aepages - User contributions [en]

AE 2022－

2025-02-11T04:22:01Z

Kdrum:

{{DISPLAYTITLE:AE_2022－}}
{{Infobox
|title=AE_2022－
|artist=[[Autechre]]
|cover=AE 2022－.jpg
|date=10 August 2023 (Milan 2022 - Turin 2022) 4 November 2024 (Melbourne 2023 - Lyon 2024)
|label=Warp Records (WARP444)
|previous=[[PLUS]]
|previous year=2020
|next=
|next year=
}}
'''''AE_2022－''','' previously '''''AE_LIVE 2022－''''', and otherwise known as '''''2022 dash'''''<ref name=":2">https://metalmagazine.eu/en/post/autechre</ref> is a compilation of nineteen soundboard recordings taken from live shows performed between 2022 and 2024 as part of the '''''twentytwentytwo''''' tour.<ref>https://autechre.warp.net/twentytwentytwo</ref> The first batch was released on August 10th, 2023, and the second on November 4th, 2024.

==History==
On March 9th, 2022, the ''twentytwentytwo'' tour was officially announced.<ref>https://ghostarchive.org/archive/Qt38G</ref>

During the [[Sean Twitch AMA, June 2022]], Sean answered a few questions regarding the live material after having performed the first show of the twentytwentytwo tour. The tour was initially planned to be held in 2020, before the COVID-19 pandemic delayed the tour. Sean mentioned that on his end, he spent the time reworking the back end, getting interested in MC (multi-channel audio in Max), physical modelling<ref name=":0">{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''“Do you like the new Mac chip situation? Is it any different to work on compared to the old CPU?”''' Yes. So my patch was using about 75, 80% towards the end of last year or the year before, whenever it was I got it, and then, yeah, I got the M1 and then it was just flying! 30%, just flying! Just absolutely insane! So there's no turning back now I'm fucked because I'm filling it up already. Loads of Live physmod things, and things that were a bit, you know, expensive. So yeah, I love it. Just amazing, kind of a little bit too much if anything, and the disking out speeds are amazing. The transitions are all super tight. The timing's super tight. All the control rate stuff is super tight. So yeah, I think if you're using Max and you've got an M1, you're basically living the dream at this point. it's just insane.}}</ref> (such as [https://forum.ircam.fr/projects/detail/modalys/ Modalys]), and scratching (as seen on Gescom's ''[[AMKS_1]]'')''.''<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Basically when COVID hit, I had a lot of time on my hands to rebuild a lot of it. So it's, yeah, it’s a lot of it you wouldn't even notice because a lot of it's just porting things to Gen that didn't need to be ported but just because I wanted a bit more control, and that led me off on loads of tangents because once you start building basic things like oscillators, you get a bit mad with all the options. So yeah, that happened and then I got heavily into MC, and then that happened. And then I built a lot more [physical] modeling stuff, and I did that scratching thing that we used on that Gescom thing that we've done about just over a year ago. And then did that and then, and then, yeah the set sort of grew out of all that tech basically. So sty listically, it's not that far off what we've been doing for the last few years because I think we're still in the same sort of place mentally. But, tech wise, the underlying, the kind of back end stuff is all fresh.}}</ref> The end product was Sean noting that, on his side, he had about three and a half hours of total material prepared that may or may not be shown.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=[...] I mean some, they will share elements and the probably, I mean in all likelihood it'll be mostly similar material but there's a bunch of material that's not aired yet. That's because we've had too long to work on this fucking set, right, so. Least my part of the set is, I don't know, like three and a half hours of stuff, so I don't know how much of it will end up using.}}</ref>

The first show of the tour was performed at Primavera in Barcelona on June 3rd, 2022, however, due to issues of negotiating the rights to the soundboard from Primavera as well as messing up the recording, it was left off the release.<ref>[[Sean AMA Transcript 220605#:~:text%3DYeah%2C%20there's%20not%20really%20any%20good%20pictures%2C%20but%20the%20problem%20was%20with%20Primavera%2C|<nowiki/>]]{{Cite interview|page=Sean Twitch AMA, June 2022|quote=[...] the problem was with Primavera, they were trying to get rights for everything, right? So they were trying to get broadcast, they were trying to record it, you know? Obviously we're thinking about releasing them, so we didn't want to okay it. We ended up fucking up the recording anyway, so it wouldn't have mattered.}}</ref> The show in Den Haag on April 5th, 2024 also had a failed recording because they forgot to hit record.<ref>https://web.archive.org/web/20240406161357/https://post.lurk.org/@sean_ae/112224480826307858</ref>

"AE_LIVE_HELSINKI_110922_LTD" was released early exclusively to attendants of the show on October 4th, 2022, due to technical issues during the show.<ref>{{Cite web|author=RaelGenious|title=Exclusive release incoming for Helsinki attendees|website=Reddit|date=26 September 2022|link=https://www.reddit.com/r/autechre/comments/xobdtd/exclusive_release_incoming_for_helsinki_attendees/|accessdate=25 March 2024}}</ref> Small glitches such as pops and audio dropouts appeared early into the show and got progressively more distracting as the show went on. A possible explanation is that the venue's poor subwoofer setup, exacerbated by the set's use of heavy sub-bass, experienced a coil short circuit leading to the malfunctions.<ref>{{Cite web|author=avalyn__|title=There were some audio issues during Helsinki gig.|website=Reddit|date=11 September 2022|link=https://www.reddit.com/r/autechre/comments/xbspfv/there_were_some_audio_issues_during_helsinki_gig/?rdt=51772|accessdate=25 March 2024}} </ref><ref>{{Cite web|author=dcom|title=Comment in Autechre. Live. Twentytwentytwo.|website=We Are The Music Makers|date=15 September 2022|link=https://forum.watmm.com/topic/102400-autechre-live-twentytwentytwo/page/17/#comments:~:text=2022%20(edited)-,So%2C%20back%20to%20last%20Sunday%3B%20I%20went%20to%20Musiikkitalo,-early%20so%20I|accessdate=25 March 2024}}</ref> The soundboard was sent out as is without mastering as an apology, and was later re-released with proper mastering.

On August 7th, 2023, Warp sent out an announcement to sign up for to the newsletter.<ref>https://ghostarchive.org/archive/09TE6</ref> The following day, ''AE_LIVE 2022－'' was officially announced,<ref>https://www.reddit.com/r/autechre/comments/15ln5o3/ae_live_2022_out_thursday/</ref> and seven 2022 shows from Milan 2022 to Turin 2022 were released individually and as a compilation on the 10th.<ref>https://web.archive.org/web/20230810192322/https://autechre.warp.net/release/408603-autechre-aelive-2022</ref> A limited run of 250 AE_LIVE_Print 2022''－'' posters were also announced for pre-orders on the 24th, which quickly sold out.<ref>https://ghostarchive.org/archive/YN0cj</ref><ref>https://web.archive.org/web/20230928151404/https://autechre.warp.net/release/410988-autechre-aeliveprint-2022</ref>

On October 25th, 2024, Warp again sent out a newsletter sign-up announcement, with 12 dates listed.<ref>https://ghostarchive.org/archive/UYmeC</ref><ref>https://www.instagram.com/warprecords/p/DBjZTuNIg1A/?hl=en</ref> On November 4th, 2024, twelve sets from Melbourne 2023 to Lyon 2024 were released individually and added onto the now renamed compilation ''AE_2022－'', dropping the "LIVE" part both in the compilation title and sets names.<ref>https://web.archive.org/web/20241104173202/https://autechre.warp.net/release/476436-autechre-ae2022</ref> Sean noted that the idea came from Warp to drop the LIVE part of the naming convention.<ref>https://web.archive.org/web/20241106150525/https://post.lurk.org/@sean_ae/113436310329414162</ref> The compilation was later put up on Bleep and Bandcamp on December 3rd.<ref>https://autechre.bandcamp.com/album/ae-2022</ref><ref>https://bleep.com/release/483225-autechre-ae2022</ref>

In a Mastodon thread late 2023, Sean gave an update that the material ended up becoming one long track they just kept adding onto. At that point, it was "about 4 hours long so far and growing steadily", noting it was the "most interesting thing we’ve done in ages from our POV." <ref>[https://web.archive.org/web/20231118215345/https://post.lurk.org/@sean_ae/111433472440615681#:~:text=We%20took%20a,from%20our%20POV. @sean_ae Mastodon post, November 18, 2023]</ref> In an interview in October 2024, they mentioned that "we could keep [the current live shows] going for another ten years."<ref name=":2" />  

Sean noted in December 2024 that the project had been going for roughly 4 years up until that point.<ref>https://web.archive.org/web/20241217152311/https://post.lurk.org/@sean_ae/113663738919715601</ref> During a mixlr stream on March 21st, 2020, Sean mentioned in chat that the "live set is 99% complete just need to do the intro."<ref>https://ra.co/news/72301</ref> [[ae mixlr 300320|In a later mixlr stream on the 30th]] while Sean was quickly skimming through their jams folder, he showed off a few seconds of the (then unknown) in-development live material (specifically segments '''#2, #3''' and '''#5'''). In December 2022, Sean posted two Max demos to Mastodon; [https://www.youtube.com/watch?v=3poN6FDyB28 one on December 10th] and [https://www.youtube.com/watch?v=jgMArRJswIQ one on December 15th], which were both bits of segments '''#29''' and '''#26''' respectively. In 2023, two more demos were posted, with [https://www.youtube.com/watch?v=UE8ug56Ijls July 26th's "Markov Chain"]<ref name=":7">https://web.archive.org/web/20230727210645/https://post.lurk.org/@sean_ae/110780381387123384</ref> and [https://www.youtube.com/watch?v=_R3JorLEwNE December 16th's "Fuckery"]<ref name=":1">https://web.archive.org/web/20231221224324/https://post.lurk.org/@sean_ae/111591524233807832</ref> for segments '''#38''' and '''#42/48'''.

The main equipment used for the tour are two M1<ref name=":0" /> Macs running Max/MSP, Kenton Killamix controllers, Apogee Symphony Desktop and Apogee Element 24.<ref name=":4">{{Cite interview|page=Sean Twitch AMA, July 2022|quote='''Can u describe the live setup of the last gigs, laptop, controllers, souncard, thx''' I mean you know, two, I mean the latest ones are just two M1 Macs, Kenton Killamix controllers, two interfaces; I've got an Apogee Symphony Desktop, Rob's using the Apogee Element 24. The mixer is like a little Mackie Onyx12 channel thing just because it fits on a plane easily, and it's easier to get around. And it's replaceable if it breaks, you know, it's not, we're not relying on some esoteric mixer being found by the promoter at the last minute, so. Because that's always a consideration, you know? There's only the controllers really that be hard to source. So we often carry spares like if we're on a tour bus, we'll have spares of the controllers we’ll source.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''What's your live setup nowadays?''' Two Macs, and these Kenton Killamix things, and a couple of interfaces.}}</ref><ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Tebbisimo: [...] What audio interface you using on the live sets ATM? [...]''' XH HX: i'm using apogee symphony desktop lately which i really rate but before that was using apogee element 24 (also good but harder to get now) and before that was using RME ADI2 converter (had to stop since apple borked the optical port but i loved that thing). i also got a MOTU M2 which is mad value for ESS sabre converters if u want something cheapish}}</ref><ref name=":5">https://web.archive.org/web/20240509143259/https://post.lurk.org/@sean_ae/112400607304881021</ref><ref name=":3">https://web.archive.org/web/20241107183922/https://post.lurk.org/@sean_ae/113442509470527990</ref> In 2024, they got four custom-made Killamix Minis.<ref>https://web.archive.org/web/20240309004321/https://post.lurk.org/@sean_ae/112054867478643903</ref> Initially mixing was done using the Mackie Onyx12<ref name=":4" />, but since Brussels 2024 they've been using Sound Devices 888.<ref name=":5" /><ref name=":6">https://web.archive.org/web/20241113092034/https://post.lurk.org/@sean_ae/113458692313028937</ref> For recording with the 888, they have "two mains, two spares and two mons (adjustable using the headphone pot) going to 3 stereo DIs" with seperate recordings of Sean and Rob's computers alongside a mixed version.<ref name=":3" /><ref name=":6" />
==Analysis==
Main analysis by [[User:Zythion|Zythion]] and [[User:EnergyIsMassiveLight|EnergyIsMassiveLight]]. Fan titles taken from fan-edit TTT－.<ref>{{Cite web|author=FefetaLeixes|title=AE_2022－EXCLUSIVES (TTT－)|website=Reddit|date=16 November 2024|link=https://www.reddit.com/r/autechre/comments/1gs8qum/ae_2022exclusives_ttt/|accessdate=16 November 2024}}</ref> Officially released sets are highlighted in bold while the unreleased sets with bootleg recordings are italicized.

Due to the nature of performances, some of the splits when at the start and end of sets may be shortened or overextended.

'''<big>The timestamps below are still a work in progress, thus are not final and are subject to change. </big>'''
{| class="wikitable"
!
!#1
! #2
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|-
|'''MILAN_010722'''
|0:00
|7:06
|12:02
|17:59
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|31:42
|35:47
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|'''ATHENS_050722'''
|0:00
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|'''HELSINKI_110922'''
|0:00
|7:42
|12:50
|18:10
|24:19
|31:41
|35:40
|40:50
|46:38
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|'''LONDON_071022_A'''
|0:00
|6:12
|9:54
|14:36
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|26:05
|29:16
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|'''LONDON_071022_B'''
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|0:00
|5:51
|9:46
|15:26
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|'''BERGEN_021122'''
|0:00
|7:00
|10:42
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|29:15
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|37:12
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|'''TURIN_041122'''
| 0:00
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|'''MELBOURNE_250823'''
|0:00
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|'''VENICE_261023'''
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|'''DUBLIN_291023'''
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|0:00
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|'''BRUSSELS_040424'''
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|0:00
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|'''PARIS_060424'''
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|0:00
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|40:02
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|48:59
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|56:33
|60:29
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|72:52
|78:24
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|'''RENNES_070424'''
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|0:00
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|'''BARCELONA_090424'''
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|0:00
|5:01
|10:44
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|23:32
|27:14
|32:18
|36:30
|40:42
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|48:45
|53:57
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|66:07
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|'''MADRID_100424'''
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|0:00
|5:30
|10:37
|18:20
|24:12
|28:23
|33:47
|38:47
|43:01
|46:58
|52:01
|56:41
|62:50
|68:04
|70:59
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|'''LISBON_120424_B'''
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|0:00
|6:49
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|33:29
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|43:52
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|'''KREMS_270424'''
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|0:00
|4:42
|10:34
|14:07
|19:17
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|32:15
|38:05
|42:09
|47:24
|51:17
|55:05
|59:28
|63:40
|68:09
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|'''LYON_070524'''
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|0:00
|5:01
|9:18
|13:43
|16:54
|23:33
|29:55
|34:52
|41:31
|44:40
|49:08
|55:36
|62:29
|68:30
|75:30
|83:09
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| colspan="53" |
|-
|''[https://www.youtube.com/watch?v=1hgXKUqSf4c Barcelona_030622]''
|1:01
|8:18
|12:50
|18:59
|24:45
|32:30
|35:40
|45:31
|48:46
|52:04
|54:39
|59:14
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|''Tokyo_180823''
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|[https://twitter.com/alphabill/status/1692597066193854709]
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|[https://www.instagram.com/_makimusic_/reel/C1eUr_zvbFs/]
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|''[https://soundcloud.com/ignas-gutauskas/autechre-live-at-teatr-laznia-nowa-krakow-2023-10-06 Krakow_061023]''
|0:00
|6:36
|10:42
|15:00
|19:19
|26:04
|29:15
|34:25
|39:40
|47:15
|52:27
|57:41
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|''[https://www.youtube.com/watch?v=xlpOlC8Yn94 Den_Haag_050424]''
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|0:14
|4:38
|9:40
|14:28
|21:39
|26:13
|29:34
|34:18
|38:38
|42:35
|47:02
|51:23
|56:35
|64:14
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|[https://www.youtube.com/watch?v=9n1r2gYFMDg ''Lisbon_120424_A'']
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|0:00
|3:34
|10:15
|13:38
|18:19
|22:50
|29:42
|34:32
|37:32
|42:35
|46:25
|50:19
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|''[https://www.youtube.com/watch?v=a2BBmb_0B0k Oslo_300924]''
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|0:03
|4:33
|11:09
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|20:40
|26:05
|34:17
|38:34
|43:00
|48:24
|52:22
|56:11
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|''[https://www.youtube.com/watch?v=KCKl8qwx_O4 Stockholm_021024]''
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|0:06
|5:58
|10:22
|13:28
|16:40
|23:18
|29:31
|35:11
|41:49
|44:59
|49:27
|55:53
|62:58
|68:57
|74:16
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|''[https://www.youtube.com/watch?v=HluNk9R53l8 Riga_041024]''
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|0:00
|4:31
|10:14
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|24:35
|29:00
|34:55
|38:55
|42:48
|46:14
|49:02
|52:14
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|''[https://www.youtube.com/watch?v=b2is1FnLrNw Copenhagen_061024]''
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|0:02
|6:56
|11:06
|15:28
|19:19
|26:59
|33:12
|38:52
|45:31
|48:40
| 53:08
|59:36
| 67:09
|71:50
|78:30
|85:19
|90:22
|}

*'''#1''' ''(fan name: T2)''
*'''#2-4''' '''"ecol4"'''<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=So, you can hear a bit of ecol[4] in the set, ecol4 that was basically like the ecol4 that's on PLUS when we started out.}}</ref> ''(fan name: ical7)''
*'''#5-6''' ''(fan name: L cemp)''
*'''#7-8''' Contains elements of '''"F7"''' ''(fan name: F4)''
*'''#9-11''' ''(fan name: prin Cur)''
*'''#12-13''' ''(fan name: asle 1)''
*'''#14-15''' ''(fan name: M3 Luni)''
*'''#16-18''' ''(fan name: osin PM)''
*'''#19-20''' ''(fan name: nal.1)''
*'''#21-23''' ''(fan name: corcine)''
**One sample that gets scratched in this segment is the "It's time to change!" sample from Jan and Dean's [https://youtu.be/beri03qdlEM?t=70 "A Stench in Time"]. It should be noted that the same sample is present in Chris The Glove Taylor's [https://youtu.be/EE4_K9HTsto?t=130 "Itchiban Scratch"] which appeared in Autechre's 2015 Dekmantel mix.<ref>https://forum.watmm.com/topic/104035-ae_2022%EF%BC%8D/?do=findComment&comment=2993739</ref>
*'''#24-25''' ''(fan name: drane3)''
**A sample used in the segment is Beside's "Change The Beat", specifically [https://www.youtube.com/watch?v=UbGtcLGQr9o the famous Fresh sample].
*'''#26-27''' Contains the [https://www.youtube.com/watch?v=jgMArRJswIQ 12/15/22 demo] ''(fan name: three tone)''
**In the top right corner of the demo, "three tone" is written, possibly indicating the section title.
**In the demo, one of the files loaded into the sampler sample9scr2 is Gap Band's [https://www.youtube.com/watch?v=zSsXRWhfN3w&pp=ygUpQnVybiBSdWJiZXIgT24gTWUgKFdoeSBZb3UgR290dGEgSHVydCBNZSk%3D "Burn Rubber On Me (Why You Wanna Hurt Me)"], specifically the "tyre screech faster" part at the start.
*'''#28-31''' Contains the [https://www.youtube.com/watch?v=3poN6FDyB28 12/10/22 demo] ''(fan name: 2MM lv)''
** Alt text: "A video showing a modelled snare drum roughly emulating the snare drum from When The Levee Breaks by Led Zeppelin". Description by Sean: “Reasonable facsimile of the Levee Breaks snare from a model made of water and spider silk (?!) who knew”
** The snare4ml shown is an example snare instrument from [https://forum.ircam.fr/projects/detail/modalys/ Modalys for Max], with Modalys also appearing in the 12/15/22 demo for its custom-made clarinet instrument.<ref>Observation by sfn / Davide Vin</ref>
** Rennes 2024 has a unique interlude variation of '''#29''' before restarting the section.
*'''#32-33''' ''(fan name: vineseve)''
**Dublin 2023 contains a unique variation of '''#32'''
*'''#34-35''' ''(fan name: cata7)''
*'''#36''' ''(fan name: luxes n2)''
*'''#37-39''' Contains elements of the [https://www.youtube.com/watch?v=UE8ug56Ijls 07/26/23 demo] ''(fan name: aurorsle)''
**Alt text: "a max sequencer with a matrixctrl driving a prob object (first order markov chain)". Description by Sean: "after someone pointed out that our cascade sequencer was in fact a simple markov chain i made a version with weights instead of switches. quick demo:"<ref name=":7" /> elements appear Turin 2010 Oversteps tour @16:00
*'''#40''' ''(fan name: 3sc)''
*'''#41-42''' Contains the underlying segment in the [https://www.youtube.com/watch?v=_R3JorLEwNE 12/16/23 demo] without manipulations ''(fan name: 1qry)''
**Alt text: "fuckery". Description by Sean: "This has to be illegal". The effect is achieved using a realtime phase vocoder.<ref name=":1" />
*'''#43-44''' ''(fan name: TSS TV)''
*'''#45-46''' ''(fan name: P void)''
*'''#47-48''' Contains the manipulations from the [https://www.youtube.com/watch?v=_R3JorLEwNE 12/16/23 demo] ''(fan name: r enc LT)''
*'''#49-51''' ''(fan name: newfree－)''
*'''#52'''

== Tour Dates==
See ''[[List of Live Shows]]''
* 2022-06-03 Barcelona, Spain @ Primavera 2022
* '''2022-07-01 Milan, Italy @ Villa Arconati (Terraforma 2022)'''
* '''2022-07-05 Athens, Greece @ Odeon of Herodes Atticus (Athens Epidaurus Festival)'''
* '''2022-09-11 Helsinki, Finland @ Musiikkitalo'''
* '''2022-10-07 London, England, UK @ Barbican Centre'''
* '''2022-11-02 Bergen, Norway @ Østre (Ekko Festival 2022)'''
* '''2022-11-04 Turin, Italy @ Lingotto Fiere (Club 2 Club 2022)'''
* 2023-08-18 Tokyo, Japan @ Makuhari Messe (SONICMANIA 2023)
* '''2023-08-25 Melbourne, Australia @ Royal Exhibition Building (Now or Never 2023)'''
* '''2023-08-27 Sydney, Australia @ City Recital Hall (Switched On 2023)'''
* 2023-10-06 Kraków, Poland @ Teatr Łaźnia Nowa (Unsound 2023)
* '''2023-10-26 Venice, Italy @ Teatro alle Tese (Biennale Musica 2023)'''
* '''2023-10-29 Dublin, Ireland @ Vicar Street'''
* '''2024-04-04 Brussels, Belgium @ Ancienne Belgique (BRDCST ‘24)'''
* 2024-04-05 Den Haag, Netherlands @ Grote Kerk (Rewire Festival 2024)
* '''2024-04-06 Paris, France @ Le Trianon'''
* '''2024-04-07 Rennes, France @ Antipode'''
* '''2024-04-09 Barcelona, Spain @ Sala Apolo (MUTEK Barcelona 2024)'''
* '''2024-04-10 Madrid, Spain @ La Sala'''
* '''2024-04-12 Lisbon, Portugal @ Culturgest'''
* '''2024-04-27 Krems, Austria @ Stadtsaal Krems (Donaufestival 2024)'''
* '''2024-05-07 Lyon, France @ Le Transbordeur (Nuits Sonores 2024)'''
* 2024-09-30 Oslo, Norway @ Sentrum Scene
* 2024-10-02 Stockholm, Sweden @ Slaktkyrkan
* 2024-10-04 Riga, Latvia @ Hanzas Perons (Skaņu Mežs’ 2024)
* 2024-10-06 Copenhagen, Denmark @ VEGA
* 2025-02-22 Manchester, England, UK @ New Century
* 2025-08-06 Amsterdam, Netherlands @ Melkweg
* 2025-08-08 Helsinki, Finland @ Flow Festival 2025
* 2025-08-10 Warsaw, Poland @ Klub Progresja
* 2025-08-13 Berlin, Germany @ ASTRA Kulturhaus
== Trivia==

*The CAT number, WARP444, was likely specifically requested by Autechre, to reference the song "444" off their first album, ''[[Incunabula]]''.
*The 2023 compilation cover consisted of all seven individual set art from the first batch overlaid on top of each other.
*When asked which 2022 show's crowd smelt the best so far, Sean replied "the italians obviously" at Milan 2022.<ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Tebbisimo: which crowd in '22 smelt the best so far?''' XH HX: the italians obviously}}</ref>

==Gallery==
<gallery>
File:AE LIVE 2022.jpg|AE_LIVE 2022－(2023 compilation cover)
File:AE LIVE MILAN 010722.jpg|AE_MILAN_010722
File:AE LIVE ATHENS 050722.jpg|AE_ATHENS_050722
File:AE LIVE HELSINKI 110922.jpg|AE_HELSINKI_110922
File:AE LIVE LONDON 071022 A.jpg|AE_LONDON_071022_A
File:AE LIVE LONDON 071022 B.jpg|AE_LONDON_071022_B
File:AE LIVE BERGEN 021122.jpg|AE_BERGEN_021122
File:AE LIVE TURIN 041122.jpg|AE_TURIN_041122
File:AE MELBOURNE 250823.jpg|AE_MELBOURNE_250823
File:AE SYDNEY 270823.jpg|AE_SYDNEY_270823
File:AE VENICE 261023.jpg|AE_VENICE_261023
File:AE DUBLIN 291023.jpg|AE_DUBLIN_291023
File:AE BRUSSELS 040424.jpg|AE_BRUSSELS_040424
File:AE PARIS 060424.jpg|AE_PARIS_060424
File:AE RENNES 070424.jpg|AE_RENNES_070424
File:AE BARCELONA 090424.jpg|AE_BARCELONA_090424
File:AE MADRID 100424.jpg|AE_MADRID_100424
File:AE LISBON 120424 B.jpg|AE_LISBON_120424_B
File:AE KREMS 270424.jpg|AE_KREMS_270424
File:AE LYON 070524.jpg|AE_LYON_070524
</gallery>

==Tracklist==
{{Tracklist|list=
{{tl section|section=AE_LIVE 2022－ (2023 batch)}}
{{tl track|number=1|title=AE_MILAN_010722 (previously AE_LIVE_MILAN_010722)|length=1:06:56}}
{{tl track|number=2|title=AE_ATHENS_050722 (previously AE_LIVE_ATHENS_050722)|length=1:20:03}}
{{tl track|number=3|title=AE_HELSINKI_110922 (previously AE_LIVE_HELSINKI_110922)|length=1:11:07}}
{{tl track|number=4|title=AE_LONDON_071022_A (previously AE_LIVE_LONDON_071022_A)|length=59:48}}
{{tl track|number=5|title=AE_LONDON_071022_B (previously AE_LIVE_LONDON_071022_B)|length=59:33}}
{{tl track|number=6|title=AE_BERGEN_021122 (previously AE_LIVE_BERGEN_021122)|length=1:07:59}}
{{tl track|number=7|title=AE_TURIN_041122 (previously AE_LIVE_TURIN_041122)|length=1:00:45}}
{{tl finaltime|time=7:46:12}}
{{tl section|section=AE_2022－ (2024 batch)}}
{{tl track|number=8|title=AE_MELBOURNE_250823|length=1:00:36}}
{{tl track|number=9|title=AE_SYDNEY_270823|length=1:12:08}}
{{tl track|number=10|title=AE_VENICE_261023|length=1:09:30}}
{{tl track|number=11|title=AE_DUBLIN_291023|length=1:20:18}}
{{tl track|number=12|title=AE_BRUSSELS_040424|length=1:15:01}}
{{tl track|number=13|title=AE_PARIS_060424|length=1:27:08}}
{{tl track|number=14|title=AE_RENNES_0070424|length=1:05:27}}
{{tl track|number=15|title=AE_BARCELONA_090424|length=1:19:11}}
{{tl track|number=16|title=AE_MADRID_100424|length=1:26:27}}
{{tl track|number=17|title=AE_LISBON_120424_B|length=1:02:42}}
{{tl track|number=18|title=AE_KREMS_270424|length=1:15:40}}
{{tl track|number=19|title=AE_LYON_070524|length=1:27:44}}
{{tl finaltime|time=22:48:04}}
}}

==Links==

*[https://autechre.warp.net/release/408603-autechre-aelive-2022 AE_STORE]
*[https://bleep.com/release/430787-autechre-aelive-2022 Bleep]
*[https://www.discogs.com/master/3199512-Autechre-AE_LIVE-2022 Discogs]
*[https://twitter.com/WarpRecords/status/1689637725731954688 Announcement Tweet]

==References==
<references />
[[Category:Live]]
[[Category:Compilation]]

AE LIVE

2025-02-06T01:10:18Z

Kdrum: added

{{DISPLAYTITLE:AE_LIVE}}
{{Infobox
|title=AE_LIVE
|artist=[[Autechre]]
|cover=AE LIVE.jpg
|date=29 October 2015 (Krakow 2014-Dublin 2014) 8 December 2015 (Krems 2015-Katowice 2015) 30 January 2019 (Portland 2015-Denver 2015)
|label=Warp Records (WARP360)
|previous=[[L-event]]
|previous year=2013
|next=[[elseq 1-5]]
|next year=2016
}}'''''AE_LIVE''''' is a compilation of twenty-eight soundboard recordings taken from live shows performed in 2014 and 2015.

== History ==
For the United States and Canadian leg of the tour (known as '''''AENA''''')<ref name=":0">https://web.archive.org/web/20150812054937/http://autechre.ws:80/</ref>, Cygnus and Rob Hall came along as support.<ref name=":0" />

On October 28th, people were asked to sign up to Autechre's mailing list within the next 24 hours.<ref>https://www.facebook.com/warprecords/posts/10153195416617686</ref><ref>https://forum.watmm.com/topic/89160-sign-up-to-autechres-mailing-list</ref> The following day on the 29th, the first four sets (Krakow 2014 to Dublin 2014) were made available for purchase on Autechre's newly set-up store exclusively to those subscribed to the mailing list.<ref>https://forum.watmm.com/topic/89167-ae_live/</ref><ref name=":1">https://www.factmag.com/2015/10/30/autechre-are-selling-exclusive-live-recordings/</ref> The official announcement came on November 1st, 2015 that it was made available.<ref name=":2">https://web.archive.org/web/20160304184647/https://twitter.com/AE_STORE_</ref><ref>https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html</ref> Later on December 8th, 2015, the compilation was updated with another five sets (Krems 2015 to Katowice 2015),<ref name=":2" /> which also included making it available for everyone to purchase.<ref name=":1" /> Finally, it was amended with the nineteen sets from the AENA run (Portland 2015 to Denver 2015) on January 30th, 2019.<ref>https://ra.co/news/43195</ref>

For the ''[[Incunabula]]'', ''[[Amber]]'' and ''[[Tri Repetae]]'' reissues in 2016, a digital download of AE_LIVE_GRAFENHAINICHEN_170715 was also included.<ref>https://autechre.warp.net/format/594952-tri-repetae#:~:text=INCLUDES%20DOWNLOAD%20CARD%20FOR%20ALBUM%20%26%20BONUS%20LIVE%20SET%20AE_LIVE_GRAFENHAINICHEN_170715</ref>

=== Design ===
Regarding the artwork by [[The Designers Republic]], Anderson noted that "kinda like Miles Davis 1970–75, every live performance is effectively different to the related recorded work and to other performances, and the recordings of each performance are effectively new albums each in their own right. Making these live recordings available as Bleep/Ae store downloads involved creating an overarching design preset with seemingly infinite variables."<ref>"Ae vs TDR™". ''The Designers Republic'', https://www.thedesignersrepublic.com/ae-vs-tdr. Accessed 11 Nov 2024.</ref>

== Analysis ==
Main analysis by [[User:EnergyIsMassiveLight|EnergyIsMassiveLight]]. Fan names are from daffodil's splits<ref>https://docs.google.com/spreadsheets/u/0/d/1QQxmk9UZ4Xq9lmmkQWI8Pd2B6ArEce0tWpML1LtaoNA/htmlview#</ref> and elseq 6-10.<ref>https://www.reddit.com/r/autechre/comments/me39ad/elseq_610_ae_live_exclusives_remake/</ref> The officially released sets in the list are highlighted in bold and bootlegs recordings of unreleased shows are italicized. Much of the material have elements and tracks that later appeared on ''[[elseq 1-5]]'' and ''[[NTS Sessions 1-4]]''.
{| class="wikitable"
|+
!
!#1
!#2
!#3
!#4
!#5
!#6
!#7
!#8
!#9
!#10
!#11
!#12
!#13
!#14
!#15
!#16
!#17
!#18
!#19
!#20
!#21
!#22
!#23
!#24
!#25
!#26
!#27
|-
|'''KRAKOW_200914'''
|0:00
|8:20
|13:46
|18:52
|24:04
|31:39
|33:17
|41:14
|47:21
|50:24
|
|54:19
|54:56
|56:21
|
|
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|
|
|
|
|-
|'''BRUSSELS_031014'''
|0:00
|11:29
|18:11
|23:47
|28:59
|35:06
|38:16
|42:45
|46:50
|50:18
|53:36
|56:50
|58:03
|60:18
|
|
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|
|
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|
|-
|'''UTRECHT_221114'''
|0:00
|5:50
|10:40
|14:17
|17:54
|23:12
|26:16
|30:20
|33:12
|34:28
|37:06
|40:20
|42:35
|45:26
|50:50
|
|
|53:20
|
|
|
|
|
|
|
|
|
|-
|'''DUBLIN_191214'''
|0:00
|7:19
|12:31
|13:32
|18:44
|24:48
|26:53
|34:47
|38:27
|42:23
|49:56
|53:04
|56:20
|58:58
|62:17
|
|
|64:23
|69:59
|
|
|
|
|
|
|
|
|-
|'''KREMS_020515'''
|0:00
|8:07
|13:33
|17:46
|22:03
|26:30
|28:44
|32:48
|35:15
|37:26
|40:18
|
|
|
|42:13
|46:15
|
|48:23
|
|
|
|
|
|
|
|
|
|-
|'''NAGANO_300515'''
|0:00
|7:22
|12:23
|15:57
|20:23
|25:38
|28:41
|33:22
|36:13
|38:25
|42:20
|
|45:45
|
|48:00
|
|
|51:34
|
|
|
|
|
|
|
|
|
|-
|'''GRAFENHAINICHEN_170715'''
|0:00
|4:06
|7:37
|10:40
|14:45
|19:47
|23:27
|27:08
|
|30:48
|36:28
|40:24
|
|43:09
|47:27
|52:35
|58:03
|59:39
|
|
|
|
|
|
|
|
|
|-
|'''DOUR_180715'''
|0:00
|5:33
|8:17
|11:20
|15:22
|20:15
|23:55
|28:12
|
|31:52
|36:56
|
|
|40:40
|45:34
|49:50
|
|54:02
|61:16
|
|
|
|
|
|
|
|
|-
|'''KATOWICE_210815'''
|0:00
|5:32
|9:18
|13:07
|17:30
|22:24
|25:21
|29:50
|33:06
|36:33
|40:54
|44:07
|
|47:22
|50:46
|54:30
|
|58:38
|
|
|
|
|
|
|
|
|
|-
|'''PORTLAND_240915'''
|0:00
|5:37
|7:46
|8:57
|
|13:03
|15:35
|19:28
|
|21:55
|
|
|
|26:00
|29:18
|33:10
|
|36:38
|
|39:56
|42:55
|
|44:48
|48:12
|51:37
|54:37
|56:52
|-
|'''SEATTLE_250915'''
|0:00
|4:58
|8:55
|12:26
|16:15
|21:27
|23:29
|27:46
|
|31:01
|36:11
|39:06
|41:45
|44:24
|47:54
|52:26
|
|55:50
|
|
|
|
|
|
|
|
|60:14
|-
|'''VANCOUVER_260915'''
|0:00
|5:05
|8:17
|11:21
|15:41
|20:37
|23:34
|26:50
|
|29:17
|34:23
|
|
|
|37:24
|41:16
|
|44:36
|
|
|
|
|47:54
|50:57
|
|53:45
|56:30
|-
|'''CHICAGO_290915'''
|0:00
|4:03
|7:43
|10:58
|15:03
|18:43
|20:39
|23:43
|
|26:09
|30:33
|33:40
|
|36:31
|39:49
|42:53
|
|46:41
|
|
|
|
|50:18
|53:05
|
|56:41
|59:38
|-
|'''TORONTO_011015'''
|0:00
|5:12
|8:51
|12:16
|16:27
|21:32
|25:00
|28:40
|
|32:20
|37:18
|
|
|
|41:26
|46:06
|
|48:18
|
|
|
|
|51:54
|55:45
|
|
|
|-
|'''MONTREAL_021015'''
|0:00
|4:13
|7:52
|10:40
|15:06
|19:29
|21:13
|24:41
|
|27:57
|32:09
|35:35
|
|38:01
|40:55
|
|
|44:51
|
|48:57
|
|
|51:44
|54:28
|
|
|
|-
|'''NEW_YORK_031015'''
|0:00
|5:18
|8:35
|11:57
|15:37
|19:05
|20:43
|23:58
|27:38
|30:42
|33:55
|37:51
|
|41:00
|44:00
|
|
|47:52
|51:22
|
|
|
|
|
|
|54:58
|57:46
|-
|'''BOSTON_041015'''
|0:00
|4:13
|7:46
|10:37
|14:17
|18:06
|20:08
|23:12
|26:28
|29:28
|34:32
|38:10
|41:26
|43:04
|46:51
|50:59
|
|55:47
|
|
|
|
|
|
|
|
|
|-
|'''PORTSMOUTH_051015'''
|0:00
|4:10
|7:16
|10:05
|13:26
|17:22
|19:06
|23:47
|
|26:38
|29:53
|33:18
|
|35:57
|38:45
|
|
|41:57
|
|
|
|
|45:27
|48:06
|
|51:30
|54:36
|-
|'''PHILADELPHIA_061015'''
|0:00
|5:08
|8:02
|10:50
|14:42
|19:12
|21:08
|24:48
|
|28:28
|33:08
|35:39
|
|38:06
|41:30
|45:42
|
|46:38
|
|
|
|50:02
|53:02
|56:14
|
|
|59:58
|-
|'''WASHINGTON_071015'''
|0:00
|4:34
|7:15
|9:51
|14:01
|19:07
|21:22
|25:38
|
|28:54
|33:47
|
|
|37:13
|40:49
|
|
|43:37
|
|
|
|
|47:43
|50:46
|
|
|55:26
|-
|'''ASHEVILLE_081015'''
|0:00
|4:55
|8:36
|11:12
|14:46
|18:17
|20:25
|24:18
|
|26:45
|30:22
|33:05
|
|35:32
|38:20
|
|
|42:20
|
|
|
|
|48:56
|51:38
|
|
|46:08
|-
|'''ATLANTA_091015'''
|0:00
|4:55
|8:08
|11:14
|14:48
|18:38
|21:41
|25:33
|
|28:49
|32:25
|35:44
|39:06
|41:57
|44:33
|
|
|48:45
|
|
|
|
|52:09
|55:12
|
|
|60:04
|-
|'''ORLANDO_101015'''
|0:00
|4:17
|7:17
|10:57
|15:02
|19:46
|22:43
|26:23
|
|30:03
|33:34
|36:35
|
|39:02
|42:38
|46:34
|
|51:26
|
|
|
|
|55:56
|
|
|
|56:23
|-
|'''MIAMI_111015'''
|0:00
|3:40
|6:16
|9:13
|12:44
|17:53
|20:26
|23:54
|
|26:45
|30:56
|
|
|34:16
|37:22
|
|
|42:56
|
|
|
|
|46:50
|49:59
|
|52:43
|55:34
|-
|'''AUSTIN_131015'''
|0:00
|5:56
|9:36
|12:51
|17:17
|21:28
|24:19
|28:24
|
|31:15
|35:04
|
|
|38:23
|41:47
|45:35
|
|49:27
|
|
|
|
|54:09
|57:03
|
|
|59:07
|-
|'''LOS_ANGELES_151015'''
|0:00
|4:03
|7:17
|10:14
|14:31
|19:36
|22:03
|25:19
|28:10
|31:38
|36:07
|39:38
|42:42
|45:09
|48:45
|
|
|53:21
|
|
|
|
|57:08
|59:51
|
|
|62:47
|-
|'''SAN_FRANCISCO_161015'''
|0:00
|4:52
|8:01
|10:43
|14:30
|19:29
|22:08
|25:36
|
|29:41
|34:23
|
|
|37:36
|41:36
|45:44
|
|48:28
|
|
|
|
|52:46
|55:46
|
|
|
|-
|'''DENVER_171015'''
|0:00
|3:50
|7:39
|10:52
|
|15:27
|17:47
|21:27
|
|25:32
|30:07
|
|
|33:26
|37:20
|
|
|41:40
|
|
|
|
|45:17
|48:25
|
|51:33
|54:32
|-
|
|
|
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|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|''Glasgow_011114''
|0:00
|5:55
|9:55
|13:29
|16:50
|21:50
|25:12
|30:05
|34:10
|36:22
|41:38
|45:22
|47:39
|49:45
|52:36
|
|
|
|
|
|
|
|
|
|
|
|
|-
|[https://www.youtube.com/watch?v=aLKTPQ0MBQE ''Minehead_130315'']
|0:07
|5:58
|9:41
|13:19
|17:37
|23:20
|26:49
|32:19
|36:49
|39:29
|44:08
|48:28
|50:20
|
|52:58
|
|
|55:47
|
|
|
|
|
|
|
|
|
|-
|''Barcelona_180615''
|[https://www.youtube.com/watch?v=6-QMnIvleXI]
|
|
|
|
|
|
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|
|
|
|
|-
|''Amsterdam_300715''
|[https://www.youtube.com/watch?v=Dk0qZ93cOaw]
|
|[https://www.youtube.com/watch?v=X8qSzQL59_g]
|[https://www.youtube.com/watch?v=VeN0fAkZFag]
|[https://www.youtube.com/watch?v=VeN0fAkZFag]
|[https://www.facebook.com/video.php?v=10153214930313791]
|[https://www.youtube.com/watch?v=Vn_Kron8FZk]
|[https://www.youtube.com/watch?v=kc21KPVRj04]
|[https://www.facebook.com/video.php?v=10153214930313791]
|[https://www.youtube.com/watch?v=ZFtspc2R0oE]
|[https://www.youtube.com/watch?v=ZFtspc2R0oE]
|
|
|
|
|
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|
|
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|
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|
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|-
|''[https://www.youtube.com/watch?v=SVwjk73AnEg London_211115]''
|0:21
|4:44
|7:47
|10:41
|14:46
|18:59
|21:14
|24:42
|27:58
|31:25
|35:31
|39:20
|
|41:47
|45:11
|
|
|48:47
|
|
|
|
|53:11
|56:35
|
|
|57:07
|}

* '''#1''' Elements of '''"acdwn2"''' and '''"t1a1"''' ''(fan names: acdwn2 / ralcose locator)''
* '''#2''' Possibly containing elements of '''"e0"''' and '''"glos ceramic"''' ''(fan names: ceramic / clipcon)''
* '''#3''' '''"sinistrail sentinel"''' ''(fan names: sentinel / sinistrail casual)''
* '''#4''' ''(fan names: rave / rainbow cerebricon)''
* '''#5''' ''(fan names: drunk / probat emp2 + dummy casual pt1)''
* '''#6''' Shared elements with #7. ''(fan names: spiral / cantilla helio4)''
** For Krakow 2014 and Dublin 2014, the track's outro is replaced by a continuous transition into #7
* '''#7''' Early version of '''"north spiral"''' with elements of '''"gonk tuf hi"'''. ''(fan names: spiral / allefte ping hi)''
* '''#8-9''' ''(fan names: wub / ticplayal hv hypnotic)''

* '''#10''' ''(fan names: c16 - emotive / kandern)''
* '''#11''' '''"c16 deep tread"''' ''(fan names: c16 / c13 tight shred)''
* '''#12-13''' ''(fan names: c16 - sunken / distal felrate7)''
* '''#14''' Uses elements of '''"g 1 e 1"''' only in the 2014 shows. ''(fan names: g 1 e 1 - brisk + didgeridoo / j 1 b 1'')
* '''#15''' A mix of '''"7th slip",''' "'''c16 deep tread"''', '''"violvoic"''', and '''"c7b2"'''  ''(fan names: c7b2 slip / renices hv collida) elements of Leterel ,Orlando 10101015 @42:40''
* '''#16''' A mix of '''"violvoic"''' and '''"7th slip".''' ''(fan names: slip - acid + violvoic slip / renices hv collida)''
** On Krems 2015 the "violvoic" elements are missing.
* '''#17''' Fusion of #19 and '''"7th slip"''' ''(fan names: warble - heady / renices hv collida)''
* '''#18''' ''(fan names: dotty / landciv3)''
* '''#19''' Contains elements of '''"wetgelis casual interval"''' ''(fan names: warble / wetgelis litefil)''
* '''#20''' ''(fan names: c16 - alert / kandern)''
* '''#21''' Contains bits of '''"latentcall"''' ''(fan names: airy / kandern)''
* '''#22'''  ''(fan names: trudge / two of five (loose))''
* '''#23''' '''"nineFly"''' without noise-reduction, which combined bits from #1 and #3 ''(fan names: acd sentinel / threeJay)''
* '''#24''' '''"c7b2"''' with elements of '''"artov chain"''' ''(fan names: c7b2 - US version / c9b4)''
* '''#25''' Elements of '''"artov chain"''' and '''"c16 deep tread"''' ''(fan names: c16 artov / kandern)''
* '''#26'''  ''(fan names: warble - US version / two of five (loose))''
* '''#27''' An early version of '''"pendulu hv moda"''' with elements of '''"carefree counter dronal"''' ''(fan names: leaper / pendulu freeplifal)''
** For Asheville 2015, it was performed out of order before #23 and #24

== Tour Dates ==
See ''[[List of Live Shows]]''

* '''2014-09-20 Kraków, Poland @ Hotel Forum (Warp25 / Sacrum Profanum)'''
* '''2014-10-03 Brussels, Belgium @ Ancienne Belgique (Warp25)'''
* 2014-11-01 Glasgow, Scotland, UK @ Glasgow School of Art (Simple Things Festival 2014)
* '''2014-11-22 Utrecht, Netherlands @ TivoliVredenburg (Le Guess Who? 2014)'''
* '''2014-12-19 Dublin, Ireland @ District 8'''
* 2015-03-13 Minehead, England, UK @ Butlins Minehead Resort (Bloc 2015)
* '''2015-05-02 Krems, Austria @ Österreichhallen Krems (Donaufestival 2015)'''
* '''2015-05-30 Nagano, Japan @ Kodama no Mori (TAICOCLUB '15)'''
* 2015-06-18 Barcelona, Spain @ Fira Montjuïc (Sónar 2015)
* '''2015-07-17 Gräfenhainichen, Germany @ Ferropolis (MELT! Festival 2015)'''
* '''2015-07-18 Dour, Belgium @ La Plaine de La Machine à Feu (Dour Festival 2015)'''
* 2015-07-30 Amsterdam, Netherlands @ Muziekgebouw aan 't IJ (Dekmantel Festival 2015)
* '''2015-08-21 Katowice, Poland @ Muzeum Śląskie (Festiwal Tauron Nowa Muzyka 2015)'''
* '''2015-09-24 Portland, OR, USA @ Holocene'''
* '''2015-09-25 Seattle, WA, USA @ Showbox (Decibel Festival)'''
* '''2015-09-26 Vancouver, Canada @ The Imperial'''
* '''2015-09-29 Chicago, IL, USA @ Metro'''
* '''2015-10-01 Toronto, Canada @ The Phoenix Concert Theatre'''
* '''2015-10-02 Montreal, Canada @ Théâtre Fairmount'''
* '''2015-10-03 New York, NY, USA @ Brooklyn Masonic Temple'''
* '''2015-10-04 Boston, MA, USA @ Paradise Rock Club'''
* '''2015-10-05 Portsmouth, NH, USA @ 3S Artspace'''
* '''2015-10-06 Philadelphia, PA, USA @ Union Transfer'''
* '''2015-10-07 Washington, DC, USA @ U Street Music Hall'''
* '''2015-10-08 Asheville, NC, USA @ The Orange Peel'''
* '''2015-10-09 Atlanta, GA, USA @ Terminal West'''
* '''2015-10-10 Orlando, FL, USA @ The Social'''
* '''2015-10-11 Miami, FL, USA @ The Hangar'''
* '''2015-10-13 Austin, TX, USA @ Vulcan Gas Company'''
* '''2015-10-15 Los Angeles, CA, USA @ The Fonda Theatre'''
* '''2015-10-16 San Francisco, CA, USA @ Mezzanine'''
* '''2015-10-17 Denver, CO, USA @ Bluebird Theater'''
* 2015-11-07 Manchester, England, UK @ AMC Grand Northern 16
* 2015-11-21 London, England, UK @ Electric Brixton

== Trivia ==

* Sean mentioned that there's a DMX kick and snare in the live shows "but nobody ever comments on them".<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Yeah, I mean, occasionally, we'll fuck around with something old and do something new with it, like there's a[n Oberheim] DMX, there's DMX drum sounds in that first AE_LIVE 2015 stuff's got some DMX drum sounds in, but nobody ever comments on them, but I don't know. To me, they're like really obvious. Like, I'll put those things in as reference points and no one ever gets them, so, you know.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''“Do you make sounds in AE_LIVE stuff?”''' I'm assuming you're talking about samples from the DMX? Yeah. No it's not modeled or anything, it's just samples, but the DMX is samples, right? So I don't have to feel weird about that. But yeah, it's a bit mutated as well. it's, being fucked with, so, in a cool way, so. But yeah, it's basically one track where it's just DMX kick and snare, and I don't know if there's a clap in there. I really like the DMX sounds. They're like, they just immediately put me somewhere. It's like there's a certain kind of like late night radio soul that used the DMX that was just massively appealing to us. I don't know why the DMX and not the LinnDrum was just the drum machine a choice for a lot of soul artists, but it just has that feel to it. There's only a subtle difference between them really, but I've always preferred the DMX. I don’t know.}}</ref>
* Some sets that were highlighted by Sean in interviews were the Los Angeles set for the LA times<ref>[https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html#:~:text=The%20duo%20was%20especially%20fond%20of%20their%20L.A.%20date. https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html#:~:text=The%20duo%20was%20especially%20fond%20of%20their%20L.A.%20date.]</ref> as well as the Orlando and Montreal sets<ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''it’s been fun exploring your live sets, especially the sheer quantity of 14-15. anything you could share about memories of that tour that stick out to you? places you loved/hated? shows that went well/awful?''' XH HX: that tour was pure laughs. i rem the driver making phil go on the bus roof to check the ac unit at one point, idk why phil. usa bus tours are always a bit mad. i rly enjoyed orlando and montreal. nyc was terrible (the gig not the city).}}</ref>. Although Sean also noted the New York gig "was terrible".
* On early AENA promotional material, the Seattle show was redacted.<ref>https://web.archive.org/web/20150801005858/http://autechre.ws/ </ref>

== Gallery ==
<gallery>
File:AE LIVE KRAKOW 200914.jpg|AE_LIVE_KRAKOW_200914
File:AE LIVE BRUSSELS 031014.jpg|AE_LIVE_BRUSSELS_031014
File:AE LIVE UTRECHT 221114.jpg|AE_LIVE_UTRECHT_221114
File:AE LIVE DUBLIN 191214.jpg|AE_LIVE_DUBLIN_191214
File:AE LIVE KREMS 020515.jpg|AE_LIVE_KREMS_020515
File:AE LIVE NAGANO 300515.jpg|AE_LIVE_NAGANO_300515
File:AE LIVE GRAFENHAINICHEN 170715.jpg|AE_LIVE_GRAFENHAINICHEN_170715
File:AE LIVE DOUR 180715.jpg|AE_LIVE_DOUR_180715
File:AE LIVE KATOWICE 210815.jpg|AE_LIVE_KATOWICE_210815
File:AE LIVE PORTLAND 240915.jpg|AE_LIVE_PORTLAND_240915
File:AE LIVE SEATTLE 250915.jpg|AE_LIVE_SEATTLE_250915
File:AE LIVE VANCOUVER 260915.jpg|AE_LIVE_VANCOUVER_260915
File:AE LIVE CHICAGO 290915.jpg|AE_LIVE_CHICAGO_290915
File:AE LIVE TORONTO 011015.jpg|AE_LIVE_TORONTO_011015
File:AE LIVE MONTREAL 021015.jpg|AE_LIVE_MONTREAL_021015
File:AE LIVE NEW YORK 031015.jpg|AE_LIVE_NEW_YORK_031015
File:AE LIVE BOSTON 041015.jpg|AE_LIVE_BOSTON_041015
File:AE LIVE PORTSMOUTH 051015.jpg|AE_LIVE_PORTSMOUTH_051015
File:AE LIVE PHILADELPHIA 061015.jpg|AE_LIVE_PHILADELPHIA_061015
File:AE LIVE WASHINGTON 071015.jpg|AE_LIVE_WASHINGTON_071015
File:AE LIVE ASHEVILLE 081015.jpg|AE_LIVE_ASHEVILLE_081015
File:AE LIVE ATLANTA 091015.jpg|AE_LIVE_ATLANTA_091015
File:AE LIVE ORLANDO 101015.jpg|AE_LIVE_ORLANDO_101015
File:AE LIVE MIAMI 111015.jpg|AE_LIVE_MIAMI_111015
File:AE LIVE AUSTIN 131015.jpg|AE_LIVE_AUSTIN_131015
File:AE LIVE LOS ANGELES 151015.jpg|AE_LIVE_LOS_ANGELES_151015
File:AE LIVE SAN FRANCISCO 161015.jpg|AE_LIVE_SAN_FRANCISCO_161015
File:AE LIVE DENVER 171015.jpg|AE_LIVE_DENVER_171015
</gallery>

== Tracklist ==
{{Tracklist|list=
{{tl track|number=1|title=AE_LIVE_KRAKOW_200914|length=57:55}}
{{tl track|number=2|title=AE_LIVE_BRUSSELS_031014|length=1:04:00}}
{{tl track|number=3|title=AE_LIVE_UTRECHT_221114|length=1:00:45}}
{{tl track|number=4|title=AE_LIVE_DUBLIN_191214|length=1:13:18}}
{{tl track|number=5|title=AE_LIVE_KREMS_020515|length=54:26}}
{{tl track|number=6|title=AE_LIVE_NAGANO_300515|length=56:50}}
{{tl track|number=7|title=AE_LIVE_GRAFENHAINICHEN_170715|length=1:04:31}}
{{tl track|number=8|title=AE_LIVE_DOUR_180715|length=1:04:25}}
{{tl track|number=9|title=AE_LIVE_KATOWICE_210815|length=1:02:52}}
{{tl track|number=10|title=AE_LIVE_PORTLAND_240915|length=1:00:25}}
{{tl track|number=11|title=AE_LIVE_SEATTLE_250915|length=1:04:30}}
{{tl track|number=12|title=AE_LIVE_VANCOUVER_260915|length=1:00:02}}
{{tl track|number=13|title=AE_LIVE_CHICAGO_290915|length=1:03:46}}
{{tl track|number=14|title=AE_LIVE_TORONTO_011015|length=1:00:02}}
{{tl track|number=15|title=AE_LIVE_MONTREAL_021015|length=56:50}}
{{tl track|number=16|title=AE_LIVE_NEW_YORK_031015|length=1:01:48}}
{{tl track|number=17|title=AE_LIVE_BOSTON_041015|length=59:59}}
{{tl track|number=18|title=AE_LIVE_PORTSMOUTH_051015|length=58:27}}
{{tl track|number=19|title=AE_LIVE_PHILADELPHIA_061015|length=1:03:34}}
{{tl track|number=20|title=AE_LIVE_WASHINGTON_071015|length=58:55}}
{{tl track|number=21|title=AE_LIVE_ASHEVILLE_081015|length=55:03}}
{{tl track|number=22|title=AE_LIVE_ATLANTA_091015|length=1:03:46}}
{{tl track|number=23|title=AE_LIVE_ORLANDO_101015|length=59:38}}
{{tl track|number=24|title=AE_LIVE_MIAMI_111015|length=1:00:46}}
{{tl track|number=25|title=AE_LIVE_AUSTIN_131015|length=1:02:35}}
{{tl track|number=26|title=AE_LIVE_LOS_ANGELES_151015|length=1:06:49}}
{{tl track|number=27|title=AE_LIVE_SAN_FRANCISCO_161015|length=1:00:34}}
{{tl track|number=28|title=AE_LIVE_DENVER_171015|length=58:55}}
{{tl finaltime|time=28:35:36}}
}}

== Links ==

* [https://autechre.warp.net/release/408445-autechre-aelive AE_STORE]
* [https://autechre.bandcamp.com/album/ae-live Bandcamp]
* [https://www.discogs.com/master/907329-Autechre-AE_LIVE Discogs]
* [https://soundcloud.com/autechreofficial/sets/ae_live-1 Soundcloud]
* [https://open.spotify.com/album/3jjzBdboIgZxpFlbmMHxnc Spotify]

== Credits ==

* [[The Designers Republic]] (design)
* Jamie Harley (recording/sound engineer)<ref>https://www.discogs.com/master/907329-Autechre-AE_LIVE</ref><ref>https://musicbrainz.org/release/a20926fb-dea0-406f-a923-1c2842a4e985</ref> 

== References ==
<references />
[[Category:Live]]
[[Category:Compilation]]

AE 2022－

2025-02-05T23:24:45Z

Kdrum: added

{{DISPLAYTITLE:AE_2022－}}
{{Infobox
|title=AE_2022－
|artist=[[Autechre]]
|cover=AE 2022－.jpg
|date=10 August 2023 (Milan 2022 - Turin 2022) 4 November 2024 (Melbourne 2023 - Lyon 2024)
|label=Warp Records (WARP444)
|previous=[[PLUS]]
|previous year=2020
|next=
|next year=
}}
'''''AE_2022－''','' previously '''''AE_LIVE 2022－''''', and otherwise known as '''''2022 dash'''''<ref name=":2">https://metalmagazine.eu/en/post/autechre</ref> is a compilation of nineteen soundboard recordings taken from live shows performed between 2022 and 2024 as part of the '''''twentytwentytwo''''' tour.<ref>https://autechre.warp.net/twentytwentytwo</ref> The first batch was released on August 10th, 2023, and the second on November 4th, 2024.

==History==
On March 9th, 2022, the ''twentytwentytwo'' tour was officially announced.<ref>https://ghostarchive.org/archive/Qt38G</ref>

During the [[Sean Twitch AMA, June 2022]], Sean answered a few questions regarding the live material after having performed the first show of the twentytwentytwo tour. The tour was initially planned to be held in 2020, before the COVID-19 pandemic delayed the tour. Sean mentioned that on his end, he spent the time reworking the back end, getting interested in MC (multi-channel audio in Max), physical modelling<ref name=":0">{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''“Do you like the new Mac chip situation? Is it any different to work on compared to the old CPU?”''' Yes. So my patch was using about 75, 80% towards the end of last year or the year before, whenever it was I got it, and then, yeah, I got the M1 and then it was just flying! 30%, just flying! Just absolutely insane! So there's no turning back now I'm fucked because I'm filling it up already. Loads of Live physmod things, and things that were a bit, you know, expensive. So yeah, I love it. Just amazing, kind of a little bit too much if anything, and the disking out speeds are amazing. The transitions are all super tight. The timing's super tight. All the control rate stuff is super tight. So yeah, I think if you're using Max and you've got an M1, you're basically living the dream at this point. it's just insane.}}</ref> (such as [https://forum.ircam.fr/projects/detail/modalys/ Modalys]), and scratching (as seen on Gescom's ''[[AMKS_1]]'')''.''<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Basically when COVID hit, I had a lot of time on my hands to rebuild a lot of it. So it's, yeah, it’s a lot of it you wouldn't even notice because a lot of it's just porting things to Gen that didn't need to be ported but just because I wanted a bit more control, and that led me off on loads of tangents because once you start building basic things like oscillators, you get a bit mad with all the options. So yeah, that happened and then I got heavily into MC, and then that happened. And then I built a lot more [physical] modeling stuff, and I did that scratching thing that we used on that Gescom thing that we've done about just over a year ago. And then did that and then, and then, yeah the set sort of grew out of all that tech basically. So sty listically, it's not that far off what we've been doing for the last few years because I think we're still in the same sort of place mentally. But, tech wise, the underlying, the kind of back end stuff is all fresh.}}</ref> The end product was Sean noting that, on his side, he had about three and a half hours of total material prepared that may or may not be shown.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=[...] I mean some, they will share elements and the probably, I mean in all likelihood it'll be mostly similar material but there's a bunch of material that's not aired yet. That's because we've had too long to work on this fucking set, right, so. Least my part of the set is, I don't know, like three and a half hours of stuff, so I don't know how much of it will end up using.}}</ref>

The first show of the tour was performed at Primavera in Barcelona on June 3rd, 2022, however, due to issues of negotiating the rights to the soundboard from Primavera as well as messing up the recording, it was left off the release.<ref>[[Sean AMA Transcript 220605#:~:text%3DYeah%2C%20there's%20not%20really%20any%20good%20pictures%2C%20but%20the%20problem%20was%20with%20Primavera%2C|<nowiki/>]]{{Cite interview|page=Sean Twitch AMA, June 2022|quote=[...] the problem was with Primavera, they were trying to get rights for everything, right? So they were trying to get broadcast, they were trying to record it, you know? Obviously we're thinking about releasing them, so we didn't want to okay it. We ended up fucking up the recording anyway, so it wouldn't have mattered.}}</ref> The show in Den Haag on April 5th, 2024 also had a failed recording because they forgot to hit record.<ref>https://web.archive.org/web/20240406161357/https://post.lurk.org/@sean_ae/112224480826307858</ref>

"AE_LIVE_HELSINKI_110922_LTD" was released early exclusively to attendants of the show on October 4th, 2022, due to technical issues during the show.<ref>{{Cite web|author=RaelGenious|title=Exclusive release incoming for Helsinki attendees|website=Reddit|date=26 September 2022|link=https://www.reddit.com/r/autechre/comments/xobdtd/exclusive_release_incoming_for_helsinki_attendees/|accessdate=25 March 2024}}</ref> Small glitches such as pops and audio dropouts appeared early into the show and got progressively more distracting as the show went on. A possible explanation is that the venue's poor subwoofer setup, exacerbated by the set's use of heavy sub-bass, experienced a coil short circuit leading to the malfunctions.<ref>{{Cite web|author=avalyn__|title=There were some audio issues during Helsinki gig.|website=Reddit|date=11 September 2022|link=https://www.reddit.com/r/autechre/comments/xbspfv/there_were_some_audio_issues_during_helsinki_gig/?rdt=51772|accessdate=25 March 2024}} </ref><ref>{{Cite web|author=dcom|title=Comment in Autechre. Live. Twentytwentytwo.|website=We Are The Music Makers|date=15 September 2022|link=https://forum.watmm.com/topic/102400-autechre-live-twentytwentytwo/page/17/#comments:~:text=2022%20(edited)-,So%2C%20back%20to%20last%20Sunday%3B%20I%20went%20to%20Musiikkitalo,-early%20so%20I|accessdate=25 March 2024}}</ref> The soundboard was sent out as is without mastering as an apology, and was later re-released with proper mastering.

On August 7th, 2023, Warp sent out an announcement to sign up for to the newsletter.<ref>https://ghostarchive.org/archive/09TE6</ref> The following day, ''AE_LIVE 2022－'' was officially announced,<ref>https://www.reddit.com/r/autechre/comments/15ln5o3/ae_live_2022_out_thursday/</ref> and seven 2022 shows from Milan 2022 to Turin 2022 were released individually and as a compilation on the 10th.<ref>https://web.archive.org/web/20230810192322/https://autechre.warp.net/release/408603-autechre-aelive-2022</ref> A limited run of 250 AE_LIVE_Print 2022''－'' posters were also announced for pre-orders on the 24th, which quickly sold out.<ref>https://ghostarchive.org/archive/YN0cj</ref><ref>https://web.archive.org/web/20230928151404/https://autechre.warp.net/release/410988-autechre-aeliveprint-2022</ref>

On October 25th, 2024, Warp again sent out a newsletter sign-up announcement, with 12 dates listed.<ref>https://ghostarchive.org/archive/UYmeC</ref><ref>https://www.instagram.com/warprecords/p/DBjZTuNIg1A/?hl=en</ref> On November 4th, 2024, twelve sets from Melbourne 2023 to Lyon 2024 were released individually and added onto the now renamed compilation ''AE_2022－'', dropping the "LIVE" part both in the compilation title and sets names.<ref>https://web.archive.org/web/20241104173202/https://autechre.warp.net/release/476436-autechre-ae2022</ref> Sean noted that the idea came from Warp to drop the LIVE part of the naming convention.<ref>https://web.archive.org/web/20241106150525/https://post.lurk.org/@sean_ae/113436310329414162</ref> The compilation was later put up on Bleep and Bandcamp on December 3rd.<ref>https://autechre.bandcamp.com/album/ae-2022</ref><ref>https://bleep.com/release/483225-autechre-ae2022</ref>

In a Mastodon thread late 2023, Sean gave an update that the material ended up becoming one long track they just kept adding onto. At that point, it was "about 4 hours long so far and growing steadily", noting it was the "most interesting thing we’ve done in ages from our POV." <ref>[https://web.archive.org/web/20231118215345/https://post.lurk.org/@sean_ae/111433472440615681#:~:text=We%20took%20a,from%20our%20POV. @sean_ae Mastodon post, November 18, 2023]</ref> In an interview in October 2024, they mentioned that "we could keep [the current live shows] going for another ten years."<ref name=":2" />  

Sean noted in December 2024 that the project had been going for roughly 4 years up until that point.<ref>https://web.archive.org/web/20241217152311/https://post.lurk.org/@sean_ae/113663738919715601</ref> During a mixlr stream on March 21st, 2020, Sean mentioned in chat that the "live set is 99% complete just need to do the intro."<ref>https://ra.co/news/72301</ref> [[ae mixlr 300320|In a later mixlr stream on the 30th]] while Sean was quickly skimming through their jams folder, he showed off a few seconds of the (then unknown) in-development live material (specifically segments '''#2, #3''' and '''#5'''). In December 2022, Sean posted two Max demos to Mastodon; [https://www.youtube.com/watch?v=3poN6FDyB28 one on December 10th] and [https://www.youtube.com/watch?v=jgMArRJswIQ one on December 15th], which were both bits of segments '''#29''' and '''#26''' respectively. In 2023, two more demos were posted, with [https://www.youtube.com/watch?v=UE8ug56Ijls July 26th's "Markov Chain"]<ref name=":7">https://web.archive.org/web/20230727210645/https://post.lurk.org/@sean_ae/110780381387123384</ref> and [https://www.youtube.com/watch?v=_R3JorLEwNE December 16th's "Fuckery"]<ref name=":1">https://web.archive.org/web/20231221224324/https://post.lurk.org/@sean_ae/111591524233807832</ref> for segments '''#38''' and '''#42/48'''.

The main equipment used for the tour are two M1<ref name=":0" /> Macs running Max/MSP, Kenton Killamix controllers, Apogee Symphony Desktop and Apogee Element 24.<ref name=":4">{{Cite interview|page=Sean Twitch AMA, July 2022|quote='''Can u describe the live setup of the last gigs, laptop, controllers, souncard, thx''' I mean you know, two, I mean the latest ones are just two M1 Macs, Kenton Killamix controllers, two interfaces; I've got an Apogee Symphony Desktop, Rob's using the Apogee Element 24. The mixer is like a little Mackie Onyx12 channel thing just because it fits on a plane easily, and it's easier to get around. And it's replaceable if it breaks, you know, it's not, we're not relying on some esoteric mixer being found by the promoter at the last minute, so. Because that's always a consideration, you know? There's only the controllers really that be hard to source. So we often carry spares like if we're on a tour bus, we'll have spares of the controllers we’ll source.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''What's your live setup nowadays?''' Two Macs, and these Kenton Killamix things, and a couple of interfaces.}}</ref><ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Tebbisimo: [...] What audio interface you using on the live sets ATM? [...]''' XH HX: i'm using apogee symphony desktop lately which i really rate but before that was using apogee element 24 (also good but harder to get now) and before that was using RME ADI2 converter (had to stop since apple borked the optical port but i loved that thing). i also got a MOTU M2 which is mad value for ESS sabre converters if u want something cheapish}}</ref><ref name=":5">https://web.archive.org/web/20240509143259/https://post.lurk.org/@sean_ae/112400607304881021</ref><ref name=":3">https://web.archive.org/web/20241107183922/https://post.lurk.org/@sean_ae/113442509470527990</ref> In 2024, they got four custom-made Killamix Minis.<ref>https://web.archive.org/web/20240309004321/https://post.lurk.org/@sean_ae/112054867478643903</ref> Initially mixing was done using the Mackie Onyx12<ref name=":4" />, but since Brussels 2024 they've been using Sound Devices 888.<ref name=":5" /><ref name=":6">https://web.archive.org/web/20241113092034/https://post.lurk.org/@sean_ae/113458692313028937</ref> For recording with the 888, they have "two mains, two spares and two mons (adjustable using the headphone pot) going to 3 stereo DIs" with seperate recordings of Sean and Rob's computers alongside a mixed version.<ref name=":3" /><ref name=":6" />
==Analysis==
Main analysis by [[User:Zythion|Zythion]] and [[User:EnergyIsMassiveLight|EnergyIsMassiveLight]]. Fan titles taken from fan-edit TTT－.<ref>{{Cite web|author=FefetaLeixes|title=AE_2022－EXCLUSIVES (TTT－)|website=Reddit|date=16 November 2024|link=https://www.reddit.com/r/autechre/comments/1gs8qum/ae_2022exclusives_ttt/|accessdate=16 November 2024}}</ref> Officially released sets are highlighted in bold while the unreleased sets with bootleg recordings are italicized.

Due to the nature of performances, some of the splits when at the start and end of sets may be shortened or overextended.

'''<big>The timestamps below are still a work in progress, thus are not final and are subject to change. </big>'''
{| class="wikitable"
!
!#1
! #2
!#3
!#4
!#5
!#6
!#7
!#8
!#9
!#10
!#11
! #12
!#13
!#14
!#15
! #16
!#17
!#18
!#19
!#20
!#21
!#22
!#23
!#24
!#25
!#26
!#27
!#28
!#29
!#30
!#31
!#32
!#33
!#34
!#35
!#36
!#37
!#38
!#39
!#40
!#41
!#42
!#43
!#44
!#45
!#46
!#47
!#48
!#49
!#50
!#51
!#52
|-
|'''MILAN_010722'''
|0:00
|7:06
|12:02
|17:59
|24:20
|31:42
|35:47
|41:09
|46:23
|51:29
|57:40
|62:14
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|'''ATHENS_050722'''
|0:00
|7:41
|14:16
|20:00
|25:32
|32:54
|36:17
|41:28
|46:42
|51:48
|57:30
|64:02
|69:03
|73:53
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|'''HELSINKI_110922'''
|0:00
|7:42
|12:50
|18:10
|24:19
|31:41
|35:40
|40:50
|46:38
|51:44
|57:15
|64:27
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|'''LONDON_071022_A'''
|0:00
|6:12
|9:54
|14:36
|19:20
|26:05
|29:16
|33:18
|37:13
|42:19
|47:13
|53:06
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|'''LONDON_071022_B'''
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|0:00
|5:51
|9:46
|15:26
|22:05
|25:14
|29:29
|32:59
|36:56
|42:50
|46:24
|52:12
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|'''BERGEN_021122'''
|0:00
|7:00
|10:42
|15:00
|19:19
|26:04
|29:15
|33:16
|37:12
|42:18
|47:08
|52:23
|56:09
|59:47
|63:52
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|'''TURIN_041122'''
| 0:00
| 5:59
|9:42
|14:01
|18:19
|25:05
|28:15
|32:17
|36:12
|41:18
|46:09
|52:41
|57:42
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|'''MELBOURNE_250823'''
|0:00
|7:54
|12:37
|18:22
|24:06
|31:29
|35:29
|40:51
|46:05
|51:11
|56:01
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|'''SYDNEY_270823'''
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|0:00
|5:04
|12:00
|16:24
|21:25
|26:13
|33:24
|38:44
|43:02
|48:26
|52:55
|57:41
|62:35
|67:29
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|'''VENICE_261023'''
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|0:00
|5:50
|10:41
|15:55
|19:16
|21:05
|23:19
|25:33
|28:53
|34:51
|38:00
|42:16
|45:46
|48:20
|53:36
|57:10
|62:58
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|'''DUBLIN_291023'''
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|0:00
|4:42
|11:39
|16:02
|21:50
|28:28
|38:59
|46:06
|51:07
|56:31
|60:20
|62:50
|66:19
|69:40
|73:59
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|'''BRUSSELS_040424'''
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|0:00
|5:23
|11:53
|15:57
|20:58
|25:46
|33:14
|38:03
|42:08
|47:22
|51:01
|54:55
|59:03
|62:59
|67:38
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|'''PARIS_060424'''
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|0:00
|5:06
|11:37
|15:21
|20:13
|25:01
|31:06
|36:41
|40:02
|44:39
|48:59
|52:33
|56:33
|60:29
|66:03
|72:52
|78:24
|82:20
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|'''RENNES_070424'''
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|0:00
|6:10
|10:23
|17:49
|22:23
|27:04
|35:33
|39:40
|43:33
|47:56
|52:09
|57:22
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|'''BARCELONA_090424'''
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|0:00
|5:01
|10:44
|18:27
|23:32
|27:14
|32:18
|36:30
|40:42
|44:32
|48:45
|53:57
|60:58
|66:07
|70:39
|74:25
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|'''MADRID_100424'''
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|0:00
|5:30
|10:37
|18:20
|24:12
|28:23
|33:47
|38:47
|43:01
|46:58
|52:01
|56:41
|62:50
|68:04
|70:59
|74:58
|78:35
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|'''LISBON_120424_B'''
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|0:00
|6:49
|12:02
|16:02
|20:17
|26:43
|33:29
|37:44
|43:52
|47:02
|51:29
| 57:47
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|'''KREMS_270424'''
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|0:00
|4:42
|10:34
|14:07
|19:17
|25:20
|32:15
|38:05
|42:09
|47:24
|51:17
|55:05
|59:28
|63:40
|68:09
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|'''LYON_070524'''
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|0:00
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|9:18
|13:43
|16:54
|23:33
|29:55
|34:52
|41:31
|44:40
|49:08
|55:36
|62:29
|68:30
|75:30
|83:09
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| colspan="53" |
|-
|''[https://www.youtube.com/watch?v=1hgXKUqSf4c Barcelona_030622]''
|1:01
|8:18
|12:50
|18:59
|24:45
|32:30
|35:40
|45:31
|48:46
|52:04
|54:39
|59:14
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|''Tokyo_180823''
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|[https://twitter.com/alphabill/status/1692597066193854709]
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|[https://www.instagram.com/_makimusic_/reel/C1eUr_zvbFs/]
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|''[https://soundcloud.com/ignas-gutauskas/autechre-live-at-teatr-laznia-nowa-krakow-2023-10-06 Krakow_061023]''
|0:00
|6:36
|10:42
|15:00
|19:19
|26:04
|29:15
|34:25
|39:40
|47:15
|52:27
|57:41
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|''[https://www.youtube.com/watch?v=xlpOlC8Yn94 Den_Haag_050424]''
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|0:14
|4:38
|9:40
|14:28
|21:39
|26:13
|29:34
|34:18
|38:38
|42:35
|47:02
|51:23
|56:35
|64:14
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|[https://www.youtube.com/watch?v=9n1r2gYFMDg ''Lisbon_120424_A'']
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|0:00
|3:34
|10:15
|13:38
|18:19
|22:50
|29:42
|34:32
|37:32
|42:35
|46:25
|50:19
|53:58
|57:27
|62:17
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|''[https://www.youtube.com/watch?v=a2BBmb_0B0k Oslo_300924]''
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|0:03
|4:33
|11:09
|14:50
|20:40
|26:05
|34:17
|38:34
|43:00
|48:24
|52:22
|56:11
|60:57
|65:18
|69:47
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|''[https://www.youtube.com/watch?v=KCKl8qwx_O4 Stockholm_021024]''
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|0:06
|5:58
|10:22
|13:28
|16:40
|23:18
|29:31
|35:11
|41:49
|44:59
|49:27
|55:53
|62:58
|68:57
|74:16
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|''[https://www.youtube.com/watch?v=HluNk9R53l8 Riga_041024]''
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|0:00
|4:31
|10:14
|18:30
|24:35
|29:00
|34:55
|38:55
|42:48
|46:14
|49:02
|52:14
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|''[https://www.youtube.com/watch?v=b2is1FnLrNw Copenhagen_061024]''
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|0:02
|6:56
|11:06
|15:28
|19:19
|26:59
|33:12
|38:52
|45:31
|48:40
| 53:08
|59:36
| 67:09
|71:50
|78:30
|85:19
|90:22
|}

*'''#1''' ''(fan name: T2)''
*'''#2-4''' '''"ecol4"'''<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=So, you can hear a bit of ecol[4] in the set, ecol4 that was basically like the ecol4 that's on PLUS when we started out.}}</ref> ''(fan name: ical7)''
*'''#5-6''' ''(fan name: L cemp)''
*'''#7-8''' Contains elements of '''"F7"''' ''(fan name: F4)''
*'''#9-11''' ''(fan name: prin Cur)''
*'''#12-13''' ''(fan name: asle 1)''
*'''#14-15''' ''(fan name: M3 Luni)''
*'''#16-18''' ''(fan name: osin PM)''
*'''#19-20''' ''(fan name: nal.1)''
*'''#21-23''' ''(fan name: corcine)''
**One sample that gets scratched in this segment is the "It's time to change!" sample from Jan and Dean's [https://youtu.be/beri03qdlEM?t=70 "A Stench in Time"]. It should be noted that the same sample is present in Chris The Glove Taylor's [https://youtu.be/EE4_K9HTsto?t=130 "Itchiban Scratch"] which appeared in Autechre's 2015 Dekmantel mix.<ref>https://forum.watmm.com/topic/104035-ae_2022%EF%BC%8D/?do=findComment&comment=2993739</ref>
*'''#24-25''' ''(fan name: drane3)''
**A sample used in the segment is Beside's "Change The Beat", specifically [https://www.youtube.com/watch?v=UbGtcLGQr9o the famous Fresh sample].
*'''#26-27''' Contains the [https://www.youtube.com/watch?v=jgMArRJswIQ 12/15/22 demo] ''(fan name: three tone)''
**In the top right corner of the demo, "three tone" is written, possibly indicating the section title.
**In the demo, one of the files loaded into the sampler sample9scr2 is Gap Band's [https://www.youtube.com/watch?v=zSsXRWhfN3w&pp=ygUpQnVybiBSdWJiZXIgT24gTWUgKFdoeSBZb3UgR290dGEgSHVydCBNZSk%3D "Burn Rubber On Me (Why You Wanna Hurt Me)"], specifically the "tyre screech faster" part at the start.
*'''#28-31''' Contains the [https://www.youtube.com/watch?v=3poN6FDyB28 12/10/22 demo] ''(fan name: 2MM lv)''
** Alt text: "A video showing a modelled snare drum roughly emulating the snare drum from When The Levee Breaks by Led Zeppelin". Description by Sean: “Reasonable facsimile of the Levee Breaks snare from a model made of water and spider silk (?!) who knew”
** The snare4ml shown is an example snare instrument from [https://forum.ircam.fr/projects/detail/modalys/ Modalys for Max], with Modalys also appearing in the 12/15/22 demo for its custom-made clarinet instrument.<ref>Observation by sfn / Davide Vin</ref>
** Rennes 2024 has a unique interlude variation of '''#29''' before restarting the section.
*'''#32-33''' ''(fan name: vineseve)''
**Dublin 2023 contains a unique variation of '''#32'''
*'''#34-35''' ''(fan name: cata7)''
*'''#36''' ''(fan name: luxes n2)''
*'''#37-39''' Contains elements of the [https://www.youtube.com/watch?v=UE8ug56Ijls 07/26/23 demo] ''(fan name: aurorsle)''
**Alt text: "a max sequencer with a matrixctrl driving a prob object (first order markov chain)". Description by Sean: "after someone pointed out that our cascade sequencer was in fact a simple markov chain i made a version with weights instead of switches. quick demo:"<ref name=":7" />
*'''#40''' ''(fan name: 3sc) elements appear Orlando 101015 @13:30''
*'''#41-42''' Contains the underlying segment in the [https://www.youtube.com/watch?v=_R3JorLEwNE 12/16/23 demo] without manipulations ''(fan name: 1qry)''
**Alt text: "fuckery". Description by Sean: "This has to be illegal". The effect is achieved using a realtime phase vocoder.<ref name=":1" />
*'''#43-44''' ''(fan name: TSS TV)''
*'''#45-46''' ''(fan name: P void)''
*'''#47-48''' Contains the manipulations from the [https://www.youtube.com/watch?v=_R3JorLEwNE 12/16/23 demo] ''(fan name: r enc LT)''
*'''#49-51''' ''(fan name: newfree－)''
*'''#52'''

== Tour Dates==
See ''[[List of Live Shows]]''
* 2022-06-03 Barcelona, Spain @ Primavera 2022
* '''2022-07-01 Milan, Italy @ Villa Arconati (Terraforma 2022)'''
* '''2022-07-05 Athens, Greece @ Odeon of Herodes Atticus (Athens Epidaurus Festival)'''
* '''2022-09-11 Helsinki, Finland @ Musiikkitalo'''
* '''2022-10-07 London, England, UK @ Barbican Centre'''
* '''2022-11-02 Bergen, Norway @ Østre (Ekko Festival 2022)'''
* '''2022-11-04 Turin, Italy @ Lingotto Fiere (Club 2 Club 2022)'''
* 2023-08-18 Tokyo, Japan @ Makuhari Messe (SONICMANIA 2023)
* '''2023-08-25 Melbourne, Australia @ Royal Exhibition Building (Now or Never 2023)'''
* '''2023-08-27 Sydney, Australia @ City Recital Hall (Switched On 2023)'''
* 2023-10-06 Kraków, Poland @ Teatr Łaźnia Nowa (Unsound 2023)
* '''2023-10-26 Venice, Italy @ Teatro alle Tese (Biennale Musica 2023)'''
* '''2023-10-29 Dublin, Ireland @ Vicar Street'''
* '''2024-04-04 Brussels, Belgium @ Ancienne Belgique (BRDCST ‘24)'''
* 2024-04-05 Den Haag, Netherlands @ Grote Kerk (Rewire Festival 2024)
* '''2024-04-06 Paris, France @ Le Trianon'''
* '''2024-04-07 Rennes, France @ Antipode'''
* '''2024-04-09 Barcelona, Spain @ Sala Apolo (MUTEK Barcelona 2024)'''
* '''2024-04-10 Madrid, Spain @ La Sala'''
* '''2024-04-12 Lisbon, Portugal @ Culturgest'''
* '''2024-04-27 Krems, Austria @ Stadtsaal Krems (Donaufestival 2024)'''
* '''2024-05-07 Lyon, France @ Le Transbordeur (Nuits Sonores 2024)'''
* 2024-09-30 Oslo, Norway @ Sentrum Scene
* 2024-10-02 Stockholm, Sweden @ Slaktkyrkan
* 2024-10-04 Riga, Latvia @ Hanzas Perons (Skaņu Mežs’ 2024)
* 2024-10-06 Copenhagen, Denmark @ VEGA
* 2025-02-22 Manchester, England, UK @ New Century
* 2025-08-06 Amsterdam, Netherlands @ Melkweg
* 2025-08-08 Helsinki, Finland @ Flow Festival 2025
* 2025-08-10 Warsaw, Poland @ Klub Progresja
* 2025-08-13 Berlin, Germany @ ASTRA Kulturhaus
== Trivia==

*The CAT number, WARP444, was likely specifically requested by Autechre, to reference the song "444" off their first album, ''[[Incunabula]]''.
*The 2023 compilation cover consisted of all seven individual set art from the first batch overlaid on top of each other.
*When asked which 2022 show's crowd smelt the best so far, Sean replied "the italians obviously" at Milan 2022.<ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Tebbisimo: which crowd in '22 smelt the best so far?''' XH HX: the italians obviously}}</ref>

==Gallery==
<gallery>
File:AE LIVE 2022.jpg|AE_LIVE 2022－(2023 compilation cover)
File:AE LIVE MILAN 010722.jpg|AE_MILAN_010722
File:AE LIVE ATHENS 050722.jpg|AE_ATHENS_050722
File:AE LIVE HELSINKI 110922.jpg|AE_HELSINKI_110922
File:AE LIVE LONDON 071022 A.jpg|AE_LONDON_071022_A
File:AE LIVE LONDON 071022 B.jpg|AE_LONDON_071022_B
File:AE LIVE BERGEN 021122.jpg|AE_BERGEN_021122
File:AE LIVE TURIN 041122.jpg|AE_TURIN_041122
File:AE MELBOURNE 250823.jpg|AE_MELBOURNE_250823
File:AE SYDNEY 270823.jpg|AE_SYDNEY_270823
File:AE VENICE 261023.jpg|AE_VENICE_261023
File:AE DUBLIN 291023.jpg|AE_DUBLIN_291023
File:AE BRUSSELS 040424.jpg|AE_BRUSSELS_040424
File:AE PARIS 060424.jpg|AE_PARIS_060424
File:AE RENNES 070424.jpg|AE_RENNES_070424
File:AE BARCELONA 090424.jpg|AE_BARCELONA_090424
File:AE MADRID 100424.jpg|AE_MADRID_100424
File:AE LISBON 120424 B.jpg|AE_LISBON_120424_B
File:AE KREMS 270424.jpg|AE_KREMS_270424
File:AE LYON 070524.jpg|AE_LYON_070524
</gallery>

==Tracklist==
{{Tracklist|list=
{{tl section|section=AE_LIVE 2022－ (2023 batch)}}
{{tl track|number=1|title=AE_MILAN_010722 (previously AE_LIVE_MILAN_010722)|length=1:06:56}}
{{tl track|number=2|title=AE_ATHENS_050722 (previously AE_LIVE_ATHENS_050722)|length=1:20:03}}
{{tl track|number=3|title=AE_HELSINKI_110922 (previously AE_LIVE_HELSINKI_110922)|length=1:11:07}}
{{tl track|number=4|title=AE_LONDON_071022_A (previously AE_LIVE_LONDON_071022_A)|length=59:48}}
{{tl track|number=5|title=AE_LONDON_071022_B (previously AE_LIVE_LONDON_071022_B)|length=59:33}}
{{tl track|number=6|title=AE_BERGEN_021122 (previously AE_LIVE_BERGEN_021122)|length=1:07:59}}
{{tl track|number=7|title=AE_TURIN_041122 (previously AE_LIVE_TURIN_041122)|length=1:00:45}}
{{tl finaltime|time=7:46:12}}
{{tl section|section=AE_2022－ (2024 batch)}}
{{tl track|number=8|title=AE_MELBOURNE_250823|length=1:00:36}}
{{tl track|number=9|title=AE_SYDNEY_270823|length=1:12:08}}
{{tl track|number=10|title=AE_VENICE_261023|length=1:09:30}}
{{tl track|number=11|title=AE_DUBLIN_291023|length=1:20:18}}
{{tl track|number=12|title=AE_BRUSSELS_040424|length=1:15:01}}
{{tl track|number=13|title=AE_PARIS_060424|length=1:27:08}}
{{tl track|number=14|title=AE_RENNES_0070424|length=1:05:27}}
{{tl track|number=15|title=AE_BARCELONA_090424|length=1:19:11}}
{{tl track|number=16|title=AE_MADRID_100424|length=1:26:27}}
{{tl track|number=17|title=AE_LISBON_120424_B|length=1:02:42}}
{{tl track|number=18|title=AE_KREMS_270424|length=1:15:40}}
{{tl track|number=19|title=AE_LYON_070524|length=1:27:44}}
{{tl finaltime|time=22:48:04}}
}}

==Links==

*[https://autechre.warp.net/release/408603-autechre-aelive-2022 AE_STORE]
*[https://bleep.com/release/430787-autechre-aelive-2022 Bleep]
*[https://www.discogs.com/master/3199512-Autechre-AE_LIVE-2022 Discogs]
*[https://twitter.com/WarpRecords/status/1689637725731954688 Announcement Tweet]

==References==
<references />
[[Category:Live]]
[[Category:Compilation]]