aepages - User contributions [en]

NTS Sessions 1-4

2026-03-17T06:38:44Z

Miracle372: add missing links to bladelores and frane casual's respective pages

[[Category:Album]]
{{Infobox
|title=NTS Sessions 1-4
|artist=[[Autechre]]
|cover=NTS Sessions 1-4.png
|date=26 April 2018 (Digital) August 2018 (LP/CD)
|label=Warp Records (WARP364)
|previous=[[JNSN CODE GL16 / spl47]]
|previous year=2017
|next=[[Warp Tapes 89-93]]
|next year=2019
}}'''''NTS Sessions 1-4''','' often shortened to '''''NTS Sessions''''', is the thirteenth studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. The four sessions were first individually broadcasted on London-based online radio station [https://www.nts.live/ NTS] throughout April 2018, before the entire project became available for download on the April 26th, 2018. Physical versions later became available for purchase over August 2018.<ref name=":0" /><ref>https://headphonecommute.com/2018/08/28/autechre-nts-sessions-warp/</ref>
== History ==
Having previously done a DJ Mix for NTS Radio on January 22nd, 2016<ref>{{Cite web|link=https://www.nts.live/shows/guests/episodes/autechre-22nd-january-2016|date=22 January 2016|title=Autechre 22nd January 2016 {{!}} Listen on NTS|website=NTS Radio|accessdate=8 March 2024|author=Autechre}}</ref>, NTS Radio approached Autechre with a residency offer. They were initially hesitant whether they wanted to construct an 8-hour DJ mix until they realised that they had enough original material to span that time.<ref>[[Autechre: ‘Something happens when you listen to music in the dark’, July 2018]]</ref><ref name=":0">[[Autechre on Their Epic NTS Sessions, David Lynch, and Where Code Meets Music, August 2018]]</ref> Autechre noted that ''NTS Sessions 1-4'' was conceived first as a radio show performance, with the release instead being the archival version similar to their previous [[Peel Session|''Peel Sessions'']].<ref name=":0" /><ref>{{Cite web|link=https://www.rollingstone.it/musica/interviste-musica/autechre-niente-di-piu-umano-dei-computer/424382/|date=25 August 2018|title=Autechre: niente di più umano dei computer|website=Rolling Stone Italia|accessdate=8 March 2024|author=Biazzetti, Claudio}}</ref> Other points of influence noted by Autechre for this format includes both their IBC pirate radio shows around the time of ''[[Lego Feet]]''<ref name=":0" /> as well as their Kiss FM Disengage shows.<ref name=":1">{{Cite web|link=https://www.ele-king.net/interviews/006477/|date=28 August 2018|title=音楽とともにオーディエンスも進化する|website=ele-king|accessdate=8 March 2024|author=野田努, 小林君}} </ref>

Autechre explicitly noted the aesthetic goals were to create "developed alternate versions of existing Autechre material",<ref name=":1" /> and to focus on "deep mixing", where elements are not upfront or noticeable on first listen.<ref name=":0" />

Similar to other adjacent records, the material was a lot of long jams sessions that were edited down.<ref name=":1" /><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''What's the process of collecting or creating a tracklist as big as NTS? How do you decide to flow the album?''' You just do, I don't know. I've been doing long mixes for a long time, so I'm really into planning out these long sessions. I used to do mixes for just acid sessions. We used to use DATs because that's, you could get like four hours on a tape back in a day, so we'd do these big long fucking mixes and you'd know at what point the drugs start working and at what point you're gonna start getting trails and all that, so. That was just that, you know what I mean? But I'm saying yeah, I mean long term, long mixes for long periods of time, I've always liked that. I always liked Mixmaster Morris sets, you know, he could play sets all day. He would just play a set all day and it, and you'd still be with him by the end of the day. He'd still be able to keep you interested and I always admired that about him because he's got such a kind of, you know, encyclopedic knowledge of music history that he can keep pulling him out the bag as it were. I feel like he doesn't get enough credit as a DJ, to be honest.}}</ref> Much of the material either came from jams done between ''[[Exai]]'' and ''[[elseq 1-5]]'' or new jams done on old patches, with the oldest material dating back to 2011 with a [[Exai#bladelores|"bladelores"]] jam.<ref name=":0" /> Some of the material was also performed at their [[AE LIVE|2014/2015]] and [[AE LIVE 2016/2018|2016/2018]] live shows, with Sean noting that "most of NTS Sessions was like cells from live sets",<ref name=":3">{{Cite interview|page=Sean Twitch AMA, July 2022|quote=column thirteen, I think it was a live set cell. I don't know if we'd used it before NTS came out. I think we might have used a bit of it, I can't remember. Most of NTS Sessions was like cells from live sets, either at the time or a bit prior to that, that we already had jams fully recorded. So we just editing them down into things, and we basically like made it knowing that it was going to go out on the radio. So it was kind of, there's a different editing process to what we'd normally do. So bits of it from before, bits of it were from just then, bits of it were made especially for the thing, for the broadcast, you know. It was a combination of stuff.}}</ref>, although only using 1-3 cells "with a lot of live tweaking"<ref>https://web.archive.org/web/20250823160621/https://post.lurk.org/@sean_ae/115078509915195794</ref>. Most of the tracks were done solo by either Sean or Rob.<ref>https://web.archive.org/web/20231118215345/https://post.lurk.org/@sean_ae/111433472440615681</ref> All tracks were recorded directly "in the box" to stereo.<ref>https://web.archive.org/web/20241107183922/https://post.lurk.org/@sean_ae/113442509470527990</ref>

On April 3rd, 2018, the announcement was sent out that each 2-hour session would be aired every week Thursday at 4PM GMT throughout April on the 5th, 12th, 19th and 26th respectively.<ref name=":2">{{Cite web|link=https://web.archive.org/web/20180417023755/http://warp.net/news/autechre-nts-sessions/|date=8 April 2018|title='NTS Sessions' 01–04|website=Warp|accessdate=8 March 2024|author=}}</ref><ref>{{Cite web|link=https://www.factmag.com/2018/04/03/autechre-nts-radio-residency/|date=3 April 2018|title=Autechre announce four day NTS Radio residency|website=Fact Magazine|accessdate=8 March 2024|author=Twells, John}}</ref> The first session was made available for download on April 9th, with the rest being made available hours after being aired.<ref name=":2" /> After all four sessions were aired, the entire 8 hours were then looped constantly in a permanent residency, which is still ongoing as of writing.<ref>{{Cite web|link=https://www.nts.live/projects/autechre-nts-residency/|date=|title=NTS Residency.|website=NTS Radio|accessdate=8 March 2024|author=Autechre}}</ref>

Initially, the plan was to just keep it as a digital-only release similar to ''[[elseq 1-5]]'', however with the wider audience that ''NTS Sessions'' would reach'','' physicals were arranged for 12xLP boxset, 8xCD boxset and individual 3xLP for each session, which were sent out a few months later to customers who pre-ordered.<ref name=":2" /><ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote=So yeah, that's what elseq was, but when we come to doing NTS, we kind of knew that, with the boost of it being on the radio, that we might be able to get away with doing a physical for it. So we pushed it a little bit, and it turned out to be a wise move. But it was a gamble, you know. But we would have done the same for NTS otherwise. It would have been digi only, but Warp was pretty convinced that we could move physicals of it. So we tried it and it worked, so. Fair play to Warp for taking a chance on that, because I probably wouldn't have, left to my own devices, but I approached them with it and they were up for it. So we did it, so.}}</ref> The initial 12xLP box set however was laden with warping issues and had replacement copies sent to buyers.<ref>{{Cite web|link=https://www.reddit.com/r/autechre/comments/99fodl/warped_box_set/|date=22 August 2018|title=Warped Box Set|website=Reddit|accessdate=8 March 2024|author=tjech}}</ref> Due to the length restraints of physical copies, edits were made to fit tracks on each CD/disc, mostly in regard to their transitions.

=== Design ===
Regarding the design of the physical releases by [[The Designers Republic]], Anderson noted that "there was a sense that the physical releases (conceptually) served to archive the radio sessions — so we imagined what Autechre archives would look like."<ref>"NTS Sessions". ''The Designers Republic'', https://www.thedesignersrepublic.com/nts-sessions. Accessed 19 Sep 2024.</ref>

== Tracks ==

=== NTS Session 1 ===
[[File:NTS_Session_1.jpg|thumb|150x150px|NTS Session 1]]
==== t1a1 ====

* BPM: 140
* The percussion was previously used at the start of the [[AE LIVE|2014/2015 live sets]]. ([https://youtu.be/hGevT4L4f74?si=Xssb1mBABltjfKnP&t=197 example])

==== bqbqbq ====

* BPM: 120

==== debris_funk ====

* BPM: 166
* On the LP version, the outro ends solely with the note decay rather than the immediate transition into "l3 ctrl".

==== l3 ctrl ====

* BPM: 148, 111

==== carefree counter dronal ====

* BPM: 160

==== north spiral ====

* BPM: 164
* On the CD version, the intro has been altered to just start with the clicks, rather than the transition from "carefree counter dronal" to it.
* "north spiral" appears in a remixed form on the [[AE LIVE|14/15 live sets]]. ([https://youtu.be/wc9BmSemYRU?si=qRq0QAlah2oBj6SC&t=1521 example])

==== gonk steady one ====

* BPM: 124

==== four of seven ====

* BPM: 120

==== 32a_reflected====

* BPM: 80
* The synths used in "32a_reflected" appear at the end of the [[AE LIVE 2016/2018|2016 live sets]]. ([https://www.youtube.com/watch?v=zCWGYrsf5Lo&t=3830s example])
* The "reflected" in the title likely refers to the composition of track, whereby the original recording was duplicated, its channels flipped, and then played in reversed against the original track, creating a musical palindrome via reflection.

=== NTS Session 2 ===
[[File:NTS_Session_2.jpg|thumb|150x150px|NTS Session 2]]
==== elyc9 7hres ====

* BPM: 160
* The title shares its name with [[elseq 1-5#elyc6 0nset|"elyc6 0nset"]]'','' which "elyc9 7hres" reuses certain elements from.

==== six of eight (midst) ====

* BPM: 160

==== xflood ====

* BPM: 124

==== gonk tuf hi ====

* BPM: 157

==== dummy casual pt2 ====

* BPM: 158

==== violvoic ====

* BPM: 160

* "violvoic" appears partially on the [[AE LIVE|2014/2015 live sets]]. ([https://www.youtube.com/watch?v=7FMRK4ToByk&t=2976s example])
* Sean notes that the bass in the second half is mostly acomplished using delays with frequency shifting, allpass in the feedback loop, and an impulse "being pitched up a couple of octaves with a quick cutoff sweep and setting the delay time directly from the seq note frequency (a la karplus)" <ref>https://web.archive.org/web/20250309203629/https://post.lurk.org/@sean_ae/114131958235957572</ref>

==== sinistrailAB air ====

==== wetgelis casual interval ====

* BPM: 83
* The synths from "wetgelis casual interval" appeared a few times in their [[AE LIVE|14/15 live shows]]. ([https://youtu.be/Zr5hQmbtNlY?si=bEFvo70iT9yRyqLL&t=4303 example])
* "wetgelis" likely references the composer Vangelis.
* On the CD version of the album this track runs for 2:56 due to not crossfading with e0.

==== e0 ====

* BPM: 80
* On the vinyl version this track runs for 15:32, due to cutting the intro of "peal MA" (see below)

==== peal MA ====

* BPM: 80

* On the LP version, "peal MA" has a much longer intro that got separated from "e0", resulting in a track time of 5:30.

==== 9 chr0 ====

* BPM: 85

==== turbile epic casual, stpl idle ====

* BPM: ?, 160
* "turbile epic casual, stpl idle" shares elements with <nowiki/>[[elseq 1-5#oneum|"oneum"]].
* Ele<nowiki/>ments of "turbile epic casual, stpl idle" appear in the [[AE LIVE 2016/2018|2016/2018 liv]]<nowiki/>[[AE LIVE 2016/2018|e sets]]. ([https://www.youtube.com/watch?v=KallOfGzdzw&t=2837s example])

=== NTS Session 3 ===
[[File:NTS_Session_3.jpg|thumb|150x150px|NTS Session 3]]
==== clustro casual ====

==== splesh ====

* "all end" briefly appears at the end of "splesh".

==== tt1pd ====

* BPM: 168

==== acid mwan idle ====

* On the LP version, "acid mwan idle" fades in rather than transitioning straight from "tt1pd".

==== fLh ====

* Sean was involved with "fLh" and noted the track had "quartertone abuse" <ref>https://web.archive.org/web/20240612141855/https://post.lurk.org/@sean_ae/112603198530829122 </ref>

==== glos ceramic ====

==== g 1 e 1 ====

* In the [[AE LIVE|2014 live shows]], "g 1 e 1" could be heard near the end of the sets. ([https://youtu.be/_Ec0hR6FlKo?si=duGZIXd2yP5UMo-n&t=3382 example])
* "g 1 e 1" is constructued mostly from tuned delay lines.<ref>https://web.archive.org/web/20230726161856/https://post.lurk.org/@sean_ae/110771366258863281#:~:text=the%20g1e1%20stuff%20is%20just%20tuned%20delay%20lines%20iirc</ref>

==== nineFly ====

* An early version of "nineFly" appears on the 2015 US live sets ([https://www.youtube.com/watch?v=m_SnP2px8to&t=2712s example]).
* The studio version of this track uses "basic threshold fft" noise reduction.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''How exactly was the sound of nineFly made? Spectral stuff?''' Noise reduction. Just basic threshold fft shit, you know. So, really simple. It's not hard to do. It's like pretty entry-level fft stuff, so.}}</ref>

==== shimripl air ====

* "shimripl" may be a shortened version of "shimmer, ripple"

==== icari ====

=== NTS Session 4 ===
[[File:NTS_Session_4.jpg|thumb|150x150px|NTS Session 4]]
==== frane casual ====

* "frane casual" shares a lot of similarities with [[elseq 1-5#pendulu casual|"pendulu casual"]].

==== mirrage ====

==== column thirteen ====

* An altered version of "column thirteen" appeared in the middle of the [[AE LIVE 2016/2018|2018 live sets]]. ([https://youtu.be/SF8k6oSTQ-A?si=1GrBWyRLj7ZVZfFK&t=2634 example])<ref name=":3" />
* On the LP version, the transition element from "mirrage" is removed.

==== shimripl casual ====

* "shimripl casual" appears in the [[AE LIVE 2016/2018|2016/2018 live sets]]. ([https://www.youtube.com/watch?v=TGqbpV6qS6M&t=775s example])
* On both the CD and LP version, the track ends with a fadeout.
* On the LP version, the track is split into 2 parts, with a few minutes on the side with "column thirteen" and the rest on a different side.
* Due to the aforementioned fadeout, shimripl casual has a length of 25:19 on the CD version, whereas, due to some overlap between the two sides, the vinyl version of the track runs for 25:44.

==== all end ====

* BPM: 88 
* "all end" was made in 2011, on the same day as the jam that later was reworked into [[Exai#bladelores|"bladelores"]].<ref>{{Cite interview|page=Autechre on Their Epic NTS Sessions, David Lynch, and Where Code Meets Music, August 2018|quote='''How far back does this material go?''' SB: I think the oldest thing is from 2011. But that was just an archive of the jam that became “bladelores,” which is on Exai [from 2013].}}</ref><ref>{{Cite AAA2 doc|298}}</ref> Rob noted that the original jam is longer than an hour and was edited down for release.<ref>{{Cite AAA2 doc|506}}</ref>
* Autechre confirmed that the name of the track is in fact because the track uses the end of "bladelores" for all of the track, alongside feeling that "It was the end, and it was long and all."<ref name=":1" /> The same drone pad sound also appears at the end of "splesh".
* It was confirmed that "all end" was solely made by Rob.<ref>[[Hanalgig AMA, July 2022]]</ref>
* On the LP and CD versions of ''NTS Sessions'', "all end" only has a fade in rather than the short transition from "shimripl casual" at the start. Due to the length of "all end", it was split up into 3 parts to fit on 3 sides.
* On the CD version this track runs for 58:40. Due to some overlap between the different sides, the vinyl version runs about a minute longer with a total time of 59:22.

=== sinistrail sentinel ===

* Exclusive bonus track for people who brought NTS Sessions on AE_STORE and Bleep. Part of the Adult Swim Single Program.
* "sinistrail sentinel" appeared on the [[AE LIVE|2014/2015 live sets]]. ([https://www.youtube.com/watch?v=3B_wgxTYe9s&t=813s example])

== Tracklist ==
{{Tracklist|list=
{{tl section|section=NTS Session 1}}
{{tl track|number=1|title=t1a1|length=18:40}}
{{tl track|number=2|title=bqbqbq|length=11:16}}
{{tl track|number=3|title=debris_funk|length=10:25}}
{{tl track|number=4|title=l3 ctrl|length=16:52}}
{{tl track|number=5|title=carefree counter dronal|length=5:14}}
{{tl track|number=6|title=north spiral|length=15:01}}
{{tl track|number=7|title=gonk steady one|length=22:25}}
{{tl track|number=8|title=four of seven|length=13:06}}
{{tl track|number=9|title=32a_reflected|length=7:02}}
{{tl total|time=2:00:00}}
{{tl section|section=NTS Session 2}}
{{tl track|number=10|title=elyc9 7hres|length=10:21}}
{{tl track|number=11|title=six of eight (midst)|length=8:42}}
{{tl track|number=12|title=xflood|length=9:25}}
{{tl track|number=13|title=gonk tuf hi|length=7:53}}
{{tl track|number=14|title=dummy casual pt2|length=5:16}}
{{tl track|number=15|title=violvoic|length=15:01}}
{{tl track|number=16|title=sinistrailAB air|length=2:41}}
{{tl track|number=17|title=wetgelis casual interval|length=2:39}}
{{tl track|number=18|title=e0|length=15:45}}
{{tl track|number=19|title=peal MA|length=5:04}}
{{tl track|number=20|title=9 chr0|length=15:45}}
{{tl track|number=21|title=turbile epic casual, stpl idle|length=21:30}}
{{tl total|time=2:00:00}}
{{tl section|section=NTS Session 3}}
{{tl track|number=22|title=clustro casual|length=11:03}}
{{tl track|number=23|title=splesh|length=8:56}}
{{tl track|number=24|title=tt1pd|length=22:12}}
{{tl track|number=25|title=acid mwan idle|length=11:57}}
{{tl track|number=26|title=fLh|length=8:18}}
{{tl track|number=27|title=glos ceramic|length=13:26}}
{{tl track|number=28|title=g 1 e 1|length=7:00}}
{{tl track|number=29|title=nineFly|length=10:04}}
{{tl track|number=30|title=shimripl air|length=7:06}}
{{tl track|number=31|title=icari|length=19:58}}
{{tl total|time=2:00:00}}
{{tl section|section=NTS Session 4}}
{{tl track|number=32|title=frane casual|length=13:43}}
{{tl track|number=33|title=mirrage|length=6:22}}
{{tl track|number=34|title=column thirteen|length=17:02}}
{{tl track|number=35|title=shimripl casual|length=24:32}}
{{tl track|number=36|title=all end|length=58:22}}
{{tl total|time=2:00:00}}
{{tl track|number=37|title=sinistrail sentinel (AE_Store & Bleep exclusive bonus track)|length=11:42}}
{{tl finaltime|time=8:11:42}}
}}

== Trivia ==
* ''NTS Sessions 1-4'' is by far the longest Autechre album, with a runtime of exactly 8 hours. The vinyl release of ''NTS Sessions 1-4'' spans twelve LPs (24 sides, A-X), making it the largest album Warp Records has ever released.

== Links ==

* [https://autechre.warp.net/stream/nts-sessions AE_STORE]
* [https://www.nts.live/projects/autechre-nts-residency/ NTS Residency]
* [https://bleep.com/release/104160-autechre-nts-sessions-1-4 Bleep]
* [https://www.discogs.com/master/1395770-Autechre-NTS-Sessions Discogs]

==Credits ==
* [[Autechre]] (production)
*[[Rob Brown]] (writer, producer)
*[[Sean Booth]] (writer, producer)
*[[Noel Summerville]] (mastering engineer)
*[[The Designers Republic]] (design) <ref>https://www.discogs.com/master/1395770-Autechre-NTS-Sessions</ref>

== References ==
<references />

Untilted

2026-03-12T16:47:08Z

Miracle372: remove an erroneous space

[[Category:Album]]
{{Infobox
|title=Untilted
|artist=[[Autechre]]
|cover=Untilted.jpg
|date=18 April 2005
|label=Warp Records (WARP180)
|previous=[[Draft 7.30]]
|previous year=2003
|next=[[Quaristice]]
|next year=2008
}}'''''Untilted''''' is the eighth studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on April 18th, 2005,<ref>https://bleep.com/release/23837-autechre-untilted</ref><ref>https://web.archive.org/web/20050902053602/http://autechre.ws:80/</ref> then later repressed on vinyl in 2025 alongside ''[[Quaristice]]''.<ref>https://web.archive.org/web/20250428142731/https://autechre.warp.net/format/1716081-untilted</ref>

== History ==
Much of ''Untilted'' uses "bits of drum machines, old MIDI sequencers, old analogue sequencers, MPCs, basically the whole gamut of equipment we’ve had around us for ages".<ref>{{Cite interview|page=Sean Booth Interview taken by Peter Hollo, March 2005}}</ref> Much of the equipment that was used for ''Untilted'' ended up also being used for ''[[Quaristice]]''.<ref>[[Interview with SB for Reverb Magazine, January 2008]]</ref> In a Pitchfork interview, they mentioned that "there's no generative work or fader based MIDI stuff" on ''Untilted.''<ref name=":0">[[Pitchfork Interview, April 2005]]</ref>

The album was completed over the span of nine months.<ref name=":1" />

==Tracks==
===LCC===

* BPM: 182
* Sean used the Elektron Machinedrum MK2 specifically on the track.<ref>https://web.archive.org/web/20240111083157/https://post.lurk.org/@sean_ae/111733154534894695</ref>
* "LCC" is the only time they used Song Mode on the Elektrons.<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D890</ref>
* "LCC" appeared on the [[Untilted Tour|2005-2007 live shows]]. ([https://www.youtube.com/watch?v=JSpS3TFS3P0&t=1407s example])

===Ipacial Section===

* BPM: 188
* The spring reverb on the track (example being around 4:25) is one from a [https://www.analoguesystems.co.uk/index.php/as-modules/rs310 Analogus Systems Eurorack RS-310 module].<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D1135</ref>

===Pro Radii===

* BPM: 151
* "Pro Radii" appeared on the [[Untilted Tour|2005-2007 live shows]]. ([https://www.youtube.com/watch?v=JSpS3TFS3P0&t=3239s example])
* The start of "Pro Radii" were done by Rob<ref>https://web.archive.org/web/20241113091058/https://post.lurk.org/@sean_ae/113470012519360710</ref> using his MPC for the beats,<ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote=But yeah, Rob made some fucking amazing shit on the MPC. Pro Radii as well, like all the beginning beats on that he done}}</ref> and the end was done by Sean, yielding a 50/50 split in contributions.<ref>https://watmm-archive.com/t/102698/19</ref>
* "Pro Radii" briefly appears in Neill Blomkamp's short film "Yellow"<ref>https://youtu.be/Jmd8BDiB-qU?t=72</ref>

===Augmatic Disport===

* BPM: 134
* "Augmatic Disport" appeared on the [[Untilted Tour|2005-2007 live shows]]. ([https://www.youtube.com/watch?v=JSpS3TFS3P0&t=1015s example])

===Iera===

* BPM: 90
* In a Pitchfork interview, they mentioned that "Iera" was "grid programmed, all onscreen, just nudging MIDI events around"<ref name=":0" />

===Fermium===

* BPM: 100
* Fermium is the 100th element on the periodic table, abbreviated to Fm.<ref>https://web.archive.org/web/20221005012230/http://autechre.wikifoundry.com/page/Untilted#:~:text=old%20Latin%20Requiem.-,Fermium,-%3A</ref>

===The Trees===

* BPM: 128
* When asked about the origin of the noises at the end of "The Trees", Rob responded with "those noises are made from The Trees."<ref>{{Cite AAA doc|441}}</ref>

===Sublimit===

* BPM: 167
* The track samples Sparky Dee and the Playgirl's "The Battle"<ref>https://www.whosampled.com/sample/16589/Autechre-Sublimit-Sparky-Dee-The-Playgirls-The-Battle/</ref>
* In a Pitchfork interview, they clarified that "Sublimit" was just "16-grid style" drum sequencing.<ref name=":0" />
* At almost 16 minutes in length, “Sublimit” was the longest song Autechre had released at that point. “Drane2”, off ''[[LP5]]'', technically surpassed it at over 21 minutes long, but only 9 minutes of the runtime is the actual song. “Sublimit” was eventually beaten by “Perlence subrange 6-36”, off ''[[Quaristice.Quadrange.ep.ae]]'', which is nearly an hour long.

===Zurich 2001===

* The bootleg where the snippet comes from is currently unknown, however Sean notes it might've been from Alexander Peverett of Team Doyobi.<ref>https://web.archive.org/web/20250729143226/https://post.lurk.org/@sean_ae/114936289731906647</ref>

==Tracklist==
{{Tracklist|list=
{{tl track|1|LCC|length=7:46}}
{{tl track|2|Ipacial Section|length=9:57}}
{{tl track|3|Pro Radii|length=8:42}}
{{tl track|4|Augmatic Disport|length=9:28}}
{{tl track|5|Iera|length=4:55}}
{{tl track|6|Fermium|length=5:44}}
{{tl track|7|The Trees|length=7:26}}
{{tl track|8|Sublimit|length=15:52}}
{{tl total|1:09:50}}
{{tl track|9|Zurich 2001|length=1:52|note=(Japanese CD exclusive)}}
{{tl finaltime|1:11:42}}
}}

==Trivia==

*The album’s title could be a reference to ''[[LP5]]'', by being a play on words of “Untitled”.
*Around the time of the bfhmp3 leak for ''Untilted'', a fake version of the record started circulating on file sharing services. The fake was created by Robert Martin of www.recordlabelrecord.org, using material from his album ''[https://fluorescent-grey.bandcamp.com/album/lying-on-the-floor-mingling-with-god-in-a-tijuana-motel-room-next-door-to-a-veterinary-supply-store-2006 Lying On The Floor Mingling With God In A Tijuana Motel Room Next Door To A Veterinary Supply Store]'' under the pseudonym Fluorescent Grey.<ref>https://www.discogs.com/ko/group/thread/468144#:~:text=the%20Autechre%20%2D%20Untilted%20hoax</ref> Robert argued that his previous successful hoax of a fake Iraq beheading was part of the motivating factor for this. That version became so widespread that in an interview with Inthemix, Sean confirmed that it was a fake, mentioning that "The more fakes the merrier, we’ve released fakes ourselves, but not this time." He also lamented over how Robert's "sense of priority is clearly fucked."<ref name=":1">[[Autechre: Sounds like...?, May 2005]]</ref>
*Excluding the bonus track on the Japanese CD release, ''Untilted'' has the shortest tracklist of any Autechre album, at only eight songs.
*There are 10 unused designs for ''Untilted'', which can be found on [https://web.archive.org/web/20191227041600/http://alexrutterford.com/graphic/autechre-untilted/ an archive of Alex Rutterford's website].
* Most song lyric database websites have incorrect lyrics for "Augmatic Disport".
<blockquote>
Whoh oh, oh
This disport is so augmatic

(AUGMATIC)
It is like a kind of magic

(MAGIC)
And baby when you dance

I can see a bowl of crisps in your eyes
(EYES)
</blockquote>

== Gallery ==
<gallery>
File:autechre untilted designs1.jpg|Unused Designs 1
File:autechre untilted designs2.jpg|Unused Designs 2
</gallery>

== Links ==

* [https://autechre.warp.net/release/249370-autechre-untilted AE_STORE]
* [https://music.apple.com/us/album/untilted/305139162 Apple Music]
* [https://autechre.bandcamp.com/album/untilted Bandcamp]
* [https://bleep.com/release/23837-autechre-untilted Bleep]
* [https://www.discogs.com/master/1401-Autechre-Untilted Discogs]
* [https://soundcloud.com/autechreofficial/sets/untilted-7 Soundcloud]
* [https://open.spotify.com/album/5GkWqRrNyaJHMDrVOQK2bt Spotify]

==Credits==
*[[Autechre]] (production)
*[[Rob Brown]] (writer)
*[[Sean Booth]] (writer)
*[[Noel Summerville]] (mastering engineer)
*[[Alexander Rutterford]] (sleeve design) [https://www.discogs.com/master/1401-Autechre-Untilted]

== References ==
<references />

Gear List

2026-03-12T16:39:35Z

Miracle372: fix some incorrect formatting

Adapted from Fizzarum(?) and Mike Baas's compiled and grouped gear lists from Future Music (2003) and [https://aepages.org/wiki/Sound_On_Sound,_November_1997 Sound on Sounds (1997)], [https://mikebaas.org/autechre/archive/gear_list_v1.php][https://mikebaas.org/autechre/] with other equipment added. Other sources include [[Easy to be Hard, April 2008]] and [https://equipboard.com/pros/autechre Equipboard]

Releases and tracks linked are only for those explicitly confirmed to have used them.

=== Synths ===

* '''Analogue Systems RS8500'''
** ''[[Untilted]]'' ["Ipacial Section"]
* '''Black Corporation Deckard's Dream'''
** ''[[PLUS]]'' ["DekDre Scap B"]
* Casio PT-7
* '''Clavia Nord Lead'''
** ''[[Cichlisuite]]'' ["Pencha"]
** ''[[LP5]]''
** ''[[EP7]]'' ["Dropp"]
** ''[[Peel Session 2]]'' ["19 Headaches"]
** ''[[Draft 7.30]]'' ["Surripere"]
** ''[[Quaristice]]'' ["paralel Suns"]
* Clavia Nord Modular
* '''Clavia Nord Modular Expanded'''
** ''[[Draft 7.30]]'' ["Theme of Sudden Roundabout"]
** ''[[Quaristice]]'' ["Outh9X"]
* '''Clavia Nord Rack'''
** ''[[Quaristice]]''
* '''Elektron Monomachine SFX-60+'''
** ''[[Quaristice]]''
* '''Korg MS-10'''
** ''[[Amber]]''
** [[Anvil Vapre|''Anvil Vapre'']] ["Second Bad Vilbel"]
** [[Tri Repetae|''Tri Repetae'']]
** ''[[Envane]]''
* Korg MS-20
* Korg Prophecy
* '''Native Instruments FM8'''
** ''[[Oversteps]]''
* '''Roland Juno 106'''
** ''[[Anti]]''
** ''[[Amber]]''
** [[Anvil Vapre|''Anvil Vapre'']]
** ''[[Tri Repetae]]''
** ''[[Envane]]''
* '''Roland MC-202 MicroComposer'''
** ''[[Cavity Job]]''
** ''[[Warp Tapes 89-93]]''
** ''[[Amber]]'' ["Glitch"]
** [[Anvil Vapre|''Anvil Vapre'']]
** ''[[Tri Repetae]]'' ["Overand"]
* '''Roland SH-2'''
** [[Cavity Job|''Cavity Job'']] ["Cavity Job"]
* '''Yamaha DX100'''
** ''[[Anti]]''
** [[Anvil Vapre|''Anvil Vapre'']]
** [[Tri Repetae|''Tri Repetae'']] ["Overand"]
** ''[[Envane]]''
** ''[[LP5]]''
** ''[[Peel Session]]'' ["Milk DX"]
* Yamaha DX11
* '''Yamaha FS1R'''
** ''[[Quaristice]]''

=== Samplers / Drum Machines ===

* '''Akai MPC1000'''
** ''[[Untilted]]'' ["Pro Radii"]
** ''[[Quaristice]]'' ["IO", "Perlence"]
* Akai MPC 2500
* Akai Z8
* Casio FZ-1
* '''Casio FZ-10'''
** ''[[Cavity Job]]''
* Casio RZ-1
* '''Casio SK-1'''
** ''[[Cavity Job]]''
** ''[[Incunabula]]''
** ''[[Chiastic Slide]]''
* '''Casio SK-5'''
** ''[[Cavity Job]]''
* Casio SK-100
* Emu E-Synth Ultra
* '''Elektron Machinedrum SPS-1UW MKII'''
** ''[[Quaristice]]''
* '''Ensoniq ASR-10R'''
** ''[[Incunabula]]'' ["Eggshell"]
** ''[[LP5]]''
* '''Ensoniq EPS'''
** ''[[Amber]]'' ["Foil"]
** [[Anvil Vapre|''Anvil Vapre'']]
** ''[[Tri Repetae]]'' ["Clipper"]
** ''[[Peel Session]]'' ["Drane"]
* '''Ensoniq EPS16+'''
** ''[[Anti]]''
** ''[[Garbage]]'' ["Garbagemx36"]
** ''[[Tri Repetae]]'' ["C/Pach"]
** ''[[Envane]]''
* '''Kurzweil K2500RS'''
** ''[[LP5]]'' ["Rae"]
* Linn Electronics LinnDrum
* Nord Drum
* Oberheim DMX
* Roland CR-78
* '''Roland CR-8000'''
** ''[[Tri Repetae]]'' ["Overand"]
** ''[[Draft 7.30]]'' ["6IE.CR"]
* '''Roland R8'''
** ''[[Cavity Job]]''
** ''[[Incunabula]]''
** ''[[Anti]]'' ["Flutter"]
** ''[[Garbage]]'' ["Garbagemx36"]
** [[Anvil Vapre]]
** ''[[Tri Repetae]]''
** ''[[Envane]]''
** ''[[Chiastic Slide]]''
* '''Roland TR-606 Drumatix'''
** [[Cavity Job|''Cavity Job'']]
** ''[[Incunabula]]''
** ''[[Tri Repetae]]''
** ''[[Quaristice]]'' ["Tankakern"]
* '''Simmons SDE'''
** ''[[Quaristice]]'' ["Outh9X"]
* '''Yamaha RY30'''
** ''[[We R Are Why / Are Y Are We?]]''
** ''[[Cichlisuite]]'' ["Pencha"]
** ''[[Peel Session 2]]'' ["19 Headaches"]
* Yamaha SU10

=== Software  ===

* '''Ableton Max for Live'''
** ''[[Move Of Ten]]'' ["pce freeze 2.8i", "rew(1)"]
** ''[[SIGN]]''
* Audio Hijack
* BIAS Peak
* '''Cycling '74 Max/MSP'''
** ''[[EP7]]'' ["Left Blank", "Liccflii"]
** ''[[Confield]]'' ["VI Scose Poise", "Sim Gishel", "Uviol"]
** ''[[Draft 7.30]]'' ["Reniform Puls"]
** ''[[Oversteps]]''
** ''[[Exai]]'' ["FLeure"]
**''[[L-event]]''
**''[[AE_LIVE]]''
**''[[elseq 1-5]]''
**''[[NTS Sessions 1-4]]''
**''[[AE_LIVE 2016/2018]]''
**''[[SIGN]]''
**''[[PLUS]]'' ["ecol4"]
**''[[AE_2022－]]''
*'''C-Lab Creator'''
**''[[Anti]]''
**''[[Tri Repetae]]''
**''[[Chiastic Slide]]'' ["Cipater", "Nuane"]
*'''Emagic''' '''Logic''' '''Pro'''
**''[[Envane]]''
**''[[Chiastic Slide]]'' ["Cichli", "Recury", "Pule"]
**''[[Cichlisuite]]'' ["Pencha"]
**''[[LP5]]''
**''[[Peel Session 2]]'' ["19 Headaches"]
**''[[Confield]]'' ["Parhelic Triangle"]
**''[[Exai]]'' ["T ess xi"]
* Hairersoft Amadeus Pro
*'''MOTU Digital Performer'''
**''[[Draft 7.30]]''
**''[[Quaristice]]''
*MOTU MachFive
*'''Renoise'''
**''[[Quaristice]]'' ["rale", "Fol3", "WNSN"]
**''[[Quaristice (Versions)]]'' ["fol4"]
*'''Sound Edit 16'''
**''[[LP5]]'' ["Vose In"]
*'''SunVox'''
**''[[Exai]]'' ["YJY UX"]
*Steinberg Cubase
*'''VAZ'''
**''[[LP5]]'' [hidden track]

=== Sequencers===

*'''Alesis MMT8'''
**''[[Tri Repetae]]'' ["Clipper"]
*'''Roland PMA5'''
**''[[EP7]]'' ["Maphive 6.1"]
*Yamaha QY20

===MIDI/CV===

*Emagic AMT8
*'''Kenton Killamix Mini'''
**''[[AE_2022－]]''
* Kenton Pro 4 MIDI-CV
*MOTU Fastlane
*MOTU MIDI Express XT
* MOTU Micro Express
*MidiLink MIDI Data Extender
*Opcode Studio 3
*Peavey PC1600X
*Philip Rees 5S
*XRI XR03 SMPTE/MIDI converter

===Outboard FX===

*'''Alesis QuadraVerb GT'''
**''[[Anti]]'' ["Flutter"]
**''[[Amber]]'' ["Montreal", "Glitch"]
**''[[Tri Repetae]]'' ["Overand"]
**''[[Peel Session]]'' ["Drane"]
**''[[Draft 7.30]]''
**''[[Quaristice]]''
*Analogue Systems RS-240
*Behringer Autocom Pro
*Behringer Composer Pro
*'''Behringer Ultrafex'''
**''[[Envane]]''
*Behringer Ultrapatch
*Boss RDD-10
*'''Boss RSD-10'''
** ''[[Cavity Job]]''
**''[[Tri Repetae]]'' ["Overand", "Rsdio"]
**''[[Envane]]''
**[[Warp Tapes 89-93|''Warp Tapes 89-93'']]
*dbx DDP
*DOD FX20 Phasor
*Ensoniq DP/2
*'''LA Audio 4x4'''
**''[[Envane]]''
*Lexicon MPX1
* '''Lexicon PCM80'''
**''[[Quaristice]]''
* '''Lexicon PCM90'''
**''[[Quaristice]]''
* PSE Stereo Spring Reverb
*Sony HR-MP5
*'''Symbolic Sound Kyma Capybara 320'''
**''[[EP7]]'' ["Left Blank"]
*t.c. electronic TC XII Phaser

===Mixers===

*Mackie 24:8
*Mackie CR1604-VLZ
*Mackie Onyx 1620
*Phonic MRT60
*Phonic SM-1000
*Seck 18-8-2
*Shure Auxpander
*Simmons SPM 8:2
*Tascam DP-24 Mixer
*Tascam M2600
*'''Tascam Portastudio 244'''
** ''[[Cavity Job]]''

===Recorders===

*Akai 4000DS MKII
* Digidesign Pro Tools 882 I/O
* Digidesign Pro Tools DSP Farm PCI
* Digidesign Pro Tools Disk I/O PCI
* Digidesign Pro Tools III PCI
*Grundig Tape Recorder
*Grundig TK121
* HHB CDR850 Plus
*Mini Portable Tape Recorder
*Panasonic SV-3800 DAT
*RME Hammerfall ADI-8 Pro
*RME Hammerfall DIGI9652
*RME Hammerfall Digiface
*Sony DTC-690
*Sony MDS JE520
*Sony TCD-D7
*Tascam DA-20 MKII
*Tascam DAP1
*Yamaha CBXD5
*Yamaha KX-W321 Cassette Recorder

===Computers===
*Apple G4 450 MHz
*Apple Power Mac 7200
*'''Apple Power Mac 9650'''
**''[[Envane]]''
*Apple Power Mac G4 Dual 800 MHz
*Apple Powerbook 1400
*Apple Powerbook G4 500 MHz
*Apple Powerbook G4 800 MHz
*Apple G5/OS X
*'''Atari 1040 STE'''
**''[[Anti]]''
*'''IBM Thinkpad'''
** [[Chiastic Slide|''Chiastic Slide'']]
*Yamaha CXM5

===Microphones===
*'''AKG C1000'''
**''[[Quaristice]]'' ["Fol3"]
*BSS Audio AR133 Active DI Box
*Realistic 33-1090A pressure zone microphone
*'''Sony lapel mic'''
**''[[LP5]]'' ["Caliper Remote"]

===Speakers===

*Alesis Monitor 1
*Dynaudio BM15a
*Dynaudio M1
*Yamaha NS-10M

===Miscellaneous===

*'''Sony MDSJE 520 MiniDisc recorder'''
**''[[Confield]]'' ["Pen Expers"]
*Philips Oscilloscope
*'''Reyong'''
**''[[Confield]]'' ["VI Scose Poise", "Parhelic Triangle"]
*Wacom Intuos3 A5

Gear List

2026-03-06T10:56:39Z

Miracle372: "FLeure" is pure Max/MSP + AKG mic used for "fol3"

Adapted from Fizzarum(?) and Mike Baas's compiled and grouped gear lists from Future Music (2003) and [https://aepages.org/wiki/Sound_On_Sound,_November_1997 Sound on Sounds (1997)], [https://mikebaas.org/autechre/archive/gear_list_v1.php][https://mikebaas.org/autechre/] with other equipment added. Other sources include [[Easy to be Hard, April 2008]] and [https://equipboard.com/pros/autechre Equipboard]

Releases and tracks linked are only for those explicitly confirmed to have used them.

=== Synths ===

* '''Analogue Systems RS8500'''
** ''[[Untilted]]'' ["Ipacial Section"]
* '''Black Corporation Deckard's Dream'''
** ''[[PLUS]]'' ["DekDre Scap B"]
* Casio PT-7
* '''Clavia Nord Lead'''
** ''[[Cichlisuite]]'' ["Pencha"]
** ''[[LP5]]''
** ''[[EP7]]'' ["Dropp"]
** ''[[Peel Session 2]]'' ["19 Headaches"]
** ''[[Draft 7.30]]'' ["Surripere"]
** ''[[Quaristice]]'' ["paralel Suns"]
* Clavia Nord Modular
* '''Clavia Nord Modular Expanded'''
** ''[[Draft 7.30]]'' ["Theme of Sudden Roundabout"]
** ''[[Quaristice]]'' ["Outh9X"]
* '''Clavia Nord Rack'''
** ''[[Quaristice]]''
* '''Elektron Monomachine SFX-60+'''
** ''[[Quaristice]]''
* '''Korg MS-10'''
** ''[[Amber]]''
** [[Anvil Vapre|''Anvil Vapre'']] ["Second Bad Vilbel"]
** [[Tri Repetae|''Tri Repetae'']]
** ''[[Envane]]''
* Korg MS-20
* Korg Prophecy
* '''Native Instruments FM8'''
** ''[[Oversteps]]''
* '''Roland Juno 106'''
** ''[[Anti]]''
** ''[[Amber]]''
** [[Anvil Vapre|''Anvil Vapre'']]
** ''[[Tri Repetae]]''
** ''[[Envane]]''
* '''Roland MC-202 MicroComposer'''
** ''[[Cavity Job]]''
** ''[[Warp Tapes 89-93]]''
** ''[[Amber]]'' ["Glitch"]
** [[Anvil Vapre|''Anvil Vapre'']]
** ''[[Tri Repetae]]'' ["Overand"]
* '''Roland SH-2'''
** [[Cavity Job|''Cavity Job'']] ["Cavity Job"]
* '''Yamaha DX100'''
** ''[[Anti]]''
** [[Anvil Vapre|''Anvil Vapre'']]
** [[Tri Repetae|''Tri Repetae'']] ["Overand"]
** ''[[Envane]]''
** ''[[LP5]]''
** ''[[Peel Session]]'' ["Milk DX"]
* Yamaha DX11
* '''Yamaha FS1R'''
** ''[[Quaristice]]''

=== Samplers / Drum Machines ===

* '''Akai MPC1000'''
** ''[[Untilted]]'' ["Pro Radii"]
** ''[[Quaristice]]'' ["IO", "Perlence"]
* Akai MPC 2500
* Akai Z8
* Casio FZ-1
* '''Casio FZ-10'''
** ''[[Cavity Job]]''
* Casio RZ-1
* '''Casio SK-1'''
** ''[[Cavity Job]]''
** ''[[Incunabula]]''
** ''[[Chiastic Slide]]''
* '''Casio SK-5'''
** ''[[Cavity Job]]''
* Casio SK-100
* Emu E-Synth Ultra
* '''Elektron Machinedrum SPS-1UW MKII'''
** ''[[Quaristice]]''
* '''Ensoniq ASR-10R'''
** ''[[Incunabula]]'' ["Eggshell"]
** ''[[LP5]]''
* '''Ensoniq EPS'''
** ''[[Amber]]'' ["Foil"]
** [[Anvil Vapre|''Anvil Vapre'']]
** ''[[Tri Repetae]]'' ["Clipper"]
** ''[[Peel Session]]'' ["Drane"]
* '''Ensoniq EPS16+'''
** ''[[Anti]]''
** ''[[Garbage]]'' ["Garbagemx36"]
** ''[[Tri Repetae]]'' ["C/Pach"]
** ''[[Envane]]''
* '''Kurzweil K2500RS'''
** ''[[LP5]]'' ["Rae"]
* Linn Electronics LinnDrum
* Nord Drum
* Oberheim DMX
* Roland CR-78
* '''Roland CR-8000'''
** ''[[Tri Repetae]]'' ["Overand"]
** ''[[Draft 7.30]]'' ["6IE.CR"]
* '''Roland R8'''
** ''[[Cavity Job]]''
** ''[[Incunabula]]''
** ''[[Anti]]'' ["Flutter"]
** ''[[Garbage]]'' ["Garbagemx36"]
** [[Anvil Vapre]]
** ''[[Tri Repetae]]''
** ''[[Envane]]''
** ''[[Chiastic Slide]]''
* '''Roland TR-606 Drumatix'''
** [[Cavity Job|''Cavity Job'']]
** ''[[Incunabula]]''
** ''[[Tri Repetae]]''
** ''[[Quaristice]]'' ["Tankakern"]
* '''Simmons SDE'''
** ''[[Quaristice]]'' ["Outh9X"]
* '''Yamaha RY30'''
** ''[[We R Are Why / Are Y Are We?]]''
** ''[[Cichlisuite]]'' ["Pencha"]
** ''[[Peel Session 2]]'' ["19 Headaches"]
* Yamaha SU10

=== Software  ===

* '''Ableton Max for Live'''
** ''[[Move Of Ten]]'' ["pce freeze 2.8i", "rew(1)"]
** ''[[SIGN]]''
* Audio Hijack
* BIAS Peak
* '''Cycling '74 Max/MSP'''
** ''[[EP7]]'' ["Left Blank", "Liccflii"]
** ''[[Confield]]'' ["VI Scose Poise", "Sim Gishel", "Uviol"]
** ''[[Draft 7.30]]'' ["Reniform Puls"]
** ''[[Oversteps]]''
** ''[[Exai]]'' ** ''[[L-e ["FLeure"]
**''[[L-event]]''
**''[[AE_LIVE]]''
**''[[elseq 1-5]]''
**''[[NTS Sessions 1-4]]''
**''[[AE_LIVE 2016/2018]]''
**''[[SIGN]]''
**''[[PLUS]]'' ["ecol4"]
**''[[AE_2022－]]''
*'''C-Lab Creator'''
**''[[Anti]]''
**''[[Tri Repetae]]''
**''[[Chiastic Slide]]'' ["Cipater", "Nuane"]
*'''Emagic''' '''Logic''' '''Pro'''
**''[[Envane]]''
**''[[Chiastic Slide]]'' ["Cichli", "Recury", "Pule"]
**''[[Cichlisuite]]'' ["Pencha"]
**''[[LP5]]''
**''[[Peel Session 2]]'' ["19 Headaches"]
**''[[Confield]]'' ["Parhelic Triangle"]
**''[[Exai]]'' ["T ess xi"]
* Hairersoft Amadeus Pro
*'''MOTU Digital Performer'''
**''[[Draft 7.30]]''
**''[[Quaristice]]''
*MOTU MachFive
*'''Renoise'''
**''[[Quaristice]]'' ["rale", "Fol3", "WNSN"]
**''[[Quaristice (Versions)]]'' ["fol4"]
*'''Sound Edit 16'''
**''[[LP5]]'' ["Vose In"]
*'''SunVox'''
**''[[Exai]]'' ["YJY UX"]
*Steinberg Cubase
*'''VAZ'''
**''[[LP5]]'' [hidden track]

=== Sequencers===

*'''Alesis MMT8'''
**''[[Tri Repetae]]'' ["Clipper"]
*'''Roland PMA5'''
**''[[EP7]]'' ["Maphive 6.1"]
*Yamaha QY20

===MIDI/CV===

*Emagic AMT8
*'''Kenton Killamix Mini'''
**''[[AE_2022－]]''
* Kenton Pro 4 MIDI-CV
*MOTU Fastlane
*MOTU MIDI Express XT
* MOTU Micro Express
*MidiLink MIDI Data Extender
*Opcode Studio 3
*Peavey PC1600X
*Philip Rees 5S
*XRI XR03 SMPTE/MIDI converter

===Outboard FX===

*'''Alesis QuadraVerb GT'''
**''[[Anti]]'' ["Flutter"]
**''[[Amber]]'' ["Montreal", "Glitch"]
**''[[Tri Repetae]]'' ["Overand"]
**''[[Peel Session]]'' ["Drane"]
**''[[Draft 7.30]]''
**''[[Quaristice]]''
*Analogue Systems RS-240
*Behringer Autocom Pro
*Behringer Composer Pro
*'''Behringer Ultrafex'''
**''[[Envane]]''
*Behringer Ultrapatch
*Boss RDD-10
*'''Boss RSD-10'''
** ''[[Cavity Job]]''
**''[[Tri Repetae]]'' ["Overand", "Rsdio"]
**''[[Envane]]''
**[[Warp Tapes 89-93|''Warp Tapes 89-93'']]
*dbx DDP
*DOD FX20 Phasor
*Ensoniq DP/2
*'''LA Audio 4x4'''
**''[[Envane]]''
*Lexicon MPX1
* '''Lexicon PCM80'''
**''[[Quaristice]]''
* '''Lexicon PCM90'''
**''[[Quaristice]]''
* PSE Stereo Spring Reverb
*Sony HR-MP5
*'''Symbolic Sound Kyma Capybara 320'''
**''[[EP7]]'' ["Left Blank"]
*t.c. electronic TC XII Phaser

===Mixers===

*Mackie 24:8
*Mackie CR1604-VLZ
*Mackie Onyx 1620
*Phonic MRT60
*Phonic SM-1000
*Seck 18-8-2
*Shure Auxpander
*Simmons SPM 8:2
*Tascam DP-24 Mixer
*Tascam M2600
*'''Tascam Portastudio 244'''
** ''[[Cavity Job]]''

===Recorders===

*Akai 4000DS MKII
* Digidesign Pro Tools 882 I/O
* Digidesign Pro Tools DSP Farm PCI
* Digidesign Pro Tools Disk I/O PCI
* Digidesign Pro Tools III PCI
*Grundig Tape Recorder
*Grundig TK121
* HHB CDR850 Plus
*Mini Portable Tape Recorder
*Panasonic SV-3800 DAT
*RME Hammerfall ADI-8 Pro
*RME Hammerfall DIGI9652
*RME Hammerfall Digiface
*Sony DTC-690
*Sony MDS JE520
*Sony TCD-D7
*Tascam DA-20 MKII
*Tascam DAP1
*Yamaha CBXD5
*Yamaha KX-W321 Cassette Recorder

===Computers===
*Apple G4 450 MHz
*Apple Power Mac 7200
*'''Apple Power Mac 9650'''
**''[[Envane]]''
*Apple Power Mac G4 Dual 800 MHz
*Apple Powerbook 1400
*Apple Powerbook G4 500 MHz
*Apple Powerbook G4 800 MHz
*Apple G5/OS X
*'''Atari 1040 STE'''
**''[[Anti]]''
*'''IBM Thinkpad'''
** [[Chiastic Slide|''Chiastic Slide'']]
*Yamaha CXM5

===Microphones===
*AKG C1000
**''[[Quaristice]]'' ["fol3"]
*BSS Audio AR133 Active DI Box
*Realistic 33-1090A pressure zone microphone
*'''Sony lapel mic'''
**''[[LP5]]'' ["Caliper Remote"]

===Speakers===

*Alesis Monitor 1
*Dynaudio BM15a
*Dynaudio M1
*Yamaha NS-10M

===Miscellaneous===

*'''Sony MDSJE 520 MiniDisc recorder'''
**''[[Confield]]'' ["Pen Expers"]
*Philips Oscilloscope
*'''Reyong'''
**''[[Confield]]'' ["VI Scose Poise", "Parhelic Triangle"]
*Wacom Intuos3 A5

Gear List

2026-03-04T22:47:53Z

Miracle372:

Adapted from Fizzarum(?) and Mike Baas's compiled and grouped gear lists from Future Music (2003) and [https://aepages.org/wiki/Sound_On_Sound,_November_1997 Sound on Sounds (1997)], [https://mikebaas.org/autechre/archive/gear_list_v1.php][https://mikebaas.org/autechre/] with other equipment added. Other sources include [[Easy to be Hard, April 2008]] and [https://equipboard.com/pros/autechre Equipboard]

Releases and tracks linked are only for those explicitly confirmed to have used them.

=== Synths ===

* '''Analogue Systems RS8500'''
** ''[[Untilted]]'' ["Ipacial Section"]
* '''Black Corporation Deckard's Dream'''
** ''[[PLUS]]'' ["DekDre Scap B"]
* Casio PT-7
* '''Clavia Nord Lead'''
** ''[[Cichlisuite]]'' ["Pencha"]
** ''[[LP5]]''
** ''[[EP7]]'' ["Dropp"]
** ''[[Peel Session 2]]'' ["19 Headaches"]
** ''[[Draft 7.30]]'' ["Surripere"]
** ''[[Quaristice]]'' ["paralel Suns"]
* Clavia Nord Modular
* '''Clavia Nord Modular Expanded'''
** ''[[Draft 7.30]]'' ["Theme of Sudden Roundabout"]
** ''[[Quaristice]]'' ["Outh9X"]
* '''Clavia Nord Rack'''
** ''[[Quaristice]]''
* '''Elektron Monomachine SFX-60+'''
** ''[[Quaristice]]''
* '''Korg MS-10'''
** ''[[Amber]]''
** [[Anvil Vapre|''Anvil Vapre'']] ["Second Bad Vilbel"]
** [[Tri Repetae|''Tri Repetae'']]
** ''[[Envane]]''
* Korg MS-20
* Korg Prophecy
* '''Native Instruments FM8'''
** ''[[Oversteps]]''
* '''Roland Juno 106'''
** ''[[Anti]]''
** ''[[Amber]]''
** [[Anvil Vapre|''Anvil Vapre'']]
** ''[[Tri Repetae]]''
** ''[[Envane]]''
* '''Roland MC-202 MicroComposer'''
** ''[[Cavity Job]]''
** ''[[Warp Tapes 89-93]]''
** ''[[Amber]]'' ["Glitch"]
** [[Anvil Vapre|''Anvil Vapre'']]
** ''[[Tri Repetae]]'' ["Overand"]
* '''Roland SH-2'''
** [[Cavity Job|''Cavity Job'']] ["Cavity Job"]
* '''Yamaha DX100'''
** ''[[Anti]]''
** [[Anvil Vapre|''Anvil Vapre'']]
** [[Tri Repetae|''Tri Repetae'']] ["Overand"]
** ''[[Envane]]''
** ''[[LP5]]''
** ''[[Peel Session]]'' ["Milk DX"]
* Yamaha DX11
* '''Yamaha FS1R'''
** ''[[Quaristice]]''

=== Samplers / Drum Machines ===

* '''Akai MPC1000'''
** ''[[Untilted]]'' ["Pro Radii"]
** ''[[Quaristice]]'' ["IO", "Perlence"]
* Akai MPC 2500
* Akai Z8
* Casio FZ-1
* '''Casio FZ-10'''
** ''[[Cavity Job]]''
* Casio RZ-1
* '''Casio SK-1'''
** ''[[Cavity Job]]''
** ''[[Incunabula]]''
** ''[[Chiastic Slide]]''
* '''Casio SK-5'''
** ''[[Cavity Job]]''
* Casio SK-100
* Emu E-Synth Ultra
* '''Elektron Machinedrum SPS-1UW MKII'''
** ''[[Quaristice]]''
* '''Ensoniq ASR-10R'''
** ''[[Incunabula]]'' ["Eggshell"]
** ''[[LP5]]''
* '''Ensoniq EPS'''
** ''[[Amber]]'' ["Foil"]
** [[Anvil Vapre|''Anvil Vapre'']]
** ''[[Tri Repetae]]'' ["Clipper"]
** ''[[Peel Session]]'' ["Drane"]
* '''Ensoniq EPS16+'''
** ''[[Anti]]''
** ''[[Garbage]]'' ["Garbagemx36"]
** ''[[Tri Repetae]]'' ["C/Pach"]
** ''[[Envane]]''
* '''Kurzweil K2500RS'''
** ''[[LP5]]'' ["Rae"]
* Linn Electronics LinnDrum
* Nord Drum
* Oberheim DMX
* Roland CR-78
* '''Roland CR-8000'''
** ''[[Tri Repetae]]'' ["Overand"]
** ''[[Draft 7.30]]'' ["6IE.CR"]
* '''Roland R8'''
** ''[[Cavity Job]]''
** ''[[Incunabula]]''
** ''[[Anti]]'' ["Flutter"]
** ''[[Garbage]]'' ["Garbagemx36"]
** [[Anvil Vapre]]
** ''[[Tri Repetae]]''
** ''[[Envane]]''
* '''Roland TR-606 Drumatix'''
** [[Cavity Job|''Cavity Job'']]
** ''[[Incunabula]]''
** ''[[Tri Repetae]]''
** ''[[Quaristice]]'' ["Tankakern"]
* '''Simmons SDE'''
** ''[[Quaristice]]'' ["Outh9X"]
* '''Yamaha RY30'''
** ''[[We R Are Why / Are Y Are We?]]''
** ''[[Cichlisuite]]'' ["Pencha"]
** ''[[Peel Session 2]]'' ["19 Headaches"]
* Yamaha SU10

=== Software  ===

* '''Ableton Max for Live'''
** ''[[Move Of Ten]]'' ["pce freeze 2.8i", "rew(1)"]
** ''[[SIGN]]''
* Audio Hijack
* BIAS Peak
* '''Cycling '74 Max/MSP'''
** ''[[EP7]]'' ["Left Blank", "Liccflii"]
** ''[[Confield]]'' ["VI Scose Poise", "Sim Gishel", "Uviol"]
** ''[[Draft 7.30]]'' ["Reniform Puls"]
** ''[[Oversteps]]''
** ''[[Exai]]''
** ''[[L-event]]''
** ''[[AE_LIVE]]''
** ''[[elseq 1-5]]''
** ''[[NTS Sessions 1-4]]''
** ''[[AE_LIVE 2016/2018]]''
** ''[[SIGN]]''
** ''[[PLUS]]'' ["ecol4"]
** [[AE 2022－|''AE_2022－'']]
* '''C-Lab Creator'''
** ''[[Anti]]''
** ''[[Tri Repetae]]''
** ''[[Chiastic Slide]]'' ["Cipater", "Nuane"]
* '''Emagic''' '''Logic''' '''Pro'''
** ''[[Envane]]''
** ''[[Chiastic Slide]]'' ["Cichli", "Recury", "Pule"]
** ''[[Cichlisuite]]'' ["Pencha"]
** ''[[LP5]]''
** ''[[Peel Session 2]]'' ["19 Headaches"]
** ''[[Confield]]'' ["Parhelic Triangle"]
** ''[[Exai]]'' ["T ess xi"]
* Hairersoft Amadeus Pro
* '''MOTU Digital Performer'''
** ''[[Draft 7.30]]''
** ''[[Quaristice]]''
* MOTU MachFive
* '''Renoise'''
** ''[[Quaristice]]'' ["rale", "Fol3", "WNSN"]
** ''[[Quaristice (Versions)]]'' ["fol4"]
* '''Sound Edit 16'''
** ''[[LP5]]'' ["Vose In"]
* '''SunVox'''
** ''[[Exai]]'' ["YJY UX"]
* Steinberg Cubase
* '''VAZ'''
** ''[[LP5]]'' [hidden track]

=== Sequencers ===

* '''Alesis MMT8'''
** ''[[Tri Repetae]]'' ["Clipper"]
* '''Roland PMA5'''
** ''[[EP7]]'' ["Maphive 6.1"]
* Yamaha QY20

=== MIDI/CV ===

* Emagic AMT8
* '''Kenton Killamix Mini'''
** [[AE 2022－|''AE_2022－'']]
* Kenton Pro 4 MIDI-CV
* MOTU Fastlane
* MOTU MIDI Express XT
* MOTU Micro Express
* MidiLink MIDI Data Extender
* Opcode Studio 3
* Peavey PC1600X
* Philip Rees 5S
* XRI XR03 SMPTE/MIDI converter

=== Outboard FX ===

* '''Alesis QuadraVerb GT'''
** ''[[Anti]]'' ["Flutter"]
** ''[[Amber]]'' ["Montreal", "Glitch"]
** ''[[Tri Repetae]]'' ["Overand"]
** ''[[Peel Session]]'' ["Drane"]
** ''[[Draft 7.30]]''
** ''[[Quaristice]]''
* Analogue Systems RS-240
* Behringer Autocom Pro
* Behringer Composer Pro
* '''Behringer Ultrafex'''
** ''[[Envane]]''
* Behringer Ultrapatch
* Boss RDD-10
* '''Boss RSD-10'''
** ''[[Cavity Job]]''
** ''[[Tri Repetae]]'' ["Overand", "Rsdio"]
** ''[[Envane]]''
** [[Warp Tapes 89-93|''Warp Tapes 89-93'']]
* dbx DDP
* DOD FX20 Phasor
* Ensoniq DP/2
* '''LA Audio 4x4'''
** ''[[Envane]]''
* Lexicon MPX1
* '''Lexicon PCM80'''
** ''[[Quaristice]]''
* '''Lexicon PCM90'''
** ''[[Quaristice]]''
* PSE Stereo Spring Reverb
* Sony HR-MP5
* '''Symbolic Sound Kyma Capybara 320'''
** ''[[EP7]]'' ["Left Blank"]
* t.c. electronic TC XII Phaser

=== Mixers ===

* Mackie 24:8
* Mackie CR1604-VLZ
* Mackie Onyx 1620
* Phonic MRT60
* Phonic SM-1000
* Seck 18-8-2
* Shure Auxpander
* Simmons SPM 8:2
* Tascam DP-24 Mixer
* Tascam M2600
* '''Tascam Portastudio 244'''
** ''[[Cavity Job]]''

=== Recorders ===

* Akai 4000DS MKII
* Digidesign Pro Tools 882 I/O
* Digidesign Pro Tools DSP Farm PCI
* Digidesign Pro Tools Disk I/O PCI
* Digidesign Pro Tools III PCI
* Grundig Tape Recorder
* Grundig TK121
* HHB CDR850 Plus
* Mini Portable Tape Recorder 
* Panasonic SV-3800 DAT
* RME Hammerfall ADI-8 Pro
* RME Hammerfall DIGI9652
* RME Hammerfall Digiface
* Sony DTC-690
* Sony MDS JE520
* Sony TCD-D7
* Tascam DA-20 MKII
* Tascam DAP1
* Yamaha CBXD5
* Yamaha KX-W321 Cassette Recorder

=== Computers ===
* Apple G4 450 MHz
* Apple Power Mac 7200
* '''Apple Power Mac 9650'''
** ''[[Envane]]''
* Apple Power Mac G4 Dual 800 MHz
* Apple Powerbook 1400
* Apple Powerbook G4 500 MHz
* Apple Powerbook G4 800 MHz
* Apple G5/OS X
* '''Atari 1040 STE'''
** ''[[Anti]]''
* '''IBM Thinkpad'''
** [[Chiastic Slide|''Chiastic Slide'']]
* Yamaha CXM5

=== Microphones ===
* AKG C1000
* BSS Audio AR133 Active DI Box
* Realistic 33-1090A pressure zone microphone
* '''Sony lapel mic'''
** ''[[LP5]]'' ["Caliper Remote"]

=== Speakers ===

* Alesis Monitor 1
* Dynaudio BM15a
* Dynaudio M1
* Yamaha NS-10M

=== Miscellaneous ===

* '''Sony MDSJE 520 MiniDisc recorder'''
** ''[[Confield]]'' ["Pen Expers"]
* Philips Oscilloscope
* '''Reyong'''
** ''[[Confield]]'' ["VI Scose Poise", "Parhelic Triangle"] 
* Wacom Intuos3 A5

Gear List

2026-03-04T18:00:11Z

Miracle372: add SunVox, used on "YJY UX"

Adapted from Fizzarum(?) and Mike Baas's compiled and grouped gear lists from Future Music (2003) and [https://aepages.org/wiki/Sound_On_Sound,_November_1997 Sound on Sounds (1997)], [https://mikebaas.org/autechre/archive/gear_list_v1.php][https://mikebaas.org/autechre/] with other equipment added. Other sources include [[Easy to be Hard, April 2008]] and [https://equipboard.com/pros/autechre Equipboard]

Releases and tracks linked are only for those explicitly confirmed to have used them.

=== Synths ===

* '''Analogue Systems RS8500'''
** ''[[Untilted]]'' ["Ipacial Section"]
* '''Black Corporation Deckard's Dream'''
** ''[[PLUS]]'' ["DekDre Scap B"]
* Casio PT-7
* '''Clavia Nord Lead'''
** ''[[Cichlisuite]]'' ["Pencha"]
** ''[[LP5]]''
** ''[[EP7]]'' ["Dropp"]
** ''[[Peel Session 2]]'' ["19 Headaches"]
** ''[[Draft 7.30]]'' ["Surripere"]
** ''[[Quaristice]]'' ["paralel Suns"]
* Clavia Nord Modular
* '''Clavia Nord Modular Expanded'''
** ''[[Draft 7.30]]'' ["Theme of Sudden Roundabout"]
** ''[[Quaristice]]'' ["Outh9X"]
* '''Clavia Nord Rack'''
** ''[[Quaristice]]''
* '''Elektron Monomachine SFX-60+'''
** ''[[Quaristice]]''
* '''Korg MS-10'''
** ''[[Amber]]''
** [[Anvil Vapre|''Anvil Vapre'']] ["Second Bad Vilbel"]
** [[Tri Repetae|''Tri Repetae'']]
** ''[[Envane]]''
* Korg MS-20
* Korg Prophecy
* '''Native Instruments FM8'''
** ''[[Oversteps]]''
* '''Roland Juno 106'''
** ''[[Anti]]''
** ''[[Amber]]''
** [[Anvil Vapre|''Anvil Vapre'']]
** ''[[Tri Repetae]]''
** ''[[Envane]]''
* '''Roland MC-202 MicroComposer'''
** ''[[Cavity Job]]''
** ''[[Warp Tapes 89-93]]''
** ''[[Amber]]'' ["Glitch"]
** [[Anvil Vapre|''Anvil Vapre'']]
** ''[[Tri Repetae]]'' ["Overand"]
* '''Roland SH-2'''
** [[Cavity Job|''Cavity Job'']] ["Cavity Job"]
* '''Yamaha DX100'''
** ''[[Anti]]''
** [[Anvil Vapre|''Anvil Vapre'']]
** [[Tri Repetae|''Tri Repetae'']] ["Overand"]
** ''[[Envane]]''
** ''[[LP5]]''
** ''[[Peel Session]]'' ["Milk DX"]
* Yamaha DX11
* '''Yamaha FS1R'''
** ''[[Quaristice]]''

=== Samplers / Drum Machines ===

* '''Akai MPC1000'''
** ''[[Untilted]]'' ["Pro Radii"]
** ''[[Quaristice]]'' ["IO", "Perlence"]
* Akai MPC 2500
* Akai Z8
* Casio FZ-1
* '''Casio FZ-10'''
** ''[[Cavity Job]]''
* Casio RZ-1
* '''Casio SK-1'''
** ''[[Cavity Job]]''
** ''[[Incunabula]]''
** ''[[Chiastic Slide]]''
* '''Casio SK-5'''
** ''[[Cavity Job]]''
* Casio SK-100
* Emu E-Synth Ultra
* '''Elektron Machinedrum SPS-1UW MKII'''
** ''[[Quaristice]]''
* '''Ensoniq ASR-10R'''
** ''[[Incunabula]]'' ["Eggshell"]
** ''[[LP5]]''
* '''Ensoniq EPS'''
** ''[[Amber]]'' ["Foil"]
** [[Anvil Vapre|''Anvil Vapre'']]
** ''[[Tri Repetae]]'' ["Clipper"]
* '''Ensoniq EPS16+'''
** ''[[Anti]]''
** ''[[Garbage]]'' ["Garbagemx36"]
** ''[[Tri Repetae]]'' ["C/Pach"]
** ''[[Envane]]''
* '''Kurzweil K2500RS'''
** ''[[LP5]]'' ["Rae"]
* Linn Electronics LinnDrum
* Nord Drum
* Oberheim DMX
* Roland CR-78
* '''Roland CR-8000'''
** ''[[Tri Repetae]]'' ["Overand"]
** ''[[Draft 7.30]]'' ["6IE.CR"]
* '''Roland R8'''
** ''[[Cavity Job]]''
** ''[[Incunabula]]''
** ''[[Anti]]'' ["Flutter"]
** ''[[Garbage]]'' ["Garbagemx36"]
** [[Anvil Vapre]]
** ''[[Tri Repetae]]''
** ''[[Envane]]''
* '''Roland TR-606 Drumatix'''
** [[Cavity Job|''Cavity Job'']]
** ''[[Incunabula]]''
** ''[[Tri Repetae]]''
** ''[[Quaristice]]'' ["Tankakern"]
* '''Simmons SDE'''
** ''[[Quaristice]]'' ["Outh9X"]
* '''Yamaha RY30'''
** ''[[We R Are Why / Are Y Are We?]]''
** ''[[Cichlisuite]]'' ["Pencha"]
** ''[[Peel Session 2]]'' ["19 Headaches"]
* Yamaha SU10

=== Software  ===

* '''Ableton Max for Live'''
** ''[[Move Of Ten]]'' ["pce freeze 2.8i", "rew(1)"]
** ''[[SIGN]]''
* Audio Hijack
* BIAS Peak
* '''Cycling '74 Max/MSP'''
** ''[[EP7]]'' ["Left Blank", "Liccflii"]
** ''[[Confield]]'' ["VI Scose Poise", "Sim Gishel", "Uviol"]
** ''[[Draft 7.30]]'' ["Reniform Puls"]
** ''[[Oversteps]]''
** ''[[Exai]]''
** ''[[L-event]]''
** ''[[AE_LIVE]]''
** ''[[elseq 1-5]]''
** ''[[NTS Sessions 1-4]]''
** ''[[AE_LIVE 2016/2018]]''
** ''[[SIGN]]''
** ''[[PLUS]]'' ["ecol4"]
** [[AE 2022－|''AE_2022－'']]
* '''C-Lab Creator'''
** ''[[Anti]]''
** ''[[Tri Repetae]]''
** ''[[Chiastic Slide]]'' ["Cipater", "Nuane"]
* '''Emagic''' '''Logic''' '''Pro'''
** ''[[Envane]]''
** ''[[Chiastic Slide]]'' ["Cichli", "Recury", "Pule"]
** ''[[Cichlisuite]]'' ["Pencha"]
** ''[[LP5]]''
** ''[[Peel Session 2]]'' ["19 Headaches"]
** ''[[Confield]]'' ["Parhelic Triangle"]
** ''[[Exai]]'' ["T ess xi"]
* Hairersoft Amadeus Pro
* '''MOTU Digital Performer'''
** ''[[Draft 7.30]]''
** ''[[Quaristice]]''
* MOTU MachFive
* '''Renoise'''
** ''[[Quaristice]]'' ["rale", "Fol3", "WNSN"]
** ''[[Quaristice (Versions)]]'' ["fol4"]
* '''Sound Edit 16'''
** ''[[LP5]]'' ["Vose In"]
* '''SunVox'''
** ''[[Exai]]'' ["YJY UX"]
* Steinberg Cubase
* '''VAZ'''
** ''[[LP5]]'' [hidden track]

=== Sequencers ===

* '''Alesis MMT8'''
** ''[[Tri Repetae]]'' ["Clipper"]
* '''Roland PMA5'''
** ''[[EP7]]'' ["Maphive 6.1"]
* Yamaha QY20

=== MIDI/CV ===

* Emagic AMT8
* '''Kenton Killamix Mini'''
** [[AE 2022－|''AE_2022－'']]
* Kenton Pro 4 MIDI-CV
* MOTU Fastlane
* MOTU MIDI Express XT
* MOTU Micro Express
* MidiLink MIDI Data Extender
* Opcode Studio 3
* Peavey PC1600X
* Philip Rees 5S
* XRI XR03 SMPTE/MIDI converter

=== Outboard FX ===

* '''Alesis QuadraVerb GT'''
** ''[[Anti]]'' ["Flutter"]
** ''[[Amber]]'' ["Montreal", "Glitch"]
** ''[[Tri Repetae]]'' ["Overand"]
** ''[[Draft 7.30]]''
** ''[[Quaristice]]''
* Analogue Systems RS-240
* Behringer Autocom Pro
* Behringer Composer Pro
* '''Behringer Ultrafex'''
** ''[[Envane]]''
* Behringer Ultrapatch
* Boss RDD-10
* '''Boss RSD-10'''
** ''[[Cavity Job]]''
** ''[[Tri Repetae]]'' ["Overand", "Rsdio"]
** ''[[Envane]]''
** [[Warp Tapes 89-93|''Warp Tapes 89-93'']]
* dbx DDP
* DOD FX20 Phasor
* Ensoniq DP/2
* '''LA Audio 4x4'''
** ''[[Envane]]''
* Lexicon MPX1
* '''Lexicon PCM80'''
** ''[[Quaristice]]''
* '''Lexicon PCM90'''
** ''[[Quaristice]]''
* PSE Stereo Spring Reverb
* Sony HR-MP5
* '''Symbolic Sound Kyma Capybara 320'''
** ''[[EP7]]'' ["Left Blank"]
* t.c. electronic TC XII Phaser

=== Mixers ===

* Mackie 24:8
* Mackie CR1604-VLZ
* Mackie Onyx 1620
* Phonic MRT60
* Phonic SM-1000
* Seck 18-8-2
* Shure Auxpander
* Simmons SPM 8:2
* Tascam DP-24 Mixer
* Tascam M2600
* '''Tascam Portastudio 244'''
** ''[[Cavity Job]]''

=== Recorders ===

* Akai 4000DS MKII
* Digidesign Pro Tools 882 I/O
* Digidesign Pro Tools DSP Farm PCI
* Digidesign Pro Tools Disk I/O PCI
* Digidesign Pro Tools III PCI
* Grundig Tape Recorder
* Grundig TK121
* HHB CDR850 Plus
* Mini Portable Tape Recorder 
* Panasonic SV-3800 DAT
* RME Hammerfall ADI-8 Pro
* RME Hammerfall DIGI9652
* RME Hammerfall Digiface
* Sony DTC-690
* Sony MDS JE520
* Sony TCD-D7
* Tascam DA-20 MKII
* Tascam DAP1
* Yamaha CBXD5
* Yamaha KX-W321 Cassette Recorder

=== Computers ===
* Apple G4 450 MHz
* Apple Power Mac 7200
* '''Apple Power Mac 9650'''
** ''[[Envane]]''
* Apple Power Mac G4 Dual 800 MHz
* Apple Powerbook 1400
* Apple Powerbook G4 500 MHz
* Apple Powerbook G4 800 MHz
* Apple G5/OS X
* '''Atari 1040 STE'''
** ''[[Anti]]''
* '''IBM Thinkpad'''
** [[Chiastic Slide|''Chiastic Slide'']]
* Yamaha CXM5

=== Microphones ===
* AKG C1000
* BSS Audio AR133 Active DI Box
* Realistic 33-1090A pressure zone microphone
* '''Sony lapel mic'''
** ''[[LP5]]'' ["Caliper Remote"]

=== Speakers ===

* Alesis Monitor 1
* Dynaudio BM15a
* Dynaudio M1
* Yamaha NS-10M

=== Miscellaneous ===

* '''Sony MDSJE 520 MiniDisc recorder'''
** ''[[Confield]]'' ["Pen Expers"]
* Philips Oscilloscope
* '''Reyong'''
** ''[[Confield]]'' ["VI Scose Poise", "Parhelic Triangle"] 
* Wacom Intuos3 A5

Confield

2026-03-04T17:47:25Z

Miracle372: Autechre did the artwork themselves, credited on warp's site

[[Category:Album]]
{{Infobox
|title=Confield
|artist=[[Autechre]]
|cover=Confield.jpg
|date=30 April 2001
|label=Warp Records (WARP128)
|previous=[[Peel Session 2]]
|previous year=2000
|next=[[Gantz Graf]]
|next year=2002
}}'''''Confield''''' is the sixth studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on April 30th, 2001<ref>https://bleep.com/release/23107-autechre-confield</ref><ref>https://web.archive.org/web/20040102053922/http://www.warprecords.com/artists/news.php?offset=0&ti_id=241&filter=ae</ref>, then later repressed on vinyl in 2023, alongside ''[[Draft 7.30]]''.<ref>https://ghostarchive.org/archive/iidDA</ref><ref>https://ghostarchive.org/archive/2SyWm</ref>

== History ==
In the [[Sound On Sound Interview, April 2004]], Autechre gave some context to the development of ''Confield'', specifically noting the increased use of Max first in live sets and then in studio experiments "that weren't really applicable in a club environment" lead to what would become ''Confield.''<ref>{{Cite interview|page=Sound On Sound Interview, April 2004|quote="When I first encountered Max, I thought it was totally head-exploding," recalls Booth. "We came up with some pretty interesting stuff as soon as we got it. It was almost exactly what we needed. We initially got it for making MIDI applications, and it was a way for us to make sequences in which we could manipulate and generate data on the fly. We could do any combination of things. For instance, if we wanted to have a snare sound late, and the bass note as well, we could have the tracks sync'ed and variables sent across. Before then we had to do this manually, but with Max we could connect things in a very literal way. This made it a lot easier to work with drum machines. You could now jam with them during a live set, and get a pattern to slide the timing. We began using Max for live work, and then ended up using it in the studio. Most of Confield came out of experiments with Max that weren't really applicable in a club environment."}}</ref> Much of ''Confield'' was recorded in real-time as they manipulated the parameters.<ref name=":0">{{Cite interview|page=Sound On Sound Interview, April 2004|quote="There's a lot of maths and generated beats on Confield, but we never considered that album very difficult," asserts Booth. "It's like pop music compared to some of the stuff we had considered putting out! And even when the beats sound like they are moving around in time and space, they're not random. They're based on sets of rules and we have a good handle on them. [...] "When we do generative stuff we work with real-time manipulation of MIDI faders that determines what the rhythms sound like. A sequencer is spitting out stuff and we're using our ears and the faders to make the music. There's no event generation taking place other than within the system we've designed. Sometimes we'll stripe a whole load of stuff down as MIDI data, because there may be a couple of things we want to change. We generate these beats in Max and with home-made sequencers. And there are models of analogue sequencers in the computer that are doing manipulation like gating and compressing some of the beats. "On Confield we also used analogue sequencers and drum machines, because you can do a lot with restarting patterns. You can hack things and maybe use a control volume to determine what step the drum machine is playing from. Perhaps you send that control volume from an analogue sequencer, so the drum machine is skipping around. And then you get another analogue sequencer to drive that analogue sequencer with a different timing.}}</ref><ref>{{Cite interview|page=Sean Booth Interview taken by Peter Hollo, March 2005|quote=A lot of the tracks on Confield are like that – they’re basically made in real-time using sequencers where we’d spent a lot of time making this thing that would generate music according to a few set parameters, and then we’d mess around with the parameters in order to make the music later, when we were in a different frame of mind.}}</ref> However, Autechre has pushed back on the narrative that ''Confield'' was a purely 'generative' Max record.<ref>{{Cite AAA doc|1541}}</ref> In the same [[Sound On Sound Interview, April 2004|Sound On Sound interview]], Sean expressed discomfort with how generative was taken to mean random when the material was based on heavily controlled set of rules alongside other analogue sequencers and drum machines for complex sequencing.<ref name=":0" /> Rob noted that roughly 10% of ''Confield'' was properly generative,<ref>{{Cite AAA doc|1194}}</ref> and in an [[Interview with SB for Reverb Magazine, January 2008]], Sean further clarified that only 3 tracks on ''Confield'' even used Max for sequencing.<ref name=":3">{{Cite interview|page=Interview with SB for Reverb Magazine, January 2008|quote='''But looking back to the likes of Confield, where you were well documented as being users of generative software like Max/MSP..''' ...Well, there was only 3 tracks on Confield that had Max sequencing. It’s ironic, I mean Pen Expers was made using a minidisk, like by pausing a DMX drum machine, I could go through the whole album and be really boring. But there’s only 3 tracks on there that are really generative really.}}</ref> ''Confield'' was instead mostly composed in Logic Pro.<ref>https://www.reddit.com/r/autechre/comments/9of3dv/autechres_tsugi_interview_translated/</ref> The material shown on ''Confield'' was developed over 18 months.<ref>{{Cite web|author=|title=ALL Ae Q/A from Warp Records|link=https://web.archive.org/web/20031024135223/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid1018136565,21609,#:~:text=it%20spans%20about%2018%20months..%20it%27s%20a%20selection.|status=dead|archivedate=|linkoriginal=http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid1018136565,21609,#:~:text=it%20spans%20about%2018%20months..%20it%27s%20a%20selection.|accessdate=24 October 2003}}</ref>

The record has gained a status as one of their most difficult records, however Sean felt that "it's like pop music compared to some of the stuff we had considered putting out!"<ref name=":0" /> and that the record was "another album" similar to ''[[Chiastic Slide]]'' rather than a huge leap forward.<ref>{{Cite AAA doc|795}}</ref>

=== Cover ===
For the promotion cycle of ''Confield'', a page was posted by Warp on April 3rd, 2001, titled "Autechre: Confileid".<ref>https://web.archive.org/web/20030507103110fw_/http://www.warprecords.com/news/?offset=220&ti_id=346</ref> [https://www.youtube.com/watch?v=-NsvXJ5DyAk On the page, it featured an animated video of multiple 3D planes being scattered.] The original animation was made by Rob around 2000/2001 in Infini-D.<ref name=":5">{{Cite AAA2 doc|227}}</ref><ref>{{Cite AAA doc|21}}</ref> Multiple frames of the animation went on to be used in the design of ''Confield,'' including the cover of the CD<ref name=":1" /> and vinyl issues.<ref>https://www.discogs.com/release/8434-Autechre-Confield</ref>

When ''Confield'' and ''[[Draft 7.30]]'' was reissued in 2023, Warp put out a promotional video for ''Confield'' featuring the same animation but in higher quality. Rob confirmed these were rerendered on the newest Mac which could run the files.<ref name=":5" /> They also put out a series of shorts of album tracks played over animations; both of the original for [https://www.youtube.com/watch?v=LgZQGpK3o-8 Sim Gishel] and [https://www.youtube.com/watch?v=6Zci4NpOQlA Lentic Catachresis], as well as different versions including a fountain-like eruption for [https://www.youtube.com/watch?v=sSgvFBESo_A VI Scose Poise], [https://www.youtube.com/watch?v=o1Mu3VcN8tE Cfern], [https://www.youtube.com/watch?v=pyJmCTBjJZ8 Pen Expers]; a side downpour for [https://www.youtube.com/watch?v=rtstpM8WJ-A Bine] and [https://www.youtube.com/watch?v=kCOVyc-Jw3M Eidetic Casein]; and a top-down view for [https://www.youtube.com/watch?v=MAipXaToYQs Parhelic Triangle] and [https://www.youtube.com/watch?v=GC5k4dDyhjU Uviol]. 

[https://web.archive.org/web/20231021172129/https://static-cdn.jtvnw.net/jtv_user_pictures/97bd9d1b-0349-4936-b8b1-712257ec4e85-channel_offline_image-1920x1080.jpeg A high quality frame from the animation was also used as a Twitch image for au7echre.]

== Tracks ==
=== VI Scose Poise ===

* "VI Scose Poise" was made with a custom sequencer in Max that would run on its own.<ref>{{Cite interview|page=Sean Booth Interview taken by Peter Hollo, March 2005|quote=‘The generative stuff – some of it’s process-based; a track like ‘VI Scose Poise’, for example, is completely process-based. That was a process made in Max [a program for creating sound-generating and -processing objects from the ground up] as a kind of sequencer, spitting out MIDI data. It was built just to run. It had various counters that would instigate various changes in the way the patch. We’d hit “Start” and listen to it, and if it did something wrong we’d change whatever variable it was that was making it go wrong, then run the process again. This was completely hands-off.}}</ref> The track also used the FS1R<ref>https://web.archive.org/web/20250410180732/https://post.lurk.org/@sean_ae/114314693813552997</ref> and a gamelan instrument (either a jegog or jublag).<ref name=":4" /><ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote='''Right, so there's a gamelan in Parhelic Triangle. Where did you get it?''' Bali. '''I always suspected you borrowed the one Tom Jenkinson brought back from Asia which he used in Gong Acid.''' Yeah, it's funny that because when I went there, he was about to go there and he was really weirded out. So we actually got, ‘cause I bought like quite a lot of gamelan stuff when I was over there, because it's cheap basically, and they'll export it for you and everything, so as long as you're willing to wait for the shipping. It's really cheap to get it. And they’ll, you can just get them to custom build you it basically. So I've done that and so yeah, it's around the same time but I think we went to different places. I'm not sure if we've gotten built in the same place. But yeah, I gave them away to the Suffolk Schools gamelan when me and Chantal split up, which is like 2005, so I haven't had them since then, but I had them all the time I was living in Suffolk. So I've got, basically bought them in ‘99. Got them shipped to Sheffield and they sat in boxes for ages, and then the lads who were storing them in the studio, which was a studio in Sheffield. A lad called Dave Willie, don't know if he's Wilkinson or Williamson, but he's a lad who lived in Sheffield and they'd opened them up. Him and this other lad, Ross, who were working on stuff, and they used them a bit, I think. And then so, and then I took them to Suffolk and I had them from about 2000 to just before, like late ‘99 to 2005. So yeah, I had them and I had them downstairs and so we had a studio, it was in like a barn, and then downstairs in the barn, I just had all the gongs laid out, like a whole room full of them. But I only used them on a few tracks. I used them on VI Scose Poise and Parhelic Triangle, that we've released and there's a few probably unreleased ones as well, so.}}</ref>
* On the warprecords site on March 1st, 2001, they put out a visualiser titled "VI Code Spoilse" featuring a different version of the track.<ref>https://web.archive.org/web/20030507103630fw_/http://www.warprecords.com/news/?offset=220&ti_id=162</ref><ref>{{Cite AAA2 doc|296}}</ref><ref>https://everything2.com/title/vi+code+spoilse</ref>

=== Cfern ===

* The track was made by Sean.<ref name=":6">{{Cite AAA2 doc|418}}</ref>
* The drums were done using waveset stretching on the Nord Rack 1, similar to [[Gantz Graf#Cap.IV|"Cap.IV"]].<ref name=":6" />

=== Pen Expers ===

* "Pen Expers" was made using a Minidisk, "like by pausing a DMX drum machine." <ref name=":3" /> More specifically, after doing lots of mixing to lay out a disc for parts to be shuffled, Rob using the onboard edit function to pause, split, and delete sections until it was tidy.<ref name=":7">{{Cite AAA2 doc|307}}</ref>
* The title is possible a play on Python's generator object <genexpr>. 
* [https://www.youtube.com/watch?v=2yehrsC51z4 An early version of "Pen Expers" mashed up with Vangelis's "Cosmos" was performed at Coachella 1999.] <ref name=":7" />

=== Sim Gishel ===

* "Sim Gishel" only used some algorithmic elements.<ref name=":2">{{Cite AAA doc|1193}}</ref>

=== Parhelic Triangle ===

* Sean noted that "Parhelic Triangle" didn't rely on any generative/algorithmic elements at all.<ref name=":2" />
* In the July Twitch AMA, Sean explained that the process behind "Parhelic Triangle". He first recorded himself playing a reyong (a type of gamelan instrument) which was then taken into Logic. The "couple of MIDI parts laid over the top" of the track were detuned to 9 EDO to be in key with the reyong. The loose pulse of the track is due to the reyong being played somewhat irregularly by Sean and him having to manually time it up in Logic before overlaying the percussion to it. The percussion was assembled from "rubber bands in a shoebox sampled on an Emu E-synth". <ref>{{Cite interview|quote='''How the hell were the sounds on Parhelic Triangle made? You also said it wasn't generative.''' Yeah, I know, I'm. Yeah so, like the main kind of gong pattern is, oh what's it called now? Is it a reyong? I can't remember what it's called. It's like a gamelan instrument. There's like a row of like little pots. Metal on suspended. So that was played live and then the percussion track, so that, I took that and then put that in Logic and then the percussion track was done with samples of, yeah, like rubber bands in a shoebox sampled on an Emu E-synth and sort of, using the filters in that a bit. And that was programmed, so what I had to do in Logic, rather than like, because I didn't, there's no flex time or anything then so, I just basically timed up the project to the live gong playing because I weren’t playing to a click or anything. So I didn't have any, so it was drifting, the timing basically. So I had to time up the Logic project to the gong track, and then I'd made the percussion stuff over the top of that. So it was kind of the time, that's why the timing slips around because it's just my shit playing of the gongs to begin with that dictated the timing on the track. So yeah, and then there was a few of a couple of MIDI parts laid over the top, but I had to detune them a bit because the gongs were a bit, well they're weirdly tuned, aren't they? So, sort of, I think it was like 9 EDO or something. Yeah, I can't remember now.}}</ref> Sean also noted on Mastodon that the timings were tapped in.<ref name=":4">https://web.archive.org/web/20240609014251/https://post.lurk.org/@sean_ae/112581799023952175</ref>

=== Bine ===

=== Eidetic Casein ===

=== Uviol ===

* [https://www.youtube.com/watch?v=p_B_dT8MrxU A 16-minute version of "Uviol"] was played during the 2008-02-23 Webcast. In the [[WATMM Ask Autechre Anything, November 2013|WATMM Ask Autechre Anything]], Sean mentioned that the longer versions are often parts of the real-time jams without as much editing. <ref>{{Cite AAA doc|289}}</ref>
* "Uviol" uses a lot of Max sequencing.<ref name=":2" /> Sean clarified that it was specifically one with a ton of parameters that they manipulated in real time.<ref>{{Cite interview|page=Sean Booth Interview taken by Peter Hollo, March 2005|quote=‘Then a track like ‘Uviol’ was made using a sequencer we’d built that changed what it was generating according to parameters we set with faders, so we’d spend a lot of time building it very soberly, and then we’d spend a lot of time very un-soberly playing it.}}</ref>

=== Lentic Catachresis ===

* The ending half of "Lentic Catachresis" has the same progression as [[Lego Feet|''Lego Feet'''s "Part 1"]].

=== MCR Quarter ===

* The title is likely a play on<nowiki/> ''[[Envane]]'''s "Quarter" naming aesthetic, and MCR likely is just short for Manchester.
* As listed on the Japanese CD <nowiki/>issue, "MCR Quarter" was recorded in 1998 at Manchester's Band On The Wall, for Toolshed. The rest of the set was DJ'd (with a Max patch for effects), however "MCR Quarter" was performed live using a "hacked version of rebirth with all our own sounds in".<ref>{{Cite AAA2 doc|574}}</ref>

== Tracklist ==
{{Tracklist|list={{tl track|number=1|title=VI Scose Poise|length=6:57}}
{{tl track|number=2|title=Cfern|length=6:41}}
{{tl track|number=3|title=Pen Expers|length= 7:08}}
{{tl track|number=4|title=Sim Gishel|length=7:15}}
{{tl track|number=5|title=Parhelic Triangle|length=6:04}}
{{tl track|number=6|title=Bine|length=4:41}}
{{tl track|number=7|title=Eidetic Casein|length=6:12}}
{{tl track|number=8|title=Uviol|length=8:35}}
{{tl track|number=9|title=Lentic Catachresis|length=8:30}}
{{tl total|time=1:02:03}}
{{tl track|number=10|title=MCR Quarter (Recorded Live At Band On The Wall, Manchester 1998) [Japanese CD exclusive]|length=11:03}}
{{tl finaltime|time=1:13:06}}}}
== Trivia ==

* The CAT number, WARP128, was likely specifically requested by Autechre. 128 is the seventh power of 2.
* ''Confield'' was called "[https://www.discogs.com/release/24370391-Autechre-LED L.E.D.]" on a promotional CDr, distributed by [https://www.discogs.com/label/22255-Source Source 360°], however the title was only chosen as a red herring to prevent leaks of the album rather than being an early working title.<ref>{{Cite AAA2 doc|600}}</ref>

== Links ==

* [https://autechre.warp.net/release/356362-autechre-confield AE_STORE]
* [https://music.apple.com/us/album/confield/282571770 Apple Music]
* [https://autechre.bandcamp.com/album/confield Bandcamp]
* [https://bleep.com/release/23107-autechre-confield Bleep]
* [https://www.discogs.com/master/1374-Autechre-Confield Discogs]
* [https://soundcloud.com/autechreofficial/sets/confield-1 Soundcloud]
* [https://open.spotify.com/album/7fMTyCtIeBoYck15biPRaQ Spotify]

== Credits ==
*[[Autechre]] (design<ref>https://web.archive.org/web/20041223142839/http://www.warprecords.com/ography/release.php?cat=WARP128#</ref>, production)
*[[Rob Brown]] (writer)
*[[Sean Booth]] (writer)
*[[Frank Arkwright]] (mastering engineer) <ref name=":1">https://www.discogs.com/master/1374-Autechre-Confield</ref>

== References ==
<references />

Gear List

2026-03-04T17:33:21Z

Miracle372: LP5 should be italicized

Adapted from Fizzarum(?) and Mike Baas's compiled and grouped gear lists from Future Music (2003) and [https://aepages.org/wiki/Sound_On_Sound,_November_1997 Sound on Sounds (1997)], [https://mikebaas.org/autechre/archive/gear_list_v1.php][https://mikebaas.org/autechre/] with other equipment added. Other sources include [[Easy to be Hard, April 2008]] and [https://equipboard.com/pros/autechre Equipboard]

Releases and tracks linked are only for those explicitly confirmed to have used them.

=== Synths ===

* '''Analogue Systems RS8500'''
** ''[[Untilted]]'' ["Ipacial Section"]
* '''Black Corporation Deckard's Dream'''
** ''[[PLUS]]'' ["DekDre Scap B"]
* Casio PT-7
* '''Clavia Nord Lead'''
** ''[[Cichlisuite]]'' ["Pencha"]
** ''[[LP5]]''
** ''[[EP7]]'' ["Dropp"]
** ''[[Peel Session 2]]'' ["19 Headaches"]
** ''[[Draft 7.30]]'' ["Surripere"]
** ''[[Quaristice]]'' ["paralel Suns"]
* Clavia Nord Modular
* '''Clavia Nord Modular Expanded'''
** ''[[Draft 7.30]]'' ["Theme of Sudden Roundabout"]
** ''[[Quaristice]]'' ["Outh9X"]
* '''Clavia Nord Rack'''
** ''[[Quaristice]]''
* '''Elektron Monomachine SFX-60+'''
** ''[[Quaristice]]''
* '''Korg MS-10'''
** ''[[Amber]]''
** [[Anvil Vapre|''Anvil Vapre'']] ["Second Bad Vilbel"]
** [[Tri Repetae|''Tri Repetae'']]
** ''[[Envane]]''
* Korg MS-20
* Korg Prophecy
* '''Native Instruments FM8'''
** ''[[Oversteps]]''
* '''Roland Juno 106'''
** ''[[Anti]]''
** ''[[Amber]]''
** [[Anvil Vapre|''Anvil Vapre'']]
** ''[[Tri Repetae]]''
** ''[[Envane]]''
* '''Roland MC-202 MicroComposer'''
** ''[[Cavity Job]]''
** ''[[Warp Tapes 89-93]]''
** ''[[Amber]]'' ["Glitch"]
** [[Anvil Vapre|''Anvil Vapre'']]
** ''[[Tri Repetae]]'' ["Overand"]
* '''Roland SH-2'''
** [[Cavity Job|''Cavity Job'']] ["Cavity Job"]
* '''Yamaha DX100'''
** ''[[Anti]]''
** [[Anvil Vapre|''Anvil Vapre'']]
** [[Tri Repetae|''Tri Repetae'']] ["Overand"]
** ''[[Envane]]''
** ''[[LP5]]''
** ''[[Peel Session]]'' ["Milk DX"]
* Yamaha DX11
* '''Yamaha FS1R'''
** ''[[Quaristice]]''

=== Samplers / Drum Machines ===

* '''Akai MPC1000'''
** ''[[Untilted]]'' ["Pro Radii"]
** ''[[Quaristice]]'' ["IO", "Perlence"]
* Akai MPC 2500
* Akai Z8
* Casio FZ-1
* '''Casio FZ-10'''
** ''[[Cavity Job]]''
* Casio RZ-1
* '''Casio SK-1'''
** ''[[Cavity Job]]''
** ''[[Incunabula]]''
** ''[[Chiastic Slide]]''
* '''Casio SK-5'''
** ''[[Cavity Job]]''
* Casio SK-100
* Emu E-Synth Ultra
* '''Elektron Machinedrum SPS-1UW MKII'''
** ''[[Quaristice]]''
* '''Ensoniq ASR-10R'''
** ''[[Incunabula]]'' ["Eggshell"]
** ''[[LP5]]''
* '''Ensoniq EPS'''
** ''[[Amber]]'' ["Foil"]
** [[Anvil Vapre|''Anvil Vapre'']]
** ''[[Tri Repetae]]'' ["Clipper"]
* '''Ensoniq EPS16+'''
** ''[[Anti]]''
** ''[[Garbage]]'' ["Garbagemx36"]
** ''[[Tri Repetae]]'' ["C/Pach"]
** ''[[Envane]]''
* '''Kurzweil K2500RS'''
** ''[[LP5]]'' ["Rae"]
* Linn Electronics LinnDrum
* Nord Drum
* Oberheim DMX
* Roland CR-78
* '''Roland CR-8000'''
** ''[[Tri Repetae]]'' ["Overand"]
** ''[[Draft 7.30]]'' ["6IE.CR"]
* '''Roland R8'''
** ''[[Cavity Job]]''
** ''[[Incunabula]]''
** ''[[Anti]]'' ["Flutter"]
** ''[[Garbage]]'' ["Garbagemx36"]
** [[Anvil Vapre]]
** ''[[Tri Repetae]]''
** ''[[Envane]]''
* '''Roland TR-606 Drumatix'''
** [[Cavity Job|''Cavity Job'']]
** ''[[Incunabula]]''
** ''[[Tri Repetae]]''
** ''[[Quaristice]]'' ["Tankakern"]
* '''Simmons SDE'''
** ''[[Quaristice]]'' ["Outh9X"]
* '''Yamaha RY30'''
** ''[[We R Are Why / Are Y Are We?]]''
** ''[[Cichlisuite]]'' ["Pencha"]
** ''[[Peel Session 2]]'' ["19 Headaches"]
* Yamaha SU10

=== Software  ===

* '''Ableton Max for Live'''
** ''[[Move Of Ten]]'' ["pce freeze 2.8i", "rew(1)"]
** ''[[SIGN]]''
* Audio Hijack
* BIAS Peak
* '''Cycling '74 Max/MSP'''
** ''[[EP7]]'' ["Left Blank", "Liccflii"]
** ''[[Confield]]'' ["VI Scose Poise", "Sim Gishel", "Uviol"]
** ''[[Draft 7.30]]'' ["Reniform Puls"]
** ''[[Oversteps]]''
** ''[[Exai]]''
** ''[[L-event]]''
** ''[[AE_LIVE]]''
** ''[[elseq 1-5]]''
** ''[[NTS Sessions 1-4]]''
** ''[[AE_LIVE 2016/2018]]''
** ''[[SIGN]]''
** ''[[PLUS]]'' ["ecol4"]
** [[AE 2022－|''AE_2022－'']]
* '''C-Lab Creator'''
** ''[[Anti]]''
** ''[[Tri Repetae]]''
** ''[[Chiastic Slide]]'' ["Cipater", "Nuane"]
* '''Emagic''' '''Logic''' '''Pro'''
** ''[[Envane]]''
** ''[[Chiastic Slide]]'' ["Cichli", "Recury", "Pule"]
** ''[[Cichlisuite]]'' ["Pencha"]
** ''[[LP5]]''
** ''[[Peel Session 2]]'' ["19 Headaches"]
** ''[[Confield]]'' ["Parhelic Triangle"]
** ''[[Exai]]'' ["T ess xi"]
* Hairersoft Amadeus Pro
* '''MOTU Digital Performer'''
** ''[[Draft 7.30]]''
** ''[[Quaristice]]''
* MOTU MachFive
* '''Renoise'''
** ''[[Quaristice]]'' ["rale", "Fol3", "WNSN"]
** ''[[Quaristice (Versions)]]'' ["fol4"]
* '''Sound Edit 16'''
** ''[[LP5]]'' ["Vose In"]
* Steinberg Cubase
* '''VAZ'''
** ''[[LP5]]'' [hidden track]

=== Sequencers ===

* '''Alesis MMT8'''
** ''[[Tri Repetae]]'' ["Clipper"]
* '''Roland PMA5'''
** ''[[EP7]]'' ["Maphive 6.1"]
* Yamaha QY20

=== MIDI/CV ===

* Emagic AMT8
* '''Kenton Killamix Mini'''
** [[AE 2022－|''AE_2022－'']]
* Kenton Pro 4 MIDI-CV
* MOTU Fastlane
* MOTU MIDI Express XT
* MOTU Micro Express
* MidiLink MIDI Data Extender
* Opcode Studio 3
* Peavey PC1600X
* Philip Rees 5S
* XRI XR03 SMPTE/MIDI converter

=== Outboard FX ===

* '''Alesis QuadraVerb GT'''
** ''[[Anti]]'' ["Flutter"]
** ''[[Amber]]'' ["Montreal", "Glitch"]
** ''[[Tri Repetae]]'' ["Overand"]
** ''[[Draft 7.30]]''
** ''[[Quaristice]]''
* Analogue Systems RS-240
* Behringer Autocom Pro
* Behringer Composer Pro
* '''Behringer Ultrafex'''
** ''[[Envane]]''
* Behringer Ultrapatch
* Boss RDD-10
* '''Boss RSD-10'''
** ''[[Cavity Job]]''
** ''[[Tri Repetae]]'' ["Overand", "Rsdio"]
** ''[[Envane]]''
** [[Warp Tapes 89-93|''Warp Tapes 89-93'']]
* dbx DDP
* DOD FX20 Phasor
* Ensoniq DP/2
* '''LA Audio 4x4'''
** ''[[Envane]]''
* Lexicon MPX1
* '''Lexicon PCM80'''
** ''[[Quaristice]]''
* '''Lexicon PCM90'''
** ''[[Quaristice]]''
* PSE Stereo Spring Reverb
* Sony HR-MP5
* '''Symbolic Sound Kyma Capybara 320'''
** ''[[EP7]]'' ["Left Blank"]
* t.c. electronic TC XII Phaser

=== Mixers ===

* Mackie 24:8
* Mackie CR1604-VLZ
* Mackie Onyx 1620
* Phonic MRT60
* Phonic SM-1000
* Seck 18-8-2
* Shure Auxpander
* Simmons SPM 8:2
* Tascam DP-24 Mixer
* Tascam M2600
* '''Tascam Portastudio 244'''
** ''[[Cavity Job]]''

=== Recorders ===

* Akai 4000DS MKII
* Digidesign Pro Tools 882 I/O
* Digidesign Pro Tools DSP Farm PCI
* Digidesign Pro Tools Disk I/O PCI
* Digidesign Pro Tools III PCI
* Grundig Tape Recorder
* Grundig TK121
* HHB CDR850 Plus
* Mini Portable Tape Recorder 
* Panasonic SV-3800 DAT
* RME Hammerfall ADI-8 Pro
* RME Hammerfall DIGI9652
* RME Hammerfall Digiface
* Sony DTC-690
* Sony MDS JE520
* Sony TCD-D7
* Tascam DA-20 MKII
* Tascam DAP1
* Yamaha CBXD5
* Yamaha KX-W321 Cassette Recorder

=== Computers ===
* Apple G4 450 MHz
* Apple Power Mac 7200
* '''Apple Power Mac 9650'''
** ''[[Envane]]''
* Apple Power Mac G4 Dual 800 MHz
* Apple Powerbook 1400
* Apple Powerbook G4 500 MHz
* Apple Powerbook G4 800 MHz
* Apple G5/OS X
* '''Atari 1040 STE'''
** ''[[Anti]]''
* '''IBM Thinkpad'''
** [[Chiastic Slide|''Chiastic Slide'']]
* Yamaha CXM5

=== Microphones ===
* AKG C1000
* BSS Audio AR133 Active DI Box
* Realistic 33-1090A pressure zone microphone
* '''Sony lapel mic'''
** ''[[LP5]]'' ["Caliper Remote"]

=== Speakers ===

* Alesis Monitor 1
* Dynaudio BM15a
* Dynaudio M1
* Yamaha NS-10M

=== Miscellaneous ===

* '''Sony MDSJE 520 MiniDisc recorder'''
** ''[[Confield]]'' ["Pen Expers"]
* Philips Oscilloscope
* '''Reyong'''
** ''[[Confield]]'' ["VI Scose Poise", "Parhelic Triangle"] 
* Wacom Intuos3 A5

Gear List

2026-03-04T03:15:07Z

Miracle372: DMX kick+snare used in AE_LIVE

Adapted from Fizzarum(?) and Mike Baas's compiled and grouped gear lists from Future Music (2003) and [https://aepages.org/wiki/Sound_On_Sound,_November_1997 Sound on Sounds (1997)], [https://mikebaas.org/autechre/archive/gear_list_v1.php][https://mikebaas.org/autechre/] with other equipment added. Other sources include [[Easy to be Hard, April 2008]] and [https://equipboard.com/pros/autechre Equipboard]

Releases and tracks linked are only for those explicitly confirmed to have used them.

=== Synths ===

* '''Analogue Systems RS8500'''
** ''[[Untilted]]'' ["Ipacial Section"]
* '''Black Corporation Deckard's Dream'''
** ''[[PLUS]]'' ["DekDre Scap B"]
* Casio PT-7
* '''Clavia Nord Lead'''
** ''[[Cichlisuite]]'' ["Pencha"]
** ''[[LP5]]''
** ''[[EP7]]'' ["Dropp"]
** ''[[Peel Session 2]]'' ["19 Headaches"]
** ''[[Draft 7.30]]'' ["Surripere"]
** ''[[Quaristice]]'' ["paralel Suns"]
* Clavia Nord Modular
* '''Clavia Nord Modular Expanded'''
** ''[[Draft 7.30]]'' ["Theme of Sudden Roundabout"]
** ''[[Quaristice]]'' ["Outh9X"]
* '''Clavia Nord Rack'''
** ''[[Quaristice]]''
* '''Elektron Monomachine SFX-60+'''
** ''[[Quaristice]]''
* '''Korg MS-10'''
** ''[[Amber]]''
** [[Anvil Vapre|''Anvil Vapre'']] ["Second Bad Vilbel"]
** [[Tri Repetae|''Tri Repetae'']]
** ''[[Envane]]''
* Korg MS-20
* Korg Prophecy
* '''Native Instruments FM8'''
** ''[[Oversteps]]''
* '''Roland Juno 106'''
** ''[[Anti]]''
** ''[[Amber]]''
** [[Anvil Vapre|''Anvil Vapre'']]
** ''[[Tri Repetae]]''
** ''[[Envane]]''
* '''Roland MC-202 MicroComposer'''
** ''[[Cavity Job]]''
** ''[[Warp Tapes 89-93]]''
** ''[[Amber]]'' ["Glitch"]
** [[Anvil Vapre|''Anvil Vapre'']]
** ''[[Tri Repetae]]'' ["Overand"]
* '''Roland SH-2'''
** [[Cavity Job|''Cavity Job'']] ["Cavity Job"]
* '''Yamaha DX100'''
** ''[[Anti]]''
** [[Anvil Vapre|''Anvil Vapre'']]
** [[Tri Repetae|''Tri Repetae'']] ["Overand"]
** ''[[Envane]]''
** ''[[LP5]]''
** ''[[Peel Session]]'' ["Milk DX"]
* Yamaha DX11
* '''Yamaha FS1R'''
** ''[[Quaristice]]''

=== Samplers / Drum Machines ===

* '''Akai MPC1000'''
** ''[[Untilted]]'' ["Pro Radii"]
** ''[[Quaristice]]'' ["IO", "Perlence"]
* Akai MPC 2500
* Akai Z8
* Casio FZ-1
* '''Casio FZ-10'''
** ''[[Cavity Job]]''
* Casio RZ-1
* '''Casio SK-1'''
** ''[[Cavity Job]]''
** ''[[Incunabula]]''
** ''[[Chiastic Slide]]''
* '''Casio SK-5'''
** ''[[Cavity Job]]''
* Casio SK-100
* Emu E-Synth Ultra
* '''Elektron Machinedrum SPS-1UW MKII'''
** ''[[Quaristice]]''
* '''Ensoniq ASR-10R'''
** ''[[Incunabula]]'' ["Eggshell"]
** ''[[LP5]]''
* '''Ensoniq EPS'''
** ''[[Amber]]'' ["Foil"]
** [[Anvil Vapre|''Anvil Vapre'']]
** ''[[Tri Repetae]]'' ["Clipper"]
* '''Ensoniq EPS16+'''
** ''[[Anti]]''
** ''[[Garbage]]'' ["Garbagemx36"]
** ''[[Tri Repetae]]'' ["C/Pach"]
** ''[[Envane]]''
* '''Kurzweil K2500RS'''
** ''[[LP5]]'' ["Rae"]
* Linn Electronics LinnDrum
* Nord Drum
* '''Oberheim DMX'''
** ''[[AE_LIVE]]''
* Roland CR-78
* '''Roland CR-8000'''
** ''[[Tri Repetae]]'' ["Overand"]
** ''[[Draft 7.30]]'' ["6IE.CR"]
* '''Roland R8'''
** ''[[Cavity Job]]''
** ''[[Incunabula]]''
** ''[[Anti]]'' ["Flutter"]
** ''[[Garbage]]'' ["Garbagemx36"]
** [[Anvil Vapre]]
** ''[[Tri Repetae]]''
** ''[[Envane]]''
* '''Roland TR-606 Drumatix'''
** [[Cavity Job|''Cavity Job'']]
** ''[[Incunabula]]''
** ''[[Tri Repetae]]''
** ''[[Quaristice]]'' ["Tankakern"]
* '''Simmons SDE'''
** ''[[Quaristice]]'' ["Outh9X"]
* '''Yamaha RY30'''
** ''[[We R Are Why / Are Y Are We?]]''
** ''[[Cichlisuite]]'' ["Pencha"]
** ''[[Peel Session 2]]'' ["19 Headaches"]
* Yamaha SU10

=== Software  ===

* '''Ableton Max for Live'''
** ''[[Move Of Ten]]'' ["pce freeze 2.8i", "rew(1)"]
** ''[[SIGN]]''
* Audio Hijack
* BIAS Peak
* '''Cycling '74 Max/MSP'''
** ''[[EP7]]'' ["Left Blank", "Liccflii"]
** ''[[Confield]]'' ["VI Scose Poise", "Sim Gishel", "Uviol"]
** ''[[Draft 7.30]]'' ["Reniform Puls"]
** ''[[Oversteps]]''
** ''[[Exai]]''
** ''[[L-event]]''
** ''[[AE_LIVE]]''
** ''[[elseq 1-5]]''
** ''[[NTS Sessions 1-4]]''
** ''[[AE_LIVE 2016/2018]]''
** ''[[SIGN]]''
** ''[[PLUS]]'' ["ecol4"]
** [[AE 2022－|''AE_2022－'']]
* '''C-Lab Creator'''
** ''[[Anti]]''
** ''[[Tri Repetae]]''
** ''[[Chiastic Slide]]'' ["Cipater", "Nuane"]
* '''Emagic''' '''Logic''' '''Pro'''
** ''[[Envane]]''
** ''[[Chiastic Slide]]'' ["Cichli", "Recury", "Pule"]
** ''[[Cichlisuite]]'' ["Pencha"]
** ''[[LP5]]''
** ''[[Peel Session 2]]'' ["19 Headaches"]
** ''[[Confield]]'' ["Parhelic Triangle"]
** ''[[Exai]]'' ["T ess xi"]
* Hairersoft Amadeus Pro
* '''MOTU Digital Performer'''
** ''[[Draft 7.30]]''
** ''[[Quaristice]]''
* MOTU MachFive
* '''Renoise'''
** ''[[Quaristice]]'' ["rale", "Fol3", "WNSN"]
** ''[[Quaristice (Versions)]]'' ["fol4"]
* '''Sound Edit 16'''
** ''[[LP5]]'' ["Vose In"]
* Steinberg Cubase
* '''VAZ'''
** [[LP5]] [hidden track]

=== Sequencers ===

* '''Alesis MMT8'''
** ''[[Tri Repetae]]'' ["Clipper"]
* '''Roland PMA5'''
** ''[[EP7]]'' ["Maphive 6.1"]
* Yamaha QY20

=== MIDI/CV ===

* Emagic AMT8
* '''Kenton Killamix Mini'''
** [[AE 2022－|''AE_2022－'']]
* Kenton Pro 4 MIDI-CV
* MOTU Fastlane
* MOTU MIDI Express XT
* MOTU Micro Express
* MidiLink MIDI Data Extender
* Opcode Studio 3
* Peavey PC1600X
* Philip Rees 5S
* XRI XR03 SMPTE/MIDI converter

=== Outboard FX ===

* '''Alesis QuadraVerb GT'''
** ''[[Anti]]'' ["Flutter"]
** ''[[Amber]]'' ["Montreal", "Glitch"]
** ''[[Tri Repetae]]'' ["Overand"]
** ''[[Draft 7.30]]''
** ''[[Quaristice]]''
* Analogue Systems RS-240
* Behringer Autocom Pro
* Behringer Composer Pro
* '''Behringer Ultrafex'''
** ''[[Envane]]''
* Behringer Ultrapatch
* Boss RDD-10
* '''Boss RSD-10'''
** ''[[Cavity Job]]''
** ''[[Tri Repetae]]'' ["Overand", "Rsdio"]
** ''[[Envane]]''
** [[Warp Tapes 89-93|''Warp Tapes 89-93'']]
* dbx DDP
* DOD FX20 Phasor
* Ensoniq DP/2
* '''LA Audio 4x4'''
** ''[[Envane]]''
* Lexicon MPX1
* '''Lexicon PCM80'''
** ''[[Quaristice]]''
* '''Lexicon PCM90'''
** ''[[Quaristice]]''
* PSE Stereo Spring Reverb
* Sony HR-MP5
* '''Symbolic Sound Kyma Capybara 320'''
** ''[[EP7]]'' ["Left Blank"]
* t.c. electronic TC XII Phaser

=== Mixers ===

* Mackie 24:8
* Mackie CR1604-VLZ
* Mackie Onyx 1620
* Phonic MRT60
* Phonic SM-1000
* Seck 18-8-2
* Shure Auxpander
* Simmons SPM 8:2
* Tascam DP-24 Mixer
* Tascam M2600
* '''Tascam Portastudio 244'''
** ''[[Cavity Job]]''

=== Recorders ===

* Akai 4000DS MKII
* Digidesign Pro Tools 882 I/O
* Digidesign Pro Tools DSP Farm PCI
* Digidesign Pro Tools Disk I/O PCI
* Digidesign Pro Tools III PCI
* Grundig Tape Recorder
* Grundig TK121
* HHB CDR850 Plus
* Mini Portable Tape Recorder 
* Panasonic SV-3800 DAT
* RME Hammerfall ADI-8 Pro
* RME Hammerfall DIGI9652
* RME Hammerfall Digiface
* Sony DTC-690
* Sony MDS JE520
* Sony TCD-D7
* Tascam DA-20 MKII
* Tascam DAP1
* Yamaha CBXD5
* Yamaha KX-W321 Cassette Recorder

=== Computers ===
* Apple G4 450 MHz
* Apple Power Mac 7200
* '''Apple Power Mac 9650'''
** ''[[Envane]]''
* Apple Power Mac G4 Dual 800 MHz
* Apple Powerbook 1400
* Apple Powerbook G4 500 MHz
* Apple Powerbook G4 800 MHz
* Apple G5/OS X
* '''Atari 1040 STE'''
** ''[[Anti]]''
* '''IBM Thinkpad'''
** [[Chiastic Slide|''Chiastic Slide'']]
* Yamaha CXM5

=== Microphones ===
* AKG C1000
* BSS Audio AR133 Active DI Box
* Realistic 33-1090A pressure zone microphone
* '''Sony lapel mic'''
** ''[[LP5]]'' ["Caliper Remote"]

=== Speakers ===

* Alesis Monitor 1
* Dynaudio BM15a
* Dynaudio M1
* Yamaha NS-10M

=== Miscellaneous ===

* '''Sony MDSJE 520 MiniDisc recorder'''
** ''[[Confield]]'' ["Pen Expers"]
* Philips Oscilloscope
* '''Reyong'''
** ''[[Confield]]'' ["VI Scose Poise", "Parhelic Triangle"] 
* Wacom Intuos3 A5

Gear List

2026-03-04T00:54:59Z

Miracle372: add VAZ to list; used for LP5's hidden track

Adapted from Fizzarum(?) and Mike Baas's compiled and grouped gear lists from Future Music (2003) and [https://aepages.org/wiki/Sound_On_Sound,_November_1997 Sound on Sounds (1997)], [https://mikebaas.org/autechre/archive/gear_list_v1.php][https://mikebaas.org/autechre/] with other equipment added. Other sources include [[Easy to be Hard, April 2008]] and [https://equipboard.com/pros/autechre Equipboard]

Releases and tracks linked are only for those explicitly confirmed to have used them.

=== Synths ===

* '''Analogue Systems RS8500'''
** ''[[Untilted]]'' ["Ipacial Section"]
* '''Black Corporation Deckard's Dream'''
** ''[[PLUS]]'' ["DekDre Scap B"]
* Casio PT-7
* '''Clavia Nord Lead'''
** ''[[Cichlisuite]]'' ["Pencha"]
** ''[[LP5]]''
** ''[[EP7]]'' ["Dropp"]
** ''[[Peel Session 2]]'' ["19 Headaches"]
** ''[[Draft 7.30]]'' ["Surripere"]
** ''[[Quaristice]]'' ["paralel Suns"]
* Clavia Nord Modular
* '''Clavia Nord Modular Expanded'''
** ''[[Draft 7.30]]'' ["Theme of Sudden Roundabout"]
** ''[[Quaristice]]'' ["Outh9X"]
* '''Clavia Nord Rack'''
** ''[[Quaristice]]''
* '''Elektron Monomachine SFX-60+'''
** ''[[Quaristice]]''
* '''Korg MS-10'''
** ''[[Amber]]''
** [[Anvil Vapre|''Anvil Vapre'']] ["Second Bad Vilbel"]
** [[Tri Repetae|''Tri Repetae'']]
** ''[[Envane]]''
* Korg MS-20
* Korg Prophecy
* '''Native Instruments FM8'''
** ''[[Oversteps]]''
* '''Roland Juno 106'''
** ''[[Anti]]''
** ''[[Amber]]''
** [[Anvil Vapre|''Anvil Vapre'']]
** ''[[Tri Repetae]]''
** ''[[Envane]]''
* '''Roland MC-202 MicroComposer'''
** ''[[Cavity Job]]''
** ''[[Warp Tapes 89-93]]''
** ''[[Amber]]'' ["Glitch"]
** [[Anvil Vapre|''Anvil Vapre'']]
** ''[[Tri Repetae]]'' ["Overand"]
* '''Roland SH-2'''
** [[Cavity Job|''Cavity Job'']] ["Cavity Job"]
* '''Yamaha DX100'''
** ''[[Anti]]''
** [[Anvil Vapre|''Anvil Vapre'']]
** [[Tri Repetae|''Tri Repetae'']] ["Overand"]
** ''[[Envane]]''
** ''[[LP5]]''
** ''[[Peel Session]]'' ["Milk DX"]
* Yamaha DX11
* '''Yamaha FS1R'''
** ''[[Quaristice]]''

=== Samplers / Drum Machines ===

* '''Akai MPC1000'''
** ''[[Untilted]]'' ["Pro Radii"]
** ''[[Quaristice]]'' ["IO", "Perlence"]
* Akai MPC 2500
* Akai Z8
* Casio FZ-1
* '''Casio FZ-10'''
** ''[[Cavity Job]]''
* Casio RZ-1
* '''Casio SK-1'''
** ''[[Cavity Job]]''
** ''[[Incunabula]]''
** ''[[Chiastic Slide]]''
* '''Casio SK-5'''
** ''[[Cavity Job]]''
* Casio SK-100
* Emu E-Synth Ultra
* '''Elektron Machinedrum SPS-1UW MKII'''
** ''[[Quaristice]]''
* '''Ensoniq ASR-10R'''
** ''[[Incunabula]]'' ["Eggshell"]
** ''[[LP5]]''
* '''Ensoniq EPS'''
** ''[[Amber]]'' ["Foil"]
** [[Anvil Vapre|''Anvil Vapre'']]
** ''[[Tri Repetae]]'' ["Clipper"]
* '''Ensoniq EPS16+'''
** ''[[Anti]]''
** ''[[Garbage]]'' ["Garbagemx36"]
** ''[[Tri Repetae]]'' ["C/Pach"]
** ''[[Envane]]''
* '''Kurzweil K2500RS'''
** ''[[LP5]]'' ["Rae"]
* Linn Electronics LinnDrum
* Nord Drum
* Oberheim DMX
* Roland CR-78
* '''Roland CR-8000'''
** ''[[Tri Repetae]]'' ["Overand"]
** ''[[Draft 7.30]]'' ["6IE.CR"]
* '''Roland R8'''
** ''[[Cavity Job]]''
** ''[[Incunabula]]''
** ''[[Anti]]'' ["Flutter"]
** ''[[Garbage]]'' ["Garbagemx36"]
** [[Anvil Vapre]]
** ''[[Tri Repetae]]''
** ''[[Envane]]''
* '''Roland TR-606 Drumatix'''
** [[Cavity Job|''Cavity Job'']]
** ''[[Incunabula]]''
** ''[[Tri Repetae]]''
** ''[[Quaristice]]'' ["Tankakern"]
* '''Simmons SDE'''
** ''[[Quaristice]]'' ["Outh9X"]
* '''Yamaha RY30'''
** ''[[We R Are Why / Are Y Are We?]]''
** ''[[Cichlisuite]]'' ["Pencha"]
** ''[[Peel Session 2]]'' ["19 Headaches"]
* Yamaha SU10

=== Software  ===

* '''Ableton Max for Live'''
** ''[[Move Of Ten]]'' ["pce freeze 2.8i", "rew(1)"]
** ''[[SIGN]]''
* Audio Hijack
* BIAS Peak
* '''Cycling '74 Max/MSP'''
** ''[[EP7]]'' ["Left Blank", "Liccflii"]
** ''[[Confield]]'' ["VI Scose Poise", "Sim Gishel", "Uviol"]
** ''[[Draft 7.30]]'' ["Reniform Puls"]
** ''[[Oversteps]]''
** ''[[Exai]]''
** ''[[L-event]]''
** ''[[AE_LIVE]]''
** ''[[elseq 1-5]]''
** ''[[NTS Sessions 1-4]]''
** ''[[AE_LIVE 2016/2018]]''
** ''[[SIGN]]''
** ''[[PLUS]]'' ["ecol4"]
** [[AE 2022－|''AE_2022－'']]
* '''C-Lab Creator'''
** ''[[Anti]]''
** ''[[Tri Repetae]]''
** ''[[Chiastic Slide]]'' ["Cipater", "Nuane"]
* '''Emagic''' '''Logic''' '''Pro'''
** ''[[Envane]]''
** ''[[Chiastic Slide]]'' ["Cichli", "Recury", "Pule"]
** ''[[Cichlisuite]]'' ["Pencha"]
** ''[[LP5]]''
** ''[[Peel Session 2]]'' ["19 Headaches"]
** ''[[Confield]]'' ["Parhelic Triangle"]
** ''[[Exai]]'' ["T ess xi"]
* Hairersoft Amadeus Pro
* '''MOTU Digital Performer'''
** ''[[Draft 7.30]]''
** ''[[Quaristice]]''
* MOTU MachFive
* '''Renoise'''
** ''[[Quaristice]]'' ["rale", "Fol3", "WNSN"]
** ''[[Quaristice (Versions)]]'' ["fol4"]
* '''Sound Edit 16'''
** ''[[LP5]]'' ["Vose In"]
* Steinberg Cubase
* '''VAZ'''
** [[LP5]] [hidden track]

=== Sequencers ===

* '''Alesis MMT8'''
** ''[[Tri Repetae]]'' ["Clipper"]
* '''Roland PMA5'''
** ''[[EP7]]'' ["Maphive 6.1"]
* Yamaha QY20

=== MIDI/CV ===

* Emagic AMT8
* '''Kenton Killamix Mini'''
** [[AE 2022－|''AE_2022－'']]
* Kenton Pro 4 MIDI-CV
* MOTU Fastlane
* MOTU MIDI Express XT
* MOTU Micro Express
* MidiLink MIDI Data Extender
* Opcode Studio 3
* Peavey PC1600X
* Philip Rees 5S
* XRI XR03 SMPTE/MIDI converter

=== Outboard FX ===

* '''Alesis QuadraVerb GT'''
** ''[[Anti]]'' ["Flutter"]
** ''[[Amber]]'' ["Montreal", "Glitch"]
** ''[[Tri Repetae]]'' ["Overand"]
** ''[[Draft 7.30]]''
** ''[[Quaristice]]''
* Analogue Systems RS-240
* Behringer Autocom Pro
* Behringer Composer Pro
* '''Behringer Ultrafex'''
** ''[[Envane]]''
* Behringer Ultrapatch
* Boss RDD-10
* '''Boss RSD-10'''
** ''[[Cavity Job]]''
** ''[[Tri Repetae]]'' ["Overand", "Rsdio"]
** ''[[Envane]]''
** [[Warp Tapes 89-93|''Warp Tapes 89-93'']]
* dbx DDP
* DOD FX20 Phasor
* Ensoniq DP/2
* '''LA Audio 4x4'''
** ''[[Envane]]''
* Lexicon MPX1
* '''Lexicon PCM80'''
** ''[[Quaristice]]''
* '''Lexicon PCM90'''
** ''[[Quaristice]]''
* PSE Stereo Spring Reverb
* Sony HR-MP5
* '''Symbolic Sound Kyma Capybara 320'''
** ''[[EP7]]'' ["Left Blank"]
* t.c. electronic TC XII Phaser

=== Mixers ===

* Mackie 24:8
* Mackie CR1604-VLZ
* Mackie Onyx 1620
* Phonic MRT60
* Phonic SM-1000
* Seck 18-8-2
* Shure Auxpander
* Simmons SPM 8:2
* Tascam DP-24 Mixer
* Tascam M2600
* '''Tascam Portastudio 244'''
** ''[[Cavity Job]]''

=== Recorders ===

* Akai 4000DS MKII
* Digidesign Pro Tools 882 I/O
* Digidesign Pro Tools DSP Farm PCI
* Digidesign Pro Tools Disk I/O PCI
* Digidesign Pro Tools III PCI
* Grundig Tape Recorder
* Grundig TK121
* HHB CDR850 Plus
* Mini Portable Tape Recorder 
* Panasonic SV-3800 DAT
* RME Hammerfall ADI-8 Pro
* RME Hammerfall DIGI9652
* RME Hammerfall Digiface
* Sony DTC-690
* Sony MDS JE520
* Sony TCD-D7
* Tascam DA-20 MKII
* Tascam DAP1
* Yamaha CBXD5
* Yamaha KX-W321 Cassette Recorder

=== Computers ===
* Apple G4 450 MHz
* Apple Power Mac 7200
* '''Apple Power Mac 9650'''
** ''[[Envane]]''
* Apple Power Mac G4 Dual 800 MHz
* Apple Powerbook 1400
* Apple Powerbook G4 500 MHz
* Apple Powerbook G4 800 MHz
* Apple G5/OS X
* '''Atari 1040 STE'''
** ''[[Anti]]''
* '''IBM Thinkpad'''
** [[Chiastic Slide|''Chiastic Slide'']]
* Yamaha CXM5

=== Microphones ===
* AKG C1000
* BSS Audio AR133 Active DI Box
* Realistic 33-1090A pressure zone microphone
* '''Sony lapel mic'''
** ''[[LP5]]'' ["Caliper Remote"]

=== Speakers ===

* Alesis Monitor 1
* Dynaudio BM15a
* Dynaudio M1
* Yamaha NS-10M

=== Miscellaneous ===

* '''Sony MDSJE 520 MiniDisc recorder'''
** ''[[Confield]]'' ["Pen Expers"]
* Philips Oscilloscope
* '''Reyong'''
** ''[[Confield]]'' ["VI Scose Poise", "Parhelic Triangle"] 
* Wacom Intuos3 A5

JNSN CODE GL16 / spl47

2026-03-04T00:48:07Z

Miracle372: link directly to the single's Bandcamp page

{{Infobox
|title=JNSN CODE GL16 / spl47
|artist=[[Autechre]]
|cover=JNSN CODE GL16 - spl47.jpg
|date=1 October 2017
|label=Touched Music (TM88)
|previous=[[elseq 1-5]]
|previous year=2016
|next=[[NTS Sessions 1-4]]
|next year=2018
}}
'''''JNSN CODE GL16 / spl47''''' is a single released by Autechre on October 1st, 2017 via [https://www.discogs.com/label/674769-Touched-Music-For-Macmillan-Cancer-Support Touched Music].<ref>https://bleep.com/release/89538-autechre-jnsn-code-gl16-spl47</ref> The split single vinyl was the first time these songs were physically available.

== Tracks ==

=== JNSN CODE GL16 ===

* "JNSN CODE GL16" was previously released as part of the [https://www.discogs.com/master/1142434-Various-Touched-3 Touched 3] compilation in 2016.

=== spl47 ===

* The title shares the same naming convention as "spl9" from [[Exai#spl9|''Exai'']].
* "spl47" was previously released as part of the [https://www.discogs.com/master/780074-Various-Touched-Two Touched Two] compilation in 2014.

== Tracklist ==
{{Tracklist|list={{tl track|number=1|title=JNSN CODE GL16|length=7:30}}
{{tl track|number=2|title=spl47|length=5:36}}
{{tl finaltime|time=13:06}}}}

== Links ==

* [https://touched.bandcamp.com/album/jnsn-code-gl16-spl47 Bandcamp]

== Credits ==

* [[Rob Brown]] (writer)
* [[Sean Booth]] (writer)
* [[Autechre]] (production)
* gridpattern.co.uk (design)
* [[Matt Colton]] (mastering)<ref>https://www.discogs.com/master/1244938-Autechre-JNSN-CODE-GL16-spl47</ref>

== References ==
<references />
[[Category:Single]]

Warp Tapes 89-93

2025-06-08T02:33:05Z

Miracle372: clearer (maybe?) phrasing

{{Infobox
|title=Warp Tapes 89-93
|artist=[[Autechre]]
|cover=Warp Tapes 89-93.jpg
|date=24 June 2019
|label=n/a
|previous=[[NTS Sessions 1-4]]
|previous year=2018
|next=[[AE_LIVE 2016/2018]]
|next year=2020
}}'''''Warp Tapes 89-93''''' is a DJ mix by Autechre compiling material from 1989 to 1993. It was debuted on NTS Radio during Warp's 30th anniversary weekend as two mixes: Part 1 on June 21st, 2019, and Part 2 on June 23rd, 2019.<ref>https://artists.wxaxrxp.net/autechre</ref> It was then officially released on June 24th, 2019 as a free download on the store.<ref>https://ra.co/news/43993</ref><ref>https://www.discogs.com/release/13799471-Autechre-Warp-Tapes-89-93</ref>

== History ==
The tracks were a mix between those recorded straight to cassette and those recorded on a TASCAM 244, which were of much higher quality. Some dubs were added by Rob 10 years earlier for leveling purposes while working on the ''[[Lego Feet]]'' reissue, but otherwise no major changes or mastering was done.<ref>{{Cite interview|quote='''The Warp Tapes are really good,” thank you, “surprising great quality recordings for their age.''' Some of them are. The ones that were recorded on 244 are good because the 244, TASCAM 244, is just beautiful and if you're just recording two channels onto it, because it runs at double speed, then all the noise is, like, out of the way and they're just, it's just really good analog sound. It's really surprising. You can get sound like that out of a cassette, you know. So yeah, all the tracks that were recorded on that thing sound great, and all the stuff that was done straight to normal cassette sounds, well it is what it is, you know. '''Did they need much remastering?''' No. I mean, there weren't, there was no mastering at all. It was just, the tracks were taken. Rob did new dubs of a lot of those tracks which were just literally just getting the line and the levels correct, and then just putting them on a digital and at 24 bit, I think, and so we had, we did, he'd done them quite a while before like a good 10 years before we did that. I think it was around the time that we were recompiling, because we had to rebuild the Lego Feet thing when we did that because we didn't have the masters for that. Just time, and had gone missing, so we had to rebuild that. So the version that Skam released later isn't the same as the version that came out in ‘91. That all the tracks sounded different, I mean, we tried to rip, do, you know, replicate it as close as we could but it's, yeah, in the same, so. So, anyway we had them newer versions and they're just a bit cleaner. They're just better digital copies, so, but there was no EQ or anything on any of it or anything like that, it was just as is, so, and then, yeah. Just to, just kind of mixed as, you know, like mix together, the tracks or whatever, but like not really. There's no mastering or anything, so. I think we were just lucky, really. I think when you're not using much equipment, if using a very, very basic setup like just a drum machine through a DJ mixer into a tape deck, you can't really go wrong, you know, it's gonna sound good. That's the beauty of that shit and we were blessed, really, to grow up at a time where that shit was the only shit we could afford, you know. I think if we'd have had a lot more money and we'd have had bigger studios, you know, like an early Mac maybe or, you know, things wouldn't have sounded quite so correct now from back then. So we were just sort of lucky not to have any equipment, I think, in a lot of ways, and you don't make as many mistakes in your mixing and everything because there's nothing there to mix, you know. So yeah, we were just lucky.|page=Sean Twitch AMA, June 2022}}</ref> The DJ mix format was done after NTS Radio approached Autechre to request one, but Sean noted that a reissue with the unmixed tracks was not out of the question.<ref>{{Cite interview|quote='''Any plans to release more early stuff like the Warp tapes?''' No plans because we didn't have a plan to do that. It was just, we got asked by NTS and we had the stuff there. So we just threw the mix together and did it. Was a bit, you know, off the cuff. We haven't got loads and loads of amazing material from that era. We've got loads of material though, so I don't know. Maybe. I mean we even thought about doing a release based on that thing because that's a mix. So maybe we could just put the tracks out individually on some kind of format? I guess, if we could be bothered?|page=Sean Twitch AMA, June 2022}}</ref>

==Analysis==
Analysis by [[User:Quants0|Quants0]]. Timestamps are based on spectral analysis of the waveforms.
{| class="wikitable"
|+
!Timestamp
!Identifer / Notes
|-
! colspan="2" |Warp Tapes 89-93 Part 1
|-
|0:00:00 - 0:04:47
|'''#1'''
|-
|0:04:10 - 0:08:31
|'''#2'''
Uses a 303 synth.
|-
|0:07:57 - 0:12:09
|'''#3 "Westcoast Acid"'''<ref name=":0">{{Cite web|author=EnergyIsMassiveLight|title=old lego feet/ae leak of early material|website=Reddit|date=10 March 2024|link=https://www.reddit.com/r/autechre/comments/1bbc89f/old_lego_feetae_leak_of_early_material/|accessdate=25 March 2024}}</ref>
|-
|0:12:05 - 0:16:02
|'''#4 "Rippin Circuits"'''<ref name=":0" /><ref name=":1">{{Cite interview|page=Sean Twitch AMA, July 2022|quote=But that original Accelera track, which was originally it was called Rippin Circuits, that was Rob's track from ‘89, that was like the first time that we'd done that pitch thing, and it was really cool because like on the 202, if he was using the 202 as to generate the square wave for the pitch input, and then you had your sample in there, and then you started adding resonance to it, it just start losing it slightly and getting really good.}}</ref>
"Rippin Circuits" is an early version of "[https://aepages.org/wiki/Cavity_Job Accelera 1 & 2]" made by Rob in 1989. Sean said that this is likely the oldest track in the compilation.<ref name=":1" /><ref>https://web.archive.org/web/20231224114430/https://post.lurk.org/@sean_ae/111635157753588040#:~:text=(I%20think%20the%20oldest%20track%20on%20there)</ref>
|-
|0:15:36 - 0:22:43
|'''#5'''
Contains elements from [[Incunabula#Kalpol Introl|"Kalpol Introl"]]. Samples [https://www.youtube.com/watch?v=NpsvBvwRuf0 "Pass the Mic" by Beastie Boys].<ref>https://www.whosampled.com/sample/661650/Autechre-Part-1-Track-5-Beastie-Boys-Pass-the-Mic/</ref>
|-
|0:21:12 - 0:27:55
|'''#6 "Destroyer"'''<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D274</ref> 
Samples [https://www.youtube.com/watch?v=lb13ynu3Iac J. Robert Oppenheimer's 1965 speech] using the Boss RSD-10.<ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote=Yeah, that was our only sampler for quite a long time, like that Destroyer of Worlds track was done just using that as a sampler, done on the four track.}}</ref> Performed at [[1991-06-04 Rochdale, England, UK @ Sweatbox 2 (Bojangles)|Sweatbox 2 1991]].
|-
|0:26:58 - 0:31:35
|#7
Uses same riff as "Destroyer", but with a "can" Roland R8 sound.
|-
|0:31:33 - 0:34:10
|'''#8'''
|-
|0:33:51 - 0:41:05
|'''#9'''
|-
|0:40:27 - 0:48:16
|'''#10'''
|-
|0:47:17 - 0:54:20
|'''#11 "98 Chop"<ref name=":0" />'''
Contains a brief reprise of Part 1 #7 which continues into Part 1 #12
|-
|0:54:20 - 1:00:00
|'''#12'''
Previously appeared in 2013-03-03 webcast on Mixlr at around 04:10:30.<ref>https://archive.org/details/AutechreMixlrWebcast010203032013</ref> Contains percussion from [[List of Rarities#Crystel|"Crystel"]]. Unidentified "cheers mate" sample begins at 0:58:59
|-
! colspan="2" |Warp Tapes 89-93 Part 2
|-
|0:00:00 - 0:08:44
|'''#1 "Luna Chop"'''<ref>https://forum.watmm.com/topic/20728-luna-chop</ref>'''<ref name=":0" />'''
Uses the same bassline as "Keyop" from [[Lego Feet|''Lego Feet'']].
|-
|0:08:37 - 0:12:58
|'''#2'''
Uses the same percussion as [[Incunabula#Maetl|"Maetl"]]
|-
|0:12:44 - 0:18:01
|'''#3'''
|-
|0:17:23 - 0:24:19
|'''#4'''
|-
|0:23:33 - 0:31:54
|'''#5'''
Early version of "[[Tri Repetae#Leterel|Leterel]]"
|-
|0:31:26 - 0:33:40
|#6
Reprise of Part 1 track 7 - uses Destroyer riff with R8 sound too.
|-
|0:33:12 - 0:38:37
|'''#7'''
|-
|0:38:07 - 0:45:33
|'''#8 "Persuit 2"<ref name=":0" />'''
|-
|0:44:54 - 0:54:36
|'''#9''' Contains elements of [[Incunabula#444|"444"]]
|-
|0:53:21 - 1:00:00
|'''#10 "Peyaline"<ref name=":0" />'''
|}

==Tracklist==
{{Tracklist|list=
{{tl track|number=1|title=Warp Tapes 89-93 Part 1|length=1:00:00}}
{{tl track|number=2|title=Warp Tapes 89-93 Part 2|length=1:00:00}}
{{tl finaltime|time=2:00:00}}
}}

== Links ==
*[https://www.discogs.com/release/13799471-Autechre-Warp-Tapes-89-93 Discogs]

== References ==
<references />
[[Category:DJ Mix]]
[[Category:Compilation]]