=0:11}}
{{tl track|number=35|title=Le Shark|length=0:18}}
{{tl track|number=36|title=Le Shark|length=0:15}}
{{tl track|number=37|title=1D Shapethrower|length=2:12}}
{{tl track|number=38|title=Shoegazer|length=4:12}}
{{tl track|number=39|title=Vermin|length=0:14}}
{{tl track|number=40|title=Vermin|length=0:48}}
{{tl track|number=41|title=Vermin|length=0:14}}
{{tl track|number=42|title=Hemiplegia 1|length=1:05}}
{{tl track|number=43|title=MCDCC|length=1:02}}
{{tl track|number=44|title=Gortex|length=0:23}}
{{tl track|number=45|title=Alf Sprey|length=0:13}}
{{tl track|number=46|title=Interchangeable World|length=0:09}}
{{tl track|number=47|title=Interchangeable World|length=0:33}}
{{tl track|number=48|title=Interchangeable World|length=1:17}}
{{tl track|number=49|title=Cranusberg|length=0:48}}
{{tl track|number=50|title=Cranusberg|length=4:15}}
{{tl track|number=51|title=Cranusberg|length=2:55}}
{{tl track|number=52|title=Raindance|length=0:38}}
{{tl track|number=53|title=Horse|length=0:04}}
{{tl track|number=54|title=New Contact Lense|length=1:30}}
{{tl track|number=55|title=Of Our Time|length=1:47}}
{{tl track|number=56|title=Crepe|length=0:04}}
{{tl track|number=57|title=Crepe|length=0:28}}
{{tl track|number=57|title=Crepe|length=0:04}}
{{tl track|number=59|title=Crepe|length=0:23}}
{{tl track|number=60|title=Wab Wat|length=0:49}}
{{tl track|number=61|title='MC|length=0:14}}
{{tl track|number=62|title=Peel|length=1:03}}
{{tl track|number=63|title=I G E|length=0:08}}
{{tl track|number=64|title=Knutsford Services|length=0:57}}
{{tl track|number=65|title=Fully|length=2:24}}
{{tl track|number=66|title=Fully|length=1:46}}
{{tl track|number=67|title=Squashed to Pureness|length=0:09}}
{{tl track|number=68|title=Squashed to Pureness|length=0:15}}
{{tl track|number=69|title=Squashed to Pureness|length=0:10}}
{{tl track|number=70|title=Squashed to Pureness|length=0:49}}
{{tl track|number=71|title=Yo! DMX Crew|length=2:47}}
{{tl track|number=72|title=Go On|length=1:36}}
{{tl track|number=73|title=Stroyer 2|length=0:20}}
{{tl track|number=74|title=_|length=1:05}}
{{tl track|number=75|title=_|length=1:05}}
{{tl track|number=76|title=Shep|length=1:08}}
{{tl track|number=77|title=Langue|length=0:08}}
{{tl track|number=78|title=Poke|length=0:10}}
{{tl track|number=79|title=Poke|length=0:15}}
{{tl track|number=80|title=Poke|length=0:31}}
{{tl track|number=81|title=Poke|length=0:14}}
{{tl track|number=82|title=Hemiplegia 2|length=0:17}}
{{tl track|number=83|title=Territory of Usage|length=0:17}}
{{tl track|number=84|title=Territory of Usage|length=0:36}}
{{tl track|number=85|title=Tomo|length=0:15}}
{{tl track|number=86|title=Tomo|length=0:17}}
{{tl track|number=87|title=R M I Corporate ID 2|length=0:07}}
{{tl track|number=88|title=PT/AE|length=0:07}}
{{tl finaltime|time=1:07:06}}
}}

Minidisc

2024-09-21T15:28:09Z

Quants0:

[[Category:Album]]
[[Category:Gescom]]
{{Infobox
|title = Minidisc
|artist = [[Gescom]]
|cover = minidisc.png
|date = 27 July 1998
|label = OR (ONLY 3)
|previous = Keynell
|previous year = 1996
|next = Split Series #2
|next year = 1998
}}

'''''Minidisc''''' is the first full-length album by [[Gescom]] and their seventh overall release, released on OR Records on July 27, 1998. Originally released exclusively on minidisc, the album later received a CD reissue in 2006.

==History==
''Minidisc'' was the first album ever to be exclusively released on the minidisc format. It consists of 45 pieces which are split into 88 tracks. The album was designed to take advantage of the format's ability to shuffle tracks completely seamlessly, which no other format could do at the time. While the album can be listened to in album order, the album is intended to be played on shuffle mode, thus creating a unique listening experience every time. This concept could not work on CD, as players add gaps between tracks when shuffling. The experience of listening to the album in shuffle on minidisc can easily be recreated using current technology, as streaming apps such as Spotify and Apple Music, as well as many music player programs, are able to play tracks without gaps even when shuffling.

The album was initially released in a minidisc jewel case with black-on-white packaging, containing quotes about the minidisc format by Jan Maes and Simon Harris. It was rereleased in 2001, packaged similarly but colored orange-on-black, and using a different font. The album's CD issue in 2006 featured completely different artwork, depicting the album's original 1998 release being held by someone at the 2000 Prix Ars Electronica awards, where it received an Award of Distinction in Digital Musics.<ref>https://webarchive.ars.electronica.art/en/archives/prix_archive/prix_projekt.asp%3FiProjectID=2181.html</ref>

==Tracklist==

All tracks written by Rob Brown, Sean Booth, and Russell Haswell.

{{Tracklist|list=
{{tl track|number=1|title=Cut Begin|length=0:14}}
{{tl track|number=2|title=Cut Begin|length=0:10}}
{{tl track|number=3|title=Cut Begin|length=0:13}}
{{tl track|number=4|title=Cut Begin|length=0:08}}
{{tl track|number=5|title=Cut Begin|length=0:12}}
{{tl track|number=6|title=Cut Begin|length=0:16}}
{{tl track|number=7|title=Cut Begin|length=0:20}}
{{tl track|number=8|title=Amendment 84|length=1:05}}
{{tl track|number=9|title=Helix Shatterproof|length=1:06}}
{{tl track|number=10|title=A Newer Beginning|length=0:18}}
{{tl track|number=11|title=A Newer Beginning|length=1:09}}
{{tl track|number=12|title=Polarized Beam Splitter|length=0:37}}
{{tl track|number=13|title=Polarized Beam Splitter|length=0:09}}
{{tl track|number=14|title=Polarized Beam Splitter|length=0:43}}
{{tl track|number=15|title=Polarized Beam Splitter|length=1:19}}
{{tl track|number=16|title=Polarized Beam Splitter|length=0:22}}
{{tl track|number=17|title=Inter|length=2:41}}
{{tl track|number=18|title=R M I Corporate ID 1|length=0:09}}
{{tl track|number=19|title=Pricks|length=0:23}}
{{tl track|number=20|title=Pricks|length=3:56}}
{{tl track|number=21|title=Pricks|length=0:23}}
{{tl track|number=22|title=Pricks|length=0:06}}
{{tl track|number=23|title=Devil|length=0:30}}
{{tl track|number=24|title=Is We|length=3:08}}
{{tl track|number=25|title=Is We|length=0:51}}
{{tl track|number=26|title=Dan Dan Dan|length=0:27}}
{{tl track|number=27|title=Dan Dan Dan|length=0:14}}
{{tl track|number=28|title=Dan Dan Dan|length=0:15}}
{{tl track|number=29|title=Dan Dan Dan|length=0:16}}
{{tl track|number=30|title=Le Shark|length=0:04}}
{{tl track|number=31|title=Le Shark|length=0:05}}
{{tl track|number=32|title=Le Shark|length=0:06}}
{{tl track|number=33|title=Le Shark|length=0:06}}
{{tl track|number=34|title=Le Shark|length=0:11}}
{{tl track|number=35|title=Le Shark|length=0:18}}
{{tl track|number=36|title=Le Shark|length=0:15}}
{{tl track|number=37|title=1D Shapethrower|length=2:12}}
{{tl track|number=38|title=Shoegazer|length=4:12}}
{{tl track|number=39|title=Vermin|length=0:14}}
{{tl track|number=40|title=Vermin|length=0:48}}
{{tl track|number=41|title=Vermin|length=0:14}}
{{tl track|number=42|title=Hemiplegia 1|length=1:05}}
{{tl track|number=43|title=MCDCC|length=1:02}}
{{tl track|number=44|title=Gortex|length=0:23}}
{{tl track|number=45|title=Alf Sprey|length=0:13}}
{{tl track|number=46|title=Interchangeable World|length=0:09}}
{{tl track|number=47|title=Interchangeable World|length=0:33}}
{{tl track|number=48|title=Interchangeable World|length=1:17}}
{{tl track|number=49|title=Cranusberg|length=0:48}}
{{tl track|number=50|title=Cranusberg|length=4:15}}
{{tl track|number=51|title=Cranusberg|length=2:55}}
{{tl track|number=52|title=Raindance|length=0:38}}
{{tl track|number=53|title=Horse|length=0:04}}
{{tl track|number=54|title=New Contact Lense|length=1:30}}
{{tl track|number=55|title=Of Our Time|length=1:47}}
{{tl track|number=56|title=Crepe|length=0:04}}
{{tl track|number=57|title=Crepe|length=0:28}}
{{tl track|number=57|title=Crepe|length=0:04}}
{{tl track|number=59|title=Crepe|length=0:23}}
{{tl track|number=60|title=Wab Wat|length=0:49}}
{{tl track|number=61|title='MC|length=0:14}}
{{tl track|number=62|title=Peel|length=1:03}}
{{tl track|number=63|title=I G E|length=0:08}}
{{tl track|number=64|title=Knutsford Services|length=0:57}}
{{tl track|number=65|title=Fully|length=2:24}}
{{tl track|number=66|title=Fully|length=1:46}}
{{tl track|number=67|title=Squashed to Pureness|length=0:09}}
{{tl track|number=68|title=Squashed to Pureness|length=0:15}}
{{tl track|number=69|title=Squashed to Pureness|length=0:10}}
{{tl track|number=70|title=Squashed to Pureness|length=0:49}}
{{tl track|number=71|title=Yo! DMX Crew|length=2:47}}
{{tl track|number=72|title=Go On|length=1:36}}
{{tl track|number=73|title=Stroyer 2|length=0:20}}
{{tl track|number=74|title=_|length=1:05}}
{{tl track|number=75|title=_|length=1:05}}
{{tl track|number=76|title=Shep|length=1:08}}
{{tl track|number=77|title=Langue|length=0:08}}
{{tl track|number=78|title=Poke|length=0:10}}
{{tl track|number=79|title=Poke|length=0:15}}
{{tl track|number=80|title=Poke|length=0:31}}
{{tl track|number=81|title=Poke|length=0:14}}
{{tl track|number=82|title=Hemiplegia 2|length=0:17}}
{{tl track|number=83|title=Territory of Usage|length=0:17}}
{{tl track|number=84|title=Territory of Usage|length=0:36}}
{{tl track|number=85|title=Tomo|length=0:15}}
{{tl track|number=86|title=Tomo|length=0:17}}
{{tl track|number=87|title=R M I Corporate ID 2|length=0:07}}
{{tl track|number=88|title=PT/AE|length=0:07}}
{{tl finaltime|time=1:07:06}}
}}

File:minidisc.png

2024-09-21T15:27:52Z

Quants0: taken from rym

== Summary ==
taken from rym

Gescom

2024-09-21T15:27:23Z

Quants0: /* Discographyhttps://www.discogs.com/artist/49 */

Gescom is a musical collective that is associated with [[Autechre]]. The earliest mention of the group was under the thanks credits for ''[[Incunabula]].'' During their 2013 AMA, Rob mentioned that Gescom is a separate project from work as Autechre.<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D226</ref> Sean confirms that at least 15-20 people have been part of the group, including him and Rob.<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D301</ref> Sean also mentions that it means other people can release material without their involvement.<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D325</ref>

==Discography<ref>https://www.discogs.com/artist/49</ref>==

===Album===
*''[[Minidisc]]'' (1998)
**Written by Sean Booth, Rob Brown and Russell Haswell.<ref>https://img.macba.cat/public/rwm/uploads/20120508/Composingwithprocess6.2_eng.pdf</ref>
*''A1-D1'' (2007)

===EPs / Singles===
*''Gescom E.P.'' (1994)
**Written by Sean Booth, Rob Brown, Rob Hall, Darrell Fitton and Daniel 72.<ref>https://www.discogs.com/release/195-Gescom-Gescom-EP</ref>
*''C & D'' (1995) (also known as Gescom 2)
**Written by Rob Brown, Sean Booth, and Andy Maddocks.<ref>https://www.discogs.com/release/1927-Gescom-C-D</ref>
*''The Sounds of Machines Our Parents Used'' (1995)
*''Key Nell'' (1995)
*''Motor'' (1996)
**Written by Rob Brown and Sean Booth, potentially with other contributors.
**Despite releasing in 1996, ''Motor'' carries a 1994 copyright date. Early, rejected copies also contain contributor information which was redacted on all known copies, as well as a misspelling of the word "distributed". Later copies had the labels redesigned to remove all credits and correct the misspelled word. <ref>https://aestheticcomplexity.wordpress.com/2016/11/20/gescom-motor-ep/</ref> 
*''Keynell (Autechre remixes)'' (1996)
*''Ad Vanz Vs Gescom / Foehn - Split Series #2'' (1998)
**Written by Rob Brown and Rob Hall.<ref>https://fatcatrecords.bandcamp.com/album/split-series-2</ref>
*''This'' (1998)
*''That'' (1998)
*''ISS:SA'' (2003)
**Some tracks were made by Sean.<ref>https://imgur.com/a/sean-ae-mastodon-2024-08-23-iss-sa-sean-contribution-https-post-lurk-org-sean-ae-113010561937955988-3Ip8cz3</ref>
**"Megamix" was done with decks consisting of other Gescom records sent to and then edited on MiniDisc.<ref>https://web.archive.org/web/2/https://post.lurk.org/@sean_ae/112591899866808551</ref>
*''Skull Snap'' (2011)

===DJ Mixes===
*Disengage (1994-1996)
*''[[AMKS_1]]'' (2021)

===Rarities<ref>https://docs.google.com/spreadsheets/d/1i1o90JzFLUelov8bydmpurOCDhktdd-oMbErw8G0AXA/edit?hl=en#gid=3</ref>===
*Bronchusix
*Snorkel
**from Various Artists - Groove Techno (From Acid To Ambient). Copyrighted 1994, written by Sean Booth and Rob Brown.<ref>https://www.discogs.com/release/2496846-Various-Groove-Techno-From-Acid-To-Ambient</ref>
*Tony LeMesmer
*Sklf2
*Two Of
*Peel Xyzdub
*Stoop
**Stoop could be a collaborative piece made with Boards of Canada, due to elements of the song appearing among other BoC material as loopable background music on their defunct 2000 - 2001 website. <ref>https://youtu.be/Y6_FlG27Amo?si=_oxF3Ata71fR5TZ6&t=688</ref>
*Leritue (Gibber Mix)
** Written by Sean Booth and Rob Brown. <ref>https://www.discogs.com/release/282-Various-Alt-Frequencies-3</ref>
*Untitled ''(Mask 400)''
*Around Absolute Zero
*9Û5©03^.¶·5K70¸12i--) ..1`2`|||
**frrom Fals.ch 02. A program generating music.<ref>https://www.discogs.com/release/410894-Various-Falsch-02</ref>
*PN-1.3.15
*YXJ440M
[[File:Horizon.png|thumb|Screenshot of the program used to generate Horizon.]]
*Horizon
**Horizon is a generative piece made using the BBC BASIC programming language for the BBC Micro series of microcomputers. It was originally created by Sean in 2004 for the rand()% generative radio station by the BBC.<ref>https://forum.watmm.com/topic/59299-sean-booth-horizon/</ref>
**It was supposed to be reused for the Composing with Process radio series from [https://rwm.macba.cat/ Radio Web MACBA] in 2010, but was mistakenly credited to Sean instead of Gescom.<ref>https://forum.watmm.com/topic/58850-composing-with-process-radio-programme/?do=findComment&comment=1438583</ref><ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D315</ref><ref>https://forum.watmm.com/topic/86350-does-anyone-have-a-recording-to-share-of-sean-booths-piece-horizon/</ref> It was subsequently replaced with a piece by Ryoji Ikeda due to Warp Record's exclusivity policies.<ref>https://rwm.macba.cat/en/research/composing-process-perspectives-generative-and-systems-music-12-exclusives</ref>
**The full BBC BASIC code used to create the track is featured on the artwork of its ID3 metadata – an emulator screenshot of the program after being loaded. It only uses 6 lines.
**The track is named after the emulator that was used in its creation, [https://www.bannister.org/software/horizon.htm Horizon]. The program's filename is actually "EL25", as shown on the screenshot.

*''[[Hanalgig]]''

===Remixes===
*Push Button Objects - Non-Existant (Keyed In by Gescom)
*Man Parrish - Boogie Down Bronx (Remix)
*Hecker - Itiso161/ae (Remix - Gescom)
* Passarani - Phonok (Vacuum Party Mix)
*Kid Acne - Eddy Fresh (Gescom Remix)
*Kid Acne - Eddy Fresh (Gescom Dub Mix)

===Collaborations===
*Mira Calix – ''Ilanga''
**Production Assisted by Gescom <ref>https://www.discogs.com/release/159-Mira-Calix-Ilanga</ref>
*LSD Dream Emulator
**Art Credited to Gescom and Sean Booth<ref>https://web.archive.org/web/20231229114858/https://post.lurk.org/@sean_ae/111660687133105749</ref>

===Live Shows===
See<ref>https://ra.co/dj/gescom</ref>, also Live DJ recording at Cay Aoyama Tokyo 2000-07-01

== References ==
<references />

Minidisc

2024-09-21T15:27:08Z

Quants0: this took an hour to write, the tracklist was at least a third of that

[[Category:Album]]
[[Category:Gescom]]
{{Infobox
|title = Minidisc
|artist = [[Gescom]]
|cover = minidisc.arf
|date = 27 July 1998
|label = OR (ONLY 3)
|previous = Keynell
|previous year = 1996
|next = Split Series #2
|next year = 1998
}}

'''''Minidisc''''' is the first full-length album by [[Gescom]] and their seventh overall release, released on OR Records on July 27, 1998. Originally released exclusively on minidisc, the album later received a CD reissue in 2006.

==History==
''Minidisc'' was the first album ever to be exclusively released on the minidisc format. It consists of 45 pieces which are split into 88 tracks. The album was designed to take advantage of the format's ability to shuffle tracks completely seamlessly, which no other format could do at the time. While the album can be listened to in album order, the album is intended to be played on shuffle mode, thus creating a unique listening experience every time. This concept could not work on CD, as players add gaps between tracks when shuffling. The experience of listening to the album in shuffle on minidisc can easily be recreated using current technology, as streaming apps such as Spotify and Apple Music, as well as many music player programs, are able to play tracks without gaps even when shuffling.

The album was initially released in a minidisc jewel case with black-on-white packaging, containing quotes about the minidisc format by Jan Maes and Simon Harris. It was rereleased in 2001, packaged similarly but colored orange-on-black, and using a different font. The album's CD issue in 2006 featured completely different artwork, depicting the album's original 1998 release being held by someone at the 2000 Prix Ars Electronica awards, where it received an Award of Distinction in Digital Musics.<ref>https://webarchive.ars.electronica.art/en/archives/prix_archive/prix_projekt.asp%3FiProjectID=2181.html</ref>

==Tracklist==

All tracks written by Rob Brown, Sean Booth, and Russell Haswell.

{{Tracklist|list=
{{tl track|number=1|title=Cut Begin|length=0:14}}
{{tl track|number=2|title=Cut Begin|length=0:10}}
{{tl track|number=3|title=Cut Begin|length=0:13}}
{{tl track|number=4|title=Cut Begin|length=0:08}}
{{tl track|number=5|title=Cut Begin|length=0:12}}
{{tl track|number=6|title=Cut Begin|length=0:16}}
{{tl track|number=7|title=Cut Begin|length=0:20}}
{{tl track|number=8|title=Amendment 84|length=1:05}}
{{tl track|number=9|title=Helix Shatterproof|length=1:06}}
{{tl track|number=10|title=A Newer Beginning|length=0:18}}
{{tl track|number=11|title=A Newer Beginning|length=1:09}}
{{tl track|number=12|title=Polarized Beam Splitter|length=0:37}}
{{tl track|number=13|title=Polarized Beam Splitter|length=0:09}}
{{tl track|number=14|title=Polarized Beam Splitter|length=0:43}}
{{tl track|number=15|title=Polarized Beam Splitter|length=1:19}}
{{tl track|number=16|title=Polarized Beam Splitter|length=0:22}}
{{tl track|number=17|title=Inter|length=2:41}}
{{tl track|number=18|title=R M I Corporate ID 1|length=0:09}}
{{tl track|number=19|title=Pricks|length=0:23}}
{{tl track|number=20|title=Pricks|length=3:56}}
{{tl track|number=21|title=Pricks|length=0:23}}
{{tl track|number=22|title=Pricks|length=0:06}}
{{tl track|number=23|title=Devil|length=0:30}}
{{tl track|number=24|title=Is We|length=3:08}}
{{tl track|number=25|title=Is We|length=0:51}}
{{tl track|number=26|title=Dan Dan Dan|length=0:27}}
{{tl track|number=27|title=Dan Dan Dan|length=0:14}}
{{tl track|number=28|title=Dan Dan Dan|length=0:15}}
{{tl track|number=29|title=Dan Dan Dan|length=0:16}}
{{tl track|number=30|title=Le Shark|length=0:04}}
{{tl track|number=31|title=Le Shark|length=0:05}}
{{tl track|number=32|title=Le Shark|length=0:06}}
{{tl track|number=33|title=Le Shark|length=0:06}}
{{tl track|number=34|title=Le Shark|length=0:11}}
{{tl track|number=35|title=Le Shark|length=0:18}}
{{tl track|number=36|title=Le Shark|length=0:15}}
{{tl track|number=37|title=1D Shapethrower|length=2:12}}
{{tl track|number=38|title=Shoegazer|length=4:12}}
{{tl track|number=39|title=Vermin|length=0:14}}
{{tl track|number=40|title=Vermin|length=0:48}}
{{tl track|number=41|title=Vermin|length=0:14}}
{{tl track|number=42|title=Hemiplegia 1|length=1:05}}
{{tl track|number=43|title=MCDCC|length=1:02}}
{{tl track|number=44|title=Gortex|length=0:23}}
{{tl track|number=45|title=Alf Sprey|length=0:13}}
{{tl track|number=46|title=Interchangeable World|length=0:09}}
{{tl track|number=47|title=Interchangeable World|length=0:33}}
{{tl track|number=48|title=Interchangeable World|length=1:17}}
{{tl track|number=49|title=Cranusberg|length=0:48}}
{{tl track|number=50|title=Cranusberg|length=4:15}}
{{tl track|number=51|title=Cranusberg|length=2:55}}
{{tl track|number=52|title=Raindance|length=0:38}}
{{tl track|number=53|title=Horse|length=0:04}}
{{tl track|number=54|title=New Contact Lense|length=1:30}}
{{tl track|number=55|title=Of Our Time|length=1:47}}
{{tl track|number=56|title=Crepe|length=0:04}}
{{tl track|number=57|title=Crepe|length=0:28}}
{{tl track|number=57|title=Crepe|length=0:04}}
{{tl track|number=59|title=Crepe|length=0:23}}
{{tl track|number=60|title=Wab Wat|length=0:49}}
{{tl track|number=61|title='MC|length=0:14}}
{{tl track|number=62|title=Peel|length=1:03}}
{{tl track|number=63|title=I G E|length=0:08}}
{{tl track|number=64|title=Knutsford Services|length=0:57}}
{{tl track|number=65|title=Fully|length=2:24}}
{{tl track|number=66|title=Fully|length=1:46}}
{{tl track|number=67|title=Squashed to Pureness|length=0:09}}
{{tl track|number=68|title=Squashed to Pureness|length=0:15}}
{{tl track|number=69|title=Squashed to Pureness|length=0:10}}
{{tl track|number=70|title=Squashed to Pureness|length=0:49}}
{{tl track|number=71|title=Yo! DMX Crew|length=2:47}}
{{tl track|number=72|title=Go On|length=1:36}}
{{tl track|number=73|title=Stroyer 2|length=0:20}}
{{tl track|number=74|title=_|length=1:05}}
{{tl track|number=75|title=_|length=1:05}}
{{tl track|number=76|title=Shep|length=1:08}}
{{tl track|number=77|title=Langue|length=0:08}}
{{tl track|number=78|title=Poke|length=0:10}}
{{tl track|number=79|title=Poke|length=0:15}}
{{tl track|number=80|title=Poke|length=0:31}}
{{tl track|number=81|title=Poke|length=0:14}}
{{tl track|number=82|title=Hemiplegia 2|length=0:17}}
{{tl track|number=83|title=Territory of Usage|length=0:17}}
{{tl track|number=84|title=Territory of Usage|length=0:36}}
{{tl track|number=85|title=Tomo|length=0:15}}
{{tl track|number=86|title=Tomo|length=0:17}}
{{tl track|number=87|title=R M I Corporate ID 2|length=0:07}}
{{tl track|number=88|title=PT/AE|length=0:07}}
{{tl finaltime|time=1:07:06}}
}}

Gescom

2024-09-21T13:50:44Z

Quants0:

Gescom is a musical collective that is associated with [[Autechre]]. The earliest mention of the group was under the thanks credits for ''[[Incunabula]].'' During their 2013 AMA, Rob mentioned that Gescom is a separate project from work as Autechre.<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D226</ref> Sean confirms that at least 15-20 people have been part of the group, including him and Rob.<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D301</ref> Sean also mentions that it means other people can release material without their involvement.<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D325</ref>

==Discography<ref>https://www.discogs.com/artist/49</ref>==

===Album===
*''Minidisc'' (1998)
**Written by Sean Booth, Rob Brown and Russell Haswell.<ref>https://img.macba.cat/public/rwm/uploads/20120508/Composingwithprocess6.2_eng.pdf</ref>
*''A1-D1'' (2007)

===EPs / Singles===
*''Gescom E.P.'' (1994)
**Written by Sean Booth, Rob Brown, Rob Hall, Darrell Fitton and Daniel 72.<ref>https://www.discogs.com/release/195-Gescom-Gescom-EP</ref>
*''C & D'' (1995) (also known as Gescom 2)
**Written by Rob Brown, Sean Booth, and Andy Maddocks.<ref>https://www.discogs.com/release/1927-Gescom-C-D</ref>
*''The Sounds of Machines Our Parents Used'' (1995)
*''Key Nell'' (1995)
*''Motor'' (1996)
**Written by Rob Brown and Sean Booth, potentially with other contributors.
**Despite releasing in 1996, ''Motor'' carries a 1994 copyright date. Early, rejected copies also contain contributor information which was redacted on all known copies, as well as a misspelling of the word "distributed". Later copies had the labels redesigned to remove all credits and correct the misspelled word. <ref>https://aestheticcomplexity.wordpress.com/2016/11/20/gescom-motor-ep/</ref> 
*''Keynell (Autechre remixes)'' (1996)
*''Ad Vanz Vs Gescom / Foehn - Split Series #2'' (1998)
**Written by Rob Brown and Rob Hall.<ref>https://fatcatrecords.bandcamp.com/album/split-series-2</ref>
*''This'' (1998)
*''That'' (1998)
*''ISS:SA'' (2003)
**Some tracks were made by Sean.<ref>https://imgur.com/a/sean-ae-mastodon-2024-08-23-iss-sa-sean-contribution-https-post-lurk-org-sean-ae-113010561937955988-3Ip8cz3</ref>
**"Megamix" was done with decks consisting of other Gescom records sent to and then edited on MiniDisc.<ref>https://web.archive.org/web/2/https://post.lurk.org/@sean_ae/112591899866808551</ref>
*''Skull Snap'' (2011)

===DJ Mixes===
*Disengage (1994-1996)
*''[[AMKS_1]]'' (2021)

===Rarities<ref>https://docs.google.com/spreadsheets/d/1i1o90JzFLUelov8bydmpurOCDhktdd-oMbErw8G0AXA/edit?hl=en#gid=3</ref>===
*Bronchusix
*Snorkel
**from Various Artists - Groove Techno (From Acid To Ambient). Copyrighted 1994, written by Sean Booth and Rob Brown.<ref>https://www.discogs.com/release/2496846-Various-Groove-Techno-From-Acid-To-Ambient</ref>
*Tony LeMesmer
*Sklf2
*Two Of
*Peel Xyzdub
*Stoop
**Stoop could be a collaborative piece made with Boards of Canada, due to elements of the song appearing among other BoC material as loopable background music on their defunct 2000 - 2001 website. <ref>https://youtu.be/Y6_FlG27Amo?si=_oxF3Ata71fR5TZ6&t=688</ref>
*Leritue (Gibber Mix)
** Written by Sean Booth and Rob Brown. <ref>https://www.discogs.com/release/282-Various-Alt-Frequencies-3</ref>
*Untitled ''(Mask 400)''
*Around Absolute Zero
*9Û5©03^.¶·5K70¸12i--) ..1`2`|||
**frrom Fals.ch 02. A program generating music.<ref>https://www.discogs.com/release/410894-Various-Falsch-02</ref>
*PN-1.3.15
*YXJ440M
[[File:Horizon.png|thumb|Screenshot of the program used to generate Horizon.]]
*Horizon
**Horizon is a generative piece made using the BBC BASIC programming language for the BBC Micro series of microcomputers. It was originally created by Sean in 2004 for the rand()% generative radio station by the BBC.<ref>https://forum.watmm.com/topic/59299-sean-booth-horizon/</ref>
**It was supposed to be reused for the Composing with Process radio series from [https://rwm.macba.cat/ Radio Web MACBA] in 2010, but was mistakenly credited to Sean instead of Gescom.<ref>https://forum.watmm.com/topic/58850-composing-with-process-radio-programme/?do=findComment&comment=1438583</ref><ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D315</ref><ref>https://forum.watmm.com/topic/86350-does-anyone-have-a-recording-to-share-of-sean-booths-piece-horizon/</ref> It was subsequently replaced with a piece by Ryoji Ikeda due to Warp Record's exclusivity policies.<ref>https://rwm.macba.cat/en/research/composing-process-perspectives-generative-and-systems-music-12-exclusives</ref>
**The full BBC BASIC code used to create the track is featured on the artwork of its ID3 metadata – an emulator screenshot of the program after being loaded. It only uses 6 lines.
**The track is named after the emulator that was used in its creation, [https://www.bannister.org/software/horizon.htm Horizon]. The program's filename is actually "EL25", as shown on the screenshot.

*''[[Hanalgig]]''

===Remixes===
*Push Button Objects - Non-Existant (Keyed In by Gescom)
*Man Parrish - Boogie Down Bronx (Remix)
*Hecker - Itiso161/ae (Remix - Gescom)
* Passarani - Phonok (Vacuum Party Mix)
*Kid Acne - Eddy Fresh (Gescom Remix)
*Kid Acne - Eddy Fresh (Gescom Dub Mix)

===Collaborations===
*Mira Calix – ''Ilanga''
**Production Assisted by Gescom <ref>https://www.discogs.com/release/159-Mira-Calix-Ilanga</ref>
*LSD Dream Emulator
**Art Credited to Gescom and Sean Booth<ref>https://web.archive.org/web/20231229114858/https://post.lurk.org/@sean_ae/111660687133105749</ref>

===Live Shows===
See<ref>https://ra.co/dj/gescom</ref>, also Live DJ recording at Cay Aoyama Tokyo 2000-07-01

== References ==
<references />

Gescom

2024-09-21T13:37:02Z

Quants0: /* EPs / Singles */

Gescom is a musical collective that is associated with [[Autechre]]. The earliest mention of the group was under the thanks credits for ''[[Incunabula]].'' During their 2013 AMA, Rob mentioned that Gescom is a separate project from work as Autechre.<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D226</ref> Sean confirms that at least 15-20 people have been part of the group, including him and Rob.<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D301</ref> Sean also mentions that it means other people can release material without their involvement.<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D325</ref>

==Discography<ref>https://www.discogs.com/artist/49</ref>==

===Album===
*''Minidisc'' (1998)
**Written by Sean Booth, Rob Brown and Russell Haswell.<ref>https://img.macba.cat/public/rwm/uploads/20120508/Composingwithprocess6.2_eng.pdf</ref>
*''A1-D1'' (2007)

===EPs / Singles===
*''Gescom E.P.'' (1994)
**Written by Sean Booth, Rob Brown, Rob Hall, Darrell Fitton and Daniel 72.<ref>https://www.discogs.com/release/195-Gescom-Gescom-EP</ref>
*''C & D'' (1995) (also known as Gescom 2)
**Written by Rob Brown, Sean Booth, and Andy Maddocks.<ref>https://www.discogs.com/release/1927-Gescom-C-D</ref>
*''The Sounds of Machines Our Parents Used'' (1995)
*''Key Nell'' (1995)
*''Motor'' (1996)
**Written by Rob Brown and Sean Booth, potentially with other contributors. <ref>https://aestheticcomplexity.wordpress.com/2016/11/20/gescom-motor-ep/</ref> 
*''Keynell (Autechre remixes)'' (1996)
*''Ad Vanz Vs Gescom / Foehn - Split Series #2'' (1998)
**Written by Rob Brown and Rob Hall.<ref>https://fatcatrecords.bandcamp.com/album/split-series-2</ref>
*''This'' (1998)
*''That'' (1998)
*''ISS:SA'' (2003)
**Some tracks were made by Sean.<ref>https://imgur.com/a/sean-ae-mastodon-2024-08-23-iss-sa-sean-contribution-https-post-lurk-org-sean-ae-113010561937955988-3Ip8cz3</ref>
**"Megamix" was done with decks consisting of other Gescom records sent to and then edited on MiniDisc.<ref>https://web.archive.org/web/2/https://post.lurk.org/@sean_ae/112591899866808551</ref>
*''Skull Snap'' (2011)

===DJ Mixes===
*Disengage (1994-1996)
*''[[AMKS_1]]'' (2021)

===Rarities<ref>https://docs.google.com/spreadsheets/d/1i1o90JzFLUelov8bydmpurOCDhktdd-oMbErw8G0AXA/edit?hl=en#gid=3</ref>===
*Bronchusix
*Snorkel
**from Various Artists - Groove Techno (From Acid To Ambient). Copyrighted 1994, written by Sean Booth and Rob Brown.<ref>https://www.discogs.com/release/2496846-Various-Groove-Techno-From-Acid-To-Ambient</ref>
*Tony LeMesmer
*Sklf2
*Two Of
*Peel Xyzdub
*Stoop
**Stoop could be a collaborative piece made with Boards of Canada, due to elements of the song appearing among other BoC material as loopable background music on their defunct 2000 - 2001 website. <ref>https://youtu.be/Y6_FlG27Amo?si=_oxF3Ata71fR5TZ6&t=688</ref>
*Leritue (Gibber Mix)
** Written by Sean Booth and Rob Brown. <ref>https://www.discogs.com/release/282-Various-Alt-Frequencies-3</ref>
*Untitled ''(Mask 400)''
*Around Absolute Zero
*9Û5©03^.¶·5K70¸12i--) ..1`2`|||
**frrom Fals.ch 02. A program generating music.<ref>https://www.discogs.com/release/410894-Various-Falsch-02</ref>
*PN-1.3.15
*YXJ440M
[[File:Horizon.png|thumb|Screenshot of the program used to generate Horizon.]]
*Horizon
**Horizon is a generative piece made using the BBC BASIC programming language for the BBC Micro series of microcomputers. It was originally created by Sean in 2004 for the rand()% generative radio station by the BBC.<ref>https://forum.watmm.com/topic/59299-sean-booth-horizon/</ref>
**It was supposed to be reused for the Composing with Process radio series from [https://rwm.macba.cat/ Radio Web MACBA] in 2010, but was mistakenly credited to Sean instead of Gescom.<ref>https://forum.watmm.com/topic/58850-composing-with-process-radio-programme/?do=findComment&comment=1438583</ref><ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D315</ref><ref>https://forum.watmm.com/topic/86350-does-anyone-have-a-recording-to-share-of-sean-booths-piece-horizon/</ref> It was subsequently replaced with a piece by Ryoji Ikeda due to Warp Record's exclusivity policies.<ref>https://rwm.macba.cat/en/research/composing-process-perspectives-generative-and-systems-music-12-exclusives</ref>
**The full BBC BASIC code used to create the track is featured on the artwork of its ID3 metadata – an emulator screenshot of the program after being loaded. It only uses 6 lines.
**The track is named after the emulator that was used in its creation, [https://www.bannister.org/software/horizon.htm Horizon]. The program's filename is actually "EL25", as shown on the screenshot.

*''[[Hanalgig]]''

===Remixes===
*Push Button Objects - Non-Existant (Keyed In by Gescom)
*Man Parrish - Boogie Down Bronx (Remix)
*Hecker - Itiso161/ae (Remix - Gescom)
* Passarani - Phonok (Vacuum Party Mix)
*Kid Acne - Eddy Fresh (Gescom Remix)
*Kid Acne - Eddy Fresh (Gescom Dub Mix)

===Collaborations===
*Mira Calix – ''Ilanga''
**Production Assisted by Gescom <ref>https://www.discogs.com/release/159-Mira-Calix-Ilanga</ref>
*LSD Dream Emulator
**Art Credited to Gescom and Sean Booth<ref>https://web.archive.org/web/20231229114858/https://post.lurk.org/@sean_ae/111660687133105749</ref>

===Live Shows===
See<ref>https://ra.co/dj/gescom</ref>, also Live DJ recording at Cay Aoyama Tokyo 2000-07-01

== References ==
<references />

List of Rarities

2024-09-02T00:18:29Z

Quants0: /* Myslb */

This page is a collection of all original tracks by [[Autechre]] which were released as part of another series. Japanese bonus tracks are on their respective album page. List partially sourced from [https://docs.google.com/spreadsheets/d/1i1o90JzFLUelov8bydmpurOCDhktdd-oMbErw8G0AXA/edit?hl=en#gid=1 here].

For remixes, refer to [[List of Remixes]].

== Released  ==

=== Crystel ===
* from [https://www.discogs.com/master/30010-Various-Artificial-Intelligence Artificial Intelligence], 1992
* According to Sean, this was the song that got Autechre signed to Warp, and not [[Autechre / Saw You]] as previously assumed.<ref>https://web.archive.org/web/20240113191644/https://post.lurk.org/@sean_ae/111750128290861077</ref>

=== The Egg ===
* from [https://www.discogs.com/master/30010-Various-Artificial-Intelligence Artificial Intelligence], 1992
* This song is in mono. It is not known whether this was done on purpose.

=== Lanx 3 ===
* from [https://www.discogs.com/release/115269-Various-Volume-Eight Volume Eight], 1993

=== Chatter ===
* from [https://www.discogs.com/master/21134-Various-Artificial-Intelligence-II Artificial Intelligence II], 1994

=== Nonima ===
* from [https://www.discogs.com/release/238132-Various-Mind-The-Gap-Volume-5 Mind the Gap Volume 5], 1995

=== Silversub ===
* from [https://www.discogs.com/release/748632-Various-FMCD-January-1995 FMCD January 1995], 1995
* Is an alternate mix of [[Amber#Silverside|Silverside]].

=== P.I.O.B (Mix Two) ===
* from [https://www.discogs.com/master/1377596-The-Fall-Drome-Autechre-Untitled Fall/ Drome/Autechre - Untitled], 1996
* Is an alternate mix of ''[[Garbage#PIOBmx19|PIOBmx19]].''

=== Carni ===
* from [https://www.discogs.com/release/13845-Various-Eurowarp Eurowarp], 1996

=== Inhake 3 ===
* from [https://www.discogs.com/release/55136-Various-22-Class-A-Tracks 22 Class A Tracks], 1997

=== Puch ===
* from [https://www.discogs.com/release/200712-Various-Elements-The-Chemistry-Of-Mutating-Beats Elements], 1997

=== Stop Look Listen ===
* from [https://www.discogs.com/master/2353-Various-We-Are-Reasonable-People We are Reasonable People], 1998

=== Extended Ambience Sample from a Resonant Structure ===
* from [https://www.discogs.com/release/795959-Various-Unique-Sounds-Sonic-Elements-From-The-Stars Future Music Magazine], 1998
* in an interview excerpt, Autechre described the production of this song by saying: "Microphones were positioned around a structure with a resonant frequency of 100Hz. Electrical equipment inside the structure provided a constant tone of 50Hz. Water channelling equipment was also used. Signals from the two microphones were passed through five parallel resonators, all tuned with intervals divisible by 25Hz. Each resonator was filtered and the output mixed down to two channels and reversed."
** Sourced from [https://forum.watmm.com/topic/93486-autechre-interview-future-music-july-1998/ magazine scans, provided by WATMM user frozenreeds].

=== All Tomorrow's Linoleum ===
* from [https://www.discogs.com/master/82780-Various-All-Tomorrows-Parties-10 All Tomorrow's Parties 1.0], 2001

=== Konlied Mx ===
* from [https://www.discogs.com/master/84197-Various-Routine Routine], 2001

=== Naftwa4 ===
* from [https://www.discogs.com/release/96580-Various-Warp-WIFOF2003-Mix WIFOF2003], 2003

=== /]{- /](||) Excerpt ===
* from [https://www.discogs.com/master/48147-Various-Autechre-Curated-All-Tomorrows-Parties-30- All Tomorrow's Parties 3.0], 2003

* The title is an ASCII representation of "AE ACID"

=== Bronchus One.1 ===
* from [https://www.discogs.com/master/250176-Various-An-Anthology-Of-Noise-Electronic-Music-Second-A-Chronology-1936-2003 An Anthology Of Noise & Electronic Music / Second A-Chronology 1936-2003], 2003

* According to the copyright information, the song was published 1991.<ref>https://www.discogs.com/release/156514-Various-An-Anthology-Of-Noise-Electronic-Music-Second-A-Chronology-1936-2003</ref>
* is an alternate mix of [[Incunabula#Bronchus 2|Bronchus 2]].

=== Coenc3 ===
* from [https://www.discogs.com/release/1307559-Various-45-A-Tribute-To-Daniel-Hansson 45 - A Tribute to Daniel Hansson], 2008

* During his [[Sean Twitch AMA, July 2022|July 2022 Twitch AMA]], Sean mentioned that the track was made in 2005.

=== Oval Moon (IBC mx) ===
* from [https://www.discogs.com/master/207276-Various-Warp20-Unheard Warp20 (Unheard)], 2009

* According to the copyright information, the song was published 1991.<ref>https://www.discogs.com/release/2024532-Various-Warp20-Unheard</ref>
* IBC refers to the pirate radio station (short for Illegal Broadcasting Company) where Autechre got their start as radio DJs.[https://www.thepiratearchive.net/ibc/]

=== 6852 ===
[[File:6852.jpg|alt=poster|thumb|ATP "Made In Japan" promotional poster for "6852"|139x139px]]

"'''6852'''" is a digital-only song released by [[Autechre]] on April 17th, 2011. It was given away via a download code when purchasing a ticket for a charity concert hosted by [https://www.discogs.com/label/4961-ATP-Recordings ATP] in support of the Japanese Red Cross after the recent tsunami disaster.
*The title, "6852", likely originally referred to the number of islands that comprised Japan at time of release.
*The Headhunters' "God Make Me Funky" is sampled on the track. <ref>https://www.whosampled.com/sample/234368/Autechre-6852-The-Headhunters-Pointer-Sisters-God-Make-Me-Funky/</ref>

=== Ts1a ===
*from [https://www.discogs.com/master/1359215-Various-Benefit-Compilation-For-Japan Benefit Compilation for Japan], 2011
*The track also appeared on ''[[Hanalgig]]'', where Sean mentioned that it was made in 2009.
*During his July 2022 AMA, Sean said that the track either used Synplant or the Yamaha FS1R for some the FM sounds.<ref>https://youtu.be/sihCO_RN1tc?feature=shared&t=2698</ref>

=== SYptixed ===
*from [https://www.discogs.com/master/684135-Various-Bleep10 Bleep:10], 2014

== Commissions/Contributions==

=== Onedotzero 8 ===
*[https://vimeo.com/3953671 A commission for the opening of Onedotzero8], with music by Autechre and visuals by [[Alex Rutherford]].

=== Atoms Vectors Pixels Ghosts™ ===
*A visual art project by [[The Designers Republic]] featuring music from Autechre, including an early [[elseq 1-5#spaces how V|"spaces how V"]]. <ref>https://vimeo.com/41905073</ref><ref>https://www.thedesignersrepublic.com/atoms-vectors-pixels-ghosts</ref><ref>https://www.s1artspace.org/programme/atoms-vectors-pixels-ghosts/</ref><ref>https://web.archive.org/web/20240124200545/https://post.lurk.org/@sean_ae/111807273811423116</ref><ref>https://web.archive.org/web/20240124200447/https://post.lurk.org/@sean_ae/111810622481393012</ref> 

=== P1-449 ===
"'''P1-449'''" was released as part of the Sónar Calling GJ273b project on October 16th, 2017. The project was made to transmit music and audio art for extraterrestrial contact.<ref>https://soundcloud.com/sonarcalling/autechre-p1-449/s-v8hVY</ref><ref>https://www.sonarcalling.com/en/</ref> The file was made as an audio representation of the first 449 prime numbers in base ten.<ref>https://www.sonarcalling.com/en/artists/autechre/</ref>

== Unreleased/Miscellaneous Appearances ==

=== [[Late 80s Tape]] ===

* Leaked in 2019 around the same time as Warp Tapes. Contains 5 unreleased tracks, one track which appeared in Lego Feet Part 3, 2 DJ mixes, and one non-Ae track (Coma II (A.M/O.K) by S'Express). 

=== IBC Anthem ===

* Done in 1992 for Andy Richard's IBC Show, with Ged O'Hara on vocals. <ref name=":0">https://www.reddit.com/r/autechre/comments/1bbc89f/old_lego_feetae_leak_of_early_material/</ref><ref>https://web.archive.org/web/20240113193629/https://post.lurk.org/@sean_ae/111749064152560779</ref>

=== Techthree ===

* [https://www.youtube.com/watch?v=pvF2Xq9sUFo Unreleased Lego Feet track.]<ref name=":0" />

=== Bigmistake ===

* [https://www.youtube.com/watch?v=r5nntgNbtsY Unreleased Lego Feet track.]<ref name=":0" />

=== Flight Deck ===

* Performed at Sweatbox 2 1991<ref>https://web.archive.org/web/20240309191939/https://post.lurk.org/@sean_ae/112067053409190575</ref> as well as aired on Sunset 102 FM on December 18th, 1990<ref>https://www.youtube.com/watch?v=IueaLLmy-1U</ref> after they came in with the tape.<ref>https://web.archive.org/web/20240604224813/https://post.lurk.org/@sean_ae/112560743996346551</ref> A snippet appears on ''[[Lego Feet]]''.<ref>https://www.reddit.com/r/autechre/comments/1d7ad8f/comment/l6yp7h7/</ref>

=== MYSLB ===

* BPM: 125
* Performed at Sweatbox 2 1991 + had a demo snippet shared by Sean. Name is short for "Make Your Self Look Bad!" which is the main vocal loop of "[https://www.youtube.com/watch?v=KcGa22wuZ4I Help Me Somebody]" by Brian Eno and David Byrne. The main production is the 606 and FZ-10 on hihats. <ref>[https://web.archive.org/web/20240114152614/https://post.lurk.org/@sean_ae/111754768777276869#:~:text=title%20is%20MYSLB%2C%20maybe%20you%20can%20fig%20out%20the%20sample%20from%20that%20%3B) https://web.archive.org/web/20240114152614/https://post.lurk.org/@sean_ae/111754768777276869#:~:text=title%20is%20MYSLB%2C%20maybe%20you%20can%20fig%20out%20the%20sample%20from%20that%20%3B)]</ref>

=== Untitled 90s Live Track ===

* Performed as a live track during their 1997 tour ([https://www.youtube.com/watch?v=IPqbpe06SVc&t=652 example]) with an R8. No proper track version from Autechre exists.<ref>https://web.archive.org/web/20240424140935/https://post.lurk.org/@sean_ae/112326437984409445</ref> Later reperformed during The Fear Ratio's 2020 DJ Mix.<ref>https://www.youtube.com/watch?v=-AM4eQ-wyWU</ref> Mark Broom confirmed over Facebook it was an Autechre track that was given to him.<ref>https://www.reddit.com/r/autechre/comments/173wc3z/the_greatest_of_all_unreleased_ae_tracks/</ref>

=== Second Crane ===

* Performed at Stormy Waters 1995.<ref>{{Cite AAA doc|1338|1339}}</ref>

=== Untitled Track on Radio Mix ===

* ''[[Radio Mix]]'', 1997

=== Lupe Mx ===

* Alternate version of [[Chiastic Slide#Pule|"Pule"]], appeared in the Untilted test transmission.

=== Coachella 1999 Tracks ===

=== Autechre.ws Test Transmission ===

* Series of mostly experimental minimal/drone tracks originally broadcast on April 8, 2005. Some of these tracks would be reused as part of [[Autechre & The Hafler Trio|Autechre's collaborations with the Hafler Trio]].

== References ==
<references />

NTS Session 4

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NTS Session 3

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NTS Session 2

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NTS Session 1

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NTS Session 1

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NTS Sessions 1-4

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Quants0: making subsections for each session

[[Category:Album]]
{{Infobox
|title=NTS Sessions 1-4
|artist=[[Autechre]]
|cover=NTS Sessions 1-4.png
|date=26 April 2018 (Digital) 13 August 2018 (LP/CD)
|label=Warp Records (WARP364)
|previous=[[JNSN CODE GL16 / spl47]]
|previous year=2017
|next=[[Warp Tapes 89-93]]
|next year=2019
}}'''''NTS Sessions 1-4''','' often shortened to '''''NTS Sessions''''', is the thirteenth studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. The four sessions were first individually broadcasted on London-based online radio station [https://www.nts.live/ NTS] throughout April 2018, before the entire project became available for download on the April 26th, 2018. Physical versions of the album later became available for purchase on August 13th, 2018.
== History ==
Having previously done a DJ Mix for NTS Radio on January 22nd, 2016<ref>{{Cite web|link=https://www.nts.live/shows/guests/episodes/autechre-22nd-january-2016|date=22 January 2016|title=Autechre 22nd January 2016 {{!}} Listen on NTS|website=NTS Radio|accessdate=8 March 2024|author=Autechre}}</ref>, NTS Radio approached Autechre with a residency offer. They were initially hesitant whether they wanted to construct an 8-hour DJ mix until they realised that they had enough original material to span that time.<ref>[[Autechre: ‘Something happens when you listen to music in the dark’, July 2018]]</ref><ref name=":0">[[Autechre on Their Epic NTS Sessions, David Lynch, and Where Code Meets Music, August 2018]]</ref> Autechre noted that ''NTS Sessions 1-4'' was conceived first as a radio show performance, with the release instead being the archival version similar to their previous [[Peel Session|''Peel Sessions'']].<ref name=":0" /><ref>{{Cite web|link=https://www.rollingstone.it/musica/interviste-musica/autechre-niente-di-piu-umano-dei-computer/424382/|date=25 August 2018|title=Autechre: niente di più umano dei computer|website=Rolling Stone Italia|accessdate=8 March 2024|author=Biazzetti, Claudio}}</ref> Other points of influence noted by Autechre for this format includes both their IBC pirate radio shows around the time of ''[[Lego Feet]]''<ref name=":0" /> as well as their Kiss FM Disengage shows.<ref name=":1">{{Cite web|link=https://www.ele-king.net/interviews/006477/|date=28 August 2018|title=音楽とともにオーディエンスも進化する|website=ele-king|accessdate=8 March 2024|author=野田努, 小林君}} </ref>

Similar to other adjacent records, the material was a lot of long live sessions that were edited down.<ref name=":1" /><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''What's the process of collecting or creating a tracklist as big as NTS? How do you decide to flow the album?''' You just do, I don't know. I've been doing long mixes for a long time, so I'm really into planning out these long sessions. I used to do mixes for just acid sessions. We used to use DATs because that's, you could get like four hours on a tape back in a day, so we'd do these big long fucking mixes and you'd know at what point the drugs start working and at what point you're gonna start getting trails and all that, so. That was just that, you know what I mean? But I'm saying yeah, I mean long term, long mixes for long periods of time, I've always liked that. I always liked Mixmaster Morris sets, you know, he could play sets all day. He would just play a set all day and it, and you'd still be with him by the end of the day. He'd still be able to keep you interested and I always admired that about him because he's got such a kind of, you know, encyclopedic knowledge of music history that he can keep pulling him out the bag as it were. I feel like he doesn't get enough credit as a DJ, to be honest.}}</ref> Much of the material either came from jams done between ''[[Exai]]'' and ''[[elseq 1-5]]'' or new jams done on old patches, with the oldest material dating back to 2011 with a "bladelores" jam.<ref name=":0" /> Some of the material was also performed at their [[AE LIVE|2014/2015]] and [[AE LIVE 2016/2018|2016/2018]] live shows, with Sean noting that "most of NTS Sessions was like cells from live sets".<ref name=":3">{{Cite interview|page=Sean Twitch AMA, July 2022|quote=column thirteen, I think it was a live set cell. I don't know if we'd used it before NTS came out. I think we might have used a bit of it, I can't remember. Most of NTS Sessions was like cells from live sets, either at the time or a bit prior to that, that we already had jams fully recorded. So we just editing them down into things, and we basically like made it knowing that it was going to go out on the radio. So it was kind of, there's a different editing process to what we'd normally do. So bits of it from before, bits of it were from just then, bits of it were made especially for the thing, for the broadcast, you know. It was a combination of stuff.}}</ref> Autechre explicitly noted the aesthetic goals were both to create "developed alternate versions of existing Autechre material", in a similar vein to Cocteau Twin or The Fall making alternate versions of famous tracks,<ref name=":1" /> as well as "deep mixing", where elements are not upfront or noticeable on first listen.<ref name=":0" />

On April 3rd, 2018, the announcement was sent out that each 2-hour session would be aired every week Thursday at 4PM GMT throughout April on the 5th, 12th, 19th and 26th respectively.<ref name=":2">{{Cite web|link=https://web.archive.org/web/20180417023755/http://warp.net/news/autechre-nts-sessions/|date=8 April 2018|title='NTS Sessions' 01–04|website=Warp|accessdate=8 March 2024|author=}}</ref><ref>{{Cite web|link=https://www.factmag.com/2018/04/03/autechre-nts-radio-residency/|date=3 April 2018|title=Autechre announce four day NTS Radio residency|website=Fact Magazine|accessdate=8 March 2024|author=Twells, John}}</ref> The first session was made available for download on April 9th, with the rest being made available hours after being aired.<ref name=":2" /> After all four sessions were aired, the entire 8 hours were then looped constantly in a permanent residency, which is still ongoing as of writing.<ref>{{Cite web|link=https://www.nts.live/projects/autechre-nts-residency/|date=|title=NTS Residency.|website=NTS Radio|accessdate=8 March 2024|author=Autechre}}</ref>

Initially, the plan was to just keep it as a digital-only release similar to ''[[elseq 1-5]]'', however with the wider audience that ''NTS Sessions'' would reach'','' physicals were arranged for 12xLP boxset, 8CD boxset and individual 3xLP for each session, which were sent out a few months later to customers who pre-ordered.<ref name=":2" /><ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote=So yeah, that's what elseq was, but when we come to doing NTS, we kind of knew that, with the boost of it being on the radio, that we might be able to get away with doing a physical for it. So we pushed it a little bit, and it turned out to be a wise move. But it was a gamble, you know. But we would have done the same for NTS otherwise. It would have been digi only, but Warp was pretty convinced that we could move physicals of it. So we tried it and it worked, so. Fair play to Warp for taking a chance on that, because I probably wouldn't have, left to my own devices, but I approached them with it and they were up for it. So we did it, so.}}</ref> The initial 12xLP box set however was laden with warping issues and had replacement copies sent to buyers.<ref>{{Cite web|link=https://www.reddit.com/r/autechre/comments/99fodl/warped_box_set/|date=22 August 2018|title=Warped Box Set|website=Reddit|accessdate=8 March 2024|author=tjech}}</ref> Due to the length restraints of physical copies, edits were made to fit tracks on each CD/disc, mostly in regard to their transitions.
== Tracks ==

=== NTS Session 1 ===
[[File:NTS_Session_1.jpg|thumb|150x150px|NTS Session 1]]
==== t1a1 ====

* The percussion was previously used at the start of the [[AE LIVE|2014/2015 live sets]]. ([https://youtu.be/hGevT4L4f74?si=Xssb1mBABltjfKnP&t=197 example])

==== bqbqbq ====

==== debris_funk ====

* On the LP version, the outro ends solely with the note decay rather than the immediate transition into "l3 ctrl".

==== l3 ctrl ====

==== carefree counter dronal ====

==== north spiral ====

* On the CD version, the intro has been altered to just start with the clicks, rather than the transition from "carefree counter dronal" to it.
* "north spiral" appears in an remixed form on the [[AE LIVE|14/15 live sets]]. ([https://youtu.be/wc9BmSemYRU?si=qRq0QAlah2oBj6SC&t=1521 example])

==== gonk steady one ====

==== four of seven ====

==== 32a_reflected====

* The synths used in "32a_reflected" appear at the end of the [[AE LIVE 2016/2018|2016 live sets]]. ([https://www.youtube.com/watch?v=zCWGYrsf5Lo&t=3830s example])
* The "reflected" in the title likely refers to the composition of track, whereby the original recording was duplicated, its channels flipped, and then played in reversed against the original track, creating a musical palindrome via reflection.

=== NTS Session 2 ===
[[File:NTS_Session_2.jpg|thumb|150x150px|NTS Session 2]]
==== elyc9 7hres ====

* The title shares its name with [[elseq 1-5#elyc6 0nset|"elyc6 0nset"]]'','' which "elyc9 7hres" reuses certain elements from.

==== six of eight (midst) ====

==== xflood ====

==== gonk tuf hi ====

==== dummy casual pt2 ====

==== violvoic ====

* "violvoic" appears partially on the [[AE LIVE|2014/2015 live sets]]. ([https://www.youtube.com/watch?v=7FMRK4ToByk&t=2976s example])

==== sinistrailAB air ====

==== wetgelis casual interval ====

* The synths from "wetgelis casual interval" appeared a few times in their [[AE LIVE|14/15 live shows]]. ([https://youtu.be/Zr5hQmbtNlY?si=bEFvo70iT9yRyqLL&t=4303 example])
* "wetgelis" likely references the composer Vangelis.

==== e0 ====

==== peal MA ====

* On the LP version, "peal MA" has a much longer intro that got separated from "e0"

==== 9 chr0 ====

==== turbile epic casual, stpl idle ====

* "turbile epic casual, stpl idle" shares a few commonality with [[elseq 1-5#oneum|"oneum"]].<nowiki/>
* Elements of "turbile epic casual, stpl idle" appear in the [[AE LIVE 2016/2018|2016/2018 liv]]<nowiki/>[[AE LIVE 2016/2018|e sets]]. ([https://www.youtube.com/watch?v=KallOfGzdzw&t=2837s example])

=== NTS Session 3 ===
[[File:NTS_Session_3.jpg|thumb|150x150px|NTS Session 3]]
==== clustro casual ====

==== splesh ====

* "all end" briefly appears at the end of "splesh".

==== tt1pd ====

==== acid mwan idle ====

* On the LP version, "acid mwan idle" fades in rather than transitioning straight from "tt1pd".

==== fLh ====

* Sean was involved with "fLh" and noted the track had "quartertone abuse" <ref>https://web.archive.org/web/20240612141855/https://post.lurk.org/@sean_ae/112603198530829122 </ref>

==== glos ceramic ====

==== g 1 e 1 ====

* In the [[AE LIVE|early 2014 live shows]], "g 1 e 1" could be heard near the end of the sets. ([https://youtu.be/_Ec0hR6FlKo?si=duGZIXd2yP5UMo-n&t=3382 example])
* "g 1 e 1" is constructued mostly from tuned delay lines. <ref>https://web.archive.org/web/20230726161856/https://post.lurk.org/@sean_ae/110771366258863281#:~:text=the%20g1e1%20stuff%20is%20just%20tuned%20delay%20lines%20iirc</ref>

==== nineFly ====

* An early version of "nineFly" appears on the 2015 US live sets ([https://www.youtube.com/watch?v=m_SnP2px8to&t=2712s example]).
* The studio version of this track uses "basic threshold fft" noise reduction.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''How exactly was the sound of nineFly made? Spectral stuff?''' Noise reduction. Just basic threshold fft shit, you know. So, really simple. It's not hard to do. It's like pretty entry-level fft stuff, so.}}</ref>

==== shimripl air ====

* "shimripl" may be a shortened version of "shimmer, ripple"

==== icari ====

=== NTS Session 4 ===
[[File:NTS_Session_4.jpg|thumb|150x150px|NTS Session 4]]
==== frane casual ====

* "frane casual" shares a lot of similarities with "pendulu casual".

==== mirrage ====

==== column thirteen ====

* An altered version of "column thirteen" appeared in the middle of the [[AE LIVE 2016/2018|2018 live sets]]. ([https://youtu.be/SF8k6oSTQ-A?si=1GrBWyRLj7ZVZfFK&t=2634 example])<ref name=":3" />
* On the LP version, the transition element from "mirrage" is removed.

==== shimripl casual ====

* "shimripl casual" appears in the [[AE LIVE 2016/2018|2016/2018 live sets]]. ([https://www.youtube.com/watch?v=TGqbpV6qS6M&t=775s example])
* On both the CD and LP version, the track ends with a fadeout.
* On the LP version, the track is split into 2 parts, with a few minutes on the side with "column thirteen" and the rest on a different side.

==== all end ====

* The particular drone sound at the end of "bladelores" is what became "all end". In an interview, they confirmed that the name is in fact because the track uses the end of "bladelores" for all of the track, alongside feeling right because "It was the end, and it was long and all."<ref name=":1" /> It also appears at the end of "splesh".
* It was confirmed that "all end" was solely made by Rob. <ref>[[Hanalgig AMA, July 2022]]</ref>
* On the LP and CD versions of ''NTS Sessions'', "all end" only has a fade in rather than the short transition from "shimripl casual" at the start. Due to the length of "all end", it was split up into 3 parts to fit on 3 sides.

=== sinistrail sentinel ===

* Exclusive bonus track for people who brought NTS Sessions on AE_STORE and Bleep. Part of the Adult Swim Single Program.
* "sinistrail sentinel" appeared on the [[AE LIVE|2014/2015 live sets]]. ([https://www.youtube.com/watch?v=3B_wgxTYe9s&t=813s example])

== Tracklist ==
{{Tracklist|list=
{{tl section|section=NTS Session 1}}
{{tl track|number=1|title=t1a1|length=18:40}}
{{tl track|number=2|title=bqbqbq|length=11:16}}
{{tl track|number=3|title=debris_funk|length=10:25}}
{{tl track|number=4|title=l3 ctrl|length=16:52}}
{{tl track|number=5|title=carefree counter dronal|length=5:14}}
{{tl track|number=6|title=north spiral|length=15:01}}
{{tl track|number=7|title=gonk steady one|length=22:25}}
{{tl track|number=8|title=four of seven|length=13:06}}
{{tl track|number=9|title=32a_reflected|length=7:02}}
{{tl total|time=2:00:00}}
{{tl section|section=NTS Session 2}}
{{tl track|number=10|title=elyc9 7hres|length=10:21}}
{{tl track|number=11|title=six of eight (midst)|length=8:42}}
{{tl track|number=12|title=xflood|length=9:25}}
{{tl track|number=13|title=gonk tuf hi|length=7:53}}
{{tl track|number=14|title=dummy casual pt2|length=5:16}}
{{tl track|number=15|title=violvoic|length=15:01}}
{{tl track|number=16|title=sinistrailAB air|length=2:41}}
{{tl track|number=17|title=wetgelis casual interval|length=2:39}}
{{tl track|number=18|title=e0|length=15:45}}
{{tl track|number=19|title=peal MA|length=5:04}}
{{tl track|number=20|title=9 chr0|length=15:45}}
{{tl track|number=21|title=turbile epic casual, stpl idle|length=21:30}}
{{tl total|time=2:00:00}}
{{tl section|section=NTS Session 3}}
{{tl track|number=22|title=clustro casual|length=11:03}}
{{tl track|number=23|title=splesh|length=8:56}}
{{tl track|number=24|title=tt1pd|length=22:12}}
{{tl track|number=25|title=acid mwan idle|length=11:57}}
{{tl track|number=26|title=fLh|length=8:18}}
{{tl track|number=27|title=glos ceramic|length=13:26}}
{{tl track|number=28|title=g 1 e 1|length=7:00}}
{{tl track|number=29|title=nineFly|length=10:04}}
{{tl track|number=30|title=shimripl air|length=7:06}}
{{tl track|number=31|title=icari|length=19:58}}
{{tl total|time=2:00:00}}
{{tl section|section=NTS Session 4}}
{{tl track|number=32|title=frane casual|length=13:43}}
{{tl track|number=33|title=mirrage|length=6:22}}
{{tl track|number=34|title=column thirteen|length=17:02}}
{{tl track|number=35|title=shimripl casual|length=24:32}}
{{tl track|number=36|title=all end|length=58:22}}
{{tl total|time=2:00:00}}
{{tl track|number=37|title=sinistrail sentinel (AE_Store & Bleep exclusive bonus track)|length=11:42}}
{{tl finaltime|time=8:11:42}}
}}

== Trivia ==
* ''NTS Sessions 1-4'' is by far the longest Autechre album, with a runtime of exactly 8 hours. The vinyl release of ''NTS Sessions 1-4'' spans twelve LPs (24 sides, A-X), making it the largest album Warp Records has ever released.

== Links ==

* [https://autechre.warp.net/stream/nts-sessions AE_STORE]
* [https://www.nts.live/projects/autechre-nts-residency/ NTS Residency]
* [https://bleep.com/release/104160-autechre-nts-sessions-1-4 Bleep]
* [https://www.discogs.com/master/1395770-Autechre-NTS-Sessions Discogs]

==Credits ==
* [[Autechre]] (production)
*[[Rob Brown]] (writer, producer)
*[[Sean Booth]] (writer, producer)
*[[Noel Summerville]] (mastering engineer)
*[[The Designers Republic]] (design) <ref>https://www.discogs.com/master/1395770-Autechre-NTS-Sessions</ref>

== References ==
<references />

elseq 1-5

2024-08-21T10:30:29Z

Quants0: /* Trivia */

{{Infobox
|title=elseq 1-5
|artist=[[Autechre]]
|cover=elseq 1-5.jpg
|date=19 May 2016
|label=Warp Records (WARP512)
|previous=[[AE_LIVE]]
|previous year=2015
|next=[[JNSN CODE GL16 / spl47]]
|next year=2017
}}
'''''elseq 1-5''''', often shortened to just '''''elseq''''', is the twelfth studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on May 19th, 2016.

== Tracks ==

=== elseq 1 ===
[[File:elseq1.jpeg|thumb|150x150px|elseq 1]]

==== feed1 ====
* BPM: 112
* In a leadup to the release of ''elseq'', "feed1" was debuted on May 13th, 2016 on BBC Radio 6 at 9PM.<ref>https://www.factmag.com/2016/05/14/hear-a-new-autechre-track-feed-1/</ref><ref>https://twitter.com/WarpRecords/status/731183045575905284</ref><ref name=":0">https://cdm.link/2016/05/hours-and-hours-and-hours-of-autechre/</ref>
* One analysis of "feed1" put forth by IOS from WATMM is that the bass drums are a basic 2 bar loop (shown below), with probability to retrigger any amount of the main kicks again after 3 sixteenths notes. <ref>https://forum.watmm.com/topic/93475-feed1s-kicks/?do=findComment&comment=2557279</ref>
|1 . 2 . 3 . 4 . |1 . 2 . 3 . 4 . |
|B . . B . . B . |. B . . B . . . |

==== c16 deep tread ====
* BPM: 157, 160
* "c16 deep tread" was debutted as the second single on KSUA, a small Alaskan college radio channel on May 18th, 2016, at 12PM Alaskan time.<ref>https://www.factmag.com/2016/05/18/autechre-alaskan-radio-appearance/</ref> A now-dead SoundCloud upload of it was also provided.<ref name=":0" />
* The track appeared on [[AE_LIVE|the 2014/2015 live sets]] in a mostly final, albeit abridged form. ([https://youtu.be/c3GxvP_U_jc?si=tm2MqrWeJ8wQFIlo&t=2063 example])
* The main snare sound on "c16 deep tread" was made using subtractive synthesis of oscillator and noise plus frequency shifting with feedback, among other things. <ref>https://web.archive.org/web/20230726161856/https://post.lurk.org/@sean_ae/110771366258863281#:~:text=that%20snare%20is%20a%20combination%20of%20things%20but%20mainly%20subtractive%20(oscillator%2Bnoise)%20and%20frequency%20shifting%20w/feedback</ref>

==== 13x0 step ====

* BPM: 130

==== pendulu hv moda ====

* BPM: ?, 74
* "pendulu" is one letter short of "pendulum". A possible theory for "hv' is that it stands for "heavy", as Rob mentioned that amongst their archives they had a few tracks categorised as "heavies".<ref>{{Cite interview|page=Autechre on Their Epic NTS Sessions, David Lynch, and Where Code Meets Music, August 2018|quote=There’s a few “idles,” a few “casuals,” a few “heavies.”}}</ref>
* An early version of the track appeared at the end of most of the [[AE LIVE|2015 US live sets]]. ([https://youtu.be/TSH81CdJGFU?si=j33P1LVjp_OrUhlm&t=3370 example])

==== curvcaten ====

* BPM: 162 (?)

=== elseq 2 ===
[[File:elseq2.jpeg|thumb|150x150px|elseq 2]]

==== elyc6 0nset ====

* BPM: 160
* The elyc sounds were only made around 2014/2015.<ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote=the elyc stuff was 2014/15 iirc}}</ref>
* Sean confirmed that he recorded "elyc6 0nset" in a day. <ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''How did you make elyc6 0nset, and is it true you made it in one day?''' Yeah, but I don't know where, I don't think I ever said that to anyone. But yeah, it's true that I made it in a day, yeah.}}</ref>
* Certain elements of this track were later reused on [[NTS Sessions 1-4#elyc9 7hres|"elyc9 7hres"]]

==== chimer 1-5-1 ====

* BPM: 188.75 (?) 5/4

==== c7b2 ====

* BPM: 120

* "c7b2" appears on the [[AE LIVE|2015 US live sets]]. ([https://youtu.be/pmlbwJ5LXbY?si=VoDb_983KJyaO7b7&t=3185 example])
* Sean was unable to explain what exactly was going on behind the scenes for "c7b2", however notes that "a lot of the sort of screamy stuff is sort of delays and something that's a bit like a phaser, but it's getting webbed around quite a lot." <ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''Anything you say about c7b2 sequencing sound engineering? It seems to have a lot of interesting reoccurring themes like the rumbling low end?''' Yeah, I mean, I don't know what to tell you about it. It's quite, it was quite a few different patches working together, that track. So, a lot of the sort of screamy stuff is sort of delays and something that's a bit like a phaser, but it's getting webbed around quite a lot. So there's a lot of, kind of, I don't know. I don't even know what it was doing to be honest. I'd have to open it all up again and have a look because, you know, once it's set up and saved, I don't really look at it so. But I know roughly which modules were getting used and I know roughly what they would have been doing, so yeah. “I don't know” is the short answer.}}</ref>

=== elseq 3 ===
[[File:elseq3.jpeg|thumb|150x150px|elseq 3]]

==== eastre ====
* BPM: 153 (?)
* [[ae mixlr 300320|In a Mixlr stream on 30 March 2020]], Sean remarked that he had a 52 minute long version of "eastre" as he was skimming through jam folder snippets. <ref>https://docs.google.com/spreadsheets/d/1g52y2e2rnqVhQJdkw0Qk1YYJoen1uhVvn2Fd-tABywA/edit#gid=1580406988&range=E16</ref>

==== TBM2 ====

* BPM: 85.91

==== mesh cinereaL ====

* BPM: 83 (?)

=== elseq 4 ===
[[File:elseq4.jpeg|thumb|150x150px|elseq 4]]

==== acdwn2 ====

* BPM: 124
* Elements of "acdwn2" first appeared on the [[AE LIVE|2014 live sets]]. ([https://www.youtube.com/watch?v=OdvWpAS-dVk&t=336s example]) They were also later reused on [[NTS Sessions 1-4#xflood|"xflood"]].

==== foldfree casual ====

* BPM: 160
* The track shares elements with both "pendulu hv moda" and [[NTS Sessions 1-4#carefree counter dronal|"carefree counter dronal"]]

==== latentcall ====

* BPM: 148
* Elements of "latentcall" appeared in the 2015 live sets. ([https://www.youtube.com/watch?v=m_SnP2px8to&t=2600s example])

==== artov chain ====

* BPM: 148
* "artov chain" is a play on [[wikipedia:Markov_chain|Markov Chains]].
* Early versions of "artov chain" appeared in the 2015 US live sets. ([https://www.youtube.com/watch?v=m_SnP2px8to&t=3097s example])
* The main "ah" sample in the track is from the [https://archive.org/details/cmi-sound-library-rev-1.3 Fairlight CMI sound library],<ref>https://web.archive.org/web/20240119174137/https://post.lurk.org/@sean_ae/111783830699925880</ref> specifically HUMANS1/AAHHL2.wav being stacked harmonically.

==== 7th slip ====

* BPM: 160
* "7th slip" was done by Rob. 
* The synths were previously used in the [[AE LIVE|2014/2015 live sets]]. ([https://youtu.be/38Cmbmupb3M?si=u8gNxs59jn0Foxtc&t=3027 example])

=== elseq 5 ===
[[File:elseq5.jpeg|thumb|150x150px|elseq 5]]

==== pendulu casual ====

* BPM: 80
* "pendulu casual" shares a few elements with [[NTS Sessions 1-4#frane%20casual|"frane casual"]].

==== spTh ====

* BPM: 186

==== spaces how V ====

* BPM: 162
* In the July 2022 Twitch AMA, Sean confirmed that "spaces how V" was made by Rob. <ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote=spaces how V was Rob, so I can't talk about how he did it. You're gonna have to ask him. Rob knows some mean tricks for stereo manipulation, and he doesn't even share him with me, so.}}</ref>
* The track had early apperances in both the [[Oversteps Tour|2010 live shows]] [https://youtu.be/dEtauI9aN1E?t=1108 (example)] as well as appearing in [[List of Rarities#Atoms Vectors Pixels Ghosts™|Atoms Vectors Pixels Ghosts™]].

==== freulaeux ====

* BPM: 137

* In the [[Hanalgig AMA, July 2022]], Sean confirmed that the track title is a reference to [[wikipedia:Franz_Reuleaux|Franz Realeaux]] that was chosen by Rob. <ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Anuel: thoughts on Franz Reuleaux?''' XH HX: that was rob's reference so i guess ask him}}</ref>

==== oneum ====

* BPM: 95 (?)
* "oneum" shares a few elements with [[NTS Sessions 1-4#turbile epic casual, stpl idle|"turbile epic casual, stpl idle"]].

== Tracklist ==
{{Tracklist|list=
{{tl section|section=elseq 1}}
{{tl track|number=1|title=feed1|length=11:38}}
{{tl track|number=2|title=c16 deep tread|length=12:31}}
{{tl track|number=3|title=13x0 step|length=8:57}}
{{tl track|number=4|title=pendulu hv moda|length=12:15}}
{{tl track|number=5|title=curvcaten|length=6:59}}
{{tl total|time=52:21}}
{{tl section|section=elseq 2}}
{{tl track|number=6|title=elyc6 0nset|length=27:09}}
{{tl track|number=7|title=chimer 1-5-1|length=5:03}}
{{tl track|number=8|title=c7b2|length=13:22}}
{{tl total|time=45:35}}
{{tl section|section=elseq 3}}
{{tl track|number=9|title=eastre|length=22:15}}
{{tl track|number=10|title=TBM2|length=6:44}}
{{tl track|number=11|title=mesh cinereaL|length=24:28}}
{{tl total|time=53:29}}
{{tl section|section=elseq 4}}
{{tl track|number=12|title=acdwn2|length=11:52}}
{{tl track|number=13|title=foldfree casual|length=9:49}}
{{tl track|number=14|title=latentcall|length=14:31}}
{{tl track|number=15|title=artov chain|length=4:04}}
{{tl track|number=16|title=7th slip|length=6:36}}
{{tl total|time=46:54}}
{{tl section|section=elseq 5}}
{{tl track|number=17|title=pendulu casual|length=9:01}}
{{tl track|number=18|title=spTh|length=8:21}}
{{tl track|number=19|title=spaces how V|length=9:57}}
{{tl track|number=20|title=freulaeux|length=11:06}}
{{tl track|number=21|title=oneum|length=11:01}}
{{tl total|time=49:28}}
{{tl finaltime|time=4:07:49}}
}}
== Trivia ==

* ''elseq 1-5'' is the only Autechre album to have a title stylized in lowercase.
* ''elseq 1-5'' is the only Autechre album to not have a physical release.
* One theory argue that “elseq” is an abbreviation of “'''e'''dited '''l'''ive '''seq'''uences”, meaning it would be pronounced "ell seek". During the Twitch AMAs Sean did, in fact, pronounce "elseq" as "ell seek", lending credence to that theory.
* The CAT number, WARP512, was likely specifically requested by Autechre. 512 is a power of 2, as are WARP128 ([[Confield]]) and WAP256 ([[Gantz Graf]]). Another theory is that the “5” represents the 5 parts of elseq, whereas the 12 represents it being the twelfth Autechre album.

== Gallery ==
<gallery>
File:feed1.jpg|feed1
File:c16 deep tread.jpg|c16 deep tread
File:13x0 step.jpg|13x0 step
File:pendulu hv moda.jpg|pendulu hv moda
File:curvcaten.jpg|curvcaten
File:elyc6 0nset.jpg|elyc6 0nset
File:chimer 1-5-1.jpg|chimer 1-5-1
File:c7b2.jpg|c7b2
File:eastre.jpg|eastre
File:TBM2.jpg|TBM2
File:mesh cinereaL.jpg|mesh cinereaL
File:acdwn2.jpg|acdwn2
File:foldfree casual.jpg|foldfree casual
File:latentcall.jpg|latentcall
File:artov chain.jpg|artov chain
File:7th slip.jpg|7th slip
File:pendulu casual.jpg|pendulu casual
File:spTh.jpg|spTh
File:spaces how V.jpg|spaces how V
File:freulaeux.jpg|freulaeux
File:oneum.jpg|oneum
</gallery>

== Links ==

* [https://autechre.warp.net/release/73330-autechre-elseq-15 AE_STORE]
* [https://www.discogs.com/master/1003066-Autechre-elseq-15 Discogs]
* [https://open.spotify.com/album/7raDh1kdExEdaPyOJAtl9E Spotify]

== Credits==
*[[The Designers Republic]] (design) <ref>https://www.discogs.com/master/1003066-Autechre-elseq-15</ref>

== References ==
<references />
[[Category:Album]]

elseq 5

2024-08-21T10:26:16Z

Quants0: Redirected page to elseq 1-5#elseq 5

#REDIRECT [[elseq 1-5#elseq 5]]

elseq 4

2024-08-21T10:26:03Z

Quants0: Redirected page to elseq 1-5#elseq 4

#REDIRECT [[elseq 1-5#elseq 4]]

elseq 3

2024-08-21T10:25:51Z

Quants0: Redirected page to elseq 1-5#elseq 3

#REDIRECT [[elseq 1-5#elseq 3]]

elseq 2

2024-08-21T10:25:38Z

Quants0: Redirected page to elseq 1-5#elseq 2

#REDIRECT [[elseq 1-5#elseq 2]]

elseq 1

2024-08-21T10:25:07Z

Quants0: Redirected page to elseq 1-5#elseq 1

#REDIRECT [[elseq 1-5#elseq 1]]

elseq 1

2024-08-21T10:24:41Z

Quants0: Created page with "#REDIRECT elseq 1-5#elseq 1"

#REDIRECT elseq 1-5#elseq 1

elseq 1-5

2024-08-21T10:24:10Z

Quants0: adding headings for each elseq, will be making redirect pages for each entry that redirect to the appropriate section

{{Infobox
|title=elseq 1-5
|artist=[[Autechre]]
|cover=elseq 1-5.jpg
|date=19 May 2016
|label=Warp Records (WARP512)
|previous=[[AE_LIVE]]
|previous year=2015
|next=[[JNSN CODE GL16 / spl47]]
|next year=2017
}}
'''''elseq 1-5''''', often shortened to just '''''elseq''''', is the twelfth studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on May 19th, 2016.

== Tracks ==

=== elseq 1 ===
[[File:elseq1.jpeg|thumb|150x150px|elseq 1]]

==== feed1 ====
* BPM: 112
* In a leadup to the release of ''elseq'', "feed1" was debuted on May 13th, 2016 on BBC Radio 6 at 9PM.<ref>https://www.factmag.com/2016/05/14/hear-a-new-autechre-track-feed-1/</ref><ref>https://twitter.com/WarpRecords/status/731183045575905284</ref><ref name=":0">https://cdm.link/2016/05/hours-and-hours-and-hours-of-autechre/</ref>
* One analysis of "feed1" put forth by IOS from WATMM is that the bass drums are a basic 2 bar loop (shown below), with probability to retrigger any amount of the main kicks again after 3 sixteenths notes. <ref>https://forum.watmm.com/topic/93475-feed1s-kicks/?do=findComment&comment=2557279</ref>
|1 . 2 . 3 . 4 . |1 . 2 . 3 . 4 . |
|B . . B . . B . |. B . . B . . . |

==== c16 deep tread ====
* BPM: 157, 160
* "c16 deep tread" was debutted as the second single on KSUA, a small Alaskan college radio channel on May 18th, 2016, at 12PM Alaskan time.<ref>https://www.factmag.com/2016/05/18/autechre-alaskan-radio-appearance/</ref> A now-dead SoundCloud upload of it was also provided.<ref name=":0" />
* The track appeared on [[AE_LIVE|the 2014/2015 live sets]] in a mostly final, albeit abridged form. ([https://youtu.be/c3GxvP_U_jc?si=tm2MqrWeJ8wQFIlo&t=2063 example])
* The main snare sound on "c16 deep tread" was made using subtractive synthesis of oscillator and noise plus frequency shifting with feedback, among other things. <ref>https://web.archive.org/web/20230726161856/https://post.lurk.org/@sean_ae/110771366258863281#:~:text=that%20snare%20is%20a%20combination%20of%20things%20but%20mainly%20subtractive%20(oscillator%2Bnoise)%20and%20frequency%20shifting%20w/feedback</ref>

==== 13x0 step ====

* BPM: 130

==== pendulu hv moda ====

* BPM: ?, 74
* "pendulu" is one letter short of "pendulum". A possible theory for "hv' is that it stands for "heavy", as Rob mentioned that amongst their archives they had a few tracks categorised as "heavies".<ref>{{Cite interview|page=Autechre on Their Epic NTS Sessions, David Lynch, and Where Code Meets Music, August 2018|quote=There’s a few “idles,” a few “casuals,” a few “heavies.”}}</ref>
* An early version of the track appeared at the end of most of the [[AE LIVE|2015 US live sets]]. ([https://youtu.be/TSH81CdJGFU?si=j33P1LVjp_OrUhlm&t=3370 example])

==== curvcaten ====

* BPM: 162 (?)

=== elseq 2 ===
[[File:elseq2.jpeg|thumb|150x150px|elseq 2]]

==== elyc6 0nset ====

* BPM: 160
* The elyc sounds were only made around 2014/2015.<ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote=the elyc stuff was 2014/15 iirc}}</ref>
* Sean confirmed that he recorded "elyc6 0nset" in a day. <ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''How did you make elyc6 0nset, and is it true you made it in one day?''' Yeah, but I don't know where, I don't think I ever said that to anyone. But yeah, it's true that I made it in a day, yeah.}}</ref>
* Certain elements of this track were later reused on [[NTS Sessions 1-4#elyc9 7hres|"elyc9 7hres"]]

==== chimer 1-5-1 ====

* BPM: 188.75 (?) 5/4

==== c7b2 ====

* BPM: 120

* "c7b2" appears on the [[AE LIVE|2015 US live sets]]. ([https://youtu.be/pmlbwJ5LXbY?si=VoDb_983KJyaO7b7&t=3185 example])
* Sean was unable to explain what exactly was going on behind the scenes for "c7b2", however notes that "a lot of the sort of screamy stuff is sort of delays and something that's a bit like a phaser, but it's getting webbed around quite a lot." <ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''Anything you say about c7b2 sequencing sound engineering? It seems to have a lot of interesting reoccurring themes like the rumbling low end?''' Yeah, I mean, I don't know what to tell you about it. It's quite, it was quite a few different patches working together, that track. So, a lot of the sort of screamy stuff is sort of delays and something that's a bit like a phaser, but it's getting webbed around quite a lot. So there's a lot of, kind of, I don't know. I don't even know what it was doing to be honest. I'd have to open it all up again and have a look because, you know, once it's set up and saved, I don't really look at it so. But I know roughly which modules were getting used and I know roughly what they would have been doing, so yeah. “I don't know” is the short answer.}}</ref>

=== elseq 3 ===
[[File:elseq3.jpeg|thumb|150x150px|elseq 3]]

==== eastre ====
* BPM: 153 (?)
* [[ae mixlr 300320|In a Mixlr stream on 30 March 2020]], Sean remarked that he had a 52 minute long version of "eastre" as he was skimming through jam folder snippets. <ref>https://docs.google.com/spreadsheets/d/1g52y2e2rnqVhQJdkw0Qk1YYJoen1uhVvn2Fd-tABywA/edit#gid=1580406988&range=E16</ref>

==== TBM2 ====

* BPM: 85.91

==== mesh cinereaL ====

* BPM: 83 (?)

=== elseq 4 ===
[[File:elseq4.jpeg|thumb|150x150px|elseq 4]]

==== acdwn2 ====

* BPM: 124
* Elements of "acdwn2" first appeared on the [[AE LIVE|2014 live sets]]. ([https://www.youtube.com/watch?v=OdvWpAS-dVk&t=336s example]) They were also later reused on [[NTS Sessions 1-4#xflood|"xflood"]].

==== foldfree casual ====

* BPM: 160
* The track shares elements with both "pendulu hv moda" and [[NTS Sessions 1-4#carefree counter dronal|"carefree counter dronal"]]

==== latentcall ====

* BPM: 148
* Elements of "latentcall" appeared in the 2015 live sets. ([https://www.youtube.com/watch?v=m_SnP2px8to&t=2600s example])

==== artov chain ====

* BPM: 148
* "artov chain" is a play on [[wikipedia:Markov_chain|Markov Chains]].
* Early versions of "artov chain" appeared in the 2015 US live sets. ([https://www.youtube.com/watch?v=m_SnP2px8to&t=3097s example])
* The main "ah" sample in the track is from the [https://archive.org/details/cmi-sound-library-rev-1.3 Fairlight CMI sound library],<ref>https://web.archive.org/web/20240119174137/https://post.lurk.org/@sean_ae/111783830699925880</ref> specifically HUMANS1/AAHHL2.wav being stacked harmonically.

==== 7th slip ====

* BPM: 160
* "7th slip" was done by Rob. 
* The synths were previously used in the [[AE LIVE|2014/2015 live sets]]. ([https://youtu.be/38Cmbmupb3M?si=u8gNxs59jn0Foxtc&t=3027 example])

=== elseq 5 ===
[[File:elseq5.jpeg|thumb|150x150px|elseq 5]]

==== pendulu casual ====

* BPM: 80
* "pendulu casual" shares a few elements with [[NTS Sessions 1-4#frane%20casual|"frane casual"]].

==== spTh ====

* BPM: 186

==== spaces how V ====

* BPM: 162
* In the July 2022 Twitch AMA, Sean confirmed that "spaces how V" was made by Rob. <ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote=spaces how V was Rob, so I can't talk about how he did it. You're gonna have to ask him. Rob knows some mean tricks for stereo manipulation, and he doesn't even share him with me, so.}}</ref>
* The track had early apperances in both the [[Oversteps Tour|2010 live shows]] [https://youtu.be/dEtauI9aN1E?t=1108 (example)] as well as appearing in [[List of Rarities#Atoms Vectors Pixels Ghosts™|Atoms Vectors Pixels Ghosts™]].

==== freulaeux ====

* BPM: 137

* In the [[Hanalgig AMA, July 2022]], Sean confirmed that the track title is a reference to [[wikipedia:Franz_Reuleaux|Franz Realeaux]] that was chosen by Rob. <ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Anuel: thoughts on Franz Reuleaux?''' XH HX: that was rob's reference so i guess ask him}}</ref>

==== oneum ====

* BPM: 95 (?)
* "oneum" shares a few elements with [[NTS Sessions 1-4#turbile epic casual, stpl idle|"turbile epic casual, stpl idle"]].

== Tracklist ==
{{Tracklist|list=
{{tl section|section=elseq 1}}
{{tl track|number=1|title=feed1|length=11:38}}
{{tl track|number=2|title=c16 deep tread|length=12:31}}
{{tl track|number=3|title=13x0 step|length=8:57}}
{{tl track|number=4|title=pendulu hv moda|length=12:15}}
{{tl track|number=5|title=curvcaten|length=6:59}}
{{tl total|time=52:21}}
{{tl section|section=elseq 2}}
{{tl track|number=6|title=elyc6 0nset|length=27:09}}
{{tl track|number=7|title=chimer 1-5-1|length=5:03}}
{{tl track|number=8|title=c7b2|length=13:22}}
{{tl total|time=45:35}}
{{tl section|section=elseq 3}}
{{tl track|number=9|title=eastre|length=22:15}}
{{tl track|number=10|title=TBM2|length=6:44}}
{{tl track|number=11|title=mesh cinereaL|length=24:28}}
{{tl total|time=53:29}}
{{tl section|section=elseq 4}}
{{tl track|number=12|title=acdwn2|length=11:52}}
{{tl track|number=13|title=foldfree casual|length=9:49}}
{{tl track|number=14|title=latentcall|length=14:31}}
{{tl track|number=15|title=artov chain|length=4:04}}
{{tl track|number=16|title=7th slip|length=6:36}}
{{tl total|time=46:54}}
{{tl section|section=elseq 5}}
{{tl track|number=17|title=pendulu casual|length=9:01}}
{{tl track|number=18|title=spTh|length=8:21}}
{{tl track|number=19|title=spaces how V|length=9:57}}
{{tl track|number=20|title=freulaeux|length=11:06}}
{{tl track|number=21|title=oneum|length=11:01}}
{{tl total|time=49:28}}
{{tl finaltime|time=4:07:49}}
}}
== Trivia ==

* ''elseq 1-5'' is the only Autechre album to have a title stylized in lowercase.
* ''elseq 1-5'' is the only Autechre album to not have a physical release.
* One theory argue that “elseq” is an abbreviation of “'''e'''dited '''l'''ive '''seq'''uences”, meaning it would be pronounced "ell seek". During the Twitch AMAs Sean did, in fact, pronounce "elseq" as "ell seek", lending credence to that theory.
* The CAT number, WARP512, was likely specifically requested by Autechre. Another theory is that the “5” represents the 5 parts of elseq, whereas the 12 represents it being the twelfth Autechre album.

== Gallery ==
<gallery>
File:feed1.jpg|feed1
File:c16 deep tread.jpg|c16 deep tread
File:13x0 step.jpg|13x0 step
File:pendulu hv moda.jpg|pendulu hv moda
File:curvcaten.jpg|curvcaten
File:elyc6 0nset.jpg|elyc6 0nset
File:chimer 1-5-1.jpg|chimer 1-5-1
File:c7b2.jpg|c7b2
File:eastre.jpg|eastre
File:TBM2.jpg|TBM2
File:mesh cinereaL.jpg|mesh cinereaL
File:acdwn2.jpg|acdwn2
File:foldfree casual.jpg|foldfree casual
File:latentcall.jpg|latentcall
File:artov chain.jpg|artov chain
File:7th slip.jpg|7th slip
File:pendulu casual.jpg|pendulu casual
File:spTh.jpg|spTh
File:spaces how V.jpg|spaces how V
File:freulaeux.jpg|freulaeux
File:oneum.jpg|oneum
</gallery>

== Links ==

* [https://autechre.warp.net/release/73330-autechre-elseq-15 AE_STORE]
* [https://www.discogs.com/master/1003066-Autechre-elseq-15 Discogs]
* [https://open.spotify.com/album/7raDh1kdExEdaPyOJAtl9E Spotify]

== Credits==
*[[The Designers Republic]] (design) <ref>https://www.discogs.com/master/1003066-Autechre-elseq-15</ref>

== References ==
<references />
[[Category:Album]]

List of Rarities

2024-07-31T06:37:35Z

Quants0: /* Autechre.ws Test Transmission */

This page is a collection of all original tracks by [[Autechre]] which were released as part of another series. Japanese bonus tracks are on their respective album page. List partially sourced from [https://docs.google.com/spreadsheets/d/1i1o90JzFLUelov8bydmpurOCDhktdd-oMbErw8G0AXA/edit?hl=en#gid=1 here].

For remixes, refer to [[List of Remixes]].

== Released  ==

=== Crystel ===
* from [https://www.discogs.com/master/30010-Various-Artificial-Intelligence Artificial Intelligence], 1992
* According to Sean, this was the song that got Autechre signed to Warp, and not [[Autechre / Saw You]] as previously assumed.<ref>https://web.archive.org/web/20240113191644/https://post.lurk.org/@sean_ae/111750128290861077</ref>

=== The Egg ===
* from [https://www.discogs.com/master/30010-Various-Artificial-Intelligence Artificial Intelligence], 1992
* This song is in mono. It is not known whether this was done on purpose.

=== Lanx 3 ===
* from [https://www.discogs.com/release/115269-Various-Volume-Eight Volume Eight], 1993

=== Chatter ===
* from [https://www.discogs.com/master/21134-Various-Artificial-Intelligence-II Artificial Intelligence II], 1994

=== Nonima ===
* from [https://www.discogs.com/release/238132-Various-Mind-The-Gap-Volume-5 Mind the Gap Volume 5], 1995

=== Silversub ===
* from [https://www.discogs.com/release/748632-Various-FMCD-January-1995 FMCD January 1995], 1995
* Is an alternate mix of [[Amber#Silverside|Silverside]].

=== P.I.O.B (Mix Two) ===
* from [https://www.discogs.com/master/1377596-The-Fall-Drome-Autechre-Untitled Fall/ Drome/Autechre - Untitled], 1996
* Is an alternate mix of ''[[Garbage#PIOBmx19|PIOBmx19]].''

=== Carni ===
* from [https://www.discogs.com/release/13845-Various-Eurowarp Eurowarp], 1996

=== Inhake 3 ===
* from [https://www.discogs.com/release/55136-Various-22-Class-A-Tracks 22 Class A Tracks], 1997

=== Puch ===
* from [https://www.discogs.com/release/200712-Various-Elements-The-Chemistry-Of-Mutating-Beats Elements], 1997

=== Stop Look Listen ===
* from [https://www.discogs.com/master/2353-Various-We-Are-Reasonable-People We are Reasonable People], 1998

=== Extended Ambience Sample from a Resonant Structure ===
* from [https://www.discogs.com/release/795959-Various-Unique-Sounds-Sonic-Elements-From-The-Stars Future Music Magazine], 1998
* in an interview excerpt, Autechre described the production of this song by saying: "Microphones were positioned around a structure with a resonant frequency of 100Hz. Electrical equipment inside the structure provided a constant tone of 50Hz. Water channelling equipment was also used. Signals from the two microphones were passed through five parallel resonators, all tuned with intervals divisible by 25Hz. Each resonator was filtered and the output mixed down to two channels and reversed."
** Sourced from [https://forum.watmm.com/topic/93486-autechre-interview-future-music-july-1998/ magazine scans, provided by WATMM user frozenreeds].

=== All Tomorrow's Linoleum ===
* from [https://www.discogs.com/master/82780-Various-All-Tomorrows-Parties-10 All Tomorrow's Parties 1.0], 2001

=== Konlied Mx ===
* from [https://www.discogs.com/master/84197-Various-Routine Routine], 2001

=== Naftwa4 ===
* from [https://www.discogs.com/release/96580-Various-Warp-WIFOF2003-Mix WIFOF2003], 2003

=== /]{- /](||) Excerpt ===
* from [https://www.discogs.com/master/48147-Various-Autechre-Curated-All-Tomorrows-Parties-30- All Tomorrow's Parties 3.0], 2003

* The title is an ASCII representation of "AE ACID"

=== Bronchus One.1 ===
* from [https://www.discogs.com/master/250176-Various-An-Anthology-Of-Noise-Electronic-Music-Second-A-Chronology-1936-2003 An Anthology Of Noise & Electronic Music / Second A-Chronology 1936-2003], 2003

* According to the copyright information, the song was published 1991.<ref>https://www.discogs.com/release/156514-Various-An-Anthology-Of-Noise-Electronic-Music-Second-A-Chronology-1936-2003</ref>
* is an alternate mix of [[Incunabula#Bronchus 2|Bronchus 2]].

=== Coenc3 ===
* from [https://www.discogs.com/release/1307559-Various-45-A-Tribute-To-Daniel-Hansson 45 - A Tribute to Daniel Hansson], 2008

* During his [[Sean Twitch AMA, July 2022|July 2022 Twitch AMA]], Sean mentioned that the track was made in 2005.

=== Oval Moon (IBC mx) ===
* from [https://www.discogs.com/master/207276-Various-Warp20-Unheard Warp20 (Unheard)], 2009

* According to the copyright information, the song was published 1991.<ref>https://www.discogs.com/release/2024532-Various-Warp20-Unheard</ref>
* IBC refers to the pirate radio station (short for Illegal Broadcasting Company) where Autechre got their start as radio DJs.[https://www.thepiratearchive.net/ibc/]

=== 6852 ===
[[File:6852.jpg|alt=poster|thumb|ATP "Made In Japan" promotional poster for "6852"|139x139px]]

"'''6852'''" is a digital-only song released by [[Autechre]] on April 17th, 2011. It was given away via a download code when purchasing a ticket for a charity concert hosted by [https://www.discogs.com/label/4961-ATP-Recordings ATP] in support of the Japanese Red Cross after the recent tsunami disaster.
*The title, "6852", likely originally referred to the number of islands that comprised Japan at time of release.
*The Headhunters' "God Make Me Funky" is sampled on the track. <ref>https://www.whosampled.com/sample/234368/Autechre-6852-The-Headhunters-Pointer-Sisters-God-Make-Me-Funky/</ref>

=== Ts1a ===
*from [https://www.discogs.com/master/1359215-Various-Benefit-Compilation-For-Japan Benefit Compilation for Japan], 2011
*The track was "rereleased" on ''[[Hanalgig]]'', where Sean mentioned that it was made in 2009.
*During his July 2022 AMA, Sean said that the track either used Synplant or the Yamaha FS1R for some the FM sounds.<ref>https://youtu.be/sihCO_RN1tc?feature=shared&t=2698</ref>

=== SYptixed ===
*from [https://www.discogs.com/master/684135-Various-Bleep10 Bleep:10], 2014

== Commissions/Contributions==

=== Onedotzero 8 ===
*[https://vimeo.com/3953671 A commission for the opening of Onedotzero8], with music by Autechre and visuals by [[Alex Rutherford]].

=== Atoms Vectors Pixels Ghosts™ ===
*A visual art project by [[The Designers Republic]] featuring music from Autechre, including an early [[elseq 1-5#spaces how V|"spaces how V"]]. <ref>https://vimeo.com/41905073</ref><ref>https://www.thedesignersrepublic.com/atoms-vectors-pixels-ghosts</ref><ref>https://www.s1artspace.org/programme/atoms-vectors-pixels-ghosts/</ref><ref>https://web.archive.org/web/20240124200545/https://post.lurk.org/@sean_ae/111807273811423116</ref><ref>https://web.archive.org/web/20240124200447/https://post.lurk.org/@sean_ae/111810622481393012</ref> 

=== P1-449 ===
"'''P1-449'''" was released as part of the Sónar Calling GJ273b project on October 16th, 2017. The project was made to transmit music and audio art for extraterrestrial contact.<ref>https://soundcloud.com/sonarcalling/autechre-p1-449/s-v8hVY</ref><ref>https://www.sonarcalling.com/en/</ref> The file was made as an audio representation of the first 449 prime numbers in base ten.<ref>https://www.sonarcalling.com/en/artists/autechre/</ref>

== Unreleased/Miscellaneous Appearances ==

=== [[Late 80s Tape]] ===

* Leaked in 2019 around the same time as Warp Tapes. Contains 5 unreleased tracks, one track which appeared in Lego Feet Part 3, 2 DJ mixes, and one non-Ae track (Coma II (A.M/O.K) by S'Express). 

=== IBC Anthem ===

* Done in 1992 for Andy Richard's IBC Show, with Ged O'Hara on vocals. <ref name=":0">https://www.reddit.com/r/autechre/comments/1bbc89f/old_lego_feetae_leak_of_early_material/</ref><ref>https://web.archive.org/web/20240113193629/https://post.lurk.org/@sean_ae/111749064152560779</ref>

=== Techthree ===

* [https://www.youtube.com/watch?v=pvF2Xq9sUFo Unreleased Lego Feet track.]<ref name=":0" />

=== Bigmistake ===

* [https://www.youtube.com/watch?v=r5nntgNbtsY Unreleased Lego Feet track.]<ref name=":0" />

=== Flight Deck ===

* Performed at Sweatbox 2 1991<ref>https://web.archive.org/web/20240309191939/https://post.lurk.org/@sean_ae/112067053409190575</ref> as well as aired on Sunset 102 FM on December 18th, 1990<ref>https://www.youtube.com/watch?v=IueaLLmy-1U</ref> after they came in with the tape.<ref>https://web.archive.org/web/20240604224813/https://post.lurk.org/@sean_ae/112560743996346551</ref> A snippet appears on ''[[Lego Feet]]''.<ref>https://www.reddit.com/r/autechre/comments/1d7ad8f/comment/l6yp7h7/</ref>

=== Myslb ===

* BPM: 125
* Performed at Sweatbox 2 1991 + had a demo snippet shared by Sean. Name is short for "Make Your Self Look Bad!" which is the main vocal loop of "[https://www.youtube.com/watch?v=KcGa22wuZ4I Help Me Somebody]" by Brian Eno and David Byrne. The main production is the 606 and FZ-10 on hihats. <ref>[https://web.archive.org/web/20240114152614/https://post.lurk.org/@sean_ae/111754768777276869#:~:text=title%20is%20MYSLB%2C%20maybe%20you%20can%20fig%20out%20the%20sample%20from%20that%20%3B) https://web.archive.org/web/20240114152614/https://post.lurk.org/@sean_ae/111754768777276869#:~:text=title%20is%20MYSLB%2C%20maybe%20you%20can%20fig%20out%20the%20sample%20from%20that%20%3B)]</ref>

=== Untitled 90s Live Track ===

* Performed as a live track during their 1997 tour ([https://www.youtube.com/watch?v=IPqbpe06SVc&t=652 example]) with an R8. No proper track version from Autechre exists.<ref>https://web.archive.org/web/20240424140935/https://post.lurk.org/@sean_ae/112326437984409445</ref> Later reperformed during The Fear Ratio's 2020 DJ Mix.<ref>https://www.youtube.com/watch?v=-AM4eQ-wyWU</ref> Mark Broom confirmed over Facebook it was an Autechre track that was given to him.<ref>https://www.reddit.com/r/autechre/comments/173wc3z/the_greatest_of_all_unreleased_ae_tracks/</ref>

=== Second Crane ===

* Performed at Stormy Waters 1995.<ref>{{Cite AAA doc|1338|1339}}</ref>

=== Untitled Track on Radio Mix ===

* ''[[Radio Mix]]'', 1997

=== Lupe Mx ===

* Alternate version of [[Chiastic Slide#Pule|"Pule"]], appeared in the Untilted test transmission.

=== Coachella 1999 Tracks ===

=== Autechre.ws Test Transmission ===

* Series of mostly experimental minimal/drone tracks originally broadcast on April 8, 2005. Some of these tracks would be reused as part of [[Autechre & The Hafler Trio|Autechre's collaborations with the Hafler Trio]].

== References ==
<references />

List of Rarities

2024-07-31T04:03:19Z

Quants0: /* Released */

This page is a collection of all original tracks by [[Autechre]] which were released as part of another series. Japanese bonus tracks are on their respective album page. List partially sourced from [https://docs.google.com/spreadsheets/d/1i1o90JzFLUelov8bydmpurOCDhktdd-oMbErw8G0AXA/edit?hl=en#gid=1 here].

For remixes, refer to [[List of Remixes]].

== Released  ==

=== Crystel ===
* from [https://www.discogs.com/master/30010-Various-Artificial-Intelligence Artificial Intelligence], 1992
* According to Sean, this was the song that got Autechre signed to Warp, and not [[Autechre / Saw You]] as previously assumed.<ref>https://web.archive.org/web/20240113191644/https://post.lurk.org/@sean_ae/111750128290861077</ref>

=== The Egg ===
* from [https://www.discogs.com/master/30010-Various-Artificial-Intelligence Artificial Intelligence], 1992
* This song is in mono. It is not known whether this was done on purpose.

=== Lanx 3 ===
* from [https://www.discogs.com/release/115269-Various-Volume-Eight Volume Eight], 1993

=== Chatter ===
* from [https://www.discogs.com/master/21134-Various-Artificial-Intelligence-II Artificial Intelligence II], 1994

=== Nonima ===
* from [https://www.discogs.com/release/238132-Various-Mind-The-Gap-Volume-5 Mind the Gap Volume 5], 1995

=== Silversub ===
* from [https://www.discogs.com/release/748632-Various-FMCD-January-1995 FMCD January 1995], 1995
* Is an alternate mix of [[Amber#Silverside|Silverside]].

=== P.I.O.B (Mix Two) ===
* from [https://www.discogs.com/master/1377596-The-Fall-Drome-Autechre-Untitled Fall/ Drome/Autechre - Untitled], 1996
* Is an alternate mix of ''[[Garbage#PIOBmx19|PIOBmx19]].''

=== Carni ===
* from [https://www.discogs.com/release/13845-Various-Eurowarp Eurowarp], 1996

=== Inhake 3 ===
* from [https://www.discogs.com/release/55136-Various-22-Class-A-Tracks 22 Class A Tracks], 1997

=== Puch ===
* from [https://www.discogs.com/release/200712-Various-Elements-The-Chemistry-Of-Mutating-Beats Elements], 1997

=== Stop Look Listen ===
* from [https://www.discogs.com/master/2353-Various-We-Are-Reasonable-People We are Reasonable People], 1998

=== Extended Ambience Sample from a Resonant Structure ===
* from [https://www.discogs.com/release/795959-Various-Unique-Sounds-Sonic-Elements-From-The-Stars Future Music Magazine], 1998
* in an interview excerpt, Autechre described the production of this song by saying: "Microphones were positioned around a structure with a resonant frequency of 100Hz. Electrical equipment inside the structure provided a constant tone of 50Hz. Water channelling equipment was also used. Signals from the two microphones were passed through five parallel resonators, all tuned with intervals divisible by 25Hz. Each resonator was filtered and the output mixed down to two channels and reversed."
** Sourced from [https://forum.watmm.com/topic/93486-autechre-interview-future-music-july-1998/ magazine scans, provided by WATMM user frozenreeds].

=== All Tomorrow's Linoleum ===
* from [https://www.discogs.com/master/82780-Various-All-Tomorrows-Parties-10 All Tomorrow's Parties 1.0], 2001

=== Konlied Mx ===
* from [https://www.discogs.com/master/84197-Various-Routine Routine], 2001

=== Naftwa4 ===
* from [https://www.discogs.com/release/96580-Various-Warp-WIFOF2003-Mix WIFOF2003], 2003

=== /]{- /](||) Excerpt ===
* from [https://www.discogs.com/master/48147-Various-Autechre-Curated-All-Tomorrows-Parties-30- All Tomorrow's Parties 3.0], 2003

* The title is an ASCII representation of "AE ACID"

=== Bronchus One.1 ===
* from [https://www.discogs.com/master/250176-Various-An-Anthology-Of-Noise-Electronic-Music-Second-A-Chronology-1936-2003 An Anthology Of Noise & Electronic Music / Second A-Chronology 1936-2003], 2003

* According to the copyright information, the song was published 1991.<ref>https://www.discogs.com/release/156514-Various-An-Anthology-Of-Noise-Electronic-Music-Second-A-Chronology-1936-2003</ref>
* is an alternate mix of [[Incunabula#Bronchus 2|Bronchus 2]].

=== Coenc3 ===
* from [https://www.discogs.com/release/1307559-Various-45-A-Tribute-To-Daniel-Hansson 45 - A Tribute to Daniel Hansson], 2008

* During his [[Sean Twitch AMA, July 2022|July 2022 Twitch AMA]], Sean mentioned that the track was made in 2005.

=== Oval Moon (IBC mx) ===
* from [https://www.discogs.com/master/207276-Various-Warp20-Unheard Warp20 (Unheard)], 2009

* According to the copyright information, the song was published 1991.<ref>https://www.discogs.com/release/2024532-Various-Warp20-Unheard</ref>
* IBC refers to the pirate radio station (short for Illegal Broadcasting Company) where Autechre got their start as radio DJs.[https://www.thepiratearchive.net/ibc/]

=== 6852 ===
[[File:6852.jpg|alt=poster|thumb|ATP "Made In Japan" promotional poster for "6852"|139x139px]]

"'''6852'''" is a digital-only song released by [[Autechre]] on April 17th, 2011. It was given away via a download code when purchasing a ticket for a charity concert hosted by [https://www.discogs.com/label/4961-ATP-Recordings ATP] in support of the Japanese Red Cross after the recent tsunami disaster.
*The title, "6852", likely originally referred to the number of islands that comprised Japan at time of release.
*The Headhunters' "God Make Me Funky" is sampled on the track. <ref>https://www.whosampled.com/sample/234368/Autechre-6852-The-Headhunters-Pointer-Sisters-God-Make-Me-Funky/</ref>

=== Ts1a ===
*from [https://www.discogs.com/master/1359215-Various-Benefit-Compilation-For-Japan Benefit Compilation for Japan], 2011
*The track was "rereleased" on ''[[Hanalgig]]'', where Sean mentioned that it was made in 2009.
*During his July 2022 AMA, Sean said that the track either used Synplant or the Yamaha FS1R for some the FM sounds.<ref>https://youtu.be/sihCO_RN1tc?feature=shared&t=2698</ref>

=== SYptixed ===
*from [https://www.discogs.com/master/684135-Various-Bleep10 Bleep:10], 2014

== Commissions/Contributions==

=== Onedotzero 8 ===
*[https://vimeo.com/3953671 A commission for the opening of Onedotzero8], with music by Autechre and visuals by [[Alex Rutherford]].

=== Atoms Vectors Pixels Ghosts™ ===
*A visual art project by [[The Designers Republic]] featuring music from Autechre, including an early [[elseq 1-5#spaces how V|"spaces how V"]]. <ref>https://vimeo.com/41905073</ref><ref>https://www.thedesignersrepublic.com/atoms-vectors-pixels-ghosts</ref><ref>https://www.s1artspace.org/programme/atoms-vectors-pixels-ghosts/</ref><ref>https://web.archive.org/web/20240124200545/https://post.lurk.org/@sean_ae/111807273811423116</ref><ref>https://web.archive.org/web/20240124200447/https://post.lurk.org/@sean_ae/111810622481393012</ref> 

=== P1-449 ===
"'''P1-449'''" was released as part of the Sónar Calling GJ273b project on October 16th, 2017. The project was made to transmit music and audio art for extraterrestrial contact.<ref>https://soundcloud.com/sonarcalling/autechre-p1-449/s-v8hVY</ref><ref>https://www.sonarcalling.com/en/</ref> The file was made as an audio representation of the first 449 prime numbers in base ten.<ref>https://www.sonarcalling.com/en/artists/autechre/</ref>

== Unreleased/Miscellaneous Appearances ==

=== [[Late 80s Tape]] ===

* Leaked in 2019 around the same time as Warp Tapes. Contains 5 unreleased tracks, one track which appeared in Lego Feet Part 3, 2 DJ mixes, and one non-Ae track (Coma II (A.M/O.K) by S'Express). 

=== IBC Anthem ===

* Done in 1992 for Andy Richard's IBC Show, with Ged O'Hara on vocals. <ref name=":0">https://www.reddit.com/r/autechre/comments/1bbc89f/old_lego_feetae_leak_of_early_material/</ref><ref>https://web.archive.org/web/20240113193629/https://post.lurk.org/@sean_ae/111749064152560779</ref>

=== Techthree ===

* [https://www.youtube.com/watch?v=pvF2Xq9sUFo Unreleased Lego Feet track.]<ref name=":0" />

=== Bigmistake ===

* [https://www.youtube.com/watch?v=r5nntgNbtsY Unreleased Lego Feet track.]<ref name=":0" />

=== Flight Deck ===

* Performed at Sweatbox 2 1991<ref>https://web.archive.org/web/20240309191939/https://post.lurk.org/@sean_ae/112067053409190575</ref> as well as aired on Sunset 102 FM on December 18th, 1990<ref>https://www.youtube.com/watch?v=IueaLLmy-1U</ref> after they came in with the tape.<ref>https://web.archive.org/web/20240604224813/https://post.lurk.org/@sean_ae/112560743996346551</ref> A snippet appears on ''[[Lego Feet]]''.<ref>https://www.reddit.com/r/autechre/comments/1d7ad8f/comment/l6yp7h7/</ref>

=== Myslb ===

* BPM: 125
* Performed at Sweatbox 2 1991 + had a demo snippet shared by Sean. Name is short for "Make Your Self Look Bad!" which is the main vocal loop of "[https://www.youtube.com/watch?v=KcGa22wuZ4I Help Me Somebody]" by Brian Eno and David Byrne. The main production is the 606 and FZ-10 on hihats. <ref>[https://web.archive.org/web/20240114152614/https://post.lurk.org/@sean_ae/111754768777276869#:~:text=title%20is%20MYSLB%2C%20maybe%20you%20can%20fig%20out%20the%20sample%20from%20that%20%3B) https://web.archive.org/web/20240114152614/https://post.lurk.org/@sean_ae/111754768777276869#:~:text=title%20is%20MYSLB%2C%20maybe%20you%20can%20fig%20out%20the%20sample%20from%20that%20%3B)]</ref>

=== Untitled 90s Live Track ===

* Performed as a live track during their 1997 tour ([https://www.youtube.com/watch?v=IPqbpe06SVc&t=652 example]) with an R8. No proper track version from Autechre exists.<ref>https://web.archive.org/web/20240424140935/https://post.lurk.org/@sean_ae/112326437984409445</ref> Later reperformed during The Fear Ratio's 2020 DJ Mix.<ref>https://www.youtube.com/watch?v=-AM4eQ-wyWU</ref> Mark Broom confirmed over Facebook it was an Autechre track that was given to him.<ref>https://www.reddit.com/r/autechre/comments/173wc3z/the_greatest_of_all_unreleased_ae_tracks/</ref>

=== Second Crane ===

* Performed at Stormy Waters 1995.<ref>{{Cite AAA doc|1338|1339}}</ref>

=== Untitled Track on Radio Mix ===

* ''[[Radio Mix]]'', 1997

=== Lupe Mx ===

* Alternate version of [[Chiastic Slide#Pule|"Pule"]], appeared in the Untilted test transmission.

=== Coachella 1999 Tracks ===

=== Autechre.ws Test Transmission ===

* Series of mostly experimental minimal/drone tracks originally broadcast on April 8, 2005. Some of these tracks would be reused as part of Autechre's collaborations with the Hafler Trio.

== References ==
<references />

Incunabula

2024-07-23T04:41:52Z

Quants0: /* Bike */

[[Category:Album]]
{{Infobox
|title=Incunabula
|artist=[[Autechre]]
|cover=Incunabula.jpg
|date= 29 November 1993
|label=Warp Records (WARP17)
|previous=[[Cavity Job]]
|previous year=1991
|next=[[Basscad,EP]]
|next year=1994
}}'''''Incunabula''''' is the first studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on November 29th, 1993<ref>{{Cite web|title=Autechre - Incunabula. Bleep.|website=Bleep|link=https://bleep.com/release/20360-autechre-incunabula|accessdate=20 May 2024}}</ref>, as part of the Artificial Intelligence series. It was later repressed on vinyl in 2016, alongside ''[[Amber]]'', and [[Tri Repetae|''Tri Repetae'']].

== History ==

The material on Incunabula took about 2 years to compile.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=I don't know if I think of it as being that cheesy now. I do think that Incunabula sounds like a very curated album. It isn't the album that we would have put together. It’s the album Warp put together from hundreds of tracks that we had. Amber was trying to give him another one of those albums because we knew that they wanted an album like that, you know, and it took us two years to actually figure out what that album should look like with Incunabula, and I think that the whole thing of dealing with a label of them taking an active curatorial role in your release makes you question whether it's good or not.}}</ref> [[Sean Booth]] has later recounted in interviews that ''Incunabula'' was “more of a compilation of old material” than an album.<ref>https://web.archive.org/web/20060220061144/http://www.bbc.co.uk/dna/collective/A3895806</ref> The compilation was largely done by Warp, selecting from hundreds of tracks Autechre made, which included cutting the more club-orientated tracks. <ref>{{Cite interview|page=Autechre's Interview with Мatt O'Leary, March 2005|quote=Originally Incunabula would have probably been half dance music, if we'd have been doing the compiling, but it was Warp, which is why it sounded the way it did.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=I don't know if I think of it as being that cheesy now. I do think that Incunabula sounds like a very curated album. It isn't the album that we would have put together. It’s the album Warp put together from hundreds of tracks that we had.}}</ref>

Gear known to have been used in ''Incunabula'' creation includes the Casio SK-1<ref>{{Cite web|author=Wilson, Scott|title=Designing chaos: 7 pieces of gear that helped define Autechre’s game-changing sound|website=Factmag|date=25 February 2017|link=https://www.factmag.com/2017/02/25/autechre-gear-synths-samplers-drum-machines-effects/|accessdate=20 May 2024}}</ref>, the Roland R8 and the Roland TR-606.

The title is a real word, which comes from Latin's "incunabel" to mean a book's first pressing.<ref name=":0">{{Cite web|link=https://lonelymachines.org/the-autechre-faq-v-199/|author=Ruud, Knut Andreas|website=LonelyMachines|date=December 2000|title=The _alt.music.autechre_ FAQ (Frequently Asked Questions) version 1.15|accessdate=20 May 2024}}</ref>

=== Cover ===
The design of Incunabula consists of manipulated photos of Sean and Rob taken by Daniel 72 and edited by The Designers Republic. The original photos are from taking photographs of a video being played through an out of tune TV (the photos are on the cover [top left] and design for Incunabula).<ref>{{Cite AAA doc|1377}}</ref> The Designers Republic noted that the designs took days to make due to the slow speeds and clunky nature of pre-layer Photoshop, and that Autechre refered to the finalised designs as "moonscapes". <ref>{{Cite web|title=Incunabula|link=https://www.thedesignersrepublic.com/project/incunabula|website=The Designers Republic|accessdate=20 May 2024}}</ref>
==Tracks==

===Kalpol Introl ===
*"Kalpol Introl" is featured in the 1998 film ''[[wikipedia:Pi_(film)|Pi]]'' by [[wikipedia:Darren_Aronofsky|Darren Aronofsky]], but is incorrectly titled "Kalpol Intro" on the film's soundtrack.
*The original version of version of "Kalpol Introl" was much longer before being edited down into the 3 minute version on ''Incunabula''. However, the 15-minute original version appeared in their 1993/1994 live shows ([https://www.youtube.com/watch?v=7uTUnTGb15c example]).<ref name=":0" />

===Bike ===
*An alternate version of "Bike" was played during<nowiki/> one of Autechre's webcasts in March 2013, following the release of [[Exai]]. Compared to the released version, the alternate version is slightly shorter and features different modulations of the lead synth.<ref>https://youtube.com/watch?v=GiKDDsFEYpI</ref>

===Autriche===

* Sean mentioned that a Ensoniq sampling a 606 appeared on "Autriche".<ref name=":1">{{Cite interview|page=Sean Twitch AMA, June 2022|quote=So we were like, we got the Ensoniq in ’93, so just right towards the tail end of doing Incunabula. so the only track with an Ensoniq on Incunabula, I think Autriche’s got it because we sampled the 606 on it, and then Eggshell was done with that. But everything prior, everything else on there is, it was pre us owning a sampler and we were using it only to sample our own gear, right?}}</ref>

===Bronchus 2===

* "Bronchus 2" also had alternate versions, namely [[Garbage#Bronchusevenmx24|"Bronchusevenmx24"]] and [[List of Rarities#Bronchus One.1|"Bronchus One.1"]].

===Basscadet===

* The vocal sample is from a live version of Jean-Michel Jarre's "Les Chants Magnetiques 1".<ref>https://www.whosampled.com/sample/991775/Autechre-Basscadet-Jean-Michel-Jarre-Chants-Magnetiques-1/</ref>
* A bunch of remixes of "Basscadet" were released for ''[[Basscad,EP]]''.

=== Eggshell ===
*"Eggshell" is an remixed version of their previously released song “The Egg”, which was included on the first ''[[wikipedia:Artificial Intelligence (compilation album)|Artificial Intelligence]]'' compilation in 1992.<ref name=":0" />
*Sean noted that this track was the only track to use the Ensoniq ASR-10 as they were only able to get it near the end of production.<ref name=":1" />

===Doctrine===
===Maetl===

* In an early interview on MTV, Autechre mentioned the track title was chosen to poke fun at Australians who call each other "mate". The original working title was "Dudl", after Americans who call each other "dude".<ref>https://youtu.be/yuPNwLYrMm0?si=5O35huU4rGXN6eox&t=222</ref> In another FAQ, they mentioned that a random day in the studio they just came up with it by pronouncing mate "with an odd sottish accent".<ref name=":0" />

===Windwind===

* "Windwind" was possibly named because the word "wind" has two pronunciations. Autechre would follow this convention again on [[Amber]] with the track "Teartear".

===Lowride===

* The two major samples on "Lowride" are of Gang Starr's "DJ Premier in Deep Concentration" <ref>https://www.whosampled.com/sample/14893/Autechre-Lowride-Gang-Starr-DJ-Premier-in-Deep-Concentration/</ref> and Holy Noise's 'The Noise (Extreme Sounds!)"<ref>https://www.whosampled.com/sample/1009119/Autechre-Lowride-Holy-Noise-The-Noise-(X-Treme-Sounds!)/</ref>

===444===

== Tracklist ==
{{Tracklist|list=
{{tl track|number=1|title=Kalpol Introl|length=3:19}}
{{tl track|number=2|title=Bike|length=8:00}}
{{tl track|number=3|title=Autriche|length=6:56}}
{{tl track|number=4|title=Bronchus 2|length=3:33}}
{{tl track|number=5|title=Basscadet|length=5:34}}
{{tl track|number=6|title=Eggshell|length=9:02}}
{{tl track|number=7|title=Doctrine|length=7:49}}
{{tl track|number=8|title=Maetl|length=6:33}}
{{tl track|number=9|title=Windwind|length=11:17}}
{{tl track|number=10|title=Lowride|length=7:16}}
{{tl track|number=11|title=444|length=8:55}}
{{tl finaltime|time=1:18:03}}
}}

== Links ==
* [https://autechre.warp.net/release/202833-autechre-incunabula AE_STORE]
* [https://music.apple.com/us/album/incunabula/281042835 Apple Music]
* [https://autechre.bandcamp.com/album/incunabula Bandcamp]
* [https://bleep.com/release/20360-autechre-incunabula Bleep]
* [https://www.discogs.com/master/316433-Autechre-Incunabula Discogs]
* [https://soundcloud.com/autechreofficial/sets/incunabula-3 Soundcloud]
* [https://open.spotify.com/album/3uQcFgoUvMlfYKy7GUPRXf Spotify]

== Credits ==

* [[Rob Brown]] (producer, writer)
* [[Sean Booth]] (producer, writer)
* Geoff Pesche (mastering engineer)
* Adrian Harrow (engineer)
* Darrell Fitton (engineer)
* Richard Brown (engineer)
* [[The Designers Republic]] (design)
* Daniel 72 (design) <ref>https://www.discogs.com/master/316433-Autechre-Incunabula</ref>

== References ==
<references />