aepages - User contributions [en]

AE 2022－

2026-05-19T20:35:11Z

EnergyIsMassiveLight: spreadsheet source

{{DISPLAYTITLE:AE_2022－}}
{{Infobox
|title=AE_2022－
|artist=[[Autechre]]
|cover=AE 2022－.jpg
|date=10 August 2023 (Milan22－Turin22) 4 November 2024 (Melbourne23－Lyon24)
|label=Warp Records (WARP444)
|previous=[[PLUS]]
|previous year=2020
|next=
|next year=
}}
'''''AE_2022－''','' previously '''''AE_LIVE 2022－''''', and otherwise known as '''''2022 dash'''''<ref name=":2">{{Cite interview|page=Autechre: Immersive Listening, Synesthesia, and the Manchester Scene, Metal Magazine, October 2024|quote=Rob: We've been doing this since 2022, calling it 2022 dash. We could keep it going for another ten years. Traveling and meeting people is something you can’t replicate in a studio.}}</ref> is a compilation of nineteen soundboard recordings taken from live shows performed from 2022 onwards as part of the '''''twentytwentytwo''''' tour.<ref>https://autechre.warp.net/twentytwentytwo</ref> The first batch was released on August 10th, 2023, and the second on November 4th, 2024.

==History==

=== Development ===
Initial planning for a new tour started in late 2019 for dates in late 2020-early 2021, before the COVID-19 pandemic in early 2020 put all plans on hold.<ref>{{Cite AAA2 doc|5}}</ref><ref name=":10">{{Cite interview|page=Autechre: 30 Jahre Afterhour (Teil 1) & „Mehr Menschen mögen Erdbeeren als Autechre” (Teil 2), Groove, 2021|quote='''Vermisst ihr es sehr, live zu spielen?'''

SB: Klar. Allerdings hat uns die Pandemie bisher gar nicht so sehr getroffen, weil wir die Tour erst zum Release des neuen Albums geplant hatten. Jetzt sitzen auf einem fertigen Live-Set, das wir nicht spielen können. Unsere Routine hat sich aber nicht sonderlich verändert, wir bleiben ja sowieso die ganze Zeit zuhause und machen Musik.

Rob Brown: Unser Ablauf blieb tatsächlich gleich. Wir hatten Pläne für Gigs, aber, na ja. Wir bekamen zum Beispiel im März ein Angebot für einen Auftritt in Mailand im November. Die Lombardei wurde dann komplett abgeriegelt, und wir haben von den Leuten einen Monat lang nichts gehört. Beim nächsten Kontakt waren sie schon weitaus weniger zuversichtlich. Dann hat sich das Angebot in Luft aufgelöst und wurde auf nächstes Jahr verschoben. Das war unser einziger geplatzter Gig, wenn man so will. Weil wir ja ohnehin erst im Winter oder im Frühling 2021 loslegen wollten.}}</ref><ref>https://web.archive.org/web/20241217152311/https://post.lurk.org/@sean_ae/113663738919715601 </ref> Sean mentioned that he spent that time reworking the back end of their rig, getting interested in MC (multi-channel audio in Max), physical modelling<ref name=":0">{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''“Do you like the new Mac chip situation? Is it any different to work on compared to the old CPU?”''' Yes. So my patch was using about 75, 80% towards the end of last year or the year before, whenever it was I got it, and then, yeah, I got the M1 and then it was just flying! 30%, just flying! Just absolutely insane! So there's no turning back now I'm fucked because I'm filling it up already. Loads of Live physmod things, and things that were a bit, you know, expensive. So yeah, I love it. Just amazing, kind of a little bit too much if anything, and the disking out speeds are amazing. The transitions are all super tight. The timing's super tight. All the control rate stuff is super tight. So yeah, I think if you're using Max and you've got an M1, you're basically living the dream at this point. it's just insane.}}</ref> (such as [https://forum.ircam.fr/projects/detail/modalys/ Modalys]), and scratching (as seen on Gescom's ''[[AMKS_1]]'')''.''<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Basically when COVID hit, I had a lot of time on my hands to rebuild a lot of it. So it's, yeah, it’s a lot of it you wouldn't even notice because a lot of it's just porting things to Gen that didn't need to be ported but just because I wanted a bit more control, and that led me off on loads of tangents because once you start building basic things like oscillators, you get a bit mad with all the options. So yeah, that happened and then I got heavily into MC, and then that happened. And then I built a lot more [physical] modeling stuff, and I did that scratching thing that we used on that Gescom thing that we've done about just over a year ago. And then did that and then, and then, yeah the set sort of grew out of all that tech basically. So sty listically, it's not that far off what we've been doing for the last few years because I think we're still in the same sort of place mentally. But, tech wise, the underlying, the kind of back end stuff is all fresh.}}</ref>

During a mixlr stream on March 21st, 2020, Sean mentioned that the live set was 99% complete, requiring just the intro to be completed.<ref>{{Cite web|author=Ryce, Andrew|title=Autechre say they have two new albums ready|website=Resident Advisor|date=22 March 2020|link=https://ra.co/news/72301|accessdate=5 June 2025}}</ref> By mid-2022, Sean noted that, on his side, he had about three and a half hours of total material prepared that may or may not be shown.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=[...] I mean some, they will share elements and the probably, I mean in all likelihood it'll be mostly similar material but there's a bunch of material that's not aired yet. That's because we've had too long to work on this fucking set, right, so. Least my part of the set is, I don't know, like three and a half hours of stuff, so I don't know how much of it will end up using.}}</ref> In late 2023, Sean gave an update on Mastodon that the material ended up becoming one long track they just kept adding onto. At that point, it was "about 4 hours long so far and growing steadily", noting it was the "most interesting thing we’ve done in ages from our POV." <ref>[https://web.archive.org/web/20231118215345/https://post.lurk.org/@sean_ae/111433472440615681#:~:text=We%20took%20a,from%20our%20POV. @sean_ae Mastodon post, November 18, 2023]</ref> In an interview in October 2024, they mentioned that "we could keep [this project] going for another ten years."<ref name=":2" /> 

The main equipment used to perform is two M1<ref name=":0" /> Macs running Max/MSP, Kenton Killamix controllers, Apogee Symphony Desktop and Apogee Element 24.<ref name=":4">{{Cite interview|page=Sean Twitch AMA, July 2022|quote='''Can u describe the live setup of the last gigs, laptop, controllers, souncard, thx''' I mean you know, two, I mean the latest ones are just two M1 Macs, Kenton Killamix controllers, two interfaces; I've got an Apogee Symphony Desktop, Rob's using the Apogee Element 24. The mixer is like a little Mackie Onyx12 channel thing just because it fits on a plane easily, and it's easier to get around. And it's replaceable if it breaks, you know, it's not, we're not relying on some esoteric mixer being found by the promoter at the last minute, so. Because that's always a consideration, you know? There's only the controllers really that be hard to source. So we often carry spares like if we're on a tour bus, we'll have spares of the controllers we’ll source.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''What's your live setup nowadays?''' Two Macs, and these Kenton Killamix things, and a couple of interfaces.}}</ref><ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Tebbisimo: [...] What audio interface you using on the live sets ATM? [...]''' XH HX: i'm using apogee symphony desktop lately which i really rate but before that was using apogee element 24 (also good but harder to get now) and before that was using RME ADI2 converter (had to stop since apple borked the optical port but i loved that thing). i also got a MOTU M2 which is mad value for ESS sabre converters if u want something cheapish}}</ref><ref name=":5">https://web.archive.org/web/20240509143259/https://post.lurk.org/@sean_ae/112400607304881021</ref><ref name=":3">https://web.archive.org/web/20241107183922/https://post.lurk.org/@sean_ae/113442509470527990</ref> Both Sean and Rob have different versions of their Max rig; Sean sends nightly builds to Rob, to which Rob adds his own additions.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Like, I've got my version of the rig. Rob's got his version, which is a, it's been mutated so much it's not really the same rig anymore.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=We don't rehearse at all, but the rig, we do share, so, you know. We've, I've got bits of Rob’s stuff. He's got a fully up-to-date version of what I'm doing all the time, so he gets nightly, almost, builds, yeah. So, that happened. I think he can run my rig in his house so he knows exactly what it'll do, but he doesn't know quite how I'm gonna play it on the night and so I'll be doing surprising things with it and it'll be reacting to him with his controllers, so it's a kind of, yeah, it's very much an intuitive thing.}}</ref><ref>{{Cite AAA2 doc|190}}</ref> In 2024, they got four custom-made Killamix Minis.<ref>https://web.archive.org/web/20240309004321/https://post.lurk.org/@sean_ae/112054867478643903</ref> Initially, mixing was done using the Mackie Onyx12,<ref name=":4" /> but since Brussels24 they've been using Sound Devices 888.<ref name=":5" /><ref name=":6">https://web.archive.org/web/20241113092034/https://post.lurk.org/@sean_ae/113458692313028937</ref> For recording with the 888, they have "two mains, two spares and two mons (adjustable using the headphone pot) going to 3 stereo DIs" with separate recordings of Sean and Rob's computers alongside a mixed version.<ref name=":3" /><ref name=":6" /> For final mastering of the soundboards for release which Sean fully handles and which mostly consists of "tiny edits and tweaks",<ref>https://web.archive.org/web/20260120230657/https://post.lurk.org/@sean_ae/115907100261965904</ref> he listed using "a couple of Meyer UPMs and USW-112Ps" as monitors.<ref>https://forum.keyosc.com/topic/720-i-no-longer-strongly-disagree-with-seans-answer-to-gl0tch-in-aaaa/?&do=findComment&comment=19916</ref>

The Max rig itself (seen best in the [https://www.youtube.com/watch?v=jgMArRJswIQ December 15th, 2022] demo recording) consists of 16 channels with six different slots each (one sequencer, one synthesizer, four effect units) and 4 bus channels with five slots each (one sequencer, four effects units).<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Yeah, so like those three module types are arranged in channels, So like each channel has like, I think, six slots, yeah, it has like a sequencer, a synth and then four effects units on every channel, and there's 16 channels, and they're constantly changing and there are four bus channels as well that don't have sequences. No, sorry, that don't have synths on, but they just have sequences and effects units. So they have the four effects units in the sequences and there's four of those bus channels and they can be routed into each other and stuff, so that's it. So in total, there are 68 slots. Yeah.}}</ref> Between both different rigs, they have a total of 32 channels available.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=But with this set, it was written with both of us running 16 channels each now.}}</ref> Modules are dynamically loaded into slots (which each have two [poly~] objects)<ref>{{Cite AAA2 doc|175}}</ref> via a global "pattstorage-addressing copy patch" and preloading.<ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote='''“How'd you deal with preset management live?”''' It's all pattr, so like, yeah it's all pattr now. It used to be pattr and then presets. So the global stuff was a pattr and then the stuff in the modules was presets, but it got too unwieldy. I had to build, rebuild it all with pattr. Plus I like being able to morph them because morphing is just tons of fun, innit? So, see it's all pattr and then I built a thing that where I can name them. So there's like a little box, you just type the name in and click enter and it just saves it with that name. So then I have like a new menu with all the names in. I found that loads easier to work with than numbers. So yeah, it's pattr all the way down, but it's pattr, it's like a global pattr and then each module has its own pattrs because the modules are loaded dynamically. I couldn't have pattr, the global pattr reaching into the modules, if you know what I mean. so they all have to have their own pattr storage in each module. But that's okay, you know?}}</ref><ref>{{Cite AAA2 doc|481}}</ref> The general development process was described as "make a cell, save it, come back the next day, tweak it a bit."<ref>{{Cite AAA2 doc|74}}</ref><ref>{{Cite AAA2 doc|370}}</ref> During a show, they traverse through roughly 60-90 'cells' in a prefered order, although sometimes they skip over or extend cells.<ref>{{Cite AAA2 doc|64}}</ref><ref>https://web.archive.org/web/20250823160621/https://post.lurk.org/@sean_ae/115078509915195794</ref> Controls vary between parameters mapped to multiple channels at once, individual channels, or patch-specific parameters.<ref>https://web.archive.org/web/20251211115230/https://post.lurk.org/@sean_ae/115696590243355864</ref> 

[[ae mixlr 300320|In a mixlr stream on March 30th, 2020]], while quickly skimming through their jams folder, Sean showed off a few seconds of the then unknown in-development live material (segments '''#2, #3''' and '''#5'''). In December 2022, Sean posted two Max demos to Mastodon; [https://www.youtube.com/watch?v=3poN6FDyB28 one on December 10th] and [https://www.youtube.com/watch?v=jgMArRJswIQ one on December 15th], which were both bits of segments '''#29''' and '''#26''' respectively. In 2023, two more demos were posted, with [https://www.youtube.com/watch?v=UE8ug56Ijls July 26th's "Markov Chain"]<ref name=":7">https://web.archive.org/web/20230727210645/https://post.lurk.org/@sean_ae/110780381387123384</ref> and [https://www.youtube.com/watch?v=_R3JorLEwNE December 16th's "Fuckery"]<ref name=":1">https://web.archive.org/web/20231221224324/https://post.lurk.org/@sean_ae/111591524233807832</ref> for segments '''#38''' and '''#42/48'''. Months later, audio-only demos - September 23, 2024's “playing with stereo<ref name=":8" /> and January 7th, 2025's [https://www.youtube.com/watch?v=6GRNWAkIlQQ “quick gong jam”]<ref name=":9" /> - were shown for segments '''#53''' and '''#55'''.

Two snippets were shown off across videos promoting upcoming 2026 shows: one with a reworked version of the [[List of Rarities#cowbell%20acid|"cowbell acid"]] demo,<ref>https://www.instagram.com/p/DW6SZrbjHmh/?img_index=1</ref><ref>https://www.reddit.com/r/autechre/comments/1t0sc33/i_was_looking_for_a_high_quality_ae_logo_and/</ref> and another currently unknown.<ref>https://www.instagram.com/p/DX6VLsMNs6R/</ref>

=== Tour===
On March 9th, 2022, the ''twentytwentytwo'' tour was officially announced with five shows in Barcelona, Milan, Helsinki, London, and Turin across 2022.<ref>https://ghostarchive.org/archive/Qt38G</ref>The Barcelona22 show at Primavera, due to issues of negotiating the rights to the soundboard from Primavera as well as messing up the recording, was left off the release.<ref>[[Sean AMA Transcript 220605#:~:text%3DYeah%2C%20there's%20not%20really%20any%20good%20pictures%2C%20but%20the%20problem%20was%20with%20Primavera%2C|<nowiki/>]]{{Cite interview|page=Sean Twitch AMA, June 2022|quote=[...] the problem was with Primavera, they were trying to get rights for everything, right? So they were trying to get broadcast, they were trying to record it, you know? Obviously we're thinking about releasing them, so we didn't want to okay it. We ended up fucking up the recording anyway, so it wouldn't have mattered.}}</ref> At Helsinki22, small glitches such as pops and dropouts appeared early into the show and got progressively more distracting as the show went on. A possible explanation is that the venue's subwoofer setup, which was poorly set up and possibly worsened by the performance's use of heavy sub-bass, experienced a coil short circuit leading to the malfunctions.<ref>{{Cite web|author=avalyn__|title=There were some audio issues during Helsinki gig.|website=Reddit|date=11 September 2022|link=https://www.reddit.com/r/autechre/comments/xbspfv/there_were_some_audio_issues_during_helsinki_gig/?rdt=51772|accessdate=25 March 2024}} </ref><ref>{{Cite web|author=dcom|title=Comment in Autechre. Live. Twentytwentytwo.|website=We Are The Music Makers|date=15 September 2022|link=https://watmm-archive.com/t/102400/17|accessdate=25 March 2024}}</ref> The raw soundboard recording ("AE_LIVE_HELSINKI_110922_LTD") was sent out to attendees as an apology, and was later re-released with proper mastering.<ref name=":11" />

''twentytwentyfour'' was announced with dates in Paris, Rennes, Barcelona, and Madrid, on October 27th, 2023.<ref>https://x.com/WarpRecords/status/1717850268132389241</ref> Madrid's venue was confirmed on the 30th, coinciding with the general ticket sale at 10:00 CET.<ref>https://x.com/WarpRecords/status/1718937652051718603</ref> New shows were later added for Brussels, The Hague, and Lisbon (second show since the first show already sold out before the announcement) on December 13th, 2023.<ref>https://x.com/WarpRecords/status/1734943097052660077</ref> The last few dates for Krems/Vienna, Lyon, Oslo, Stockholm, Riga, and Copenhagen were confirmed on March 22, 2024.<ref>https://x.com/WarpRecords/status/1771145082055311756</ref><ref>https://www.facebook.com/warprecords/posts/ae-live-2024-new-shows-added-autechrewarpnetshows/407106961956344/?_rdr</ref> DenHaag24 was not released because they forgot to hit record.<ref>https://web.archive.org/web/20240406161357/https://post.lurk.org/@sean_ae/112224480826307858</ref>

Arranged by now wave, Autechre was booked for an exclusive UK show in Manchester for February 22nd, 2025, which was announced on September 18, 2024.<ref>https://x.com/WarpRecords/status/1836359952509567224</ref> About 8 minutes into Manchester25, it catastrophically failed due to the sub of the venue rattling the USB out of Sean's interface<ref>{{Cite AAA2 doc|15}}</ref>. After a 16-minute interruption, the show picked up from where it was interrupted.

On January 21st, 2025, ''twentytwentyfive'' was announced with four shows in Amsterdam, Helsinki, Warsaw, and Berlin.<ref>https://ghostarchive.org/archive/OueqP</ref> On February 26th, nineteen North American shows in October, six UK shows in November, and one additional August Reykjavik show, were all announced, with pre-sale starting on the 27th.<ref>https://ghostarchive.org/archive/OitLD</ref> Later on March 28th, the North American leg was updated: three venue changes, three dates with a second show added, and the addition of three new shows in New Orleans, Louisville, and Washington.<ref>https://ghostarchive.org/archive/Ji35Q</ref> Saint Louis for October 19th was quietly added to the roster in August.

Two ''twentytwentysix'' Japan shows were announced on June 17th, 2025.<ref>[https://x.com/WarpRecords/status/1934924348793495735#m https://x.com/WarpRecords/status/1934924348793495735]</ref> Later on December 2nd, 2025, twentyfive new shows across Europe were anounced, with pre-sale opening on the following day.<ref>https://ghostarchive.org/archive/gkUxG</ref>

=== Release ===
"AE_LIVE_HELSINKI_110922_LTD", which was an unmastered soundboard of the Helsinki22 show, was released early exclusively to attendants of the show due to technical issues during the show.<ref name=":11">{{Cite web|author=RaelGenious|title=Exclusive release incoming for Helsinki attendees|website=Reddit|date=26 September 2022|link=https://www.reddit.com/r/autechre/comments/xobdtd/exclusive_release_incoming_for_helsinki_attendees/|accessdate=25 March 2024}}</ref> 

The first batch of live sets was first casually mentioned by Sean in a brief reply on June 17th, 2023, that the audio was done and they were just waiting for Ian of [[The Designers Republic]] to do the artworks.<ref>https://www.reddit.com/r/autechre/comments/14c1ole/the_audios_all_done_just_waiting_for_ian_to_do/</ref> On August 7th, 2023, Warp sent out an announcement to sign up to Autechre's newsletter.<ref>https://ghostarchive.org/archive/09TE6</ref> The following day, ''AE_LIVE 2022－'' was officially announced,<ref>https://www.reddit.com/r/autechre/comments/15ln5o3/ae_live_2022_out_thursday/</ref> and seven 2022 shows from "AE_LIVE_MILAN_010722" to "AE_LIVE_TURIN_041122" were released individually and as a compilation on the 10th.<ref>https://web.archive.org/web/20230810192322/https://autechre.warp.net/release/408603-autechre-aelive-2022</ref> A limited run of 250 AE_LIVE_Print 2022''－'' posters were also announced for pre-orders on the 24th, which quickly sold out.<ref>https://ghostarchive.org/archive/YN0cj</ref><ref>https://web.archive.org/web/20230928151404/https://autechre.warp.net/release/410988-autechre-aeliveprint-2022</ref>

On October 25th, 2024, Warp again sent out a newsletter sign-up announcement, with 12 dates listed.<ref>https://ghostarchive.org/archive/UYmeC</ref><ref>https://www.instagram.com/warprecords/p/DBjZTuNIg1A/?hl=en</ref> On November 4th, 2024, twelve sets from "AE_MELBOURNE_250823" to "AE_LYON_070524" were released individually and added onto the now renamed compilation ''AE_2022－'', dropping the "LIVE" prefix both in the compilation title and set names.<ref>https://web.archive.org/web/20241104173202/https://autechre.warp.net/release/476436-autechre-ae2022</ref> Sean noted that the idea came from Warp to drop the LIVE part of the naming convention.<ref>https://web.archive.org/web/20241106150525/https://post.lurk.org/@sean_ae/113436310329414162</ref> The compilation was later put up on Bleep and Bandcamp on December 3rd.<ref>https://autechre.bandcamp.com/album/ae-2022</ref><ref>https://bleep.com/release/483225-autechre-ae2022</ref>
==Analysis==
Main analysis by [[User:EnergyIsMassiveLight|EnergyIsMassiveLight]] and [[User:Zythion|Zythion]]. Fan titles taken from the fan-edit compilation TTT－ by FefetaLeixes.<ref>https://docs.google.com/spreadsheets/d/1TX6GJkeqo0mmRYg2Kx-XNlFSsEa0o1iT7F6Mxz9HOGA/edit?gid=0#gid=0</ref><ref>{{Cite web|author=FefetaLeixes|title=AE_2022－EXCLUSIVES (TTT－)|website=Reddit|date=16 November 2024|link=https://www.reddit.com/r/autechre/comments/1gs8qum/ae_2022exclusives_ttt/|accessdate=16 November 2024}}</ref>

Officially released sets are highlighted in bold. Unreleased sets with bootleg recordings are also included, with either clips of the segment or a listed recording with timestamps. Tables have be split for compactness.

Due to the nature of performances, the start and ends of a set may abridge or overextend in a way which don't cleanly fit in the segment splits.

'''<big>The timestamps below are still a work in progress, thus are not final and are subject to change. </big>'''

=== 2022/2023 ===
<div class="noresize">
{| class="wikitable frozen-table"
!
!#1
!#2
!#3
!#4
!#5
!#6
!#7
!#8
!#9
!#10
!#11
!#12
!#13
!#14
!#15
!#16
!#17
!#18
!#19
!#20
!#21
!#22
!#23
!#24
!#25
!#26
!#27
!#28
!#29
!#30
!#31
!#32
!#33
!#34
!#35
|-
|'''MILAN_010722'''
|0:00
|7:06
|12:02
|17:59
|24:20
|31:42
|35:47
|41:09
|46:23
|51:29
|57:40
|62:14
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''ATHENS_050722'''
|0:00
|7:41
|14:16
|20:00
|25:32
|32:54
|36:17
|41:28
|46:42
|51:48
|57:30
|64:02
|69:03
|73:53
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''HELSINKI_110922'''
|0:00
|7:42
|12:50
|18:10
|24:19
|31:41
|35:40
|40:50
|46:38
|51:44
|57:15
|64:27
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''LONDON_071022_A'''
|0:00
|6:12
|9:54
|14:36
|19:20
|26:05
|29:16
|33:18
|37:13
|42:19
|47:13
|53:06
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''LONDON_071022_B'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|5:51
|9:46
|15:26
|22:05
|25:14
|29:29
|32:59
|36:56
|42:50
|46:24
|52:12
|
|
|
|
|
|
|
|
|
|
|-
|'''BERGEN_021122'''
|0:00
|7:00
|10:42
|15:00
|19:19
|26:04
|29:15
|33:16
|37:12
|42:18
|47:08
|52:23
|56:09
|59:47
|63:52
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''TURIN_041122'''
|0:00
|5:59
|9:42
|14:01
|18:19
|25:05
|28:15
|32:17
|36:12
|41:18
|46:09
|52:41
|57:42
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''MELBOURNE_250823'''
|0:00
|7:54
|12:37
|18:22
|24:06
|31:29
|35:29
|40:51
|46:05
|51:11
|56:01
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''SYDNEY_270823'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|5:04
|12:00
|16:24
|21:25
|26:13
|33:24
|38:44
|43:02
|48:26
|52:55
|57:41
|62:35
|67:29
|
|-
|'''VENICE_261023'''
|
|
|
|
|
|
|
|
|0:00
|5:50
|10:41
|15:55
|19:16
|21:05
|23:19
|25:33
|28:53
|34:51
|38:00
|42:16
|45:46
|48:20
|53:36
|57:10
|62:58
|
|
|
|
|
|
|
|
|
|
|-
|'''DUBLIN_291023'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|4:42
|11:39
|16:02
|21:50
|28:28
|38:59
|46:06
|51:07
|56:31
|60:20
|62:50
|66:19
|69:40
| 73:59
|-
| colspan="36" |
|-
|Barcelona_030622 ''[https://www.youtube.com/watch?v=1hgXKUqSf4c <nowiki>[AUD #2]</nowiki>]''
|1:01
|8:18
|12:50
|18:59
|24:45
|32:30
|35:40
|45:31
|48:46
|52:04
|54:39
|59:14
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Tokyo_180823
|
|[https://twitter.com/alphabill/status/1692597066193854709]
|
|
|
|[https://www.instagram.com/_makimusic_/reel/C1eUr_zvbFs/]
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Krakow_061023 ''[AUD #1]''
|0:00
|6:36
|10:42
|15:00
|19:19
|26:04
|29:15
|34:25
|39:40
|47:15
|52:27
|57:41
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|}
</div>

*'''#1''' ''(fan name: T2)''
*'''#2-4''' '''"ecol4"'''<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=So, you can hear a bit of ecol[4] in the set, ecol4 that was basically like the ecol4 that's on PLUS when we started out.}}</ref> ''(fan name: ical7)''
* '''#5-6''' ''(fan name: L cemp)''
*'''#7-8''' Contains elements of '''"F7"''' ''(fan name: F4)''
*'''#9-11''' ''(fan name: prin Cur)''
*'''#12-13''' ''(fan name: asle 1)''
*'''#14-15''' ''(fan name: M3 Luni)''
*'''#16-18''' ''(fan name: osin PM)''
*'''#19-20''' ''(fan name: nal.1)''
*'''#21-23''' ''(fan name: corcine)''
** One sample that gets scratched in this segment is the "It's time to change!" sample from Jan and Dean's [https://youtu.be/beri03qdlEM?t=70 "A Stench in Time"]. It should be noted that the same sample is present in Chris The Glove Taylor's [https://youtu.be/EE4_K9HTsto?t=130 "Itchiban Scratch"] which appeared in multiple of Autechre mixes, including 2015's Dekmantel mix.
*'''#24-25''' ''(fan name: drane3)''
**A sample used in the segment is Beside's "Change The Beat", specifically [https://www.youtube.com/watch?v=UbGtcLGQr9o the famous Fresh sample].
*'''#26-27''' Contains the [https://www.youtube.com/watch?v=jgMArRJswIQ 12/15/22 demo] ''(fan name: three tone)''
** In the top right corner of the demo, "three tone" is shown as a column name.<ref>{{Cite AAA2 doc|81}}</ref>
**In the demo, one of the files loaded into the sampler sample9scr2 is Gap Band's [https://www.youtube.com/watch?v=zSsXRWhfN3w&pp=ygUpQnVybiBSdWJiZXIgT24gTWUgKFdoeSBZb3UgR290dGEgSHVydCBNZSk%3D "Burn Rubber On Me (Why You Wanna Hurt Me)"], specifically the "tyre screech faster" part at the start.
*'''#28-31''' Contains the [https://www.youtube.com/watch?v=3poN6FDyB28 12/10/22 demo] ''(fan name: 2MM lv)''
**Alt text: "A video showing a modelled snare drum roughly emulating the snare drum from When The Levee Breaks by Led Zeppelin". Description by Sean: “Reasonable facsimile of the Levee Breaks snare from a model made of water and spider silk (?!) who knew”
**The snare4ml shown is an example snare instrument from [https://forum.ircam.fr/projects/detail/modalys/ Modalys for Max], with Modalys also appearing in the 12/15/22 demo for its custom-made clarinet instrument.<ref>Observation by sfn / Davide Vin</ref>
*'''#32-33''' ''(fan name: vineseve)''
*'''#34-35''' ''(fan name: cata7)''

===2024===
<div class="noresize">
{| class="wikitable frozen-table"
!
!#21
!#22
!#23
!#24
!#25
!#26
!#27
!#28
!#29
!#30
!#31
!#32
!#33
!#34
!#35
!#36
!#37
!#38
!#39
!#40
!#41
!#42
!#43
!#44
!#45
!#46
!#47
!#48
!#49
!#50
!#51
|-
|'''BRUSSELS_040424'''
|0:00
|5:23
|11:53
|15:57
|20:58
|25:46
|33:14
|38:03
|42:08
|47:22
|51:01
|54:55
|59:03
|62:59
|67:38
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''PARIS_060424'''
|0:00
|5:06
|11:37
|15:21
|20:13
|25:01
|31:06
|36:41
|40:02
|44:39
|48:59
|52:33
|56:33
|60:29
|66:03
|72:52
|78:24
|82:20
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''RENNES_070424'''
|
|
|
|0:00
|6:10
|10:23
|17:49
|22:23
|27:04
|35:33
|39:40
|43:33
|47:56
|52:09
|57:22
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''BARCELONA_090424'''
|
|
|
|0:00
|5:01
|10:44
|18:27
|23:32
|27:14
|32:18
|36:30
|40:42
|44:32
|48:45
|53:57
|60:58
|66:07
|70:39
|74:25
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''MADRID_100424'''
|
|
|
|0:00
|5:30
|10:37
|18:20
|24:12
|28:23
|33:47
|38:47
|43:01
|46:58
|52:01
|56:41
|62:50
|68:04
|70:59
|74:58
|78:35
|
|
|
|
|
|
|
|
|
|
|
|-
|'''LISBON_120424_B'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|6:49
|12:02
|16:02
|20:17
|26:43
|33:29
|37:44
|43:52
|47:02
|51:29
|57:47
|
|
|
|
|-
|'''KREMS_270424'''
|0:00
|4:42
|10:34
|14:07
|19:17
|25:20
|32:15
|38:05
|42:09
|47:24
|51:17
|55:05
|59:28
|63:40
|68:09
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''LYON_070524'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|5:01
|9:18
|13:43
|16:54
|23:33
|29:55
|34:52
|41:31
|44:40
|49:08
|55:36
|62:29
|71:30
| 75:30
|83:09
|-
| colspan="32" |
|-
|Den_Haag_050424 ''[https://www.youtube.com/watch?v=xlpOlC8Yn94 <nowiki>[AUD #1c]</nowiki>]''
|
|
|0:14
|4:38
|9:40
|14:28
|21:39
|26:13
|29:34
|34:18
|38:38
|42:35
|47:02
|51:23
|56:35
|64:14
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Lisbon_120424_A ''[AUD #1]''
|0:00
|3:34
|10:15
|13:38
|18:19
|22:50
|29:42
|34:32
|37:32
|42:35
|46:25
|50:19
|53:58
|57:27
|62:17
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Oslo_300924 ''[https://www.youtube.com/watch?v=a2BBmb_0B0k <nowiki>[AUD #1]</nowiki>]''
|0:03
|4:33
|11:09
|14:50
|20:40
|26:05
|34:17
|38:34
|43:00
|48:24
|52:22
|56:11
|60:57
|65:18
|69:47
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Stockholm_021024 ''[https://www.youtube.com/watch?v=KCKl8qwx_O4 <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:06
|5:58
|10:22
|13:28
|16:40
|23:18
|29:31
|35:11
|41:49
|44:59
|49:27
|55:53
|62:58
| 70:57
|74:16
|
|-
|Riga_041024 ''[AUD #1]''
|
|
|
|0:00
|4:31
|10:14
|18:30
|24:35
|29:00
|34:55
|38:55
|42:48
|46:14
|49:02
|52:14
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Copenhagen_061024 ''[AUD #2]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:02
|6:56
|11:06
|15:28
|19:19
|26:59
|33:12
|38:52
|45:31
|48:40
|53:08
|59:36
|67:09
|74:31
|78:30
|85:19
|}
</div>

* '''#36''' ''(fan name: luxes n2)''
* '''#37-39''' Contains elements of the [https://www.youtube.com/watch?v=UE8ug56Ijls 07/26/23 demo] ''(fan name: aurorsle)''
**Alt text: "a max sequencer with a matrixctrl driving a prob object (first order markov chain)". Description by Sean: "after someone pointed out that our cascade sequencer was in fact a simple markov chain i made a version with weights instead of switches. quick demo:"<ref name=":7" />
*'''#40''' ''(fan name: 3sc)''
*'''#41-42''' Contains the underlying segment in the [https://www.youtube.com/watch?v=_R3JorLEwNE 12/16/23 demo] without manipulations ''(fan name: 1qry)''
**Alt text: "fuckery". Description by Sean: "This has to be illegal". The effect is achieved using a realtime phase vocoder.<ref name=":1" />
*'''#43-44''' ''(fan name: TSS TV)''
*'''#45-46''' ''(fan name: P void)''
*'''#47-48''' Contains the manipulations from the [https://www.youtube.com/watch?v=_R3JorLEwNE 12/16/23 demo] ''(fan name: r enc LT)''
*'''#49-51''' ''(fan name: newfree－)''

===2025===
<div class="noresize">
{| class="wikitable frozen-table"
!
!#36
!#37
!#38
!#39
!#40
!#41
!#42
!#43
!#44
!#45
!#46
!#47
!#48
!#49
!#50
!#51
!#52
!#53
!#54
!#55
!#56
!#57
!#58
!#59
!#60
!#61
!#62
!#63
|-
| colspan="29" |
|-
|Manchester_220225 ''[AUD #3]''
|0:17
|7:33*
|27:33
|31:32
|35:22
|42:00
|48:13
|53:53
|60:30
|63:42
|68:10
|71:56?
|78:49?
|84:45
|88:10
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Amsterdam_060825 [https://www.reddit.com/r/autechre/comments/1mjiplt/autechre_live_2025_amsterdam_bootleg/ ''<nowiki>[AUD #1]</nowiki>'']
|0:11
|7:25
|12:18
|16:17*
|4:42
|11:21
|18:18
|23:14
|30:22
|32:52
|38:35
|44:45
|49:24
|55:27
|59:25
|68:44
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Helsinki_080825 [https://www.youtube.com/watch?v=VFyaWvlcZbY ''<nowiki>[AUD #1]</nowiki>'']
|
|0:02
|7:32
|11:31
|15:21
|22:00
|30:48
|36:27
|43:16
|45:47
|48:20
|54:36
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Warsaw_100825 [https://www.youtube.com/watch?v=P8m1fGvDzjM ''<nowiki>[AUD #1]</nowiki>'']
|0:06
|5:57
|11:17
|15:17
|19:06
|25:45
|32:41
|39:14
|45:54
|48:24
|52:03
|59:47
|64:04
|70:30
|73:09
|79:48?
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Berlin_130825 [https://www.youtube.com/watch?v=Nv4GzfXxr6o ''<nowiki>[AUD #1]</nowiki>'']
|0:00
|3:56
|8:48
|12:47
|17:28
|24:07
|28:51
|33:47
|38:48
|41:00
|45:28
|50:56
|56:20
|62:00
|64:18
|70:15
|77:30
|
|
|
|
|
|
|
|
|
|
|
|-
|Reykjavik_150825 ''[AUD #1]''
|0:03
|6:38
|11:30
|15:28
|20:11
|26:48
|33:44
|38:41
|45:20
|48:30
|52:58
|58:26?
|64:10
|69:28
|72:08
|78:07?
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Denver_011025 ''[https://www.youtube.com/watch?v=7yXBKJev7uM <nowiki>[MAT #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:10
|3:30
|9:29
|16:41
|23:54
|30:12
|36:46
|42:24
|47:20
|50:43
|55:16
|61:48
|69:30
|74:47
|
|-
|Minneapolis_031025
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|[https://www.youtube.com/watch?v=HSpgNnFz8Lg]
|
|[https://www.youtube.com/watch?v=HSpgNnFz8Lg]
|
|
|[https://www.youtube.com/watch?v=HSpgNnFz8Lg]
|
|
|
|
|[https://www.youtube.com/watch?v=HSpgNnFz8Lg]
|
|
|
|-
|Vancouver_051025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:16
|3:36
|9:35
|16:47
|24:00
|30:19
|36:52
|42:30
|47:27
|50:50
|55:22
|61:55
|69:36
|74:53
|82:08
|-
|Seattle_061025_A ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|4:30
|7:47
|13:46
|20:58
|28:11
|34:30
|41:03
|46:40
|51:39
|55:00
|59:33
|66:06
|73:47
|79:37
|87:54
|-
|Seattle_061025_B ''[http://www.youtube.com/watch?v=taArl7VS1Eo <nowiki>[AUD #2]</nowiki>]''
|0:00
|7:39
|12:31
|16:30
|20:20
|26:58
|33:11
|38:51
|45:30
|48:40
|53:55
|58:36
|65:10
|73:39
|77:59
|83:57
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Portland_071025 ''[https://www.youtube.com/watch?v=v26MX-pXswc <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|1:15
|4:32
|10:31
|16:57
|24:10
|30:28
|37:02
|42:38
|47:36
|50:59
|55:31
|62:28
|70:09
|75:59
|84:19
|-
|San_Francisco_091025 ''[https://www.reddit.com/r/autechre/comments/1o33ktm/sf_recording/ <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:12
|3:29
|9:28
|16:43
|23:56
|30:14
|36:48
|42:24
|47:57
|51:20
|55:52
|62:25
|70:06
|75:23
|81:41
|-
|Los_Angeles_101025_A ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|15:11
|19:23
|25:21
|32:34
|39:47
|46:05
|52:39
|58:17?
|63:13
|66:37
|71:09
|77:41
|85:23
|90:40
|97:03
|-
|Los_Angeles_101025_B ''[https://www.youtube.com/watch?v=ZTHHOq-W4qM <nowiki>[AUD #3]</nowiki>]''
|0:04
|7:18
|12:11
|17:03
|22:09
|34:01
|39:18
|44:58
|51:37
|54:46
|59:14
|64:42
|72:39
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Mexico_City_121025 ''[https://www.youtube.com/watch?v=5D7bbBprSlg <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:07
|3:26
|9:25
|16:38
|23:51
|31:05
|40:55
|46:59
|53:49
|57:39
|62:10
|68:44
|76:25
|82:04
|
|-
|Austin_141025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|?
|?
|?
|?
|?
|?
|?
|?
|0:00
|2:55
|7:53
|19:01?
|27:36?
|32:53
|39:03
|-
|New_Orleans_151025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:07
|4:07
|10:06
|16:39
|23:52
|31:25
|41:15
|48:46
|55:21
|59:52
|65:55
|74:06
|81:48
|89:48
|
|-
|Birmingham_161025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:02
|3:19
|9:19
|16:31
|23:43
|30:03
|36:36
|42:51
|48:31
|51:54
|57:44
|65:55
|75:57
|81:14
|86:51
|-
|Atlanta_171025 ''[https://archive.org/details/ae-atlanta-101725 <nowiki>[AUD #2]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:44
|4:41
|10:39
|17:52
|25:05
|31:24
|37:57
|43:36
|48:32
|52:35
|58:38
|65:36
|73:18
|79:08
|85:54
|-
|Louisville_181025 [https://www.reddit.com/r/autechre/comments/1oajcyw/louisville_recording/ ''<nowiki>[AUD #1]</nowiki>'']
|
|
|
|
|
|
|
|
|
|
|
|
|
|13:10
|16:35
|22:34
|29:46
|36:59
|42:03?
|49:51
|55:29
|60:07
|64:13
|69:09
|76:07
|83:48
|89:05
|95:20
|-
|Saint_Louis_191025
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|[https://bsky.app/profile/esopus.bsky.social/post/3m3lwrxkpv22n]
|
|
|[https://bsky.app/profile/esopus.bsky.social/post/3m3lwrxkpv22n]
|[https://bsky.app/profile/esopus.bsky.social/post/3m3lwrxkpv22n]
|[https://bsky.app/profile/esopus.bsky.social/post/3m3lwrxkpv22n]
|
|
|-
|Chicago_201025 ''[https://www.reddit.com/r/autechre/comments/1oc5pvv/chicago_recording/ <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|?
|?
|0:00
|8:56
|16:09
|23:23
|33:13
|39:40
|44:37
|49:07
|54:32
|61:28
|69:10
|75:10
|
|-
|Detroit_211025 ''[https://www.reddit.com/r/autechre/comments/1oczdtj/de2roit_recording/?share_id=pIDaWtl6WXIITMGJPC3dD&utm_name=androidcss <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:06
|2:48
|9:46
|19:57
|28:48
|38:53
|49:31
|55:02
|61:45
|65:21
|69:54
|76:38
|84:20
|91:04?
|
|-
|Toronto_221025 ''[https://www.youtube.com/watch?v=j46NGrb86o8 <nowiki>[AUD #2]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:05
|2:47
|9:26
|16:58
|25:49
|31:51?
|41:29
|48:16
|54:23
|57:46
|62:19
|68:51
|76:32
|82:00
|
|-
|Montreal_241025 ''[https://www.reddit.com/r/autechre/comments/1orrp44/montreal_october_24_2025_autechre_mark_broom_and/ <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|14:06
|16:46
|22:45
|29:37
|37:20
|45:50
|54:10
|61:27
|67:06
|70:42
|75:41
|82:14
|89:54
|96:16?
|
|-
|New_York_251025_A ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|2:38
|8:37
|15:35
|23:56
|30:24?
|38:46
|45:48
|52:09
|56:13
|61:37
|68:10
|75:51
|
|
|-
|New_York_251025_B ''<nowiki>[AUD #1]</nowiki>''
|3:50
|10:24
|16:54
|21:33
|26:39
|35:31
|43:47
|48:45?
|55:21
|57:54
|62:23
|67:50?
|75:53?
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Philadelphia_261025 ''[AUD #2]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|?
|0:00
|5:18
|13:30
|21:22
|28:20
|35:11
|41:57
|46:54
|50:17
|55:02
|61:35
|69:16
|75:16
|
|-
|Boston_271025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|2:42
|8:41
|20:52
|34:27?
|40:51
|47:25
|53:55
|59:33
|63:50
|68:23
|74:52
|82:37
|
|
|-
|Portsmouth_281025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:06
|2:48
|9:26
|16:46
|24:58
|32:36
|39:42
|45:18?
|53:06
|57:35
|62:35
|69:08
|76:49
|84:16
|
|-
|Washington_291025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|2:35
|8:34
|15:46
|22:59
|30:13
|40:03
|46:16
|51:55
|56:25
|62:02
|68:32
|76:14
|82:04
|
|-
|Glasgow_021125 [https://www.youtube.com/watch?v=Kju7284zNYI ''<nowiki>[AUD #1]</nowiki>'']
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|3:22
|9:21
|17:26
|24:36
|30:55
|37:46
|44:16
|49:40
|53:17
|57:49
|64:21
|72:03
|80:03
|
|-
|Newcastle_031125 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|2:40
|9:59
|18:50
|27:22
|35:53
|43:55
|50:42
|56:48
|61:19
|66:31
|73:03
|80:44
|87:17
|
|-
|Leeds_041125 [https://forum.keyosc.com/topic/1403-ae_leeds_041125_aud/ ''<nowiki>[AUD #1]</nowiki>'']
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:06
|2:47
|10:05
|21:36
|32:25
|41:53
|49:39
|56:55
|62:19
|66:36
|71:09
|78:29
|86:11
|
|
|-
|Brighton_051125
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|[https://www.youtube.com/watch?v=fTCP1vOdSLE]
|
|
|[https://www.youtube.com/watch?v=N-FleEClqiw]
|[https://www.youtube.com/watch?v=Ul-dIAY4sLo]
|[https://www.youtube.com/watch?v=EBAvIJYjXHs]
|
|
|[https://www.youtube.com/watch?v=TTsOyX4ENzQ]
|[https://www.youtube.com/watch?v=ncrwigwhnMk]
|[https://www.youtube.com/watch?v=JfKMDKFnmf4]
|
|-
|Bristol_061125
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|[https://www.youtube.com/watch?v=nUelUQPTGrE]
|
|
|
|
|
|
|-
|Belfast_071125 ''[https://www.mixcloud.com/keyfumbler/autechre-belfast-2025/ <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:02
|2:49
|8:48
|16:00
|25:11
|31:30
|38:03
|44:51
|50:57
|55:28
|60:26
|66:59
|74:40
|83:13?
|
|}
</div>

*'''#52'''
*'''#53''' Contains the 09/23/24 demo “playing with stereo”<ref name=":8">https://web.archive.org/web/20240928141307/https://post.lurk.org/@sean_ae/113186625238764271</ref> and a sound from [[Incunabula#Basscadet|"Basscadet"]]<ref>https://web.archive.org/web/20251013032707/https://post.lurk.org/@sean_ae/115363631277006962</ref>
*'''#54'''
*'''#55''' Contains the [https://www.youtube.com/watch?v=6GRNWAkIlQQ 01/07/25 demo “quick gong jam”]<ref name=":9">https://web.archive.org/web/20250107140034/https://post.lurk.org/@sean_ae/113786941624175064</ref>
*'''#56'''
*'''#57'''
*'''#58'''
*'''#59'''
*'''#60'''
*'''#61'''
*'''#62'''
*'''#63'''

=== 2026 ===
<div class="noresize">
{| class="wikitable frozen-table"
!
!#49
!#50
!#51
!#52
!#53
!#54
!#55
!#56
!#57
!#58
!#59
!#60
!#61
|-
| colspan="14" |
|-
|Tokyo_040226 ''<nowiki>[AUD #1]</nowiki>''
|17:06
|20:26
|26:25
|33:37
|40:50
|47:27
|54:01
|60:48
|65:44
|69:07
|73:41
|80:12
|87:54
|}
</div>

===Footnotes===

*Performance anomalies (not including irregular start/end points)
** Barcelona22 - '''#7''' played twice in a row
**Dublin23 - unique variant of '''#32'''
**Rennes24 - unique interlude in '''#29''' before restarting the section.
**Manchester25 - halted at start of '''#37''', then restarted. Also during '''#46,''' it briefly plays a bit of '''#40''' before returning to normal setlist.
**Amsterdam25 - halted during '''#39''', then restarted.
**Austin25 - unique interlude in '''#60'''
**Louisville25 - unique interlude in '''#56'''
**Detroit25 - unique interlude in '''#54'''
**Boston25 - unique interlude in '''#52'''

==Tour Dates==
See ''[[List of Live Shows]]''
<div style="column-count:2">
*[[2022-06-03 Barcelona, Spain @ Auditori Rockdelux (Primavera 2022)]]
*'''[[2022-07-01 Milan, Italy @ Villa Arconati (Terraforma 2022)]]'''
*'''[[2022-07-05 Athens, Greece @ Odeon of Herodes Atticus (Athens Epidaurus Festival)]]'''
*'''[[2022-09-11 Helsinki, Finland @ Musiikkitalo]]''' ''(+ Ilpo Väisänen)''
*'''[[2022-10-07 London, England, UK @ Barbican Centre (show A)]]''' ''(+ Zoviet France)''
*'''[[2022-10-07 London, England, UK @ Barbican Centre (show B)]]'''
*'''[[2022-11-02 Bergen, Norway @ Østre (Ekko Festival 2022)]]'''
*'''[[2022-11-04 Turin, Italy @ Lingotto Fiere (Club 2 Club 2022)]]'''
*[[2023-08-18 Tokyo, Japan @ Makuhari Messe (SONICMANIA 2023)]]
*'''[[2023-08-25 Melbourne, Australia @ Royal Exhibition Building (Now or Never 2023)]]'''
*'''[[2023-08-27 Sydney, Australia @ City Recital Hall (Switched On 2023)]]''' ''(+ Actress, E. Fishpool)''
*[[2023-10-06 Kraków, Poland @ Teatr Łaźnia Nowa (Unsound 2023)]]
*'''[[2023-10-26 Venice, Italy @ Teatro alle Tese (Biennale Musica 2023)]]'''
*'''[[2023-10-29 Dublin, Ireland @ Vicar Street]]''' ''(+ Minced Oath)''
*'''[[2024-04-04 Brussels, Belgium @ Ancienne Belgique (BRDCST ‘24)]]''' ''(+ Russell Haswell)''
*[[2024-04-05 Den Haag, Netherlands @ Grote Kerk (Rewire Festival 2024)]]
*'''[[2024-04-06 Paris, France @ Le Trianon]]''' ''(+ Aho Ssan)''
*'''[[2024-04-07 Rennes, France @ Antipode]]''' ''(+ Lime68k)''
*'''[[2024-04-09 Barcelona, Spain @ Sala Apolo (MUTEK Barcelona 2024)]]''' ''(+ Roméo Poirier & Ohme)''
*'''[[2024-04-10 Madrid, Spain @ La Sala]]'''
*[[2024-04-12 Lisbon, Portugal @ Culturgest (show A)]]
*'''[[2024-04-12 Lisbon, Portugal @ Culturgest (show B)]]'''
*'''[[2024-04-27 Krems, Austria @ Stadtsaal Krems (Donaufestival 2024)]]'''
*'''[[2024-05-07 Lyon, France @ Le Transbordeur (Nuits Sonores 2024)]]'''
*[[2024-09-30 Oslo, Norway @ Sentrum Scene]] ''(+ Kristoffer Lislegaard)''
*[[2024-10-02 Stockholm, Sweden @ Slaktkyrkan]] ''(+ Undveld)''
*[[2024-10-04 Riga, Latvia @ Hanzas Perons (Skaņu Mežs’ 2024)]]
*[[2024-10-06 Copenhagen, Denmark @ VEGA]] ''(+ SØS Gunver Ryberg)''
*[[2025-02-22 Manchester, England, UK @ New Century]] ''(+ SDEM, edv3ctor, DJ Rob Hall)''
*[[2025-08-06 Amsterdam, Netherlands @ Melkweg]] ''(+ Roel Funcken, Russell Haswell)''
*[[2025-08-08 Helsinki, Finland @ Flow Festival 2025]]
*[[2025-08-10 Warsaw, Poland @ Klub Progresja]] ''(+ Russell Haswell, Ann On Bast)''
*[[2025-08-13 Berlin, Germany @ ASTRA Kulturhaus]] ''(+ Russell Haswell, ACLDS)''
*[[2025-08-15 Reykjavík, Iceland @ Harpa]] ''(+ sideproject, John McCowen)''
*[[2025-10-01 Denver, CO, USA @ Ogden Theatre]] ''(+ Mark Broom, C. Reider)''
*[[2025-10-03 Minneapolis, MN, USA @ Icehouse]] ''(+ Mark Broom, deep glens)''
*[[2025-10-05 Vancouver, Canada @ Hollywood Theatre]] ''(+ Mark Broom)''
*[[2025-10-06 Seattle, WA, USA @ The Crocodile (show A)]] ''(+ Mark Broom)''
*[[2025-10-06 Seattle, WA, USA @ The Crocodile (show B)]] ''(+ Mark Broom)''
*[[2025-10-07 Portland, OR, USA @ The Den]] ''(+ Mark Broom, Cygnus)''
*[[2025-10-09 San Francisco, CA, USA @ Regency Ballroom]] ''(+ Mark Broom, Cygnus)''
*[[2025-10-10 Los Angeles, CA, USA @ Belasco Theater (show A)]] ''(+ Mark Broom)''
*[[2025-10-10 Los Angeles, CA, USA @ Belasco Theater (show B)]] ''(+ Mark Broom)''
*[[2025-10-12 Mexico City, Mexico @ MUTEK MX]] ''(+ Leslie García)''
*[[2025-10-14 Austin, TX, USA @ Kingdom Nightclub]] ''(+ Mark Broom, tsrono)''
*[[2025-10-15 New Orleans, LA, USA @ Joy Theatre]] ''(+ Mark Broom, tsrono)''
*[[2025-10-16 Birmingham, AL, USA @ Saturn]] ''(+ Mark Broom, Cygnus)''
*[[2025-10-17 Atlanta, GA, USA @ Terminal West]] ''(+ Mark Broom, Cygnus)''
*[[2025-10-18 Louisville, KY, USA @ Portal]] ''(+ Mark Broom, deep glens)''
*[[2025-10-19 Saint Louis, MO, USA @ Delmar Hall]] ''(+ Mark Broom, deep glens)''
*[[2025-10-20 Chicago, IL, USA @ Concord Hall]] ''(+ Mark Broom, deep glens)''
*[[2025-10-21 Detroit, MI, USA @ Building 6, Russell Industrial Center]] ''(+ Mark Broom, nnirror)''
*[[2025-10-22 Toronto, Canada @ Danforth Hall]] ''(+ Mark Broom)''
*[[2025-10-24 Montreal, Canada @ Société des arts technologiques]] ''(+ Mark Broom, nixtrove)''
*[[2025-10-25 New York, NY, USA @ Brooklyn Steel (show A)]] ''(+ Mark Broom)''
*[[2025-10-25 New York, NY, USA @ Brooklyn Steel (show B)]] ''(+ Mark Broom)''
*[[2025-10-26 Philadelphia, PA, USA @ Union Transfer]] ''(+ Mark Broom, William Fields)''
*[[2025-10-27 Boston, MA, USA @ Paradise]] ''(+ Mark Broom, Cube)''
*[[2025-10-28 Portsmouth, NH, USA @ 3S Artspace]] ''(+ Mark Broom, Cube)''
*[[2025-10-29 Washington, DC, USA @ Howard Theatre]] ''(+ Mark Broom, Cube)''
*[[2025-11-02 Glasgow, Scotland, UK @ SWG3]] ''(+ Mark Broom, Russell Haswell)''
*[[2025-11-03 Newcastle, England, UK @ Digital]] ''(+ Mark Broom, Russell Haswell)''
*[[2025-11-04 Leeds, England, UK @ Project House]] ''(+ Mark Broom, SDEM)''
*[[2025-11-05 Brighton, England, UK @ Chalk]] ''(+ Mark Broom, Alex Peverett)''
*[[2025-11-06 Bristol, England, UK @ The Prospect Building]] ''(+ Mark Broom, William Telford & Tobias Hilder)''
*[[2025-11-07 Belfast, Northern Ireland, UK @ Mandela Hall]] ''(+ Mark Broom, S>>D)''
*[[2026-02-04 Tokyo, Japan @ ZEPP Divercity]] ''(+ Kohei Matsunaga)''
*[[2026-02-05 Osaka, Japan @ Yogibo META VALLEY]] ''(+ Kohei Matsunaga)''
*2026-09-24 Liège, Belgium @ OM
*2026-09-25 Zurich, Switzerland @ Rote Fabrik
*2026-09-26 Munich, Germany @ Muffathalle
*2026-09-27 Prague, Czechia @ Lunchmeat Festival
*2026-09-28 Wrocław, Poland @ Zaklęte Rewiry
*2026-09-29 Vienna, Austria @ Gasometer
*2026-09-30 Zagreb, Croatia @ Tvornica Kulture
*2026-10-01 Belgrade, Serbia @ Ložionica
*2026-10-02 Skopje, North Macedonia @ MKC
*2026-10-03 Athens, Greece @ Universe
*2026-10-04 Thessaloniki, Greece @ Block33
*2026-10-06 Sofia, Bulgaria @ Toplocentrala
*2026-10-07 Bucharest, Romania @ Club Guesthouse
*2026-10-09 Ljubljana, Slovenia @ Cukrarna
*2026-10-10 Bologne, Italy @ Estragon
*2026-10-11 Milan, Italy @ Alcatraz
*2026-10-12 Geneva, Switzerland @ L'usine
*2026-10-13 Marseille, France @ Cabaret aléatoire
*2026-10-14 Paris, France @ Bataclan
*2026-10-15 Nantes, France @ Le Lieu Unique
*2026-10-16 Lille, France @ L'Aéronef
*2026-10-17 Nijmegen, Netherlands @ Doornroosje
*2026-10-20 Dublin, Ireland @ Vicar Street
*2026-10-22 Cardiff, Wales, UK @ Depot
*2026-10-24 London, England, UK @ Magazine
</div>

==Trivia==

*The CAT number, WARP444, was likely specifically requested by Autechre, to reference the song "444" off their first album, ''[[Incunabula]]''.
*The 2023 compilation cover consisted of all seven individual set art from the first batch overlaid on top of each other.
*A variant of "7th slip" is present in Rob's side of the live set.<ref>https://web.archive.org/web/20241107160026/https://post.lurk.org/@sean_ae/113441779347595762</ref>
*When asked which 2022 show's crowd smelt the best so far, Sean replied "the italians obviously" at Milan22.<ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Tebbisimo: which crowd in '22 smelt the best so far?''' XH HX: the italians obviously}}</ref>
* A font used across promotional material is [https://lineto.com/typefaces/circular-mono Circular Mono].
* The drone patch that is played before a show starts was initially made by Sean for sleeping to.<ref>https://web.archive.org/web/20251211131904/https://post.lurk.org/@sean_ae/115689685840443594</ref>

==Gallery==
<gallery>
File:AE LIVE 2022.jpg|AE_LIVE 2022－(2023 compilation cover)
File:AE LIVE MILAN 010722.jpg|AE_MILAN_010722
File:AE LIVE ATHENS 050722.jpg|AE_ATHENS_050722
File:AE LIVE HELSINKI 110922.jpg|AE_HELSINKI_110922
File:AE LIVE LONDON 071022 A.jpg|AE_LONDON_071022_A
File:AE LIVE LONDON 071022 B.jpg|AE_LONDON_071022_B
File:AE LIVE BERGEN 021122.jpg|AE_BERGEN_021122
File:AE LIVE TURIN 041122.jpg|AE_TURIN_041122
File:AE MELBOURNE 250823.jpg|AE_MELBOURNE_250823
File:AE SYDNEY 270823.jpg|AE_SYDNEY_270823
File:AE VENICE 261023.jpg|AE_VENICE_261023
File:AE DUBLIN 291023.jpg|AE_DUBLIN_291023
File:AE BRUSSELS 040424.jpg|AE_BRUSSELS_040424
File:AE PARIS 060424.jpg|AE_PARIS_060424
File:AE RENNES 070424.jpg|AE_RENNES_070424
File:AE BARCELONA 090424.jpg|AE_BARCELONA_090424
File:AE MADRID 100424.jpg|AE_MADRID_100424
File:AE LISBON 120424 B.jpg|AE_LISBON_120424_B
File:AE KREMS 270424.jpg|AE_KREMS_270424
File:AE LYON 070524.jpg|AE_LYON_070524
</gallery>

==Tracklist==
{{Tracklist|list=
{{tl section|section=AE_LIVE 2022－ (batch 1)}}
{{tl track|number=1|title=AE_MILAN_010722 (previously AE_LIVE_MILAN_010722)|length=1:06:56}}
{{tl track|number=2|title=AE_ATHENS_050722 (previously AE_LIVE_ATHENS_050722)|length=1:20:03}}
{{tl track|number=3|title=AE_HELSINKI_110922 (previously AE_LIVE_HELSINKI_110922)|length=1:11:07}}
{{tl track|number=4|title=AE_LONDON_071022_A (previously AE_LIVE_LONDON_071022_A)|length=59:48}}
{{tl track|number=5|title=AE_LONDON_071022_B (previously AE_LIVE_LONDON_071022_B)|length=59:33}}
{{tl track|number=6|title=AE_BERGEN_021122 (previously AE_LIVE_BERGEN_021122)|length=1:07:59}}
{{tl track|number=7|title=AE_TURIN_041122 (previously AE_LIVE_TURIN_041122)|length=1:00:45}}
{{tl section|section=AE_2022－ (batch 2)}}
{{tl track|number=8|title=AE_MELBOURNE_250823|length=1:00:36}}
{{tl track|number=9|title=AE_SYDNEY_270823|length=1:12:08}}
{{tl track|number=10|title=AE_VENICE_261023|length=1:09:30}}
{{tl track|number=11|title=AE_DUBLIN_291023|length=1:20:18}}
{{tl track|number=12|title=AE_BRUSSELS_040424|length=1:15:01}}
{{tl track|number=13|title=AE_PARIS_060424|length=1:27:08}}
{{tl track|number=14|title=AE_RENNES_0070424|length=1:05:27}}
{{tl track|number=15|title=AE_BARCELONA_090424|length=1:19:11}}
{{tl track|number=16|title=AE_MADRID_100424|length=1:26:27}}
{{tl track|number=17|title=AE_LISBON_120424_B|length=1:02:42}}
{{tl track|number=18|title=AE_KREMS_270424|length=1:15:40}}
{{tl track|number=19|title=AE_LYON_070524|length=1:27:44}}
{{tl finaltime|time=22:48:04}}
}}

==Links==

*[https://autechre.warp.net/release/408603-autechre-aelive-2022 AE_STORE]
*[https://bleep.com/release/430787-autechre-aelive-2022 Bleep]
*[https://www.discogs.com/master/3199512-Autechre-AE_LIVE-2022 Discogs]
*[https://twitter.com/WarpRecords/status/1689637725731954688 Announcement Tweet]

==References==
<references />
[[Category:Live]]
[[Category:Compilation]]

elseq 1-5

2026-05-19T17:04:28Z

EnergyIsMassiveLight: elseq cd

{{Infobox
|title=elseq 1-5
|artist=[[Autechre]]
|cover=elseq 1-5.jpg
|date=19 May 2016
|label=Warp Records (WARP512)
|previous=[[AE_LIVE]]
|previous year=2015
|next=[[JNSN CODE GL16 / spl47]]
|next year=2017
}}
'''''elseq 1-5''''', often shortened to just '''''elseq''''', is the twelfth studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on May 19th, 2016 as both five seperate parts as well as one compilation.

A new 5CD boxset is scheduled for release on October 2nd, 2026.<ref>https://web.archive.org/web/20260519165204/https://bleep.com/release/123260-autechre-elseq-15</ref>
== History ==
''elseq'' was all recorded directly to stereo<ref>https://web.archive.org/web/20241107183922/https://post.lurk.org/@sean_ae/113442509470527990</ref>''.'' The tracks are all solo tracks, split evenly between Sean and Rob.<ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Phoenix: can you tell us one track that was yours from elseq?''' XH HX: we try not to do that so i'm not gonna. just pick one at random and there's about a 50% chance}}</ref> Many of the tracks that appeared on ''elseq'' were made on the same rig used for ''[[AE_LIVE]].''<ref>{{Cite interview|page=RŠ INTERVJU Autechre, Radio Student FM89.3, November 2016|quote='''GK: Was it somehow inspired with the last album that, I don't know how is it pronounced, is it elseq?''' SB: Yeah a little maybe. I mean, elseq was kind of made around the same time as the last live set, so those tracks were tracks we didn't use in the live set that we just recorded in the studio. But they were made using the same setup system as the (?) AE_LIVE sets. It's kinda related to that more than it is to the new stuff.}}</ref>

In [[Autechre: elseq et al, June 2016]], Autechre explained much of the background for the record. The store-front was initially set up in collaboration with Warp to just release live shows, before Autechre realised they could also use it for putting out long tracks that were otherwise ill-suited for any proper release, similar to ''[[Quaristice.Quadrange.ep.ae]]''. The initial plan was that for any track, they would do a session on Friday, get it approved by Warp, have designs made by [[The Designers Republic]] and then put them out by Monday morning. However, Warp instead wanted to package the material into something promotable, which coalesced the tracks into groupings. Sean noted that due to the bizarre format, they didn't know if "it's an album, or a collection of EPs or albums or just... things. We have no idea what this actually is."<ref name=":1">{{Cite interview|page=Autechre: elseq et al, June 2016}}</ref>

Initially Autechre planned to just throw it onto the store, but Warp wanted to first give a promotional cycle before releasing it.<ref name=":1" /> This included debuting "feed1" and "c16 deep tread" as singles before release. ''elseq 1-5'' was released on May 19th, 2016 as a digital-only release, with no plans for a physical release.<ref>https://ghostarchive.org/archive/7HMs9</ref> 

== Tracks ==

=== elseq 1 ===
[[File:elseq1.jpeg|thumb|150x150px|elseq 1]]

==== feed1 ====
* BPM: 112
* "feed1" was debuted as the first single on BBC Radio 6 on May 13th, 2016 at 9PM.<ref>https://www.factmag.com/2016/05/14/hear-a-new-autechre-track-feed-1/</ref><ref>https://ghostarchive.org/archive/r4MxG</ref><ref name=":0">https://cdm.link/2016/05/hours-and-hours-and-hours-of-autechre/</ref>
* The name comes from the main synth on the track "going into a delay effect which put the studio monitors and laptop mic in the feedback path."<ref name=":2">{{Cite AAA2 doc|629}}</ref>
* The track was made by Sean.<ref name=":2" />
* One analysis of "feed1" put forth by IOS from WATMM is that the bass drums are a basic 2 bar loop (shown below), with probability to retrigger any amount of the main kicks again after 3 sixteenths notes.<ref>https://watmm-archive.com/t/93475/1</ref>
==== c16 deep tread ====
* BPM: 157, 160
* "c16 deep tread" was debutted as the second single on KSUA, a small Alaskan college radio channel on May 18th, 2016, at 12PM Alaskan time.<ref>https://www.factmag.com/2016/05/18/autechre-alaskan-radio-appearance/</ref> A now-deleted SoundCloud reupload of it was also linked by Warp.<ref name=":0" />
* The track appeared on [[AE_LIVE|the 2014/2015 live sets]] in a mostly final, albeit abridged form. ([https://youtu.be/c3GxvP_U_jc?si=tm2MqrWeJ8wQFIlo&t=2063 example])
* The main snare sound on "c16 deep tread" was made using subtractive synthesis of oscillator and noise plus frequency shifting with feedback, among other things. <ref>https://web.archive.org/web/20230726161856/https://post.lurk.org/@sean_ae/110771366258863281#:~:text=that%20snare%20is%20a%20combination%20of%20things%20but%20mainly%20subtractive%20(oscillator%2Bnoise)%20and%20frequency%20shifting%20w/feedback</ref>

==== 13x0 step ====

* BPM: 130

==== pendulu hv moda ====

* BPM: ?, 74
* "pendulu" is one letter short of "pendulum". A possible theory for "hv' is that it stands for "heavy", as Rob mentioned that amongst their archives they had a few tracks categorised as "heavies".<ref>{{Cite interview|page=Autechre on Their Epic NTS Sessions, David Lynch, and Where Code Meets Music, August 2018|quote=There’s a few “idles,” a few “casuals,” a few “heavies.”}}</ref>
* An early version of the track sometimes appeared at the end of [[AE LIVE|2015 NA live sets]]. ([https://youtu.be/TSH81CdJGFU?si=j33P1LVjp_OrUhlm&t=3370 example])

==== curvcaten ====

* BPM: 162 (?)

=== elseq 2 ===
[[File:elseq2.jpeg|thumb|150x150px|elseq 2]]

==== elyc6 0nset ====

* BPM: 160
* Sean confirmed that he recorded "elyc6 0nset" in a day. <ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''How did you make elyc6 0nset, and is it true you made it in one day?''' Yeah, but I don't know where, I don't think I ever said that to anyone. But yeah, it's true that I made it in a day, yeah.}}</ref>
* Certain elements of this track were later reused on [[NTS Sessions 1-4#elyc9 7hres|"elyc9 7hres"]]. The elyc sounds themselves were done around 2014/2015.<ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote=the elyc stuff was 2014/15 iirc}}</ref>

==== chimer 1-5-1 ====

* BPM: 151

==== c7b2 ====

* BPM: 120

* "c7b2" appears on the [[AE LIVE|2015 NA live sets]]. ([https://youtu.be/pmlbwJ5LXbY?si=VoDb_983KJyaO7b7&t=3185 example])
* Sean was unable to explain what exactly was going on behind the scenes for "c7b2" in the [[Sean Twitch AMA, June 2022]], however was able to recall that "a lot of the sort of screamy stuff is sort of delays and something that's a bit like a phaser, but it's getting webbed around quite a lot." <ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''Anything you say about c7b2 sequencing sound engineering? It seems to have a lot of interesting reoccurring themes like the rumbling low end?''' Yeah, I mean, I don't know what to tell you about it. It's quite, it was quite a few different patches working together, that track. So, a lot of the sort of screamy stuff is sort of delays and something that's a bit like a phaser, but it's getting webbed around quite a lot. So there's a lot of, kind of, I don't know. I don't even know what it was doing to be honest. I'd have to open it all up again and have a look because, you know, once it's set up and saved, I don't really look at it so. But I know roughly which modules were getting used and I know roughly what they would have been doing, so yeah. “I don't know” is the short answer.}}</ref>

=== elseq 3 ===
[[File:elseq3.jpeg|thumb|150x150px|elseq 3]]

==== eastre ====
* BPM: 153 (?)
* [[ae mixlr 300320|In a Mixlr stream on 30 March 2020]], Sean remarked that he had a 52 minute long version of "eastre" as he was skimming through jam folder snippets. <ref>https://docs.google.com/spreadsheets/d/1g52y2e2rnqVhQJdkw0Qk1YYJoen1uhVvn2Fd-tABywA/edit#gid=1580406988&range=E16</ref>

==== TBM2 ====

* BPM: 85.91

==== mesh cinereaL ====

* BPM: 83 (?)

=== elseq 4 ===
[[File:elseq4.jpeg|thumb|150x150px|elseq 4]]

==== acdwn2 ====

* BPM: 124
* Elements of "acdwn2" appears on the [[AE LIVE|2014/2015 live sets]]. ([https://www.youtube.com/watch?v=OdvWpAS-dVk&t=336s example]) They were also later reused on [[NTS Sessions 1-4#xflood|"xflood"]].
* The horns on "acdwn2" were sampled from an unreleased track of theirs.<ref>{{Cite AAA2 doc|364}}</ref>

==== foldfree casual ====

* BPM: 160
* The track shares elements with both "pendulu hv moda" and [[NTS Sessions 1-4#carefree counter dronal|"carefree counter dronal"]]

==== latentcall ====

* BPM: 148
* Elements of "latentcall" appeared in the [[AE LIVE|2014/2015 live sets]]. ([https://www.youtube.com/watch?v=m_SnP2px8to&t=2600s example])

==== artov chain ====

* BPM: 148
* "artov chain" is a play on [[wikipedia:Markov_chain|Markov Chains]].
* Elements of "artov chain" appeared in the [[AE LIVE|2015 NA live sets]]. ([https://www.youtube.com/watch?v=m_SnP2px8to&t=3097s example])
* The main "ah" sample in the track is from the [https://archive.org/details/cmi-sound-library-rev-1.3 Fairlight CMI sound library],<ref>https://web.archive.org/web/20240119174137/https://post.lurk.org/@sean_ae/111783830699925880</ref> specifically HUMANS1/AAHHL2.wav being stacked harmonically.

==== 7th slip ====

* BPM: 160
* The synths were previously used in the [[AE LIVE|2014/2015 live sets]]. ([https://youtu.be/38Cmbmupb3M?si=u8gNxs59jn0Foxtc&t=3027 example])
* "7th slip" was done by Rob. The track was constructed out of "70s prog samples and an off cut of a beat sean made".<ref>{{Cite AAA2 doc|132}}</ref>
* The name has no connection to [[Amber#Slip|"Slip"]] from Amber, instead just referring to how slippery it sounded "compared to their other '7th' works."<ref>{{Cite AAA2 doc|511}}</ref>

=== elseq 5 ===
[[File:elseq5.jpeg|thumb|150x150px|elseq 5]]

==== pendulu casual ====

* BPM: 80
* "pendulu casual" shares a few elements with [[NTS Sessions 1-4#frane%20casual|"frane casual"]].

==== spTh ====

* BPM: 186

==== spaces how V ====

* BPM: 162
* "spaces how V" was done by Rob.<ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote=spaces how V was Rob, so I can't talk about how he did it. You're gonna have to ask him. Rob knows some mean tricks for stereo manipulation, and he doesn't even share him with me, so.}}</ref>
* The track reused "liveset outtakes practises and proof tests" for material that was performed at the [[Oversteps Tour|2010 live shows]] [https://youtu.be/dEtauI9aN1E?t=1108 (example)], using both the Nord V2 Rack Engine for the vocal patch and the NMv2e for beats. The longform outtakes ended up in [[List of Rarities#Atoms Vectors Pixels Ghosts™|Atoms Vectors Pixels Ghosts™]] as well as a project "for a particular municipal historical science and astronomical facility in NYC" which fell through, all of which contributed to the final track.<ref>{{Cite AAA2 doc|62}}</ref>

==== freulaeux ====

* BPM: 137

* The track title is a reference to [[wikipedia:Franz_Reuleaux|Franz Reuleaux]] that was chosen by Rob because of Reuleaux's work in kinematics.<ref>{{Cite AAA2 doc|129}}</ref><ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Anuel: thoughts on Franz Reuleaux?''' XH HX: that was rob's reference so i guess ask him}}</ref>

==== oneum ====

* BPM: 95 (?)
* "oneum" shares a few elements with [[NTS Sessions 1-4#turbile epic casual, stpl idle|"turbile epic casual, stpl idle"]].

== Tracklist ==
{{Tracklist|list=
{{tl section|section=elseq 1}}
{{tl track|number=1|title=feed1|length=11:38}}
{{tl track|number=2|title=c16 deep tread|length=12:31}}
{{tl track|number=3|title=13x0 step|length=8:57}}
{{tl track|number=4|title=pendulu hv moda|length=12:15}}
{{tl track|number=5|title=curvcaten|length=6:59}}
{{tl total|time=52:21}}
{{tl section|section=elseq 2}}
{{tl track|number=6|title=elyc6 0nset|length=27:09}}
{{tl track|number=7|title=chimer 1-5-1|length=5:03}}
{{tl track|number=8|title=c7b2|length=13:22}}
{{tl total|time=45:35}}
{{tl section|section=elseq 3}}
{{tl track|number=9|title=eastre|length=22:15}}
{{tl track|number=10|title=TBM2|length=6:44}}
{{tl track|number=11|title=mesh cinereaL|length=24:28}}
{{tl total|time=53:29}}
{{tl section|section=elseq 4}}
{{tl track|number=12|title=acdwn2|length=11:52}}
{{tl track|number=13|title=foldfree casual|length=9:49}}
{{tl track|number=14|title=latentcall|length=14:31}}
{{tl track|number=15|title=artov chain|length=4:04}}
{{tl track|number=16|title=7th slip|length=6:36}}
{{tl total|time=46:54}}
{{tl section|section=elseq 5}}
{{tl track|number=17|title=pendulu casual|length=9:01}}
{{tl track|number=18|title=spTh|length=8:21}}
{{tl track|number=19|title=spaces how V|length=9:57}}
{{tl track|number=20|title=freulaeux|length=11:06}}
{{tl track|number=21|title=oneum|length=11:01}}
{{tl total|time=49:28}}
{{tl finaltime|time=4:07:49}}
}}
== Trivia ==

* ''elseq 1-5'' is the only Autechre album to have a title stylized in lowercase.
* One theory argues that “elseq” is an abbreviation of “'''e'''dited '''l'''ive '''seq'''uences” (or "extended live sequences"), due to the overlap with the material taken from [[AE LIVE|''AE_LIVE'']], meaning it would be pronounced "ell seek". During interviews Sean did pronounce it as "ell seek", lending credence to that theory. (who?)
* The CAT number, WARP512, was likely specifically requested by Autechre. 512 is a power of 2, as are WARP128 ([[Confield|''Confield'']]) and WAP256 ([[Gantz Graf|''Gantz Graf'']]). Another theory is that the “5” represents the 5 parts of elseq, whereas the 12 represents it being the twelfth Autechre album.

== Gallery ==
<gallery>
File:feed1.jpg|feed1
File:c16 deep tread.jpg|c16 deep tread
File:13x0 step.jpg|13x0 step
File:pendulu hv moda.jpg|pendulu hv moda
File:curvcaten.jpg|curvcaten
File:elyc6 0nset.jpg|elyc6 0nset
File:chimer 1-5-1.jpg|chimer 1-5-1
File:c7b2.jpg|c7b2
File:eastre.jpg|eastre
File:TBM2.jpg|TBM2
File:mesh cinereaL.jpg|mesh cinereaL
File:acdwn2.jpg|acdwn2
File:foldfree casual.jpg|foldfree casual
File:latentcall.jpg|latentcall
File:artov chain.jpg|artov chain
File:7th slip.jpg|7th slip
File:pendulu casual.jpg|pendulu casual
File:spTh.jpg|spTh
File:spaces how V.jpg|spaces how V
File:freulaeux.jpg|freulaeux
File:oneum.jpg|oneum
</gallery>

== Links ==

* [https://autechre.warp.net/release/73330-autechre-elseq-15 AE_STORE]
* [https://www.discogs.com/master/1003066-Autechre-elseq-15 Discogs]
* [https://open.spotify.com/album/7raDh1kdExEdaPyOJAtl9E Spotify]

== Credits==
*[[The Designers Republic]] (design) <ref>https://www.discogs.com/master/1003066-Autechre-elseq-15</ref>

== References ==
<references />
[[Category:Album]]

News

2026-05-19T17:02:21Z

EnergyIsMassiveLight: reorg

<noinclude>An archive of all recent Autechre news. News on the [[Main Page]] only lists events in the past year.</noinclude>

* 2026-05-19 - In line with ''[[elseq 1-5]]''<nowiki/>'s 10th anniversary, a 5CD boxset is put up for preorder.
* 2025-12-02 - The ''twentytwentysix'' tour is announced with 25 European dates.
* 2025-09-05 - ''[[Quaristice#Quaristice (Versions)|Quaristice (Versions)]]'' is added to streaming services.
* 2025-04-28 - ''[[Untilted]]'', ''[[Quaristice]]'' and ''[[Quaristice (Versions)]]'' reissue preorders are put up.
* 2025-04-17 - [[Ask Autechre Anything Again, KEYOSC, April 2025]] concludes.
* 2025-02-26 - The twentytwentyfive tour is announced, with 5 European, 19 North American, and 6 UK dates.
<noinclude>
* 2024-12-09 - The first of four mixes by Autechre is aired on ''[[BBC Radio 6 Music's Artist in Residence]]''.
* 2024-11-04 - [https://twitter.com/WarpRecords/status/1853474904416387108 12 new sets] are released as part of ''[[AE_2022－]]''.
* 2024-10-25 - Mailing list sign-up sheet is [https://twitter.com/WarpRecords/status/1849844754197987687#m tweeted out] by [https://www.warp.net Warp Records].
* 2024-10-21 - Metal Magazine [https://metalmagazine.eu/en/post/autechre publishes an interview] with Rob and Sean.
* 2024-10-18 - [[List of Remixes#Russell Haswell - Heavy Handed Sunset (Autechre Form Conversion)|Russell Haswell - "Heavy Handed Sunset (Autechre Form Conversion)"]] releases.
* 2024-05-22 - Sean shares [https://web.archive.org/web/20240522190711/https://post.lurk.org/@sean_ae/112485874698250947 an ''Oversteps'' outtake] on Mastodon.
* 2024-01-13 - Sean shares a rip of ''[[Autechre / Saw You]]'' on Mastodon.
* 2023-12-15 - [[List of Remixes#Ulver - Ghost Entry (Autechre Re-Entry)|Ulver - "Ghost Entry (Autechre Re-Entry)"]] releases.
* 2023-12-07 - Day 7 of the Bleep 2023 Advent Calender featured downloads for [[AE LIVE 2022－|''AE_LIVE 2022 -'']] on Bleep. The [[Autechre & The Hafler Trio#³oæh|Autechre / The Hafler Trio - ''³oæh'']] vinyl boxset repress and a raffle for one AE_LIVE_PRINT 2022 - Poster were also featured.
* 2023-10-17 - Nialler9 publishes [https://nialler9.com/autechre-conversation-about-music-art-funk-and-emotion-interview/ an interview] with Rob and Sean.
* 2023-08-24 - Via mailing list and a [https://twitter.com/WarpRecords/status/1694720970068754657 tweet] from [https://www.warp.net/ Warp Records], the ''AE_LIVE_Print 2022'' Poster is announced for [https://autechre.warp.net/ae_live pre-order]. All 250 copies sold out within five hours.
* 2023-08-10 - ''[[AE_LIVE 2022－]]'' is released, exclusively on [https://autechre.warp.net/ autechre.warp.net/]
* 2023-08-08 - ''[[AE_LIVE 2022－]]'' is announced via mailing list.
* 2023-08-07 - Mailing list sign-up sheet is [https://twitter.com/WarpRecords/status/1688580822519951360 tweeted out] by [https://www.warp.net Warp Records].

* 2023-06-23 - [[Autechre & The Hafler Trio#³oæh|Autechre / The Hafler Trio - ''³oæh'']] vinyl boxset repress is released.
* 2023-06-20 - [[Mix for Neuvoids|''Mix For Neuvoids'']] mixtape is released.
* 2023-04-13 - [[Autechre & The Hafler Trio#³oæh|Autechre / The Hafler Trio - ''³oæh'']] vinyl boxset repress is made available for preorder.

* 2023-02-24 - ''[[Confield]]'' & [[Draft 7.30|''Draft 7.30'']] represses are [https://twitter.com/WarpRecords/status/1629134504320200704 released].

* 2023-02-06 - ''[[Confield]]'' & [[Draft 7.30|''Draft 7.30'']] represses are [https://twitter.com/WarpRecords/status/1622631137762746368 announced].

* 2022-12-30 - Sean goes live on [https://autechre.mixlr.com/ Mixlr], playing 5.5 hours of early 90's-era techno songs, in celebration of the 20th anniversary repress of [[Artificial Intelligence]].
* 2022-07-24 - [[Hanalgig AMA, July 2022]]
*2022-06-05 - [[Sean Twitch AMA, June 2022]] 
*2022-05-18 - [[AE_LIVE 2016/2018|''AE_LIVE 2016/2018'']] releases on all streaming services.
*2021-12-03 - [[List of Remixes#Humanoid - sT8818r (A664 Mix by Autechre)|Humanoid - "sT8818r (A664 Mix by Autechre)"]] releases.
*2021-11-19 - ''[[Chiastic Slide]]'' & ''[[LP5]]'' represses release.
*2021-09-30 - ''[[Chiastic Slide]]'' & ''[[LP5]]'' represses are [https://twitter.com/WarpRecords/status/1443577053907849221 announced].
*2021-01-14 - [[List of Remixes#SOPHIE - BIPP (Autechre Mx)|SOPHIE - "BIPP (Autechre Mx)"]] releases.
*2020-11-20 - CD and Vinyl editions of ''[[PLUS]]'' are released.
*2020-10-28 - ''[[PLUS]]'' is simultaneously announced and released.
*2020-10-16 - ''[[SIGN]]'' is released.
*2020-10-08 - ''[[SIGN]]'' is broadcasted in full via [https://autechre.warp.net/ autechre.warp.net]
*2020-10-07 - ''[[SIGN]]'' full broadcast announcement is [https://twitter.com/WarpRecords/status/1313841530524884992 announced].
*2020-09-02 - ''[[SIGN]]'' is [https://twitter.com/WarpRecords/status/1301159486447669248 announced].
*2020-04-07 - [[AE_LIVE 2016/2018]] releases, exclusively on [https://autechre.warp.net/ autechre.warp.net/]
</noinclude>

News

2026-05-19T17:01:20Z

EnergyIsMassiveLight: elseq cd

<noinclude>An archive of all recent Autechre news. News on the [[Main Page]] only lists events in the past year.</noinclude>

* 2026-05-12 - In line with ''[[elseq 1-5]]''<nowiki/>'s 10th anniversary, a 5CD boxset is put up for preorder.
* 2025-12-02 - The ''twentytwentysix'' tour is announced with 25 European dates.
* 2025-09-05 - ''[[Quaristice#Quaristice (Versions)|Quaristice (Versions)]]'' is added to streaming services.
* 2025-04-28 - ''[[Untilted]]'', ''[[Quaristice]]'' and ''[[Quaristice (Versions)]]'' reissue preorders are put up.
* 2025-04-17 - [[Ask Autechre Anything Again, KEYOSC, April 2025]] concludes.
* 2025-02-26 - The twentytwentyfive tour is announced, with 5 European, 19 North American, and 6 UK dates.
* 2024-12-09 - The first of four mixes by Autechre is aired on ''[[BBC Radio 6 Music's Artist in Residence]]''.
* 2024-11-04 - [https://twitter.com/WarpRecords/status/1853474904416387108 12 new sets] are released as part of ''[[AE_2022－]]''.
* 2024-10-25 - Mailing list sign-up sheet is [https://twitter.com/WarpRecords/status/1849844754197987687#m tweeted out] by [https://www.warp.net Warp Records].
* 2024-10-21 - Metal Magazine [https://metalmagazine.eu/en/post/autechre publishes an interview] with Rob and Sean.
* 2024-10-18 - [[List of Remixes#Russell Haswell - Heavy Handed Sunset (Autechre Form Conversion)|Russell Haswell - "Heavy Handed Sunset (Autechre Form Conversion)"]] releases.
* 2024-05-22 - Sean shares [https://web.archive.org/web/20240522190711/https://post.lurk.org/@sean_ae/112485874698250947 an ''Oversteps'' outtake] on Mastodon.
<noinclude>
* 2024-01-13 - Sean shares a rip of ''[[Autechre / Saw You]]'' on Mastodon.
* 2023-12-15 - [[List of Remixes#Ulver - Ghost Entry (Autechre Re-Entry)|Ulver - "Ghost Entry (Autechre Re-Entry)"]] releases.
* 2023-12-07 - Day 7 of the Bleep 2023 Advent Calender featured downloads for [[AE LIVE 2022－|''AE_LIVE 2022 -'']] on Bleep. The [[Autechre & The Hafler Trio#³oæh|Autechre / The Hafler Trio - ''³oæh'']] vinyl boxset repress and a raffle for one AE_LIVE_PRINT 2022 - Poster were also featured.
* 2023-10-17 - Nialler9 publishes [https://nialler9.com/autechre-conversation-about-music-art-funk-and-emotion-interview/ an interview] with Rob and Sean.
* 2023-08-24 - Via mailing list and a [https://twitter.com/WarpRecords/status/1694720970068754657 tweet] from [https://www.warp.net/ Warp Records], the ''AE_LIVE_Print 2022'' Poster is announced for [https://autechre.warp.net/ae_live pre-order]. All 250 copies sold out within five hours.
* 2023-08-10 - ''[[AE_LIVE 2022－]]'' is released, exclusively on [https://autechre.warp.net/ autechre.warp.net/]
* 2023-08-08 - ''[[AE_LIVE 2022－]]'' is announced via mailing list.
* 2023-08-07 - Mailing list sign-up sheet is [https://twitter.com/WarpRecords/status/1688580822519951360 tweeted out] by [https://www.warp.net Warp Records].

* 2023-06-23 - [[Autechre & The Hafler Trio#³oæh|Autechre / The Hafler Trio - ''³oæh'']] vinyl boxset repress is released.
* 2023-06-20 - [[Mix for Neuvoids|''Mix For Neuvoids'']] mixtape is released.
* 2023-04-13 - [[Autechre & The Hafler Trio#³oæh|Autechre / The Hafler Trio - ''³oæh'']] vinyl boxset repress is made available for preorder.

* 2023-02-24 - ''[[Confield]]'' & [[Draft 7.30|''Draft 7.30'']] represses are [https://twitter.com/WarpRecords/status/1629134504320200704 released].

* 2023-02-06 - ''[[Confield]]'' & [[Draft 7.30|''Draft 7.30'']] represses are [https://twitter.com/WarpRecords/status/1622631137762746368 announced].

* 2022-12-30 - Sean goes live on [https://autechre.mixlr.com/ Mixlr], playing 5.5 hours of early 90's-era techno songs, in celebration of the 20th anniversary repress of [[Artificial Intelligence]].
* 2022-07-24 - [[Hanalgig AMA, July 2022]]
*2022-06-05 - [[Sean Twitch AMA, June 2022]] 
*2022-05-18 - [[AE_LIVE 2016/2018|''AE_LIVE 2016/2018'']] releases on all streaming services.
*2021-12-03 - [[List of Remixes#Humanoid - sT8818r (A664 Mix by Autechre)|Humanoid - "sT8818r (A664 Mix by Autechre)"]] releases.
*2021-11-19 - ''[[Chiastic Slide]]'' & ''[[LP5]]'' represses release.
*2021-09-30 - ''[[Chiastic Slide]]'' & ''[[LP5]]'' represses are [https://twitter.com/WarpRecords/status/1443577053907849221 announced].
*2021-01-14 - [[List of Remixes#SOPHIE - BIPP (Autechre Mx)|SOPHIE - "BIPP (Autechre Mx)"]] releases.
*2020-11-20 - CD and Vinyl editions of ''[[PLUS]]'' are released.
*2020-10-28 - ''[[PLUS]]'' is simultaneously announced and released.
*2020-10-16 - ''[[SIGN]]'' is released.
*2020-10-08 - ''[[SIGN]]'' is broadcasted in full via [https://autechre.warp.net/ autechre.warp.net]
*2020-10-07 - ''[[SIGN]]'' full broadcast announcement is [https://twitter.com/WarpRecords/status/1313841530524884992 announced].
*2020-09-02 - ''[[SIGN]]'' is [https://twitter.com/WarpRecords/status/1301159486447669248 announced].
*2020-04-07 - [[AE_LIVE 2016/2018]] releases, exclusively on [https://autechre.warp.net/ autechre.warp.net/]
</noinclude>

Oversteps Tour

2026-05-09T22:34:37Z

EnergyIsMassiveLight:

(page for 2010 tour)

==Analysis==
Main analysis by [[User:Sq|sphene]] and [[User:EnergyIsMassiveLight|EnergyIsMassiveLight]].
{| class="wikitable"
|+
!
!#1
!#2
!#3
!#4
!#5
!#6
!#7
!#8
!#9
!#10
!#11
!#12
!#13
!#14
!#15
!#16
!#17
!#18
!#19
!#20
!#21
!#22
!#23
!#24
!#25
!#26
!#27
|-
|''Manchester_110310''
|
|
|0:00
|1:34
|5:58
|11:41
|
|
|16:58
|22:32
|28:00
|32:53
|37:58
|43:59
|44:39
|
|
|
|
|?
|48:08
|52:46
|53:34
|54:48
|58:13
|61:27
|
|-
|''Birmingham_120310''
|0:00
|4:19
|7:13
|11:37
|14:25
|18:46
|24:08
|29:24
|32:18?
|37:02
|41:22
|45:30
|47:46
|51:10
|51:23
|52:58
|55:51
|57:42
|58:32
|
|
|
|
|
|
|
|
|-

|''Zurich_230310''
|0:00
|6:26
|10:40
|14:03
|16:52
|21:36
|24:32
|27:51
|29:56
|34:33
|39:04
|42:38
|46:02
|50:33
|53:11
|55:59
|58:18
|60:33
|62:11
|
|
|
|
|
|
|
|
|-
|''Turin_260310''
|0:01
|7:09
|12:09
|16:45
|20:45
|25:54
|31:33
|37:13
|37:59
|43:29
|48:00
|51:54
|55:09
|59:39
|61:39
|65:46
|68:23
|69:41
|72:00
|
|
|
|
|
|
|
|
|-
|''Ljubljana_280310''
|0:00
|5:47
|9:39
|13:14
|17:14
|21:11
|24:19
|27:38
|30:45
|35:45
|39:31
|41:25
|45:32
|50:04
|50:43
|53:05
|55:45
|56:17
|58:22
|61:14
|61:36
|64:33
|66:46
|
|
|
|
|-
|''Oslo_030410''
|0:19
|6:29
|10:43
|13:20
|17:19
|20:41
|24:47
|30:14
|31:48
|37:12
|42:06
|45:07
|48:30
|54:31
|56:30
|58:34
|62:38
|64:32
|66:34
|68:12
|69:10
|71:21
|
|
|
|
|
|-
|''Amsterdam_070410''
|0:01
|5:37
|9:40
|13:40
|16:03
|20:00
|22:33
|26:38
|29:34
|37:22
|41:53
|45:17
|47:20
|53:22
|54:41
|56:24
|57:53
|59:42
|61:16
|63:54
|65:42
|67:57
|70:03
|72:32
|73:56
|75:56
|77:14
|-
|''Brussels_090410''
|0:06
| 4:44
|7:15
|9:26
|12:14
|15:48
|17:57
|21:04
|22:37
|26:14
|27:44
|29:37
|31:30
|37:31
|38:10
|40:43
|42:47
|44:11
|44:47
|47:19
|48:04
|49:43
|
|52:19
|54:34
|55:35
|56:48
|-
|''London_100410''
|0:00
|5:00
|7:42
|11:18
|14:30
|18:24
|20:25
|24:18
|27:25
|33:49
|37:46
|40:02
|42:40
|47:11
|49:10
|51:27
|53:46
|54:54
|56:16
|
|
|
|56:21?
|57:46
|59:17.0
|60:58
|62:25
|-
|''Dublin_230410''
|0:00
|5:00
|8:28
|12:28
|17:28
|21:37
|25:08
|29:25
|30:59
|36:11
|38:15
|40:19
|43:08
|49:10
|51:08
|55:05
|56:28
|58:12
|61:44
|64:25
|64:52
|67:53
|70:19
|71:14
|73:13
|75:08
|76:55
|-
|''Melbourne_290510''
|0:00
| 5:35
|5:47
|9:23
|12:35
|17:31
|21:25
|25:31
|28:38
|34:30
|36:45
|40:20
|42:35
| 47:06
|48:25
|52:23
|56:24
|58:55
|59:14
|60:56
|62:35
|63:42
|66:30
|69:37
|70:34
|71:06
|73:47
|}

*'''#1'''
*'''#2'''
*'''#3'''
*'''#4''' spaces how V
*'''#5'''
*'''#6'''
*'''#7'''
*'''#8'''
*'''#9'''
*'''#10'''
*'''#11'''
*'''#12'''
*'''#13'''
*'''#14'''
*'''#15'''
*'''#16'''
*'''#17'''
*'''#18'''
*'''#19'''
*'''#20'''
*'''#21'''
*'''#22'''
*'''#23'''
*'''#24'''
*'''#25'''
*'''#26'''
*'''#27'''

=== Notes: ===

* Elements of "runrepik" may appear starting from #15
* Elements of "tuinorizn" may appear starting from #19

AE 2022－

2026-05-07T07:24:54Z

EnergyIsMassiveLight: rephrased '26 snippets

{{DISPLAYTITLE:AE_2022－}}
{{Infobox
|title=AE_2022－
|artist=[[Autechre]]
|cover=AE 2022－.jpg
|date=10 August 2023 (Milan22－Turin22) 4 November 2024 (Melbourne23－Lyon24)
|label=Warp Records (WARP444)
|previous=[[PLUS]]
|previous year=2020
|next=
|next year=
}}
'''''AE_2022－''','' previously '''''AE_LIVE 2022－''''', and otherwise known as '''''2022 dash'''''<ref name=":2">{{Cite interview|page=Autechre: Immersive Listening, Synesthesia, and the Manchester Scene, Metal Magazine, October 2024|quote=Rob: We've been doing this since 2022, calling it 2022 dash. We could keep it going for another ten years. Traveling and meeting people is something you can’t replicate in a studio.}}</ref> is a compilation of nineteen soundboard recordings taken from live shows performed from 2022 onwards as part of the '''''twentytwentytwo''''' tour.<ref>https://autechre.warp.net/twentytwentytwo</ref> The first batch was released on August 10th, 2023, and the second on November 4th, 2024.

==History==

=== Development ===
Initial planning for a new tour started in late 2019 for dates in late 2020-early 2021, before the COVID-19 pandemic in early 2020 put all plans on hold.<ref>{{Cite AAA2 doc|5}}</ref><ref name=":10">{{Cite interview|page=Autechre: 30 Jahre Afterhour (Teil 1) & „Mehr Menschen mögen Erdbeeren als Autechre” (Teil 2), Groove, 2021|quote='''Vermisst ihr es sehr, live zu spielen?'''

SB: Klar. Allerdings hat uns die Pandemie bisher gar nicht so sehr getroffen, weil wir die Tour erst zum Release des neuen Albums geplant hatten. Jetzt sitzen auf einem fertigen Live-Set, das wir nicht spielen können. Unsere Routine hat sich aber nicht sonderlich verändert, wir bleiben ja sowieso die ganze Zeit zuhause und machen Musik.

Rob Brown: Unser Ablauf blieb tatsächlich gleich. Wir hatten Pläne für Gigs, aber, na ja. Wir bekamen zum Beispiel im März ein Angebot für einen Auftritt in Mailand im November. Die Lombardei wurde dann komplett abgeriegelt, und wir haben von den Leuten einen Monat lang nichts gehört. Beim nächsten Kontakt waren sie schon weitaus weniger zuversichtlich. Dann hat sich das Angebot in Luft aufgelöst und wurde auf nächstes Jahr verschoben. Das war unser einziger geplatzter Gig, wenn man so will. Weil wir ja ohnehin erst im Winter oder im Frühling 2021 loslegen wollten.}}</ref><ref>https://web.archive.org/web/20241217152311/https://post.lurk.org/@sean_ae/113663738919715601 </ref> Sean mentioned that he spent that time reworking the back end of their rig, getting interested in MC (multi-channel audio in Max), physical modelling<ref name=":0">{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''“Do you like the new Mac chip situation? Is it any different to work on compared to the old CPU?”''' Yes. So my patch was using about 75, 80% towards the end of last year or the year before, whenever it was I got it, and then, yeah, I got the M1 and then it was just flying! 30%, just flying! Just absolutely insane! So there's no turning back now I'm fucked because I'm filling it up already. Loads of Live physmod things, and things that were a bit, you know, expensive. So yeah, I love it. Just amazing, kind of a little bit too much if anything, and the disking out speeds are amazing. The transitions are all super tight. The timing's super tight. All the control rate stuff is super tight. So yeah, I think if you're using Max and you've got an M1, you're basically living the dream at this point. it's just insane.}}</ref> (such as [https://forum.ircam.fr/projects/detail/modalys/ Modalys]), and scratching (as seen on Gescom's ''[[AMKS_1]]'')''.''<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Basically when COVID hit, I had a lot of time on my hands to rebuild a lot of it. So it's, yeah, it’s a lot of it you wouldn't even notice because a lot of it's just porting things to Gen that didn't need to be ported but just because I wanted a bit more control, and that led me off on loads of tangents because once you start building basic things like oscillators, you get a bit mad with all the options. So yeah, that happened and then I got heavily into MC, and then that happened. And then I built a lot more [physical] modeling stuff, and I did that scratching thing that we used on that Gescom thing that we've done about just over a year ago. And then did that and then, and then, yeah the set sort of grew out of all that tech basically. So sty listically, it's not that far off what we've been doing for the last few years because I think we're still in the same sort of place mentally. But, tech wise, the underlying, the kind of back end stuff is all fresh.}}</ref>

During a mixlr stream on March 21st, 2020, Sean mentioned that the live set was 99% complete, requiring just the intro to be completed.<ref>{{Cite web|author=Ryce, Andrew|title=Autechre say they have two new albums ready|website=Resident Advisor|date=22 March 2020|link=https://ra.co/news/72301|accessdate=5 June 2025}}</ref> By mid-2022, Sean noted that, on his side, he had about three and a half hours of total material prepared that may or may not be shown.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=[...] I mean some, they will share elements and the probably, I mean in all likelihood it'll be mostly similar material but there's a bunch of material that's not aired yet. That's because we've had too long to work on this fucking set, right, so. Least my part of the set is, I don't know, like three and a half hours of stuff, so I don't know how much of it will end up using.}}</ref> In late 2023, Sean gave an update on Mastodon that the material ended up becoming one long track they just kept adding onto. At that point, it was "about 4 hours long so far and growing steadily", noting it was the "most interesting thing we’ve done in ages from our POV." <ref>[https://web.archive.org/web/20231118215345/https://post.lurk.org/@sean_ae/111433472440615681#:~:text=We%20took%20a,from%20our%20POV. @sean_ae Mastodon post, November 18, 2023]</ref> In an interview in October 2024, they mentioned that "we could keep [this project] going for another ten years."<ref name=":2" /> 

The main equipment used to perform is two M1<ref name=":0" /> Macs running Max/MSP, Kenton Killamix controllers, Apogee Symphony Desktop and Apogee Element 24.<ref name=":4">{{Cite interview|page=Sean Twitch AMA, July 2022|quote='''Can u describe the live setup of the last gigs, laptop, controllers, souncard, thx''' I mean you know, two, I mean the latest ones are just two M1 Macs, Kenton Killamix controllers, two interfaces; I've got an Apogee Symphony Desktop, Rob's using the Apogee Element 24. The mixer is like a little Mackie Onyx12 channel thing just because it fits on a plane easily, and it's easier to get around. And it's replaceable if it breaks, you know, it's not, we're not relying on some esoteric mixer being found by the promoter at the last minute, so. Because that's always a consideration, you know? There's only the controllers really that be hard to source. So we often carry spares like if we're on a tour bus, we'll have spares of the controllers we’ll source.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''What's your live setup nowadays?''' Two Macs, and these Kenton Killamix things, and a couple of interfaces.}}</ref><ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Tebbisimo: [...] What audio interface you using on the live sets ATM? [...]''' XH HX: i'm using apogee symphony desktop lately which i really rate but before that was using apogee element 24 (also good but harder to get now) and before that was using RME ADI2 converter (had to stop since apple borked the optical port but i loved that thing). i also got a MOTU M2 which is mad value for ESS sabre converters if u want something cheapish}}</ref><ref name=":5">https://web.archive.org/web/20240509143259/https://post.lurk.org/@sean_ae/112400607304881021</ref><ref name=":3">https://web.archive.org/web/20241107183922/https://post.lurk.org/@sean_ae/113442509470527990</ref> Both Sean and Rob have different versions of their Max rig; Sean sends nightly builds to Rob, to which Rob adds his own additions.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Like, I've got my version of the rig. Rob's got his version, which is a, it's been mutated so much it's not really the same rig anymore.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=We don't rehearse at all, but the rig, we do share, so, you know. We've, I've got bits of Rob’s stuff. He's got a fully up-to-date version of what I'm doing all the time, so he gets nightly, almost, builds, yeah. So, that happened. I think he can run my rig in his house so he knows exactly what it'll do, but he doesn't know quite how I'm gonna play it on the night and so I'll be doing surprising things with it and it'll be reacting to him with his controllers, so it's a kind of, yeah, it's very much an intuitive thing.}}</ref><ref>{{Cite AAA2 doc|190}}</ref> In 2024, they got four custom-made Killamix Minis.<ref>https://web.archive.org/web/20240309004321/https://post.lurk.org/@sean_ae/112054867478643903</ref> Initially, mixing was done using the Mackie Onyx12,<ref name=":4" /> but since Brussels24 they've been using Sound Devices 888.<ref name=":5" /><ref name=":6">https://web.archive.org/web/20241113092034/https://post.lurk.org/@sean_ae/113458692313028937</ref> For recording with the 888, they have "two mains, two spares and two mons (adjustable using the headphone pot) going to 3 stereo DIs" with separate recordings of Sean and Rob's computers alongside a mixed version.<ref name=":3" /><ref name=":6" /> For final mastering of the soundboards for release which Sean fully handles and which mostly consists of "tiny edits and tweaks",<ref>https://web.archive.org/web/20260120230657/https://post.lurk.org/@sean_ae/115907100261965904</ref> he listed using "a couple of Meyer UPMs and USW-112Ps" as monitors.<ref>https://forum.keyosc.com/topic/720-i-no-longer-strongly-disagree-with-seans-answer-to-gl0tch-in-aaaa/?&do=findComment&comment=19916</ref>

The Max rig itself (seen best in the [https://www.youtube.com/watch?v=jgMArRJswIQ December 15th, 2022] demo recording) consists of 16 channels with six different slots each (one sequencer, one synthesizer, four effect units) and 4 bus channels with five slots each (one sequencer, four effects units).<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Yeah, so like those three module types are arranged in channels, So like each channel has like, I think, six slots, yeah, it has like a sequencer, a synth and then four effects units on every channel, and there's 16 channels, and they're constantly changing and there are four bus channels as well that don't have sequences. No, sorry, that don't have synths on, but they just have sequences and effects units. So they have the four effects units in the sequences and there's four of those bus channels and they can be routed into each other and stuff, so that's it. So in total, there are 68 slots. Yeah.}}</ref> Between both different rigs, they have a total of 32 channels available.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=But with this set, it was written with both of us running 16 channels each now.}}</ref> Modules are dynamically loaded into slots (which each have two [poly~] objects)<ref>{{Cite AAA2 doc|175}}</ref> via a global "pattstorage-addressing copy patch" and preloading.<ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote='''“How'd you deal with preset management live?”''' It's all pattr, so like, yeah it's all pattr now. It used to be pattr and then presets. So the global stuff was a pattr and then the stuff in the modules was presets, but it got too unwieldy. I had to build, rebuild it all with pattr. Plus I like being able to morph them because morphing is just tons of fun, innit? So, see it's all pattr and then I built a thing that where I can name them. So there's like a little box, you just type the name in and click enter and it just saves it with that name. So then I have like a new menu with all the names in. I found that loads easier to work with than numbers. So yeah, it's pattr all the way down, but it's pattr, it's like a global pattr and then each module has its own pattrs because the modules are loaded dynamically. I couldn't have pattr, the global pattr reaching into the modules, if you know what I mean. so they all have to have their own pattr storage in each module. But that's okay, you know?}}</ref><ref>{{Cite AAA2 doc|481}}</ref> The general development process was described as "make a cell, save it, come back the next day, tweak it a bit."<ref>{{Cite AAA2 doc|74}}</ref><ref>{{Cite AAA2 doc|370}}</ref> During a show, they traverse through roughly 60-90 'cells' in a prefered order, although sometimes they skip over or extend cells.<ref>{{Cite AAA2 doc|64}}</ref><ref>https://web.archive.org/web/20250823160621/https://post.lurk.org/@sean_ae/115078509915195794</ref> Controls vary between parameters mapped to multiple channels at once, individual channels, or patch-specific parameters.<ref>https://web.archive.org/web/20251211115230/https://post.lurk.org/@sean_ae/115696590243355864</ref> 

[[ae mixlr 300320|In a mixlr stream on March 30th, 2020]], while quickly skimming through their jams folder, Sean showed off a few seconds of the then unknown in-development live material (segments '''#2, #3''' and '''#5'''). In December 2022, Sean posted two Max demos to Mastodon; [https://www.youtube.com/watch?v=3poN6FDyB28 one on December 10th] and [https://www.youtube.com/watch?v=jgMArRJswIQ one on December 15th], which were both bits of segments '''#29''' and '''#26''' respectively. In 2023, two more demos were posted, with [https://www.youtube.com/watch?v=UE8ug56Ijls July 26th's "Markov Chain"]<ref name=":7">https://web.archive.org/web/20230727210645/https://post.lurk.org/@sean_ae/110780381387123384</ref> and [https://www.youtube.com/watch?v=_R3JorLEwNE December 16th's "Fuckery"]<ref name=":1">https://web.archive.org/web/20231221224324/https://post.lurk.org/@sean_ae/111591524233807832</ref> for segments '''#38''' and '''#42/48'''. Months later, audio-only demos - September 23, 2024's “playing with stereo<ref name=":8" /> and January 7th, 2025's [https://www.youtube.com/watch?v=6GRNWAkIlQQ “quick gong jam”]<ref name=":9" /> - were shown for segments '''#53''' and '''#55'''.

Two snippets were shown off across videos promoting upcoming 2026 shows: one with a reworked version of the [[List of Rarities#cowbell%20acid|"cowbell acid"]] demo,<ref>https://www.instagram.com/p/DW6SZrbjHmh/?img_index=1</ref><ref>https://www.reddit.com/r/autechre/comments/1t0sc33/i_was_looking_for_a_high_quality_ae_logo_and/</ref> and another currently unknown.<ref>https://www.instagram.com/p/DX6VLsMNs6R/</ref>

=== Tour===
On March 9th, 2022, the ''twentytwentytwo'' tour was officially announced with five shows in Barcelona, Milan, Helsinki, London, and Turin across 2022.<ref>https://ghostarchive.org/archive/Qt38G</ref>The Barcelona22 show at Primavera, due to issues of negotiating the rights to the soundboard from Primavera as well as messing up the recording, was left off the release.<ref>[[Sean AMA Transcript 220605#:~:text%3DYeah%2C%20there's%20not%20really%20any%20good%20pictures%2C%20but%20the%20problem%20was%20with%20Primavera%2C|<nowiki/>]]{{Cite interview|page=Sean Twitch AMA, June 2022|quote=[...] the problem was with Primavera, they were trying to get rights for everything, right? So they were trying to get broadcast, they were trying to record it, you know? Obviously we're thinking about releasing them, so we didn't want to okay it. We ended up fucking up the recording anyway, so it wouldn't have mattered.}}</ref> At Helsinki22, small glitches such as pops and dropouts appeared early into the show and got progressively more distracting as the show went on. A possible explanation is that the venue's subwoofer setup, which was poorly set up and possibly worsened by the performance's use of heavy sub-bass, experienced a coil short circuit leading to the malfunctions.<ref>{{Cite web|author=avalyn__|title=There were some audio issues during Helsinki gig.|website=Reddit|date=11 September 2022|link=https://www.reddit.com/r/autechre/comments/xbspfv/there_were_some_audio_issues_during_helsinki_gig/?rdt=51772|accessdate=25 March 2024}} </ref><ref>{{Cite web|author=dcom|title=Comment in Autechre. Live. Twentytwentytwo.|website=We Are The Music Makers|date=15 September 2022|link=https://watmm-archive.com/t/102400/17|accessdate=25 March 2024}}</ref> The raw soundboard recording ("AE_LIVE_HELSINKI_110922_LTD") was sent out to attendees as an apology, and was later re-released with proper mastering.<ref name=":11" />

''twentytwentyfour'' was announced with dates in Paris, Rennes, Barcelona, and Madrid, on October 27th, 2023.<ref>https://x.com/WarpRecords/status/1717850268132389241</ref> Madrid's venue was confirmed on the 30th, coinciding with the general ticket sale at 10:00 CET.<ref>https://x.com/WarpRecords/status/1718937652051718603</ref> New shows were later added for Brussels, The Hague, and Lisbon (second show since the first show already sold out before the announcement) on December 13th, 2023.<ref>https://x.com/WarpRecords/status/1734943097052660077</ref> The last few dates for Krems/Vienna, Lyon, Oslo, Stockholm, Riga, and Copenhagen were confirmed on March 22, 2024.<ref>https://x.com/WarpRecords/status/1771145082055311756</ref><ref>https://www.facebook.com/warprecords/posts/ae-live-2024-new-shows-added-autechrewarpnetshows/407106961956344/?_rdr</ref> DenHaag24 was not released because they forgot to hit record.<ref>https://web.archive.org/web/20240406161357/https://post.lurk.org/@sean_ae/112224480826307858</ref>

Arranged by now wave, Autechre was booked for an exclusive UK show in Manchester for February 22nd, 2025, which was announced on September 18, 2024.<ref>https://x.com/WarpRecords/status/1836359952509567224</ref> About 8 minutes into Manchester25, it catastrophically failed due to the sub of the venue rattling the USB out of Sean's interface<ref>{{Cite AAA2 doc|15}}</ref>. After a 16-minute interruption, the show picked up from where it was interrupted.

On January 21st, 2025, ''twentytwentyfive'' was announced with four shows in Amsterdam, Helsinki, Warsaw, and Berlin.<ref>https://ghostarchive.org/archive/OueqP</ref> On February 26th, nineteen North American shows in October, six UK shows in November, and one additional August Reykjavik show, were all announced, with pre-sale starting on the 27th.<ref>https://ghostarchive.org/archive/OitLD</ref> Later on March 28th, the North American leg was updated: three venue changes, three dates with a second show added, and the addition of three new shows in New Orleans, Louisville, and Washington.<ref>https://ghostarchive.org/archive/Ji35Q</ref> Saint Louis for October 19th was quietly added to the roster in August.

Two ''twentytwentysix'' Japan shows were announced on June 17th, 2025.<ref>[https://x.com/WarpRecords/status/1934924348793495735#m https://x.com/WarpRecords/status/1934924348793495735]</ref> Later on December 2nd, 2025, twentyfive new shows across Europe were anounced, with pre-sale opening on the following day.<ref>https://ghostarchive.org/archive/gkUxG</ref>

=== Release ===
"AE_LIVE_HELSINKI_110922_LTD", which was an unmastered soundboard of the Helsinki22 show, was released early exclusively to attendants of the show due to technical issues during the show.<ref name=":11">{{Cite web|author=RaelGenious|title=Exclusive release incoming for Helsinki attendees|website=Reddit|date=26 September 2022|link=https://www.reddit.com/r/autechre/comments/xobdtd/exclusive_release_incoming_for_helsinki_attendees/|accessdate=25 March 2024}}</ref> 

The first batch of live sets was first casually mentioned by Sean in a brief reply on June 17th, 2023, that the audio was done and they were just waiting for Ian of [[The Designers Republic]] to do the artworks.<ref>https://www.reddit.com/r/autechre/comments/14c1ole/the_audios_all_done_just_waiting_for_ian_to_do/</ref> On August 7th, 2023, Warp sent out an announcement to sign up to Autechre's newsletter.<ref>https://ghostarchive.org/archive/09TE6</ref> The following day, ''AE_LIVE 2022－'' was officially announced,<ref>https://www.reddit.com/r/autechre/comments/15ln5o3/ae_live_2022_out_thursday/</ref> and seven 2022 shows from "AE_LIVE_MILAN_010722" to "AE_LIVE_TURIN_041122" were released individually and as a compilation on the 10th.<ref>https://web.archive.org/web/20230810192322/https://autechre.warp.net/release/408603-autechre-aelive-2022</ref> A limited run of 250 AE_LIVE_Print 2022''－'' posters were also announced for pre-orders on the 24th, which quickly sold out.<ref>https://ghostarchive.org/archive/YN0cj</ref><ref>https://web.archive.org/web/20230928151404/https://autechre.warp.net/release/410988-autechre-aeliveprint-2022</ref>

On October 25th, 2024, Warp again sent out a newsletter sign-up announcement, with 12 dates listed.<ref>https://ghostarchive.org/archive/UYmeC</ref><ref>https://www.instagram.com/warprecords/p/DBjZTuNIg1A/?hl=en</ref> On November 4th, 2024, twelve sets from "AE_MELBOURNE_250823" to "AE_LYON_070524" were released individually and added onto the now renamed compilation ''AE_2022－'', dropping the "LIVE" prefix both in the compilation title and set names.<ref>https://web.archive.org/web/20241104173202/https://autechre.warp.net/release/476436-autechre-ae2022</ref> Sean noted that the idea came from Warp to drop the LIVE part of the naming convention.<ref>https://web.archive.org/web/20241106150525/https://post.lurk.org/@sean_ae/113436310329414162</ref> The compilation was later put up on Bleep and Bandcamp on December 3rd.<ref>https://autechre.bandcamp.com/album/ae-2022</ref><ref>https://bleep.com/release/483225-autechre-ae2022</ref>
==Analysis==
Main analysis by [[User:EnergyIsMassiveLight|EnergyIsMassiveLight]] and [[User:Zythion|Zythion]]. Fan titles taken from the fan-edit compilation TTT－ by FefetaLeixes.<ref>{{Cite web|author=FefetaLeixes|title=AE_2022－EXCLUSIVES (TTT－)|website=Reddit|date=16 November 2024|link=https://www.reddit.com/r/autechre/comments/1gs8qum/ae_2022exclusives_ttt/|accessdate=16 November 2024}}</ref>

Officially released sets are highlighted in bold. Unreleased sets with bootleg recordings are also included, with either clips of the segment or a listed recording with timestamps. Tables have be split for compactness.

Due to the nature of performances, the start and ends of a set may abridge or overextend in a way which don't cleanly fit in the segment splits.

'''<big>The timestamps below are still a work in progress, thus are not final and are subject to change. </big>'''

=== 2022/2023 ===
<div class="noresize">
{| class="wikitable frozen-table"
!
!#1
!#2
!#3
!#4
!#5
!#6
!#7
!#8
!#9
!#10
!#11
!#12
!#13
!#14
!#15
!#16
!#17
!#18
!#19
!#20
!#21
!#22
!#23
!#24
!#25
!#26
!#27
!#28
!#29
!#30
!#31
!#32
!#33
!#34
!#35
|-
|'''MILAN_010722'''
|0:00
|7:06
|12:02
|17:59
|24:20
|31:42
|35:47
|41:09
|46:23
|51:29
|57:40
|62:14
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''ATHENS_050722'''
|0:00
|7:41
|14:16
|20:00
|25:32
|32:54
|36:17
|41:28
|46:42
|51:48
|57:30
|64:02
|69:03
|73:53
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''HELSINKI_110922'''
|0:00
|7:42
|12:50
|18:10
|24:19
|31:41
|35:40
|40:50
|46:38
|51:44
|57:15
|64:27
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''LONDON_071022_A'''
|0:00
|6:12
|9:54
|14:36
|19:20
|26:05
|29:16
|33:18
|37:13
|42:19
|47:13
|53:06
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''LONDON_071022_B'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|5:51
|9:46
|15:26
|22:05
|25:14
|29:29
|32:59
|36:56
|42:50
|46:24
|52:12
|
|
|
|
|
|
|
|
|
|
|-
|'''BERGEN_021122'''
|0:00
|7:00
|10:42
|15:00
|19:19
|26:04
|29:15
|33:16
|37:12
|42:18
|47:08
|52:23
|56:09
|59:47
|63:52
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''TURIN_041122'''
|0:00
|5:59
|9:42
|14:01
|18:19
|25:05
|28:15
|32:17
|36:12
|41:18
|46:09
|52:41
|57:42
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''MELBOURNE_250823'''
|0:00
|7:54
|12:37
|18:22
|24:06
|31:29
|35:29
|40:51
|46:05
|51:11
|56:01
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''SYDNEY_270823'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|5:04
|12:00
|16:24
|21:25
|26:13
|33:24
|38:44
|43:02
|48:26
|52:55
|57:41
|62:35
|67:29
|
|-
|'''VENICE_261023'''
|
|
|
|
|
|
|
|
|0:00
|5:50
|10:41
|15:55
|19:16
|21:05
|23:19
|25:33
|28:53
|34:51
|38:00
|42:16
|45:46
|48:20
|53:36
|57:10
|62:58
|
|
|
|
|
|
|
|
|
|
|-
|'''DUBLIN_291023'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|4:42
|11:39
|16:02
|21:50
|28:28
|38:59
|46:06
|51:07
|56:31
|60:20
|62:50
|66:19
|69:40
| 73:59
|-
| colspan="36" |
|-
|Barcelona_030622 ''[https://www.youtube.com/watch?v=1hgXKUqSf4c <nowiki>[AUD #2]</nowiki>]''
|1:01
|8:18
|12:50
|18:59
|24:45
|32:30
|35:40
|45:31
|48:46
|52:04
|54:39
|59:14
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Tokyo_180823
|
|[https://twitter.com/alphabill/status/1692597066193854709]
|
|
|
|[https://www.instagram.com/_makimusic_/reel/C1eUr_zvbFs/]
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Krakow_061023 ''[AUD #1]''
|0:00
|6:36
|10:42
|15:00
|19:19
|26:04
|29:15
|34:25
|39:40
|47:15
|52:27
|57:41
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|}
</div>

*'''#1''' ''(fan name: T2)''
*'''#2-4''' '''"ecol4"'''<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=So, you can hear a bit of ecol[4] in the set, ecol4 that was basically like the ecol4 that's on PLUS when we started out.}}</ref> ''(fan name: ical7)''
* '''#5-6''' ''(fan name: L cemp)''
*'''#7-8''' Contains elements of '''"F7"''' ''(fan name: F4)''
*'''#9-11''' ''(fan name: prin Cur)''
*'''#12-13''' ''(fan name: asle 1)''
*'''#14-15''' ''(fan name: M3 Luni)''
*'''#16-18''' ''(fan name: osin PM)''
*'''#19-20''' ''(fan name: nal.1)''
*'''#21-23''' ''(fan name: corcine)''
** One sample that gets scratched in this segment is the "It's time to change!" sample from Jan and Dean's [https://youtu.be/beri03qdlEM?t=70 "A Stench in Time"]. It should be noted that the same sample is present in Chris The Glove Taylor's [https://youtu.be/EE4_K9HTsto?t=130 "Itchiban Scratch"] which appeared in multiple of Autechre mixes, including 2015's Dekmantel mix.
*'''#24-25''' ''(fan name: drane3)''
**A sample used in the segment is Beside's "Change The Beat", specifically [https://www.youtube.com/watch?v=UbGtcLGQr9o the famous Fresh sample].
*'''#26-27''' Contains the [https://www.youtube.com/watch?v=jgMArRJswIQ 12/15/22 demo] ''(fan name: three tone)''
** In the top right corner of the demo, "three tone" is shown as a column name.<ref>{{Cite AAA2 doc|81}}</ref>
**In the demo, one of the files loaded into the sampler sample9scr2 is Gap Band's [https://www.youtube.com/watch?v=zSsXRWhfN3w&pp=ygUpQnVybiBSdWJiZXIgT24gTWUgKFdoeSBZb3UgR290dGEgSHVydCBNZSk%3D "Burn Rubber On Me (Why You Wanna Hurt Me)"], specifically the "tyre screech faster" part at the start.
*'''#28-31''' Contains the [https://www.youtube.com/watch?v=3poN6FDyB28 12/10/22 demo] ''(fan name: 2MM lv)''
**Alt text: "A video showing a modelled snare drum roughly emulating the snare drum from When The Levee Breaks by Led Zeppelin". Description by Sean: “Reasonable facsimile of the Levee Breaks snare from a model made of water and spider silk (?!) who knew”
**The snare4ml shown is an example snare instrument from [https://forum.ircam.fr/projects/detail/modalys/ Modalys for Max], with Modalys also appearing in the 12/15/22 demo for its custom-made clarinet instrument.<ref>Observation by sfn / Davide Vin</ref>
*'''#32-33''' ''(fan name: vineseve)''
*'''#34-35''' ''(fan name: cata7)''

===2024===
<div class="noresize">
{| class="wikitable frozen-table"
!
!#21
!#22
!#23
!#24
!#25
!#26
!#27
!#28
!#29
!#30
!#31
!#32
!#33
!#34
!#35
!#36
!#37
!#38
!#39
!#40
!#41
!#42
!#43
!#44
!#45
!#46
!#47
!#48
!#49
!#50
!#51
|-
|'''BRUSSELS_040424'''
|0:00
|5:23
|11:53
|15:57
|20:58
|25:46
|33:14
|38:03
|42:08
|47:22
|51:01
|54:55
|59:03
|62:59
|67:38
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''PARIS_060424'''
|0:00
|5:06
|11:37
|15:21
|20:13
|25:01
|31:06
|36:41
|40:02
|44:39
|48:59
|52:33
|56:33
|60:29
|66:03
|72:52
|78:24
|82:20
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''RENNES_070424'''
|
|
|
|0:00
|6:10
|10:23
|17:49
|22:23
|27:04
|35:33
|39:40
|43:33
|47:56
|52:09
|57:22
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''BARCELONA_090424'''
|
|
|
|0:00
|5:01
|10:44
|18:27
|23:32
|27:14
|32:18
|36:30
|40:42
|44:32
|48:45
|53:57
|60:58
|66:07
|70:39
|74:25
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''MADRID_100424'''
|
|
|
|0:00
|5:30
|10:37
|18:20
|24:12
|28:23
|33:47
|38:47
|43:01
|46:58
|52:01
|56:41
|62:50
|68:04
|70:59
|74:58
|78:35
|
|
|
|
|
|
|
|
|
|
|
|-
|'''LISBON_120424_B'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|6:49
|12:02
|16:02
|20:17
|26:43
|33:29
|37:44
|43:52
|47:02
|51:29
|57:47
|
|
|
|
|-
|'''KREMS_270424'''
|0:00
|4:42
|10:34
|14:07
|19:17
|25:20
|32:15
|38:05
|42:09
|47:24
|51:17
|55:05
|59:28
|63:40
|68:09
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''LYON_070524'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|5:01
|9:18
|13:43
|16:54
|23:33
|29:55
|34:52
|41:31
|44:40
|49:08
|55:36
|62:29
|71:30
| 75:30
|83:09
|-
| colspan="32" |
|-
|Den_Haag_050424 ''[https://www.youtube.com/watch?v=xlpOlC8Yn94 <nowiki>[AUD #1c]</nowiki>]''
|
|
|0:14
|4:38
|9:40
|14:28
|21:39
|26:13
|29:34
|34:18
|38:38
|42:35
|47:02
|51:23
|56:35
|64:14
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Lisbon_120424_A ''[AUD #1]''
|0:00
|3:34
|10:15
|13:38
|18:19
|22:50
|29:42
|34:32
|37:32
|42:35
|46:25
|50:19
|53:58
|57:27
|62:17
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Oslo_300924 ''[https://www.youtube.com/watch?v=a2BBmb_0B0k <nowiki>[AUD #1]</nowiki>]''
|0:03
|4:33
|11:09
|14:50
|20:40
|26:05
|34:17
|38:34
|43:00
|48:24
|52:22
|56:11
|60:57
|65:18
|69:47
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Stockholm_021024 ''[https://www.youtube.com/watch?v=KCKl8qwx_O4 <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:06
|5:58
|10:22
|13:28
|16:40
|23:18
|29:31
|35:11
|41:49
|44:59
|49:27
|55:53
|62:58
| 70:57
|74:16
|
|-
|Riga_041024 ''[AUD #1]''
|
|
|
|0:00
|4:31
|10:14
|18:30
|24:35
|29:00
|34:55
|38:55
|42:48
|46:14
|49:02
|52:14
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Copenhagen_061024 ''[AUD #2]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:02
|6:56
|11:06
|15:28
|19:19
|26:59
|33:12
|38:52
|45:31
|48:40
|53:08
|59:36
|67:09
|74:31
|78:30
|85:19
|}
</div>

* '''#36''' ''(fan name: luxes n2)''
* '''#37-39''' Contains elements of the [https://www.youtube.com/watch?v=UE8ug56Ijls 07/26/23 demo] ''(fan name: aurorsle)''
**Alt text: "a max sequencer with a matrixctrl driving a prob object (first order markov chain)". Description by Sean: "after someone pointed out that our cascade sequencer was in fact a simple markov chain i made a version with weights instead of switches. quick demo:"<ref name=":7" />
*'''#40''' ''(fan name: 3sc)''
*'''#41-42''' Contains the underlying segment in the [https://www.youtube.com/watch?v=_R3JorLEwNE 12/16/23 demo] without manipulations ''(fan name: 1qry)''
**Alt text: "fuckery". Description by Sean: "This has to be illegal". The effect is achieved using a realtime phase vocoder.<ref name=":1" />
*'''#43-44''' ''(fan name: TSS TV)''
*'''#45-46''' ''(fan name: P void)''
*'''#47-48''' Contains the manipulations from the [https://www.youtube.com/watch?v=_R3JorLEwNE 12/16/23 demo] ''(fan name: r enc LT)''
*'''#49-51''' ''(fan name: newfree－)''

===2025===
<div class="noresize">
{| class="wikitable frozen-table"
!
!#36
!#37
!#38
!#39
!#40
!#41
!#42
!#43
!#44
!#45
!#46
!#47
!#48
!#49
!#50
!#51
!#52
!#53
!#54
!#55
!#56
!#57
!#58
!#59
!#60
!#61
!#62
!#63
|-
| colspan="29" |
|-
|Manchester_220225 ''[AUD #3]''
|0:17
|7:33*
|27:33
|31:32
|35:22
|42:00
|48:13
|53:53
|60:30
|63:42
|68:10
|71:56?
|78:49?
|84:45
|88:10
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Amsterdam_060825 [https://www.reddit.com/r/autechre/comments/1mjiplt/autechre_live_2025_amsterdam_bootleg/ ''<nowiki>[AUD #1]</nowiki>'']
|0:11
|7:25
|12:18
|16:17*
|4:42
|11:21
|18:18
|23:14
|30:22
|32:52
|38:35
|44:45
|49:24
|55:27
|59:25
|68:44
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Helsinki_080825 [https://www.youtube.com/watch?v=VFyaWvlcZbY ''<nowiki>[AUD #1]</nowiki>'']
|
|0:02
|7:32
|11:31
|15:21
|22:00
|30:48
|36:27
|43:16
|45:47
|48:20
|54:36
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Warsaw_100825 [https://www.youtube.com/watch?v=P8m1fGvDzjM ''<nowiki>[AUD #1]</nowiki>'']
|0:06
|5:57
|11:17
|15:17
|19:06
|25:45
|32:41
|39:14
|45:54
|48:24
|52:03
|59:47
|64:04
|70:30
|73:09
|79:48?
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Berlin_130825 [https://www.youtube.com/watch?v=Nv4GzfXxr6o ''<nowiki>[AUD #1]</nowiki>'']
|0:00
|3:56
|8:48
|12:47
|17:28
|24:07
|28:51
|33:47
|38:48
|41:00
|45:28
|50:56
|56:20
|62:00
|64:18
|70:15
|77:30
|
|
|
|
|
|
|
|
|
|
|
|-
|Reykjavik_150825 ''[AUD #1]''
|0:03
|6:38
|11:30
|15:28
|20:11
|26:48
|33:44
|38:41
|45:20
|48:30
|52:58
|58:26?
|64:10
|69:28
|72:08
|78:07?
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Denver_011025 ''[https://www.youtube.com/watch?v=7yXBKJev7uM <nowiki>[MAT #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:10
|3:30
|9:29
|16:41
|23:54
|30:12
|36:46
|42:24
|47:20
|50:43
|55:16
|61:48
|69:30
|74:47
|
|-
|Minneapolis_031025
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|[https://www.youtube.com/watch?v=HSpgNnFz8Lg]
|
|[https://www.youtube.com/watch?v=HSpgNnFz8Lg]
|
|
|[https://www.youtube.com/watch?v=HSpgNnFz8Lg]
|
|
|
|
|[https://www.youtube.com/watch?v=HSpgNnFz8Lg]
|
|
|
|-
|Vancouver_051025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:16
|3:36
|9:35
|16:47
|24:00
|30:19
|36:52
|42:30
|47:27
|50:50
|55:22
|61:55
|69:36
|74:53
|82:08
|-
|Seattle_061025_A ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|4:30
|7:47
|13:46
|20:58
|28:11
|34:30
|41:03
|46:40
|51:39
|55:00
|59:33
|66:06
|73:47
|79:37
|87:54
|-
|Seattle_061025_B ''[http://www.youtube.com/watch?v=taArl7VS1Eo <nowiki>[AUD #2]</nowiki>]''
|0:00
|7:39
|12:31
|16:30
|20:20
|26:58
|33:11
|38:51
|45:30
|48:40
|53:55
|58:36
|65:10
|73:39
|77:59
|83:57
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Portland_071025 ''[https://www.youtube.com/watch?v=v26MX-pXswc <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|1:15
|4:32
|10:31
|16:57
|24:10
|30:28
|37:02
|42:38
|47:36
|50:59
|55:31
|62:28
|70:09
|75:59
|84:19
|-
|San_Francisco_091025 ''[https://www.reddit.com/r/autechre/comments/1o33ktm/sf_recording/ <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:12
|3:29
|9:28
|16:43
|23:56
|30:14
|36:48
|42:24
|47:57
|51:20
|55:52
|62:25
|70:06
|75:23
|81:41
|-
|Los_Angeles_101025_A ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|15:11
|19:23
|25:21
|32:34
|39:47
|46:05
|52:39
|58:17?
|63:13
|66:37
|71:09
|77:41
|85:23
|90:40
|97:03
|-
|Los_Angeles_101025_B ''[https://www.youtube.com/watch?v=ZTHHOq-W4qM <nowiki>[AUD #3]</nowiki>]''
|0:04
|7:18
|12:11
|17:03
|22:09
|34:01
|39:18
|44:58
|51:37
|54:46
|59:14
|64:42
|72:39
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Mexico_City_121025 ''[https://www.youtube.com/watch?v=5D7bbBprSlg <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:07
|3:26
|9:25
|16:38
|23:51
|31:05
|40:55
|46:59
|53:49
|57:39
|62:10
|68:44
|76:25
|82:04
|
|-
|Austin_141025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|?
|?
|?
|?
|?
|?
|?
|?
|0:00
|2:55
|7:53
|19:01?
|27:36?
|32:53
|39:03
|-
|New_Orleans_151025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:07
|4:07
|10:06
|16:39
|23:52
|31:25
|41:15
|48:46
|55:21
|59:52
|65:55
|74:06
|81:48
|89:48
|
|-
|Birmingham_161025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:02
|3:19
|9:19
|16:31
|23:43
|30:03
|36:36
|42:51
|48:31
|51:54
|57:44
|65:55
|75:57
|81:14
|86:51
|-
|Atlanta_171025 ''[https://archive.org/details/ae-atlanta-101725 <nowiki>[AUD #2]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:44
|4:41
|10:39
|17:52
|25:05
|31:24
|37:57
|43:36
|48:32
|52:35
|58:38
|65:36
|73:18
|79:08
|85:54
|-
|Louisville_181025 [https://www.reddit.com/r/autechre/comments/1oajcyw/louisville_recording/ ''<nowiki>[AUD #1]</nowiki>'']
|
|
|
|
|
|
|
|
|
|
|
|
|
|13:10
|16:35
|22:34
|29:46
|36:59
|42:03?
|49:51
|55:29
|60:07
|64:13
|69:09
|76:07
|83:48
|89:05
|95:20
|-
|Saint_Louis_191025
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|[https://bsky.app/profile/esopus.bsky.social/post/3m3lwrxkpv22n]
|
|
|[https://bsky.app/profile/esopus.bsky.social/post/3m3lwrxkpv22n]
|[https://bsky.app/profile/esopus.bsky.social/post/3m3lwrxkpv22n]
|[https://bsky.app/profile/esopus.bsky.social/post/3m3lwrxkpv22n]
|
|
|-
|Chicago_201025 ''[https://www.reddit.com/r/autechre/comments/1oc5pvv/chicago_recording/ <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|?
|?
|0:00
|8:56
|16:09
|23:23
|33:13
|39:40
|44:37
|49:07
|54:32
|61:28
|69:10
|75:10
|
|-
|Detroit_211025 ''[https://www.reddit.com/r/autechre/comments/1oczdtj/de2roit_recording/?share_id=pIDaWtl6WXIITMGJPC3dD&utm_name=androidcss <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:06
|2:48
|9:46
|19:57
|28:48
|38:53
|49:31
|55:02
|61:45
|65:21
|69:54
|76:38
|84:20
|91:04?
|
|-
|Toronto_221025 ''[https://www.youtube.com/watch?v=j46NGrb86o8 <nowiki>[AUD #2]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:05
|2:47
|9:26
|16:58
|25:49
|31:51?
|41:29
|48:16
|54:23
|57:46
|62:19
|68:51
|76:32
|82:00
|
|-
|Montreal_241025 ''[https://www.reddit.com/r/autechre/comments/1orrp44/montreal_october_24_2025_autechre_mark_broom_and/ <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|14:06
|16:46
|22:45
|29:37
|37:20
|45:50
|54:10
|61:27
|67:06
|70:42
|75:41
|82:14
|89:54
|96:16?
|
|-
|New_York_251025_A ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|2:38
|8:37
|15:35
|23:56
|30:24?
|38:46
|45:48
|52:09
|56:13
|61:37
|68:10
|75:51
|
|
|-
|New_York_251025_B ''<nowiki>[AUD #1]</nowiki>''
|3:50
|10:24
|16:54
|21:33
|26:39
|35:31
|43:47
|48:45?
|55:21
|57:54
|62:23
|67:50?
|75:53?
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Philadelphia_261025 ''[AUD #2]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|?
|0:00
|5:18
|13:30
|21:22
|28:20
|35:11
|41:57
|46:54
|50:17
|55:02
|61:35
|69:16
|75:16
|
|-
|Boston_271025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|2:42
|8:41
|20:52
|34:27?
|40:51
|47:25
|53:55
|59:33
|63:50
|68:23
|74:52
|82:37
|
|
|-
|Portsmouth_281025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:06
|2:48
|9:26
|16:46
|24:58
|32:36
|39:42
|45:18?
|53:06
|57:35
|62:35
|69:08
|76:49
|84:16
|
|-
|Washington_291025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|2:35
|8:34
|15:46
|22:59
|30:13
|40:03
|46:16
|51:55
|56:25
|62:02
|68:32
|76:14
|82:04
|
|-
|Glasgow_021125 [https://www.youtube.com/watch?v=Kju7284zNYI ''<nowiki>[AUD #1]</nowiki>'']
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|3:22
|9:21
|17:26
|24:36
|30:55
|37:46
|44:16
|49:40
|53:17
|57:49
|64:21
|72:03
|80:03
|
|-
|Newcastle_031125 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|2:40
|9:59
|18:50
|27:22
|35:53
|43:55
|50:42
|56:48
|61:19
|66:31
|73:03
|80:44
|87:17
|
|-
|Leeds_041125 [https://forum.keyosc.com/topic/1403-ae_leeds_041125_aud/ ''<nowiki>[AUD #1]</nowiki>'']
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:06
|2:47
|10:05
|21:36
|32:25
|41:53
|49:39
|56:55
|62:19
|66:36
|71:09
|78:29
|86:11
|
|
|-
|Brighton_051125
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|[https://www.youtube.com/watch?v=fTCP1vOdSLE]
|
|
|[https://www.youtube.com/watch?v=N-FleEClqiw]
|[https://www.youtube.com/watch?v=Ul-dIAY4sLo]
|[https://www.youtube.com/watch?v=EBAvIJYjXHs]
|
|
|[https://www.youtube.com/watch?v=TTsOyX4ENzQ]
|[https://www.youtube.com/watch?v=ncrwigwhnMk]
|[https://www.youtube.com/watch?v=JfKMDKFnmf4]
|
|-
|Bristol_061125
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|[https://www.youtube.com/watch?v=nUelUQPTGrE]
|
|
|
|
|
|
|-
|Belfast_071125 ''[https://www.mixcloud.com/keyfumbler/autechre-belfast-2025/ <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:02
|2:49
|8:48
|16:00
|25:11
|31:30
|38:03
|44:51
|50:57
|55:28
|60:26
|66:59
|74:40
|83:13?
|
|}
</div>

*'''#52'''
*'''#53''' Contains the 09/23/24 demo “playing with stereo”<ref name=":8">https://web.archive.org/web/20240928141307/https://post.lurk.org/@sean_ae/113186625238764271</ref> and a sound from [[Incunabula#Basscadet|"Basscadet"]]<ref>https://web.archive.org/web/20251013032707/https://post.lurk.org/@sean_ae/115363631277006962</ref>
*'''#54'''
*'''#55''' Contains the [https://www.youtube.com/watch?v=6GRNWAkIlQQ 01/07/25 demo “quick gong jam”]<ref name=":9">https://web.archive.org/web/20250107140034/https://post.lurk.org/@sean_ae/113786941624175064</ref>
*'''#56'''
*'''#57'''
*'''#58'''
*'''#59'''
*'''#60'''
*'''#61'''
*'''#62'''
*'''#63'''

=== 2026 ===
<div class="noresize">
{| class="wikitable frozen-table"
!
!#49
!#50
!#51
!#52
!#53
!#54
!#55
!#56
!#57
!#58
!#59
!#60
!#61
|-
| colspan="14" |
|-
|Tokyo_040226 ''<nowiki>[AUD #1]</nowiki>''
|17:06
|20:26
|26:25
|33:37
|40:50
|47:27
|54:01
|60:48
|65:44
|69:07
|73:41
|80:12
|87:54
|}
</div>

===Footnotes===

*Performance anomalies (not including irregular start/end points)
** Barcelona22 - '''#7''' played twice in a row
**Dublin23 - unique variant of '''#32'''
**Rennes24 - unique interlude in '''#29''' before restarting the section.
**Manchester25 - halted at start of '''#37''', then restarted. Also during '''#46,''' it briefly plays a bit of '''#40''' before returning to normal setlist.
**Amsterdam25 - halted during '''#39''', then restarted.
**Austin25 - unique interlude in '''#60'''
**Louisville25 - unique interlude in '''#56'''
**Detroit25 - unique interlude in '''#54'''
**Boston25 - unique interlude in '''#52'''

==Tour Dates==
See ''[[List of Live Shows]]''
<div style="column-count:2">
*[[2022-06-03 Barcelona, Spain @ Auditori Rockdelux (Primavera 2022)]]
*'''[[2022-07-01 Milan, Italy @ Villa Arconati (Terraforma 2022)]]'''
*'''[[2022-07-05 Athens, Greece @ Odeon of Herodes Atticus (Athens Epidaurus Festival)]]'''
*'''[[2022-09-11 Helsinki, Finland @ Musiikkitalo]]''' ''(+ Ilpo Väisänen)''
*'''[[2022-10-07 London, England, UK @ Barbican Centre (show A)]]''' ''(+ Zoviet France)''
*'''[[2022-10-07 London, England, UK @ Barbican Centre (show B)]]'''
*'''[[2022-11-02 Bergen, Norway @ Østre (Ekko Festival 2022)]]'''
*'''[[2022-11-04 Turin, Italy @ Lingotto Fiere (Club 2 Club 2022)]]'''
*[[2023-08-18 Tokyo, Japan @ Makuhari Messe (SONICMANIA 2023)]]
*'''[[2023-08-25 Melbourne, Australia @ Royal Exhibition Building (Now or Never 2023)]]'''
*'''[[2023-08-27 Sydney, Australia @ City Recital Hall (Switched On 2023)]]''' ''(+ Actress, E. Fishpool)''
*[[2023-10-06 Kraków, Poland @ Teatr Łaźnia Nowa (Unsound 2023)]]
*'''[[2023-10-26 Venice, Italy @ Teatro alle Tese (Biennale Musica 2023)]]'''
*'''[[2023-10-29 Dublin, Ireland @ Vicar Street]]''' ''(+ Minced Oath)''
*'''[[2024-04-04 Brussels, Belgium @ Ancienne Belgique (BRDCST ‘24)]]''' ''(+ Russell Haswell)''
*[[2024-04-05 Den Haag, Netherlands @ Grote Kerk (Rewire Festival 2024)]]
*'''[[2024-04-06 Paris, France @ Le Trianon]]''' ''(+ Aho Ssan)''
*'''[[2024-04-07 Rennes, France @ Antipode]]''' ''(+ Lime68k)''
*'''[[2024-04-09 Barcelona, Spain @ Sala Apolo (MUTEK Barcelona 2024)]]''' ''(+ Roméo Poirier & Ohme)''
*'''[[2024-04-10 Madrid, Spain @ La Sala]]'''
*[[2024-04-12 Lisbon, Portugal @ Culturgest (show A)]]
*'''[[2024-04-12 Lisbon, Portugal @ Culturgest (show B)]]'''
*'''[[2024-04-27 Krems, Austria @ Stadtsaal Krems (Donaufestival 2024)]]'''
*'''[[2024-05-07 Lyon, France @ Le Transbordeur (Nuits Sonores 2024)]]'''
*[[2024-09-30 Oslo, Norway @ Sentrum Scene]] ''(+ Kristoffer Lislegaard)''
*[[2024-10-02 Stockholm, Sweden @ Slaktkyrkan]] ''(+ Undveld)''
*[[2024-10-04 Riga, Latvia @ Hanzas Perons (Skaņu Mežs’ 2024)]]
*[[2024-10-06 Copenhagen, Denmark @ VEGA]] ''(+ SØS Gunver Ryberg)''
*[[2025-02-22 Manchester, England, UK @ New Century]] ''(+ SDEM, edv3ctor, DJ Rob Hall)''
*[[2025-08-06 Amsterdam, Netherlands @ Melkweg]] ''(+ Roel Funcken, Russell Haswell)''
*[[2025-08-08 Helsinki, Finland @ Flow Festival 2025]]
*[[2025-08-10 Warsaw, Poland @ Klub Progresja]] ''(+ Russell Haswell, Ann On Bast)''
*[[2025-08-13 Berlin, Germany @ ASTRA Kulturhaus]] ''(+ Russell Haswell, ACLDS)''
*[[2025-08-15 Reykjavík, Iceland @ Harpa]] ''(+ sideproject, John McCowen)''
*[[2025-10-01 Denver, CO, USA @ Ogden Theatre]] ''(+ Mark Broom, C. Reider)''
*[[2025-10-03 Minneapolis, MN, USA @ Icehouse]] ''(+ Mark Broom, deep glens)''
*[[2025-10-05 Vancouver, Canada @ Hollywood Theatre]] ''(+ Mark Broom)''
*[[2025-10-06 Seattle, WA, USA @ The Crocodile (show A)]] ''(+ Mark Broom)''
*[[2025-10-06 Seattle, WA, USA @ The Crocodile (show B)]] ''(+ Mark Broom)''
*[[2025-10-07 Portland, OR, USA @ The Den]] ''(+ Mark Broom, Cygnus)''
*[[2025-10-09 San Francisco, CA, USA @ Regency Ballroom]] ''(+ Mark Broom, Cygnus)''
*[[2025-10-10 Los Angeles, CA, USA @ Belasco Theater (show A)]] ''(+ Mark Broom)''
*[[2025-10-10 Los Angeles, CA, USA @ Belasco Theater (show B)]] ''(+ Mark Broom)''
*[[2025-10-12 Mexico City, Mexico @ MUTEK MX]] ''(+ Leslie García)''
*[[2025-10-14 Austin, TX, USA @ Kingdom Nightclub]] ''(+ Mark Broom, tsrono)''
*[[2025-10-15 New Orleans, LA, USA @ Joy Theatre]] ''(+ Mark Broom, tsrono)''
*[[2025-10-16 Birmingham, AL, USA @ Saturn]] ''(+ Mark Broom, Cygnus)''
*[[2025-10-17 Atlanta, GA, USA @ Terminal West]] ''(+ Mark Broom, Cygnus)''
*[[2025-10-18 Louisville, KY, USA @ Portal]] ''(+ Mark Broom, deep glens)''
*[[2025-10-19 Saint Louis, MO, USA @ Delmar Hall]] ''(+ Mark Broom, deep glens)''
*[[2025-10-20 Chicago, IL, USA @ Concord Hall]] ''(+ Mark Broom, deep glens)''
*[[2025-10-21 Detroit, MI, USA @ Building 6, Russell Industrial Center]] ''(+ Mark Broom, nnirror)''
*[[2025-10-22 Toronto, Canada @ Danforth Hall]] ''(+ Mark Broom)''
*[[2025-10-24 Montreal, Canada @ Société des arts technologiques]] ''(+ Mark Broom, nixtrove)''
*[[2025-10-25 New York, NY, USA @ Brooklyn Steel (show A)]] ''(+ Mark Broom)''
*[[2025-10-25 New York, NY, USA @ Brooklyn Steel (show B)]] ''(+ Mark Broom)''
*[[2025-10-26 Philadelphia, PA, USA @ Union Transfer]] ''(+ Mark Broom, William Fields)''
*[[2025-10-27 Boston, MA, USA @ Paradise]] ''(+ Mark Broom, Cube)''
*[[2025-10-28 Portsmouth, NH, USA @ 3S Artspace]] ''(+ Mark Broom, Cube)''
*[[2025-10-29 Washington, DC, USA @ Howard Theatre]] ''(+ Mark Broom, Cube)''
*[[2025-11-02 Glasgow, Scotland, UK @ SWG3]] ''(+ Mark Broom, Russell Haswell)''
*[[2025-11-03 Newcastle, England, UK @ Digital]] ''(+ Mark Broom, Russell Haswell)''
*[[2025-11-04 Leeds, England, UK @ Project House]] ''(+ Mark Broom, SDEM)''
*[[2025-11-05 Brighton, England, UK @ Chalk]] ''(+ Mark Broom, Alex Peverett)''
*[[2025-11-06 Bristol, England, UK @ The Prospect Building]] ''(+ Mark Broom, William Telford & Tobias Hilder)''
*[[2025-11-07 Belfast, Northern Ireland, UK @ Mandela Hall]] ''(+ Mark Broom, S>>D)''
*[[2026-02-04 Tokyo, Japan @ ZEPP Divercity]] ''(+ Kohei Matsunaga)''
*[[2026-02-05 Osaka, Japan @ Yogibo META VALLEY]] ''(+ Kohei Matsunaga)''
*2026-09-24 Liège, Belgium @ OM
*2026-09-25 Zurich, Switzerland @ Rote Fabrik
*2026-09-26 Munich, Germany @ Muffathalle
*2026-09-27 Prague, Czechia @ Lunchmeat Festival
*2026-09-28 Wrocław, Poland @ Zaklęte Rewiry
*2026-09-29 Vienna, Austria @ Gasometer
*2026-09-30 Zagreb, Croatia @ Tvornica Kulture
*2026-10-01 Belgrade, Serbia @ Ložionica
*2026-10-02 Skopje, North Macedonia @ MKC
*2026-10-03 Athens, Greece @ Universe
*2026-10-04 Thessaloniki, Greece @ Block33
*2026-10-06 Sofia, Bulgaria @ Toplocentrala
*2026-10-07 Bucharest, Romania @ Club Guesthouse
*2026-10-09 Ljubljana, Slovenia @ Cukrarna
*2026-10-10 Bologne, Italy @ Estragon
*2026-10-11 Milan, Italy @ Alcatraz
*2026-10-12 Geneva, Switzerland @ L'usine
*2026-10-13 Marseille, France @ Cabaret aléatoire
*2026-10-14 Paris, France @ Bataclan
*2026-10-15 Nantes, France @ Le Lieu Unique
*2026-10-16 Lille, France @ L'Aéronef
*2026-10-17 Nijmegen, Netherlands @ Doornroosje
*2026-10-20 Dublin, Ireland @ Vicar Street
*2026-10-22 Cardiff, Wales, UK @ Depot
*2026-10-24 London, England, UK @ Magazine
</div>

==Trivia==

*The CAT number, WARP444, was likely specifically requested by Autechre, to reference the song "444" off their first album, ''[[Incunabula]]''.
*The 2023 compilation cover consisted of all seven individual set art from the first batch overlaid on top of each other.
*A variant of "7th slip" is present in Rob's side of the live set.<ref>https://web.archive.org/web/20241107160026/https://post.lurk.org/@sean_ae/113441779347595762</ref>
*When asked which 2022 show's crowd smelt the best so far, Sean replied "the italians obviously" at Milan22.<ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Tebbisimo: which crowd in '22 smelt the best so far?''' XH HX: the italians obviously}}</ref>
* A font used across promotional material is [https://lineto.com/typefaces/circular-mono Circular Mono].
* The drone patch that is played before a show starts was initially made by Sean for sleeping to.<ref>https://web.archive.org/web/20251211131904/https://post.lurk.org/@sean_ae/115689685840443594</ref>

==Gallery==
<gallery>
File:AE LIVE 2022.jpg|AE_LIVE 2022－(2023 compilation cover)
File:AE LIVE MILAN 010722.jpg|AE_MILAN_010722
File:AE LIVE ATHENS 050722.jpg|AE_ATHENS_050722
File:AE LIVE HELSINKI 110922.jpg|AE_HELSINKI_110922
File:AE LIVE LONDON 071022 A.jpg|AE_LONDON_071022_A
File:AE LIVE LONDON 071022 B.jpg|AE_LONDON_071022_B
File:AE LIVE BERGEN 021122.jpg|AE_BERGEN_021122
File:AE LIVE TURIN 041122.jpg|AE_TURIN_041122
File:AE MELBOURNE 250823.jpg|AE_MELBOURNE_250823
File:AE SYDNEY 270823.jpg|AE_SYDNEY_270823
File:AE VENICE 261023.jpg|AE_VENICE_261023
File:AE DUBLIN 291023.jpg|AE_DUBLIN_291023
File:AE BRUSSELS 040424.jpg|AE_BRUSSELS_040424
File:AE PARIS 060424.jpg|AE_PARIS_060424
File:AE RENNES 070424.jpg|AE_RENNES_070424
File:AE BARCELONA 090424.jpg|AE_BARCELONA_090424
File:AE MADRID 100424.jpg|AE_MADRID_100424
File:AE LISBON 120424 B.jpg|AE_LISBON_120424_B
File:AE KREMS 270424.jpg|AE_KREMS_270424
File:AE LYON 070524.jpg|AE_LYON_070524
</gallery>

==Tracklist==
{{Tracklist|list=
{{tl section|section=AE_LIVE 2022－ (batch 1)}}
{{tl track|number=1|title=AE_MILAN_010722 (previously AE_LIVE_MILAN_010722)|length=1:06:56}}
{{tl track|number=2|title=AE_ATHENS_050722 (previously AE_LIVE_ATHENS_050722)|length=1:20:03}}
{{tl track|number=3|title=AE_HELSINKI_110922 (previously AE_LIVE_HELSINKI_110922)|length=1:11:07}}
{{tl track|number=4|title=AE_LONDON_071022_A (previously AE_LIVE_LONDON_071022_A)|length=59:48}}
{{tl track|number=5|title=AE_LONDON_071022_B (previously AE_LIVE_LONDON_071022_B)|length=59:33}}
{{tl track|number=6|title=AE_BERGEN_021122 (previously AE_LIVE_BERGEN_021122)|length=1:07:59}}
{{tl track|number=7|title=AE_TURIN_041122 (previously AE_LIVE_TURIN_041122)|length=1:00:45}}
{{tl section|section=AE_2022－ (batch 2)}}
{{tl track|number=8|title=AE_MELBOURNE_250823|length=1:00:36}}
{{tl track|number=9|title=AE_SYDNEY_270823|length=1:12:08}}
{{tl track|number=10|title=AE_VENICE_261023|length=1:09:30}}
{{tl track|number=11|title=AE_DUBLIN_291023|length=1:20:18}}
{{tl track|number=12|title=AE_BRUSSELS_040424|length=1:15:01}}
{{tl track|number=13|title=AE_PARIS_060424|length=1:27:08}}
{{tl track|number=14|title=AE_RENNES_0070424|length=1:05:27}}
{{tl track|number=15|title=AE_BARCELONA_090424|length=1:19:11}}
{{tl track|number=16|title=AE_MADRID_100424|length=1:26:27}}
{{tl track|number=17|title=AE_LISBON_120424_B|length=1:02:42}}
{{tl track|number=18|title=AE_KREMS_270424|length=1:15:40}}
{{tl track|number=19|title=AE_LYON_070524|length=1:27:44}}
{{tl finaltime|time=22:48:04}}
}}

==Links==

*[https://autechre.warp.net/release/408603-autechre-aelive-2022 AE_STORE]
*[https://bleep.com/release/430787-autechre-aelive-2022 Bleep]
*[https://www.discogs.com/master/3199512-Autechre-AE_LIVE-2022 Discogs]
*[https://twitter.com/WarpRecords/status/1689637725731954688 Announcement Tweet]

==References==
<references />
[[Category:Live]]
[[Category:Compilation]]

List of Rarities

2026-05-02T16:02:59Z

EnergyIsMassiveLight: /* Mastodon Shares */ added sources to vid reuploads by deep tread

This page is a collection of all original tracks by [[Autechre]] which were released as part of another series. List partially sourced from [https://docs.google.com/spreadsheets/d/1i1o90JzFLUelov8bydmpurOCDhktdd-oMbErw8G0AXA/edit?hl=en#gid=1 here].

For remixes, refer to [[List of Remixes]].

== Released  ==

=== Crystel ===
* from [https://www.discogs.com/master/30010-Various-Artificial-Intelligence Artificial Intelligence], 1992
* According to Sean, this was the song that got Autechre signed to Warp, and not [[Autechre / Saw You]] as previously assumed.<ref>https://web.archive.org/web/20240113191644/https://post.lurk.org/@sean_ae/111750128290861077</ref>

=== The Egg ===
* from [https://www.discogs.com/master/30010-Various-Artificial-Intelligence Artificial Intelligence], 1992
* This song is in mono. It is not known whether this was done on purpose.

=== Lanx 3 ===
* from [https://www.discogs.com/release/115269-Various-Volume-Eight Volume Eight], 1993

=== Chatter ===
* from [https://www.discogs.com/master/21134-Various-Artificial-Intelligence-II Artificial Intelligence II], 1994

=== Nonima ===
* from [https://www.discogs.com/release/238132-Various-Mind-The-Gap-Volume-5 Mind the Gap Volume 5], 1995

=== Silversub ===
* from [https://www.discogs.com/release/748632-Various-FMCD-January-1995 FMCD January 1995], 1995
* Is an alternate mix of [[Amber#Silverside|Silverside]].

=== P.I.O.B (Mix Two) ===
* from [https://www.discogs.com/master/1377596-The-Fall-Drome-Autechre-Untitled Fall/ Drome/Autechre - Untitled], 1996
* Is an alternate mix of ''[[Garbage#PIOBmx19|PIOBmx19]].''

=== Carni ===
* from [https://www.discogs.com/release/13845-Various-Eurowarp Eurowarp], 1996

=== Inhake 3 ===
* from [https://www.discogs.com/release/55136-Various-22-Class-A-Tracks 22 Class A Tracks], 1997

=== Puch ===
* from [https://www.discogs.com/release/200712-Various-Elements-The-Chemistry-Of-Mutating-Beats Elements], 1997

=== Stop Look Listen ===
* from [https://www.discogs.com/master/2353-Various-We-Are-Reasonable-People We are Reasonable People], 1998

=== Extended Ambience Sample from a Resonant Structure ===
* from [https://www.discogs.com/release/795959-Various-Unique-Sounds-Sonic-Elements-From-The-Stars Future Music Magazine], 1998
* in an interview excerpt, Autechre described the production of this song by saying: "Microphones were positioned around a structure with a resonant frequency of 100Hz. Electrical equipment inside the structure provided a constant tone of 50Hz. Water channelling equipment was also used. Signals from the two microphones were passed through five parallel resonators, all tuned with intervals divisible by 25Hz. Each resonator was filtered and the output mixed down to two channels and reversed."
** Sourced from [https://forum.watmm.com/topic/93486-autechre-interview-future-music-july-1998/ magazine scans, provided by WATMM user frozenreeds].

=== All Tomorrow's Linoleum ===
* from [https://www.discogs.com/master/82780-Various-All-Tomorrows-Parties-10 All Tomorrow's Parties 1.0], 2001
* "All Tomorrow's Linoleum" was made by making a patch for a basic track, then recording each channel individually to cassette before edited back together in Logic.<ref>https://web.archive.org/web/20250823155511/https://post.lurk.org/@sean_ae/115077854129129149</ref>

=== Konlied Mx ===
* from [https://www.discogs.com/master/84197-Various-Routine Routine], 2001

=== Naftwa4 ===
* from [https://www.discogs.com/release/96580-Various-Warp-WIFOF2003-Mix WIFOF2003], 2003

=== /]{- /](||) Excerpt ===
* from [https://www.discogs.com/master/48147-Various-Autechre-Curated-All-Tomorrows-Parties-30- All Tomorrow's Parties 3.0], 2003

* The title is an ASCII representation of "AE ACID"

=== Bronchus One.1 ===
* from [https://www.discogs.com/master/250176-Various-An-Anthology-Of-Noise-Electronic-Music-Second-A-Chronology-1936-2003 An Anthology Of Noise & Electronic Music / Second A-Chronology 1936-2003], 2003

* According to the copyright information, the song was published 1991.<ref>https://www.discogs.com/release/156514-Various-An-Anthology-Of-Noise-Electronic-Music-Second-A-Chronology-1936-2003</ref>
* is an alternate mix of [[Incunabula#Bronchus 2|Bronchus 2]].

=== Coenc3 ===
* from [https://www.discogs.com/release/1307559-Various-45-A-Tribute-To-Daniel-Hansson 45 - A Tribute to Daniel Hansson], 2008

* During his [[Sean Twitch AMA, July 2022|July 2022 Twitch AMA]], Sean mentioned that the track was made in 2005.

=== Oval Moon (IBC mx) ===
* from [https://www.discogs.com/master/207276-Various-Warp20-Unheard Warp20 (Unheard)], 2009

* According to the copyright information, the song was published 1991.<ref>https://www.discogs.com/release/2024532-Various-Warp20-Unheard</ref>
* IBC refers to the pirate radio station (short for Illegal Broadcasting Company) where Autechre got their start as radio DJs.[https://www.thepiratearchive.net/ibc/]

=== 6852 ===
[[File:6852.jpg|alt=poster|thumb|ATP "Made In Japan" promotional poster for "6852"|139x139px]]

"'''6852'''" is a digital-only song released by [[Autechre]] on April 17th, 2011. It was given away via a download code when purchasing a ticket for a charity concert hosted by [https://www.discogs.com/label/4961-ATP-Recordings ATP] in support of the Japanese Red Cross after the recent tsunami disaster.
*The title, "6852", likely originally referred to the number of islands that comprised Japan at time of release.
*The Headhunters' "God Make Me Funky" is sampled on the track. <ref>https://www.whosampled.com/sample/234368/Autechre-6852-The-Headhunters-Pointer-Sisters-God-Make-Me-Funky/</ref>

=== Ts1a ===
*from [https://www.discogs.com/master/1359215-Various-Benefit-Compilation-For-Japan Benefit Compilation for Japan], 2011
*The track also appeared on ''[[Hanalgig]]'', where Sean mentioned that it was made in 2009.
*During his July 2022 AMA, Sean said that the track either used Synplant or the Yamaha FS1R for some of the FM sounds.<ref>https://youtu.be/sihCO_RN1tc?feature=shared&t=2698</ref>

=== SYptixed ===
*from [https://www.discogs.com/master/684135-Various-Bleep10 Bleep:10], 2014
*SYptixed was written around 2010's [[Oversteps Tour]].<ref>https://web.archive.org/web/20250425162316/https://post.lurk.org/@sean_ae/114397782158143634</ref>

== Bonus Tracks ==

=== [[Tri Repetae#Medrey|Medrey]] ===

=== [[Confield#MCR Quarter|MCR Quarter]] ===

=== [[Untilted#Zurich 2001|Zurich 2001]] ===

=== [[Quaristice#nu-Nr6d|nu-Nr6d]] ===

=== [[Oversteps#Xektses sql|Xektses sql]] ===

=== [[Move Of Ten#ClnChr|ClnChr]] ===

=== [[Exai#18 (keyosc)|18 (keyosc)]] ===

=== [[SIGN#n Cur|n Cur]] ===

=== [[PLUS#p1p2|p1p2]] ===

== Commissions/Contributions==

=== Onedotzero 8 ===
*[https://vimeo.com/3953671 A commission for the opening of Onedotzero8], with music by Autechre and visuals by [[Alex Rutherford]].

=== Atoms Vectors Pixels Ghosts™ ===
*A visual art project by [[The Designers Republic]] featuring music from Autechre, including an early [[elseq 1-5#spaces how V|"spaces how V"]]. <ref>https://vimeo.com/41905073</ref><ref>https://www.thedesignersrepublic.com/atoms-vectors-pixels-ghosts</ref><ref>https://www.s1artspace.org/programme/atoms-vectors-pixels-ghosts/</ref><ref>https://web.archive.org/web/20240124200545/https://post.lurk.org/@sean_ae/111807273811423116</ref><ref>https://web.archive.org/web/20240124200447/https://post.lurk.org/@sean_ae/111810622481393012</ref> 

=== P1-449 ===
"'''P1-449'''" was released as part of the Sónar Calling GJ273b project on October 16th, 2017. The project was made to transmit music and audio art for extraterrestrial contact.<ref>https://soundcloud.com/sonarcalling/autechre-p1-449/s-v8hVY</ref><ref>https://www.sonarcalling.com/en/</ref> The file was made as an audio representation of the first 449 prime numbers in base ten.<ref>https://www.sonarcalling.com/en/artists/autechre/</ref>

== Mastodon Shares ==

=== 2022-12-10 demo ===

* Demo for an ''[[AE 2022－]]'' segment. "Reasonable facsimile of the Levee Breaks snare from a model made of water and spider silk (?!) who knew" alt text: "A video showing a modelled snare drum roughly emulating the snare drum from When The Levee Breaks by Led Zeppelin"<ref>https://www.youtube.com/watch?v=3poN6FDyB28</ref>

=== 2022-12-15 demo ===

* Demo for an ''[[AE 2022－]]'' segment.<ref>https://www.youtube.com/watch?v=jgMArRJswIQ</ref>

=== a max sequencer with a matrixctrl driving a prob object (first order markov chain) ===

* Demo for an ''[[AE 2022－]]'' segment. "after someone pointed out that our cascade sequencer was in fact a simple markov chain i made a version with weights instead of switches. quick demo:"<ref>https://web.archive.org/web/20230727210645/https://post.lurk.org/@sean_ae/110780381387123384</ref><ref>https://www.youtube.com/watch?v=UE8ug56Ijls</ref>

=== fuckery ===

* Demo for an ''[[AE 2022－]]'' segment. "pretty sure this is illegal"<ref>https://web.archive.org/web/20231216222330/https://post.lurk.org/@sean_ae/111591524233807832</ref><ref>https://www.youtube.com/watch?v=_R3JorLEwNE</ref>

=== MYSLB snippet ===

* Shared in response to toffo's attempted recreation of "MYSLB". Alt text: "a bit of an old track"<ref>https://web.archive.org/web/20240121184420/https://post.lurk.org/@sean_ae/111766525007098531</ref>

=== Blue Monday by New Order but slightly worse sounding ===

* "i made blue monday sound slightly worse"<ref>https://web.archive.org/web/20240126174648/https://post.lurk.org/@sean_ae/111823388504627131</ref>

=== funny little oversteps outtake ===
* "going thru some old folders, found this funny little oversteps outtake (12.10.08)"<ref>https://web.archive.org/web/20240528025606/https://post.lurk.org/@sean_ae/112485874698250947</ref>

=== applause made out of drum machine claps ===

* "right then saying i rushed this would be an understatement but it is what it is [applause made out of drum machine claps] test 0.1"<ref>https://web.archive.org/web/20240606220542/https://post.lurk.org/@sean_ae/112571047757097318</ref>

=== playing with stereo ===

* Demo for an ''[[AE 2022－]]'' segment.<ref>https://web.archive.org/web/20240928141307/https://post.lurk.org/@sean_ae/113186625238764271</ref>

=== soundcheck ===

* Soundcheck using an ''[[AE 2022－]]'' segment at [[2024-09-30 Oslo, Norway @ Sentrum Scene]].<ref>https://web.archive.org/web/20240930223633/https://post.lurk.org/@sean_ae/113227062223299175</ref>

=== something's off about this violin ===

* <ref>https://web.archive.org/web/20241130223546/https://post.lurk.org/@sean_ae/113573896535454757</ref>

=== quick gong jam ===

* Demo for an ''[[AE 2022－]]'' segment.<ref>https://web.archive.org/web/20250107140034/https://post.lurk.org/@sean_ae/113786941624175064</ref><ref>https://www.youtube.com/watch?v=6GRNWAkIlQQ</ref>

=== monday acid ===

* "just noticed it's 03.03 so here you go, bit of monday acid"<ref>https://web.archive.org/web/20250303152842/https://post.lurk.org/@sean_ae/114099111429262241</ref>

=== a relax dub that no one asked for ===

* <ref>https://web.archive.org/web/20250502151241/https://post.lurk.org/@sean_ae/114438666065716185</ref>

=== cowbell acid ===

* "i put the acid inside the cowbell".<ref>https://web.archive.org/web/20250913212359/https://post.lurk.org/@sean_ae/115198170727992229</ref>
* The same segment has appeared in other promotional material for 2026 live shows with added drums.

=== unearthed test track from a few years ago ===

* Shared by Sean on Mastodon on March 7, 2026.<ref>https://www.youtube.com/watch?v=VXrjoWxbf1c</ref><ref>https://www.reddit.com/r/autechre/comments/1rnezay/sean_ae_unearthed_test_track_from_a_few_years_ago/</ref> 
* "unearthed test track from a few years ago was trying a new (at the time) m4l port of our rig - a lot closer to the way the rig works in Max than the older port we used on SIGN/PLUS (so a good chunk of it was culled from the bit of the set i was working on then)"

== Unreleased/Miscellaneous Appearances ==

=== [[Late 80s Tape]] ===

* Leaked in 2019 around the same time as Warp Tapes. Contains 5 unreleased tracks, one track which appeared in Lego Feet Part 3, 2 DJ mixes, and one non-Ae track (Coma II (A.M/O.K) by S'Express). 

=== IBC Anthem ===

* Done in 1992 for Andy Richard's IBC Show, with Ged O'Hara on vocals. <ref name=":0">https://www.reddit.com/r/autechre/comments/1bbc89f/old_lego_feetae_leak_of_early_material/</ref><ref>https://web.archive.org/web/20240113193629/https://post.lurk.org/@sean_ae/111749064152560779</ref>

=== Techthree ===

* [https://www.youtube.com/watch?v=pvF2Xq9sUFo Unreleased Lego Feet track.]<ref name=":0" />

=== Bigmistake ===

* [https://www.youtube.com/watch?v=r5nntgNbtsY Unreleased Lego Feet track.]<ref name=":0" />

=== Flight Deck ===

* Performed at Sweatbox 2 1991<ref>https://web.archive.org/web/20240309191939/https://post.lurk.org/@sean_ae/112067053409190575</ref> as well as aired on Sunset 102 FM on December 18th, 1990<ref>https://www.youtube.com/watch?v=IueaLLmy-1U</ref> after they came in with the tape.<ref>https://web.archive.org/web/20240604224813/https://post.lurk.org/@sean_ae/112560743996346551</ref> A snippet appears on ''[[Lego Feet]]''.<ref>https://www.reddit.com/r/autechre/comments/1d7ad8f/comment/l6yp7h7/</ref>

=== MYSLB ===

* BPM: 125
* Performed at Sweatbox 2 1991 + had a demo snippet shared by Sean. Name is short for "Make Your Self Look Bad!" which is the main vocal loop of "[https://www.youtube.com/watch?v=KcGa22wuZ4I Help Me Somebody]" by Brian Eno and David Byrne. The main production is the 606 and FZ-10 on hihats. <ref>[https://web.archive.org/web/20240114152614/https://post.lurk.org/@sean_ae/111754768777276869#:~:text=title%20is%20MYSLB%2C%20maybe%20you%20can%20fig%20out%20the%20sample%20from%20that%20%3B) https://web.archive.org/web/20240114152614/https://post.lurk.org/@sean_ae/111754768777276869#:~:text=title%20is%20MYSLB%2C%20maybe%20you%20can%20fig%20out%20the%20sample%20from%20that%20%3B)]</ref>

=== Untitled 90s Live Track ===

* Performed as a live track during their 1997 tour ([https://www.youtube.com/watch?v=IPqbpe06SVc&t=652 example]) with an R8. No proper track version from Autechre exists.<ref>https://web.archive.org/web/20240424140935/https://post.lurk.org/@sean_ae/112326437984409445</ref> Later reperformed during The Fear Ratio's 2020 DJ Mix.<ref>https://www.youtube.com/watch?v=-AM4eQ-wyWU</ref> Mark Broom confirmed over Facebook it was an Autechre track that was given to him.<ref>https://www.reddit.com/r/autechre/comments/173wc3z/the_greatest_of_all_unreleased_ae_tracks/</ref>

=== Second Crane ===

* Performed at Stormy Waters 1995.<ref>{{Cite AAA doc|1338|1339}}</ref>

=== Untitled Track on Radio Mix ===

* ''[[Radio Mix]]'', 1997

=== Lupe Mx ===

* Alternate version of [[Chiastic Slide#Pule|"Pule"]], appeared in the Untilted test transmission.

=== [[1999-10-10 Indio, CA, USA @ Coachella Festival|Coachella 1999 Tracks]] ===

=== [[Autechre.ws Test Transmission]] ===

* Series of mostly experimental minimal/drone tracks originally broadcast on April 8, 2005. Some of these tracks would be reused as part of [[Autechre & The Hafler Trio|Autechre's collaborations with the Hafler Trio]].

== Lost Tracks ==

=== TS4R5E8, TUNL, VIDEOTROOP, WOLYEC4 ===
Around 2016, Rob made [https://www.ascap.com/repertory#/ace/search/workID/891464095 "TUNL"], [https://www.ascap.com/repertory#/ace/search/workID/891464096 "VIDEOTROOP"], and Sean made [https://www.ascap.com/repertory#/ace/search/workID/891464097 "TS4R5E8"], [https://www.ascap.com/repertory#/ace/search/workID/891464098 "WOLYEC4"] as part of a private commission for a USA video show, featuring collaboration with animator cyriak for visuals. The show (possibly) didn't happen, and Autechre didn't receive the videos.<ref>{{Cite AAA2 doc|361}}</ref> Currently neither the songs nor videos have been shared.

== References ==
<references />

List of Rarities

2026-05-02T15:55:36Z

EnergyIsMassiveLight: compiled list of mastodon shares

This page is a collection of all original tracks by [[Autechre]] which were released as part of another series. List partially sourced from [https://docs.google.com/spreadsheets/d/1i1o90JzFLUelov8bydmpurOCDhktdd-oMbErw8G0AXA/edit?hl=en#gid=1 here].

For remixes, refer to [[List of Remixes]].

== Released  ==

=== Crystel ===
* from [https://www.discogs.com/master/30010-Various-Artificial-Intelligence Artificial Intelligence], 1992
* According to Sean, this was the song that got Autechre signed to Warp, and not [[Autechre / Saw You]] as previously assumed.<ref>https://web.archive.org/web/20240113191644/https://post.lurk.org/@sean_ae/111750128290861077</ref>

=== The Egg ===
* from [https://www.discogs.com/master/30010-Various-Artificial-Intelligence Artificial Intelligence], 1992
* This song is in mono. It is not known whether this was done on purpose.

=== Lanx 3 ===
* from [https://www.discogs.com/release/115269-Various-Volume-Eight Volume Eight], 1993

=== Chatter ===
* from [https://www.discogs.com/master/21134-Various-Artificial-Intelligence-II Artificial Intelligence II], 1994

=== Nonima ===
* from [https://www.discogs.com/release/238132-Various-Mind-The-Gap-Volume-5 Mind the Gap Volume 5], 1995

=== Silversub ===
* from [https://www.discogs.com/release/748632-Various-FMCD-January-1995 FMCD January 1995], 1995
* Is an alternate mix of [[Amber#Silverside|Silverside]].

=== P.I.O.B (Mix Two) ===
* from [https://www.discogs.com/master/1377596-The-Fall-Drome-Autechre-Untitled Fall/ Drome/Autechre - Untitled], 1996
* Is an alternate mix of ''[[Garbage#PIOBmx19|PIOBmx19]].''

=== Carni ===
* from [https://www.discogs.com/release/13845-Various-Eurowarp Eurowarp], 1996

=== Inhake 3 ===
* from [https://www.discogs.com/release/55136-Various-22-Class-A-Tracks 22 Class A Tracks], 1997

=== Puch ===
* from [https://www.discogs.com/release/200712-Various-Elements-The-Chemistry-Of-Mutating-Beats Elements], 1997

=== Stop Look Listen ===
* from [https://www.discogs.com/master/2353-Various-We-Are-Reasonable-People We are Reasonable People], 1998

=== Extended Ambience Sample from a Resonant Structure ===
* from [https://www.discogs.com/release/795959-Various-Unique-Sounds-Sonic-Elements-From-The-Stars Future Music Magazine], 1998
* in an interview excerpt, Autechre described the production of this song by saying: "Microphones were positioned around a structure with a resonant frequency of 100Hz. Electrical equipment inside the structure provided a constant tone of 50Hz. Water channelling equipment was also used. Signals from the two microphones were passed through five parallel resonators, all tuned with intervals divisible by 25Hz. Each resonator was filtered and the output mixed down to two channels and reversed."
** Sourced from [https://forum.watmm.com/topic/93486-autechre-interview-future-music-july-1998/ magazine scans, provided by WATMM user frozenreeds].

=== All Tomorrow's Linoleum ===
* from [https://www.discogs.com/master/82780-Various-All-Tomorrows-Parties-10 All Tomorrow's Parties 1.0], 2001
* "All Tomorrow's Linoleum" was made by making a patch for a basic track, then recording each channel individually to cassette before edited back together in Logic.<ref>https://web.archive.org/web/20250823155511/https://post.lurk.org/@sean_ae/115077854129129149</ref>

=== Konlied Mx ===
* from [https://www.discogs.com/master/84197-Various-Routine Routine], 2001

=== Naftwa4 ===
* from [https://www.discogs.com/release/96580-Various-Warp-WIFOF2003-Mix WIFOF2003], 2003

=== /]{- /](||) Excerpt ===
* from [https://www.discogs.com/master/48147-Various-Autechre-Curated-All-Tomorrows-Parties-30- All Tomorrow's Parties 3.0], 2003

* The title is an ASCII representation of "AE ACID"

=== Bronchus One.1 ===
* from [https://www.discogs.com/master/250176-Various-An-Anthology-Of-Noise-Electronic-Music-Second-A-Chronology-1936-2003 An Anthology Of Noise & Electronic Music / Second A-Chronology 1936-2003], 2003

* According to the copyright information, the song was published 1991.<ref>https://www.discogs.com/release/156514-Various-An-Anthology-Of-Noise-Electronic-Music-Second-A-Chronology-1936-2003</ref>
* is an alternate mix of [[Incunabula#Bronchus 2|Bronchus 2]].

=== Coenc3 ===
* from [https://www.discogs.com/release/1307559-Various-45-A-Tribute-To-Daniel-Hansson 45 - A Tribute to Daniel Hansson], 2008

* During his [[Sean Twitch AMA, July 2022|July 2022 Twitch AMA]], Sean mentioned that the track was made in 2005.

=== Oval Moon (IBC mx) ===
* from [https://www.discogs.com/master/207276-Various-Warp20-Unheard Warp20 (Unheard)], 2009

* According to the copyright information, the song was published 1991.<ref>https://www.discogs.com/release/2024532-Various-Warp20-Unheard</ref>
* IBC refers to the pirate radio station (short for Illegal Broadcasting Company) where Autechre got their start as radio DJs.[https://www.thepiratearchive.net/ibc/]

=== 6852 ===
[[File:6852.jpg|alt=poster|thumb|ATP "Made In Japan" promotional poster for "6852"|139x139px]]

"'''6852'''" is a digital-only song released by [[Autechre]] on April 17th, 2011. It was given away via a download code when purchasing a ticket for a charity concert hosted by [https://www.discogs.com/label/4961-ATP-Recordings ATP] in support of the Japanese Red Cross after the recent tsunami disaster.
*The title, "6852", likely originally referred to the number of islands that comprised Japan at time of release.
*The Headhunters' "God Make Me Funky" is sampled on the track. <ref>https://www.whosampled.com/sample/234368/Autechre-6852-The-Headhunters-Pointer-Sisters-God-Make-Me-Funky/</ref>

=== Ts1a ===
*from [https://www.discogs.com/master/1359215-Various-Benefit-Compilation-For-Japan Benefit Compilation for Japan], 2011
*The track also appeared on ''[[Hanalgig]]'', where Sean mentioned that it was made in 2009.
*During his July 2022 AMA, Sean said that the track either used Synplant or the Yamaha FS1R for some of the FM sounds.<ref>https://youtu.be/sihCO_RN1tc?feature=shared&t=2698</ref>

=== SYptixed ===
*from [https://www.discogs.com/master/684135-Various-Bleep10 Bleep:10], 2014
*SYptixed was written around 2010's [[Oversteps Tour]].<ref>https://web.archive.org/web/20250425162316/https://post.lurk.org/@sean_ae/114397782158143634</ref>

== Bonus Tracks ==

=== [[Tri Repetae#Medrey|Medrey]] ===

=== [[Confield#MCR Quarter|MCR Quarter]] ===

=== [[Untilted#Zurich 2001|Zurich 2001]] ===

=== [[Quaristice#nu-Nr6d|nu-Nr6d]] ===

=== [[Oversteps#Xektses sql|Xektses sql]] ===

=== [[Move Of Ten#ClnChr|ClnChr]] ===

=== [[Exai#18 (keyosc)|18 (keyosc)]] ===

=== [[SIGN#n Cur|n Cur]] ===

=== [[PLUS#p1p2|p1p2]] ===

== Commissions/Contributions==

=== Onedotzero 8 ===
*[https://vimeo.com/3953671 A commission for the opening of Onedotzero8], with music by Autechre and visuals by [[Alex Rutherford]].

=== Atoms Vectors Pixels Ghosts™ ===
*A visual art project by [[The Designers Republic]] featuring music from Autechre, including an early [[elseq 1-5#spaces how V|"spaces how V"]]. <ref>https://vimeo.com/41905073</ref><ref>https://www.thedesignersrepublic.com/atoms-vectors-pixels-ghosts</ref><ref>https://www.s1artspace.org/programme/atoms-vectors-pixels-ghosts/</ref><ref>https://web.archive.org/web/20240124200545/https://post.lurk.org/@sean_ae/111807273811423116</ref><ref>https://web.archive.org/web/20240124200447/https://post.lurk.org/@sean_ae/111810622481393012</ref> 

=== P1-449 ===
"'''P1-449'''" was released as part of the Sónar Calling GJ273b project on October 16th, 2017. The project was made to transmit music and audio art for extraterrestrial contact.<ref>https://soundcloud.com/sonarcalling/autechre-p1-449/s-v8hVY</ref><ref>https://www.sonarcalling.com/en/</ref> The file was made as an audio representation of the first 449 prime numbers in base ten.<ref>https://www.sonarcalling.com/en/artists/autechre/</ref>

== Mastodon Shares ==

=== 2022-12-10 demo ===

* Demo for an ''[[AE 2022－]]'' segment. "Reasonable facsimile of the Levee Breaks snare from a model made of water and spider silk (?!) who knew" alt text: "A video showing a modelled snare drum roughly emulating the snare drum from When The Levee Breaks by Led Zeppelin"<ref>https://www.youtube.com/watch?v=3poN6FDyB28</ref>

=== 2022-12-15 demo ===

* Demo for an ''[[AE 2022－]]'' segment.<ref>https://www.youtube.com/watch?v=jgMArRJswIQ</ref>

=== a max sequencer with a matrixctrl driving a prob object (first order markov chain) ===

* Demo for an ''[[AE 2022－]]'' segment. "after someone pointed out that our cascade sequencer was in fact a simple markov chain i made a version with weights instead of switches. quick demo:"<ref>https://web.archive.org/web/20230727210645/https://post.lurk.org/@sean_ae/110780381387123384</ref>

=== fuckery ===

* Demo for an ''[[AE 2022－]]'' segment. "pretty sure this is illegal"<ref>https://web.archive.org/web/20231216222330/https://post.lurk.org/@sean_ae/111591524233807832</ref>

=== MYSLB snippet ===

* Shared in response to toffo's attempted recreation of "MYSLB". Alt text: "a bit of an old track"<ref>https://web.archive.org/web/20240121184420/https://post.lurk.org/@sean_ae/111766525007098531</ref>

=== Blue Monday by New Order but slightly worse sounding ===

* "i made blue monday sound slightly worse"<ref>https://web.archive.org/web/20240126174648/https://post.lurk.org/@sean_ae/111823388504627131</ref>

=== funny little oversteps outtake ===
* "going thru some old folders, found this funny little oversteps outtake (12.10.08)"<ref>https://web.archive.org/web/20240528025606/https://post.lurk.org/@sean_ae/112485874698250947</ref>

=== applause made out of drum machine claps ===

* "right then saying i rushed this would be an understatement but it is what it is [applause made out of drum machine claps] test 0.1"<ref>https://web.archive.org/web/20240606220542/https://post.lurk.org/@sean_ae/112571047757097318</ref>

=== playing with stereo ===

* Demo for an ''[[AE 2022－]]'' segment.<ref>https://web.archive.org/web/20240928141307/https://post.lurk.org/@sean_ae/113186625238764271</ref>

=== soundcheck ===

* Soundcheck using an ''[[AE 2022－]]'' segment at [[2024-09-30 Oslo, Norway @ Sentrum Scene]].<ref>https://web.archive.org/web/20240930223633/https://post.lurk.org/@sean_ae/113227062223299175</ref>

=== something's off about this violin ===

* <ref>https://web.archive.org/web/20241130223546/https://post.lurk.org/@sean_ae/113573896535454757</ref>

=== quick gong jam ===

* Demo for an ''[[AE 2022－]]'' segment.<ref>https://web.archive.org/web/20250107140034/https://post.lurk.org/@sean_ae/113786941624175064</ref>

=== monday acid ===

* "just noticed it's 03.03 so here you go, bit of monday acid"<ref>https://web.archive.org/web/20250303152842/https://post.lurk.org/@sean_ae/114099111429262241</ref>

=== a relax dub that no one asked for ===

* <ref>https://web.archive.org/web/20250502151241/https://post.lurk.org/@sean_ae/114438666065716185</ref>

=== cowbell acid ===

* "i put the acid inside the cowbell".<ref>https://web.archive.org/web/20250913212359/https://post.lurk.org/@sean_ae/115198170727992229</ref>
* The same segment has appeared in other promotional material for 2026 live shows with added drums.

=== unearthed test track from a few years ago ===

* Shared by Sean on Mastodon on March 7, 2026.<ref>https://www.youtube.com/watch?v=VXrjoWxbf1c</ref><ref>https://www.reddit.com/r/autechre/comments/1rnezay/sean_ae_unearthed_test_track_from_a_few_years_ago/</ref> 
* "unearthed test track from a few years ago was trying a new (at the time) m4l port of our rig - a lot closer to the way the rig works in Max than the older port we used on SIGN/PLUS (so a good chunk of it was culled from the bit of the set i was working on then)"

== Unreleased/Miscellaneous Appearances ==

=== [[Late 80s Tape]] ===

* Leaked in 2019 around the same time as Warp Tapes. Contains 5 unreleased tracks, one track which appeared in Lego Feet Part 3, 2 DJ mixes, and one non-Ae track (Coma II (A.M/O.K) by S'Express). 

=== IBC Anthem ===

* Done in 1992 for Andy Richard's IBC Show, with Ged O'Hara on vocals. <ref name=":0">https://www.reddit.com/r/autechre/comments/1bbc89f/old_lego_feetae_leak_of_early_material/</ref><ref>https://web.archive.org/web/20240113193629/https://post.lurk.org/@sean_ae/111749064152560779</ref>

=== Techthree ===

* [https://www.youtube.com/watch?v=pvF2Xq9sUFo Unreleased Lego Feet track.]<ref name=":0" />

=== Bigmistake ===

* [https://www.youtube.com/watch?v=r5nntgNbtsY Unreleased Lego Feet track.]<ref name=":0" />

=== Flight Deck ===

* Performed at Sweatbox 2 1991<ref>https://web.archive.org/web/20240309191939/https://post.lurk.org/@sean_ae/112067053409190575</ref> as well as aired on Sunset 102 FM on December 18th, 1990<ref>https://www.youtube.com/watch?v=IueaLLmy-1U</ref> after they came in with the tape.<ref>https://web.archive.org/web/20240604224813/https://post.lurk.org/@sean_ae/112560743996346551</ref> A snippet appears on ''[[Lego Feet]]''.<ref>https://www.reddit.com/r/autechre/comments/1d7ad8f/comment/l6yp7h7/</ref>

=== MYSLB ===

* BPM: 125
* Performed at Sweatbox 2 1991 + had a demo snippet shared by Sean. Name is short for "Make Your Self Look Bad!" which is the main vocal loop of "[https://www.youtube.com/watch?v=KcGa22wuZ4I Help Me Somebody]" by Brian Eno and David Byrne. The main production is the 606 and FZ-10 on hihats. <ref>[https://web.archive.org/web/20240114152614/https://post.lurk.org/@sean_ae/111754768777276869#:~:text=title%20is%20MYSLB%2C%20maybe%20you%20can%20fig%20out%20the%20sample%20from%20that%20%3B) https://web.archive.org/web/20240114152614/https://post.lurk.org/@sean_ae/111754768777276869#:~:text=title%20is%20MYSLB%2C%20maybe%20you%20can%20fig%20out%20the%20sample%20from%20that%20%3B)]</ref>

=== Untitled 90s Live Track ===

* Performed as a live track during their 1997 tour ([https://www.youtube.com/watch?v=IPqbpe06SVc&t=652 example]) with an R8. No proper track version from Autechre exists.<ref>https://web.archive.org/web/20240424140935/https://post.lurk.org/@sean_ae/112326437984409445</ref> Later reperformed during The Fear Ratio's 2020 DJ Mix.<ref>https://www.youtube.com/watch?v=-AM4eQ-wyWU</ref> Mark Broom confirmed over Facebook it was an Autechre track that was given to him.<ref>https://www.reddit.com/r/autechre/comments/173wc3z/the_greatest_of_all_unreleased_ae_tracks/</ref>

=== Second Crane ===

* Performed at Stormy Waters 1995.<ref>{{Cite AAA doc|1338|1339}}</ref>

=== Untitled Track on Radio Mix ===

* ''[[Radio Mix]]'', 1997

=== Lupe Mx ===

* Alternate version of [[Chiastic Slide#Pule|"Pule"]], appeared in the Untilted test transmission.

=== [[1999-10-10 Indio, CA, USA @ Coachella Festival|Coachella 1999 Tracks]] ===

=== [[Autechre.ws Test Transmission]] ===

* Series of mostly experimental minimal/drone tracks originally broadcast on April 8, 2005. Some of these tracks would be reused as part of [[Autechre & The Hafler Trio|Autechre's collaborations with the Hafler Trio]].

== Lost Tracks ==

=== TS4R5E8, TUNL, VIDEOTROOP, WOLYEC4 ===
Around 2016, Rob made [https://www.ascap.com/repertory#/ace/search/workID/891464095 "TUNL"], [https://www.ascap.com/repertory#/ace/search/workID/891464096 "VIDEOTROOP"], and Sean made [https://www.ascap.com/repertory#/ace/search/workID/891464097 "TS4R5E8"], [https://www.ascap.com/repertory#/ace/search/workID/891464098 "WOLYEC4"] as part of a private commission for a USA video show, featuring collaboration with animator cyriak for visuals. The show (possibly) didn't happen, and Autechre didn't receive the videos.<ref>{{Cite AAA2 doc|361}}</ref> Currently neither the songs nor videos have been shared.

== References ==
<references />

List of Rarities

2026-05-02T15:30:22Z

EnergyIsMassiveLight: reformatted bonus tracks to take up less space

This page is a collection of all original tracks by [[Autechre]] which were released as part of another series. List partially sourced from [https://docs.google.com/spreadsheets/d/1i1o90JzFLUelov8bydmpurOCDhktdd-oMbErw8G0AXA/edit?hl=en#gid=1 here].

For remixes, refer to [[List of Remixes]].

== Released  ==

=== Crystel ===
* from [https://www.discogs.com/master/30010-Various-Artificial-Intelligence Artificial Intelligence], 1992
* According to Sean, this was the song that got Autechre signed to Warp, and not [[Autechre / Saw You]] as previously assumed.<ref>https://web.archive.org/web/20240113191644/https://post.lurk.org/@sean_ae/111750128290861077</ref>

=== The Egg ===
* from [https://www.discogs.com/master/30010-Various-Artificial-Intelligence Artificial Intelligence], 1992
* This song is in mono. It is not known whether this was done on purpose.

=== Lanx 3 ===
* from [https://www.discogs.com/release/115269-Various-Volume-Eight Volume Eight], 1993

=== Chatter ===
* from [https://www.discogs.com/master/21134-Various-Artificial-Intelligence-II Artificial Intelligence II], 1994

=== Nonima ===
* from [https://www.discogs.com/release/238132-Various-Mind-The-Gap-Volume-5 Mind the Gap Volume 5], 1995

=== Silversub ===
* from [https://www.discogs.com/release/748632-Various-FMCD-January-1995 FMCD January 1995], 1995
* Is an alternate mix of [[Amber#Silverside|Silverside]].

=== P.I.O.B (Mix Two) ===
* from [https://www.discogs.com/master/1377596-The-Fall-Drome-Autechre-Untitled Fall/ Drome/Autechre - Untitled], 1996
* Is an alternate mix of ''[[Garbage#PIOBmx19|PIOBmx19]].''

=== Carni ===
* from [https://www.discogs.com/release/13845-Various-Eurowarp Eurowarp], 1996

=== Inhake 3 ===
* from [https://www.discogs.com/release/55136-Various-22-Class-A-Tracks 22 Class A Tracks], 1997

=== Puch ===
* from [https://www.discogs.com/release/200712-Various-Elements-The-Chemistry-Of-Mutating-Beats Elements], 1997

=== Stop Look Listen ===
* from [https://www.discogs.com/master/2353-Various-We-Are-Reasonable-People We are Reasonable People], 1998

=== Extended Ambience Sample from a Resonant Structure ===
* from [https://www.discogs.com/release/795959-Various-Unique-Sounds-Sonic-Elements-From-The-Stars Future Music Magazine], 1998
* in an interview excerpt, Autechre described the production of this song by saying: "Microphones were positioned around a structure with a resonant frequency of 100Hz. Electrical equipment inside the structure provided a constant tone of 50Hz. Water channelling equipment was also used. Signals from the two microphones were passed through five parallel resonators, all tuned with intervals divisible by 25Hz. Each resonator was filtered and the output mixed down to two channels and reversed."
** Sourced from [https://forum.watmm.com/topic/93486-autechre-interview-future-music-july-1998/ magazine scans, provided by WATMM user frozenreeds].

=== All Tomorrow's Linoleum ===
* from [https://www.discogs.com/master/82780-Various-All-Tomorrows-Parties-10 All Tomorrow's Parties 1.0], 2001
* "All Tomorrow's Linoleum" was made by making a patch for a basic track, then recording each channel individually to cassette before edited back together in Logic.<ref>https://web.archive.org/web/20250823155511/https://post.lurk.org/@sean_ae/115077854129129149</ref>

=== Konlied Mx ===
* from [https://www.discogs.com/master/84197-Various-Routine Routine], 2001

=== Naftwa4 ===
* from [https://www.discogs.com/release/96580-Various-Warp-WIFOF2003-Mix WIFOF2003], 2003

=== /]{- /](||) Excerpt ===
* from [https://www.discogs.com/master/48147-Various-Autechre-Curated-All-Tomorrows-Parties-30- All Tomorrow's Parties 3.0], 2003

* The title is an ASCII representation of "AE ACID"

=== Bronchus One.1 ===
* from [https://www.discogs.com/master/250176-Various-An-Anthology-Of-Noise-Electronic-Music-Second-A-Chronology-1936-2003 An Anthology Of Noise & Electronic Music / Second A-Chronology 1936-2003], 2003

* According to the copyright information, the song was published 1991.<ref>https://www.discogs.com/release/156514-Various-An-Anthology-Of-Noise-Electronic-Music-Second-A-Chronology-1936-2003</ref>
* is an alternate mix of [[Incunabula#Bronchus 2|Bronchus 2]].

=== Coenc3 ===
* from [https://www.discogs.com/release/1307559-Various-45-A-Tribute-To-Daniel-Hansson 45 - A Tribute to Daniel Hansson], 2008

* During his [[Sean Twitch AMA, July 2022|July 2022 Twitch AMA]], Sean mentioned that the track was made in 2005.

=== Oval Moon (IBC mx) ===
* from [https://www.discogs.com/master/207276-Various-Warp20-Unheard Warp20 (Unheard)], 2009

* According to the copyright information, the song was published 1991.<ref>https://www.discogs.com/release/2024532-Various-Warp20-Unheard</ref>
* IBC refers to the pirate radio station (short for Illegal Broadcasting Company) where Autechre got their start as radio DJs.[https://www.thepiratearchive.net/ibc/]

=== 6852 ===
[[File:6852.jpg|alt=poster|thumb|ATP "Made In Japan" promotional poster for "6852"|139x139px]]

"'''6852'''" is a digital-only song released by [[Autechre]] on April 17th, 2011. It was given away via a download code when purchasing a ticket for a charity concert hosted by [https://www.discogs.com/label/4961-ATP-Recordings ATP] in support of the Japanese Red Cross after the recent tsunami disaster.
*The title, "6852", likely originally referred to the number of islands that comprised Japan at time of release.
*The Headhunters' "God Make Me Funky" is sampled on the track. <ref>https://www.whosampled.com/sample/234368/Autechre-6852-The-Headhunters-Pointer-Sisters-God-Make-Me-Funky/</ref>

=== Ts1a ===
*from [https://www.discogs.com/master/1359215-Various-Benefit-Compilation-For-Japan Benefit Compilation for Japan], 2011
*The track also appeared on ''[[Hanalgig]]'', where Sean mentioned that it was made in 2009.
*During his July 2022 AMA, Sean said that the track either used Synplant or the Yamaha FS1R for some of the FM sounds.<ref>https://youtu.be/sihCO_RN1tc?feature=shared&t=2698</ref>

=== SYptixed ===
*from [https://www.discogs.com/master/684135-Various-Bleep10 Bleep:10], 2014
*SYptixed was written around 2010's [[Oversteps Tour]].<ref>https://web.archive.org/web/20250425162316/https://post.lurk.org/@sean_ae/114397782158143634</ref>

== Bonus Tracks ==

=== [[Tri Repetae#Medrey|Medrey]] ===

=== [[Confield#MCR Quarter|MCR Quarter]] ===

=== [[Untilted#Zurich 2001|Zurich 2001]] ===

=== [[Quaristice#nu-Nr6d|nu-Nr6d]] ===

=== [[Oversteps#Xektses sql|Xektses sql]] ===

=== [[Move Of Ten#ClnChr|ClnChr]] ===

=== [[Exai#18 (keyosc)|18 (keyosc)]] ===

=== [[SIGN#n Cur|n Cur]] ===

=== [[PLUS#p1p2|p1p2]] ===

== Commissions/Contributions==

=== Onedotzero 8 ===
*[https://vimeo.com/3953671 A commission for the opening of Onedotzero8], with music by Autechre and visuals by [[Alex Rutherford]].

=== Atoms Vectors Pixels Ghosts™ ===
*A visual art project by [[The Designers Republic]] featuring music from Autechre, including an early [[elseq 1-5#spaces how V|"spaces how V"]]. <ref>https://vimeo.com/41905073</ref><ref>https://www.thedesignersrepublic.com/atoms-vectors-pixels-ghosts</ref><ref>https://www.s1artspace.org/programme/atoms-vectors-pixels-ghosts/</ref><ref>https://web.archive.org/web/20240124200545/https://post.lurk.org/@sean_ae/111807273811423116</ref><ref>https://web.archive.org/web/20240124200447/https://post.lurk.org/@sean_ae/111810622481393012</ref> 

=== P1-449 ===
"'''P1-449'''" was released as part of the Sónar Calling GJ273b project on October 16th, 2017. The project was made to transmit music and audio art for extraterrestrial contact.<ref>https://soundcloud.com/sonarcalling/autechre-p1-449/s-v8hVY</ref><ref>https://www.sonarcalling.com/en/</ref> The file was made as an audio representation of the first 449 prime numbers in base ten.<ref>https://www.sonarcalling.com/en/artists/autechre/</ref>

== Unreleased/Miscellaneous Appearances ==

=== [[Late 80s Tape]] ===

* Leaked in 2019 around the same time as Warp Tapes. Contains 5 unreleased tracks, one track which appeared in Lego Feet Part 3, 2 DJ mixes, and one non-Ae track (Coma II (A.M/O.K) by S'Express). 

=== IBC Anthem ===

* Done in 1992 for Andy Richard's IBC Show, with Ged O'Hara on vocals. <ref name=":0">https://www.reddit.com/r/autechre/comments/1bbc89f/old_lego_feetae_leak_of_early_material/</ref><ref>https://web.archive.org/web/20240113193629/https://post.lurk.org/@sean_ae/111749064152560779</ref>

=== Techthree ===

* [https://www.youtube.com/watch?v=pvF2Xq9sUFo Unreleased Lego Feet track.]<ref name=":0" />

=== Bigmistake ===

* [https://www.youtube.com/watch?v=r5nntgNbtsY Unreleased Lego Feet track.]<ref name=":0" />

=== Flight Deck ===

* Performed at Sweatbox 2 1991<ref>https://web.archive.org/web/20240309191939/https://post.lurk.org/@sean_ae/112067053409190575</ref> as well as aired on Sunset 102 FM on December 18th, 1990<ref>https://www.youtube.com/watch?v=IueaLLmy-1U</ref> after they came in with the tape.<ref>https://web.archive.org/web/20240604224813/https://post.lurk.org/@sean_ae/112560743996346551</ref> A snippet appears on ''[[Lego Feet]]''.<ref>https://www.reddit.com/r/autechre/comments/1d7ad8f/comment/l6yp7h7/</ref>

=== MYSLB ===

* BPM: 125
* Performed at Sweatbox 2 1991 + had a demo snippet shared by Sean. Name is short for "Make Your Self Look Bad!" which is the main vocal loop of "[https://www.youtube.com/watch?v=KcGa22wuZ4I Help Me Somebody]" by Brian Eno and David Byrne. The main production is the 606 and FZ-10 on hihats. <ref>[https://web.archive.org/web/20240114152614/https://post.lurk.org/@sean_ae/111754768777276869#:~:text=title%20is%20MYSLB%2C%20maybe%20you%20can%20fig%20out%20the%20sample%20from%20that%20%3B) https://web.archive.org/web/20240114152614/https://post.lurk.org/@sean_ae/111754768777276869#:~:text=title%20is%20MYSLB%2C%20maybe%20you%20can%20fig%20out%20the%20sample%20from%20that%20%3B)]</ref>

=== Untitled 90s Live Track ===

* Performed as a live track during their 1997 tour ([https://www.youtube.com/watch?v=IPqbpe06SVc&t=652 example]) with an R8. No proper track version from Autechre exists.<ref>https://web.archive.org/web/20240424140935/https://post.lurk.org/@sean_ae/112326437984409445</ref> Later reperformed during The Fear Ratio's 2020 DJ Mix.<ref>https://www.youtube.com/watch?v=-AM4eQ-wyWU</ref> Mark Broom confirmed over Facebook it was an Autechre track that was given to him.<ref>https://www.reddit.com/r/autechre/comments/173wc3z/the_greatest_of_all_unreleased_ae_tracks/</ref>

=== Second Crane ===

* Performed at Stormy Waters 1995.<ref>{{Cite AAA doc|1338|1339}}</ref>

=== Untitled Track on Radio Mix ===

* ''[[Radio Mix]]'', 1997

=== Lupe Mx ===

* Alternate version of [[Chiastic Slide#Pule|"Pule"]], appeared in the Untilted test transmission.

=== [[1999-10-10 Indio, CA, USA @ Coachella Festival|Coachella 1999 Tracks]] ===

=== [[Autechre.ws Test Transmission]] ===

* Series of mostly experimental minimal/drone tracks originally broadcast on April 8, 2005. Some of these tracks would be reused as part of [[Autechre & The Hafler Trio|Autechre's collaborations with the Hafler Trio]].

=== Oversteps Outtake (12.10.08) ===

* Shared by Sean on Mastodon.<ref>https://web.archive.org/web/20240528025606/https://post.lurk.org/@sean_ae/112485874698250947</ref>

=== Unearthed Test Track ===

* Shared by Sean on Mastodon on March 7, 2026<ref>https://www.youtube.com/watch?v=VXrjoWxbf1c</ref><ref>https://www.reddit.com/r/autechre/comments/1rnezay/sean_ae_unearthed_test_track_from_a_few_years_ago/</ref>

== Lost Tracks ==

=== TS4R5E8, TUNL, VIDEOTROOP, WOLYEC4 ===
Around 2016, Rob made [https://www.ascap.com/repertory#/ace/search/workID/891464095 "TUNL"], [https://www.ascap.com/repertory#/ace/search/workID/891464096 "VIDEOTROOP"], and Sean made [https://www.ascap.com/repertory#/ace/search/workID/891464097 "TS4R5E8"], [https://www.ascap.com/repertory#/ace/search/workID/891464098 "WOLYEC4"] as part of a private commission for a USA video show, featuring collaboration with animator cyriak for visuals. The show (possibly) didn't happen, and Autechre didn't receive the videos.<ref>{{Cite AAA2 doc|361}}</ref> Currently neither the songs nor videos have been shared.

== References ==
<references />

2025-10-14 Austin, TX, USA @ Kingdom Nightclub

2026-04-11T16:39:51Z

EnergyIsMassiveLight:

{{Show Information|date=2025-10-14|location=Austin, TX, USA|venue=Kingdom Nightclub|event=|validity=A1|tour=[[AE_2022－|twentytwentyfive]]}}

==History==
Support: Mark Broom, tsrono

<ref name=":73">https://www.reddit.com/r/autechre/comments/1nraadz/twentytwentyfivesix_openers/</ref><ref name=":64">https://www.reddit.com/r/autechre/comments/1jkh669/update_on_twentytwentyfive_shows/ (original: https://www.reddit.com/r/autechre/comments/1iypjz7/twentytwentyfive/)</ref><ref name=":65">https://pitchfork.com/news/autechre-expand-2025-north-american-tour/ (old: https://pitchfork.com/news/autechre-announce-first-north-american-tour-in-a-decade/)</ref>

==Media==

=== Images ===

* https://www.instagram.com/vvilmstock/p/DVbjvtjEeHC/

==Recordings==
{| class="wikitable"
!TYPE
!COMPLETE
!LENGTH
!NOTES
!LINKS
|-
|AUD #1
|PARTIAL
|47:52
|Recorded by u/sillygoose54229
|[https://www.reddit.com/r/autechre/comments/1o7ca2b/comment/njmpge7/?context=1 Reddit]
|-
|AUD #2
|PARTIAL
|56:15
|Recorded by vcaselle.
|[https://www.vcaselle.com/bootlegs/2025/ Website]
|}

==References==
<references />
[[Category:Live]]

Chiastic Slide

2026-04-09T15:49:05Z

EnergyIsMassiveLight:

[[Category:Album]]
{{Infobox
|title=Chiastic Slide
|artist=[[Autechre]]
|cover=Chiastic Slide.jpg
|date=17 February 1997
|label=Warp Records (WARP49)
|previous=[[Envane]]
|previous year=1997
|next=[[Cichlisuite]]
|next year=1997
}}'''''Chiastic Slide''''' is the fourth studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on February 17th, 1997<ref>https://bleep.com/release/249530-autechre-chiastic-slide</ref>, then later repressed on vinyl in 2021, alongside ''[[LP5]]''.

== History ==
A majority of ''Chiastic Slide'' was done using Logic.<ref name=":0">https://web.archive.org/web/20240517220958/https://post.lurk.org/@sean_ae/112458650906114812</ref> Tracks were initially made with Atari computers running C-Lab Creator up until "halfway through doing ''Chiastic Slide''", before moving to Macs with Logic.<ref name=":1">{{Cite interview|page=Sean Twitch AMA, July 2022|quote=So yeah, [C-Lab Creator] was my favourite program for ages. And then when, and we used that up until about halfway through doing Chiastic Slide. We got Mac and then we got Logic because Logic, as we understood, it was the, kind of, new version. And so it still had the event list from C-Lab in there, which I really liked. So yeah, we used Logic for a little bit towards the end of doing Chiastic. So there's a couple of tracks using it on Chiastic, but most of Chiastic was still the Atari. And yeah, so like Cipater was done on the Atari, and Nuane was done on it, and I think the tracks that we did using Logic were quite basic. So I think Recury was done using Logic, and Pule was done using Logic. Yeah, I think the rest of it was Atari, thinking about it, maybe Cichli was done using Logic as well. I can't remember. I think it was, actually, yeah, I think Cichli is Logic.}}</ref> In Warp: Labels Unlimited however, they remarked that 90% of the material was not done with Macs, "it was just mixed on a Mac".<ref>Warp: Labels Unlimited by Rob Young, pg 89 </ref> Much of the setup was similar to ''[[Envane]] ("eps16+, dx100, juno, korg ms10, quadraverb, boss rsd10, roland r8<ref name=":0" /> and an apple 9650 workgroup server running logic audio, LA 4x4 compressor, behringer ultrafex"'')''<ref>{{Cite AAA2 doc|598}}</ref>'' with the addition of a Thinkpad from Rob.<ref>{{Cite AAA2 doc|598}}</ref> The Casio SK-1<ref>https://web.archive.org/web/20020816104848/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid1018136565,21609,#:~:text=cavity%20job%2C%20incunabula%2C%20chiastic%20slide</ref> was also used on ''Chiastic Slide''. 

60 tracks were made for ''Chiastic Slide'' from October 1995 to August 1996, but only 9 of them were picked for the album.<ref name=":2">https://web.archive.org/web/19990222164648/http://www.sme.co.jp/Music/Info/SonyTechno/newsE/9705/ae/</ref><ref>{{Cite web|link=https://lonelymachines.org/the-autechre-faq-v-199/|author=Ruud, Knut Andreas|website=LonelyMachines|date=December 2000|title=The _alt.music.autechre_ FAQ (Frequently Asked Questions) version 1.15|accessdate=20 May 2024}}</ref> Some of the tracks ended up on Gescom's ''[[Minidisc]]''.<ref>{{Cite AAA2 doc|401}}</ref>

For Sony Techno Japan, Sean said the title was "something changeable, movable and making numbers, circuits and shapes crossed."<ref name=":2" /> In The Wire, a note was included that the title was "a cryptic reference to the mercunal qualities of the crossfader".<ref>{{Cite interview|page=Autechre. Transformed by Sound, February 1997|quote=On this array of electronic components the pair recorded their fourth album, Chiastic Slide, the title a cryptic reference to the mercunal qualities of the crossfader. On the DJ panel or the mixing board, this little slider acts as the magician's curtain, swishing from side to side to reveal marvels previously hidden. Only now, the way Autechre have engineered things, the curtains have multiplied, there are boxes within boxes, screens hiding screens hiding screens.}}</ref>
=== Cover ===
The cover art, designed by The Designers Republic, is a collage of simplified abstract shapes using images from a New York trip, specifically "some street-level structural (under the E-train tracks), a shot overlooking the Brooklyn Bridge (probably) from the Empire State Building, and some images found in magazines in hotel lobbies and airline magazines on the flight back (shots of the NASA control room, of white goods junkyards)." <ref>{{Cite web|title=Chiastic Slide|link=https://www.thedesignersrepublic.com/chiastic-slide|website=The Designers Republic|accessdate=20 May 2024}}</ref>

== Tracks ==

=== Cipater ===

* "Cipater" was done on C-Lab Creator.<ref name=":0" /><ref name=":1" />

=== Rettic AC ===

* "Rettic AC" was done in Logic.<ref name=":0" />
* Sean revealed that the main noise loop is the sound of tissue paper being rubbed over a microphone.<ref>{{Cite interview|page=Autechre Interview on Today Programme, BBC Radio 1, March 2008|quote='''SB''': It's not walking noises, it's a tissue being screwed up around a microphone, but I wouldn't ever reveal that publicly, but- '''RB''': Apart from now!}}</ref>

=== Tewe ===

* The ending features the purrs of Sean's first cat, Winterbottom.<ref>{{Cite AAA doc|187}}</ref>
* "Tewe" was mostly sequenced on the Roland R8<ref name=":0" /> in a few hours. The melody and bass was both sent to Quadraverb and "played over midi".<ref>https://web.archive.org/web/20240217234806/https://post.lurk.org/@sean_ae/111948852735521025</ref>

=== Cichli ===

* "Cichli" was done in Logic.<ref name=":0" /><ref name=":1" />
* Elements of the track were later reused for ''[[Cichlisuite]]''.
* The title is likely derived from [[wikipedia:Cichlid|Cichlid]], a family of fish. This fish naming theme was further explored on ''[[Cichlisuite]]''.
* Sean mentioned that he has Boards of Canada's acoustic cover of "Cichli" on cassette.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''When will you release the Boards of Canada Chicli cover?''' I've only got it on cassette. So I can't release it. So if you want that Chicli cover, you're gonna have to get Warp to get Boards to give it to them for some fucking anniversary release or some shit like that, because that's the only way it's ever gonna come out, I think now. They would’ve had a chance to do it when Warp did that covers album, and they probably just decided not to for reasons. So I think that sort of chance’s passed already. I don't think it's likely to.}}</ref><ref>https://bocpages.org/wiki/Autechre_-_Cichli_(Boards_of_Canada_Cover)</ref>

=== Hub ===

* "Hub" was done in Logic.<ref name=":0" />

=== Calbruc ===

* "Calbruc" was done in Logic.<ref name=":0" />
* The main sample is from a Kung Fu movie. <ref>{{Cite AAA2 doc|310}}</ref>

=== Recury ===

* "Recury" was done in Logic.<ref name=":0" /><ref name=":1" />
* The percussion on "Recury" are all heavily processed "homemade sampler stuff." <ref>https://web.archive.org/web/20240218010910/https://post.lurk.org/@sean_ae/111949563697343787</ref>
* The title is likely a play on "Reoccurring"

=== Pule ===

* "Pule" was done in Logic.<ref name=":0" /><ref name=":1" />
* An alternate version of "Pule" called [https://www.youtube.com/watch?v=uvj4KmH2U1w "Lupe Mx"] was initally debuted on the 10th of April, 2005 in a test transmission on autechre.ws.<ref>https://watmm-archive.com/t/3851/1</ref> "Lupe Mx" was later shared with Oscar Powell by Sean, which was later performed on NTS Radio in a DJ Mix on March 7th, 2018.<ref>https://www.nts.live/shows/powell/episodes/melon-magic-7th-march-2018</ref>

=== Nuane ===

* "Nuane" was done on C-Lab Creator.<ref name=":0" /><ref name=":1" />
* Rob discussed "Nuane" in the [[Ask Autechre Anything Again, KEYOSC, April 2025]] that "the SAH chords of sample loops resembling voices/choirs expanded the feel massively - idt we'd never had poly SAH samples before the Ensoniq EPS16+ so there was more music coming out than we had put in IYKWIM, which was nice."<ref>{{Cite AAA2 doc|151}}</ref> 
* A slightly modified version of the title is seen on ''[[Envane]]'' (Nvane).
* "Nuane" uses a groove template.<ref>{{Cite interview|page=Exploring the parameter space: A conversation with Autechre, October 2023|quote='''Rob:''' [...] And with Emagic Logic, as Sean was saying, we could do lots more quantizing lots more swing combinations, and just aim for something. '''Sean:''' Like that track. Nuane. That’s like a groove template. '''Rob:''' Exactly, that’s like, one of the first times we started messing with all that.}}</ref>

== Tracklist ==
{{Tracklist|list=
{{tl track|number=1|title=Cipater|length=8:56}}
{{tl track|number=2|title=Rettic AC|length=2:08}}
{{tl track|number=3|title=Tewe|length=6:57}}
{{tl track|number=4|title=Cichli|length=8:53}}
{{tl track|number=5|title=Hub|length=7:35}}
{{tl track|number=6|title=Calbruc|length=3:51}}
{{tl track|number=7|title=Recury|length=9:44}}
{{tl track|number=8|title=Pule|length=8:33}}
{{tl track|number=9|title=Nuane|length=13:14}}
{{tl finaltime|time=1:09:51}}
}}

== Links ==
* [https://autechre.warp.net/release/249325-autechre-chiastic-slide AE_STORE]
* [https://music.apple.com/us/album/chiastic-slide/281853123 Apple Music]
* [https://autechre.bandcamp.com/album/chiastic-slide Bandcamp]
* [https://bleep.com/release/249530-autechre-chiastic-slide Bleep]
* [https://www.discogs.com/master/1348-Autechre-Chiastic-Slide Discogs]
* [https://soundcloud.com/autechreofficial/sets/chiastic-slide Soundcloud]
* [https://open.spotify.com/album/7BAYND1fTWAwOr7QwLhXMB Spotify]

==Credits ==
*[[Autechre]] (production)
*[[Rob Brown]] (writer)
*[[Sean Booth]] (writer) 
*[[The Designers Republic]] (design) <ref>{{Cite web|link=https://www.discogs.com/master/1348-Autechre-Chiastic-Slide|website=Discogs|title=Autechre – Chiastic Slide|accessdate=20 May 2024}}</ref>

== References ==
<references />

Chiastic Slide

2026-04-09T15:48:44Z

EnergyIsMassiveLight: rephrased equipment paragraph and proper cite on rettic

[[Category:Album]]
{{Infobox
|title=Chiastic Slide
|artist=[[Autechre]]
|cover=Chiastic Slide.jpg
|date=17 February 1997
|label=Warp Records (WARP49)
|previous=[[Envane]]
|previous year=1997
|next=[[Cichlisuite]]
|next year=1997
}}'''''Chiastic Slide''''' is the fourth studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on February 17th, 1997<ref>https://bleep.com/release/249530-autechre-chiastic-slide</ref>, then later repressed on vinyl in 2021, alongside ''[[LP5]]''.

== History ==
A majority of ''Chiastic Slide'' was done using Logic.<ref name=":0">https://web.archive.org/web/20240517220958/https://post.lurk.org/@sean_ae/112458650906114812</ref> Tracks were initially made with Atari computers running C-Lab Creator up until "halfway through doing ''Chiastic Slide''", before moving to Macs with Logic.<ref name=":1">{{Cite interview|page=Sean Twitch AMA, July 2022|quote=So yeah, [C-Lab Creator] was my favourite program for ages. And then when, and we used that up until about halfway through doing Chiastic Slide. We got Mac and then we got Logic because Logic, as we understood, it was the, kind of, new version. And so it still had the event list from C-Lab in there, which I really liked. So yeah, we used Logic for a little bit towards the end of doing Chiastic. So there's a couple of tracks using it on Chiastic, but most of Chiastic was still the Atari. And yeah, so like Cipater was done on the Atari, and Nuane was done on it, and I think the tracks that we did using Logic were quite basic. So I think Recury was done using Logic, and Pule was done using Logic. Yeah, I think the rest of it was Atari, thinking about it, maybe Cichli was done using Logic as well. I can't remember. I think it was, actually, yeah, I think Cichli is Logic.}}</ref> In Warp: Labels Unlimited however, they remarked that 90% of the material was not done with Macs, "it was just mixed on a Mac".<ref>Warp: Labels Unlimited by Rob Young, pg 89 </ref>Much of the setup was similar to ''[[Envane]] ("eps16+, dx100, juno, korg ms10, quadraverb, boss rsd10, roland r8<ref name=":0" /> and an apple 9650 workgroup server running logic audio, LA 4x4 compressor, behringer ultrafex"<ref>{{Cite AAA2 doc|598}}</ref>'') with the addition of a Thinkpad from Rob.<ref>{{Cite AAA2 doc|598}}</ref> The Casio SK-1<ref>https://web.archive.org/web/20020816104848/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid1018136565,21609,#:~:text=cavity%20job%2C%20incunabula%2C%20chiastic%20slide</ref> was also used on ''Chiastic Slide''. 

60 tracks were made for ''Chiastic Slide'' from October 1995 to August 1996, but only 9 of them were picked for the album.<ref name=":2">https://web.archive.org/web/19990222164648/http://www.sme.co.jp/Music/Info/SonyTechno/newsE/9705/ae/</ref><ref>{{Cite web|link=https://lonelymachines.org/the-autechre-faq-v-199/|author=Ruud, Knut Andreas|website=LonelyMachines|date=December 2000|title=The _alt.music.autechre_ FAQ (Frequently Asked Questions) version 1.15|accessdate=20 May 2024}}</ref> Some of the tracks ended up on Gescom's ''[[Minidisc]]''.<ref>{{Cite AAA2 doc|401}}</ref>

For Sony Techno Japan, Sean said the title was "something changeable, movable and making numbers, circuits and shapes crossed."<ref name=":2" /> In The Wire, a note was included that the title was "a cryptic reference to the mercunal qualities of the crossfader".<ref>{{Cite interview|page=Autechre. Transformed by Sound, February 1997|quote=On this array of electronic components the pair recorded their fourth album, Chiastic Slide, the title a cryptic reference to the mercunal qualities of the crossfader. On the DJ panel or the mixing board, this little slider acts as the magician's curtain, swishing from side to side to reveal marvels previously hidden. Only now, the way Autechre have engineered things, the curtains have multiplied, there are boxes within boxes, screens hiding screens hiding screens.}}</ref>
=== Cover ===
The cover art, designed by The Designers Republic, is a collage of simplified abstract shapes using images from a New York trip, specifically "some street-level structural (under the E-train tracks), a shot overlooking the Brooklyn Bridge (probably) from the Empire State Building, and some images found in magazines in hotel lobbies and airline magazines on the flight back (shots of the NASA control room, of white goods junkyards)." <ref>{{Cite web|title=Chiastic Slide|link=https://www.thedesignersrepublic.com/chiastic-slide|website=The Designers Republic|accessdate=20 May 2024}}</ref>

== Tracks ==

=== Cipater ===

* "Cipater" was done on C-Lab Creator.<ref name=":0" /><ref name=":1" />

=== Rettic AC ===

* "Rettic AC" was done in Logic.<ref name=":0" />
* Sean revealed that the main noise loop is the sound of tissue paper being rubbed over a microphone.<ref>{{Cite interview|page=Autechre Interview on Today Programme, BBC Radio 1, March 2008|quote='''SB''': It's not walking noises, it's a tissue being screwed up around a microphone, but I wouldn't ever reveal that publicly, but- '''RB''': Apart from now!}}</ref>

=== Tewe ===

* The ending features the purrs of Sean's first cat, Winterbottom.<ref>{{Cite AAA doc|187}}</ref>
* "Tewe" was mostly sequenced on the Roland R8<ref name=":0" /> in a few hours. The melody and bass was both sent to Quadraverb and "played over midi".<ref>https://web.archive.org/web/20240217234806/https://post.lurk.org/@sean_ae/111948852735521025</ref>

=== Cichli ===

* "Cichli" was done in Logic.<ref name=":0" /><ref name=":1" />
* Elements of the track were later reused for ''[[Cichlisuite]]''.
* The title is likely derived from [[wikipedia:Cichlid|Cichlid]], a family of fish. This fish naming theme was further explored on ''[[Cichlisuite]]''.
* Sean mentioned that he has Boards of Canada's acoustic cover of "Cichli" on cassette.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''When will you release the Boards of Canada Chicli cover?''' I've only got it on cassette. So I can't release it. So if you want that Chicli cover, you're gonna have to get Warp to get Boards to give it to them for some fucking anniversary release or some shit like that, because that's the only way it's ever gonna come out, I think now. They would’ve had a chance to do it when Warp did that covers album, and they probably just decided not to for reasons. So I think that sort of chance’s passed already. I don't think it's likely to.}}</ref><ref>https://bocpages.org/wiki/Autechre_-_Cichli_(Boards_of_Canada_Cover)</ref>

=== Hub ===

* "Hub" was done in Logic.<ref name=":0" />

=== Calbruc ===

* "Calbruc" was done in Logic.<ref name=":0" />
* The main sample is from a Kung Fu movie. <ref>{{Cite AAA2 doc|310}}</ref>

=== Recury ===

* "Recury" was done in Logic.<ref name=":0" /><ref name=":1" />
* The percussion on "Recury" are all heavily processed "homemade sampler stuff." <ref>https://web.archive.org/web/20240218010910/https://post.lurk.org/@sean_ae/111949563697343787</ref>
* The title is likely a play on "Reoccurring"

=== Pule ===

* "Pule" was done in Logic.<ref name=":0" /><ref name=":1" />
* An alternate version of "Pule" called [https://www.youtube.com/watch?v=uvj4KmH2U1w "Lupe Mx"] was initally debuted on the 10th of April, 2005 in a test transmission on autechre.ws.<ref>https://watmm-archive.com/t/3851/1</ref> "Lupe Mx" was later shared with Oscar Powell by Sean, which was later performed on NTS Radio in a DJ Mix on March 7th, 2018.<ref>https://www.nts.live/shows/powell/episodes/melon-magic-7th-march-2018</ref>

=== Nuane ===

* "Nuane" was done on C-Lab Creator.<ref name=":0" /><ref name=":1" />
* Rob discussed "Nuane" in the [[Ask Autechre Anything Again, KEYOSC, April 2025]] that "the SAH chords of sample loops resembling voices/choirs expanded the feel massively - idt we'd never had poly SAH samples before the Ensoniq EPS16+ so there was more music coming out than we had put in IYKWIM, which was nice."<ref>{{Cite AAA2 doc|151}}</ref> 
* A slightly modified version of the title is seen on ''[[Envane]]'' (Nvane).
* "Nuane" uses a groove template.<ref>{{Cite interview|page=Exploring the parameter space: A conversation with Autechre, October 2023|quote='''Rob:''' [...] And with Emagic Logic, as Sean was saying, we could do lots more quantizing lots more swing combinations, and just aim for something. '''Sean:''' Like that track. Nuane. That’s like a groove template. '''Rob:''' Exactly, that’s like, one of the first times we started messing with all that.}}</ref>

== Tracklist ==
{{Tracklist|list=
{{tl track|number=1|title=Cipater|length=8:56}}
{{tl track|number=2|title=Rettic AC|length=2:08}}
{{tl track|number=3|title=Tewe|length=6:57}}
{{tl track|number=4|title=Cichli|length=8:53}}
{{tl track|number=5|title=Hub|length=7:35}}
{{tl track|number=6|title=Calbruc|length=3:51}}
{{tl track|number=7|title=Recury|length=9:44}}
{{tl track|number=8|title=Pule|length=8:33}}
{{tl track|number=9|title=Nuane|length=13:14}}
{{tl finaltime|time=1:09:51}}
}}

== Links ==
* [https://autechre.warp.net/release/249325-autechre-chiastic-slide AE_STORE]
* [https://music.apple.com/us/album/chiastic-slide/281853123 Apple Music]
* [https://autechre.bandcamp.com/album/chiastic-slide Bandcamp]
* [https://bleep.com/release/249530-autechre-chiastic-slide Bleep]
* [https://www.discogs.com/master/1348-Autechre-Chiastic-Slide Discogs]
* [https://soundcloud.com/autechreofficial/sets/chiastic-slide Soundcloud]
* [https://open.spotify.com/album/7BAYND1fTWAwOr7QwLhXMB Spotify]

==Credits ==
*[[Autechre]] (production)
*[[Rob Brown]] (writer)
*[[Sean Booth]] (writer) 
*[[The Designers Republic]] (design) <ref>{{Cite web|link=https://www.discogs.com/master/1348-Autechre-Chiastic-Slide|website=Discogs|title=Autechre – Chiastic Slide|accessdate=20 May 2024}}</ref>

== References ==
<references />

Draft 7.30

2026-04-05T18:05:49Z

EnergyIsMassiveLight: extra info from XLR8R

[[Category:Album]]{{Infobox
|title=Draft 7.30
|artist=[[Autechre]]
|cover=Draft 7.30.jpg
|date=7 April 2003
|label=Warp Records (WARP111)
|previous=[[Gantz Graf]]
|previous year=2002
|next=[[Untilted]]
|next year=2005
}}'''''Draft 7.30''''' is the seventh studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on April 7th, 2003<ref>https://bleep.com/release/23111-autechre-draft-730</ref><ref>https://web.archive.org/web/20040307112934/http://www.warprecords.com/artists/news.php?offset=0&ti_id=606&filter=ae</ref>, then later repressed on vinyl in 2023, alongside ''[[Confield]]''.<ref>https://ghostarchive.org/archive/iidDA</ref><ref>https://ghostarchive.org/archive/2SyWm</ref>

== History ==
''Draft 7.30'' was recorded in Suffolk, England<ref name=":5">{{Cite interview|page=Autechre. The Master Draftsmen, XLR8R Issue 67, May 2003}} </ref> over the span of fifteen months leading up to October 2002.<ref>{{Cite interview|page=Autechre's Interview to Grooves Magazine, February 2003|quote='''AR: With the subdued feel of the tracks on Draft , where does this work fit in time-wise with Confield and EP7 ?''' SB: Oh, they're quite recent. I mean, we only finished the album in October and they sort of been... sort of the fifteen month period before that, so. Yeah, erm. Yeah, that's kind of it, really. Fifteen month period before last October... I mean it was all written after Confield , this stuff.}}</ref>

Sean noted that ''Draft 7.30'' was "really straight, using straight-up normal sequencers and samplers." With the exception of some minor generative elements on "Reniform Puls", ''Draft 7.30'' was otherwise fully planned and composed.<ref name=":0">{{Cite interview|page=Sound On Sound Interview, April 2004|quote=It's like pop music compared to some of the stuff we had considered putting out! And even when the beats sound like they are moving around in time and space, they're not random. They're based on sets of rules and we have a good handle on them. Draft is really straight, using straight-up normal sequencers and samplers. It's written note by note, where we know exactly what we put on. Only 'Reniform Puls' has some generative stuff, done by Max, which also controls a vocal filter in that track}}</ref><ref>{{Cite interview|page=Autechre's Interview to Grooves Magazine, February 2003}}</ref> However, tracks were still often recorded in one take.<ref>https://web.archive.org/web/20250823160621/https://post.lurk.org/@sean_ae/115078509915195794</ref>

The album title itself was confirmed to literally mean the seventh draft, 30th revision of the album.<ref name=":3">https://autechre.neocities.org/en/articles/article14</ref> It went through Draft 7.1, Draft 7.2 before the final title stuck when they had to send the record to Warp and was unable to come up with a more appropriate title.<ref name=":5" />

For equipment, a lot of Digital Performer was used, with one use case involving "triggering a sampler from the sequencer (akai z8 over midi)"<ref>[https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D261]{{Cite AAA doc|261}}</ref>, as well as using a lot of amplitude envelopes and "really light touches of quadraverb and lexicon on select parts".<ref>{{Cite AAA doc|189}}</ref> Most of the setup was carried over from ''[[Confield]]'', with the addition of an Akai Z8 and a Analogue Systems rack.<ref name=":4">{{Cite AAA2 doc|611}}</ref> Autechre decided to restrict themselves from downloading any new programs and plug-ins in that time.<ref name=":3" /> 

Before the release of ''Draft 7.30'', early tracks titles were uploaded to CDDB (each track has their original title listed in their respective section). In the [[WATMM Ask Autechre Anything, November 2013|WATMM Ask Autechre Anything]], Sean confirmed that they were the actual working file titles that he threw onto CDDB "for a laugh."<ref>{{Cite AAA doc|1091}}</ref>


== Tracks ==

=== Xylin Room===

* One of the percussive samples is of a wooden garden table being knocked on. <ref name=":1">{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''Hope you don't mind me asking how did you approached the timbre of the percussive sounds in Xylin Room and Surripere from a technical standpoint? They're incredibly spacious and crunchy.''' They're both really different. They're just samples. I don't know what to say. Xylin Room was like, originally it was like samples of a wooden outdoor table, like a garden table being knocked by knuckles, and then it was taken into the sampler in sequenced really heavily. And then Surripere, I can, the first part of it was some kind of fake analog. I think it was the Nord actually, yeah. And then, Nord Lead, and then the second part of it, the crunchy stuff. I can't actually remember, but it was done using that Native Battery, so, you know, the sampler that Native did. It was done using that because I remember the loop modulation. You could do loop modulation in it. You could tie it to the envelope, so there's some of that in there, but that's all I remember. I don't remember what the actual sources were. They were probably drum machine sounds originally, but they probably just grittied up. I can't remember now.}}</ref>
* The original title was "Benk Chin".

=== IV VV IV VV VIII ===

* The original title was "nwnw8", with the final title being a heavily stylised version of that title - substituting N for IV and W for VV.
* Sean noted that one stage of producing the snares involved DP stretching and automating reverb parameters. The original (unknown) sound source was done by Rob.<ref>{{Cite AAA2 doc|622}}</ref>
* "IV VV IV VV VIII" was initially released as a single for ''Draft 7.30'', both for radio play<ref>https://www.discogs.com/release/545749-Autechre-IV-VV-IV-VV-VIII</ref> and download.<ref>https://web.archive.org/web/20030420192456/http://www.warprecords.com/draft7_30/</ref>

=== 6IE.CR ===

* BPM: 90 
* "6IE.CR" consists of a CR-8000 being fed through a RSD10 with the Nord controlling the pitch of it with some gating and layering for the second half that Sean couldn't properly remember.<ref>{{Cite AAA doc|1161}}</ref>
* The original title was "606.ie" according to the CDDB Sean also confirmed it in an interview with Sound on Sound, explaining that the name was because the track "was based on a manipulation of a 606 sound."<ref name=":2">{{Cite interview|page=Sound On Sound Interview, April 2004|quote=Going into details about some of the track titles on Draft 7:30, Booth explains "'6IE.CR' was actually called '606IE,' because it was based on a manipulation of a 606 sound. 'Reniform' is a real word, meaning kidney-shaped, and 'Puls' of course is 'Pulse' without the 'e'. 'Surripere' is the Latin word that's the root of 'surreptitious'. And in 'Theme of Sudden Roundabout', 'Sudden' is actually the name of a place."}}</ref> The title got abbreivated to 6IE, with CR likely being appended to refer to the CR-8000 used on the track.

=== Tapr ===

* The original title was "reppat", which when reversed spells out "tapper".

=== Surripere ===

* BPM: 120
* The track initially started life as two separate tracks, with the second half made before the first. Later in development, they realised that both tracks had the same tempo and decided to combine it for the final track. <ref>{{Cite AAA doc|580}}</ref>
* "Surripere" consists of a Nord Rack 1 on the first part,<ref>{{Cite AAA2 doc|308}}</ref> and a Nord Lead with Native Battery's loop modulation on the second part's "crunchy stuff."<ref name=":1" />
* The original title was "Theft". The final title "Surripere" is the Latin root word of surreptitious, meaning to do something stealthily.<ref name=":2" /> A straight translation of "Surripere" is in fact "theft"

=== Theme Of Sudden Roundabout ===

* BPM: 128
* “Theme Of Sudden Roundabout” is a reference to Sudden, a suburb of Rochdale where Rob and Sean grew up.<ref name=":2" /> The titular roundabout in question could be [https://www.google.com/maps/place/53%C2%B035'55.6%22N+2%C2%B009'49.2%22W/@53.5987227,-2.1638831,191m/data=!3m1!1e3!4m4!3m3!8m2!3d53.5987778!4d-2.1636667 this one], as seen on Google Maps.
* The original title, as listed on CDDB, was "Prince Moth Mothy Moth Moth". Rob mentioned that this was wrong, that the original title ended with Mother, as in someone who does moths,<ref>{{Cite AAA doc|708}}</ref> however, in a different post where Sean was asked about the title again, he mentioned that it was just Moth at the end.<ref>https://www.reddit.com/r/autechre/comments/1828tlp/sean_answering_why_theme_of_sudden_roundabout_was/</ref> Sean explained that the track was called that after an "epically large moth" landed on their Nord Modular and sat there for much of the track.

=== VL AL 5 ===

* BPM: 99
* [https://www.youtube.com/watch?v=bt5efp1-IfA A 12-minute version of VL AL 5] was played during the 2008-02-23 Webcast.
* The original title was "Vlimpton Alpha 5", which the final title is just an abbreviation of.
* A "big rack of analogue systems gear" was used for "VL AL 5".<ref name=":4" />

=== P.:NTIL ===

* BPM: 110
* The original title was "Foam Conduit".
* In an article by Erin Hutton, he included a note that the title is pronounced "pointil".<ref name=":3" />

=== V-Proc ===

* BPM: 104.05
* The original title was "uprock".
* "V-Proc" initially started out with simple drum samples (possibly Linndrum) before being mangled beyond recognition. <ref>https://web.archive.org/web/20240218010910/https://post.lurk.org/@sean_ae/111949563697343787</ref>

=== Reniform Puls ===

* BPM: 110
* The original title listed in the CDDB was "kidney bean". The final title consists of "Reniform", which means kidney-shaped, and "Puls", which is just short for Pulse.<ref name=":2" /> "Pulse" can be either be interpreted in an electronic context (i.e. clock pulse) or as a synonym for legume/bean, the latter of which would indicate that Reniform (kidney-shaped) Puls (bean) directly references the original title.
* "Reniform Puls" is the only track to have any use of Max/MSP on ''Draft 7.30,''<ref name=":0" /> however most of it was still DAWs: "mostly done in digital performer, but there's loads of hardware on there, and bits of modular stuff." <ref>https://web.archive.org/web/20240209152633/https://post.lurk.org/@sean_ae/111901878065350503</ref> The ending is a recording of mains hum.<ref>https://web.archive.org/web/20250906130619/https://post.lurk.org/@sean_ae/115152658904928756</ref>

== Tracklist ==
{{Tracklist|list={{tl track|number=1|title=Xylin Room|length=6:09}}
{{tl track|number=2|title=IV VV IV VV VIII|length=4:51}}
{{tl track|number=3|title=6IE.CR|length=5:39}}
{{tl track|number=4|title=Tapr|length=3:15}}
{{tl track|number=5|title=Surripere|length=11:23}}
{{tl track|number=6|title=Theme Of Sudden Roundabout|length=4:52}}
{{tl track|number=7|title=VL AL 5|length=4:57}}
{{tl track|number=8|title=P.:NTIL|length=7:08}}
{{tl track|number=9|title=V-Proc|length=6:00}}
{{tl track|number=10|title=Reniform Puls|length=8:39}}
{{tl finaltime|time=1:02:51}}
}}Note: The capitalisation is based by Sean's word,<ref>https://web.archive.org/web/20240513140035/https://post.lurk.org/@sean_ae/112433667473497612</ref> however the capitalization varies across releases, which either writes all caps<ref>https://www.discogs.com/release/130319-Autechre-Draft-730/image/SW1hZ2U6MTc1ODUwNw==</ref><ref>https://autechre.bandcamp.com/album/draft-730</ref> or inconsistently formats different sets of tracks into title case like Bleep<ref>https://bleep.com/release/23111-autechre-draft-730?lang=en_US</ref>, MusicBrainz<ref>https://musicbrainz.org/release/f69a0c28-4490-4185-8555-a951ff567c44</ref> and other streaming services.

== Trivia ==

* For the liner notes of ''Draft 7.30'' ([[:File:Draft 7.30 tape inlay.jpg|image]]), Sean notes that their designer (Alexander Rutterford) wanted to have code design for the inlay tape, and so they provided him with a bunch of nonsense Pascal code which was five times longer than what could fit.<ref>{{Cite interview|quote='''AR: Liner notes to Draft 7.30 have clips of Supercollider, Java, Pascal code. Any thoughts on this?''' SB: That was just for our graphic designer. Originally I wasn't into it, really. He kinda wanted some text to go inside the tape... yeah, it is a bit of a joke. It was kinda like... 'cause I sent it to him hoping that he was going... 'cause we sent him a lot more than that, we sent him about five times as much as that. And he kind of... he ended up scaling it just so that it'd fit the page, but he was a bit irritated; it didn't reduce into the fit of the tape. So it doesn't totally reveal itself, but it didn't really matter the only least bit of it, 'cause it's nonsense anyway. But it looks better when you see the whole lot, erm, but it wasn't supposed to be legible, it was supposed to be texture, in a way. It was something for him to use really from a graphical perspective. He wanted text, so, yeah, we wrote some nonsense software. It's mostly Pascal, you know, kind of dated (laughs). Erm, yeah, it was our idea of a joke, kinda. We haven't used that much Autechre code on this album a bit, not a massive amount; we haven't really used any generative sequencing at all on this record. It's all composed with straight-up sequencing we've knackered and stuff. So, erm, there's plenty bit of proper code on this sleeve, but only our idea of it. Probably the only ones laughing at it, as usual.|page=Autechre's Interview to Grooves Magazine, February 2003}}</ref>

== Links ==

* [https://autechre.warp.net/release/354841-autechre-draft-730 AE_STORE]
* [https://music.apple.com/us/album/draft-7-30/305130524 Apple Music]
* [https://autechre.bandcamp.com/album/draft-730 Bandcamp]
* [https://bleep.com/release/23111-autechre-draft-730 Bleep]
* [https://www.discogs.com/master/960-Autechre-Draft-730 Discogs]
* [https://soundcloud.com/autechreofficial/sets/draft-7-30 Soundcloud]
* [https://open.spotify.com/album/1V0mCXjrTqQoq45Ti2hAmO Spotify]
==Credits==
*[[Autechre]] (production)
*[[Rob Brown]] (writer)
*[[Sean Booth]] (writer)
* [[Noel Summerville]] (mastering engineer)
* [[Alexander Rutterford]] (images, design)<ref>https://www.discogs.com/master/960-Autechre-Draft-730</ref>

== References ==
<references />

Autechre. The Master Draftsmen, XLR8R Issue 67, May 2003

2026-04-05T17:29:35Z

EnergyIsMassiveLight: rephrase open

Published on May 2003 in XLR8R Issue 67, May 2003. Words: Anna Chapman, Images: David Axelbank.

Scans with images: [https://archive.org/details/XLR8R101/XLR8R_67/page/n20/mode/2up?view=theater https://archive.org/details/XLR8R101/XLR8R_67/page/n20/mode/2up?view=theater]

==Transcript==
Since 1993, British duo Autechre have embodied experimental techno’s bolder agenda: to disrupt the listener and presage the shape of sounds to come. Their Siskel-and-Ebert-style critiques of technology, pop music and society reflect their love-hate relationship with the world around them-one in which they continue to forge significant breakthroughs in how we think of and hear electronic music.

===ROUGH DRAFT===
“Interviews can really fuck up your day,” announces Sean Booth. It’s 9AM and the plain-speaking Lancashire lad is relaxing in the secluded charms of a faux-workman’s cottage in the grounds of a British hotel. Outside, a river gurgles with freshly melted snow, while inside Booth shares a morning spliff with his partner Rob Brown. Booth is explaining why the reputedly temperamental Autechre are receiving a weeklong procession of journalists. He doesn’t like to be disturbed. “Normally you do press on and off for two months and it interferes with our work. I’m not answering the phone in the studio.” Booth’s sensitivity to his environment has led him to forsake the urban landscapes of his youth in Rochdale, Manchester for a technological world constructed among the thatched roofs of Suffolk, England. Draft 7.30 , Autechre’s seventh studio album, was recorded here. “It’s not like a bedroom studio where you might be influenced by outsiders,” observes Brown, who has his own studio set-up at his place in London. Booth says he’s happier here in the countryside because he’s not being force-fed information about other people’s daily cycles. He doesn’t have to hear them getting ready for work, and he doesn’t get bored so easily. He notes that previously, Autechre would knock out tunes in two weeks “to get them out of the way.” On Draft 7.30 , they averaged three to four weeks per track. A journalist reputedly told Autechre that Draft 7.30 “made her feel like she was wandering around a bleak housing estate.” Although Booth accuses her of being “middle class,” he admits that the album sounds more urban than its predecessors do. “Maybe we’re harking back to bleak estates?” he speculates. “When we were making music like [that on our second album] Amber, we were living on a bleak housing estate, which made it more mellow sounding,” concludes Brown. Autechre didn’t plan Draft 7.30 . Even the name is a working title that stuck because they couldn’t think of anything more appropriate when they sent the work to Warp. Originally, it was Draft 7.1 , then 7.2 , then different versions until it ended up at 7.30 . Despite holding a godlike reputation among programmers who love musicBoards of Canada, Pilote, Plaid and Aphex TwinAutechre’s main intention with this album was to curtail their use of new software. The duo agree that they overdosed on technology on their previous album, 2001’s Confield, so they refrained from downloading any new programs or plug-ins for Draft 7.30 . As such, the album found them harking back to their earlier circumstances. “When we started out in ‘87 we didn’t have money to spend on gear. We’d buy a bit of equipment and really get to know it. Now it’s so easy to download 500 new bits of software in an afternoon,” says Booth, who, in an issue of Jockey Slut, claimed that the increased availability to gear has forced electronica into the hands of “Ford Fiesta owners” who lack creativity. Brown: “We’ve found interesting things in stuff we already have. Autechre has always been about squeezing the most out of what you’ve got, taking back-routes to do things, plugging a bit of equipment into something that wasn’t designed to receive its information. This time it’s about composition rather than programming.” Consequently, they believe Draft 7.30 is a more “personal” album, although you’d have to be an aural genius to detect this among the abstract squeaks, groans and hisses. As clever as Autechre undoubtedly are, Draft 7.30 isn’t their most digestible albumit’s more an exercise in mastering technology. “There’s more of us in this one,” insists Booth. “We love Confield, but know it’s a little bit too ‘mathematical’ for some people who might think it’s not got the same qualities as other music. [It’s kind of like] when I first heard acid houseI thought, ‘This isn’t the way music’s supposed to be.’”

===TAPE HEADS===
The promos of Draft 7.30 were sent out on cassette tape. “[Cassettes] hold a significance for us because we grew up swapping tapes in a music sharing culture based on high-speed dubbing, not dial-up speed,” explains Brown in well-rehearsed promotional patter. “Our early promos are on tape. They were the last universal format before everything went digital. People sling cassettes about and you find them on the floor. It’s totally different to the world of vinyl.” Is their tape-loving wholly nostalgic? Autechre are aware that while vinyl copies of Draft 7.30 would have gone straight to eBay, digital copies would have been turned into MP3s flitting around the internet. It’s a format that Booth hates because he thinks their music “sounds pretty snuff on MP3.” Insists Brown: “Tapes give a good sense of the music without loads being shaved off, or the dynamics being altered.” Booth says that he doesn’t object to fans downloading Autechre for freehe just prefers the sound of less easily accessible 44K versions (or ones released officially through Warp). Rather than seeing the internet as a great leveler, he believes it is a “highly exclusive worldwide web. Most people don’t have a connection that allows them to download high-resolution files. Look at a physical map of internet portals. They’re all in America, Northern Europe and a bit of Japan. The internet is more culturally exclusive than Coca Cola.” Brown, as ever, pinpoints the flaws in his partner’s grand theory. “You can get broadband in India and the Middle East because loads of programmers live there.”

===INDUSTRY BUM RUSHERS===
Throughout their musical career, Autechre have continually name-checked hip-hop as an influence. What do they think of its increased presence in the charts? Booth: “Occasionally there’s a good tune, but even the Neptuneswho everybody [seems to like]they’re ripping off El-P’s beats. It’s all pop music.” And how is pop music different from what Autechre does? “Some people think it’s a genre in itself and you can make a good pop record,” Booth notes. “I don’t think that’s the case at all. It’s surely about sales, marketing and image. But it ain’t difficult to make a catchy tune and get it trapped into people’s heads.” More than ever, Autechre aren’t about to take the easy option for the sake of commercial success. Booth: “I don’t think people are drawn to that type of music naturally. It’s just easy to consume when you’re driving to work. You don’t have to think about what you’re listening to.” The masses aren’t being lazy, he continuesit’s more likely that the programming directors are becoming increasingly conservative. “The music industry is becoming just like Hollywood. All the money for record labels and studios is getting centralized because there are bigger organizations to maintain.” Under different circumstances, in a parallel universe where knowledge ruled, Autechre could be number one. Back in the real world, the duo reflect on current events in hip-hop. When questioned about Jam Master Jay, rather than reeling off the usual answers about a hero gunned down, Autechre are predictably critical. Booth: “Everyone credits Run DMC for taking rap overground, but “Walk This Way” wasn’t the first rap record to make the charts. Rap didn’t have to blend itself with rock music to be accepted by the mainstreamit was accepted four years before with Kurtis Blow, [Sugar Hill Gang’s] ‘Rapper’s Delight’ and Melle Mel.” Booth claims Jay was his favorite member of Run DMC, but the recent news of the DJ’s death was “meaningless” to him. “I thought, ‘everyone’s going to celebrate him like he’s this major-league hip-hop icon.’” Meanwhile, Brown is “surprised” about Adidas selling a pair of shell toes out of “respect.” Unsurprisingly, Booth thinks Adidas are “fucking cunts.”

===IT’S THEIR PARTY===
Not everything is so dour in Autechre-land. Booth has positive things to say about the Spain-based multimedia festival Sonarboth the way its organizers integrate hyper-commercial with experimental music, and how the popular night schedule funds daytime events (although he can’t help commenting that there were “loads of Spanish people playing crap records”). Draft 7.30 will be released the day after the All Tomorrow’s Parties festival, the British version of which Booth and Brown are curating in 2003. They’ve pulled in a dream line-up that includes Public Enemy (Brown: “Like landing a whale”) and the Magic Band (“Our heroes asking us what they should play”), alongside their own Autechre alter-ego Gescom, and are enjoying the process very much indeed. They’re interested in how their slant will make this ATP different from ones curated by Sonic Youth, former Pavement member Stephen Malkmus and, er, Simpsons creator Matt Groening in LA. Although the fest was originally scheduled for Japan, Autechre opted for home-turf when Japanese organizers suggested Brian Eno. “We might as well have booked U2 to play,” quips Booth. Autechre liken the selection process to radio DJing. “Like when we did pirate stations,” claims Booth. “Or like putting a mixtape together for someone and being really anal about it.” Similarly to curating, the making of Draft 7.30 required Autechre to look back at their roots, largely because they had advanced beyond the latest developments in technology. Booth: “By building our own sequencers, we’ve learnt so much about writing computer programs that we feel totally fluent. Technology has become transparent. We don’t have to worry about it presenting any obstacles, because we can take another route.” It’s a situation that inevitably makes them critical of the nerdy laptop culture with which they’re associated. “Laptops are such a lifestyle statement,” sighs Booth. “There’s nothing worse than walking into a bar and someone coming up with a Powerbook, opening it up and saying ‘look what I’ve been doing.’ For us, computers are great communicating and music-writing tools, but they need people to use them.” Booth believes computers will be superceded by more advanced machines. “It’s pure speculation, but I’m pretty convinced they’re going to reach the ceiling soon in terms of throwing electrons down bits of wire.” It’s this ceiling that made them turn to analog technology on Draft 7.30 to create elements that new-school computers couldn’t. “I use computers and think, ‘This sounds a bit tight.’ Then I use an analogue synth and it’s universally tight,” explains Booth. “Analog technology deals with curving, constantly changing values, and it doesn’t reduce everything to a series of steps. By working with constant curves, you can do loads more full-on [mathematical processes]. I can see there’s lots of room for improvement in terms of computational technology.” While they wait for the scientists to catch up, Autechre must adapt old technology to draft sounds for the future.b Autechre’s Draft 7.30 is out now on Warp Recordings.
[[Category:Interview]]
__NOTOC__
__NOEDITSECTION__
{{DEFAULTSORT:2003-05 Autechre._The_Master_Draftsmen}}

Autechre. The Master Draftsmen, May 2003

2026-04-05T17:26:13Z

EnergyIsMassiveLight: EnergyIsMassiveLight moved page Autechre. The Master Draftsmen, May 2003 to Autechre. The Master Draftsmen, XLR8R Issue 67, May 2003: clarify magazine

#REDIRECT [[Autechre. The Master Draftsmen, XLR8R Issue 67, May 2003]]

Autechre. The Master Draftsmen, XLR8R Issue 67, May 2003

2026-04-05T17:26:13Z

EnergyIsMassiveLight: EnergyIsMassiveLight moved page Autechre. The Master Draftsmen, May 2003 to Autechre. The Master Draftsmen, XLR8R Issue 67, May 2003: clarify magazine

Published on May 2003 from XLR8R. https://autechre.neocities.org/en/interviews/interview6

Scans with images: https://archive.org/details/XLR8R101/XLR8R_67/page/n20/mode/2up?view=theater

==Transcript==
Since 1993, British duo Autechre have embodied experimental techno’s bolder agenda: to disrupt the listener and presage the shape of sounds to come. Their Siskel-and-Ebert-style critiques of technology, pop music and society reflect their love-hate relationship with the world around them-one in which they continue to forge significant breakthroughs in how we think of and hear electronic music.

===ROUGH DRAFT===
“Interviews can really fuck up your day,” announces Sean Booth. It’s 9AM and the plain-speaking Lancashire lad is relaxing in the secluded charms of a faux-workman’s cottage in the grounds of a British hotel. Outside, a river gurgles with freshly melted snow, while inside Booth shares a morning spliff with his partner Rob Brown. Booth is explaining why the reputedly temperamental Autechre are receiving a weeklong procession of journalists. He doesn’t like to be disturbed. “Normally you do press on and off for two months and it interferes with our work. I’m not answering the phone in the studio.” Booth’s sensitivity to his environment has led him to forsake the urban landscapes of his youth in Rochdale, Manchester for a technological world constructed among the thatched roofs of Suffolk, England. Draft 7.30 , Autechre’s seventh studio album, was recorded here. “It’s not like a bedroom studio where you might be influenced by outsiders,” observes Brown, who has his own studio set-up at his place in London. Booth says he’s happier here in the countryside because he’s not being force-fed information about other people’s daily cycles. He doesn’t have to hear them getting ready for work, and he doesn’t get bored so easily. He notes that previously, Autechre would knock out tunes in two weeks “to get them out of the way.” On Draft 7.30 , they averaged three to four weeks per track. A journalist reputedly told Autechre that Draft 7.30 “made her feel like she was wandering around a bleak housing estate.” Although Booth accuses her of being “middle class,” he admits that the album sounds more urban than its predecessors do. “Maybe we’re harking back to bleak estates?” he speculates. “When we were making music like [that on our second album] Amber, we were living on a bleak housing estate, which made it more mellow sounding,” concludes Brown. Autechre didn’t plan Draft 7.30 . Even the name is a working title that stuck because they couldn’t think of anything more appropriate when they sent the work to Warp. Originally, it was Draft 7.1 , then 7.2 , then different versions until it ended up at 7.30 . Despite holding a godlike reputation among programmers who love musicBoards of Canada, Pilote, Plaid and Aphex TwinAutechre’s main intention with this album was to curtail their use of new software. The duo agree that they overdosed on technology on their previous album, 2001’s Confield, so they refrained from downloading any new programs or plug-ins for Draft 7.30 . As such, the album found them harking back to their earlier circumstances. “When we started out in ‘87 we didn’t have money to spend on gear. We’d buy a bit of equipment and really get to know it. Now it’s so easy to download 500 new bits of software in an afternoon,” says Booth, who, in an issue of Jockey Slut, claimed that the increased availability to gear has forced electronica into the hands of “Ford Fiesta owners” who lack creativity. Brown: “We’ve found interesting things in stuff we already have. Autechre has always been about squeezing the most out of what you’ve got, taking back-routes to do things, plugging a bit of equipment into something that wasn’t designed to receive its information. This time it’s about composition rather than programming.” Consequently, they believe Draft 7.30 is a more “personal” album, although you’d have to be an aural genius to detect this among the abstract squeaks, groans and hisses. As clever as Autechre undoubtedly are, Draft 7.30 isn’t their most digestible albumit’s more an exercise in mastering technology. “There’s more of us in this one,” insists Booth. “We love Confield, but know it’s a little bit too ‘mathematical’ for some people who might think it’s not got the same qualities as other music. [It’s kind of like] when I first heard acid houseI thought, ‘This isn’t the way music’s supposed to be.’”

===TAPE HEADS===
The promos of Draft 7.30 were sent out on cassette tape. “[Cassettes] hold a significance for us because we grew up swapping tapes in a music sharing culture based on high-speed dubbing, not dial-up speed,” explains Brown in well-rehearsed promotional patter. “Our early promos are on tape. They were the last universal format before everything went digital. People sling cassettes about and you find them on the floor. It’s totally different to the world of vinyl.” Is their tape-loving wholly nostalgic? Autechre are aware that while vinyl copies of Draft 7.30 would have gone straight to eBay, digital copies would have been turned into MP3s flitting around the internet. It’s a format that Booth hates because he thinks their music “sounds pretty snuff on MP3.” Insists Brown: “Tapes give a good sense of the music without loads being shaved off, or the dynamics being altered.” Booth says that he doesn’t object to fans downloading Autechre for freehe just prefers the sound of less easily accessible 44K versions (or ones released officially through Warp). Rather than seeing the internet as a great leveler, he believes it is a “highly exclusive worldwide web. Most people don’t have a connection that allows them to download high-resolution files. Look at a physical map of internet portals. They’re all in America, Northern Europe and a bit of Japan. The internet is more culturally exclusive than Coca Cola.” Brown, as ever, pinpoints the flaws in his partner’s grand theory. “You can get broadband in India and the Middle East because loads of programmers live there.”

===INDUSTRY BUM RUSHERS===
Throughout their musical career, Autechre have continually name-checked hip-hop as an influence. What do they think of its increased presence in the charts? Booth: “Occasionally there’s a good tune, but even the Neptuneswho everybody [seems to like]they’re ripping off El-P’s beats. It’s all pop music.” And how is pop music different from what Autechre does? “Some people think it’s a genre in itself and you can make a good pop record,” Booth notes. “I don’t think that’s the case at all. It’s surely about sales, marketing and image. But it ain’t difficult to make a catchy tune and get it trapped into people’s heads.” More than ever, Autechre aren’t about to take the easy option for the sake of commercial success. Booth: “I don’t think people are drawn to that type of music naturally. It’s just easy to consume when you’re driving to work. You don’t have to think about what you’re listening to.” The masses aren’t being lazy, he continuesit’s more likely that the programming directors are becoming increasingly conservative. “The music industry is becoming just like Hollywood. All the money for record labels and studios is getting centralized because there are bigger organizations to maintain.” Under different circumstances, in a parallel universe where knowledge ruled, Autechre could be number one. Back in the real world, the duo reflect on current events in hip-hop. When questioned about Jam Master Jay, rather than reeling off the usual answers about a hero gunned down, Autechre are predictably critical. Booth: “Everyone credits Run DMC for taking rap overground, but “Walk This Way” wasn’t the first rap record to make the charts. Rap didn’t have to blend itself with rock music to be accepted by the mainstreamit was accepted four years before with Kurtis Blow, [Sugar Hill Gang’s] ‘Rapper’s Delight’ and Melle Mel.” Booth claims Jay was his favorite member of Run DMC, but the recent news of the DJ’s death was “meaningless” to him. “I thought, ‘everyone’s going to celebrate him like he’s this major-league hip-hop icon.’” Meanwhile, Brown is “surprised” about Adidas selling a pair of shell toes out of “respect.” Unsurprisingly, Booth thinks Adidas are “fucking cunts.”

===IT’S THEIR PARTY===
Not everything is so dour in Autechre-land. Booth has positive things to say about the Spain-based multimedia festival Sonarboth the way its organizers integrate hyper-commercial with experimental music, and how the popular night schedule funds daytime events (although he can’t help commenting that there were “loads of Spanish people playing crap records”). Draft 7.30 will be released the day after the All Tomorrow’s Parties festival, the British version of which Booth and Brown are curating in 2003. They’ve pulled in a dream line-up that includes Public Enemy (Brown: “Like landing a whale”) and the Magic Band (“Our heroes asking us what they should play”), alongside their own Autechre alter-ego Gescom, and are enjoying the process very much indeed. They’re interested in how their slant will make this ATP different from ones curated by Sonic Youth, former Pavement member Stephen Malkmus and, er, Simpsons creator Matt Groening in LA. Although the fest was originally scheduled for Japan, Autechre opted for home-turf when Japanese organizers suggested Brian Eno. “We might as well have booked U2 to play,” quips Booth. Autechre liken the selection process to radio DJing. “Like when we did pirate stations,” claims Booth. “Or like putting a mixtape together for someone and being really anal about it.” Similarly to curating, the making of Draft 7.30 required Autechre to look back at their roots, largely because they had advanced beyond the latest developments in technology. Booth: “By building our own sequencers, we’ve learnt so much about writing computer programs that we feel totally fluent. Technology has become transparent. We don’t have to worry about it presenting any obstacles, because we can take another route.” It’s a situation that inevitably makes them critical of the nerdy laptop culture with which they’re associated. “Laptops are such a lifestyle statement,” sighs Booth. “There’s nothing worse than walking into a bar and someone coming up with a Powerbook, opening it up and saying ‘look what I’ve been doing.’ For us, computers are great communicating and music-writing tools, but they need people to use them.” Booth believes computers will be superceded by more advanced machines. “It’s pure speculation, but I’m pretty convinced they’re going to reach the ceiling soon in terms of throwing electrons down bits of wire.” It’s this ceiling that made them turn to analog technology on Draft 7.30 to create elements that new-school computers couldn’t. “I use computers and think, ‘This sounds a bit tight.’ Then I use an analogue synth and it’s universally tight,” explains Booth. “Analog technology deals with curving, constantly changing values, and it doesn’t reduce everything to a series of steps. By working with constant curves, you can do loads more full-on [mathematical processes]. I can see there’s lots of room for improvement in terms of computational technology.” While they wait for the scientists to catch up, Autechre must adapt old technology to draft sounds for the future.b Autechre’s Draft 7.30 is out now on Warp Recordings.
[[Category:Interview]]
__NOTOC__
__NOEDITSECTION__
{{DEFAULTSORT:2003-05 Autechre._The_Master_Draftsmen}}

List of Rarities

2026-03-31T07:51:29Z

EnergyIsMassiveLight: unearthed test track

This page is a collection of all original tracks by [[Autechre]] which were released as part of another series. List partially sourced from [https://docs.google.com/spreadsheets/d/1i1o90JzFLUelov8bydmpurOCDhktdd-oMbErw8G0AXA/edit?hl=en#gid=1 here].

For remixes, refer to [[List of Remixes]].

== Released  ==

=== Crystel ===
* from [https://www.discogs.com/master/30010-Various-Artificial-Intelligence Artificial Intelligence], 1992
* According to Sean, this was the song that got Autechre signed to Warp, and not [[Autechre / Saw You]] as previously assumed.<ref>https://web.archive.org/web/20240113191644/https://post.lurk.org/@sean_ae/111750128290861077</ref>

=== The Egg ===
* from [https://www.discogs.com/master/30010-Various-Artificial-Intelligence Artificial Intelligence], 1992
* This song is in mono. It is not known whether this was done on purpose.

=== Lanx 3 ===
* from [https://www.discogs.com/release/115269-Various-Volume-Eight Volume Eight], 1993

=== Chatter ===
* from [https://www.discogs.com/master/21134-Various-Artificial-Intelligence-II Artificial Intelligence II], 1994

=== Nonima ===
* from [https://www.discogs.com/release/238132-Various-Mind-The-Gap-Volume-5 Mind the Gap Volume 5], 1995

=== Silversub ===
* from [https://www.discogs.com/release/748632-Various-FMCD-January-1995 FMCD January 1995], 1995
* Is an alternate mix of [[Amber#Silverside|Silverside]].

=== P.I.O.B (Mix Two) ===
* from [https://www.discogs.com/master/1377596-The-Fall-Drome-Autechre-Untitled Fall/ Drome/Autechre - Untitled], 1996
* Is an alternate mix of ''[[Garbage#PIOBmx19|PIOBmx19]].''

=== Carni ===
* from [https://www.discogs.com/release/13845-Various-Eurowarp Eurowarp], 1996

=== Inhake 3 ===
* from [https://www.discogs.com/release/55136-Various-22-Class-A-Tracks 22 Class A Tracks], 1997

=== Puch ===
* from [https://www.discogs.com/release/200712-Various-Elements-The-Chemistry-Of-Mutating-Beats Elements], 1997

=== Stop Look Listen ===
* from [https://www.discogs.com/master/2353-Various-We-Are-Reasonable-People We are Reasonable People], 1998

=== Extended Ambience Sample from a Resonant Structure ===
* from [https://www.discogs.com/release/795959-Various-Unique-Sounds-Sonic-Elements-From-The-Stars Future Music Magazine], 1998
* in an interview excerpt, Autechre described the production of this song by saying: "Microphones were positioned around a structure with a resonant frequency of 100Hz. Electrical equipment inside the structure provided a constant tone of 50Hz. Water channelling equipment was also used. Signals from the two microphones were passed through five parallel resonators, all tuned with intervals divisible by 25Hz. Each resonator was filtered and the output mixed down to two channels and reversed."
** Sourced from [https://forum.watmm.com/topic/93486-autechre-interview-future-music-july-1998/ magazine scans, provided by WATMM user frozenreeds].

=== All Tomorrow's Linoleum ===
* from [https://www.discogs.com/master/82780-Various-All-Tomorrows-Parties-10 All Tomorrow's Parties 1.0], 2001
* "All Tomorrow's Linoleum" was made by making a patch for a basic track, then recording each channel individually to cassette before edited back together in Logic.<ref>https://web.archive.org/web/20250823155511/https://post.lurk.org/@sean_ae/115077854129129149</ref>

=== Konlied Mx ===
* from [https://www.discogs.com/master/84197-Various-Routine Routine], 2001

=== Naftwa4 ===
* from [https://www.discogs.com/release/96580-Various-Warp-WIFOF2003-Mix WIFOF2003], 2003

=== /]{- /](||) Excerpt ===
* from [https://www.discogs.com/master/48147-Various-Autechre-Curated-All-Tomorrows-Parties-30- All Tomorrow's Parties 3.0], 2003

* The title is an ASCII representation of "AE ACID"

=== Bronchus One.1 ===
* from [https://www.discogs.com/master/250176-Various-An-Anthology-Of-Noise-Electronic-Music-Second-A-Chronology-1936-2003 An Anthology Of Noise & Electronic Music / Second A-Chronology 1936-2003], 2003

* According to the copyright information, the song was published 1991.<ref>https://www.discogs.com/release/156514-Various-An-Anthology-Of-Noise-Electronic-Music-Second-A-Chronology-1936-2003</ref>
* is an alternate mix of [[Incunabula#Bronchus 2|Bronchus 2]].

=== Coenc3 ===
* from [https://www.discogs.com/release/1307559-Various-45-A-Tribute-To-Daniel-Hansson 45 - A Tribute to Daniel Hansson], 2008

* During his [[Sean Twitch AMA, July 2022|July 2022 Twitch AMA]], Sean mentioned that the track was made in 2005.

=== Oval Moon (IBC mx) ===
* from [https://www.discogs.com/master/207276-Various-Warp20-Unheard Warp20 (Unheard)], 2009

* According to the copyright information, the song was published 1991.<ref>https://www.discogs.com/release/2024532-Various-Warp20-Unheard</ref>
* IBC refers to the pirate radio station (short for Illegal Broadcasting Company) where Autechre got their start as radio DJs.[https://www.thepiratearchive.net/ibc/]

=== 6852 ===
[[File:6852.jpg|alt=poster|thumb|ATP "Made In Japan" promotional poster for "6852"|139x139px]]

"'''6852'''" is a digital-only song released by [[Autechre]] on April 17th, 2011. It was given away via a download code when purchasing a ticket for a charity concert hosted by [https://www.discogs.com/label/4961-ATP-Recordings ATP] in support of the Japanese Red Cross after the recent tsunami disaster.
*The title, "6852", likely originally referred to the number of islands that comprised Japan at time of release.
*The Headhunters' "God Make Me Funky" is sampled on the track. <ref>https://www.whosampled.com/sample/234368/Autechre-6852-The-Headhunters-Pointer-Sisters-God-Make-Me-Funky/</ref>

=== Ts1a ===
*from [https://www.discogs.com/master/1359215-Various-Benefit-Compilation-For-Japan Benefit Compilation for Japan], 2011
*The track also appeared on ''[[Hanalgig]]'', where Sean mentioned that it was made in 2009.
*During his July 2022 AMA, Sean said that the track either used Synplant or the Yamaha FS1R for some of the FM sounds.<ref>https://youtu.be/sihCO_RN1tc?feature=shared&t=2698</ref>

=== SYptixed ===
*from [https://www.discogs.com/master/684135-Various-Bleep10 Bleep:10], 2014
*SYptixed was written around 2010's [[Oversteps Tour]].<ref>https://web.archive.org/web/20250425162316/https://post.lurk.org/@sean_ae/114397782158143634</ref>

== Bonus Tracks ==

=== Medrey ===

* See [[Tri Repetae#Medrey|Medrey]].

=== MCR Quarter ===

* See [[Confield#MCR Quarter|MCR Quarter]].

=== Zurich 2001 ===

* See [[Untilted#Zurich 2001|Zurich 2001]].

=== nu-Nr6d ===

* See [[Quaristice#nu-Nr6d|nu-Nr6d]].

=== Xektses sql ===

* See [[Oversteps#Xektses sql|Xektses sql]].

=== ClnChr ===

* See [[Move Of Ten#ClnChr|ClnChr]].

=== 18 (keyosc) ===

* See [[Exai#18 (keyosc)|18 (keyosc)]].

=== n Cur ===

* See [[SIGN#n Cur|n Cur]].

=== p1p2 ===

* See [[PLUS#p1p2|p1p2]].

== Commissions/Contributions==

=== Onedotzero 8 ===
*[https://vimeo.com/3953671 A commission for the opening of Onedotzero8], with music by Autechre and visuals by [[Alex Rutherford]].

=== Atoms Vectors Pixels Ghosts™ ===
*A visual art project by [[The Designers Republic]] featuring music from Autechre, including an early [[elseq 1-5#spaces how V|"spaces how V"]]. <ref>https://vimeo.com/41905073</ref><ref>https://www.thedesignersrepublic.com/atoms-vectors-pixels-ghosts</ref><ref>https://www.s1artspace.org/programme/atoms-vectors-pixels-ghosts/</ref><ref>https://web.archive.org/web/20240124200545/https://post.lurk.org/@sean_ae/111807273811423116</ref><ref>https://web.archive.org/web/20240124200447/https://post.lurk.org/@sean_ae/111810622481393012</ref> 

=== P1-449 ===
"'''P1-449'''" was released as part of the Sónar Calling GJ273b project on October 16th, 2017. The project was made to transmit music and audio art for extraterrestrial contact.<ref>https://soundcloud.com/sonarcalling/autechre-p1-449/s-v8hVY</ref><ref>https://www.sonarcalling.com/en/</ref> The file was made as an audio representation of the first 449 prime numbers in base ten.<ref>https://www.sonarcalling.com/en/artists/autechre/</ref>

== Unreleased/Miscellaneous Appearances ==

=== [[Late 80s Tape]] ===

* Leaked in 2019 around the same time as Warp Tapes. Contains 5 unreleased tracks, one track which appeared in Lego Feet Part 3, 2 DJ mixes, and one non-Ae track (Coma II (A.M/O.K) by S'Express). 

=== IBC Anthem ===

* Done in 1992 for Andy Richard's IBC Show, with Ged O'Hara on vocals. <ref name=":0">https://www.reddit.com/r/autechre/comments/1bbc89f/old_lego_feetae_leak_of_early_material/</ref><ref>https://web.archive.org/web/20240113193629/https://post.lurk.org/@sean_ae/111749064152560779</ref>

=== Techthree ===

* [https://www.youtube.com/watch?v=pvF2Xq9sUFo Unreleased Lego Feet track.]<ref name=":0" />

=== Bigmistake ===

* [https://www.youtube.com/watch?v=r5nntgNbtsY Unreleased Lego Feet track.]<ref name=":0" />

=== Flight Deck ===

* Performed at Sweatbox 2 1991<ref>https://web.archive.org/web/20240309191939/https://post.lurk.org/@sean_ae/112067053409190575</ref> as well as aired on Sunset 102 FM on December 18th, 1990<ref>https://www.youtube.com/watch?v=IueaLLmy-1U</ref> after they came in with the tape.<ref>https://web.archive.org/web/20240604224813/https://post.lurk.org/@sean_ae/112560743996346551</ref> A snippet appears on ''[[Lego Feet]]''.<ref>https://www.reddit.com/r/autechre/comments/1d7ad8f/comment/l6yp7h7/</ref>

=== MYSLB ===

* BPM: 125
* Performed at Sweatbox 2 1991 + had a demo snippet shared by Sean. Name is short for "Make Your Self Look Bad!" which is the main vocal loop of "[https://www.youtube.com/watch?v=KcGa22wuZ4I Help Me Somebody]" by Brian Eno and David Byrne. The main production is the 606 and FZ-10 on hihats. <ref>[https://web.archive.org/web/20240114152614/https://post.lurk.org/@sean_ae/111754768777276869#:~:text=title%20is%20MYSLB%2C%20maybe%20you%20can%20fig%20out%20the%20sample%20from%20that%20%3B) https://web.archive.org/web/20240114152614/https://post.lurk.org/@sean_ae/111754768777276869#:~:text=title%20is%20MYSLB%2C%20maybe%20you%20can%20fig%20out%20the%20sample%20from%20that%20%3B)]</ref>

=== Untitled 90s Live Track ===

* Performed as a live track during their 1997 tour ([https://www.youtube.com/watch?v=IPqbpe06SVc&t=652 example]) with an R8. No proper track version from Autechre exists.<ref>https://web.archive.org/web/20240424140935/https://post.lurk.org/@sean_ae/112326437984409445</ref> Later reperformed during The Fear Ratio's 2020 DJ Mix.<ref>https://www.youtube.com/watch?v=-AM4eQ-wyWU</ref> Mark Broom confirmed over Facebook it was an Autechre track that was given to him.<ref>https://www.reddit.com/r/autechre/comments/173wc3z/the_greatest_of_all_unreleased_ae_tracks/</ref>

=== Second Crane ===

* Performed at Stormy Waters 1995.<ref>{{Cite AAA doc|1338|1339}}</ref>

=== Untitled Track on Radio Mix ===

* ''[[Radio Mix]]'', 1997

=== Lupe Mx ===

* Alternate version of [[Chiastic Slide#Pule|"Pule"]], appeared in the Untilted test transmission.

=== [[1999-10-10 Indio, CA, USA @ Coachella Festival|Coachella 1999 Tracks]] ===

=== [[Autechre.ws Test Transmission]] ===

* Series of mostly experimental minimal/drone tracks originally broadcast on April 8, 2005. Some of these tracks would be reused as part of [[Autechre & The Hafler Trio|Autechre's collaborations with the Hafler Trio]].

=== Oversteps Outtake (12.10.08) ===

* Shared by Sean on Mastodon.<ref>https://web.archive.org/web/20240528025606/https://post.lurk.org/@sean_ae/112485874698250947</ref>

=== Unearthed Test Track ===

* Shared by Sean on Mastodon on March 7, 2026<ref>https://www.youtube.com/watch?v=VXrjoWxbf1c</ref><ref>https://www.reddit.com/r/autechre/comments/1rnezay/sean_ae_unearthed_test_track_from_a_few_years_ago/</ref>

== Lost Tracks ==

=== TS4R5E8, TUNL, VIDEOTROOP, WOLYEC4 ===
Around 2016, Rob made [https://www.ascap.com/repertory#/ace/search/workID/891464095 "TUNL"], [https://www.ascap.com/repertory#/ace/search/workID/891464096 "VIDEOTROOP"], and Sean made [https://www.ascap.com/repertory#/ace/search/workID/891464097 "TS4R5E8"], [https://www.ascap.com/repertory#/ace/search/workID/891464098 "WOLYEC4"] as part of a private commission for a USA video show, featuring collaboration with animator cyriak for visuals. The show (possibly) didn't happen, and Autechre didn't receive the videos.<ref>{{Cite AAA2 doc|361}}</ref> Currently neither the songs nor videos have been shared.

== References ==
<references />

List of Live Shows

2026-03-10T19:09:32Z

EnergyIsMassiveLight: other march dj show from rob

Bolded entries have officially been released.

Basic list sourced from other mega lists (with varying degrees of accuracy) here<ref name=":10">https://www.songkick.com/artists/49992-autechre/gigography</ref><ref name=":18">https://ra.co/dj/autechre/tour-dates</ref><ref name=":19">https://forum.watmm.com/topic/69749-essential-autechre-live-sets/#comments</ref><ref name=":20">https://www.loudmemories.com/artists/autechre-500</ref><ref name=":33">https://www.setlist.fm/setlists/autechre-2bd6a47a.html</ref><ref name=":21">https://www.last.fm/music/Autechre/+events</ref>, and then replaced with more specific sources as needs be.

Citations are grouped by the following types: ''REC'' (recording metadata), ''VEN'' (promotional material of show from venue), ''LIST'' (listings from Autechre, venue or some other advertisement), ''ATTE'' (attendance evidence like posts at location or tickets), ''DESC'' (description, testimony, anecdotes, reviews from Autechre or other attendees) and ''ETC'' (from megalists, low reliability).

Recordings are labelled as either AUD (Audience), SBD (Soundboard), or MAT (Matrix). If the show listing has a dedicated page, then Yes or No is listed, alongside how complete they are.

Last column [S] refers to reliability of the listing with a rating like B2. A=correct/sourced, B=incomplete info/sourcing, C=conflicting details. Combined with 1=real, 2=listed by weak source, 3=speculative. Recordings are either label part(s) for short clips, partial for substantive portions, or full for majority/all of the show. If a show can confidently be asserted to have been performed, the information is moved to a dedicated page. 
== 1991-2000 ==

=== 1991 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|June 4
| colspan="3" |[[1991-06-04 Rochdale, England, UK @ Sweatbox 2 (Bojangles)|Rochdale, England, UK @ Sweatbox 2 (Bojangles)]]
|Yes [Full, AUD]
|
|}

=== 1993 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|October 15
| colspan="3" |[[1993-10-15 Birmingham, England, UK @ Bonds (Oscillate)|Birmingham, England, UK @ Bonds (Oscillate)]]
|Yes [Full, AUD]
|
|-
|December 2
| colspan="3" |[[1993-12-02 Manchester, England, UK @ The Planet|Manchester, England, UK @ The Planet]]
|No
|
|-
|December 14
| colspan="3" |[[1993-12-14 London, England, UK @ Heaven|London, England, UK @ Heaven]]
|No
|
|-
|December 17
| colspan="3" |[[1993-12-17 London, England, UK @ Powerhaus|London, England, UK @ Powerhaus]]
|No
|
|}

=== 1994 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|January 14
|London, England, UK
|The Robey (Club Dog All Nighter)
|LIST<ref>https://www.flickr.com/photos/nothingelseon/53058133553/in/album-72177720309838871</ref><ref>https://www.flickr.com/photos/nothingelseon/53058130663/in/album-72177720309838871</ref>,
with Timeshard, Lull, The Corridor
|
|
|-
|February 5
| colspan="3" |[[1994-02-05 Manchester, England, UK @ Manchester Academy (Megadog 5)|Manchester, England, UK @ Manchester Academy (Megadog 5)]]
|No
|
|-
|February 19
|Toronto, ON, Canada
|Union Station (North American Artificial Intelligence Tour)
|VEN<ref>https://ghostarchive.org/archive/Cqins</ref>,
with DJ Lewis, Dogwhistle (DJ), Mark Oliver (DJ), Danny Henry (DJ), John E (DJ), Peter The Greek (DJ), Mark Anthony (DJ)
|
|A1
|-
|February 26
|Tulsa, USA
|Club Ikon (North American Artificial Intelligence Tour)
|VEN<ref>https://web.archive.org/web/20250509020313/https://www.etsy.com/listing/1032132362/autechre-autographed-poster-vintage-1994?show_sold_out_detail=1&ref=nla_listing_details</ref>, DESC<ref>https://web.archive.org/web/20250202232908/https://post.lurk.org/@sean_ae/113935766874172096</ref>,
with DJ Lewis
|
|A1
|-
|March 23
|London, England, UK
|Astoria 2
|ETC<ref name=":10" />, 
with Seefeel
|
|C2
|-
|April 1
|Birmingham, England, UK
|Bonds (Oscillate)
|VEN<ref name=":53">https://ghostarchive.org/archive/y8kAd</ref>
|No
|
|-
|April 17
| colspan="3" |[[1994-04-17 Moscow, Russia @ Moscow's Youth Palace (Britronica Festival 1994)|Moscow, Russia @ Moscow's Youth Palace (Britronica Festival 1994)]]
|Yes [Part, AUD]
|
|-
|May 27
|Wolverhampton, England, UK
|Civic Hall
|
|
|
|-
|June 2
|Barcelona, Spain
|Sala Apolo (Sónar)
|VEN<ref>https://discmaster.textfiles.com/view/12506/PCMania%20CD46_2.iso/pc/sonar94/sonar94.dir/00315_Progra.png</ref>
With Zero and Mixmaster Morris
|
|
|-
|June 16
| colspan="3" |[[1994-06-16 London, England, UK @ Quirky|London, England, UK @ Quirky]]
|Yes [Full, AUD]
|
|-
|June 24
|Linz, Austria
|Brucknerhaus (Ars Electronica)
|LIST<ref>https://archive.aec.at/media/assets/99136106366c2ff573db00bff4377a19.pdf</ref>,
|
|A1
|-
|June 30
|London, England, UK
|Thousand Island
|ETC<ref name=":10" /><ref name=":20" />,
with Casper Brötzmann
|
|
|-
|July 22
|New York, NY, USA
|Mercury Lounge
|DESC<ref>https://www.flickr.com/photos/nothingelseon/53221609637/in/album-72177720311501349</ref>,
|
|A1
|-
|August 6
|Amsterdam, Netherlands
|Gashouder Westergasfabriek (Triple X Festival / Oscillate)
|REC, VEN<ref>https://www.oscillate.club/exhibition/</ref><ref>https://web.archive.org/web/19991010022109/http://cuttlefish.com/oscillate/amsterdam.html</ref>, DESC<ref name=":35">https://forum.watmm.com/topic/81035-autechre-kalpol-introl-live-1994/page/3/#comment-2082598</ref><ref name=":61">https://www.youtube.com/watch?v=LfmuY2INHDs</ref>, ETC<ref name=":33" />,
Allegedly(!!) the organiser of the event John Jacobs recorded the DAT, and a part of that recording would later circulate online as the extended "Kalpol Introl".<ref name=":61" /> Was shared either via xltronic<ref name=":35" /> or Demonoid<ref name=":61" />
|SBD #1 ([https://www.youtube.com/watch?v=LfmuY2INHDs partial])
|A1
|-
|August 19
|Cologne, Germany
|Club Oshos (Popkomm Cologne 1994)
|
|
|
|-
|November 6
|Brussels, Belgium
|Fuse
|REC,
|AUD #1 ([https://www.youtube.com/watch?v=Bijec-rF7E4 full])
|C3
|-
|November 15
|Hull, England, UK
|The Room
|LIST<ref name=":52">https://www.flickr.com/photos/nothingelseon/53322163877/in/album-72177720312494098</ref>,
with LFO, Mark Broom (DJ)
|
|A1
|-
|November 17
|Newcastle Upon Tyne, England, UK
|Riverside
|LIST<ref name=":52" />,
with LFO, Mark Broom (DJ)
|
|A1
|-
|November 22
|Bristol, England, UK
|Lakota
|LIST<ref name=":52" />,
with LFO, Mark Broom (DJ)
|
|A1
|-
|November 23
|London, England, UK
|Leisure Lounge
|LIST<ref name=":52" />,
with LFO, Nightmares on Wax, Mark Broom (DJ), James Lavelle (DJ)
|
|A1
|-
|November 24
|Cardiff, Wales, UK
|Hippo Club
|LIST<ref name=":52" />,
with LFO, Mark Broom (DJ)
|
|A1
|-
|November 26
|Manchester, England, UK
|Sankey's Soap
|LIST<ref name=":52" />, DESC''<ref name=":34">https://aepages.org/wiki/Sean_Twitch_AMA,_June_2022#:~:text=%E2%80%9CSankey%27s%20set.%E2%80%9D%20My%20goodness%2C</ref>'',
with LFO, Mark Broom (DJ), James Lavelle (DJ)

A DAT of the set exists, with a slowed down "Flutter" performance.<ref name=":34" />
|
|A1
|-
|November 28
|Sheffield, England, UK
|The Leadmill
|LIST<ref name=":52" />,
with LFO, Sabres of Paradise Mark Broom (DJ), Andrew Weatherall (DJ)
|
|A1
|-
|??
|Melbourne, Australia
|
|DESC<ref>https://forum.watmm.com/topic/20089-first-time-you-heard-ae-live/?do=findComment&comment=413561</ref><ref>https://www.elektronauts.com/t/1994-live-version-of-autechres-kalpol-intro/2947</ref><ref>https://forum.watmm.com/topic/85950-the-chre-autechre-live-quirky-brixton-16-06-1994-youtube-video/?do=findComment&comment=2258482</ref>,
|
|B3
|}

=== 1995 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|January 21
|Lucerne, Switzerland
|Konzerthaus Schüür
|
|
|
|-
|February 4
|Birmingham, England, UK
|Que Club (Oscillate)
|LIST<ref>https://worldradiohistory.com/UK/Music-Week/1995/Music-Week-1995-02-04.pdf pg 23</ref><ref name=":13">https://www.discogs.com/release/1624821-Autechre-Garbage/image/SW1hZ2U6MjQyMDM4Nw==</ref>, ATTE<ref>https://web.archive.org/web/19990128043223/http://www.cuttlefish.com/oscillate/queclub.html</ref>, ETC<ref name=":20" />,
|
|A1
|-
|February 12
|Eastnor, England, UK
|Eastnor Castle (Big Chill)
|LIST<ref name=":13" />, DESC<ref>https://www.teletextarchive.com/Pages/Details/1194677</ref>,
with Bedouin Ascent, Daniel Pemberton and Instrumental
|
|B1
|-
|June 15
|Sheffield, England, UK
|University of Sheffield Student Union
|ETC<ref name=":10" />,
|
|B2
|-
|June 23
|Pilton, England, UK
|Worthy Farm (Glastonbury Festival 1995)
|
|
|
|-
|July 21
|Glasgow, Scotland, UK
|Glasgow University (Stormy Waters)
|REC, VEN<ref>https://www.independent.co.uk/news/rock-gets-ready-to-go-live-on-the-internet-1590048.html</ref><ref>https://www.google.co.za/books/edition/Theatre_Record/UOoWBzYC4KcC?hl=en&gbpv=1&bsq=autechre+live+-cmj&dq=autechre+live+-cmj&printsec=frontcover</ref>, DESC<ref name=":36">https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=B1338:B1339</ref><ref>https://forum.watmm.com/topic/61585-rare-video-performance-stormy-waters-95/</ref>,
[[List of Rarities#Second Crane|"Second Crane"]]<ref name=":36" />
|SBD #1 ([https://www.youtube.com/watch?v=w7D5yAUsjB8&pp=ygUVTGl2ZSBhdCBTdG9ybXkgV2F0ZXJz full])
AUD #1 ([https://youtu.be/9_yoHHdBE1Q?t=2581 full])
|A1
|-
|October 1
|Nottingham, England, UK
|Sam Fays
|ETC<ref name=":10" /><ref name=":20" />,
|
|B2
|-
|October 15
|Southampton, England, UK
|The Joiners Arms
|
|
|
|-
|November 30
|Ghent, Belgium
|Vooruit Concertzaal (Mind the Gap)
|DESC<ref name=":8">https://groups.google.com/g/alt.music.autechre/c/2C_ddRndcxo/m/SJcAdgyvFqEJ</ref>,
|
|B3
|-
|December 1
|Amsterdam, Netherlands
|Paradiso Grote Zaal
|DESC<ref name=":2">https://web.archive.org/web/20260115003227/https://post.lurk.org/@sean_ae/115895741138770785</ref>, 
|
|
|-
|December 2
|Birmingham, England, UK
|Que Club (Oscillate)
|REC, ETC<ref name=":20" />,
|SBD #1 ([https://www.mixcloud.com/oscillate_sound_system/autechre-oscillate-21295/ full])
|A1
|}

=== Tri Repetour (1995) ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|October 26
|Manchester, England, UK
|Granada Studios
|LIST<ref name=":4">https://www.reddit.com/media?url=https%3A%2F%2Fpreview.redd.it%2F7jipvmazj0y71.jpg%3Fwidth%3D3036%26format%3Dpjpg%26auto%3Dwebp%26s%3D1519d793a88b570f3d99754a9c831a4fe96e3241</ref>,
|
|A1
|-
|October 27
|Kidderminster, England, UK
|Market Tavern
|LIST<ref name=":4" />, ATTE<ref>https://www.yumpu.com/en/document/read/65128735/memories-of-the-market-tavern-1990-1996 page 171</ref>, DESC<ref>https://web.archive.org/web/19990417230430/http://subnet.virtual-pc.com/%7Esk393820/kidder.html</ref>
|
|A1
|-
|October 29
|Nottingham, England, UK
|Sam Fayes
|LIST<ref name=":4" />, DESC<ref name=":2" />,
|
|A1
|-
|November 1
|Sheffield, England, UK
|Hallamshire Hotel
|LIST<ref name=":4" />, ETC<ref>https://www.reddit.com/r/autechre/comments/ysrcjo/comment/jysm32i/</ref>,
|
|A1
|-
|November 2
|Newcastle, England, UK
|Riverside
|LIST<ref name=":4" />, DESC<ref name=":2" />,
|
|A1
|-
|November 3
|Aberdeen, Scotland, UK
|Pelican
|LIST<ref name=":4" />,
|
|A1
|-
|November 4
|Glasgow, Scotland, UK
|Glasgow Arena
|LIST<ref name=":4" />,
|
|A1
|-
|November 5
|Edinburgh, Scotland, UK
|Edinburgh Art College
|LIST<ref name=":4" />,
|
|A1
|-
|November 7
|Kingston upon Hull, England, UK
|The Room
|LIST<ref name=":4" />,
|
|A1
|-
|November 8
|Stoke-on-Trent, England, UK
|Wheatsheaf
|LIST<ref name=":4" />,
|
|A1
|-
|November 9
|Cardiff, Wales, UK
|Clwb Ifor Bach
|LIST<ref name=":4" />,
|
|A1
|-
|November 12
|Cambridge, England, UK
|Boat Race
|LIST<ref name=":4" />, ATTE<ref>https://forum.watmm.com/topic/11240-autechre-photos-from-old-gigs-around-1996-1997/</ref>, DESC<ref>https://web.archive.org/web/19990417220742/http://subnet.virtual-pc.com/%7Esk393820/boatrace.html</ref>,
|
|A1
|-
|November 13
|Ipswich, England, UK
|Golden Lion
|LIST<ref name=":4" />,
|
|A1
|-
|November 14
|Margate, England, UK
|Cobblers
|LIST<ref name=":4" />,
|
|A1
|-
|November 15
|Southampton, England, UK
|The Joiners Arms
|LIST<ref name=":4" />,
|
|A1
|-
|November 16
|Brighton, England, UK
|The Joint
|LIST<ref name=":4" />,
|
|A1
|-
|November 17
|Harlow, England, UK
|The Square
|LIST<ref name=":4" />,
|
|A1
|-
|November 18
|London, England, UK
|Dublin Castle
|LIST<ref name=":4" />,
|
|A1
|-
|November 19
|Manchester, England, UK
|Roadhouse
|LIST<ref name=":4" />,
|
|A1
|-
|November 22
|Belfast, Northern Ireland, UK
|Queen's University
|LIST<ref name=":4" />,
|
|A1
|-
|November 24
|Dublin, Ireland
|Tivoli
|LIST<ref name=":4" />,
|
|A1
|-
|November 25
|Cork, Ireland
|Art Hive
|LIST<ref name=":4" />, DESC<ref name=":37">https://aepages.org/wiki/Sean_Twitch_AMA,_June_2022#:~:text=from%2C%20I%20think%2C-,Cork%3F%20Ireland%3F,-Yeah%2C%20Cork%2C%20I</ref>,
A soundboard of the set exists that has yet to be released.<ref name=":37" />
|
|A1
|}

=== 1996 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|February 15
|Vienna, Austria
|Flex
|REC,
|SBD #1 ([https://archive.org/details/Autechre1996-02-15 full])
|B1
|-
|March 8
|New York, NY, USA
|Home (Joint Ventures & Drop Entertainment)
|VEN<ref>https://www.flickr.com/photos/davepinter/2873019440/in/photostream/</ref>,
with Spacetime Continuum, Mark Broom (DJ)
|
|
|-
|March 13
|West Hollywood, CA, USA
|Troubadour
|
|
|
|-
|March 16
|Miami, FL, USA
|Surfcomber Beach Hotel
|ATTE<ref name=":56">https://www.factmag.com/2018/03/01/idm-usa-history-machinedrum-prefuse73/</ref>, DESC<ref name=":56" />,
|
|
|-
|March 23
|Detroit, MI, USA
|(Disco at the Edge of the Universe)
|VEN<ref>https://www.reddit.com/r/autechre/comments/1jmpzjh/flyer_from_the_first_time_seeing_them_30_years_ago/</ref>,
|
|A1
|-
|March 29 ?
|Winnipeg, Canada
|Osborne Village's Die Maschine Caberet
|DESC<ref>https://web.archive.org/web/19990423215510/http://www.mts.net/%7Edaveross/mesmer.htm</ref>,
with Spacetime Continuum, Mark Broom (DJ)
|
|
|-
|March 30
|Toronto, Canada
|Transcendance
|DESC<ref>https://groups.google.com/g/uw.clubs.waveform.transmission/c/O82j8_HJ-ik/m/jZrmpoJIR0cJ</ref><ref>https://to90rave.blogspot.com/2007/10/1996-march-30.html</ref><ref name=":32">https://discmaster.textfiles.com/view/12728/2014.06.ftp.xmission.com.tar/ftp.xmission.com/pub/lists/orbital/archive/orbital.9807</ref>
With Mayday, Jarkko, Legion of Green Men, Mark Broom (DJ), Spacetime Continuum, Sunkissed and Algorhytm
|
|
|-
|May 14
|London, England, UK
|Leisure Lounge
|VEN<ref name=":38">https://web.archive.org/web/20240421001029/https://post.lurk.org/@sean_ae/112305057800579899</ref>, DESC<ref name=":38" />, ETC<ref name=":10" />,
with Meat Beat Manifesto and The Mellowtrons
|
|
|-
|June 30
|Kansas City, Mo, USA
|Klash of the Titans III
|LIST<ref>https://groups.google.com/g/uw.clubs.waveform.transmission/c/_qdC380GBq0/m/k9YE4nTMclsJ</ref>,
|
|
|-
|July 19
|London, England, UK
|The Reach, King's College Students' Union
|LIST<ref name=":39">https://web.archive.org/web/19981202230042/http://subnet.virtual-pc.com/%7Esk393820/oldnews.html</ref>, ATTE<ref>https://bocpages.org/wiki/Autechre_Live_at_the_Reach</ref>,
Support: Cylob, Panasonic, Boards of Canada, with Chantal (DJ) and Mark Broom
|
|A1
|-
|July 20
|Amsterdam, Netherlands
|The Paradiso
|LIST<ref name=":39" />, DESC<ref name=":40">https://web.archive.org/web/19981203004259/http://subnet.virtual-pc.com/%7Esk393820/letter2.html</ref>,
|
|A1
|-
|July 21
|Bremen, Germany
|Modernes
|LIST<ref name=":39" />, DESC<ref name=":40" />,
|
|
|-
|July 22
|Ghent, Belgium
|Red Tape Building (10 Days Of Techno)
|REC, VEN<ref>https://visit.gent.be/en/red-tape-building</ref>, LIST<ref name=":39" />, DESC<ref name=":8" /><ref name=":40" />,
with Freeform, B12, RAC (DJ)
|AUD #1 ([https://www.youtube.com/watch?v=pupbVnPqqqg full])
|A1
|-
|August 24
|Leysin, Switzerland
|Place des Feuilles (Leysin Alpes Festival 1996)
|LIST<ref name=":39" />, DESC<ref name=":40" />,
with Freeform, B12, Red Snapper, Nightmares On Wax, Aphex Twin (DJ)
|
|
|-
|August 28
|Amsterdam, Netherlands
|The Paradiso
|DESC<ref name=":40" />,
|
|B3
|-
|September 1
|Norfolk, England, UK
|Big Chill Gala
|LIST<ref name=":39" />,
|
|
|-
|November 1
|Manchester, England, UK
|(Versivo)
|LIST<ref name=":39" />, DESC<ref>https://web.archive.org/web/19981206040130/http://subnet.virtual-pc.com/%7Esk393820/versivo.html</ref>, 
with Jega, Rob Hall (DJ), Andy Maddocks (DJ) 
|
|
|-
|November 19
|Barcelona, Spain
|Sónar
|REC, LIST<ref name=":39" />, ATTE<ref>https://www.documentjournal.com/2024/05/sonar-plus-d-barcelona-techno-music-spain-festival-ai/</ref>, DESC<ref name=":40" />,
with Plaid, Mark Broom (DJ)
|AUD #1 ([https://www.youtube.com/watch?v=JYD_7etGCrQ part])
AUD # 2 ([https://discmaster.textfiles.com/view/12506/PCMania%20CD46_2.iso/mac/Sonar96/Autechr.mov part])
|
|-
|December 7
|Copenhagen, Denmark
|
|LIST<ref name=":39" />,
with B12
|
|
|-
|December 12
|Miami, FL, USA
|
|LIST<ref name=":39" />, DESC<ref name=":40" />,
|
|
|-
|??
|Norway
|
|REC
|AUD #1 ([https://archive.org/details/Autechre1996-00-00 full])
|B1
|}

=== 1997 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|January 3
|New York, NY, USA
|Blech:the NYC phase
|LIST<ref name=":39" />, DESC<ref name=":44">https://web.archive.org/web/19990127105321/http://subnet.virtual-pc.com/%7Esk393820/news.html</ref>,
with AFX, Jimi Tenor, Mark Broom, Chantal
|
|
|-
|January 17
|Manchester, England, UK
|(Versivo)
|LIST<ref name=":39" />,
with Plaid
|
|
|-
|February 20
|Edinburgh, Scotland, UK
|The Venue
|LIST<ref name=":44" /><ref>http://backcatalog.list.co.uk.s3-website.eu-west-2.amazonaws.com/the-list/1997-02-07/55/index.html</ref>,
with Boards of Canada, Surgeon (DJ)
|
|A1
|-
|February 21
|Newcastle, England, UK
|Cumberland Arms
|LIST<ref name=":44" />,
with Surgeon (DJ)
|
|A1
|-
|February 22
|Dundee, Scotland, UK
|The Zone
|LIST<ref name=":26">https://www.tumblr.com/grrlmusic/748055598596227072/autechre?source=share </ref>,
|
|C1
|-
|February 22
|Glasgow, Scotland, UK
|Tin Pan Ally (Blackout)
|LIST<ref name=":44" /><ref>http://backcatalog.list.co.uk.s3-website.eu-west-2.amazonaws.com/the-list/1997-02-21/50/index.html</ref>,
with Surgeon (DJ)
|
|A1
|-
|February 23
|Newcastle, England, UK
|Riverside
|LIST<ref name=":26" />,
|
|A1
|-
|February 26
|London, England, UK
|Blue Note (Beats 2000)
|LIST<ref name=":44" />,
with Surgeon (DJ)
|
|C1
|-
|February 26
|Sheffield, England, UK
|Leadmill
|LIST<ref name=":26" />,
|
|C1
|-
|February 27
|Manchester, England, UK
|Sankeys Soap (Versivo)
|LIST<ref name=":44" /><ref name=":26" />,
with Surgeon (DJ)
|
|A1
|-
|February 28
|Leeds, England, UK
|The Warehouse (It's Obvious)
|LIST<ref name=":44" /><ref name=":26" />,
with Surgeon (DJ)
|
|A1
|-
|March 1
|Birmingham, England, UK
|Que Club / The Chapel (Oscillate)
|LIST<ref name=":44" /><ref name=":26" />,
with Surgeon (DJ)
|
|A1
|-
|March 2
|Brighton, England, UK
|Concorde (Cafe Expose)
|LIST<ref name=":44" />,
with Surgeon (DJ)
|
|
|-
|March 18
|Bremen, Germany
|Modernes
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 20
|Hamburg, Germany
|Unit
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 21
|Copenhagen, Denmark
|VEGA
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 22
|Potsdam, Germany
|Waschhaus
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 25
|Cologne, Germany
|Underground
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 26
|Prague, Czech Republic
|Roxy
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 27
|Vienna, Austria
|Szenewien
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 28
|Berlin, Germany
|Volksbuhne
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 29
|Munich, Germany
|Ultraschall
|LIST<ref name=":44" />,
|
|
|-
|March 30
|Frankfurt, Germany
|Nachtleben
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|April 2
|Lausanne, Switzerland
|Dolce vita
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|April 3
|Zurich, Switzerland
|Rote Fabrik
|LIST<ref name=":44" />, MISC<ref name=":10" /><ref name=":20" />,
with Mark Broom (DJ)
|
|B2
|-
|April 4
|Aarau, Switzerland
|Kiff
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|April 5
|Lucerne, Switzerland
|Boa
|LIST<ref name=":44" />, MISC<ref>https://www.concertarchives.org/concerts/autechre--4824016</ref>,
with Mark Broom (DJ)
|
|B2
|-
|April 7
|Ulm, Germany
|Sauschdall
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|April 10
|Ghent, Belgium
|Vooruit Concertzaal
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|April 11
| Antwerp, Belgium
|Café d'Anvers
|LIST<ref name=":44" />,
with Mark Broom (DJ) 
|AUD #1 (parts [https://www.youtube.com/watch?v=-NF9ImTAUWI 1] [https://www.youtube.com/watch?v=IPqbpe06SVc 2])
|B1
|-
|June 5
|Bologna, Italy
|Link
|LIST<ref name=":44" />,
|
|
|-
|June 6
|Rome, Italy
|C.S.O.A. Forte Prenestino
|REC, LIST<ref name=":44" />,
Often mislabelled as a 1996 performance.
|AUD #1 ([https://archive.org/details/Autechre1996-00-00.Autechre/Autechre-1996-xx-xxItaly-rome-1.mp3 full])
|C1
|-
|June 7
|Florence, Italy
|CPA
|LIST<ref name=":44" />,
|
|
|-
|June 8
|Rimini, Italy
|Fiera de Rimini
|LIST<ref name=":44" />,
|
|
|-
|July 17
|Stratford-upon-Avon, England, UK
|Long Marston Airfield (The Phoenix Festival 1997)
|VEN<ref>https://bocpages.org/wiki/Phoenix_Festival</ref>, LIST<ref name=":44" />,
|
|A1
|-
|July 26
|Munich, Germany
|Sun Flower Festival
|LIST<ref name=":44" />, DESC<ref>https://www.twoism.org/forum/viewtopic.php?p=129186&sid=71637c54ecd18521677bad3088edaea8#p129186</ref>,
Conflicting evidence whether they did perform or if it was cancelled due to heavy rain/mud.
|
|C2
|-
|August 8
|Valencia, Spain
|Recinto de festivales de Benicàssim (Benicàssim 1997)
|LIST<ref name=":44" />, MISC<ref name=":10" /><ref name=":20" />
|
|B2
|-
|August 9
|Montpelier, France
|Borealis Festival
|LIST<ref name=":44" />,
|
|
|-
|October 26

|Nottingham, England, UK
|Essance
|MISC<ref name=":10" />,
with Zoviet France
|
|B2
|-
|October 31
|Birmingham, England, UK
|Que Club
|LIST<ref name=":44" />,
|
|
|-
|November 13
|Liverpool, England, UK
|Liverpool University
|LIST<ref name=":44" />,
with Freeform, Spacetime Continuum
|
|
|-
|November 14
|Sheffield, England, UK
|Sheffield University
|LIST<ref name=":44" />,
with Freeform, Spacetime Continuum
|
|
|-
|November 15
|Leeds, England, UK
|Leeds University
|LIST<ref name=":44" />,
with Freeform, Spacetime Continuum
|
|
|-
|November 19
|Edinburgh, Scotland, UK
|Edinburgh University
|LIST<ref name=":44" />,
with Spacetime Continuum, T-Power
|
|
|-
|November 28
|London, England, UK
|Powerhaus (Blech02)
|LIST<ref name=":44" />, MISC<ref name=":10" /><ref name=":20" />,
with Cylob
|
|B2
|}

=== 1998 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|'''February 3'''
|'''Manchester, England, UK'''
|'''Band On the Wall (Toolshed)'''
|'''[[Confield#MCR Quarter|"MCR Quarter"]]'''
REC, LIST<ref>https://www.808state.com/Toolshed/live/1998/index.htm</ref><ref>https://www.theboltonnews.co.uk/news/6134785.gig-guide/</ref>, ATTE <ref>https://www.mdmarchive.co.uk/artefact/18824/Toolshed-Autechre-Band-On-The-Wall-Demo-Tape-1998</ref>, DESC<ref name=":17">https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D1294</ref><ref name=":41">{{Cite AAA2 doc|574}}</ref>,

No recording of the show exists.<ref name=":17" /> Most of the set is a DJ mix except for an improvised MCR Quarter using a "hacked version of rebirth with all our own sounds in"<ref name=":41" />
|'''AUD #1 ([https://www.youtube.com/watch?v=44aqUXUqnqw part])'''
AUD #2 ([https://www.youtube.com/watch?v=s_sG5jqLbKw full])

|C1
|-
|February 7
|London, England, UK
|Chelsea Bridge Studios (Vapour Tour Launch Night)
|LIST<ref name=":44" />, MISC<ref name=":10" /><ref name=":20" />,
with Plaid, Aphex Twin (DJ), Mira Calix (DJ), George Evelyn (DJ)
|
|B2
|-
|February 13
|Dublin, Ireland
|The Funnel (U:Mack/Ultra Mack presents Phunk City)
|VEN<ref>https://img.rasset.ie/001278ef-614.jpg?ratio=2.13</ref>,DESC<ref>https://thumped.com/bbs/threads/memorable-u-mack-gigs-ive-been-to-and-a-few-ive-missed.17611/</ref><ref>https://analog-rhythms.com/2023/08/06/the-funnel/</ref><ref>https://www.rte.ie/culture/2019/0801/1065988-the-funnel-generation-irish-electronic-musics-coming-of-age/</ref>,
with Alan & Dennis [of Decal] (DJ), Dave Cleary (DJ)
|
|A2
|-
|April 21
|Krems, Austria
|
|
|
|B3
|-
|April 25/28?
|Sheffield, England, UK
|Kelham Island Museum (Test One)
|MISC<ref name=":10" /><ref name=":20" />,
|
|B2
|-
|May 23/24
|Hertfordshire, England, UK
|Universe '98
|LIST<ref name=":44" />,
|
|
|-
|May 27
|Hasselt, Belgium
|Kunstencentrum België
|LIST<ref name=":44" /><ref>http://www.kunstencentrumbelgie.com/archief%20nr/98aprilgoed.pdf</ref>,
|
|A1
|-
|May 28
|Eindhoven, Netherlands
|(Effenaar)
|LIST<ref name=":44" />,
|
|
|-
|May 29
|Mannheim, Germany
|(HD800)
|LIST<ref name=":44" />,
|
|
|-
|May 30
|Munich, Germany
|Ultraschall
|LIST<ref name=":44" />,
|
|
|-
|May 31
|Vienna, Austria
|Rhiz
|LIST<ref name=":44" />,
|
|
|-
|June 1
|Vienna, Austria
|b72
|LIST<ref name=":44" />,
|
|
|-
|June 2
|Vienna, Austria
|b72
|LIST<ref name=":44" />,
|
|
|-
|June 4
|Berlin, Germany
|Akademie
|LIST<ref name=":44" />,
|
|
|-
|June 5
|Copenhagen, Denmark
|VEGA
|LIST<ref name=":44" />,
|
|
|-
|June 6
|Bremen, Germany
|Modernes
|LIST<ref name=":44" />,
|
|
|-
|June 5-7?
|Nevers, France
|Maison de la culture de Nevers (Musiques Ultimes Festival)?
|VEN<ref>https://ghostarchive.org/archive/rs331</ref>,
with Zoviet France
|
|
|-
|June 10
|Mannheim, Germany
|MS Connexion Complex
|
|
|
|-
|June 11
|Bern, Switzerland
|Reltschule
|LIST<ref name=":44" />,
|
|
|-
|June 12
|Zurich, Switzerland
|Rote Fabrik
|LIST<ref name=":44" />, MISC<ref name=":10" /><ref name=":20" />,
|
|A1
|-
|June 13
|Vevey, Switzerland
|Rocking Chair
|LIST<ref name=":44" />, DESC<ref>https://groups.google.com/g/fr.rec.musiques/c/8WOTu21jJPM/m/8uZuZKJNcXkJ</ref>,
|
|
|-
|June 20
|London, England, UK
|Queen Elizabeth Hall (John Peel's Meltdown Festival)
|LIST<ref name=":44" />, MISC<ref name=":20" />,
with Plaid, Broadcast, Plone
|AUD #1 ([https://www.youtube.com/watch?v=m8SyhsKe4ok full])
AUD #2 (parts [https://www.youtube.com/watch?v=pO9_j6ZEfeM 1] [https://www.youtube.com/watch?v=VRGIZv4miuM 2])
|B2
|-
|June 28
|Pilton, England, UK
|Worthy Farm (Glastonbury Festival)
|LIST<ref name=":44" />,
|
|B2
|-
|July 9-12
|Brest, France
|Fort De Bertheaume (Dour Festival 1998)
|LIST<ref name=":14">https://web.archive.org/web/20231207044733/https://www.dourfestival.eu/fr/artist/detail/Autechre/</ref><ref>https://web.archive.org/web/20180710142041/http://www.dourfestival.eu/fr/program/history/1998</ref>, DESC<ref name=":8" />, MISC<ref name=":20" /><ref>https://www.concertarchives.org/concerts/dour-festival-1998</ref>,
|
|A1
|-
|July 25
|Saint-Nolff, France
|Coin du Bois (Week-End à Saint-Nolff 1998)
|
|
|
|-
|July 30
| Vancouver, Canada
|Palladium Club
|VEN<ref>https://vancouverraveflyers.tumblr.com/post/137260257514/autechre-july-30-1998-vancouver-bc-palladium</ref>,
Flyers indicate a July 30th performance, however, bootlegs of the New York 98 show often label the recording as being performed on August 9.
|
|C1
|-
|July 31
|Montreal, Canada
|Le Medley
|DESC<ref>https://discmaster.textfiles.com/view/12728/2014.06.ftp.xmission.com.tar/ftp.xmission.com/pub/lists/orbital/archive/v02.n095</ref>
|
|
|-
|August 1
|Toronto, Canada
|The Opera House (Ritual 4)
|DESC,<ref name=":32" /><ref>https://discmaster.textfiles.com/view/12728/2014.06.ftp.xmission.com.tar/ftp.xmission.com/pub/lists/orbital/archive/v02.n105</ref><ref>https://2000undergroundmusic.com/theorem/</ref>
With Ritchie Hawtin, Theorem, Subtonic Monks, Elad'n, Algorythm (DJ), Lotus (DJ)
|
|
|-
|October 2
|Dublin, Ireland
|The Funnel (U:Mack/Ultra Mack presents Phunk City)
|VEN<ref>https://imgur.com/a/8uR4HVS</ref>, DESC<ref>https://thumped.com/bbs/threads/memorable-u-mack-gigs-ive-been-to-and-a-few-ive-missed.17611/</ref>,
with Mira Calix (DJ)
|
|A2
|-
|October 17
|New York, NY, USA
|(OTHERMUSIC.COM Launch Party)
|VEN<ref>https://www.reddit.com/r/autechre/comments/5xw356/autechre_live_in_nyc_oct_1998_anyone_else_out/</ref><ref>https://www.reddit.com/r/autechre/comments/mixwve/for_ufieldrecord_101798/</ref>, DESC<ref name=":57">https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D246</ref>,
Often mislabelled as either a Vancouver Palladium Club show or from 2000 or 2001. Sean notes a soundboard recording of it was floating around.<ref name=":57" />
|SBD #1 ([https://www.youtube.com/watch?v=FFSI9IiEWwc full])
|
|}

=== 1999 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|March 14
|Sheffield, England, UK
|The Unit
|MISC<ref name=":10" /><ref name=":20" />,
|
|B2
|-
|April 16
|Reykjavík, Iceland
|Menntaskólinn við Hamrahlíð (Hamrahlíð College)
|LIST<ref>https://timarit.is/files/60468597</ref><ref>https://timarit.is/files/60477457</ref><ref>https://www.mbl.is/myndasafn/mynd/123924/</ref>, DESC<ref name=":69">https://grapevine.is/music/2025/08/13/autechre-on-darkness-spotify-and-fish-sticks/</ref>,
Support: DJ Steindór, Biogen (live set), DJ Mira Calix

Visuals: GAK
|
|B1
|-
|April 23
|Vienna, Austria
|Radio Music Hall (Phonotaktik 99)
|LIST<ref>https://web.archive.org/web/20001204173400/http://www.phonotaktik.at:80/de/kalleinosw.html</ref>, ATTE<ref name=":42">https://autechre.neocities.org/en/articles/article11</ref>, DESC<ref name=":42" /><ref name=":43">https://forum.watmm.com/topic/4558-autechre-fennesz-roedelius/</ref><ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D933</ref>,
Performed alongside Fennesz and Hans-Joachim Roedelius (plus gear list and photos).<ref name=":42" /> A recording supposedly exists.<ref name=":43" />
|
|A1
|-
|October 18
|Manchester, England, UK
|Music Box
|VEN<ref>https://www.mdmarchive.co.uk/artefact/243/808-State-Massonix-Autechre-The-Music-Box-Flyer-1999</ref>, DESC<ref name=":17" />,
|
|B1
|-
|November 5
| London, England, UK
|Truman Brewery (Warp 10th Anniversary Party 1999)
|MISC<ref name=":10" /><ref name=":20" />,
|
|B2
|}

=== 2000 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|May 8
|Montreal, Canada
|Club Soda
|
|
|
|-
|June 16
| Barcelona, Spain
|Sónar
|REC
|AUD #1 ([https://www.youtube.com/watch?v=gJx_khiVNus full])
|
|-
|June 23-25
|Pilton, England, UK
|Worthy Farm (Glastonbury Festival 2000)
|MISC<ref>https://www.concertarchives.org/concerts/glastonbury-festival-2000--4</ref><ref name=":20" />
|
|B2
|-
|July 22
|Dublin, Ireland
|Temple Bar Music Center
|DESC<ref>https://thumped.com/bbs/threads/memorable-u-mack-gigs-ive-been-to-and-a-few-ive-missed.17611/</ref>,
with Mike Dred (DJ)
|
|B2
|-
|October 14
|London, England, UK
|Trinity Buoy Wharf (The Incredible Warp Lighthouse Party)
|ATTE<ref>https://www.reddit.com/r/boardsofcanada/comments/18htc1j/the_incredible_lighthouse_party/</ref><ref>https://www.flickr.com/photos/tesselate/8682229312/</ref>
|AUD #1 ([https://archive.org/details/Autechre2000-10-14 part])
|A1
|-
|October 27
|Dublin, Ireland
|Temple Bar
|MISC<ref name=":10" /><ref name=":20" />
|
|B2
|-
|November 4
|Valencia, Spain
|Museu de les Ciències Príncipe Felipe (Observatori 2000)
|REC, DESC<ref>https://sonmarchive.susannalopez.com/index.php/es/component/muscol/V/5146-vv-aa-observatori-2000</ref><ref>https://elpais.com/diario/2000/11/04/cultura/973292412_850215.html</ref>,
|SBD #1 ([https://archive.org/details/vv-aa-observatori-2000 full])
|A1
|}

== [[Confield Tour]] ==

=== 2001 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|April 8
|Camber, England, UK
|Pontins Camber Sands Holiday Park (All Tomorrow's Parties 2001)
|LIST<ref name=":5">https://web.archive.org/web/20010405061910/http://www.autechre.nu:80/</ref>,
|AUD #1 ([https://www.youtube.com/watch?v=fYH1fOEUC64 full])
|A1
|-
|April 11
|London, England, UK
|The Fridge
|REC, ATTE<ref name=":53" />,
|AUD #1 ([https://archive.org/details/Ae2001-04-11.flac16 full])
|A1
|-
|April 12
|Bristol, England, UK
|Trinity Centre
|LIST<ref name=":5" />,
|
|A1
|-
|April 13
|Manchester, England, UK
|Music Box
|LIST<ref name=":5" />, ATTE<ref>[https://web.archive.org/web/20010606131301/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid989330230,5390, https://web.archive.org/web/20010606131301/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid989330230,5390,]</ref>,
|
|A1
|-
|April 14
|Newcastle, England, UK
|Scotland Yard
|LIST<ref name=":5" />,
|
|A1
|-
|April 15
|Edinburgh, Scotland, UK
|The Venue
|LIST<ref name=":5" /><ref>http://backcatalog.list.co.uk.s3-website.eu-west-2.amazonaws.com/the-list/2001-04-12/48/index.html</ref>,
|
|A1
|-
|April 17
|Paris, France
|Batofar
|LIST<ref name=":5" />,
|
|A1
|-
|April 18
|Brussels, Belgium
|L’Orangerie du Botanique, Sint-Joost-ten-Noode
|LIST<ref name=":5" />, VEN<ref>https://web.archive.org/web/20250331153919/https://mastodon.social/@eav/114253003319561314</ref>,
|
|A1
|-
|April 19
|Bordeaux, France
|Le Chat Bleu / Nautilus
|LIST<ref name=":5" />,
<nowiki>*</nowiki>Not direct link, links to download for AE_LIVE 1991-2023 which has the set
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|April 20
|Poitiers, France
|Confort Moderne
|LIST<ref name=":5" />,
|
|A1
|-
|April 21
|Lucerne, Switzerland
|Boa Kulturzentrum
|LIST<ref name=":5" />,
|
|A1
|-
|April 23
|Rome, Italy
|Petralata
|LIST<ref name=":5" />,
|
|A1
|-
|April 24
|Bologna, Italy
|Link
|LIST<ref name=":5" />,
|
|A1
|-
|'''April 25'''
|'''Zurich, Switzerland'''
|'''Rote Fabrik'''
|'''[[Untilted#Zurich 2001|"Zurich 2001"]]'''
LIST''<ref name=":5" />'',
|'''AUD #1 ([https://www.youtube.com/watch?v=HmBagKNdlHg part])'''
|A1
|-
|April 27
|Vienna, Austria
|Porgy & Bess
|LIST<ref name=":5" />,
|
|A1
|-
|April 28
|Munich, Germany
|L.O.K.
|LIST<ref name=":5" />,
|
|A1
|-
|April 29
|Cologne, Germany
|Studio 672
|LIST<ref name=":5" />,
Bootlegs misattribute it to April 1.
|AUD #1 ([https://archive.org/details/Autechre2001-04-01 full])
|A1
|-
|April 30
|Frankfurt, Germany
|U60311
|LIST<ref name=":5" />,
|
|A1
|-
|May 1
|Berlin, Germany
|WMF
|LIST<ref name=":5" /><ref>https://issuu.com/debug_mag/docs/debug47/44</ref>,
|
|A1
|-
|May 4
| New York, NY, USA
|Bowery Ballroom
|LIST<ref name=":5" /><ref name=":6">https://web.archive.org/web/20221003183620/https://www.mtv.com/news/jdw42c/autechre-bring-album-tour-to-us</ref>, ATTE<ref>https://web.archive.org/web/20240522230059/https://www.ebay.com/itm/394579783833?itmmeta=01HYH885NS87JP6YN82YN6A5HQ&hash=item5bdec9b099:g:KCoAAOSw3lVju1bb&itmprp=enc%3AAQAJAAAAwKjZTyCrK0xKHKfUppRrq5xQei97uQCO715kTe%2FJnKe2%2B1LgGAYrTDiWA3iF4C1sOuDSP%2B3Jy%2FNQP%2F8uuoa%2FucpKqaVwjR8IE8i5DpZpSN4%2FQO1u3bb6rpNHrhisycSjaw0gac183Xalimrh31r0C%2FBtmpyA%2F0AL8GG7xaHQ5cOgZlW4FBEQ%2FODd7O48SFjdYmWIOnY8FwCHStavmcA1E6dkLewYXPdHlW4cOyrUrBraKBUtMmcUOubp0kmrjHJTvg%3D%3D%7Ctkp%3ABk9SR4bboKj0Yw</ref>,
|AUD #1 ([https://archive.org/details/Ae2001-05-04.flac16 full])
|A1
|-
|May 5
| New York, NY, USA
|Bowery Ballroom
|LIST<ref name=":5" /><ref name=":6" />,
|
|B1
|-
|May 6
|Princeton, NJ, USA
|Terrace Club
|REC, LIST<ref name=":5" /><ref name=":6" />, ATTE<ref>https://www.flickr.com/photos/pudstah/410459583/</ref><ref>https://www.flickr.com/photos/pendejo/26043096/</ref>,
|AUD #1 ([https://www.youtube.com/watch?v=zkg9-y3yaw0 part])
|A1
|-
|May 7
|Boston, MA, USA
|Middle East Underground
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 8
|Montreal, Canada
|Club Soda
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 9
| Toronto, Canada
|The Opera House (Steam Whistle Brewing Co.)
|LIST<ref name=":5" /><ref name=":6" />, ATTE<ref>https://www.flickr.com/photos/fynes/340144010/</ref>, DESC<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D933</ref>, 
The soundboard contains only the first and last third of the full set.<ref>https://forum.watmm.com/files/file/1787-ae_live_toronto_mix_090501/</ref>
|SBD #1 ([https://www.youtube.com/watch?v=Ir8nMDdyAYg partial])
AUD #1 ([https://archive.org/details/Ae2001-05-09.flac16 full])
|A1
|-
|May 10
|Columbus, OH, USA
|Wexner Center for the Arts
|LIST<ref name=":5" /><ref name=":6" />, DESC<ref>https://autechre.neocities.org/en/articles/article9</ref><ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D220</ref>,
Support: Rob Hall, Russel Haswell
|
|A1
|-
|May 11
|Chicago, IL, USA
|Metro
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 12
|Mineapolis, MN, USA
|Ascot Room (Quest)
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 15
|Vancouver, Canada
|Sónar
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 16
|Seattle, WA, USA
|Showbox Theater
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Ae2001-05-16.csb.flac16 full])
|A1
|-
|May 17
|Portland, OR, USA
|B Complex
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Autechre2001-05-17 full])
|A1
|-
|May 18
|Oakland, CA, USA
|94612.Club Indigo
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Autechre2001-05-18 full])
|A1
|-
|May 19
|Los Angeles, CA, USA
|El Rey Theater
|LIST<ref name=":5" /><ref name=":6" />,
Support: Rob Hall, Russell Haswell, Curtis Roads<ref>https://www.latimes.com/archives/la-xpm-2001-may-17-ca-64466-story.html</ref><ref>https://www.curtisroads.net/music#:~:text=Volt%20air%20(2001%2D2003)%20electronic%20sound.%20In%20four%20parts.%20Premiered%2019%20May%202001%2C%20concert%20with%20Autechre%2C%20El%20Rey%20Theater%2C%20Los%20Angeles.%C2%A0</ref><ref>https://openspace.sfmoma.org/2016/07/an-interview-with-curtis-roads/</ref><ref>https://static1.squarespace.com/static/5ad03308fcf7fd547b82eaf7/t/5b75a17b88251b44e5693441/1534435708241/04+Path+to+Half+Life.pdf</ref>
|
|A1
|-
|May 21
|Austin, TX, USA
|Mercury at Jazz
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Ae2001-05-21.dsm-6s.flac16 full])
|A1
|-
|May 22
|Orlando, FL, USA
|Club Firestone
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 23
|Miami, FL, USA
|Knights of Columbus
|LIST<ref name=":5" /><ref name=":6" />, VEN<ref name=":66">https://web.archive.org/web/20250529055909/https://post.lurk.org/@sean_ae/114585368288496104</ref>, ATTE<ref>[https://web.archive.org/web/20010411092856/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid986324371,68176, https://web.archive.org/web/20010411092856/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid986324371,68176,]</ref><ref name=":66" />
Support: Richard Devine, Otto Von Schirach, Russell Haswell, Rob Hall, Salim Rafiq, Gliese, Mioc
|
|A1
|-
|May 24
|Atlanta, GA, USA
|The Roxy
|LIST<ref name=":5" /><ref name=":6" />, ATTE<ref name=":66" />,
|AUD #1 ([https://archive.org/details/Autechre2001-05-24 full])
|A1
|-
|May 25
|Washington, DC, USA
|9:30 Club
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Ae2001-05-25 full])
|A1
|-
|May 26
|Detroit, MI, USA
|Hart Plaza (Detroit Electronic Music Festival)
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Autechre2001-05-26 full])
|A1
|}

== [[Untilted Tour]] ==

=== 2005 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|April 14
|London, England, UK
|SEOne
|REC, LIST<ref name=":22">https://web.archive.org/web/20050404112539fw_/http://www.warprecords.com/news/?offset=0&ti_id=901</ref>, ATTE<ref>https://www.flickr.com/photos/v11v11v11v/9546384/</ref>,
Support: Rob Hall, Mark Broom, Baby Ford
|AUD #1 ([https://www.youtube.com/watch?v=gIkNc0u8VIA full])
|A1
|-
|April 15
| colspan="3" |[[2005-04-15 Glasgow, Scotland, UK @ Glasgow School of Art|Glasgow, Scotland, UK @ Glasgow School of Art]]
|Yes [Full, SBD]
|A1
|-
|April 16
|Manchester, England, UK
|The Zoo
|LIST<ref name=":22" />, ATTE<ref>https://web.archive.org/web/20240522230047/https://www.ebay.com/itm/155923308676?itmmeta=01HYH885NSSNYM3B7W38SK9SH6&hash=item244dc0e084:g:GUUAAOSwT2JlWzVA&itmprp=enc%3AAQAJAAAA4PxgSr4Upyj2KbJCjXfsU7hC77w8L8J3PgkTDUaCTjzCJUTRw1o1eQVH4rgvgINkjlpHuGSwm8mtJcjiUK%2B%2FwjLjVDBh%2FG8Ixn%2F5YEY9cINEdPUgf0gTBi6pVTYFi2BZZLcYr75vxObUPLV1lm6PaAAmKRd83rIjzCFS4RUEuoBqUC8FUVJes%2FucL1JmD2gmLqmYAHshNZNS5DKzlVnAvhbdZtQbIjB9JpIz2%2FOsh%2BO9L3wls0tnx8ml9f%2Fo6X27JBDHkZa3yrLYmpU3mCIbixr6yczOB%2BA1cAZ%2Fsp6ORcNh%7Ctkp%3ABk9SR_7aoKj0Yw</ref>,
Support: Rob Hall
|
|A1
|-
|April 17
|Nottingham, England, UK
|Stealth
|LIST<ref name=":22" />,
Support: Rob Hall
|
|A1
|-
|April 18
|Paris, France
|Point Éphémère
|LIST<ref name=":22" />,
|
|A1
|-
|April 19
|Antwerp, Belgium
|Petrol
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 20
|Eindhoven, Netherlands
|Effenaar
|REC, LIST<ref name=":22" /><ref>https://web.archive.org/web/20050403133959fw_/http://www.effenaar.nl/fnr_content_engine/agenda.php </ref>,
Support: SND
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ partial])
|A1
|-
|April 21

|Hamburg, Germany
|Planten un Blomen
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 22
|Berlin, Germany
|Club Maria
|LIST<ref name=":22" />,
Support: SND, O.S.T., Errorsmith
|
|A1
|-
|April 23
| Cologne, Germany
|Sensor
|LIST<ref name=":22" />, ATTE<ref>https://www.flickr.com/photos/88169577@N00/150050313/</ref>,
Support: SND
|
|A1
|-
|April 24
|Mannheim, Germany
|MS Connexion Complex
|LIST<ref name=":22" /><ref>https://web.archive.org/web/20050422050800/http://www.warprecords.com/frameset.php?section=news/?ti_id=927</ref>,
Support: SND

This show was cancelled due to Sean and Rob having to reapply for their US Visa in person in London after the US embassy there failed to properly process their first application.
|
|A1
|-
|April 25
|Reims, France
|La Cartonnerie
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 26
|Lyon, France
|DV1
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 27
|Geneva, Switzerland
|L’Usine
|REC, LIST<ref name=":22" />,
Support: SND
|AUD #1 ([https://www.reddit.com/r/autechre/comments/grpxdi/i_compiled_39_autechre_bootlegs_from_between/ full])
|A1
|-
|April 28
|Marseille, France
|Friche de la Belle de Mai
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 29
|Rome, Italy
|Brancaleone
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 30
|Bologna, Italy
|Link
|LIST<ref name=":22" />, ATTE<ref>https://www.flickr.com/photos/fidelio/33107978/</ref>,
Support: SND
|
|A1
|-
|May 6
|Washington, DC, USA
|Black Cat
|LIST<ref name=":22" />, ATTE<ref>https://www.flickr.com/photos/flyingturtle/2854122967/</ref>,
Support: Rob Hall, SND
|
|A1
|-
|May 7
|Philadelphia, PA, USA
|Trocadero Theatre
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 8
|New York, NY, USA
|Webster Hall
| LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 9
|Boston, MA, USA
|Paradise Rock Club
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 10

|Montreal, Canada
|L'Usine C (Elektra Festival)
|REC, VEN<ref>https://www.neme.org/blog/elektra-6</ref>, LIST<ref name=":22" />,
Support: Rob Hall, SND
|AUD #1 ([https://www.youtube.com/watch?v=pOy94biQGNA full])
|A1
|-
|May 11
|Toronto, Canada
|The Opera House
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 12
|Detroit, MI, USA
|Masonic Temple Theatre
|REC, VEN<ref>https://web.archive.org/web/20240522225556/https://www.ebay.com/itm/235405643633?itmmeta=01HYH885NRBJN18JPPDNDPVP7Y&hash=item36cf450f71:g:6YsAAOSwZ3ZltVHF&itmprp=enc%3AAQAJAAAAwPJx2WyyTIaemMJMvu5uordDKocaio0CFzK8aHN%2Fu8mwcQYHdtZKio5tOatkY6bSM%2BpNSfraMvCAn%2FDm3NnyaXlPZNkuue48UqcZ9kJ6u4bARoOwcqkz3YHG%2FcUQgZh70Y%2FgI2y80x5p9dY%2BzTkOIPYFn9BoBZ5UoqbR1VuaABhCIXu7wX73pea9Vr8e9E0bMRaXuOGjRaIuyrhmCv2P7NWE9H4X6LbDIo1xBCKpeeNQ%2BkTO0JrenJ30G32ZG56uPQ%3D%3D%7Ctkp%3ABk9SR_zaoKj0Yw</ref>, LIST<ref name=":23">https://web.archive.org/web/20060513155739/http://www.warprecords.com:80/news/?offset=0&ti_id=901</ref>,
Support: Rob Hall, SND
|AUD #1 ([https://www.youtube.com/watch?v=W85OsroqLSQ full])
|A1
|-
|May 13
|Chicago, IL, USA
|Metro
|REC, LIST<ref name=":22" />, ATTE<ref>https://web.archive.org/web/20250911133726/https://post.lurk.org/@sean_ae/115178991649905815</ref>,
Support: Rob Hall, SND
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|May 14
|Minneapolis, MN, USA
|The Quest
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
| A1
|-
|May 17
|Vancouver, Canada
|Commodore Ballroom
| LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 18
|Seattle, WA, USA
|Neumos
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 19
| Portland, OR, USA
|Berbati's Pan
| LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 20
|San Francisco, CA, USA
| Mezzanine
|LIST<ref name=":22" />, VEN<ref>https://www.flickr.com/photos/99179146@N00/14787233/</ref>,
Support: Rob Hall, SND
|
|A1
|-
|May 21
|Los Angeles, CA, USA
|El Rey Theatre
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 22
|Tempe, AZ, USA
|Club Freedom
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 24
|Dallas, TX, USA
|Trees
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 25
|Austin, TX, USA
| The Parish
|REC, LIST<ref name=":22" />, ATTE<ref>https://www.flickr.com/photos/beth_mckinney/28225518/</ref><ref>https://www.flickr.com/photos/beth_mckinney/175807964/in/photostream/</ref>,
Support: Rob Hall, SND
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|May 26
|New Orleans, LA, USA
|TwiRoPa
|REC, LIST<ref name=":22" />,
Support: Rob Hall, SND
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|May 27
|Atlanta, GA, USA
|Variety Playhouse
|LIST<ref name=":22" />, ATTE<ref>https://www.flickr.com/photos/amoeba/16373575/in/photostream/</ref><ref>https://www.flickr.com/photos/xenlab/albums/396875/</ref>,
Support: Rob Hall, SND
|
|A1
|-
|May 28
| Asheville, NC, USA
|The Orange Peel
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 29
|Baltimore, MD, USA
|Sónar
|LIST<ref name=":23" />,
Support: Rob Hall, SND
|
|A1
|-
|June 10
|Kawasaki, Japan
|Club Citta'
|LIST<ref name=":23" />,
Support: Mark Bell, Russell Haswell, Rob Hall
|
|A1
|-
|June 11
|Osaka, Japan
|Bayside Jenny
|LIST<ref name=":23" />,
Support: Mark Bell, Russell Haswell, Rob Hall
|
|A1
|-
|July 1
|Roskilde, Denmark
|Darupvej (Roskilde Festival 2005)
|LIST<ref name=":22" />,
|
|A1
|-
|July 8
|Newcastle Upon Tyne, England, UK
|MS Stubnitz (Vision Festival)
|LIST<ref name=":22" />, MISC<ref name=":55">https://forum.watmm.com/topic/7661-autechre-live-broadcasts-interviews/?do=findComment&comment=183535</ref>,
|
|A1
|-
|July 14
|Amsterdam, Netherlands
|Paradiso (5 Days Off)
|LIST<ref name=":22" />, MISC<ref name=":55" />,
Support: Rob Hall, Speedy J, Richard Devine
|
|A1
|-
| September 9
|Graz, Austria
|Elevate Festival
|VEN<ref>https://elevate.at/websites/2005/lineup2005%2bM54a708de802.html and https://elevate.at/websites/2005/artist_details%2bM58782cf60bc.html</ref>, MISC<ref name=":55" />,
|
|A1
|-
|September 17
|London, England, UK
|KOKO (All Tomorrow's Parties: Easy to Swallow Part II)
|VEN<ref>https://web.archive.org/web/20240607195616/https://www.atpfestival.com/events/list/archive?pg=28#:~:text=ATP%3A%20Easy%20To%20Swallow%20Part%20II</ref>, DESC<ref>https://electro-music.com/forum/post-45970.html</ref>, MISC<ref name=":10" /><ref name=":55" />,
|
|A1
|-
|November 25
|Tokyo, Japan
|Makuhari Messe (Electraglide 2005)
| VEN<ref>http://www.electraglide.info/#history:~:text=electraglide%202005-,11/25(%E9%87%91)%EF%BC%A0%E5%B9%95%E5%BC%B5%E3%83%A1%E3%83%83%E3%82%BB,-11/26(%E5%9C%9F</ref><ref>https://web.archive.org/web/20250408024415/https://post.lurk.org/@sean_ae/114295837881196229</ref>, MISC<ref name=":18" />,
|
|A1
|}

===2006===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
| April 8
|Dublin, Ireland
|Temple Bar Music Centre
|REC, LIST<ref name=":24">https://web.archive.org/web/20060515213403/http://www.warprecords.com/news/?offset=20&ti_id=1096</ref>,
|AUD #1 ([https://www.youtube.com/watch?v=YQrWV--Q_kA full])
AUD #2 ([https://www.youtube.com/watch?v=Dv81iI_bQEA part])
|A1
|-
|April 9
|Belfast, Northern Ireland, UK
|The Stiff Kitten
| LIST<ref name=":24" />,
|
|A1
|-
|April 21
|Krems, Austria
|Donaufestival 2006 / Danube Festival
|LIST<ref name=":24" />, ATTE<ref>https://www.flickr.com/photos/breakingglass/132660016/in/photostream/</ref>,
|AUD #1 (parts [https://www.youtube.com/watch?v=XAl5C-CoJTI 1] [https://www.youtube.com/watch?v=5E60-xEsYog 2] [https://www.youtube.com/watch?v=yoN_ZnsmHX8 3])
|A1
|-
|April 22
|Zaragoza, Spain
|Zaragoza Festival
|REC, LIST<ref name=":24" />,
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|May 11
|Jerusalem, Israel
|Uganda Bar
|ATTE<ref>https://www.flickr.com/photos/6finger/146299746/in/photostream/</ref>,
|
|A3
|-
| June 8
| Turku, Finland
|
|REC,
|AUD #1 ([https://www.youtube.com/watch?v=8XFQ9oH7WX0 part])
|
|-
|July 14
|Berkshire, England, UK
|The Glade (Glade Festival 2006)
|REC<ref name=":10" />,
|AUD #1 ([https://archive.org/details/Autechre20060714UKTheGlade10 parts])
|
|-
|November 24
|Manchester, England, UK
|The Old Brewery (The Warehouse Project)
|REC, VEN<ref>https://www.808state.com/live/2006/index.htm#:~:text=Nov%3A2006-,Fri%3A24%3ANov,-%2D%20Massonix%20live%20%2D</ref>, MISC<ref name=":10" />,
|AUD #1 (parts [https://www.youtube.com/watch?v=hwxDEZa-KAk 1] [https://www.youtube.com/watch?v=4Ig3nHtWJFQ 2] [https://www.youtube.com/watch?v=yZKE4IAscCc 3] [https://www.youtube.com/watch?v=y65SBA8ZoPk 4] [https://www.youtube.com/watch?v=DpYOaLjxzX8 5])
|
|-
|December 1
|Barcelona, Spain
|Parc del Fòrum (Primavera 2006)
|MISC<ref name=":10" />,
|
|
|}

===2007===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|March 25
|Hemsby, England, UK
|Pontin's Holiday Park (Bloc 2007)
|REC, VEN<ref>https://web.archive.org/web/20240522230051/https://www.ebay.com/itm/204795109062?itmmeta=01HYH885NT70TBGATPPY591CBG&hash=item2faebd5ec6:g:exwAAOSwo5Zi5fGZ&itmprp=enc%3AAQAJAAAA4C%2BC7VaOq%2FuScNhrP%2F2NLRK1WCkPNi4hIqzMCNyFbct%2FarcMCynR6pPIlmT468fH8VVaQmXxt9l4NsYNn3OCv8jagWBvnkn1sDbLn2aGJnDCMErZvtWuyyTezhtDjz%2FUkzmrpqmuIpQt8yGkTAA2tdiHzTakBSzaUOqoiHdBqKvxlkDNfO4XDHDwg%2BJOv3cVHwLyAkzyQGryh3LkTcq%2FcoPm6rGPxYs5ykGbBnpvHMIN83N1Yf67XevI5AcOKaFMLYUtyoJ2en2%2BaVkeQdMrPaOYgk%2F9Ts4c0578VZ8pzjCr%7Ctkp%3ABk9SR4bboKj0Yw</ref>, LIST<ref>https://web.archive.org/web/20070616061713fw_/http://www.warprecords.com/news/?offset=20&ti_id=1266</ref>, ATTE<ref>https://www.flickr.com/photos/56181548@N00/441787649/</ref><ref>https://www.flickr.com/photos/micheeky/438114551/</ref>,
|MAT #1 ([https://www.youtube.com/watch?v=li7wXbFnMKU full])
AUD #1 ([https://www.youtube.com/watch?v=V9G5gu1HszE part])
|A1
|-
|March 30
|Brussels, Belgium
|Les Halles de Schaerbeek (Reset 2007)
|REC,
|AUD #1 ([https://www.youtube.com/watch?v=umknZ4l7KQQ full])
|
|-
|April 7
|Madrid, Spain
|Telefónica Madrid Arena (Klubbers' Day 2007)
|VEN<ref>https://www.fiestaybullshit.com/aquellos-maravillosos-anos-klubbersday/</ref>, ATTE<ref>https://www.flickr.com/photos/dgeral/450725158/in/photostream/</ref>,
|
|A1
|-
|May 4
|Rome, Italy
|Brancaleone
| MISC<ref name=":10" />,
|
|
|-
|May 12
|Den Haag, Netherlands
|Paard van Troje
|LIST<ref name=":63">https://web.archive.org/web/20080820063643/http://autechre.watmm.com/autechre/autechre_europe_live_dates/</ref>, ATTE<ref>https://www.flickr.com/photos/stephanck/519001952/</ref>,
|
|A1
|-
|July 7
|Monegros Desert, Spain
|Monegros Festival
|LIST<ref name=":63" />,ATTE<ref>https://www.flickr.com/photos/sr_atlantico/761033894/in/photostream/</ref><ref>https://www.flickr.com/photos/row_58/762993645/</ref><ref>https://www.flickr.com/photos/tavok/896949561/</ref>,
|AUD #1 (parts [https://www.youtube.com/watch?v=a98qmIq0Q-A 1] [https://www.youtube.com/watch?v=1QJrjuTfqvk 2] [https://www.youtube.com/watch?v=fO3DovekAqM 3])
|A1
|-
|July 13
|Gräfenhainichen, Germany
|Ferropolis (MELT! Festival 2007)
|VEN<ref>https://web.archive.org/web/20150511193442/http://www.meltfestival.de/fileadmin/user_upload/melthistory/Melt_Poster_A1_2007.png</ref><ref name=":28">https://web.archive.org/web/20150925170431/http://www.meltfestival.de/acts/artists-a-z/act/autechre.html</ref>,
|
|A1
|-
|July 14
|Dour, Belgium
|La Plaine de La Machine à Feu (Dour Festival 2007)
|REC, VEN<ref name=":14" />, LIST<ref name=":63" />,
|AUD #1 ([https://www.youtube.com/watch?v=aiK7Kjjf83E full])
|A1
|}

==[[Quaristice Tour]]==

===2008===
{| class="wikitable"
! Date
!City
!Venue/Event
!Sources/Notes
!Recordings
! [S]
|-
|February 29
|Manchester, England, UK
|Music Box
|LIST<ref name=":7">https://web.archive.org/web/20080201091637/http://www.autechre.ws:80/quaristice/mail/</ref><ref name=":58">https://www.clashmusic.com/news/autechre-to-play-car-park-gig/</ref>,
Support: Rob Hall, SND
|
|A1
|-
|March 1
|Glasgow, Scotland, UK
|Glasgow School of Art (Numbers)
|VEN<ref>https://nmbrs.net/club/autechre-glasgow-school-of-art-138/</ref>, LIST<ref name=":7" /><ref>http://backcatalog.list.co.uk.s3-website.eu-west-2.amazonaws.com/the-list/2008-02-28/74/index.html</ref><ref name=":58" />, DESC<ref>https://www.theskinny.co.uk/clubs/highlights/autechre-numbers-art-school-glasgow-1-mar</ref><ref>http://backcatalog.list.co.uk.s3-website.eu-west-2.amazonaws.com/the-list/2008-02-28/38/index.html</ref><ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D1114</ref>,
Support: Rob Hall, SND
|AUD #1 ([https://www.youtube.com/watch?v=Awqos6d_QqE part])
|A1
|-
|March 2
| Newcastle, England, UK
|Digital (AV Festival)
|LIST<ref name=":7" /><ref name=":58" />, ATTE<ref>https://www.flickr.com/photos/9378119@N06/2346925573/in/photostream/</ref>,
Support: Rob Hall, SND
|
|A1
|-
|March 3

|Birmingham, England, UK
|Med Bar
|LIST<ref name=":7" /><ref name=":58" />,
Support: Rob Hall, SND
|
|A1
|-
|March 4
|London, England, UK
|Hearn Street Car Park
|LIST<ref name=":7" /><ref name=":58" />, ATTE<ref>https://www.flickr.com/photos/tesselate/albums/72157604048073098/</ref>, DESC<ref>https://web.archive.org/web/20140921145125/http://www.musicomh.com/reviews/live/autechre-hearn-street-car-park-london</ref>,
Support: Rob Hall, SND
|AUD #1 (parts [https://vimeo.com/772543 1] [https://vimeo.com/772543 2])
|A1
|-
|March 5
|Cologne, Germany
|Stattgarten
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 6

|Amsterdam, Netherlands
|Melkweg
|LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/oldvalvemic/2316228289/in/pool-706589@N20/</ref>,
Support: Rob Hall, SND
|AUD #1 (parts [https://www.youtube.com/watch?v=QQhF94XxZiE 1] [https://www.youtube.com/watch?v=9BTERAeV8S0 2] [https://www.youtube.com/watch?v=0qKq6N1KgYQ 3] [https://www.youtube.com/watch?v=VWmMNWiBvcw 4])
AUD #2 ([https://www.youtube.com/watch?v=nPyka-5-Oa4 part])
|A1
|-
|March 7
|Antwerp, Belgium
|Petrol
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 8
|Hamburg, Germany
|Hafenklang
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 9
|Berlin, Germany
|Berghain
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 10
|Katowice, Poland
|Galeria Szyb Wilson
|LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/oldvalvemic/2333249329/in/pool-706589@N20/</ref><ref>https://www.flickr.com/photos/loca/2611864694/in/photostream/</ref>,
Support: Rob Hall, SND
|AUD #1 (part)
|A1
|-
|March 11
|Budapest, Hungary
|Merlin
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 12
|Zagreb, Croatia
|Kset
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 13
|Graz, Austria
|Post Garade
|LIST<ref name=":7" />,
Support: Rob Hall, SND
| AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
AUD #2 (parts [https://www.youtube.com/watch?v=fpA97BMcfl0 1] [https://www.youtube.com/watch?v=PQVMvjMmrqI 2])
|A1
|-
|March 14
|Turin, Italy
|Hiroshima Mon Amour
|LIST<ref name=":7" />,
Support: Rob Hall, SND
| AUD #1 (partial)
AUD #2 (parts [https://www.youtube.com/watch?v=CB53UWYrJjM 1] [https://www.youtube.com/watch?v=Ii4v4dOLrpo 2] [https://www.youtube.com/watch?v=OhZ8rGy0JDk 3])
|A1
|-
|March 15
|Rome, Italy
|Officine Marconi (Brancaleone)
| LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 16
|Bologna, Italy
|Kindergarten
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
| A1
|-
|March 17
|Lyon, France
| Epicerie Moderne
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 18
|Strasbourg, France

|La Laiterie
| LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 19
|Paris, France
|Rex Club
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 20
|Geneva, Switzerland
|L'Usine (Electron Festival 2008)
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|April 4
| Los Angeles, CA, USA
|Echoplex
|REC, VEN<ref>https://www.808state.com/live/2008/index.htm#:~:text=San%20Francisco%2C%20USA.-,Fri%3A04%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/josephtsai/2392175101/in/pool-706589@N20/</ref>,
Support: Massonix, Rob Hall

Soundboard replication, not original: [[Live at Echoplex 2008/04/04 (replication by ios & digit)]]
|SBD* #1 ([https://www.youtube.com/watch?v=BOl6sIMYPs0 full])
AUD #1 ([https://www.youtube.com/watch?v=yh5xmDZpXFg full])

AUD #2 (parts [https://www.youtube.com/watch?v=G04sxiiK-1o 1] [https://www.youtube.com/watch?v=NLnZQKwGP5g 2] [https://www.youtube.com/watch?v=4eCu_TzdpZc 3] [https://www.youtube.com/watch?v=FtCLqCNMpg4 5] [https://www.youtube.com/watch?v=gjArcLU6urg 6] [https://www.youtube.com/watch?v=7dtHN4OHWqM 7] [https://www.youtube.com/watch?v=zU98Qh6R8Cw 8] [https://www.youtube.com/watch?v=veNpTQf1ePg 9] [https://www.youtube.com/watch?v=zJEOLzj2_0M 10] [https://www.youtube.com/watch?v=R0WQnSvV2aw 11] [https://www.youtube.com/watch?v=obk5IQqFzSE 12] [https://www.youtube.com/watch?v=NSKhujxpm-o 13] [https://www.youtube.com/watch?v=bMmyA0kIbG0 14] [https://www.youtube.com/watch?v=7NL9OFliftE 15])

AUD #3 ([https://www.youtube.com/watch?v=HGy4tyVOQzU part]) 
|A1
|-
|April 5
|San Francisco, CA, USA
|Mezzanine
|VEN<ref>https://www.flickr.com/photos/starasaur/2383395116/</ref><ref>https://www.808state.com/live/2008/index.htm#:~:text=Fir%20%2D%20Portland%2C%20USA.-,Sat%3A05%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/felima/2426201425/</ref><ref>https://www.flickr.com/photos/thincvox/2393546952/</ref>, 
Support: Massonix, Rob Hall
|
|A1
|-
|April 6
| Portland, OR, USA
|Doug Fir
|VEN<ref>https://www.808state.com/live/2008/index.htm#:~:text=Neumos%20%2D%20Seattle%2C%20USA.-,Sun%3A06%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/dj_metronome/albums/72157604431833655/</ref>,
Support: Massonix, Rob Hall
|
|A1
|-
|April 7
|Seattle, WA, USA
|Neumos
|VEN<ref>https://www.808state.com/live/2008/index.htm#:~:text=Richards%20%2D%20Vancouver%20%2D%20Canada.-,Mon%3A07%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/matttamaru/2412295395/in/pool-706589@N20/</ref>,
Support: Massonix, Rob Hall
|AUD #1 (partial)
|A1
|-
|April 8
|Vancouver, Canada
| Richards on Richards
|LIST<ref name=":7" />, VEN<ref>https://www.flickr.com/photos/9817122@N05/2356826616/in/pool-706589@N20/</ref><ref>https://www.808state.com/live/2008/index.htm#:~:text=Abbey%20%2D%20Chicago%2C%20USA.-,Tue%3A08%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>,
Support: Massonix, Rob Hall
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
AUD #2 (parts [https://www.youtube.com/watch?v=bN147m04mv8 1] [https://www.youtube.com/watch?v=hmxqSfMVWn8 2])
|A1
|-
|April 11
|Chicago, IL, USA
|The Abbey
|LIST<ref name=":7" />,
Support: Massonix, Rob Hall
|AUD #1 (parts [https://vimeo.com/926954 1] [https://vimeo.com/947946 2] [https://vimeo.com/948061 3] [https://vimeo.com/948225 4])
|A1
|-
|April 12
|Toronto, Canada
|Lees Palace
|LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/guidewired/2450198081/</ref>,
Support: Massonix, Rob Hall
|AUD #1 ([https://www.youtube.com/watch?v=YxkV7zLqZYk full])
|A1
|-
|April 13
|Montreal, Canada
|Club Soda
|LIST<ref name=":7" />,
Support: Massonix, Rob Hall
|AUD #1 ([https://archive.org/details/Autechre2008-04-13 full])
AUD #2 ([https://www.youtube.com/watch?v=_NP9up1c7-E part])
| A1
|-
|April 14
|Cambridge, MA, USA
|Middle East Downstairs
|VEN<ref>https://www.808state.com/live/2008/index.htm#:~:text=Williamsburg%20%2D%20Brooklyn%20%2D%20USA.-,Mon%3A14%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />,
Support: Massonix, Rob Hall
|
|A1
|-
|April 15
|New York, NY, USA
|Music Hall of Williamsburg
|LIST<ref name=":7" />, DESC<ref>https://www.nytimes.com/2008/04/17/arts/music/17aute.html</ref>,
Support: Massonix, Rob Hall
|AUD #1 ([https://www.youtube.com/watch?v=TzEGCPTlFVI part])
|A1
|-
|April 16
|Philadelphia, PA, USA
|Transit
|VEN<ref>https://www.808state.com/live/2008/index.htm#:~:text=Cat%20%2D%20Washington%20%2D%20USA.-,Wed%3A16%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />,
Support: Massonix, Rob Hall
|AUD #2 ([https://www.flickr.com/photos/drewbenkert/2654635566/ part])
| A1
|-
|April 17
|Washington, DC, USA
|Black Cat
|LIST<ref name=":7" />, ATTE<ref>https://www.808state.com/live/2008/index.htm#:~:text=Bench%20aftershow%20%2D%20Manchester.-,Thu%3A17%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>,
Support: Massonix, Rob Hall
|
|A1
|-
|April 26
|Osaka, Japan
|Club Karma
|VEN<ref name=":59">https://www.808state.com/live/2008/index.htm#:~:text=Room%20%2D%20Tokyo%20%2D%20Japan.-,Sat%3A26%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":15">https://www.mdmarchive.co.uk/artefact/3557/Massonix-Autechre-Rob-Hall-Flyer-2008</ref><ref name=":54">https://www.808state.com/forum/viewtopic.php?t=1937</ref>,
|AUD #1 ([https://www.youtube.com/watch?v=fjQYx0U9iew part])
|A1
|-
|April 28
|Tokyo, Japan
|LIQUIDROOM
|VEN<ref name=":59" />, LIST<ref name=":15" /><ref name=":54" />, ATTE<ref>https://www.flickr.com/photos/buna/2450742759/in/pool-706589@N20/</ref><ref>https://www.flickr.com/photos/macoshark/2459147523/</ref>,
|
|A1
|-
|July 19
|Berkshire, England, UK
|Wasing Estate (Glade Festival 2008)
|VEN<ref>https://lastfm.freetls.fastly.net/i/u/ar0/b6d07cdf084e44e3c4f9043c5ca4b587</ref><ref>https://web.archive.org/web/20080926164927/http://www.gladefestival.com:80/music/overkill/index.php?artist=298</ref>, LIST<ref>https://www.efestivals.co.uk/festivals/glade/2008/lineup.shtml</ref>, ATTE<ref>https://www.flickr.com/photos/psymonj/2738081365/</ref>,
|
|A1
|}

==[[Oversteps Tour]]==

===2010===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|March 11
| Manchester, England, UK
|Pure Club
|LIST<ref name=":0">https://web.archive.org/web/20100418154346/http://autechre.ws:80/</ref><ref name=":11">https://www.nme.com/news/music/autechre-1296503</ref><ref name=":12">https://pitchfork.com/news/37563-autechre-announce-new-album/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.youtube.com/watch?v=f1KsKrouxnM full])
|A1
|-
|March 12
|Birmingham, England, UK
|The Rainbow
|VEN<ref>https://web.archive.org/web/2/https://supersonicfestival.com/event/autechre-guests-0/</ref>, LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, DESC<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D650</ref>,
Support: Russell Haswell, Rob Hall and Didjit

Some bootlegs label this the next day's Minehead show.
|AUD #1 ([https://www.youtube.com/watch?v=WKltmttjKng full])
|A1
|-
|March 13
|Minehead, England, UK
|Butlins Minehead Resort (Bloc 2010)
|LIST<ref name=":0" /><ref name=":12" />, DESC<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D142</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.youtube.com/watch?v=LvEvnSpiF1Y part])
| A1
|-
|March 15
|Nottingham, England, UK
|Stealth
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 16
|Glasgow, Scotland, UK
|Sub Club (Numbers)
|VEN<ref>https://nmbrs.net/club/autechre-live-numbers-glasgow/</ref>, LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, DESC<ref>https://www.theskinny.co.uk/clubs/highlights/autechre-numbers-16-march</ref><ref>[[Sean Booth Interview, February 2010]]</ref><ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D1114</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 17
|Leeds, England, UK
|The Wardrobe
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 18
|Brighton, England, UK
|Pavilion Theatre
| LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, ATTE<ref>https://www.flickr.com/photos/yeah_man/4444418881/in/pool-706589@N20/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 19
|Lille, France
|Tri Postal
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 20
|Paris, France
|Locomotive / La Machine du Moulin Rouge
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, VEN<ref>https://www.flickr.com/photos/ario/4605994601/in/photostream/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.flickr.com/photos/ario/4873005638/ part])
|A1
|-
|March 21
|Nantes, France
|L'Olympic
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 22
|Lyon, France
|La Plateforme
|LIST<ref name=":0" />, MISC<ref name=":21" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 23
|Geneva, Switzerland
|Le Zoo de l'Usine
|LIST<ref name=":0" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 24
| Zurich, Switzerland
|EXIL
|LIST<ref name=":0" />, MISC<ref name=":18" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 (full)
AUD #2 ([https://www.flickr.com/photos/mashroms/4464690961/ part])
|A1
|-
|March 25
|Segrate, Italy
|Circolo Magnolia
|LIST<ref name=":0" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|B1
|-
|March 26
|Turin, Italy
|Hiroshima Mon Amour
|LIST<ref name=":0" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.youtube.com/watch?v=dEtauI9aN1E full])
|A1
|-
|March 27
|Bologna, Italy
|Crash
|LIST<ref name=":0" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 28
|Ljubljana, Slovenia
|Kino Šiška
| LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|March 29
|Budapest, Hungary
|A38
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, ATTE<ref>https://www.flickr.com/photos/nagym/albums/72157623609416313/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 30

|Vienna, Austria
|Flex
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.youtube.com/watch?v=QhX7zBrhmUA part])

|A1
|-
| March 31
| Brno, Czechia
|Fléda
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, DESC<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D937</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|April 1
|Berlin, Germany
|Berghain
|LIST<ref name=":0" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|April 2
|Copenhagen, Denmark
|DR Koncerthuset
|VEN<ref>https://www.flickr.com/photos/artfreq/7905023512/</ref>, LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, ATTE<ref>https://www.flickr.com/photos/kristoffertrolle/4486559744/in/pool-706589@N20/</ref><ref>https://www.flickr.com/photos/oldvalvemic/4485059700/in/pool-706589@N20/</ref><ref>https://www.flickr.com/photos/tinze/4485278134/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|April 3
|Oslo, Norway
|Parkteatret
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
| AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|April 4
|Gothenburg, Sweden
|Nefertiti
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, ATTE<ref>https://www.flickr.com/photos/hertzen/4629514033/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.youtube.com/watch?v=uAmRNy5Ezwc parts])
AUD #2 ([https://www.youtube.com/watch?v=xz4P8iB5yIA part])
| A1
|-
|April 5
|Aarhus, Denmark
|VoxHall
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|April 6
|Hamburg, Germany
|Uebel & Gefährlich
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 (part)
|A1
|-
|April 7
|Amsterdam, Netherlands
|Melkweg The Max
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|April 8
|Luxembourg, Luxembourg
|Exit07
|LIST<ref>https://issuu.com/maisonmoderne/docs/cityagenda0410/14</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
| A1
|-
|April 9
|Brussels, Belgium
|Ancienne Belgique (Domino Fest)
|VEN<ref>https://www.abconcerts.be/fr/agenda/autechre-rob-hall-russell-haswell-didjit/a105J000001wgdyQAA</ref>, LIST<ref name=":0" /><ref name=":12" />, ATTE<ref>https://www.flickr.com/photos/frf_kmeron/4519911121</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://archive.org/details/Autechre2010-04-09.Edirol full])
AUD #2 (full)

AUD #3 (parts [https://www.youtube.com/watch?v=bSgcIZsle_A&list=PLC37AC9E52F3C505F&index=1&pp=iAQB8AUB 1] [https://www.youtube.com/watch?v=4vQcjlwDgAM&list=PLC37AC9E52F3C505F&index=2&pp=iAQB8AUB 2] [https://www.youtube.com/watch?v=HDuXacnH6io&list=PLC37AC9E52F3C505F&index=3&pp=iAQB8AUB 3] [https://www.youtube.com/watch?v=VpFwCN3TTEE&list=PLC37AC9E52F3C505F&index=4&pp=iAQB8AUB 4] [https://www.youtube.com/watch?v=T4aIjSkid0U&list=PLC37AC9E52F3C505F&index=5&pp=iAQB8AUB 5] [https://www.youtube.com/watch?v=S6buihADjz0&list=PLC37AC9E52F3C505F&index=6&pp=iAQB8AUB 6] [https://www.youtube.com/watch?v=D9C5u76yrhg&list=PLC37AC9E52F3C505F&index=7&pp=iAQB8AUB 7])

AUD #4 (parts [https://www.youtube.com/watch?v=iXQLQI-W2fg 1] [https://www.youtube.com/watch?v=t1ZLcRHh7fY 2] [https://www.youtube.com/watch?v=-KdOk5FG6vI 3])

AUD #5 ([https://www.youtube.com/watch?v=JHatpUR2jqM part])
|A1
|-
|April 10
|London, England, UK
|Bocking St Warehouse
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, ATTE<ref>https://www.instagram.com/p/DDaAR5ZoH_-/?img_index=2</ref>, DESC<ref>https://web.archive.org/web/20130501232218/http://www.musicomh.com/reviews/live/autechre-bocking-street-warehouse-london</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.mixcloud.com/keyfumbler/autechre-hackney-london-2010/ full])
|A1
|-
|April 23
|Dublin, Ireland
| The Button Factory
|LIST<ref>https://nialler9.com/autechre-fact-mix-dublin-gig/</ref>,
Support: Rob Hall
|AUD #1 ([https://drive.google.com/file/d/1FjrccpeOQ6yNU6HRf2nufz6NU-sN52Qs/view?usp=drive_link full])
AUD #2 (parts [https://www.youtube.com/watch?v=_PK3IL-Pw_w 1] [https://www.youtube.com/watch?v=nYnbwQxZn8E 2] [https://www.youtube.com/watch?v=QVvVGJFIevc 3] [https://www.youtube.com/watch?v=VJ3Ja-RsSbo 4] [https://www.youtube.com/watch?v=fR-jh5ildBg 5] [https://www.youtube.com/watch?v=OsP4dIynWeM 6] [https://www.youtube.com/watch?v=3njlduYu1UY 7] [https://www.youtube.com/watch?v=fvoEyXjuupQ 8] [https://www.youtube.com/watch?v=A8YYWw712U4 9])
|A1
|-
|May 27
|Perth, Australia
|Capitol
|LIST<ref name=":29">https://ra.co/news/12076</ref>,
Support: Rob Hall, Harmonic 313
|
|A1
|-
| May 28
|Sydney Australia
|The Forum
|LIST<ref name=":29" /><ref name=":30">https://consequence.net/2010/05/autechre-already-has-new-album-release-date/</ref>, DESC<ref>https://web.archive.org/web/20211128082014/http://www.aliak.com/content/autechre-sydney-my-experiences</ref>,
Support: Rob Hall
|
|A1
|-
|May 29
|Melbourne, Australia
|The Hi-Fi
|LIST<ref name=":29" /><ref name=":30" />, ATTE<ref>https://www.flickr.com/photos/noisemachine/4651914767/in/pool-706589@N20/</ref>,
Support: Rob Hall, Harmonic 313
|AUD #1 ([https://www.youtube.com/watch?v=hdF459fB0aQ full])
|A1
|-
|June 4
|Tokyo, Japan
|Differ Ariake
|LIST<ref name=":30" /><ref name=":31">https://metropolisjapan.com/autechre/</ref>,
Support: Juan Atkins & Claude Young
|
|A1
|-
|June 5
|Nagano, Japan
|Kodama no Mori (Taico Club Festival)
|LIST<ref name=":30" /><ref name=":31" />, DESC<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D702</ref>,
|
|A1
|-
|July 9
|Trenčín, Slovakia
|Letisko (Pohoda Festival)
|LIST<ref name=":30" /><ref name=":1">https://web.archive.org/web/20130306065800/http://autechre.ws/move-of-ten/</ref>,
| AUD #1 ([https://www.youtube.com/watch?v=RhaKFcL2bjI part])
AUD #2 ([https://www.youtube.com/watch?v=DK5VT_DmXiE part])
|A1
|-
|August 27
|Katowice, Poland
|Muzeum Śląskie (Tauron Nowa Muzyka)
|VEN<ref>https://vimeo.com/19560978</ref>, LIST<ref name=":30" /><ref name=":1" />,
|
|A1
|-
|September 17
|Athens, Greece
|Bios
|LIST<ref name=":30" /><ref name=":1" />,
|
| A1
|-
|September 18
|Thessaloníki, Greece
| Reworks Festival 2010
|VEN<ref>https://www.youtube.com/watch?v=dI5Vmaumv9w</ref><ref>https://vimeo.com/13974748</ref>, LIST<ref name=":30" /><ref name=":1" />,
|AUD #1 (part [https://www.youtube.com/watch?v=kNbVhtl5fJI 1] [https://www.youtube.com/watch?v=iuz2gizo_jw 2])
|A1
|}

==[[AE_LIVE]]==
[[File:AE LIVE.jpg|none|thumb|''[[AE_LIVE]]'' (2015/2019)]]

===2014===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|'''September 20'''
| colspan="3" |[[2014-09-20 Kraków, Poland @ Hotel Forum (Warp25 Sacrum Profanum)|'''Kraków, Poland @ Hotel Forum (Warp25 Sacrum Profanum)''']]
|'''Yes [Full, SBD]'''
|
|-
|'''October 3'''
| colspan="3" |[[2014-10-03 Brussels, Belgium @ Ancienne Belgique (Warp25)|'''Brussels, Belgium @ Ancienne Belgique (Warp25)''']]
|'''Yes [Full, SBD]'''
|
|-
|November 1
| colspan="3" |[[2014-11-01 Glasgow, Scotland, UK @ Glasgow School of Art (Simple Things Festival 2014)|Glasgow, Scotland, UK @ Glasgow School of Art (Simple Things Festival 2014)]]
|Yes [Full, AUD]
|
|-
|'''November 22'''
| colspan="3" |[[2014-11-22 Utrecht, Netherlands @ TivoliVredenburg (Le Guess Who 2014)|'''Utrecht, Netherlands @ TivoliVredenburg (Le Guess Who 2014)''']]
|'''Yes [Full, SBD]'''
|
|-
|'''December 19 '''
| colspan="3" |[[2014-12-19 Dublin, Ireland @ District 8|'''Dublin, Ireland @ District 8''']]
|'''Yes [Full, SBD]'''
|
|}

===2015===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|March 13
| colspan="3" |[[2015-03-13 Minehead, England, UK @ Butlins Minehead Resort (Bloc 2015)|Minehead, England, UK @ Butlins Minehead Resort (Bloc 2015)]]
|Yes [FULL, AUD]
|
|-
|'''May 2'''
| colspan="3" |[[2015-05-02 Krems, Austria @ Österreichhallen Krems (Donaufestival 2015)|'''Krems, Austria @ Österreichhallen Krems (Donaufestival 2015)''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''May 30'''
| colspan="3" |[[2015-05-30 Nagano, Japan @ Kodama no Mori (TAICOCLUB '15)|'''Nagano, Japan @ Kodama no Mori (TAICOCLUB '15)''']]
|'''Yes [FULL, SBD]'''
|
|-
|June 18
| colspan="3" |[[2015-06-18 Barcelona, Spain @ Fira Montjuïc (Sónar 2015)|Barcelona, Spain @ Fira Montjuïc (Sónar 2015)]]
|Yes [PART, AUD]
|
|-
|'''July 17'''
| colspan="3" |[[2015-07-17 Gräfenhainichen, Germany @ Ferropolis (MELT! Festival 2015)|'''Gräfenhainichen, Germany @ Ferropolis (MELT! Festival 2015)''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''July 18'''
| colspan="3" |'''<nowiki/>'''[[2015-07-18 Dour, Belgium @ La Plaine de La Machine à Feu (Dour Festival 2015)|'''Dour, Belgium @ La Plaine de La Machine à Feu (Dour Festival 2015)''']]
|'''Yes [FULL, SBD]'''
|
|-
|July 30
| colspan="3" |[[2015-07-30 Amsterdam, Netherlands @ Muziekgebouw aan 't IJ (Dekmantel Festival 2015)|Amsterdam, Netherlands @ Muziekgebouw aan 't IJ (Dekmantel Festival 2015)]]
|Yes [PART, AUD]
|
|-
|'''August 21'''
| colspan="3" | [[2015-08-21 Katowice, Poland @ Muzeum Śląskie (Festiwal Tauron Nowa Muzyka 2015)|'''Katowice, Poland @ Muzeum Śląskie (Festiwal Tauron Nowa Muzyka 2015)''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''September 24'''
| colspan="3" |[[2015-09-24 Portland, OR, USA @ Holocene|'''Portland, OR, USA @ Holocene''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''September 25'''
| colspan="3" |[[2015-09-25 Seattle, WA, USA @ Showbox (Decibel Festival)|'''Seattle, WA, USA @ Showbox (Decibel Festival)''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''September 26 '''
| colspan="3" |[[2015-09-26 Vancouver, Canada @ The Imperial|'''Vancouver, Canada @ The Imperial''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''September 29'''
| colspan="3" |[[2015-09-29 Chicago, IL, USA @ Metro|'''Chicago, IL, USA @ Metro''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 1'''
| colspan="3" |[[2015-10-01 Toronto, Canada @ The Phoenix Concert Theatre|'''Toronto, Canada @ The Phoenix Concert Theatre''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 2'''
| colspan="3" |[[2015-10-02 Montreal, Canada @ Théâtre Fairmount|'''Montreal, Canada @ Théâtre Fairmount''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 3'''
| colspan="3" |[[2015-10-03 New York, NY, USA @ Brooklyn Masonic Temple|'''New York, NY, USA @ Brooklyn Masonic Temple''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 4'''
| colspan="3" |[[2015-10-04 Boston, MA, USA @ Paradise Rock Club|'''Boston, MA, USA @ Paradise Rock Club''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 5'''
| colspan="3" |[[2015-10-05 Portsmouth, NH, USA @ 3S Artspace|'''Portsmouth, NH, USA @ 3S Artspace''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 6'''
| colspan="3" |[[2015-10-06 Philadelphia, PA, USA @ Union Transfer|'''Philadelphia, PA, USA @ Union Transfer''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 7'''
| colspan="3" |[[2015-10-07 Washington, DC, USA @ U Street Music Hall|'''Washington, DC, USA @ U Street Music Hall''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 8'''
| colspan="3" |[[2015-10-08 Asheville, NC, USA @ The Orange Peel|'''Asheville, NC, USA @ The Orange Peel''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 9'''
| colspan="3" |[[2015-10-09 Atlanta, GA, USA @ Terminal West|'''Atlanta, GA, USA @ Terminal West''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 10'''
| colspan="3" |[[2015-10-10 Orlando, FL, USA @ The Social|'''Orlando, FL, USA @ The Social''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 11'''
| colspan="3" |[[2015-10-11 Miami, FL, USA @ The Hangar|'''Miami, FL, USA @ The Hangar''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 13'''
| colspan="3" |[[2015-10-13 Austin, TX, USA @ Vulcan Gas Company|'''Austin, TX, USA @ Vulcan Gas Company''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 15'''
| colspan="3" |[[2015-10-15 Los Angeles, CA, USA @ The Fonda Theatre|'''Los Angeles, CA, USA @ The Fonda Theatre''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 16'''
| colspan="3" |[[2015-10-16 San Francisco, CA, USA @ Mezzanine|'''San Francisco, CA, USA @ Mezzanine''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 17'''
| colspan="3" |[[2015-10-17 Denver, CO, USA @ Bluebird Theater|'''Denver, CO, USA @ Bluebird Theater''']]
|'''Yes [FULL, SBD]'''
|
|-
|November 7
| colspan="3" |[[2015-11-07 Manchester, England, UK @ AMC Grand Northern 16|Manchester, England, UK @ AMC Grand Northern 16]]
|Yes [FULL, AUD]
|
|-
|November 21
| colspan="3" |[[2015-11-21 London, England, UK @ Electric Brixton|London, England, UK @ Electric Brixton]]
|Yes [FULL, AUD]
|
|}

==[[AE_LIVE 2016/2018]]==
[[File:AE LIVE 2016 2018.jpg|border|none|thumb|[[AE LIVE 2016/2018|''AE_LIVE 2016/2018'']] (2020)]]

===2016===
{| class="wikitable"
!Date
!City
! Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|October 29
| colspan="3" |[[2016-10-29 Tourcoing, France @ Le Grand Mix|Tourcoing, France @ Le Grand Mix]]
|Yes [FULL, AUD]
|
|-
|October 30
| colspan="3" |[[2016-10-30 Ghent, Belgium @ Vooruit Concertzaal|Ghent, Belgium @ Vooruit Concertzaal]]
|Yes [PARTIAL, AUD]
|
|-
|October 31
| colspan="3" |[[2016-10-31 Strasbourg, France @ La Laiterie|Strasbourg, France @ La Laiterie]]
|No
|
|-
|November 1
| colspan="3" |[[2016-11-01 Lyon, France @ Le Sucre|Lyon, France @ Le Sucre]]
|No
|
|-
|November 2
| colspan="3" |[[2016-11-02 Lausanne, Switzerland @ Les Docks|Lausanne, Switzerland @ Les Docks]]
|No
|
|-
|November 3
| colspan="3" |[[2016-11-03 Zurich, Switzerland @ Rote Fabrik|Zurich, Switzerland @ Rote Fabrik]]
|Yes [FULL, AUD]
|
|-
|November 4
| colspan="3" |[[2016-11-04 Turin, Italy @ Lingotto Fiere (Club 2 Club 2016)|Turin, Italy @ Lingotto Fiere (Club 2 Club 2016)]]
|Yes [FULL, AUD]
|
|-
|November 5
| colspan="3" |[[2016-11-05 Ljubljana, Slovenia @ Kino Šiška|Ljubljana, Slovenia @ Kino Šiška]]
|Yes [PARTIAL, AUD]
|
|-
|'''November 6 '''
| colspan="3" |'''[[2016-11-06 Zagreb, Croatia @ Močvara|Zagreb, Croatia @ Močvara]]'''
|'''Yes [FULL, SBD]'''
|
|-
|November 7
| colspan="3" |[[2016-11-07 Budapest, Hungary @ Akvárium Klub|Budapest, Hungary @ Akvárium Klub]]
|Yes [FULL, AUD]
|
|-
|November 8
| colspan="3" |[[2016-11-08 Graz, Austria @ Orpheum|Graz, Austria @ Orpheum]]
|No
|
|-
|November 9
| colspan="3" |[[2016-11-09 Prague, Czechia @ Meet Factory|Prague, Czechia @ Meet Factory]]
|Yes [PART, AUD]
|
|-
|November 10
| colspan="3" |[[2016-11-10 Warsaw, Poland @ Teatr Powszechny|Warsaw, Poland @ Teatr Powszechny]]
|No
|
|-
|November 11
| colspan="3" |[[2016-11-11 Vilnius, Lithuania @ Contemporary Art Centre|Vilnius, Lithuania @ Contemporary Art Centre]]
|No
|
|-
| November 12
| colspan="3" |[[2016-11-12 Riga, Latvia @ Skaņu Mežs|Riga, Latvia @ Skaņu Mežs]]
|No
|
|-
|'''November 13'''
| colspan="3" |'''[[2016-11-13 Tallinn, Estonia @ Von Krahl|Tallinn, Estonia @ Von Krahl]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''November 14'''
| colspan="3" |'''[[2016-11-14 Helsinki, Finland @ Tavastia|Helsinki, Finland @ Tavastia]]'''
|'''Yes [FULL, SBD]'''
|
|-
|November 16
| colspan="3" |[[2016-11-16 Stockholm, Sweden @ Södra Teatern|Stockholm, Sweden @ Södra Teatern]]
|No
|
|-
|'''November 17'''
| colspan="3" |'''[[2016-11-17 Oslo, Norway @ Parkteatret|Oslo, Norway @ Parkteatret]]'''
|'''Yes [FULL, SBD]'''
|
|-
|November 18
| colspan="3" |[[2016-11-18 Copenhagen, Denmark @ DR Koncerthuset|Copenhagen, Denmark @ DR Koncerthuset]]
|No
|
|-
|November 19
| colspan="3" |[[2016-11-19 Berlin, Germany @ Kraftwerk Berlin|Berlin, Germany @ Kraftwerk Berlin]]
|Yes [FULL, AUD]
|
|-
| November 20
| colspan="3" |[[2016-11-20 Hamburg, Germany @ Kampnagel|Hamburg, Germany @ Kampnagel]]
|No
|
|-
|November 21
| colspan="3" |[[2016-11-21 Leipzig, Germany @ Conne Island|Leipzig, Germany @ Conne Island]]
|No
|
|-
|'''November 22'''
| colspan="3" |'''[[2016-11-22 Nijmegen, Netherlands @ Doornroosje|Nijmegen, Netherlands @ Doornroosje]]'''
|'''Yes [FULL, SBD]'''
|
|-
|November 23
| colspan="3" |[[2016-11-23 Brighton, England, UK @ Concorde 2|Brighton, England, UK @ Concorde 2]]
|Yes [FULL, AUD]
|
|-
|November 24
| colspan="3" |[[2016-11-24 Bristol, England, UK @ The Marble Factory|Bristol, England, UK @ The Marble Factory]]
| Yes [PART, AUD]
|
|-
|November 25
| colspan="3" |[[2016-11-25 London, England, UK @ Royal Festival Hall|London, England, UK @ Royal Festival Hall]]
| Yes [FULL, AUD]
|
|-
|November 26
| colspan="3" |[[2016-11-26 Manchester, England, UK @ Old Granada Studios|Manchester, England, UK @ Old Granada Studios]]
|Yes [FULL, AUD]
|
|}

===2018===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|June 13
| colspan="3" |[[2018-06-13 Tokyo, Japan @ LIQUIDROOM|Tokyo, Japan @ LIQUIDROOM]]
|Yes [FULL, AUD]
|
|-
|June 20
| colspan="3" |[[2018-06-20 Sydney, Australia @ Max Watt's House of Music|Sydney, Australia @ Max Watt's House of Music]]
|No
|
|-
|'''June 21'''
| colspan="3" |[[2018-06-21 Melbourne, Australia @ Croxton Park Hotel|'''Melbourne, Australia @ Croxton Park Hotel''']]
|'''Yes [FULL, SBD]'''
|
|-
|June 22
| colspan="3" |[[2018-06-22 Hobart, Australia @ Macquarie Wharf 2 (Dark Mofo 2018)|Hobart, Australia @ Macquarie Wharf 2 (Dark Mofo 2018)]]
|Yes [PARTIAL, AUD]
|
|-
|'''July 15'''
| colspan="3" |[[2018-07-15 Dublin, Ireland @ National Concert Hall|'''Dublin, Ireland @ National Concert Hall''']]
|'''Yes [FULL, SBD]'''
|
|}

==[[AE_2022－]]==
[[File:AE 2022－.jpg|none|thumb|150x150px|''[[AE_2022－]]'' (2023－)]]

===2022 ===
{| class="wikitable"
! Date
!City
! Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|June 3
| colspan="3" |[[2022-06-03 Barcelona, Spain @ Auditori Rockdelux (Primavera 2022)|Barcelona, Spain @ Auditori Rockdelux (Primavera 2022)]]
|Yes [FULL, AUD]
|
|-
|'''July 1'''
| colspan="3" |'''[[2022-07-01 Milan, Italy @ Villa Arconati (Terraforma 2022)|Milan, Italy @ Villa Arconati (Terraforma 2022)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''July 5'''
| colspan="3" |'''[[2022-07-05 Athens, Greece @ Odeon of Herodes Atticus (Athens Epidaurus Festival)|Athens, Greece @ Odeon of Herodes Atticus (Athens Epidaurus Festival)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''September 11'''
| colspan="3" |'''[[2022-09-11 Helsinki, Finland @ Musiikkitalo|Helsinki, Finland @ Musiikkitalo]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''October 7 '''
| colspan="3" |'''[[2022-10-07 London, England, UK @ Barbican Centre (show A)|London, England, UK @ Barbican Centre (show A)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''October 7'''
| colspan="3" |'''[[2022-10-07 London, England, UK @ Barbican Centre (show B)|London, England, UK @ Barbican Centre (show B)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''November 2'''
| colspan="3" |'''[[2022-11-02 Bergen, Norway @ Østre (Ekko Festival 2022)|Bergen, Norway @ Østre (Ekko Festival 2022)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''November 4'''
| colspan="3" |'''[[2022-11-04 Turin, Italy @ Lingotto Fiere (Club 2 Club 2022)|Turin, Italy @ Lingotto Fiere (Club 2 Club 2022)]]'''
|'''Yes [FULL, SBD]'''
|
|}

===2023===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|August 18
| colspan="3" |[[2023-08-18 Tokyo, Japan @ Makuhari Messe (SONICMANIA 2023)|Tokyo, Japan @ Makuhari Messe (SONICMANIA 2023)]]
| Yes [PART, AUD]
|
|-
|'''August 25'''
| colspan="3" |'''[[2023-08-25 Melbourne, Australia @ Royal Exhibition Building (Now or Never 2023)|Melbourne, Australia @ Royal Exhibition Building (Now or Never 2023)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''August 27'''
| colspan="3" |'''[[2023-08-27 Sydney, Australia @ City Recital Hall (Switched On 2023)|Sydney, Australia @ City Recital Hall (Switched On 2023)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|October 6
| colspan="3" |[[2023-10-06 Kraków, Poland @ Teatr Łaźnia Nowa (Unsound 2023)|Kraków, Poland @ Teatr Łaźnia Nowa (Unsound 2023)]]
|Yes [MOST, AUD]
|
|-
|'''October 26'''
| colspan="3" |'''[[2023-10-26 Venice, Italy @ Teatro alle Tese (Biennale Musica 2023)|Venice, Italy @ Teatro alle Tese (Biennale Musica 2023)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''October 29'''
| colspan="3" |'''[[2023-10-29 Dublin, Ireland @ Vicar Street|Dublin, Ireland @ Vicar Street]]'''
|'''Yes [FULL, SBD]'''
|
|}

===2024===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|'''April 4'''
| colspan="3" |'''[[2024-04-04 Brussels, Belgium @ Ancienne Belgique (BRDCST ‘24)|Brussels, Belgium @ Ancienne Belgique (BRDCST ‘24)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|April 5
| colspan="3" | [[2024-04-05 Den Haag, Netherlands @ Grote Kerk (Rewire Festival 2024)|Den Haag, Netherlands @ Grote Kerk (Rewire Festival 2024)]]
|Yes [FULL, AUD]
|
|-
|'''April 6'''
| colspan="3" |'''[[2024-04-06 Paris, France @ Le Trianon|Paris, France @ Le Trianon]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''April 7'''
| colspan="3" |'''[[2024-04-07 Rennes, France @ Antipode|Rennes, France @ Antipode]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''April 9'''
| colspan="3" |'''[[2024-04-09 Barcelona, Spain @ Sala Apolo (MUTEK Barcelona 2024)|Barcelona, Spain @ Sala Apolo (MUTEK Barcelona 2024)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''April 10'''
| colspan="3" |'''[[2024-04-10 Madrid, Spain @ La Sala|Madrid, Spain @ La Sala]]'''
|'''Yes [FULL, SBD]'''
|
|-
|April 12
| colspan="3" |[[2024-04-12 Lisbon, Portugal @ Culturgest (show A)|Lisbon, Portugal @ Culturgest (show A)]]
|Yes [FULL, AUD]
|
|-
|'''April 12'''
| colspan="3" |'''[[2024-04-12 Lisbon, Portugal @ Culturgest (show B)|Lisbon, Portugal @ Culturgest (show B)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''April 27'''
| colspan="3" |'''[[2024-04-27 Krems, Austria @ Stadtsaal Krems (Donaufestival 2024)|Krems, Austria @ Stadtsaal Krems (Donaufestival 2024)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''May 7'''
| colspan="3" |'''[[2024-05-07 Lyon, France @ Le Transbordeur (Nuits Sonores 2024)|Lyon, France @ Le Transbordeur (Nuits Sonores 2024)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|September 30
| colspan="3" |[[2024-09-30 Oslo, Norway @ Sentrum Scene|Oslo, Norway @ Sentrum Scene]]
|Yes [FULL, AUD]
|
|-
|October 2
| colspan="3" |[[2024-10-02 Stockholm, Sweden @ Slaktkyrkan|Stockholm, Sweden @ Slaktkyrkan]]
|Yes [FULL, AUD]
|
|-
|October 4
| colspan="3" |[[2024-10-04 Riga, Latvia @ Hanzas Perons (Skaņu Mežs’ 2024)|Riga, Latvia @ Hanzas Perons (Skaņu Mežs’ 2024)]]
|Yes [FULL, AUD]
|
|-
|October 6
| colspan="3" |[[2024-10-06 Copenhagen, Denmark @ VEGA|Copenhagen, Denmark @ VEGA]]
|Yes [FULL, AUD]
|
|}

===2025===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|February 22
| colspan="3" |[[2025-02-22 Manchester, England, UK @ New Century|Manchester, England, UK @ New Century]]
|Yes [FULL, AUD]
|
|-
|August 6
| colspan="3" | [[2025-08-06 Amsterdam, Netherlands @ Melkweg|Amsterdam, Netherlands @ Melkweg]]
|Yes [FULL, AUD]
|
|-
|August 8
| colspan="3" |[[2025-08-08 Helsinki, Finland @ Flow Festival 2025|Helsinki, Finland @ Flow Festival 2025]]
| Yes [FULL, AUD]
|
|-
|August 10
| colspan="3" |[[2025-08-10 Warsaw, Poland @ Klub Progresja|Warsaw, Poland @ Klub Progresja]]
|Yes [MOST, AUD]
|
|-
|August 13
| colspan="3" |[[2025-08-13 Berlin, Germany @ ASTRA Kulturhaus|Berlin, Germany @ ASTRA Kulturhaus]]
|Yes [MOST, AUD]
|
|-
|August 15
| colspan="3" | [[2025-08-15 Reykjavík, Iceland @ Harpa|Reykjavík, Iceland @ Harpa]]
|Yes [FULL, AUD]
|
|-
|October 1
| colspan="3" |[[2025-10-01 Denver, CO, USA @ Ogden Theatre|Denver, CO, USA @ Ogden Theatre]]
|Yes [FULL, AUD]
|
|-
|October 3
| colspan="3" |[[2025-10-03 Minneapolis, MN, USA @ Icehouse|Minneapolis, MN, USA @ Icehouse]]
|Yes [PARTIAL, AUD]
|
|-
|October 5
| colspan="3" | [[2025-10-05 Vancouver, Canada @ Hollywood Theatre|Vancouver, Canada @ Hollywood Theatre]]
|Yes [FULL, AUD]
|
|-
|October 6
| colspan="3" |[[2025-10-06 Seattle, WA, USA @ The Crocodile (show A)|Seattle, WA, USA @ The Crocodile (show A)]]
|Yes [FULL, AUD]
|
|-
|October 6
| colspan="3" |[[2025-10-06 Seattle, WA, USA @ The Crocodile (show B)|Seattle, WA, USA @ The Crocodile (show B)]]
|Yes [FULL, AUD]
|
|-
|October 7
| colspan="3" |[[2025-10-07 Portland, OR, USA @ The Den|Portland, OR, USA @ The Den]]
|Yes [FULL, AUD]
|
|-
|October 9
| colspan="3" |[[2025-10-09 San Francisco, CA, USA @ Regency Ballroom|San Francisco, CA, USA @ Regency Ballroom]]
|Yes [FULL, AUD]
|
|-
|October 10
| colspan="3" |[[2025-10-10 Los Angeles, CA, USA @ Belasco Theater (show A)|Los Angeles, CA, USA @ Belasco Theater (show A)]]
|Yes [FULL, AUD]
|
|-
|October 10
| colspan="3" | [[2025-10-10 Los Angeles, CA, USA @ Belasco Theater (show B)|Los Angeles, CA, USA @ Belasco Theater (show B)]]
|Yes [FULL, AUD]
|
|-
|October 12
| colspan="3" |[[2025-10-12 Mexico City, Mexico @ MUTEK MX|Mexico City, Mexico @ MUTEK MX]]
|Yes [FULL, AUD]
|
|-
|October 14
| colspan="3" |[[2025-10-14 Austin, TX, USA @ Kingdom Nightclub|Austin, TX, USA @ Kingdom Nightclub]]
|Yes [PARTIAL, AUD]
|
|-
|October 15
| colspan="3" |[[2025-10-15 New Orleans, LA, USA @ Joy Theatre|New Orleans, LA, USA @ Joy Theatre]]
|Yes [FULL, AUD]
|
|-
|October 16
| colspan="3" |[[2025-10-16 Birmingham, AL, USA @ Saturn|Birmingham, AL, USA @ Saturn]]
|Yes [FULL, AUD]
|
|-
|October 17
| colspan="3" | [[2025-10-17 Atlanta, GA, USA @ Terminal West|Atlanta, GA, USA @ Terminal West]]
|Yes [FULL, AUD]
|
|-
|October 18
| colspan="3" |[[2025-10-18 Louisville, KY, USA @ Portal|Louisville, KY, USA @ Portal]]
|Yes [FULL, AUD]
|
|-
|October 19
| colspan="3" |[[2025-10-19 Saint Louis, MO, USA @ Delmar Hall|Saint Louis, MO, USA @ Delmar Hall]]
|Yes [PART, AUD]
|
|-
|October 20
| colspan="3" |[[2025-10-20 Chicago, IL, USA @ Concord Hall|Chicago, IL, USA @ Concord Hall]]
|Yes [FULL, AUD]
|
|-
|October 21
| colspan="3" | [[2025-10-21 Detroit, MI, USA @ Building 6, Russell Industrial Center|Detroit, MI, USA @ Building 6, Russell Industrial Center]]
|Yes [FULL, AUD]
|
|-
|October 22
| colspan="3" |[[2025-10-22 Toronto, Canada @ Danforth Hall|Toronto, Canada @ Danforth Hall]]
|Yes [FULL, AUD]

|
|-
|October 24
| colspan="3" |[[2025-10-24 Montreal, Canada @ Société des arts technologiques|Montreal, Canada @ Société des arts technologiques]]
|Yes [FULL, AUD]
|
|-
|October 25
| colspan="3" |[[2025-10-25 New York, NY, USA @ Brooklyn Steel (show A)|New York, NY, USA @ Brooklyn Steel (show A)]]
|Yes [FULL, AUD]
|
|-
|October 25
| colspan="3" |[[2025-10-25 New York, NY, USA @ Brooklyn Steel (show B)|New York, NY, USA @ Brooklyn Steel (show B)]]
|Yes [FULL, AUD]
|
|-
|October 26
| colspan="3" |[[2025-10-26 Philadelphia, PA, USA @ Union Transfer|Philadelphia, PA, USA @ Union Transfer]]
|Yes [FULL, AUD]
|
|-
|October 27
| colspan="3" |[[2025-10-27 Boston, MA, USA @ Paradise|Boston, MA, USA @ Paradise]]
|Yes [FULL, AUD]
|
|-
|October 28
| colspan="3" |[[2025-10-28 Portsmouth, NH, USA @ 3S Artspace|Portsmouth, NH, USA @ 3S Artspace]]
|Yes [FULL, AUD]
|
|-
|October 29
| colspan="3" |[[2025-10-29 Washington, DC, USA @ Howard Theatre|Washington, DC, USA @ Howard Theatre]]
|Yes [FULL, AUD]
|
|-
|November 2
| colspan="3" |[[2025-11-02 Glasgow, Scotland, UK @ SWG3|Glasgow, Scotland, UK @ SWG3]]
|Yes [FULL, AUD]
|
|-
|November 3
| colspan="3" |[[2025-11-03 Newcastle, England, UK @ Digital|Newcastle, England, UK @ Digital]]
|Yes [FULL, AUD]
|
|-
| November 4
| colspan="3" |[[2025-11-04 Leeds, England, UK @ Project House|Leeds, England, UK @ Project House]]
|Yes [FULL, AUD]
|
|-
|November 5
| colspan="3" |[[2025-11-05 Brighton, England, UK @ Chalk|Brighton, England, UK @ Chalk]]
|Yes [PART, AUD]
|
|-
|November 6
| colspan="3" |[[2025-11-06 Bristol, England, UK @ The Prospect Building|Bristol, England, UK @ The Prospect Building]]
|Yes [PART, AUD]
|
|-
|November 7
| colspan="3" |[[2025-11-07 Belfast, Northern Ireland, UK @ Mandela Hall|Belfast, Northern Ireland, UK @ Mandela Hall]]
|Yes [FULL, AUD]
|
|}

===2026===
{| class="wikitable"
!Date
!City
!Venue/Event
! Sources/Notes
!Recordings
![S]
|-
|February 4
| colspan="3" |[[2026-02-04 Tokyo, Japan @ ZEPP Divercity|Tokyo, Japan @ ZEPP Divercity]]
|Yes [FULL, AUD]
|
|-
|February 5
| colspan="3" |[[2026-02-05 Osaka, Japan @ Yogibo META VALLEY|Osaka, Japan @ Yogibo META VALLEY]]
|No
|
|-
|September 24
|Liége, Belgium
|OM
|LIST<ref name=":3">https://ghostarchive.org/archive/gkUxG</ref>
|
|A1
|-
|September 25
|Zurich, Switzerland
|Rote Fabrik
|LIST<ref name=":3" />
|
|A1
|-
|September 26
|Munich, Germany
|Muffathalle
|LIST<ref name=":3" />
|
|A1
|-
|September 27
|Prague, Czechia
|Lunchmeat Festival
|LIST<ref name=":3" />
|
|A1
|-
|September 28
|Wrocław, Poland
|Zaklęte Rewiry
|LIST<ref name=":3" />
|
|A1
|-
|September 29
|Vienna, Austria
|Gasometer
|LIST<ref name=":3" />
|
|A1
|-
|September 30
|Zagreb, Croatia
|Tvornica Kulture
|LIST<ref name=":3" />
|
|A1
|-
|October 1
|Belgrade, Serbia
|Ložionica
|LIST<ref name=":3" />
|
|A1
|-
|October 2
|Skopje, North Macedonia
|MKC
|LIST<ref name=":3" />
|
|A1
|-
|October 3
|Athens, Greece
|Universe
|LIST<ref name=":3" />
|
|A1
|-
|October 4
|Thessaloniki, Greece
|Block33
|LIST<ref name=":3" />
|
|A1
|-
|October 6
|Sofia, Bulgaria
|Toplocentrala
|LIST<ref name=":3" />
|
|A1
|-
|October 7
|Bucharest, Romania
|Club Guesthouse
|LIST<ref name=":3" />
|
|A1
|-
|October 9
|Ljubljana, Slovenia
|Cukrarna
|LIST<ref name=":3" />
|
|A1
|-
|October 10
|Bologne, Italy
|Estragon
|LIST<ref name=":3" />
|
|A1
|-
|October 11
|Milan, Italy
|Alcatraz
|LIST<ref name=":3" />
|
|A1
|-
|October 12
|Geneva, Switzerland
|L'usine
|LIST<ref name=":3" />
|
|A1
|-
|October 13
|Marseille, France
|Cabaret Aléatoire
|LIST<ref name=":3" />
|
|A1
|-
|October 14
|Paris, France
|Bataclan
|LIST<ref name=":3" />
|
|A1
|-
|October 15
|Nantes, France
|Le Lieu Unique
|LIST<ref name=":3" />
|
|A1
|-
|October 16
|Lille, France
|L'Aéronef
|LIST<ref name=":3" />
|
|A1
|-
|October 17
|Nijmegen, Netherlands
|Doornroosje
|LIST<ref name=":3" />
|
|A1
|-
|October 20
|Dublin, Ireland
|Vicar Street
|LIST<ref name=":3" />
|
|A1
|-
|October 22
|Cardiff, Wales
|Depot
|LIST<ref name=":3" />
|
|A1
|-
|October 24
|London, England
|Magazine
|LIST<ref name=":3" />
|
|A1
|}

==DJ Mixes==
{| class="wikitable"
|+
!Year
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
| rowspan="2" |1996
|November 8
|Wolverhampton, England, UK
|Picasso's, Broad Street
|LIST<ref name=":39" />,
Autechre (DJ)
|
|
|-
|November 17
|London, England, UK
|Rumpus Rooms
|LIST<ref name=":39" />, DESC<ref name=":40" />,
Autechre (DJ)
|
|
|-
| colspan="7" |
|-
| rowspan="2" |1997
|October 23
|Brighton, England, UK
|The Underground Club (Fear of A Crap Planet)
| LIST<ref name=":44" />,
Autechre (DJ)
|
|
|-
|November 8
|Leicester, England, UK
|Junction 21 (Warp night)
|LIST<ref name=":44" />,
Autechre (DJ)
|
|
|-
| colspan="7" |
|-
|1998
|April 24
|London, England, UK
|Blech
|LIST<ref name=":44" />,
Autechre (DJ)
|
|
|-
| colspan="7" |
|-
|1999
| colspan="4" |[[1999-10-10 Indio, CA, USA @ Coachella Festival|Indio, CA, USA @ Coachella Festival]]
|Yes [Full, SBD]
|
|-
| colspan="7" |
|-
|2000
|November 26
|Nottingham, England, UK
|The Social (Deselect)
|LIST<ref>https://web.archive.org/web/20000818043032/http://www.warprecords.com/warp/news/</ref>,
Autechre (DJ) with Mira Calix
|
|
|-
| colspan="7" |
|-
|2003
|April 4
|Camber, England, UK
|Camber Sands Holiday Park centre (All Tomorrow's Parties 3.0)
| VEN<ref>https://web.archive.org/web/20030213193940/http://www.atpfestival.com/events/index.php?view=1</ref>, LIST<ref>https://www.1001tracklists.com/tracklist/l5l41k1/autechre-all-tomorrows-parties-camber-sands-united-kingdom-2003-04-04.html</ref>,
Autechre (DJ)

Not to be confused with the [[Autechre Curated All Tomorrow's Parties 3.0|compilation]] mix. DJ Mix rebroadcast on Jon Peel's Show on 27 May 2003.<ref>https://www.youtube.com/watch?v=kizBwGoNax0</ref><ref>https://peel.fandom.com/wiki/27_May_2003</ref>
|SBD #1 ([https://www.youtube.com/watch?v=kizBwGoNax0 full])
|B2
|-
| colspan="7" |
|-
|2020
|June 28
|n/a
|Glastonbury Festival 2020
|VEN<ref>https://forum.watmm.com/topic/99346-glade20-dj-set-this-week/?do=findComment&comment=2803953</ref>
Autechre (DJ)

Physical event was cancelled due to the COVID-19 pandemic, but event had artist performances uploaded to Mixcloud.
|SBD #1 ([https://www.mixcloud.com/Glade_Space_Lounge_The_Spike/the-spike-autechre-dj-set/ full])
|
|-
| colspan="7" |
|-
| rowspan="3" |2024
|October 26
|Berlin, Germany
|Zenner (LITTLEBIG20)
|LIST<ref>https://ra.co/events/1960988</ref>, DESC<ref>https://forum.watmm.com/topic/105232-so-where-is-that-recording-of-rob-brown-djing-at-zenner/</ref>,
Rob Brown (DJ)
|
|A1
|-
|October 31
|Bristol, England, UK
|Strange Brew (Diagonal Records presents '13')
|REC, LIST<ref>https://ra.co/events/1983229</ref>, DESC<ref>https://forum.watmm.com/topic/105242-gescom-strange-brew-in-bristol/</ref>,
Rob Brown (DJ) 
|AUD #1 ([https://forum.watmm.com/topic/105242-gescom-strange-brew-in-bristol/?do=findComment&comment=2992857 full])
|A1
|-
|November 30
|Manchester, England, UK
|White Hotel (Diagonal Records presents '13')
|LIST<ref>https://ra.co/events/1983271</ref>, VEN<ref>https://www.instagram.com/odbpowell/p/DCRImycMJzV/?hl=en</ref>,
Rob Brown (DJ)
|
|A1
|-
| colspan="7" |
|-
|2025
|April 27
|Leeds, England, UK
|Freedom Mills
|VEN<ref>https://web.archive.org/web/20250327181952/https://mastodon.online/@sdem/114234510003722688</ref><ref>https://ra.co/events/2134136</ref>,
Rob Brown (DJ), edv3ctor, SDEM
|
|A1
|-
| colspan="7" |
|-
| rowspan="3" |2026
|February 21
|London, England, UK
|Corsica Studios (lex 20th Birthday x Dinamplatz 5th Birthday
)
|REC<ref>https://www.reddit.com/r/autechre/comments/1rbps8n/rob_of_autechre_b2b_overmono_corsica_studios/</ref>, VEN<ref>https://ra.co/events/2306784</ref>, DESC<ref>https://web.archive.org/web/20260222164037/https://post.lurk.org/@sean_ae/116113856657117853</ref>,
Rob Brown (DJ) (b2b Overmono)
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1rbps8n/rob_of_autechre_b2b_overmono_corsica_studios/ part])
|A1
|-
|March 20
|New York, NY, USA
|Public Records
|VEN<ref>https://web.archive.org/web/20260310190710/https://dice.fm/event/2wka2p-rob-brown-kamran-sadeghi-julia-govor-ltte-nabihah-iqbal-dj-20th-mar-public-records-new-york-tickets</ref>,
Rob Brown (DJ), Kamran Sadeghi
|
|A1
|-
|March 28
|Manchester, England, UK
|The White Hotel (THE BLACK LIGHTS: THE PRE-CURSER)
|VEN<ref>https://ra.co/events/2386898</ref>,
Rob Brown (DJ)
|
|A1
|}

==References==
<references />
[[Category:Live]]

List of Live Shows

2026-03-10T18:30:24Z

EnergyIsMassiveLight: extra dj show '26

Bolded entries have officially been released.

Basic list sourced from other mega lists (with varying degrees of accuracy) here<ref name=":10">https://www.songkick.com/artists/49992-autechre/gigography</ref><ref name=":18">https://ra.co/dj/autechre/tour-dates</ref><ref name=":19">https://forum.watmm.com/topic/69749-essential-autechre-live-sets/#comments</ref><ref name=":20">https://www.loudmemories.com/artists/autechre-500</ref><ref name=":33">https://www.setlist.fm/setlists/autechre-2bd6a47a.html</ref><ref name=":21">https://www.last.fm/music/Autechre/+events</ref>, and then replaced with more specific sources as needs be.

Citations are grouped by the following types: ''REC'' (recording metadata), ''VEN'' (promotional material of show from venue), ''LIST'' (listings from Autechre, venue or some other advertisement), ''ATTE'' (attendance evidence like posts at location or tickets), ''DESC'' (description, testimony, anecdotes, reviews from Autechre or other attendees) and ''ETC'' (from megalists, low reliability).

Recordings are labelled as either AUD (Audience), SBD (Soundboard), or MAT (Matrix). If the show listing has a dedicated page, then Yes or No is listed, alongside how complete they are.

Last column [S] refers to reliability of the listing with a rating like B2. A=correct/sourced, B=incomplete info/sourcing, C=conflicting details. Combined with 1=real, 2=listed by weak source, 3=speculative. Recordings are either label part(s) for short clips, partial for substantive portions, or full for majority/all of the show. If a show can confidently be asserted to have been performed, the information is moved to a dedicated page. 
== 1991-2000 ==

=== 1991 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|June 4
| colspan="3" |[[1991-06-04 Rochdale, England, UK @ Sweatbox 2 (Bojangles)|Rochdale, England, UK @ Sweatbox 2 (Bojangles)]]
|Yes [Full, AUD]
|
|}

=== 1993 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|October 15
| colspan="3" |[[1993-10-15 Birmingham, England, UK @ Bonds (Oscillate)|Birmingham, England, UK @ Bonds (Oscillate)]]
|Yes [Full, AUD]
|
|-
|December 2
| colspan="3" |[[1993-12-02 Manchester, England, UK @ The Planet|Manchester, England, UK @ The Planet]]
|No
|
|-
|December 14
| colspan="3" |[[1993-12-14 London, England, UK @ Heaven|London, England, UK @ Heaven]]
|No
|
|-
|December 17
| colspan="3" |[[1993-12-17 London, England, UK @ Powerhaus|London, England, UK @ Powerhaus]]
|No
|
|}

=== 1994 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|January 14
|London, England, UK
|The Robey (Club Dog All Nighter)
|LIST<ref>https://www.flickr.com/photos/nothingelseon/53058133553/in/album-72177720309838871</ref><ref>https://www.flickr.com/photos/nothingelseon/53058130663/in/album-72177720309838871</ref>,
with Timeshard, Lull, The Corridor
|
|
|-
|February 5
| colspan="3" |[[1994-02-05 Manchester, England, UK @ Manchester Academy (Megadog 5)|Manchester, England, UK @ Manchester Academy (Megadog 5)]]
|No
|
|-
|February 19
|Toronto, ON, Canada
|Union Station (North American Artificial Intelligence Tour)
|VEN<ref>https://ghostarchive.org/archive/Cqins</ref>,
with DJ Lewis, Dogwhistle (DJ), Mark Oliver (DJ), Danny Henry (DJ), John E (DJ), Peter The Greek (DJ), Mark Anthony (DJ)
|
|A1
|-
|February 26
|Tulsa, USA
|Club Ikon (North American Artificial Intelligence Tour)
|VEN<ref>https://web.archive.org/web/20250509020313/https://www.etsy.com/listing/1032132362/autechre-autographed-poster-vintage-1994?show_sold_out_detail=1&ref=nla_listing_details</ref>, DESC<ref>https://web.archive.org/web/20250202232908/https://post.lurk.org/@sean_ae/113935766874172096</ref>,
with DJ Lewis
|
|A1
|-
|March 23
|London, England, UK
|Astoria 2
|ETC<ref name=":10" />, 
with Seefeel
|
|C2
|-
|April 1
|Birmingham, England, UK
|Bonds (Oscillate)
|VEN<ref name=":53">https://ghostarchive.org/archive/y8kAd</ref>
|No
|
|-
|April 17
| colspan="3" |[[1994-04-17 Moscow, Russia @ Moscow's Youth Palace (Britronica Festival 1994)|Moscow, Russia @ Moscow's Youth Palace (Britronica Festival 1994)]]
|Yes [Part, AUD]
|
|-
|May 27
|Wolverhampton, England, UK
|Civic Hall
|
|
|
|-
|June 2
|Barcelona, Spain
|Sala Apolo (Sónar)
|VEN<ref>https://discmaster.textfiles.com/view/12506/PCMania%20CD46_2.iso/pc/sonar94/sonar94.dir/00315_Progra.png</ref>
With Zero and Mixmaster Morris
|
|
|-
|June 16
| colspan="3" |[[1994-06-16 London, England, UK @ Quirky|London, England, UK @ Quirky]]
|Yes [Full, AUD]
|
|-
|June 24
|Linz, Austria
|Brucknerhaus (Ars Electronica)
|LIST<ref>https://archive.aec.at/media/assets/99136106366c2ff573db00bff4377a19.pdf</ref>,
|
|A1
|-
|June 30
|London, England, UK
|Thousand Island
|ETC<ref name=":10" /><ref name=":20" />,
with Casper Brötzmann
|
|
|-
|July 22
|New York, NY, USA
|Mercury Lounge
|DESC<ref>https://www.flickr.com/photos/nothingelseon/53221609637/in/album-72177720311501349</ref>,
|
|A1
|-
|August 6
|Amsterdam, Netherlands
|Gashouder Westergasfabriek (Triple X Festival / Oscillate)
|REC, VEN<ref>https://www.oscillate.club/exhibition/</ref><ref>https://web.archive.org/web/19991010022109/http://cuttlefish.com/oscillate/amsterdam.html</ref>, DESC<ref name=":35">https://forum.watmm.com/topic/81035-autechre-kalpol-introl-live-1994/page/3/#comment-2082598</ref><ref name=":61">https://www.youtube.com/watch?v=LfmuY2INHDs</ref>, ETC<ref name=":33" />,
Allegedly(!!) the organiser of the event John Jacobs recorded the DAT, and a part of that recording would later circulate online as the extended "Kalpol Introl".<ref name=":61" /> Was shared either via xltronic<ref name=":35" /> or Demonoid<ref name=":61" />
|SBD #1 ([https://www.youtube.com/watch?v=LfmuY2INHDs partial])
|A1
|-
|August 19
|Cologne, Germany
|Club Oshos (Popkomm Cologne 1994)
|
|
|
|-
|November 6
|Brussels, Belgium
|Fuse
|REC,
|AUD #1 ([https://www.youtube.com/watch?v=Bijec-rF7E4 full])
|C3
|-
|November 15
|Hull, England, UK
|The Room
|LIST<ref name=":52">https://www.flickr.com/photos/nothingelseon/53322163877/in/album-72177720312494098</ref>,
with LFO, Mark Broom (DJ)
|
|A1
|-
|November 17
|Newcastle Upon Tyne, England, UK
|Riverside
|LIST<ref name=":52" />,
with LFO, Mark Broom (DJ)
|
|A1
|-
|November 22
|Bristol, England, UK
|Lakota
|LIST<ref name=":52" />,
with LFO, Mark Broom (DJ)
|
|A1
|-
|November 23
|London, England, UK
|Leisure Lounge
|LIST<ref name=":52" />,
with LFO, Nightmares on Wax, Mark Broom (DJ), James Lavelle (DJ)
|
|A1
|-
|November 24
|Cardiff, Wales, UK
|Hippo Club
|LIST<ref name=":52" />,
with LFO, Mark Broom (DJ)
|
|A1
|-
|November 26
|Manchester, England, UK
|Sankey's Soap
|LIST<ref name=":52" />, DESC''<ref name=":34">https://aepages.org/wiki/Sean_Twitch_AMA,_June_2022#:~:text=%E2%80%9CSankey%27s%20set.%E2%80%9D%20My%20goodness%2C</ref>'',
with LFO, Mark Broom (DJ), James Lavelle (DJ)

A DAT of the set exists, with a slowed down "Flutter" performance.<ref name=":34" />
|
|A1
|-
|November 28
|Sheffield, England, UK
|The Leadmill
|LIST<ref name=":52" />,
with LFO, Sabres of Paradise Mark Broom (DJ), Andrew Weatherall (DJ)
|
|A1
|-
|??
|Melbourne, Australia
|
|DESC<ref>https://forum.watmm.com/topic/20089-first-time-you-heard-ae-live/?do=findComment&comment=413561</ref><ref>https://www.elektronauts.com/t/1994-live-version-of-autechres-kalpol-intro/2947</ref><ref>https://forum.watmm.com/topic/85950-the-chre-autechre-live-quirky-brixton-16-06-1994-youtube-video/?do=findComment&comment=2258482</ref>,
|
|B3
|}

=== 1995 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|January 21
|Lucerne, Switzerland
|Konzerthaus Schüür
|
|
|
|-
|February 4
|Birmingham, England, UK
|Que Club (Oscillate)
|LIST<ref>https://worldradiohistory.com/UK/Music-Week/1995/Music-Week-1995-02-04.pdf pg 23</ref><ref name=":13">https://www.discogs.com/release/1624821-Autechre-Garbage/image/SW1hZ2U6MjQyMDM4Nw==</ref>, ATTE<ref>https://web.archive.org/web/19990128043223/http://www.cuttlefish.com/oscillate/queclub.html</ref>, ETC<ref name=":20" />,
|
|A1
|-
|February 12
|Eastnor, England, UK
|Eastnor Castle (Big Chill)
|LIST<ref name=":13" />, DESC<ref>https://www.teletextarchive.com/Pages/Details/1194677</ref>,
with Bedouin Ascent, Daniel Pemberton and Instrumental
|
|B1
|-
|June 15
|Sheffield, England, UK
|University of Sheffield Student Union
|ETC<ref name=":10" />,
|
|B2
|-
|June 23
|Pilton, England, UK
|Worthy Farm (Glastonbury Festival 1995)
|
|
|
|-
|July 21
|Glasgow, Scotland, UK
|Glasgow University (Stormy Waters)
|REC, VEN<ref>https://www.independent.co.uk/news/rock-gets-ready-to-go-live-on-the-internet-1590048.html</ref><ref>https://www.google.co.za/books/edition/Theatre_Record/UOoWBzYC4KcC?hl=en&gbpv=1&bsq=autechre+live+-cmj&dq=autechre+live+-cmj&printsec=frontcover</ref>, DESC<ref name=":36">https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=B1338:B1339</ref><ref>https://forum.watmm.com/topic/61585-rare-video-performance-stormy-waters-95/</ref>,
[[List of Rarities#Second Crane|"Second Crane"]]<ref name=":36" />
|SBD #1 ([https://www.youtube.com/watch?v=w7D5yAUsjB8&pp=ygUVTGl2ZSBhdCBTdG9ybXkgV2F0ZXJz full])
AUD #1 ([https://youtu.be/9_yoHHdBE1Q?t=2581 full])
|A1
|-
|October 1
|Nottingham, England, UK
|Sam Fays
|ETC<ref name=":10" /><ref name=":20" />,
|
|B2
|-
|October 15
|Southampton, England, UK
|The Joiners Arms
|
|
|
|-
|November 30
|Ghent, Belgium
|Vooruit Concertzaal (Mind the Gap)
|DESC<ref name=":8">https://groups.google.com/g/alt.music.autechre/c/2C_ddRndcxo/m/SJcAdgyvFqEJ</ref>,
|
|B3
|-
|December 1
|Amsterdam, Netherlands
|Paradiso Grote Zaal
|DESC<ref name=":2">https://web.archive.org/web/20260115003227/https://post.lurk.org/@sean_ae/115895741138770785</ref>, 
|
|
|-
|December 2
|Birmingham, England, UK
|Que Club (Oscillate)
|REC, ETC<ref name=":20" />,
|SBD #1 ([https://www.mixcloud.com/oscillate_sound_system/autechre-oscillate-21295/ full])
|A1
|}

=== Tri Repetour (1995) ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|October 26
|Manchester, England, UK
|Granada Studios
|LIST<ref name=":4">https://www.reddit.com/media?url=https%3A%2F%2Fpreview.redd.it%2F7jipvmazj0y71.jpg%3Fwidth%3D3036%26format%3Dpjpg%26auto%3Dwebp%26s%3D1519d793a88b570f3d99754a9c831a4fe96e3241</ref>,
|
|A1
|-
|October 27
|Kidderminster, England, UK
|Market Tavern
|LIST<ref name=":4" />, ATTE<ref>https://www.yumpu.com/en/document/read/65128735/memories-of-the-market-tavern-1990-1996 page 171</ref>, DESC<ref>https://web.archive.org/web/19990417230430/http://subnet.virtual-pc.com/%7Esk393820/kidder.html</ref>
|
|A1
|-
|October 29
|Nottingham, England, UK
|Sam Fayes
|LIST<ref name=":4" />, DESC<ref name=":2" />,
|
|A1
|-
|November 1
|Sheffield, England, UK
|Hallamshire Hotel
|LIST<ref name=":4" />, ETC<ref>https://www.reddit.com/r/autechre/comments/ysrcjo/comment/jysm32i/</ref>,
|
|A1
|-
|November 2
|Newcastle, England, UK
|Riverside
|LIST<ref name=":4" />, DESC<ref name=":2" />,
|
|A1
|-
|November 3
|Aberdeen, Scotland, UK
|Pelican
|LIST<ref name=":4" />,
|
|A1
|-
|November 4
|Glasgow, Scotland, UK
|Glasgow Arena
|LIST<ref name=":4" />,
|
|A1
|-
|November 5
|Edinburgh, Scotland, UK
|Edinburgh Art College
|LIST<ref name=":4" />,
|
|A1
|-
|November 7
|Kingston upon Hull, England, UK
|The Room
|LIST<ref name=":4" />,
|
|A1
|-
|November 8
|Stoke-on-Trent, England, UK
|Wheatsheaf
|LIST<ref name=":4" />,
|
|A1
|-
|November 9
|Cardiff, Wales, UK
|Clwb Ifor Bach
|LIST<ref name=":4" />,
|
|A1
|-
|November 12
|Cambridge, England, UK
|Boat Race
|LIST<ref name=":4" />, ATTE<ref>https://forum.watmm.com/topic/11240-autechre-photos-from-old-gigs-around-1996-1997/</ref>, DESC<ref>https://web.archive.org/web/19990417220742/http://subnet.virtual-pc.com/%7Esk393820/boatrace.html</ref>,
|
|A1
|-
|November 13
|Ipswich, England, UK
|Golden Lion
|LIST<ref name=":4" />,
|
|A1
|-
|November 14
|Margate, England, UK
|Cobblers
|LIST<ref name=":4" />,
|
|A1
|-
|November 15
|Southampton, England, UK
|The Joiners Arms
|LIST<ref name=":4" />,
|
|A1
|-
|November 16
|Brighton, England, UK
|The Joint
|LIST<ref name=":4" />,
|
|A1
|-
|November 17
|Harlow, England, UK
|The Square
|LIST<ref name=":4" />,
|
|A1
|-
|November 18
|London, England, UK
|Dublin Castle
|LIST<ref name=":4" />,
|
|A1
|-
|November 19
|Manchester, England, UK
|Roadhouse
|LIST<ref name=":4" />,
|
|A1
|-
|November 22
|Belfast, Northern Ireland, UK
|Queen's University
|LIST<ref name=":4" />,
|
|A1
|-
|November 24
|Dublin, Ireland
|Tivoli
|LIST<ref name=":4" />,
|
|A1
|-
|November 25
|Cork, Ireland
|Art Hive
|LIST<ref name=":4" />, DESC<ref name=":37">https://aepages.org/wiki/Sean_Twitch_AMA,_June_2022#:~:text=from%2C%20I%20think%2C-,Cork%3F%20Ireland%3F,-Yeah%2C%20Cork%2C%20I</ref>,
A soundboard of the set exists that has yet to be released.<ref name=":37" />
|
|A1
|}

=== 1996 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|February 15
|Vienna, Austria
|Flex
|REC,
|SBD #1 ([https://archive.org/details/Autechre1996-02-15 full])
|B1
|-
|March 8
|New York, NY, USA
|Home (Joint Ventures & Drop Entertainment)
|VEN<ref>https://www.flickr.com/photos/davepinter/2873019440/in/photostream/</ref>,
with Spacetime Continuum, Mark Broom (DJ)
|
|
|-
|March 13
|West Hollywood, CA, USA
|Troubadour
|
|
|
|-
|March 16
|Miami, FL, USA
|Surfcomber Beach Hotel
|ATTE<ref name=":56">https://www.factmag.com/2018/03/01/idm-usa-history-machinedrum-prefuse73/</ref>, DESC<ref name=":56" />,
|
|
|-
|March 23
|Detroit, MI, USA
|(Disco at the Edge of the Universe)
|VEN<ref>https://www.reddit.com/r/autechre/comments/1jmpzjh/flyer_from_the_first_time_seeing_them_30_years_ago/</ref>,
|
|A1
|-
|March 29 ?
|Winnipeg, Canada
|Osborne Village's Die Maschine Caberet
|DESC<ref>https://web.archive.org/web/19990423215510/http://www.mts.net/%7Edaveross/mesmer.htm</ref>,
with Spacetime Continuum, Mark Broom (DJ)
|
|
|-
|March 30
|Toronto, Canada
|Transcendance
|DESC<ref>https://groups.google.com/g/uw.clubs.waveform.transmission/c/O82j8_HJ-ik/m/jZrmpoJIR0cJ</ref><ref>https://to90rave.blogspot.com/2007/10/1996-march-30.html</ref><ref name=":32">https://discmaster.textfiles.com/view/12728/2014.06.ftp.xmission.com.tar/ftp.xmission.com/pub/lists/orbital/archive/orbital.9807</ref>
With Mayday, Jarkko, Legion of Green Men, Mark Broom (DJ), Spacetime Continuum, Sunkissed and Algorhytm
|
|
|-
|May 14
|London, England, UK
|Leisure Lounge
|VEN<ref name=":38">https://web.archive.org/web/20240421001029/https://post.lurk.org/@sean_ae/112305057800579899</ref>, DESC<ref name=":38" />, ETC<ref name=":10" />,
with Meat Beat Manifesto and The Mellowtrons
|
|
|-
|June 30
|Kansas City, Mo, USA
|Klash of the Titans III
|LIST<ref>https://groups.google.com/g/uw.clubs.waveform.transmission/c/_qdC380GBq0/m/k9YE4nTMclsJ</ref>,
|
|
|-
|July 19
|London, England, UK
|The Reach, King's College Students' Union
|LIST<ref name=":39">https://web.archive.org/web/19981202230042/http://subnet.virtual-pc.com/%7Esk393820/oldnews.html</ref>, ATTE<ref>https://bocpages.org/wiki/Autechre_Live_at_the_Reach</ref>,
Support: Cylob, Panasonic, Boards of Canada, with Chantal (DJ) and Mark Broom
|
|A1
|-
|July 20
|Amsterdam, Netherlands
|The Paradiso
|LIST<ref name=":39" />, DESC<ref name=":40">https://web.archive.org/web/19981203004259/http://subnet.virtual-pc.com/%7Esk393820/letter2.html</ref>,
|
|A1
|-
|July 21
|Bremen, Germany
|Modernes
|LIST<ref name=":39" />, DESC<ref name=":40" />,
|
|
|-
|July 22
|Ghent, Belgium
|Red Tape Building (10 Days Of Techno)
|REC, VEN<ref>https://visit.gent.be/en/red-tape-building</ref>, LIST<ref name=":39" />, DESC<ref name=":8" /><ref name=":40" />,
with Freeform, B12, RAC (DJ)
|AUD #1 ([https://www.youtube.com/watch?v=pupbVnPqqqg full])
|A1
|-
|August 24
|Leysin, Switzerland
|Place des Feuilles (Leysin Alpes Festival 1996)
|LIST<ref name=":39" />, DESC<ref name=":40" />,
with Freeform, B12, Red Snapper, Nightmares On Wax, Aphex Twin (DJ)
|
|
|-
|August 28
|Amsterdam, Netherlands
|The Paradiso
|DESC<ref name=":40" />,
|
|B3
|-
|September 1
|Norfolk, England, UK
|Big Chill Gala
|LIST<ref name=":39" />,
|
|
|-
|November 1
|Manchester, England, UK
|(Versivo)
|LIST<ref name=":39" />, DESC<ref>https://web.archive.org/web/19981206040130/http://subnet.virtual-pc.com/%7Esk393820/versivo.html</ref>, 
with Jega, Rob Hall (DJ), Andy Maddocks (DJ) 
|
|
|-
|November 19
|Barcelona, Spain
|Sónar
|REC, LIST<ref name=":39" />, ATTE<ref>https://www.documentjournal.com/2024/05/sonar-plus-d-barcelona-techno-music-spain-festival-ai/</ref>, DESC<ref name=":40" />,
with Plaid, Mark Broom (DJ)
|AUD #1 ([https://www.youtube.com/watch?v=JYD_7etGCrQ part])
AUD # 2 ([https://discmaster.textfiles.com/view/12506/PCMania%20CD46_2.iso/mac/Sonar96/Autechr.mov part])
|
|-
|December 7
|Copenhagen, Denmark
|
|LIST<ref name=":39" />,
with B12
|
|
|-
|December 12
|Miami, FL, USA
|
|LIST<ref name=":39" />, DESC<ref name=":40" />,
|
|
|-
|??
|Norway
|
|REC
|AUD #1 ([https://archive.org/details/Autechre1996-00-00 full])
|B1
|}

=== 1997 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|January 3
|New York, NY, USA
|Blech:the NYC phase
|LIST<ref name=":39" />, DESC<ref name=":44">https://web.archive.org/web/19990127105321/http://subnet.virtual-pc.com/%7Esk393820/news.html</ref>,
with AFX, Jimi Tenor, Mark Broom, Chantal
|
|
|-
|January 17
|Manchester, England, UK
|(Versivo)
|LIST<ref name=":39" />,
with Plaid
|
|
|-
|February 20
|Edinburgh, Scotland, UK
|The Venue
|LIST<ref name=":44" /><ref>http://backcatalog.list.co.uk.s3-website.eu-west-2.amazonaws.com/the-list/1997-02-07/55/index.html</ref>,
with Boards of Canada, Surgeon (DJ)
|
|A1
|-
|February 21
|Newcastle, England, UK
|Cumberland Arms
|LIST<ref name=":44" />,
with Surgeon (DJ)
|
|A1
|-
|February 22
|Dundee, Scotland, UK
|The Zone
|LIST<ref name=":26">https://www.tumblr.com/grrlmusic/748055598596227072/autechre?source=share </ref>,
|
|C1
|-
|February 22
|Glasgow, Scotland, UK
|Tin Pan Ally (Blackout)
|LIST<ref name=":44" /><ref>http://backcatalog.list.co.uk.s3-website.eu-west-2.amazonaws.com/the-list/1997-02-21/50/index.html</ref>,
with Surgeon (DJ)
|
|A1
|-
|February 23
|Newcastle, England, UK
|Riverside
|LIST<ref name=":26" />,
|
|A1
|-
|February 26
|London, England, UK
|Blue Note (Beats 2000)
|LIST<ref name=":44" />,
with Surgeon (DJ)
|
|C1
|-
|February 26
|Sheffield, England, UK
|Leadmill
|LIST<ref name=":26" />,
|
|C1
|-
|February 27
|Manchester, England, UK
|Sankeys Soap (Versivo)
|LIST<ref name=":44" /><ref name=":26" />,
with Surgeon (DJ)
|
|A1
|-
|February 28
|Leeds, England, UK
|The Warehouse (It's Obvious)
|LIST<ref name=":44" /><ref name=":26" />,
with Surgeon (DJ)
|
|A1
|-
|March 1
|Birmingham, England, UK
|Que Club / The Chapel (Oscillate)
|LIST<ref name=":44" /><ref name=":26" />,
with Surgeon (DJ)
|
|A1
|-
|March 2
|Brighton, England, UK
|Concorde (Cafe Expose)
|LIST<ref name=":44" />,
with Surgeon (DJ)
|
|
|-
|March 18
|Bremen, Germany
|Modernes
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 20
|Hamburg, Germany
|Unit
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 21
|Copenhagen, Denmark
|VEGA
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 22
|Potsdam, Germany
|Waschhaus
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 25
|Cologne, Germany
|Underground
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 26
|Prague, Czech Republic
|Roxy
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 27
|Vienna, Austria
|Szenewien
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 28
|Berlin, Germany
|Volksbuhne
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 29
|Munich, Germany
|Ultraschall
|LIST<ref name=":44" />,
|
|
|-
|March 30
|Frankfurt, Germany
|Nachtleben
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|April 2
|Lausanne, Switzerland
|Dolce vita
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|April 3
|Zurich, Switzerland
|Rote Fabrik
|LIST<ref name=":44" />, MISC<ref name=":10" /><ref name=":20" />,
with Mark Broom (DJ)
|
|B2
|-
|April 4
|Aarau, Switzerland
|Kiff
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|April 5
|Lucerne, Switzerland
|Boa
|LIST<ref name=":44" />, MISC<ref>https://www.concertarchives.org/concerts/autechre--4824016</ref>,
with Mark Broom (DJ)
|
|B2
|-
|April 7
|Ulm, Germany
|Sauschdall
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|April 10
|Ghent, Belgium
|Vooruit Concertzaal
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|April 11
| Antwerp, Belgium
|Café d'Anvers
|LIST<ref name=":44" />,
with Mark Broom (DJ) 
|AUD #1 (parts [https://www.youtube.com/watch?v=-NF9ImTAUWI 1] [https://www.youtube.com/watch?v=IPqbpe06SVc 2])
|B1
|-
|June 5
|Bologna, Italy
|Link
|LIST<ref name=":44" />,
|
|
|-
|June 6
|Rome, Italy
|C.S.O.A. Forte Prenestino
|REC, LIST<ref name=":44" />,
Often mislabelled as a 1996 performance.
|AUD #1 ([https://archive.org/details/Autechre1996-00-00.Autechre/Autechre-1996-xx-xxItaly-rome-1.mp3 full])
|C1
|-
|June 7
|Florence, Italy
|CPA
|LIST<ref name=":44" />,
|
|
|-
|June 8
|Rimini, Italy
|Fiera de Rimini
|LIST<ref name=":44" />,
|
|
|-
|July 17
|Stratford-upon-Avon, England, UK
|Long Marston Airfield (The Phoenix Festival 1997)
|VEN<ref>https://bocpages.org/wiki/Phoenix_Festival</ref>, LIST<ref name=":44" />,
|
|A1
|-
|July 26
|Munich, Germany
|Sun Flower Festival
|LIST<ref name=":44" />, DESC<ref>https://www.twoism.org/forum/viewtopic.php?p=129186&sid=71637c54ecd18521677bad3088edaea8#p129186</ref>,
Conflicting evidence whether they did perform or if it was cancelled due to heavy rain/mud.
|
|C2
|-
|August 8
|Valencia, Spain
|Recinto de festivales de Benicàssim (Benicàssim 1997)
|LIST<ref name=":44" />, MISC<ref name=":10" /><ref name=":20" />
|
|B2
|-
|August 9
|Montpelier, France
|Borealis Festival
|LIST<ref name=":44" />,
|
|
|-
|October 26

|Nottingham, England, UK
|Essance
|MISC<ref name=":10" />,
with Zoviet France
|
|B2
|-
|October 31
|Birmingham, England, UK
|Que Club
|LIST<ref name=":44" />,
|
|
|-
|November 13
|Liverpool, England, UK
|Liverpool University
|LIST<ref name=":44" />,
with Freeform, Spacetime Continuum
|
|
|-
|November 14
|Sheffield, England, UK
|Sheffield University
|LIST<ref name=":44" />,
with Freeform, Spacetime Continuum
|
|
|-
|November 15
|Leeds, England, UK
|Leeds University
|LIST<ref name=":44" />,
with Freeform, Spacetime Continuum
|
|
|-
|November 19
|Edinburgh, Scotland, UK
|Edinburgh University
|LIST<ref name=":44" />,
with Spacetime Continuum, T-Power
|
|
|-
|November 28
|London, England, UK
|Powerhaus (Blech02)
|LIST<ref name=":44" />, MISC<ref name=":10" /><ref name=":20" />,
with Cylob
|
|B2
|}

=== 1998 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|'''February 3'''
|'''Manchester, England, UK'''
|'''Band On the Wall (Toolshed)'''
|'''[[Confield#MCR Quarter|"MCR Quarter"]]'''
REC, LIST<ref>https://www.808state.com/Toolshed/live/1998/index.htm</ref><ref>https://www.theboltonnews.co.uk/news/6134785.gig-guide/</ref>, ATTE <ref>https://www.mdmarchive.co.uk/artefact/18824/Toolshed-Autechre-Band-On-The-Wall-Demo-Tape-1998</ref>, DESC<ref name=":17">https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D1294</ref><ref name=":41">{{Cite AAA2 doc|574}}</ref>,

No recording of the show exists.<ref name=":17" /> Most of the set is a DJ mix except for an improvised MCR Quarter using a "hacked version of rebirth with all our own sounds in"<ref name=":41" />
|'''AUD #1 ([https://www.youtube.com/watch?v=44aqUXUqnqw part])'''
AUD #2 ([https://www.youtube.com/watch?v=s_sG5jqLbKw full])

|C1
|-
|February 7
|London, England, UK
|Chelsea Bridge Studios (Vapour Tour Launch Night)
|LIST<ref name=":44" />, MISC<ref name=":10" /><ref name=":20" />,
with Plaid, Aphex Twin (DJ), Mira Calix (DJ), George Evelyn (DJ)
|
|B2
|-
|February 13
|Dublin, Ireland
|The Funnel (U:Mack/Ultra Mack presents Phunk City)
|VEN<ref>https://img.rasset.ie/001278ef-614.jpg?ratio=2.13</ref>,DESC<ref>https://thumped.com/bbs/threads/memorable-u-mack-gigs-ive-been-to-and-a-few-ive-missed.17611/</ref><ref>https://analog-rhythms.com/2023/08/06/the-funnel/</ref><ref>https://www.rte.ie/culture/2019/0801/1065988-the-funnel-generation-irish-electronic-musics-coming-of-age/</ref>,
with Alan & Dennis [of Decal] (DJ), Dave Cleary (DJ)
|
|A2
|-
|April 21
|Krems, Austria
|
|
|
|B3
|-
|April 25/28?
|Sheffield, England, UK
|Kelham Island Museum (Test One)
|MISC<ref name=":10" /><ref name=":20" />,
|
|B2
|-
|May 23/24
|Hertfordshire, England, UK
|Universe '98
|LIST<ref name=":44" />,
|
|
|-
|May 27
|Hasselt, Belgium
|Kunstencentrum België
|LIST<ref name=":44" /><ref>http://www.kunstencentrumbelgie.com/archief%20nr/98aprilgoed.pdf</ref>,
|
|A1
|-
|May 28
|Eindhoven, Netherlands
|(Effenaar)
|LIST<ref name=":44" />,
|
|
|-
|May 29
|Mannheim, Germany
|(HD800)
|LIST<ref name=":44" />,
|
|
|-
|May 30
|Munich, Germany
|Ultraschall
|LIST<ref name=":44" />,
|
|
|-
|May 31
|Vienna, Austria
|Rhiz
|LIST<ref name=":44" />,
|
|
|-
|June 1
|Vienna, Austria
|b72
|LIST<ref name=":44" />,
|
|
|-
|June 2
|Vienna, Austria
|b72
|LIST<ref name=":44" />,
|
|
|-
|June 4
|Berlin, Germany
|Akademie
|LIST<ref name=":44" />,
|
|
|-
|June 5
|Copenhagen, Denmark
|VEGA
|LIST<ref name=":44" />,
|
|
|-
|June 6
|Bremen, Germany
|Modernes
|LIST<ref name=":44" />,
|
|
|-
|June 5-7?
|Nevers, France
|Maison de la culture de Nevers (Musiques Ultimes Festival)?
|VEN<ref>https://ghostarchive.org/archive/rs331</ref>,
with Zoviet France
|
|
|-
|June 10
|Mannheim, Germany
|MS Connexion Complex
|
|
|
|-
|June 11
|Bern, Switzerland
|Reltschule
|LIST<ref name=":44" />,
|
|
|-
|June 12
|Zurich, Switzerland
|Rote Fabrik
|LIST<ref name=":44" />, MISC<ref name=":10" /><ref name=":20" />,
|
|A1
|-
|June 13
|Vevey, Switzerland
|Rocking Chair
|LIST<ref name=":44" />, DESC<ref>https://groups.google.com/g/fr.rec.musiques/c/8WOTu21jJPM/m/8uZuZKJNcXkJ</ref>,
|
|
|-
|June 20
|London, England, UK
|Queen Elizabeth Hall (John Peel's Meltdown Festival)
|LIST<ref name=":44" />, MISC<ref name=":20" />,
with Plaid, Broadcast, Plone
|AUD #1 ([https://www.youtube.com/watch?v=m8SyhsKe4ok full])
AUD #2 (parts [https://www.youtube.com/watch?v=pO9_j6ZEfeM 1] [https://www.youtube.com/watch?v=VRGIZv4miuM 2])
|B2
|-
|June 28
|Pilton, England, UK
|Worthy Farm (Glastonbury Festival)
|LIST<ref name=":44" />,
|
|B2
|-
|July 9-12
|Brest, France
|Fort De Bertheaume (Dour Festival 1998)
|LIST<ref name=":14">https://web.archive.org/web/20231207044733/https://www.dourfestival.eu/fr/artist/detail/Autechre/</ref><ref>https://web.archive.org/web/20180710142041/http://www.dourfestival.eu/fr/program/history/1998</ref>, DESC<ref name=":8" />, MISC<ref name=":20" /><ref>https://www.concertarchives.org/concerts/dour-festival-1998</ref>,
|
|A1
|-
|July 25
|Saint-Nolff, France
|Coin du Bois (Week-End à Saint-Nolff 1998)
|
|
|
|-
|July 30
| Vancouver, Canada
|Palladium Club
|VEN<ref>https://vancouverraveflyers.tumblr.com/post/137260257514/autechre-july-30-1998-vancouver-bc-palladium</ref>,
Flyers indicate a July 30th performance, however, bootlegs of the New York 98 show often label the recording as being performed on August 9.
|
|C1
|-
|July 31
|Montreal, Canada
|Le Medley
|DESC<ref>https://discmaster.textfiles.com/view/12728/2014.06.ftp.xmission.com.tar/ftp.xmission.com/pub/lists/orbital/archive/v02.n095</ref>
|
|
|-
|August 1
|Toronto, Canada
|The Opera House (Ritual 4)
|DESC,<ref name=":32" /><ref>https://discmaster.textfiles.com/view/12728/2014.06.ftp.xmission.com.tar/ftp.xmission.com/pub/lists/orbital/archive/v02.n105</ref><ref>https://2000undergroundmusic.com/theorem/</ref>
With Ritchie Hawtin, Theorem, Subtonic Monks, Elad'n, Algorythm (DJ), Lotus (DJ)
|
|
|-
|October 2
|Dublin, Ireland
|The Funnel (U:Mack/Ultra Mack presents Phunk City)
|VEN<ref>https://imgur.com/a/8uR4HVS</ref>, DESC<ref>https://thumped.com/bbs/threads/memorable-u-mack-gigs-ive-been-to-and-a-few-ive-missed.17611/</ref>,
with Mira Calix (DJ)
|
|A2
|-
|October 17
|New York, NY, USA
|(OTHERMUSIC.COM Launch Party)
|VEN<ref>https://www.reddit.com/r/autechre/comments/5xw356/autechre_live_in_nyc_oct_1998_anyone_else_out/</ref><ref>https://www.reddit.com/r/autechre/comments/mixwve/for_ufieldrecord_101798/</ref>, DESC<ref name=":57">https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D246</ref>,
Often mislabelled as either a Vancouver Palladium Club show or from 2000 or 2001. Sean notes a soundboard recording of it was floating around.<ref name=":57" />
|SBD #1 ([https://www.youtube.com/watch?v=FFSI9IiEWwc full])
|
|}

=== 1999 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|March 14
|Sheffield, England, UK
|The Unit
|MISC<ref name=":10" /><ref name=":20" />,
|
|B2
|-
|April 16
|Reykjavík, Iceland
|Menntaskólinn við Hamrahlíð (Hamrahlíð College)
|LIST<ref>https://timarit.is/files/60468597</ref><ref>https://timarit.is/files/60477457</ref><ref>https://www.mbl.is/myndasafn/mynd/123924/</ref>, DESC<ref name=":69">https://grapevine.is/music/2025/08/13/autechre-on-darkness-spotify-and-fish-sticks/</ref>,
Support: DJ Steindór, Biogen (live set), DJ Mira Calix

Visuals: GAK
|
|B1
|-
|April 23
|Vienna, Austria
|Radio Music Hall (Phonotaktik 99)
|LIST<ref>https://web.archive.org/web/20001204173400/http://www.phonotaktik.at:80/de/kalleinosw.html</ref>, ATTE<ref name=":42">https://autechre.neocities.org/en/articles/article11</ref>, DESC<ref name=":42" /><ref name=":43">https://forum.watmm.com/topic/4558-autechre-fennesz-roedelius/</ref><ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D933</ref>,
Performed alongside Fennesz and Hans-Joachim Roedelius (plus gear list and photos).<ref name=":42" /> A recording supposedly exists.<ref name=":43" />
|
|A1
|-
|October 18
|Manchester, England, UK
|Music Box
|VEN<ref>https://www.mdmarchive.co.uk/artefact/243/808-State-Massonix-Autechre-The-Music-Box-Flyer-1999</ref>, DESC<ref name=":17" />,
|
|B1
|-
|November 5
| London, England, UK
|Truman Brewery (Warp 10th Anniversary Party 1999)
|MISC<ref name=":10" /><ref name=":20" />,
|
|B2
|}

=== 2000 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|May 8
|Montreal, Canada
|Club Soda
|
|
|
|-
|June 16
| Barcelona, Spain
|Sónar
|REC
|AUD #1 ([https://www.youtube.com/watch?v=gJx_khiVNus full])
|
|-
|June 23-25
|Pilton, England, UK
|Worthy Farm (Glastonbury Festival 2000)
|MISC<ref>https://www.concertarchives.org/concerts/glastonbury-festival-2000--4</ref><ref name=":20" />
|
|B2
|-
|July 22
|Dublin, Ireland
|Temple Bar Music Center
|DESC<ref>https://thumped.com/bbs/threads/memorable-u-mack-gigs-ive-been-to-and-a-few-ive-missed.17611/</ref>,
with Mike Dred (DJ)
|
|B2
|-
|October 14
|London, England, UK
|Trinity Buoy Wharf (The Incredible Warp Lighthouse Party)
|ATTE<ref>https://www.reddit.com/r/boardsofcanada/comments/18htc1j/the_incredible_lighthouse_party/</ref><ref>https://www.flickr.com/photos/tesselate/8682229312/</ref>
|AUD #1 ([https://archive.org/details/Autechre2000-10-14 part])
|A1
|-
|October 27
|Dublin, Ireland
|Temple Bar
|MISC<ref name=":10" /><ref name=":20" />
|
|B2
|-
|November 4
|Valencia, Spain
|Museu de les Ciències Príncipe Felipe (Observatori 2000)
|REC, DESC<ref>https://sonmarchive.susannalopez.com/index.php/es/component/muscol/V/5146-vv-aa-observatori-2000</ref><ref>https://elpais.com/diario/2000/11/04/cultura/973292412_850215.html</ref>,
|SBD #1 ([https://archive.org/details/vv-aa-observatori-2000 full])
|A1
|}

== [[Confield Tour]] ==

=== 2001 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|April 8
|Camber, England, UK
|Pontins Camber Sands Holiday Park (All Tomorrow's Parties 2001)
|LIST<ref name=":5">https://web.archive.org/web/20010405061910/http://www.autechre.nu:80/</ref>,
|AUD #1 ([https://www.youtube.com/watch?v=fYH1fOEUC64 full])
|A1
|-
|April 11
|London, England, UK
|The Fridge
|REC, ATTE<ref name=":53" />,
|AUD #1 ([https://archive.org/details/Ae2001-04-11.flac16 full])
|A1
|-
|April 12
|Bristol, England, UK
|Trinity Centre
|LIST<ref name=":5" />,
|
|A1
|-
|April 13
|Manchester, England, UK
|Music Box
|LIST<ref name=":5" />, ATTE<ref>[https://web.archive.org/web/20010606131301/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid989330230,5390, https://web.archive.org/web/20010606131301/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid989330230,5390,]</ref>,
|
|A1
|-
|April 14
|Newcastle, England, UK
|Scotland Yard
|LIST<ref name=":5" />,
|
|A1
|-
|April 15
|Edinburgh, Scotland, UK
|The Venue
|LIST<ref name=":5" /><ref>http://backcatalog.list.co.uk.s3-website.eu-west-2.amazonaws.com/the-list/2001-04-12/48/index.html</ref>,
|
|A1
|-
|April 17
|Paris, France
|Batofar
|LIST<ref name=":5" />,
|
|A1
|-
|April 18
|Brussels, Belgium
|L’Orangerie du Botanique, Sint-Joost-ten-Noode
|LIST<ref name=":5" />, VEN<ref>https://web.archive.org/web/20250331153919/https://mastodon.social/@eav/114253003319561314</ref>,
|
|A1
|-
|April 19
|Bordeaux, France
|Le Chat Bleu / Nautilus
|LIST<ref name=":5" />,
<nowiki>*</nowiki>Not direct link, links to download for AE_LIVE 1991-2023 which has the set
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|April 20
|Poitiers, France
|Confort Moderne
|LIST<ref name=":5" />,
|
|A1
|-
|April 21
|Lucerne, Switzerland
|Boa Kulturzentrum
|LIST<ref name=":5" />,
|
|A1
|-
|April 23
|Rome, Italy
|Petralata
|LIST<ref name=":5" />,
|
|A1
|-
|April 24
|Bologna, Italy
|Link
|LIST<ref name=":5" />,
|
|A1
|-
|'''April 25'''
|'''Zurich, Switzerland'''
|'''Rote Fabrik'''
|'''[[Untilted#Zurich 2001|"Zurich 2001"]]'''
LIST''<ref name=":5" />'',
|'''AUD #1 ([https://www.youtube.com/watch?v=HmBagKNdlHg part])'''
|A1
|-
|April 27
|Vienna, Austria
|Porgy & Bess
|LIST<ref name=":5" />,
|
|A1
|-
|April 28
|Munich, Germany
|L.O.K.
|LIST<ref name=":5" />,
|
|A1
|-
|April 29
|Cologne, Germany
|Studio 672
|LIST<ref name=":5" />,
Bootlegs misattribute it to April 1.
|AUD #1 ([https://archive.org/details/Autechre2001-04-01 full])
|A1
|-
|April 30
|Frankfurt, Germany
|U60311
|LIST<ref name=":5" />,
|
|A1
|-
|May 1
|Berlin, Germany
|WMF
|LIST<ref name=":5" /><ref>https://issuu.com/debug_mag/docs/debug47/44</ref>,
|
|A1
|-
|May 4
| New York, NY, USA
|Bowery Ballroom
|LIST<ref name=":5" /><ref name=":6">https://web.archive.org/web/20221003183620/https://www.mtv.com/news/jdw42c/autechre-bring-album-tour-to-us</ref>, ATTE<ref>https://web.archive.org/web/20240522230059/https://www.ebay.com/itm/394579783833?itmmeta=01HYH885NS87JP6YN82YN6A5HQ&hash=item5bdec9b099:g:KCoAAOSw3lVju1bb&itmprp=enc%3AAQAJAAAAwKjZTyCrK0xKHKfUppRrq5xQei97uQCO715kTe%2FJnKe2%2B1LgGAYrTDiWA3iF4C1sOuDSP%2B3Jy%2FNQP%2F8uuoa%2FucpKqaVwjR8IE8i5DpZpSN4%2FQO1u3bb6rpNHrhisycSjaw0gac183Xalimrh31r0C%2FBtmpyA%2F0AL8GG7xaHQ5cOgZlW4FBEQ%2FODd7O48SFjdYmWIOnY8FwCHStavmcA1E6dkLewYXPdHlW4cOyrUrBraKBUtMmcUOubp0kmrjHJTvg%3D%3D%7Ctkp%3ABk9SR4bboKj0Yw</ref>,
|AUD #1 ([https://archive.org/details/Ae2001-05-04.flac16 full])
|A1
|-
|May 5
| New York, NY, USA
|Bowery Ballroom
|LIST<ref name=":5" /><ref name=":6" />,
|
|B1
|-
|May 6
|Princeton, NJ, USA
|Terrace Club
|REC, LIST<ref name=":5" /><ref name=":6" />, ATTE<ref>https://www.flickr.com/photos/pudstah/410459583/</ref><ref>https://www.flickr.com/photos/pendejo/26043096/</ref>,
|AUD #1 ([https://www.youtube.com/watch?v=zkg9-y3yaw0 part])
|A1
|-
|May 7
|Boston, MA, USA
|Middle East Underground
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 8
|Montreal, Canada
|Club Soda
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 9
| Toronto, Canada
|The Opera House (Steam Whistle Brewing Co.)
|LIST<ref name=":5" /><ref name=":6" />, ATTE<ref>https://www.flickr.com/photos/fynes/340144010/</ref>, DESC<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D933</ref>, 
The soundboard contains only the first and last third of the full set.<ref>https://forum.watmm.com/files/file/1787-ae_live_toronto_mix_090501/</ref>
|SBD #1 ([https://www.youtube.com/watch?v=Ir8nMDdyAYg partial])
AUD #1 ([https://archive.org/details/Ae2001-05-09.flac16 full])
|A1
|-
|May 10
|Columbus, OH, USA
|Wexner Center for the Arts
|LIST<ref name=":5" /><ref name=":6" />, DESC<ref>https://autechre.neocities.org/en/articles/article9</ref><ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D220</ref>,
Support: Rob Hall, Russel Haswell
|
|A1
|-
|May 11
|Chicago, IL, USA
|Metro
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 12
|Mineapolis, MN, USA
|Ascot Room (Quest)
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 15
|Vancouver, Canada
|Sónar
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 16
|Seattle, WA, USA
|Showbox Theater
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Ae2001-05-16.csb.flac16 full])
|A1
|-
|May 17
|Portland, OR, USA
|B Complex
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Autechre2001-05-17 full])
|A1
|-
|May 18
|Oakland, CA, USA
|94612.Club Indigo
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Autechre2001-05-18 full])
|A1
|-
|May 19
|Los Angeles, CA, USA
|El Rey Theater
|LIST<ref name=":5" /><ref name=":6" />,
Support: Rob Hall, Russell Haswell, Curtis Roads<ref>https://www.latimes.com/archives/la-xpm-2001-may-17-ca-64466-story.html</ref><ref>https://www.curtisroads.net/music#:~:text=Volt%20air%20(2001%2D2003)%20electronic%20sound.%20In%20four%20parts.%20Premiered%2019%20May%202001%2C%20concert%20with%20Autechre%2C%20El%20Rey%20Theater%2C%20Los%20Angeles.%C2%A0</ref><ref>https://openspace.sfmoma.org/2016/07/an-interview-with-curtis-roads/</ref><ref>https://static1.squarespace.com/static/5ad03308fcf7fd547b82eaf7/t/5b75a17b88251b44e5693441/1534435708241/04+Path+to+Half+Life.pdf</ref>
|
|A1
|-
|May 21
|Austin, TX, USA
|Mercury at Jazz
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Ae2001-05-21.dsm-6s.flac16 full])
|A1
|-
|May 22
|Orlando, FL, USA
|Club Firestone
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 23
|Miami, FL, USA
|Knights of Columbus
|LIST<ref name=":5" /><ref name=":6" />, VEN<ref name=":66">https://web.archive.org/web/20250529055909/https://post.lurk.org/@sean_ae/114585368288496104</ref>, ATTE<ref>[https://web.archive.org/web/20010411092856/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid986324371,68176, https://web.archive.org/web/20010411092856/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid986324371,68176,]</ref><ref name=":66" />
Support: Richard Devine, Otto Von Schirach, Russell Haswell, Rob Hall, Salim Rafiq, Gliese, Mioc
|
|A1
|-
|May 24
|Atlanta, GA, USA
|The Roxy
|LIST<ref name=":5" /><ref name=":6" />, ATTE<ref name=":66" />,
|AUD #1 ([https://archive.org/details/Autechre2001-05-24 full])
|A1
|-
|May 25
|Washington, DC, USA
|9:30 Club
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Ae2001-05-25 full])
|A1
|-
|May 26
|Detroit, MI, USA
|Hart Plaza (Detroit Electronic Music Festival)
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Autechre2001-05-26 full])
|A1
|}

== [[Untilted Tour]] ==

=== 2005 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|April 14
|London, England, UK
|SEOne
|REC, LIST<ref name=":22">https://web.archive.org/web/20050404112539fw_/http://www.warprecords.com/news/?offset=0&ti_id=901</ref>, ATTE<ref>https://www.flickr.com/photos/v11v11v11v/9546384/</ref>,
Support: Rob Hall, Mark Broom, Baby Ford
|AUD #1 ([https://www.youtube.com/watch?v=gIkNc0u8VIA full])
|A1
|-
|April 15
| colspan="3" |[[2005-04-15 Glasgow, Scotland, UK @ Glasgow School of Art|Glasgow, Scotland, UK @ Glasgow School of Art]]
|Yes [Full, SBD]
|A1
|-
|April 16
|Manchester, England, UK
|The Zoo
|LIST<ref name=":22" />, ATTE<ref>https://web.archive.org/web/20240522230047/https://www.ebay.com/itm/155923308676?itmmeta=01HYH885NSSNYM3B7W38SK9SH6&hash=item244dc0e084:g:GUUAAOSwT2JlWzVA&itmprp=enc%3AAQAJAAAA4PxgSr4Upyj2KbJCjXfsU7hC77w8L8J3PgkTDUaCTjzCJUTRw1o1eQVH4rgvgINkjlpHuGSwm8mtJcjiUK%2B%2FwjLjVDBh%2FG8Ixn%2F5YEY9cINEdPUgf0gTBi6pVTYFi2BZZLcYr75vxObUPLV1lm6PaAAmKRd83rIjzCFS4RUEuoBqUC8FUVJes%2FucL1JmD2gmLqmYAHshNZNS5DKzlVnAvhbdZtQbIjB9JpIz2%2FOsh%2BO9L3wls0tnx8ml9f%2Fo6X27JBDHkZa3yrLYmpU3mCIbixr6yczOB%2BA1cAZ%2Fsp6ORcNh%7Ctkp%3ABk9SR_7aoKj0Yw</ref>,
Support: Rob Hall
|
|A1
|-
|April 17
|Nottingham, England, UK
|Stealth
|LIST<ref name=":22" />,
Support: Rob Hall
|
|A1
|-
|April 18
|Paris, France
|Point Éphémère
|LIST<ref name=":22" />,
|
|A1
|-
|April 19
|Antwerp, Belgium
|Petrol
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 20
|Eindhoven, Netherlands
|Effenaar
|REC, LIST<ref name=":22" /><ref>https://web.archive.org/web/20050403133959fw_/http://www.effenaar.nl/fnr_content_engine/agenda.php </ref>,
Support: SND
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ partial])
|A1
|-
|April 21

|Hamburg, Germany
|Planten un Blomen
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 22
|Berlin, Germany
|Club Maria
|LIST<ref name=":22" />,
Support: SND, O.S.T., Errorsmith
|
|A1
|-
|April 23
| Cologne, Germany
|Sensor
|LIST<ref name=":22" />, ATTE<ref>https://www.flickr.com/photos/88169577@N00/150050313/</ref>,
Support: SND
|
|A1
|-
|April 24
|Mannheim, Germany
|MS Connexion Complex
|LIST<ref name=":22" /><ref>https://web.archive.org/web/20050422050800/http://www.warprecords.com/frameset.php?section=news/?ti_id=927</ref>,
Support: SND

This show was cancelled due to Sean and Rob having to reapply for their US Visa in person in London after the US embassy there failed to properly process their first application.
|
|A1
|-
|April 25
|Reims, France
|La Cartonnerie
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 26
|Lyon, France
|DV1
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 27
|Geneva, Switzerland
|L’Usine
|REC, LIST<ref name=":22" />,
Support: SND
|AUD #1 ([https://www.reddit.com/r/autechre/comments/grpxdi/i_compiled_39_autechre_bootlegs_from_between/ full])
|A1
|-
|April 28
|Marseille, France
|Friche de la Belle de Mai
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 29
|Rome, Italy
|Brancaleone
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 30
|Bologna, Italy
|Link
|LIST<ref name=":22" />, ATTE<ref>https://www.flickr.com/photos/fidelio/33107978/</ref>,
Support: SND
|
|A1
|-
|May 6
|Washington, DC, USA
|Black Cat
|LIST<ref name=":22" />, ATTE<ref>https://www.flickr.com/photos/flyingturtle/2854122967/</ref>,
Support: Rob Hall, SND
|
|A1
|-
|May 7
|Philadelphia, PA, USA
|Trocadero Theatre
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 8
|New York, NY, USA
|Webster Hall
| LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 9
|Boston, MA, USA
|Paradise Rock Club
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 10

|Montreal, Canada
|L'Usine C (Elektra Festival)
|REC, VEN<ref>https://www.neme.org/blog/elektra-6</ref>, LIST<ref name=":22" />,
Support: Rob Hall, SND
|AUD #1 ([https://www.youtube.com/watch?v=pOy94biQGNA full])
|A1
|-
|May 11
|Toronto, Canada
|The Opera House
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 12
|Detroit, MI, USA
|Masonic Temple Theatre
|REC, VEN<ref>https://web.archive.org/web/20240522225556/https://www.ebay.com/itm/235405643633?itmmeta=01HYH885NRBJN18JPPDNDPVP7Y&hash=item36cf450f71:g:6YsAAOSwZ3ZltVHF&itmprp=enc%3AAQAJAAAAwPJx2WyyTIaemMJMvu5uordDKocaio0CFzK8aHN%2Fu8mwcQYHdtZKio5tOatkY6bSM%2BpNSfraMvCAn%2FDm3NnyaXlPZNkuue48UqcZ9kJ6u4bARoOwcqkz3YHG%2FcUQgZh70Y%2FgI2y80x5p9dY%2BzTkOIPYFn9BoBZ5UoqbR1VuaABhCIXu7wX73pea9Vr8e9E0bMRaXuOGjRaIuyrhmCv2P7NWE9H4X6LbDIo1xBCKpeeNQ%2BkTO0JrenJ30G32ZG56uPQ%3D%3D%7Ctkp%3ABk9SR_zaoKj0Yw</ref>, LIST<ref name=":23">https://web.archive.org/web/20060513155739/http://www.warprecords.com:80/news/?offset=0&ti_id=901</ref>,
Support: Rob Hall, SND
|AUD #1 ([https://www.youtube.com/watch?v=W85OsroqLSQ full])
|A1
|-
|May 13
|Chicago, IL, USA
|Metro
|REC, LIST<ref name=":22" />, ATTE<ref>https://web.archive.org/web/20250911133726/https://post.lurk.org/@sean_ae/115178991649905815</ref>,
Support: Rob Hall, SND
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|May 14
|Minneapolis, MN, USA
|The Quest
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
| A1
|-
|May 17
|Vancouver, Canada
|Commodore Ballroom
| LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 18
|Seattle, WA, USA
|Neumos
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 19
| Portland, OR, USA
|Berbati's Pan
| LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 20
|San Francisco, CA, USA
| Mezzanine
|LIST<ref name=":22" />, VEN<ref>https://www.flickr.com/photos/99179146@N00/14787233/</ref>,
Support: Rob Hall, SND
|
|A1
|-
|May 21
|Los Angeles, CA, USA
|El Rey Theatre
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 22
|Tempe, AZ, USA
|Club Freedom
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 24
|Dallas, TX, USA
|Trees
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 25
|Austin, TX, USA
| The Parish
|REC, LIST<ref name=":22" />, ATTE<ref>https://www.flickr.com/photos/beth_mckinney/28225518/</ref><ref>https://www.flickr.com/photos/beth_mckinney/175807964/in/photostream/</ref>,
Support: Rob Hall, SND
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|May 26
|New Orleans, LA, USA
|TwiRoPa
|REC, LIST<ref name=":22" />,
Support: Rob Hall, SND
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|May 27
|Atlanta, GA, USA
|Variety Playhouse
|LIST<ref name=":22" />, ATTE<ref>https://www.flickr.com/photos/amoeba/16373575/in/photostream/</ref><ref>https://www.flickr.com/photos/xenlab/albums/396875/</ref>,
Support: Rob Hall, SND
|
|A1
|-
|May 28
| Asheville, NC, USA
|The Orange Peel
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 29
|Baltimore, MD, USA
|Sónar
|LIST<ref name=":23" />,
Support: Rob Hall, SND
|
|A1
|-
|June 10
|Kawasaki, Japan
|Club Citta'
|LIST<ref name=":23" />,
Support: Mark Bell, Russell Haswell, Rob Hall
|
|A1
|-
|June 11
|Osaka, Japan
|Bayside Jenny
|LIST<ref name=":23" />,
Support: Mark Bell, Russell Haswell, Rob Hall
|
|A1
|-
|July 1
|Roskilde, Denmark
|Darupvej (Roskilde Festival 2005)
|LIST<ref name=":22" />,
|
|A1
|-
|July 8
|Newcastle Upon Tyne, England, UK
|MS Stubnitz (Vision Festival)
|LIST<ref name=":22" />, MISC<ref name=":55">https://forum.watmm.com/topic/7661-autechre-live-broadcasts-interviews/?do=findComment&comment=183535</ref>,
|
|A1
|-
|July 14
|Amsterdam, Netherlands
|Paradiso (5 Days Off)
|LIST<ref name=":22" />, MISC<ref name=":55" />,
Support: Rob Hall, Speedy J, Richard Devine
|
|A1
|-
| September 9
|Graz, Austria
|Elevate Festival
|VEN<ref>https://elevate.at/websites/2005/lineup2005%2bM54a708de802.html and https://elevate.at/websites/2005/artist_details%2bM58782cf60bc.html</ref>, MISC<ref name=":55" />,
|
|A1
|-
|September 17
|London, England, UK
|KOKO (All Tomorrow's Parties: Easy to Swallow Part II)
|VEN<ref>https://web.archive.org/web/20240607195616/https://www.atpfestival.com/events/list/archive?pg=28#:~:text=ATP%3A%20Easy%20To%20Swallow%20Part%20II</ref>, DESC<ref>https://electro-music.com/forum/post-45970.html</ref>, MISC<ref name=":10" /><ref name=":55" />,
|
|A1
|-
|November 25
|Tokyo, Japan
|Makuhari Messe (Electraglide 2005)
| VEN<ref>http://www.electraglide.info/#history:~:text=electraglide%202005-,11/25(%E9%87%91)%EF%BC%A0%E5%B9%95%E5%BC%B5%E3%83%A1%E3%83%83%E3%82%BB,-11/26(%E5%9C%9F</ref><ref>https://web.archive.org/web/20250408024415/https://post.lurk.org/@sean_ae/114295837881196229</ref>, MISC<ref name=":18" />,
|
|A1
|}

===2006===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
| April 8
|Dublin, Ireland
|Temple Bar Music Centre
|REC, LIST<ref name=":24">https://web.archive.org/web/20060515213403/http://www.warprecords.com/news/?offset=20&ti_id=1096</ref>,
|AUD #1 ([https://www.youtube.com/watch?v=YQrWV--Q_kA full])
AUD #2 ([https://www.youtube.com/watch?v=Dv81iI_bQEA part])
|A1
|-
|April 9
|Belfast, Northern Ireland, UK
|The Stiff Kitten
| LIST<ref name=":24" />,
|
|A1
|-
|April 21
|Krems, Austria
|Donaufestival 2006 / Danube Festival
|LIST<ref name=":24" />, ATTE<ref>https://www.flickr.com/photos/breakingglass/132660016/in/photostream/</ref>,
|AUD #1 (parts [https://www.youtube.com/watch?v=XAl5C-CoJTI 1] [https://www.youtube.com/watch?v=5E60-xEsYog 2] [https://www.youtube.com/watch?v=yoN_ZnsmHX8 3])
|A1
|-
|April 22
|Zaragoza, Spain
|Zaragoza Festival
|REC, LIST<ref name=":24" />,
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|May 11
|Jerusalem, Israel
|Uganda Bar
|ATTE<ref>https://www.flickr.com/photos/6finger/146299746/in/photostream/</ref>,
|
|A3
|-
| June 8
| Turku, Finland
|
|REC,
|AUD #1 ([https://www.youtube.com/watch?v=8XFQ9oH7WX0 part])
|
|-
|July 14
|Berkshire, England, UK
|The Glade (Glade Festival 2006)
|REC<ref name=":10" />,
|AUD #1 ([https://archive.org/details/Autechre20060714UKTheGlade10 parts])
|
|-
|November 24
|Manchester, England, UK
|The Old Brewery (The Warehouse Project)
|REC, VEN<ref>https://www.808state.com/live/2006/index.htm#:~:text=Nov%3A2006-,Fri%3A24%3ANov,-%2D%20Massonix%20live%20%2D</ref>, MISC<ref name=":10" />,
|AUD #1 (parts [https://www.youtube.com/watch?v=hwxDEZa-KAk 1] [https://www.youtube.com/watch?v=4Ig3nHtWJFQ 2] [https://www.youtube.com/watch?v=yZKE4IAscCc 3] [https://www.youtube.com/watch?v=y65SBA8ZoPk 4] [https://www.youtube.com/watch?v=DpYOaLjxzX8 5])
|
|-
|December 1
|Barcelona, Spain
|Parc del Fòrum (Primavera 2006)
|MISC<ref name=":10" />,
|
|
|}

===2007===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|March 25
|Hemsby, England, UK
|Pontin's Holiday Park (Bloc 2007)
|REC, VEN<ref>https://web.archive.org/web/20240522230051/https://www.ebay.com/itm/204795109062?itmmeta=01HYH885NT70TBGATPPY591CBG&hash=item2faebd5ec6:g:exwAAOSwo5Zi5fGZ&itmprp=enc%3AAQAJAAAA4C%2BC7VaOq%2FuScNhrP%2F2NLRK1WCkPNi4hIqzMCNyFbct%2FarcMCynR6pPIlmT468fH8VVaQmXxt9l4NsYNn3OCv8jagWBvnkn1sDbLn2aGJnDCMErZvtWuyyTezhtDjz%2FUkzmrpqmuIpQt8yGkTAA2tdiHzTakBSzaUOqoiHdBqKvxlkDNfO4XDHDwg%2BJOv3cVHwLyAkzyQGryh3LkTcq%2FcoPm6rGPxYs5ykGbBnpvHMIN83N1Yf67XevI5AcOKaFMLYUtyoJ2en2%2BaVkeQdMrPaOYgk%2F9Ts4c0578VZ8pzjCr%7Ctkp%3ABk9SR4bboKj0Yw</ref>, LIST<ref>https://web.archive.org/web/20070616061713fw_/http://www.warprecords.com/news/?offset=20&ti_id=1266</ref>, ATTE<ref>https://www.flickr.com/photos/56181548@N00/441787649/</ref><ref>https://www.flickr.com/photos/micheeky/438114551/</ref>,
|MAT #1 ([https://www.youtube.com/watch?v=li7wXbFnMKU full])
AUD #1 ([https://www.youtube.com/watch?v=V9G5gu1HszE part])
|A1
|-
|March 30
|Brussels, Belgium
|Les Halles de Schaerbeek (Reset 2007)
|REC,
|AUD #1 ([https://www.youtube.com/watch?v=umknZ4l7KQQ full])
|
|-
|April 7
|Madrid, Spain
|Telefónica Madrid Arena (Klubbers' Day 2007)
|VEN<ref>https://www.fiestaybullshit.com/aquellos-maravillosos-anos-klubbersday/</ref>, ATTE<ref>https://www.flickr.com/photos/dgeral/450725158/in/photostream/</ref>,
|
|A1
|-
|May 4
|Rome, Italy
|Brancaleone
| MISC<ref name=":10" />,
|
|
|-
|May 12
|Den Haag, Netherlands
|Paard van Troje
|LIST<ref name=":63">https://web.archive.org/web/20080820063643/http://autechre.watmm.com/autechre/autechre_europe_live_dates/</ref>, ATTE<ref>https://www.flickr.com/photos/stephanck/519001952/</ref>,
|
|A1
|-
|July 7
|Monegros Desert, Spain
|Monegros Festival
|LIST<ref name=":63" />,ATTE<ref>https://www.flickr.com/photos/sr_atlantico/761033894/in/photostream/</ref><ref>https://www.flickr.com/photos/row_58/762993645/</ref><ref>https://www.flickr.com/photos/tavok/896949561/</ref>,
|AUD #1 (parts [https://www.youtube.com/watch?v=a98qmIq0Q-A 1] [https://www.youtube.com/watch?v=1QJrjuTfqvk 2] [https://www.youtube.com/watch?v=fO3DovekAqM 3])
|A1
|-
|July 13
|Gräfenhainichen, Germany
|Ferropolis (MELT! Festival 2007)
|VEN<ref>https://web.archive.org/web/20150511193442/http://www.meltfestival.de/fileadmin/user_upload/melthistory/Melt_Poster_A1_2007.png</ref><ref name=":28">https://web.archive.org/web/20150925170431/http://www.meltfestival.de/acts/artists-a-z/act/autechre.html</ref>,
|
|A1
|-
|July 14
|Dour, Belgium
|La Plaine de La Machine à Feu (Dour Festival 2007)
|REC, VEN<ref name=":14" />, LIST<ref name=":63" />,
|AUD #1 ([https://www.youtube.com/watch?v=aiK7Kjjf83E full])
|A1
|}

==[[Quaristice Tour]]==

===2008===
{| class="wikitable"
! Date
!City
!Venue/Event
!Sources/Notes
!Recordings
! [S]
|-
|February 29
|Manchester, England, UK
|Music Box
|LIST<ref name=":7">https://web.archive.org/web/20080201091637/http://www.autechre.ws:80/quaristice/mail/</ref><ref name=":58">https://www.clashmusic.com/news/autechre-to-play-car-park-gig/</ref>,
Support: Rob Hall, SND
|
|A1
|-
|March 1
|Glasgow, Scotland, UK
|Glasgow School of Art (Numbers)
|VEN<ref>https://nmbrs.net/club/autechre-glasgow-school-of-art-138/</ref>, LIST<ref name=":7" /><ref>http://backcatalog.list.co.uk.s3-website.eu-west-2.amazonaws.com/the-list/2008-02-28/74/index.html</ref><ref name=":58" />, DESC<ref>https://www.theskinny.co.uk/clubs/highlights/autechre-numbers-art-school-glasgow-1-mar</ref><ref>http://backcatalog.list.co.uk.s3-website.eu-west-2.amazonaws.com/the-list/2008-02-28/38/index.html</ref><ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D1114</ref>,
Support: Rob Hall, SND
|AUD #1 ([https://www.youtube.com/watch?v=Awqos6d_QqE part])
|A1
|-
|March 2
| Newcastle, England, UK
|Digital (AV Festival)
|LIST<ref name=":7" /><ref name=":58" />, ATTE<ref>https://www.flickr.com/photos/9378119@N06/2346925573/in/photostream/</ref>,
Support: Rob Hall, SND
|
|A1
|-
|March 3

|Birmingham, England, UK
|Med Bar
|LIST<ref name=":7" /><ref name=":58" />,
Support: Rob Hall, SND
|
|A1
|-
|March 4
|London, England, UK
|Hearn Street Car Park
|LIST<ref name=":7" /><ref name=":58" />, ATTE<ref>https://www.flickr.com/photos/tesselate/albums/72157604048073098/</ref>, DESC<ref>https://web.archive.org/web/20140921145125/http://www.musicomh.com/reviews/live/autechre-hearn-street-car-park-london</ref>,
Support: Rob Hall, SND
|AUD #1 (parts [https://vimeo.com/772543 1] [https://vimeo.com/772543 2])
|A1
|-
|March 5
|Cologne, Germany
|Stattgarten
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 6

|Amsterdam, Netherlands
|Melkweg
|LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/oldvalvemic/2316228289/in/pool-706589@N20/</ref>,
Support: Rob Hall, SND
|AUD #1 (parts [https://www.youtube.com/watch?v=QQhF94XxZiE 1] [https://www.youtube.com/watch?v=9BTERAeV8S0 2] [https://www.youtube.com/watch?v=0qKq6N1KgYQ 3] [https://www.youtube.com/watch?v=VWmMNWiBvcw 4])
AUD #2 ([https://www.youtube.com/watch?v=nPyka-5-Oa4 part])
|A1
|-
|March 7
|Antwerp, Belgium
|Petrol
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 8
|Hamburg, Germany
|Hafenklang
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 9
|Berlin, Germany
|Berghain
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 10
|Katowice, Poland
|Galeria Szyb Wilson
|LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/oldvalvemic/2333249329/in/pool-706589@N20/</ref><ref>https://www.flickr.com/photos/loca/2611864694/in/photostream/</ref>,
Support: Rob Hall, SND
|AUD #1 (part)
|A1
|-
|March 11
|Budapest, Hungary
|Merlin
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 12
|Zagreb, Croatia
|Kset
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 13
|Graz, Austria
|Post Garade
|LIST<ref name=":7" />,
Support: Rob Hall, SND
| AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
AUD #2 (parts [https://www.youtube.com/watch?v=fpA97BMcfl0 1] [https://www.youtube.com/watch?v=PQVMvjMmrqI 2])
|A1
|-
|March 14
|Turin, Italy
|Hiroshima Mon Amour
|LIST<ref name=":7" />,
Support: Rob Hall, SND
| AUD #1 (partial)
AUD #2 (parts [https://www.youtube.com/watch?v=CB53UWYrJjM 1] [https://www.youtube.com/watch?v=Ii4v4dOLrpo 2] [https://www.youtube.com/watch?v=OhZ8rGy0JDk 3])
|A1
|-
|March 15
|Rome, Italy
|Officine Marconi (Brancaleone)
| LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 16
|Bologna, Italy
|Kindergarten
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
| A1
|-
|March 17
|Lyon, France
| Epicerie Moderne
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 18
|Strasbourg, France

|La Laiterie
| LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 19
|Paris, France
|Rex Club
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 20
|Geneva, Switzerland
|L'Usine (Electron Festival 2008)
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|April 4
| Los Angeles, CA, USA
|Echoplex
|REC, VEN<ref>https://www.808state.com/live/2008/index.htm#:~:text=San%20Francisco%2C%20USA.-,Fri%3A04%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/josephtsai/2392175101/in/pool-706589@N20/</ref>,
Support: Massonix, Rob Hall

Soundboard replication, not original: [[Live at Echoplex 2008/04/04 (replication by ios & digit)]]
|SBD* #1 ([https://www.youtube.com/watch?v=BOl6sIMYPs0 full])
AUD #1 ([https://www.youtube.com/watch?v=yh5xmDZpXFg full])

AUD #2 (parts [https://www.youtube.com/watch?v=G04sxiiK-1o 1] [https://www.youtube.com/watch?v=NLnZQKwGP5g 2] [https://www.youtube.com/watch?v=4eCu_TzdpZc 3] [https://www.youtube.com/watch?v=FtCLqCNMpg4 5] [https://www.youtube.com/watch?v=gjArcLU6urg 6] [https://www.youtube.com/watch?v=7dtHN4OHWqM 7] [https://www.youtube.com/watch?v=zU98Qh6R8Cw 8] [https://www.youtube.com/watch?v=veNpTQf1ePg 9] [https://www.youtube.com/watch?v=zJEOLzj2_0M 10] [https://www.youtube.com/watch?v=R0WQnSvV2aw 11] [https://www.youtube.com/watch?v=obk5IQqFzSE 12] [https://www.youtube.com/watch?v=NSKhujxpm-o 13] [https://www.youtube.com/watch?v=bMmyA0kIbG0 14] [https://www.youtube.com/watch?v=7NL9OFliftE 15])

AUD #3 ([https://www.youtube.com/watch?v=HGy4tyVOQzU part]) 
|A1
|-
|April 5
|San Francisco, CA, USA
|Mezzanine
|VEN<ref>https://www.flickr.com/photos/starasaur/2383395116/</ref><ref>https://www.808state.com/live/2008/index.htm#:~:text=Fir%20%2D%20Portland%2C%20USA.-,Sat%3A05%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/felima/2426201425/</ref><ref>https://www.flickr.com/photos/thincvox/2393546952/</ref>, 
Support: Massonix, Rob Hall
|
|A1
|-
|April 6
| Portland, OR, USA
|Doug Fir
|VEN<ref>https://www.808state.com/live/2008/index.htm#:~:text=Neumos%20%2D%20Seattle%2C%20USA.-,Sun%3A06%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/dj_metronome/albums/72157604431833655/</ref>,
Support: Massonix, Rob Hall
|
|A1
|-
|April 7
|Seattle, WA, USA
|Neumos
|VEN<ref>https://www.808state.com/live/2008/index.htm#:~:text=Richards%20%2D%20Vancouver%20%2D%20Canada.-,Mon%3A07%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/matttamaru/2412295395/in/pool-706589@N20/</ref>,
Support: Massonix, Rob Hall
|AUD #1 (partial)
|A1
|-
|April 8
|Vancouver, Canada
| Richards on Richards
|LIST<ref name=":7" />, VEN<ref>https://www.flickr.com/photos/9817122@N05/2356826616/in/pool-706589@N20/</ref><ref>https://www.808state.com/live/2008/index.htm#:~:text=Abbey%20%2D%20Chicago%2C%20USA.-,Tue%3A08%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>,
Support: Massonix, Rob Hall
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
AUD #2 (parts [https://www.youtube.com/watch?v=bN147m04mv8 1] [https://www.youtube.com/watch?v=hmxqSfMVWn8 2])
|A1
|-
|April 11
|Chicago, IL, USA
|The Abbey
|LIST<ref name=":7" />,
Support: Massonix, Rob Hall
|AUD #1 (parts [https://vimeo.com/926954 1] [https://vimeo.com/947946 2] [https://vimeo.com/948061 3] [https://vimeo.com/948225 4])
|A1
|-
|April 12
|Toronto, Canada
|Lees Palace
|LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/guidewired/2450198081/</ref>,
Support: Massonix, Rob Hall
|AUD #1 ([https://www.youtube.com/watch?v=YxkV7zLqZYk full])
|A1
|-
|April 13
|Montreal, Canada
|Club Soda
|LIST<ref name=":7" />,
Support: Massonix, Rob Hall
|AUD #1 ([https://archive.org/details/Autechre2008-04-13 full])
AUD #2 ([https://www.youtube.com/watch?v=_NP9up1c7-E part])
| A1
|-
|April 14
|Cambridge, MA, USA
|Middle East Downstairs
|VEN<ref>https://www.808state.com/live/2008/index.htm#:~:text=Williamsburg%20%2D%20Brooklyn%20%2D%20USA.-,Mon%3A14%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />,
Support: Massonix, Rob Hall
|
|A1
|-
|April 15
|New York, NY, USA
|Music Hall of Williamsburg
|LIST<ref name=":7" />, DESC<ref>https://www.nytimes.com/2008/04/17/arts/music/17aute.html</ref>,
Support: Massonix, Rob Hall
|AUD #1 ([https://www.youtube.com/watch?v=TzEGCPTlFVI part])
|A1
|-
|April 16
|Philadelphia, PA, USA
|Transit
|VEN<ref>https://www.808state.com/live/2008/index.htm#:~:text=Cat%20%2D%20Washington%20%2D%20USA.-,Wed%3A16%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />,
Support: Massonix, Rob Hall
|AUD #2 ([https://www.flickr.com/photos/drewbenkert/2654635566/ part])
| A1
|-
|April 17
|Washington, DC, USA
|Black Cat
|LIST<ref name=":7" />, ATTE<ref>https://www.808state.com/live/2008/index.htm#:~:text=Bench%20aftershow%20%2D%20Manchester.-,Thu%3A17%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>,
Support: Massonix, Rob Hall
|
|A1
|-
|April 26
|Osaka, Japan
|Club Karma
|VEN<ref name=":59">https://www.808state.com/live/2008/index.htm#:~:text=Room%20%2D%20Tokyo%20%2D%20Japan.-,Sat%3A26%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":15">https://www.mdmarchive.co.uk/artefact/3557/Massonix-Autechre-Rob-Hall-Flyer-2008</ref><ref name=":54">https://www.808state.com/forum/viewtopic.php?t=1937</ref>,
|AUD #1 ([https://www.youtube.com/watch?v=fjQYx0U9iew part])
|A1
|-
|April 28
|Tokyo, Japan
|LIQUIDROOM
|VEN<ref name=":59" />, LIST<ref name=":15" /><ref name=":54" />, ATTE<ref>https://www.flickr.com/photos/buna/2450742759/in/pool-706589@N20/</ref><ref>https://www.flickr.com/photos/macoshark/2459147523/</ref>,
|
|A1
|-
|July 19
|Berkshire, England, UK
|Wasing Estate (Glade Festival 2008)
|VEN<ref>https://lastfm.freetls.fastly.net/i/u/ar0/b6d07cdf084e44e3c4f9043c5ca4b587</ref><ref>https://web.archive.org/web/20080926164927/http://www.gladefestival.com:80/music/overkill/index.php?artist=298</ref>, LIST<ref>https://www.efestivals.co.uk/festivals/glade/2008/lineup.shtml</ref>, ATTE<ref>https://www.flickr.com/photos/psymonj/2738081365/</ref>,
|
|A1
|}

==[[Oversteps Tour]]==

===2010===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|March 11
| Manchester, England, UK
|Pure Club
|LIST<ref name=":0">https://web.archive.org/web/20100418154346/http://autechre.ws:80/</ref><ref name=":11">https://www.nme.com/news/music/autechre-1296503</ref><ref name=":12">https://pitchfork.com/news/37563-autechre-announce-new-album/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.youtube.com/watch?v=f1KsKrouxnM full])
|A1
|-
|March 12
|Birmingham, England, UK
|The Rainbow
|VEN<ref>https://web.archive.org/web/2/https://supersonicfestival.com/event/autechre-guests-0/</ref>, LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, DESC<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D650</ref>,
Support: Russell Haswell, Rob Hall and Didjit

Some bootlegs label this the next day's Minehead show.
|AUD #1 ([https://www.youtube.com/watch?v=WKltmttjKng full])
|A1
|-
|March 13
|Minehead, England, UK
|Butlins Minehead Resort (Bloc 2010)
|LIST<ref name=":0" /><ref name=":12" />, DESC<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D142</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.youtube.com/watch?v=LvEvnSpiF1Y part])
| A1
|-
|March 15
|Nottingham, England, UK
|Stealth
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 16
|Glasgow, Scotland, UK
|Sub Club (Numbers)
|VEN<ref>https://nmbrs.net/club/autechre-live-numbers-glasgow/</ref>, LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, DESC<ref>https://www.theskinny.co.uk/clubs/highlights/autechre-numbers-16-march</ref><ref>[[Sean Booth Interview, February 2010]]</ref><ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D1114</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 17
|Leeds, England, UK
|The Wardrobe
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 18
|Brighton, England, UK
|Pavilion Theatre
| LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, ATTE<ref>https://www.flickr.com/photos/yeah_man/4444418881/in/pool-706589@N20/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 19
|Lille, France
|Tri Postal
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 20
|Paris, France
|Locomotive / La Machine du Moulin Rouge
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, VEN<ref>https://www.flickr.com/photos/ario/4605994601/in/photostream/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.flickr.com/photos/ario/4873005638/ part])
|A1
|-
|March 21
|Nantes, France
|L'Olympic
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 22
|Lyon, France
|La Plateforme
|LIST<ref name=":0" />, MISC<ref name=":21" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 23
|Geneva, Switzerland
|Le Zoo de l'Usine
|LIST<ref name=":0" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 24
| Zurich, Switzerland
|EXIL
|LIST<ref name=":0" />, MISC<ref name=":18" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 (full)
AUD #2 ([https://www.flickr.com/photos/mashroms/4464690961/ part])
|A1
|-
|March 25
|Segrate, Italy
|Circolo Magnolia
|LIST<ref name=":0" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|B1
|-
|March 26
|Turin, Italy
|Hiroshima Mon Amour
|LIST<ref name=":0" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.youtube.com/watch?v=dEtauI9aN1E full])
|A1
|-
|March 27
|Bologna, Italy
|Crash
|LIST<ref name=":0" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 28
|Ljubljana, Slovenia
|Kino Šiška
| LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|March 29
|Budapest, Hungary
|A38
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, ATTE<ref>https://www.flickr.com/photos/nagym/albums/72157623609416313/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 30

|Vienna, Austria
|Flex
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.youtube.com/watch?v=QhX7zBrhmUA part])

|A1
|-
| March 31
| Brno, Czechia
|Fléda
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, DESC<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D937</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|April 1
|Berlin, Germany
|Berghain
|LIST<ref name=":0" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|April 2
|Copenhagen, Denmark
|DR Koncerthuset
|VEN<ref>https://www.flickr.com/photos/artfreq/7905023512/</ref>, LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, ATTE<ref>https://www.flickr.com/photos/kristoffertrolle/4486559744/in/pool-706589@N20/</ref><ref>https://www.flickr.com/photos/oldvalvemic/4485059700/in/pool-706589@N20/</ref><ref>https://www.flickr.com/photos/tinze/4485278134/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|April 3
|Oslo, Norway
|Parkteatret
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
| AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|April 4
|Gothenburg, Sweden
|Nefertiti
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, ATTE<ref>https://www.flickr.com/photos/hertzen/4629514033/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.youtube.com/watch?v=uAmRNy5Ezwc parts])
AUD #2 ([https://www.youtube.com/watch?v=xz4P8iB5yIA part])
| A1
|-
|April 5
|Aarhus, Denmark
|VoxHall
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|April 6
|Hamburg, Germany
|Uebel & Gefährlich
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 (part)
|A1
|-
|April 7
|Amsterdam, Netherlands
|Melkweg The Max
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|April 8
|Luxembourg, Luxembourg
|Exit07
|LIST<ref>https://issuu.com/maisonmoderne/docs/cityagenda0410/14</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
| A1
|-
|April 9
|Brussels, Belgium
|Ancienne Belgique (Domino Fest)
|VEN<ref>https://www.abconcerts.be/fr/agenda/autechre-rob-hall-russell-haswell-didjit/a105J000001wgdyQAA</ref>, LIST<ref name=":0" /><ref name=":12" />, ATTE<ref>https://www.flickr.com/photos/frf_kmeron/4519911121</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://archive.org/details/Autechre2010-04-09.Edirol full])
AUD #2 (full)

AUD #3 (parts [https://www.youtube.com/watch?v=bSgcIZsle_A&list=PLC37AC9E52F3C505F&index=1&pp=iAQB8AUB 1] [https://www.youtube.com/watch?v=4vQcjlwDgAM&list=PLC37AC9E52F3C505F&index=2&pp=iAQB8AUB 2] [https://www.youtube.com/watch?v=HDuXacnH6io&list=PLC37AC9E52F3C505F&index=3&pp=iAQB8AUB 3] [https://www.youtube.com/watch?v=VpFwCN3TTEE&list=PLC37AC9E52F3C505F&index=4&pp=iAQB8AUB 4] [https://www.youtube.com/watch?v=T4aIjSkid0U&list=PLC37AC9E52F3C505F&index=5&pp=iAQB8AUB 5] [https://www.youtube.com/watch?v=S6buihADjz0&list=PLC37AC9E52F3C505F&index=6&pp=iAQB8AUB 6] [https://www.youtube.com/watch?v=D9C5u76yrhg&list=PLC37AC9E52F3C505F&index=7&pp=iAQB8AUB 7])

AUD #4 (parts [https://www.youtube.com/watch?v=iXQLQI-W2fg 1] [https://www.youtube.com/watch?v=t1ZLcRHh7fY 2] [https://www.youtube.com/watch?v=-KdOk5FG6vI 3])

AUD #5 ([https://www.youtube.com/watch?v=JHatpUR2jqM part])
|A1
|-
|April 10
|London, England, UK
|Bocking St Warehouse
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, ATTE<ref>https://www.instagram.com/p/DDaAR5ZoH_-/?img_index=2</ref>, DESC<ref>https://web.archive.org/web/20130501232218/http://www.musicomh.com/reviews/live/autechre-bocking-street-warehouse-london</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.mixcloud.com/keyfumbler/autechre-hackney-london-2010/ full])
|A1
|-
|April 23
|Dublin, Ireland
| The Button Factory
|LIST<ref>https://nialler9.com/autechre-fact-mix-dublin-gig/</ref>,
Support: Rob Hall
|AUD #1 ([https://drive.google.com/file/d/1FjrccpeOQ6yNU6HRf2nufz6NU-sN52Qs/view?usp=drive_link full])
AUD #2 (parts [https://www.youtube.com/watch?v=_PK3IL-Pw_w 1] [https://www.youtube.com/watch?v=nYnbwQxZn8E 2] [https://www.youtube.com/watch?v=QVvVGJFIevc 3] [https://www.youtube.com/watch?v=VJ3Ja-RsSbo 4] [https://www.youtube.com/watch?v=fR-jh5ildBg 5] [https://www.youtube.com/watch?v=OsP4dIynWeM 6] [https://www.youtube.com/watch?v=3njlduYu1UY 7] [https://www.youtube.com/watch?v=fvoEyXjuupQ 8] [https://www.youtube.com/watch?v=A8YYWw712U4 9])
|A1
|-
|May 27
|Perth, Australia
|Capitol
|LIST<ref name=":29">https://ra.co/news/12076</ref>,
Support: Rob Hall, Harmonic 313
|
|A1
|-
| May 28
|Sydney Australia
|The Forum
|LIST<ref name=":29" /><ref name=":30">https://consequence.net/2010/05/autechre-already-has-new-album-release-date/</ref>, DESC<ref>https://web.archive.org/web/20211128082014/http://www.aliak.com/content/autechre-sydney-my-experiences</ref>,
Support: Rob Hall
|
|A1
|-
|May 29
|Melbourne, Australia
|The Hi-Fi
|LIST<ref name=":29" /><ref name=":30" />, ATTE<ref>https://www.flickr.com/photos/noisemachine/4651914767/in/pool-706589@N20/</ref>,
Support: Rob Hall, Harmonic 313
|AUD #1 ([https://www.youtube.com/watch?v=hdF459fB0aQ full])
|A1
|-
|June 4
|Tokyo, Japan
|Differ Ariake
|LIST<ref name=":30" /><ref name=":31">https://metropolisjapan.com/autechre/</ref>,
Support: Juan Atkins & Claude Young
|
|A1
|-
|June 5
|Nagano, Japan
|Kodama no Mori (Taico Club Festival)
|LIST<ref name=":30" /><ref name=":31" />, DESC<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D702</ref>,
|
|A1
|-
|July 9
|Trenčín, Slovakia
|Letisko (Pohoda Festival)
|LIST<ref name=":30" /><ref name=":1">https://web.archive.org/web/20130306065800/http://autechre.ws/move-of-ten/</ref>,
| AUD #1 ([https://www.youtube.com/watch?v=RhaKFcL2bjI part])
AUD #2 ([https://www.youtube.com/watch?v=DK5VT_DmXiE part])
|A1
|-
|August 27
|Katowice, Poland
|Muzeum Śląskie (Tauron Nowa Muzyka)
|VEN<ref>https://vimeo.com/19560978</ref>, LIST<ref name=":30" /><ref name=":1" />,
|
|A1
|-
|September 17
|Athens, Greece
|Bios
|LIST<ref name=":30" /><ref name=":1" />,
|
| A1
|-
|September 18
|Thessaloníki, Greece
| Reworks Festival 2010
|VEN<ref>https://www.youtube.com/watch?v=dI5Vmaumv9w</ref><ref>https://vimeo.com/13974748</ref>, LIST<ref name=":30" /><ref name=":1" />,
|AUD #1 (part [https://www.youtube.com/watch?v=kNbVhtl5fJI 1] [https://www.youtube.com/watch?v=iuz2gizo_jw 2])
|A1
|}

==[[AE_LIVE]]==
[[File:AE LIVE.jpg|none|thumb|''[[AE_LIVE]]'' (2015/2019)]]

===2014===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|'''September 20'''
| colspan="3" |[[2014-09-20 Kraków, Poland @ Hotel Forum (Warp25 Sacrum Profanum)|'''Kraków, Poland @ Hotel Forum (Warp25 Sacrum Profanum)''']]
|'''Yes [Full, SBD]'''
|
|-
|'''October 3'''
| colspan="3" |[[2014-10-03 Brussels, Belgium @ Ancienne Belgique (Warp25)|'''Brussels, Belgium @ Ancienne Belgique (Warp25)''']]
|'''Yes [Full, SBD]'''
|
|-
|November 1
| colspan="3" |[[2014-11-01 Glasgow, Scotland, UK @ Glasgow School of Art (Simple Things Festival 2014)|Glasgow, Scotland, UK @ Glasgow School of Art (Simple Things Festival 2014)]]
|Yes [Full, AUD]
|
|-
|'''November 22'''
| colspan="3" |[[2014-11-22 Utrecht, Netherlands @ TivoliVredenburg (Le Guess Who 2014)|'''Utrecht, Netherlands @ TivoliVredenburg (Le Guess Who 2014)''']]
|'''Yes [Full, SBD]'''
|
|-
|'''December 19 '''
| colspan="3" |[[2014-12-19 Dublin, Ireland @ District 8|'''Dublin, Ireland @ District 8''']]
|'''Yes [Full, SBD]'''
|
|}

===2015===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|March 13
| colspan="3" |[[2015-03-13 Minehead, England, UK @ Butlins Minehead Resort (Bloc 2015)|Minehead, England, UK @ Butlins Minehead Resort (Bloc 2015)]]
|Yes [FULL, AUD]
|
|-
|'''May 2'''
| colspan="3" |[[2015-05-02 Krems, Austria @ Österreichhallen Krems (Donaufestival 2015)|'''Krems, Austria @ Österreichhallen Krems (Donaufestival 2015)''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''May 30'''
| colspan="3" |[[2015-05-30 Nagano, Japan @ Kodama no Mori (TAICOCLUB '15)|'''Nagano, Japan @ Kodama no Mori (TAICOCLUB '15)''']]
|'''Yes [FULL, SBD]'''
|
|-
|June 18
| colspan="3" |[[2015-06-18 Barcelona, Spain @ Fira Montjuïc (Sónar 2015)|Barcelona, Spain @ Fira Montjuïc (Sónar 2015)]]
|Yes [PART, AUD]
|
|-
|'''July 17'''
| colspan="3" |[[2015-07-17 Gräfenhainichen, Germany @ Ferropolis (MELT! Festival 2015)|'''Gräfenhainichen, Germany @ Ferropolis (MELT! Festival 2015)''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''July 18'''
| colspan="3" |'''<nowiki/>'''[[2015-07-18 Dour, Belgium @ La Plaine de La Machine à Feu (Dour Festival 2015)|'''Dour, Belgium @ La Plaine de La Machine à Feu (Dour Festival 2015)''']]
|'''Yes [FULL, SBD]'''
|
|-
|July 30
| colspan="3" |[[2015-07-30 Amsterdam, Netherlands @ Muziekgebouw aan 't IJ (Dekmantel Festival 2015)|Amsterdam, Netherlands @ Muziekgebouw aan 't IJ (Dekmantel Festival 2015)]]
|Yes [PART, AUD]
|
|-
|'''August 21'''
| colspan="3" | [[2015-08-21 Katowice, Poland @ Muzeum Śląskie (Festiwal Tauron Nowa Muzyka 2015)|'''Katowice, Poland @ Muzeum Śląskie (Festiwal Tauron Nowa Muzyka 2015)''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''September 24'''
| colspan="3" |[[2015-09-24 Portland, OR, USA @ Holocene|'''Portland, OR, USA @ Holocene''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''September 25'''
| colspan="3" |[[2015-09-25 Seattle, WA, USA @ Showbox (Decibel Festival)|'''Seattle, WA, USA @ Showbox (Decibel Festival)''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''September 26 '''
| colspan="3" |[[2015-09-26 Vancouver, Canada @ The Imperial|'''Vancouver, Canada @ The Imperial''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''September 29'''
| colspan="3" |[[2015-09-29 Chicago, IL, USA @ Metro|'''Chicago, IL, USA @ Metro''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 1'''
| colspan="3" |[[2015-10-01 Toronto, Canada @ The Phoenix Concert Theatre|'''Toronto, Canada @ The Phoenix Concert Theatre''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 2'''
| colspan="3" |[[2015-10-02 Montreal, Canada @ Théâtre Fairmount|'''Montreal, Canada @ Théâtre Fairmount''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 3'''
| colspan="3" |[[2015-10-03 New York, NY, USA @ Brooklyn Masonic Temple|'''New York, NY, USA @ Brooklyn Masonic Temple''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 4'''
| colspan="3" |[[2015-10-04 Boston, MA, USA @ Paradise Rock Club|'''Boston, MA, USA @ Paradise Rock Club''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 5'''
| colspan="3" |[[2015-10-05 Portsmouth, NH, USA @ 3S Artspace|'''Portsmouth, NH, USA @ 3S Artspace''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 6'''
| colspan="3" |[[2015-10-06 Philadelphia, PA, USA @ Union Transfer|'''Philadelphia, PA, USA @ Union Transfer''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 7'''
| colspan="3" |[[2015-10-07 Washington, DC, USA @ U Street Music Hall|'''Washington, DC, USA @ U Street Music Hall''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 8'''
| colspan="3" |[[2015-10-08 Asheville, NC, USA @ The Orange Peel|'''Asheville, NC, USA @ The Orange Peel''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 9'''
| colspan="3" |[[2015-10-09 Atlanta, GA, USA @ Terminal West|'''Atlanta, GA, USA @ Terminal West''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 10'''
| colspan="3" |[[2015-10-10 Orlando, FL, USA @ The Social|'''Orlando, FL, USA @ The Social''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 11'''
| colspan="3" |[[2015-10-11 Miami, FL, USA @ The Hangar|'''Miami, FL, USA @ The Hangar''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 13'''
| colspan="3" |[[2015-10-13 Austin, TX, USA @ Vulcan Gas Company|'''Austin, TX, USA @ Vulcan Gas Company''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 15'''
| colspan="3" |[[2015-10-15 Los Angeles, CA, USA @ The Fonda Theatre|'''Los Angeles, CA, USA @ The Fonda Theatre''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 16'''
| colspan="3" |[[2015-10-16 San Francisco, CA, USA @ Mezzanine|'''San Francisco, CA, USA @ Mezzanine''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 17'''
| colspan="3" |[[2015-10-17 Denver, CO, USA @ Bluebird Theater|'''Denver, CO, USA @ Bluebird Theater''']]
|'''Yes [FULL, SBD]'''
|
|-
|November 7
| colspan="3" |[[2015-11-07 Manchester, England, UK @ AMC Grand Northern 16|Manchester, England, UK @ AMC Grand Northern 16]]
|Yes [FULL, AUD]
|
|-
|November 21
| colspan="3" |[[2015-11-21 London, England, UK @ Electric Brixton|London, England, UK @ Electric Brixton]]
|Yes [FULL, AUD]
|
|}

==[[AE_LIVE 2016/2018]]==
[[File:AE LIVE 2016 2018.jpg|border|none|thumb|[[AE LIVE 2016/2018|''AE_LIVE 2016/2018'']] (2020)]]

===2016===
{| class="wikitable"
!Date
!City
! Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|October 29
| colspan="3" |[[2016-10-29 Tourcoing, France @ Le Grand Mix|Tourcoing, France @ Le Grand Mix]]
|Yes [FULL, AUD]
|
|-
|October 30
| colspan="3" |[[2016-10-30 Ghent, Belgium @ Vooruit Concertzaal|Ghent, Belgium @ Vooruit Concertzaal]]
|Yes [PARTIAL, AUD]
|
|-
|October 31
| colspan="3" |[[2016-10-31 Strasbourg, France @ La Laiterie|Strasbourg, France @ La Laiterie]]
|No
|
|-
|November 1
| colspan="3" |[[2016-11-01 Lyon, France @ Le Sucre|Lyon, France @ Le Sucre]]
|No
|
|-
|November 2
| colspan="3" |[[2016-11-02 Lausanne, Switzerland @ Les Docks|Lausanne, Switzerland @ Les Docks]]
|No
|
|-
|November 3
| colspan="3" |[[2016-11-03 Zurich, Switzerland @ Rote Fabrik|Zurich, Switzerland @ Rote Fabrik]]
|Yes [FULL, AUD]
|
|-
|November 4
| colspan="3" |[[2016-11-04 Turin, Italy @ Lingotto Fiere (Club 2 Club 2016)|Turin, Italy @ Lingotto Fiere (Club 2 Club 2016)]]
|Yes [FULL, AUD]
|
|-
|November 5
| colspan="3" |[[2016-11-05 Ljubljana, Slovenia @ Kino Šiška|Ljubljana, Slovenia @ Kino Šiška]]
|Yes [PARTIAL, AUD]
|
|-
|'''November 6 '''
| colspan="3" |'''[[2016-11-06 Zagreb, Croatia @ Močvara|Zagreb, Croatia @ Močvara]]'''
|'''Yes [FULL, SBD]'''
|
|-
|November 7
| colspan="3" |[[2016-11-07 Budapest, Hungary @ Akvárium Klub|Budapest, Hungary @ Akvárium Klub]]
|Yes [FULL, AUD]
|
|-
|November 8
| colspan="3" |[[2016-11-08 Graz, Austria @ Orpheum|Graz, Austria @ Orpheum]]
|No
|
|-
|November 9
| colspan="3" |[[2016-11-09 Prague, Czechia @ Meet Factory|Prague, Czechia @ Meet Factory]]
|Yes [PART, AUD]
|
|-
|November 10
| colspan="3" |[[2016-11-10 Warsaw, Poland @ Teatr Powszechny|Warsaw, Poland @ Teatr Powszechny]]
|No
|
|-
|November 11
| colspan="3" |[[2016-11-11 Vilnius, Lithuania @ Contemporary Art Centre|Vilnius, Lithuania @ Contemporary Art Centre]]
|No
|
|-
| November 12
| colspan="3" |[[2016-11-12 Riga, Latvia @ Skaņu Mežs|Riga, Latvia @ Skaņu Mežs]]
|No
|
|-
|'''November 13'''
| colspan="3" |'''[[2016-11-13 Tallinn, Estonia @ Von Krahl|Tallinn, Estonia @ Von Krahl]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''November 14'''
| colspan="3" |'''[[2016-11-14 Helsinki, Finland @ Tavastia|Helsinki, Finland @ Tavastia]]'''
|'''Yes [FULL, SBD]'''
|
|-
|November 16
| colspan="3" |[[2016-11-16 Stockholm, Sweden @ Södra Teatern|Stockholm, Sweden @ Södra Teatern]]
|No
|
|-
|'''November 17'''
| colspan="3" |'''[[2016-11-17 Oslo, Norway @ Parkteatret|Oslo, Norway @ Parkteatret]]'''
|'''Yes [FULL, SBD]'''
|
|-
|November 18
| colspan="3" |[[2016-11-18 Copenhagen, Denmark @ DR Koncerthuset|Copenhagen, Denmark @ DR Koncerthuset]]
|No
|
|-
|November 19
| colspan="3" |[[2016-11-19 Berlin, Germany @ Kraftwerk Berlin|Berlin, Germany @ Kraftwerk Berlin]]
|Yes [FULL, AUD]
|
|-
| November 20
| colspan="3" |[[2016-11-20 Hamburg, Germany @ Kampnagel|Hamburg, Germany @ Kampnagel]]
|No
|
|-
|November 21
| colspan="3" |[[2016-11-21 Leipzig, Germany @ Conne Island|Leipzig, Germany @ Conne Island]]
|No
|
|-
|'''November 22'''
| colspan="3" |'''[[2016-11-22 Nijmegen, Netherlands @ Doornroosje|Nijmegen, Netherlands @ Doornroosje]]'''
|'''Yes [FULL, SBD]'''
|
|-
|November 23
| colspan="3" |[[2016-11-23 Brighton, England, UK @ Concorde 2|Brighton, England, UK @ Concorde 2]]
|Yes [FULL, AUD]
|
|-
|November 24
| colspan="3" |[[2016-11-24 Bristol, England, UK @ The Marble Factory|Bristol, England, UK @ The Marble Factory]]
| Yes [PART, AUD]
|
|-
|November 25
| colspan="3" |[[2016-11-25 London, England, UK @ Royal Festival Hall|London, England, UK @ Royal Festival Hall]]
| Yes [FULL, AUD]
|
|-
|November 26
| colspan="3" |[[2016-11-26 Manchester, England, UK @ Old Granada Studios|Manchester, England, UK @ Old Granada Studios]]
|Yes [FULL, AUD]
|
|}

===2018===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|June 13
| colspan="3" |[[2018-06-13 Tokyo, Japan @ LIQUIDROOM|Tokyo, Japan @ LIQUIDROOM]]
|Yes [FULL, AUD]
|
|-
|June 20
| colspan="3" |[[2018-06-20 Sydney, Australia @ Max Watt's House of Music|Sydney, Australia @ Max Watt's House of Music]]
|No
|
|-
|'''June 21'''
| colspan="3" |[[2018-06-21 Melbourne, Australia @ Croxton Park Hotel|'''Melbourne, Australia @ Croxton Park Hotel''']]
|'''Yes [FULL, SBD]'''
|
|-
|June 22
| colspan="3" |[[2018-06-22 Hobart, Australia @ Macquarie Wharf 2 (Dark Mofo 2018)|Hobart, Australia @ Macquarie Wharf 2 (Dark Mofo 2018)]]
|Yes [PARTIAL, AUD]
|
|-
|'''July 15'''
| colspan="3" |[[2018-07-15 Dublin, Ireland @ National Concert Hall|'''Dublin, Ireland @ National Concert Hall''']]
|'''Yes [FULL, SBD]'''
|
|}

==[[AE_2022－]]==
[[File:AE 2022－.jpg|none|thumb|150x150px|''[[AE_2022－]]'' (2023－)]]

===2022 ===
{| class="wikitable"
! Date
!City
! Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|June 3
| colspan="3" |[[2022-06-03 Barcelona, Spain @ Auditori Rockdelux (Primavera 2022)|Barcelona, Spain @ Auditori Rockdelux (Primavera 2022)]]
|Yes [FULL, AUD]
|
|-
|'''July 1'''
| colspan="3" |'''[[2022-07-01 Milan, Italy @ Villa Arconati (Terraforma 2022)|Milan, Italy @ Villa Arconati (Terraforma 2022)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''July 5'''
| colspan="3" |'''[[2022-07-05 Athens, Greece @ Odeon of Herodes Atticus (Athens Epidaurus Festival)|Athens, Greece @ Odeon of Herodes Atticus (Athens Epidaurus Festival)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''September 11'''
| colspan="3" |'''[[2022-09-11 Helsinki, Finland @ Musiikkitalo|Helsinki, Finland @ Musiikkitalo]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''October 7 '''
| colspan="3" |'''[[2022-10-07 London, England, UK @ Barbican Centre (show A)|London, England, UK @ Barbican Centre (show A)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''October 7'''
| colspan="3" |'''[[2022-10-07 London, England, UK @ Barbican Centre (show B)|London, England, UK @ Barbican Centre (show B)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''November 2'''
| colspan="3" |'''[[2022-11-02 Bergen, Norway @ Østre (Ekko Festival 2022)|Bergen, Norway @ Østre (Ekko Festival 2022)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''November 4'''
| colspan="3" |'''[[2022-11-04 Turin, Italy @ Lingotto Fiere (Club 2 Club 2022)|Turin, Italy @ Lingotto Fiere (Club 2 Club 2022)]]'''
|'''Yes [FULL, SBD]'''
|
|}

===2023===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|August 18
| colspan="3" |[[2023-08-18 Tokyo, Japan @ Makuhari Messe (SONICMANIA 2023)|Tokyo, Japan @ Makuhari Messe (SONICMANIA 2023)]]
| Yes [PART, AUD]
|
|-
|'''August 25'''
| colspan="3" |'''[[2023-08-25 Melbourne, Australia @ Royal Exhibition Building (Now or Never 2023)|Melbourne, Australia @ Royal Exhibition Building (Now or Never 2023)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''August 27'''
| colspan="3" |'''[[2023-08-27 Sydney, Australia @ City Recital Hall (Switched On 2023)|Sydney, Australia @ City Recital Hall (Switched On 2023)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|October 6
| colspan="3" |[[2023-10-06 Kraków, Poland @ Teatr Łaźnia Nowa (Unsound 2023)|Kraków, Poland @ Teatr Łaźnia Nowa (Unsound 2023)]]
|Yes [MOST, AUD]
|
|-
|'''October 26'''
| colspan="3" |'''[[2023-10-26 Venice, Italy @ Teatro alle Tese (Biennale Musica 2023)|Venice, Italy @ Teatro alle Tese (Biennale Musica 2023)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''October 29'''
| colspan="3" |'''[[2023-10-29 Dublin, Ireland @ Vicar Street|Dublin, Ireland @ Vicar Street]]'''
|'''Yes [FULL, SBD]'''
|
|}

===2024===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|'''April 4'''
| colspan="3" |'''[[2024-04-04 Brussels, Belgium @ Ancienne Belgique (BRDCST ‘24)|Brussels, Belgium @ Ancienne Belgique (BRDCST ‘24)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|April 5
| colspan="3" | [[2024-04-05 Den Haag, Netherlands @ Grote Kerk (Rewire Festival 2024)|Den Haag, Netherlands @ Grote Kerk (Rewire Festival 2024)]]
|Yes [FULL, AUD]
|
|-
|'''April 6'''
| colspan="3" |'''[[2024-04-06 Paris, France @ Le Trianon|Paris, France @ Le Trianon]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''April 7'''
| colspan="3" |'''[[2024-04-07 Rennes, France @ Antipode|Rennes, France @ Antipode]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''April 9'''
| colspan="3" |'''[[2024-04-09 Barcelona, Spain @ Sala Apolo (MUTEK Barcelona 2024)|Barcelona, Spain @ Sala Apolo (MUTEK Barcelona 2024)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''April 10'''
| colspan="3" |'''[[2024-04-10 Madrid, Spain @ La Sala|Madrid, Spain @ La Sala]]'''
|'''Yes [FULL, SBD]'''
|
|-
|April 12
| colspan="3" |[[2024-04-12 Lisbon, Portugal @ Culturgest (show A)|Lisbon, Portugal @ Culturgest (show A)]]
|Yes [FULL, AUD]
|
|-
|'''April 12'''
| colspan="3" |'''[[2024-04-12 Lisbon, Portugal @ Culturgest (show B)|Lisbon, Portugal @ Culturgest (show B)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''April 27'''
| colspan="3" |'''[[2024-04-27 Krems, Austria @ Stadtsaal Krems (Donaufestival 2024)|Krems, Austria @ Stadtsaal Krems (Donaufestival 2024)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''May 7'''
| colspan="3" |'''[[2024-05-07 Lyon, France @ Le Transbordeur (Nuits Sonores 2024)|Lyon, France @ Le Transbordeur (Nuits Sonores 2024)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|September 30
| colspan="3" |[[2024-09-30 Oslo, Norway @ Sentrum Scene|Oslo, Norway @ Sentrum Scene]]
|Yes [FULL, AUD]
|
|-
|October 2
| colspan="3" |[[2024-10-02 Stockholm, Sweden @ Slaktkyrkan|Stockholm, Sweden @ Slaktkyrkan]]
|Yes [FULL, AUD]
|
|-
|October 4
| colspan="3" |[[2024-10-04 Riga, Latvia @ Hanzas Perons (Skaņu Mežs’ 2024)|Riga, Latvia @ Hanzas Perons (Skaņu Mežs’ 2024)]]
|Yes [FULL, AUD]
|
|-
|October 6
| colspan="3" |[[2024-10-06 Copenhagen, Denmark @ VEGA|Copenhagen, Denmark @ VEGA]]
|Yes [FULL, AUD]
|
|}

===2025===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|February 22
| colspan="3" |[[2025-02-22 Manchester, England, UK @ New Century|Manchester, England, UK @ New Century]]
|Yes [FULL, AUD]
|
|-
|August 6
| colspan="3" | [[2025-08-06 Amsterdam, Netherlands @ Melkweg|Amsterdam, Netherlands @ Melkweg]]
|Yes [FULL, AUD]
|
|-
|August 8
| colspan="3" |[[2025-08-08 Helsinki, Finland @ Flow Festival 2025|Helsinki, Finland @ Flow Festival 2025]]
| Yes [FULL, AUD]
|
|-
|August 10
| colspan="3" |[[2025-08-10 Warsaw, Poland @ Klub Progresja|Warsaw, Poland @ Klub Progresja]]
|Yes [MOST, AUD]
|
|-
|August 13
| colspan="3" |[[2025-08-13 Berlin, Germany @ ASTRA Kulturhaus|Berlin, Germany @ ASTRA Kulturhaus]]
|Yes [MOST, AUD]
|
|-
|August 15
| colspan="3" | [[2025-08-15 Reykjavík, Iceland @ Harpa|Reykjavík, Iceland @ Harpa]]
|Yes [FULL, AUD]
|
|-
|October 1
| colspan="3" |[[2025-10-01 Denver, CO, USA @ Ogden Theatre|Denver, CO, USA @ Ogden Theatre]]
|Yes [FULL, AUD]
|
|-
|October 3
| colspan="3" |[[2025-10-03 Minneapolis, MN, USA @ Icehouse|Minneapolis, MN, USA @ Icehouse]]
|Yes [PARTIAL, AUD]
|
|-
|October 5
| colspan="3" | [[2025-10-05 Vancouver, Canada @ Hollywood Theatre|Vancouver, Canada @ Hollywood Theatre]]
|Yes [FULL, AUD]
|
|-
|October 6
| colspan="3" |[[2025-10-06 Seattle, WA, USA @ The Crocodile (show A)|Seattle, WA, USA @ The Crocodile (show A)]]
|Yes [FULL, AUD]
|
|-
|October 6
| colspan="3" |[[2025-10-06 Seattle, WA, USA @ The Crocodile (show B)|Seattle, WA, USA @ The Crocodile (show B)]]
|Yes [FULL, AUD]
|
|-
|October 7
| colspan="3" |[[2025-10-07 Portland, OR, USA @ The Den|Portland, OR, USA @ The Den]]
|Yes [FULL, AUD]
|
|-
|October 9
| colspan="3" |[[2025-10-09 San Francisco, CA, USA @ Regency Ballroom|San Francisco, CA, USA @ Regency Ballroom]]
|Yes [FULL, AUD]
|
|-
|October 10
| colspan="3" |[[2025-10-10 Los Angeles, CA, USA @ Belasco Theater (show A)|Los Angeles, CA, USA @ Belasco Theater (show A)]]
|Yes [FULL, AUD]
|
|-
|October 10
| colspan="3" | [[2025-10-10 Los Angeles, CA, USA @ Belasco Theater (show B)|Los Angeles, CA, USA @ Belasco Theater (show B)]]
|Yes [FULL, AUD]
|
|-
|October 12
| colspan="3" |[[2025-10-12 Mexico City, Mexico @ MUTEK MX|Mexico City, Mexico @ MUTEK MX]]
|Yes [FULL, AUD]
|
|-
|October 14
| colspan="3" |[[2025-10-14 Austin, TX, USA @ Kingdom Nightclub|Austin, TX, USA @ Kingdom Nightclub]]
|Yes [PARTIAL, AUD]
|
|-
|October 15
| colspan="3" |[[2025-10-15 New Orleans, LA, USA @ Joy Theatre|New Orleans, LA, USA @ Joy Theatre]]
|Yes [FULL, AUD]
|
|-
|October 16
| colspan="3" |[[2025-10-16 Birmingham, AL, USA @ Saturn|Birmingham, AL, USA @ Saturn]]
|Yes [FULL, AUD]
|
|-
|October 17
| colspan="3" | [[2025-10-17 Atlanta, GA, USA @ Terminal West|Atlanta, GA, USA @ Terminal West]]
|Yes [FULL, AUD]
|
|-
|October 18
| colspan="3" |[[2025-10-18 Louisville, KY, USA @ Portal|Louisville, KY, USA @ Portal]]
|Yes [FULL, AUD]
|
|-
|October 19
| colspan="3" |[[2025-10-19 Saint Louis, MO, USA @ Delmar Hall|Saint Louis, MO, USA @ Delmar Hall]]
|Yes [PART, AUD]
|
|-
|October 20
| colspan="3" |[[2025-10-20 Chicago, IL, USA @ Concord Hall|Chicago, IL, USA @ Concord Hall]]
|Yes [FULL, AUD]
|
|-
|October 21
| colspan="3" | [[2025-10-21 Detroit, MI, USA @ Building 6, Russell Industrial Center|Detroit, MI, USA @ Building 6, Russell Industrial Center]]
|Yes [FULL, AUD]
|
|-
|October 22
| colspan="3" |[[2025-10-22 Toronto, Canada @ Danforth Hall|Toronto, Canada @ Danforth Hall]]
|Yes [FULL, AUD]

|
|-
|October 24
| colspan="3" |[[2025-10-24 Montreal, Canada @ Société des arts technologiques|Montreal, Canada @ Société des arts technologiques]]
|Yes [FULL, AUD]
|
|-
|October 25
| colspan="3" |[[2025-10-25 New York, NY, USA @ Brooklyn Steel (show A)|New York, NY, USA @ Brooklyn Steel (show A)]]
|Yes [FULL, AUD]
|
|-
|October 25
| colspan="3" |[[2025-10-25 New York, NY, USA @ Brooklyn Steel (show B)|New York, NY, USA @ Brooklyn Steel (show B)]]
|Yes [FULL, AUD]
|
|-
|October 26
| colspan="3" |[[2025-10-26 Philadelphia, PA, USA @ Union Transfer|Philadelphia, PA, USA @ Union Transfer]]
|Yes [FULL, AUD]
|
|-
|October 27
| colspan="3" |[[2025-10-27 Boston, MA, USA @ Paradise|Boston, MA, USA @ Paradise]]
|Yes [FULL, AUD]
|
|-
|October 28
| colspan="3" |[[2025-10-28 Portsmouth, NH, USA @ 3S Artspace|Portsmouth, NH, USA @ 3S Artspace]]
|Yes [FULL, AUD]
|
|-
|October 29
| colspan="3" |[[2025-10-29 Washington, DC, USA @ Howard Theatre|Washington, DC, USA @ Howard Theatre]]
|Yes [FULL, AUD]
|
|-
|November 2
| colspan="3" |[[2025-11-02 Glasgow, Scotland, UK @ SWG3|Glasgow, Scotland, UK @ SWG3]]
|Yes [FULL, AUD]
|
|-
|November 3
| colspan="3" |[[2025-11-03 Newcastle, England, UK @ Digital|Newcastle, England, UK @ Digital]]
|Yes [FULL, AUD]
|
|-
| November 4
| colspan="3" |[[2025-11-04 Leeds, England, UK @ Project House|Leeds, England, UK @ Project House]]
|Yes [FULL, AUD]
|
|-
|November 5
| colspan="3" |[[2025-11-05 Brighton, England, UK @ Chalk|Brighton, England, UK @ Chalk]]
|Yes [PART, AUD]
|
|-
|November 6
| colspan="3" |[[2025-11-06 Bristol, England, UK @ The Prospect Building|Bristol, England, UK @ The Prospect Building]]
|Yes [PART, AUD]
|
|-
|November 7
| colspan="3" |[[2025-11-07 Belfast, Northern Ireland, UK @ Mandela Hall|Belfast, Northern Ireland, UK @ Mandela Hall]]
|Yes [FULL, AUD]
|
|}

===2026===
{| class="wikitable"
!Date
!City
!Venue/Event
! Sources/Notes
!Recordings
![S]
|-
|February 4
| colspan="3" |[[2026-02-04 Tokyo, Japan @ ZEPP Divercity|Tokyo, Japan @ ZEPP Divercity]]
|Yes [FULL, AUD]
|
|-
|February 5
| colspan="3" |[[2026-02-05 Osaka, Japan @ Yogibo META VALLEY|Osaka, Japan @ Yogibo META VALLEY]]
|No
|
|-
|September 24
|Liége, Belgium
|OM
|LIST<ref name=":3">https://ghostarchive.org/archive/gkUxG</ref>
|
|A1
|-
|September 25
|Zurich, Switzerland
|Rote Fabrik
|LIST<ref name=":3" />
|
|A1
|-
|September 26
|Munich, Germany
|Muffathalle
|LIST<ref name=":3" />
|
|A1
|-
|September 27
|Prague, Czechia
|Lunchmeat Festival
|LIST<ref name=":3" />
|
|A1
|-
|September 28
|Wrocław, Poland
|Zaklęte Rewiry
|LIST<ref name=":3" />
|
|A1
|-
|September 29
|Vienna, Austria
|Gasometer
|LIST<ref name=":3" />
|
|A1
|-
|September 30
|Zagreb, Croatia
|Tvornica Kulture
|LIST<ref name=":3" />
|
|A1
|-
|October 1
|Belgrade, Serbia
|Ložionica
|LIST<ref name=":3" />
|
|A1
|-
|October 2
|Skopje, North Macedonia
|MKC
|LIST<ref name=":3" />
|
|A1
|-
|October 3
|Athens, Greece
|Universe
|LIST<ref name=":3" />
|
|A1
|-
|October 4
|Thessaloniki, Greece
|Block33
|LIST<ref name=":3" />
|
|A1
|-
|October 6
|Sofia, Bulgaria
|Toplocentrala
|LIST<ref name=":3" />
|
|A1
|-
|October 7
|Bucharest, Romania
|Club Guesthouse
|LIST<ref name=":3" />
|
|A1
|-
|October 9
|Ljubljana, Slovenia
|Cukrarna
|LIST<ref name=":3" />
|
|A1
|-
|October 10
|Bologne, Italy
|Estragon
|LIST<ref name=":3" />
|
|A1
|-
|October 11
|Milan, Italy
|Alcatraz
|LIST<ref name=":3" />
|
|A1
|-
|October 12
|Geneva, Switzerland
|L'usine
|LIST<ref name=":3" />
|
|A1
|-
|October 13
|Marseille, France
|Cabaret Aléatoire
|LIST<ref name=":3" />
|
|A1
|-
|October 14
|Paris, France
|Bataclan
|LIST<ref name=":3" />
|
|A1
|-
|October 15
|Nantes, France
|Le Lieu Unique
|LIST<ref name=":3" />
|
|A1
|-
|October 16
|Lille, France
|L'Aéronef
|LIST<ref name=":3" />
|
|A1
|-
|October 17
|Nijmegen, Netherlands
|Doornroosje
|LIST<ref name=":3" />
|
|A1
|-
|October 20
|Dublin, Ireland
|Vicar Street
|LIST<ref name=":3" />
|
|A1
|-
|October 22
|Cardiff, Wales
|Depot
|LIST<ref name=":3" />
|
|A1
|-
|October 24
|London, England
|Magazine
|LIST<ref name=":3" />
|
|A1
|}

==DJ Mixes==
{| class="wikitable"
|+
!Year
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
| rowspan="2" |1996
|November 8
|Wolverhampton, England, UK
|Picasso's, Broad Street
|LIST<ref name=":39" />,
Autechre (DJ)
|
|
|-
|November 17
|London, England, UK
|Rumpus Rooms
|LIST<ref name=":39" />, DESC<ref name=":40" />,
Autechre (DJ)
|
|
|-
| colspan="7" |
|-
| rowspan="2" |1997
|October 23
|Brighton, England, UK
|The Underground Club (Fear of A Crap Planet)
| LIST<ref name=":44" />,
Autechre (DJ)
|
|
|-
|November 8
|Leicester, England, UK
|Junction 21 (Warp night)
|LIST<ref name=":44" />,
Autechre (DJ)
|
|
|-
| colspan="7" |
|-
|1998
|April 24
|London, England, UK
|Blech
|LIST<ref name=":44" />,
Autechre (DJ)
|
|
|-
| colspan="7" |
|-
|1999
| colspan="4" |[[1999-10-10 Indio, CA, USA @ Coachella Festival|Indio, CA, USA @ Coachella Festival]]
|Yes [Full, SBD]
|
|-
| colspan="7" |
|-
|2000
|November 26
|Nottingham, England, UK
|The Social (Deselect)
|LIST<ref>https://web.archive.org/web/20000818043032/http://www.warprecords.com/warp/news/</ref>,
Autechre (DJ) with Mira Calix
|
|
|-
| colspan="7" |
|-
|2003
|April 4
|Camber, England, UK
|Camber Sands Holiday Park centre (All Tomorrow's Parties 3.0)
| VEN<ref>https://web.archive.org/web/20030213193940/http://www.atpfestival.com/events/index.php?view=1</ref>, LIST<ref>https://www.1001tracklists.com/tracklist/l5l41k1/autechre-all-tomorrows-parties-camber-sands-united-kingdom-2003-04-04.html</ref>,
Autechre (DJ)

Not to be confused with the [[Autechre Curated All Tomorrow's Parties 3.0|compilation]] mix. DJ Mix rebroadcast on Jon Peel's Show on 27 May 2003.<ref>https://www.youtube.com/watch?v=kizBwGoNax0</ref><ref>https://peel.fandom.com/wiki/27_May_2003</ref>
|SBD #1 ([https://www.youtube.com/watch?v=kizBwGoNax0 full])
|B2
|-
| colspan="7" |
|-
|2020
|June 28
|n/a
|Glastonbury Festival 2020
|VEN<ref>https://forum.watmm.com/topic/99346-glade20-dj-set-this-week/?do=findComment&comment=2803953</ref>
Autechre (DJ)

Physical event was cancelled due to the COVID-19 pandemic, but event had artist performances uploaded to Mixcloud.
|SBD #1 ([https://www.mixcloud.com/Glade_Space_Lounge_The_Spike/the-spike-autechre-dj-set/ full])
|
|-
| colspan="7" |
|-
| rowspan="3" |2024
|October 26
|Berlin, Germany
|Zenner (LITTLEBIG20)
|LIST<ref>https://ra.co/events/1960988</ref>, DESC<ref>https://forum.watmm.com/topic/105232-so-where-is-that-recording-of-rob-brown-djing-at-zenner/</ref>,
Rob Brown (DJ)
|
|A1
|-
|October 31
|Bristol, England, UK
|Strange Brew (Diagonal Records presents '13')
|REC, LIST<ref>https://ra.co/events/1983229</ref>, DESC<ref>https://forum.watmm.com/topic/105242-gescom-strange-brew-in-bristol/</ref>,
Rob Brown (DJ) 
|AUD #1 ([https://forum.watmm.com/topic/105242-gescom-strange-brew-in-bristol/?do=findComment&comment=2992857 full])
|A1
|-
|November 30
|Manchester, England, UK
|White Hotel (Diagonal Records presents '13')
|LIST<ref>https://ra.co/events/1983271</ref>, VEN<ref>https://www.instagram.com/odbpowell/p/DCRImycMJzV/?hl=en</ref>,
Rob Brown (DJ)
|
|A1
|-
| colspan="7" |
|-
|2025
|April 27
|Leeds, England, UK
|Freedom Mills
|VEN<ref>https://web.archive.org/web/20250327181952/https://mastodon.online/@sdem/114234510003722688</ref><ref>https://ra.co/events/2134136</ref>,
Rob Brown (DJ), edv3ctor, SDEM
|
|A1
|-
| colspan="7" |
|-
| rowspan="2" |2026
|February 21
|London, England, UK
|Corsica Studios (lex 20th Birthday x Dinamplatz 5th Birthday
)
|REC<ref>https://www.reddit.com/r/autechre/comments/1rbps8n/rob_of_autechre_b2b_overmono_corsica_studios/</ref>, VEN<ref>https://ra.co/events/2306784</ref>, DESC<ref>https://web.archive.org/web/20260222164037/https://post.lurk.org/@sean_ae/116113856657117853</ref>,
Rob Brown (DJ) (b2b Overmono)
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1rbps8n/rob_of_autechre_b2b_overmono_corsica_studios/ part])
|A1
|-
|March 28
|Manchester, England, UK
|The White Hotel (THE BLACK LIGHTS: THE PRE-CURSER)
|VEN<ref>https://ra.co/events/2386898</ref>,
Rob Brown (DJ)
|
|A1
|}

==References==
<references />
[[Category:Live]]

Chiastic Slide

2026-03-07T23:19:06Z

EnergyIsMassiveLight: note

[[Category:Album]]
{{Infobox
|title=Chiastic Slide
|artist=[[Autechre]]
|cover=Chiastic Slide.jpg
|date=17 February 1997
|label=Warp Records (WARP49)
|previous=[[Envane]]
|previous year=1997
|next=[[Cichlisuite]]
|next year=1997
}}'''''Chiastic Slide''''' is the fourth studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on February 17th, 1997<ref>https://bleep.com/release/249530-autechre-chiastic-slide</ref>, then later repressed on vinyl in 2021, alongside ''[[LP5]]''.

== History ==
A majority of ''Chiastic Slide'' was done using Logic.<ref name=":0">https://web.archive.org/web/20240517220958/https://post.lurk.org/@sean_ae/112458650906114812</ref> Intitially tracks were being made in C-Lab Creator on Atari computers up until "halfway through doing ''Chiastic Slide''" where they acquired Macs with Logic.<ref name=":1">{{Cite interview|page=Sean Twitch AMA, July 2022|quote=So yeah, [C-Lab Creator] was my favourite program for ages. And then when, and we used that up until about halfway through doing Chiastic Slide. We got Mac and then we got Logic because Logic, as we understood, it was the, kind of, new version. And so it still had the event list from C-Lab in there, which I really liked. So yeah, we used Logic for a little bit towards the end of doing Chiastic. So there's a couple of tracks using it on Chiastic, but most of Chiastic was still the Atari. And yeah, so like Cipater was done on the Atari, and Nuane was done on it, and I think the tracks that we did using Logic were quite basic. So I think Recury was done using Logic, and Pule was done using Logic. Yeah, I think the rest of it was Atari, thinking about it, maybe Cichli was done using Logic as well. I can't remember. I think it was, actually, yeah, I think Cichli is Logic.}}</ref> In Warp: Labels Unlimited, they remarked that 90% of the material was not done with Macs, "it was just mixed on a Mac".<ref>Warp: Labels Unlimited by Rob Young, pg 89 </ref> The Casio SK-1<ref>https://web.archive.org/web/20020816104848/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid1018136565,21609,#:~:text=cavity%20job%2C%20incunabula%2C%20chiastic%20slide</ref> and R8<ref name=":0" /> was also used on ''Chiastic Slide''. Much of the setup was similar to ''[[Envane]]'' with the addition of a Thinkpad from Rob.<ref>{{Cite AAA2 doc|598}}</ref> 

60 tracks were made for ''Chiastic Slide'' from October 1995 to August 1996, but only 9 of them were picked for the album.<ref name=":2">https://web.archive.org/web/19990222164648/http://www.sme.co.jp/Music/Info/SonyTechno/newsE/9705/ae/</ref><ref>{{Cite web|link=https://lonelymachines.org/the-autechre-faq-v-199/|author=Ruud, Knut Andreas|website=LonelyMachines|date=December 2000|title=The _alt.music.autechre_ FAQ (Frequently Asked Questions) version 1.15|accessdate=20 May 2024}}</ref> Some of the tracks ended up on Gescom's ''[[Minidisc]]''.<ref>{{Cite AAA2 doc|401}}</ref>

For Sony Techno Japan, Sean said the title was "something changeable, movable and making numbers, circuits and shapes crossed."<ref name=":2" /> In The Wire, a note was included that the title was "a cryptic reference to the mercunal qualities of the crossfader".<ref>{{Cite interview|page=Autechre. Transformed by Sound, February 1997|quote=On this array of electronic components the pair recorded their fourth album, Chiastic Slide, the title a cryptic reference to the mercunal qualities of the crossfader. On the DJ panel or the mixing board, this little slider acts as the magician's curtain, swishing from side to side to reveal marvels previously hidden. Only now, the way Autechre have engineered things, the curtains have multiplied, there are boxes within boxes, screens hiding screens hiding screens.}}</ref>
=== Cover ===
The cover art, designed by The Designers Republic, is a collage of simplified abstract shapes using images from a New York trip, specifically "some street-level structural (under the E-train tracks), a shot overlooking the Brooklyn Bridge (probably) from the Empire State Building, and some images found in magazines in hotel lobbies and airline magazines on the flight back (shots of the NASA control room, of white goods junkyards)." <ref>{{Cite web|title=Chiastic Slide|link=https://www.thedesignersrepublic.com/chiastic-slide|website=The Designers Republic|accessdate=20 May 2024}}</ref>

== Tracks ==

=== Cipater ===

* "Cipater" was done on C-Lab Creator.<ref name=":0" /><ref name=":1" />

=== Rettic AC ===

* "Rettic AC" was done in Logic.<ref name=":0" />
* Sean revealed that the main noise loop is the sound of tissue paper being rubbed over a microphone.<ref>https://youtu.be/j_nt4lFvZ1w?t=240</ref>

=== Tewe ===

* The ending features the purrs of Sean's first cat, Winterbottom.<ref>{{Cite AAA doc|187}}</ref>
* "Tewe" was mostly sequenced on the Roland R8<ref name=":0" /> in a few hours. The melody and bass was both sent to Quadraverb and "played over midi".<ref>https://web.archive.org/web/20240217234806/https://post.lurk.org/@sean_ae/111948852735521025</ref>

=== Cichli ===

* "Cichli" was done in Logic.<ref name=":0" /><ref name=":1" />
* Elements of the track were later reused for ''[[Cichlisuite]]''.
* The title is likely derived from [[wikipedia:Cichlid|Cichlid]], a family of fish. This fish naming theme was further explored on ''[[Cichlisuite]]''.
* Sean mentioned that he has Boards of Canada's acoustic cover of "Cichli" on cassette.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''When will you release the Boards of Canada Chicli cover?''' I've only got it on cassette. So I can't release it. So if you want that Chicli cover, you're gonna have to get Warp to get Boards to give it to them for some fucking anniversary release or some shit like that, because that's the only way it's ever gonna come out, I think now. They would’ve had a chance to do it when Warp did that covers album, and they probably just decided not to for reasons. So I think that sort of chance’s passed already. I don't think it's likely to.}}</ref><ref>https://bocpages.org/wiki/Autechre_-_Cichli_(Boards_of_Canada_Cover)</ref>

=== Hub ===

* "Hub" was done in Logic.<ref name=":0" />

=== Calbruc ===

* "Calbruc" was done in Logic.<ref name=":0" />
* The main sample is from a Kung Fu movie. <ref>{{Cite AAA2 doc|310}}</ref>

=== Recury ===

* "Recury" was done in Logic.<ref name=":0" /><ref name=":1" />
* The percussion on "Recury" are all heavily processed "homemade sampler stuff." <ref>https://web.archive.org/web/20240218010910/https://post.lurk.org/@sean_ae/111949563697343787</ref>
* The title is likely a play on "Reoccurring"

=== Pule ===

* "Pule" was done in Logic.<ref name=":0" /><ref name=":1" />
* An alternate version of "Pule" called [https://www.youtube.com/watch?v=uvj4KmH2U1w "Lupe Mx"] was initally debuted on the 10th of April, 2005 in a test transmission on autechre.ws.<ref>https://watmm-archive.com/t/3851/1</ref> "Lupe Mx" was later shared with Oscar Powell by Sean, which was later performed on NTS Radio in a DJ Mix on March 7th, 2018.<ref>https://www.nts.live/shows/powell/episodes/melon-magic-7th-march-2018</ref>

=== Nuane ===

* "Nuane" was done on C-Lab Creator.<ref name=":0" /><ref name=":1" />
* Rob discussed "Nuane" in the [[Ask Autechre Anything Again, KEYOSC, April 2025]] that "the SAH chords of sample loops resembling voices/choirs expanded the feel massively - idt we'd never had poly SAH samples before the Ensoniq EPS16+ so there was more music coming out than we had put in IYKWIM, which was nice."<ref>{{Cite AAA2 doc|151}}</ref> 
* A slightly modified version of the title is seen on ''[[Envane]]'' (Nvane).
* "Nuane" uses a groove template.<ref>{{Cite interview|page=Exploring the parameter space: A conversation with Autechre, October 2023|quote='''Rob:''' [...] And with Emagic Logic, as Sean was saying, we could do lots more quantizing lots more swing combinations, and just aim for something. '''Sean:''' Like that track. Nuane. That’s like a groove template. '''Rob:''' Exactly, that’s like, one of the first times we started messing with all that.}}</ref>

== Tracklist ==
{{Tracklist|list=
{{tl track|number=1|title=Cipater|length=8:56}}
{{tl track|number=2|title=Rettic AC|length=2:08}}
{{tl track|number=3|title=Tewe|length=6:57}}
{{tl track|number=4|title=Cichli|length=8:53}}
{{tl track|number=5|title=Hub|length=7:35}}
{{tl track|number=6|title=Calbruc|length=3:51}}
{{tl track|number=7|title=Recury|length=9:44}}
{{tl track|number=8|title=Pule|length=8:33}}
{{tl track|number=9|title=Nuane|length=13:14}}
{{tl finaltime|time=1:09:51}}
}}

== Links ==
* [https://autechre.warp.net/release/249325-autechre-chiastic-slide AE_STORE]
* [https://music.apple.com/us/album/chiastic-slide/281853123 Apple Music]
* [https://autechre.bandcamp.com/album/chiastic-slide Bandcamp]
* [https://bleep.com/release/249530-autechre-chiastic-slide Bleep]
* [https://www.discogs.com/master/1348-Autechre-Chiastic-Slide Discogs]
* [https://soundcloud.com/autechreofficial/sets/chiastic-slide Soundcloud]
* [https://open.spotify.com/album/7BAYND1fTWAwOr7QwLhXMB Spotify]

==Credits ==
*[[Autechre]] (production)
*[[Rob Brown]] (writer)
*[[Sean Booth]] (writer) 
*[[The Designers Republic]] (design) <ref>{{Cite web|link=https://www.discogs.com/master/1348-Autechre-Chiastic-Slide|website=Discogs|title=Autechre – Chiastic Slide|accessdate=20 May 2024}}</ref>

== References ==
<references />

Gear List

2026-03-06T12:07:04Z

EnergyIsMassiveLight:

Adapted from Fizzarum(?) and Mike Baas's compiled and grouped gear lists from Future Music (2003) and [https://aepages.org/wiki/Sound_On_Sound,_November_1997 Sound on Sounds (1997)], [https://mikebaas.org/autechre/archive/gear_list_v1.php][https://mikebaas.org/autechre/] with other equipment added. Other sources include [[Easy to be Hard, April 2008]] and [https://equipboard.com/pros/autechre Equipboard]

Releases and tracks linked are only for those explicitly confirmed to have used them.

=== Synths ===

* '''Analogue Systems RS8500'''
** ''[[Untilted]]'' ["Ipacial Section"]
* '''Black Corporation Deckard's Dream'''
** ''[[PLUS]]'' ["DekDre Scap B"]
* Casio PT-7
* '''Clavia Nord Lead'''
** ''[[Cichlisuite]]'' ["Pencha"]
** ''[[LP5]]''
** ''[[EP7]]'' ["Dropp"]
** ''[[Peel Session 2]]'' ["19 Headaches"]
** ''[[Draft 7.30]]'' ["Surripere"]
** ''[[Quaristice]]'' ["paralel Suns"]
* Clavia Nord Modular
* '''Clavia Nord Modular Expanded'''
** ''[[Draft 7.30]]'' ["Theme of Sudden Roundabout"]
** ''[[Quaristice]]'' ["Outh9X"]
* '''Clavia Nord Rack'''
** ''[[Quaristice]]''
* '''Elektron Monomachine SFX-60+'''
** ''[[Quaristice]]''
* '''Korg MS-10'''
** ''[[Amber]]''
** [[Anvil Vapre|''Anvil Vapre'']] ["Second Bad Vilbel"]
** [[Tri Repetae|''Tri Repetae'']]
** ''[[Envane]]''
* Korg MS-20
* Korg Prophecy
* '''Native Instruments FM8'''
** ''[[Oversteps]]''
* '''Roland Juno 106'''
** ''[[Anti]]''
** ''[[Amber]]''
** [[Anvil Vapre|''Anvil Vapre'']]
** ''[[Tri Repetae]]''
** ''[[Envane]]''
* '''Roland MC-202 MicroComposer'''
** ''[[Cavity Job]]''
** ''[[Warp Tapes 89-93]]''
** ''[[Amber]]'' ["Glitch"]
** [[Anvil Vapre|''Anvil Vapre'']]
** ''[[Tri Repetae]]'' ["Overand"]
* '''Roland SH-2'''
** [[Cavity Job|''Cavity Job'']] ["Cavity Job"]
* '''Yamaha DX100'''
** ''[[Anti]]''
** [[Anvil Vapre|''Anvil Vapre'']]
** [[Tri Repetae|''Tri Repetae'']] ["Overand"]
** ''[[Envane]]''
** ''[[LP5]]''
** ''[[Peel Session]]'' ["Milk DX"]
* Yamaha DX11
* '''Yamaha FS1R'''
** ''[[Quaristice]]''

=== Samplers / Drum Machines ===

* '''Akai MPC1000'''
** ''[[Untilted]]'' ["Pro Radii"]
** ''[[Quaristice]]'' ["IO", "Perlence"]
* Akai MPC 2500
* Akai Z8
* Casio FZ-1
* '''Casio FZ-10'''
** ''[[Cavity Job]]''
* Casio RZ-1
* '''Casio SK-1'''
** ''[[Cavity Job]]''
** ''[[Incunabula]]''
** ''[[Chiastic Slide]]''
* '''Casio SK-5'''
** ''[[Cavity Job]]''
* Casio SK-100
* Emu E-Synth Ultra
* '''Elektron Machinedrum SPS-1UW MKII'''
** ''[[Quaristice]]''
* '''Ensoniq ASR-10R'''
** ''[[Incunabula]]'' ["Eggshell"]
** ''[[LP5]]''
* '''Ensoniq EPS'''
** ''[[Amber]]'' ["Foil"]
** [[Anvil Vapre|''Anvil Vapre'']]
** ''[[Tri Repetae]]'' ["Clipper"]
** ''[[Peel Session]]'' ["Drane"]
* '''Ensoniq EPS16+'''
** ''[[Anti]]''
** ''[[Garbage]]'' ["Garbagemx36"]
** ''[[Tri Repetae]]'' ["C/Pach"]
** ''[[Envane]]''
* '''Kurzweil K2500RS'''
** ''[[LP5]]'' ["Rae"]
* Linn Electronics LinnDrum
* Nord Drum
* Oberheim DMX
* Roland CR-78
* '''Roland CR-8000'''
** ''[[Tri Repetae]]'' ["Overand"]
** ''[[Draft 7.30]]'' ["6IE.CR"]
* '''Roland R8'''
** ''[[Cavity Job]]''
** ''[[Incunabula]]''
** ''[[Anti]]'' ["Flutter"]
** ''[[Garbage]]'' ["Garbagemx36"]
** [[Anvil Vapre]]
** ''[[Tri Repetae]]''
** ''[[Envane]]''
** ''[[Chiastic Slide]]''
* '''Roland TR-606 Drumatix'''
** [[Cavity Job|''Cavity Job'']]
** ''[[Incunabula]]''
** ''[[Tri Repetae]]''
** ''[[Quaristice]]'' ["Tankakern"]
* '''Simmons SDE'''
** ''[[Quaristice]]'' ["Outh9X"]
* '''Yamaha RY30'''
** ''[[We R Are Why / Are Y Are We?]]''
** ''[[Cichlisuite]]'' ["Pencha"]
** ''[[Peel Session 2]]'' ["19 Headaches"]
* Yamaha SU10

=== Software  ===

* '''Ableton Max for Live'''
** ''[[Move Of Ten]]'' ["pce freeze 2.8i", "rew(1)"]
** ''[[SIGN]]''
* Audio Hijack
* BIAS Peak
* '''Cycling '74 Max/MSP'''
** ''[[EP7]]'' ["Left Blank", "Liccflii"]
** ''[[Confield]]'' ["VI Scose Poise", "Sim Gishel", "Uviol"]
** ''[[Draft 7.30]]'' ["Reniform Puls"]
** ''[[Oversteps]]''
** ''[[Exai]]'' ["FLeure"]
**''[[L-event]]''
**''[[AE_LIVE]]''
**''[[elseq 1-5]]''
**''[[NTS Sessions 1-4]]''
**''[[AE_LIVE 2016/2018]]''
**''[[SIGN]]''
**''[[PLUS]]'' ["ecol4"]
**''[[AE_2022－]]''
*'''C-Lab Creator'''
**''[[Anti]]''
**''[[Tri Repetae]]''
**''[[Chiastic Slide]]'' ["Cipater", "Nuane"]
*'''Emagic''' '''Logic''' '''Pro'''
**''[[Envane]]''
**''[[Chiastic Slide]]'' ["Cichli", "Recury", "Pule"]
**''[[Cichlisuite]]'' ["Pencha"]
**''[[LP5]]''
**''[[Peel Session 2]]'' ["19 Headaches"]
**''[[Confield]]'' ["Parhelic Triangle"]
**''[[Exai]]'' ["T ess xi"]
* Hairersoft Amadeus Pro
*'''MOTU Digital Performer'''
**''[[Draft 7.30]]''
**''[[Quaristice]]''
*MOTU MachFive
*'''Renoise'''
**''[[Quaristice]]'' ["rale", "Fol3", "WNSN"]
**''[[Quaristice (Versions)]]'' ["fol4"]
*'''Sound Edit 16'''
**''[[LP5]]'' ["Vose In"]
*'''SunVox'''
**''[[Exai]]'' ["YJY UX"]
*Steinberg Cubase
*'''VAZ'''
**''[[LP5]]'' [hidden track]

=== Sequencers===

*'''Alesis MMT8'''
**''[[Tri Repetae]]'' ["Clipper"]
*'''Roland PMA5'''
**''[[EP7]]'' ["Maphive 6.1"]
*Yamaha QY20

===MIDI/CV===

*Emagic AMT8
*'''Kenton Killamix Mini'''
**''[[AE_2022－]]''
* Kenton Pro 4 MIDI-CV
*MOTU Fastlane
*MOTU MIDI Express XT
* MOTU Micro Express
*MidiLink MIDI Data Extender
*Opcode Studio 3
*Peavey PC1600X
*Philip Rees 5S
*XRI XR03 SMPTE/MIDI converter

===Outboard FX===

*'''Alesis QuadraVerb GT'''
**''[[Anti]]'' ["Flutter"]
**''[[Amber]]'' ["Montreal", "Glitch"]
**''[[Tri Repetae]]'' ["Overand"]
**''[[Peel Session]]'' ["Drane"]
**''[[Draft 7.30]]''
**''[[Quaristice]]''
*Analogue Systems RS-240
*Behringer Autocom Pro
*Behringer Composer Pro
*'''Behringer Ultrafex'''
**''[[Envane]]''
*Behringer Ultrapatch
*Boss RDD-10
*'''Boss RSD-10'''
** ''[[Cavity Job]]''
**''[[Tri Repetae]]'' ["Overand", "Rsdio"]
**''[[Envane]]''
**[[Warp Tapes 89-93|''Warp Tapes 89-93'']]
*dbx DDP
*DOD FX20 Phasor
*Ensoniq DP/2
*'''LA Audio 4x4'''
**''[[Envane]]''
*Lexicon MPX1
* '''Lexicon PCM80'''
**''[[Quaristice]]''
* '''Lexicon PCM90'''
**''[[Quaristice]]''
* PSE Stereo Spring Reverb
*Sony HR-MP5
*'''Symbolic Sound Kyma Capybara 320'''
**''[[EP7]]'' ["Left Blank"]
*t.c. electronic TC XII Phaser

===Mixers===

*Mackie 24:8
*Mackie CR1604-VLZ
*Mackie Onyx 1620
*Phonic MRT60
*Phonic SM-1000
*Seck 18-8-2
*Shure Auxpander
*Simmons SPM 8:2
*Tascam DP-24 Mixer
*Tascam M2600
*'''Tascam Portastudio 244'''
** ''[[Cavity Job]]''

===Recorders===

*Akai 4000DS MKII
* Digidesign Pro Tools 882 I/O
* Digidesign Pro Tools DSP Farm PCI
* Digidesign Pro Tools Disk I/O PCI
* Digidesign Pro Tools III PCI
*Grundig Tape Recorder
*Grundig TK121
* HHB CDR850 Plus
*Mini Portable Tape Recorder
*Panasonic SV-3800 DAT
*RME Hammerfall ADI-8 Pro
*RME Hammerfall DIGI9652
*RME Hammerfall Digiface
*Sony DTC-690
*Sony MDS JE520
*Sony TCD-D7
*Tascam DA-20 MKII
*Tascam DAP1
*Yamaha CBXD5
*Yamaha KX-W321 Cassette Recorder

===Computers===
*Apple G4 450 MHz
*Apple Power Mac 7200
*'''Apple Power Mac 9650'''
**''[[Envane]]''
*Apple Power Mac G4 Dual 800 MHz
*Apple Powerbook 1400
*Apple Powerbook G4 500 MHz
*Apple Powerbook G4 800 MHz
*Apple G5/OS X
*'''Atari 1040 STE'''
**''[[Anti]]''
*'''IBM Thinkpad'''
** [[Chiastic Slide|''Chiastic Slide'']]
*Yamaha CXM5

===Microphones===
*AKG C1000
**''[[Quaristice]]'' ["fol3"]
*BSS Audio AR133 Active DI Box
*Realistic 33-1090A pressure zone microphone
*'''Sony lapel mic'''
**''[[LP5]]'' ["Caliper Remote"]

===Speakers===

*Alesis Monitor 1
*Dynaudio BM15a
*Dynaudio M1
*Yamaha NS-10M

===Miscellaneous===

*'''Sony MDSJE 520 MiniDisc recorder'''
**''[[Confield]]'' ["Pen Expers"]
*Philips Oscilloscope
*'''Reyong'''
**''[[Confield]]'' ["VI Scose Poise", "Parhelic Triangle"]
*Wacom Intuos3 A5

Gear List

2026-03-04T17:22:49Z

EnergyIsMassiveLight: approved edit, but reverted since dmx refers to samples, not machines (AE_LIVE was pure max/msp)

Adapted from Fizzarum(?) and Mike Baas's compiled and grouped gear lists from Future Music (2003) and [https://aepages.org/wiki/Sound_On_Sound,_November_1997 Sound on Sounds (1997)], [https://mikebaas.org/autechre/archive/gear_list_v1.php][https://mikebaas.org/autechre/] with other equipment added. Other sources include [[Easy to be Hard, April 2008]] and [https://equipboard.com/pros/autechre Equipboard]

Releases and tracks linked are only for those explicitly confirmed to have used them.

=== Synths ===

* '''Analogue Systems RS8500'''
** ''[[Untilted]]'' ["Ipacial Section"]
* '''Black Corporation Deckard's Dream'''
** ''[[PLUS]]'' ["DekDre Scap B"]
* Casio PT-7
* '''Clavia Nord Lead'''
** ''[[Cichlisuite]]'' ["Pencha"]
** ''[[LP5]]''
** ''[[EP7]]'' ["Dropp"]
** ''[[Peel Session 2]]'' ["19 Headaches"]
** ''[[Draft 7.30]]'' ["Surripere"]
** ''[[Quaristice]]'' ["paralel Suns"]
* Clavia Nord Modular
* '''Clavia Nord Modular Expanded'''
** ''[[Draft 7.30]]'' ["Theme of Sudden Roundabout"]
** ''[[Quaristice]]'' ["Outh9X"]
* '''Clavia Nord Rack'''
** ''[[Quaristice]]''
* '''Elektron Monomachine SFX-60+'''
** ''[[Quaristice]]''
* '''Korg MS-10'''
** ''[[Amber]]''
** [[Anvil Vapre|''Anvil Vapre'']] ["Second Bad Vilbel"]
** [[Tri Repetae|''Tri Repetae'']]
** ''[[Envane]]''
* Korg MS-20
* Korg Prophecy
* '''Native Instruments FM8'''
** ''[[Oversteps]]''
* '''Roland Juno 106'''
** ''[[Anti]]''
** ''[[Amber]]''
** [[Anvil Vapre|''Anvil Vapre'']]
** ''[[Tri Repetae]]''
** ''[[Envane]]''
* '''Roland MC-202 MicroComposer'''
** ''[[Cavity Job]]''
** ''[[Warp Tapes 89-93]]''
** ''[[Amber]]'' ["Glitch"]
** [[Anvil Vapre|''Anvil Vapre'']]
** ''[[Tri Repetae]]'' ["Overand"]
* '''Roland SH-2'''
** [[Cavity Job|''Cavity Job'']] ["Cavity Job"]
* '''Yamaha DX100'''
** ''[[Anti]]''
** [[Anvil Vapre|''Anvil Vapre'']]
** [[Tri Repetae|''Tri Repetae'']] ["Overand"]
** ''[[Envane]]''
** ''[[LP5]]''
** ''[[Peel Session]]'' ["Milk DX"]
* Yamaha DX11
* '''Yamaha FS1R'''
** ''[[Quaristice]]''

=== Samplers / Drum Machines ===

* '''Akai MPC1000'''
** ''[[Untilted]]'' ["Pro Radii"]
** ''[[Quaristice]]'' ["IO", "Perlence"]
* Akai MPC 2500
* Akai Z8
* Casio FZ-1
* '''Casio FZ-10'''
** ''[[Cavity Job]]''
* Casio RZ-1
* '''Casio SK-1'''
** ''[[Cavity Job]]''
** ''[[Incunabula]]''
** ''[[Chiastic Slide]]''
* '''Casio SK-5'''
** ''[[Cavity Job]]''
* Casio SK-100
* Emu E-Synth Ultra
* '''Elektron Machinedrum SPS-1UW MKII'''
** ''[[Quaristice]]''
* '''Ensoniq ASR-10R'''
** ''[[Incunabula]]'' ["Eggshell"]
** ''[[LP5]]''
* '''Ensoniq EPS'''
** ''[[Amber]]'' ["Foil"]
** [[Anvil Vapre|''Anvil Vapre'']]
** ''[[Tri Repetae]]'' ["Clipper"]
* '''Ensoniq EPS16+'''
** ''[[Anti]]''
** ''[[Garbage]]'' ["Garbagemx36"]
** ''[[Tri Repetae]]'' ["C/Pach"]
** ''[[Envane]]''
* '''Kurzweil K2500RS'''
** ''[[LP5]]'' ["Rae"]
* Linn Electronics LinnDrum
* Nord Drum
* Oberheim DMX
* Roland CR-78
* '''Roland CR-8000'''
** ''[[Tri Repetae]]'' ["Overand"]
** ''[[Draft 7.30]]'' ["6IE.CR"]
* '''Roland R8'''
** ''[[Cavity Job]]''
** ''[[Incunabula]]''
** ''[[Anti]]'' ["Flutter"]
** ''[[Garbage]]'' ["Garbagemx36"]
** [[Anvil Vapre]]
** ''[[Tri Repetae]]''
** ''[[Envane]]''
* '''Roland TR-606 Drumatix'''
** [[Cavity Job|''Cavity Job'']]
** ''[[Incunabula]]''
** ''[[Tri Repetae]]''
** ''[[Quaristice]]'' ["Tankakern"]
* '''Simmons SDE'''
** ''[[Quaristice]]'' ["Outh9X"]
* '''Yamaha RY30'''
** ''[[We R Are Why / Are Y Are We?]]''
** ''[[Cichlisuite]]'' ["Pencha"]
** ''[[Peel Session 2]]'' ["19 Headaches"]
* Yamaha SU10

=== Software  ===

* '''Ableton Max for Live'''
** ''[[Move Of Ten]]'' ["pce freeze 2.8i", "rew(1)"]
** ''[[SIGN]]''
* Audio Hijack
* BIAS Peak
* '''Cycling '74 Max/MSP'''
** ''[[EP7]]'' ["Left Blank", "Liccflii"]
** ''[[Confield]]'' ["VI Scose Poise", "Sim Gishel", "Uviol"]
** ''[[Draft 7.30]]'' ["Reniform Puls"]
** ''[[Oversteps]]''
** ''[[Exai]]''
** ''[[L-event]]''
** ''[[AE_LIVE]]''
** ''[[elseq 1-5]]''
** ''[[NTS Sessions 1-4]]''
** ''[[AE_LIVE 2016/2018]]''
** ''[[SIGN]]''
** ''[[PLUS]]'' ["ecol4"]
** [[AE 2022－|''AE_2022－'']]
* '''C-Lab Creator'''
** ''[[Anti]]''
** ''[[Tri Repetae]]''
** ''[[Chiastic Slide]]'' ["Cipater", "Nuane"]
* '''Emagic''' '''Logic''' '''Pro'''
** ''[[Envane]]''
** ''[[Chiastic Slide]]'' ["Cichli", "Recury", "Pule"]
** ''[[Cichlisuite]]'' ["Pencha"]
** ''[[LP5]]''
** ''[[Peel Session 2]]'' ["19 Headaches"]
** ''[[Confield]]'' ["Parhelic Triangle"]
** ''[[Exai]]'' ["T ess xi"]
* Hairersoft Amadeus Pro
* '''MOTU Digital Performer'''
** ''[[Draft 7.30]]''
** ''[[Quaristice]]''
* MOTU MachFive
* '''Renoise'''
** ''[[Quaristice]]'' ["rale", "Fol3", "WNSN"]
** ''[[Quaristice (Versions)]]'' ["fol4"]
* '''Sound Edit 16'''
** ''[[LP5]]'' ["Vose In"]
* Steinberg Cubase
* '''VAZ'''
** [[LP5]] [hidden track]

=== Sequencers ===

* '''Alesis MMT8'''
** ''[[Tri Repetae]]'' ["Clipper"]
* '''Roland PMA5'''
** ''[[EP7]]'' ["Maphive 6.1"]
* Yamaha QY20

=== MIDI/CV ===

* Emagic AMT8
* '''Kenton Killamix Mini'''
** [[AE 2022－|''AE_2022－'']]
* Kenton Pro 4 MIDI-CV
* MOTU Fastlane
* MOTU MIDI Express XT
* MOTU Micro Express
* MidiLink MIDI Data Extender
* Opcode Studio 3
* Peavey PC1600X
* Philip Rees 5S
* XRI XR03 SMPTE/MIDI converter

=== Outboard FX ===

* '''Alesis QuadraVerb GT'''
** ''[[Anti]]'' ["Flutter"]
** ''[[Amber]]'' ["Montreal", "Glitch"]
** ''[[Tri Repetae]]'' ["Overand"]
** ''[[Draft 7.30]]''
** ''[[Quaristice]]''
* Analogue Systems RS-240
* Behringer Autocom Pro
* Behringer Composer Pro
* '''Behringer Ultrafex'''
** ''[[Envane]]''
* Behringer Ultrapatch
* Boss RDD-10
* '''Boss RSD-10'''
** ''[[Cavity Job]]''
** ''[[Tri Repetae]]'' ["Overand", "Rsdio"]
** ''[[Envane]]''
** [[Warp Tapes 89-93|''Warp Tapes 89-93'']]
* dbx DDP
* DOD FX20 Phasor
* Ensoniq DP/2
* '''LA Audio 4x4'''
** ''[[Envane]]''
* Lexicon MPX1
* '''Lexicon PCM80'''
** ''[[Quaristice]]''
* '''Lexicon PCM90'''
** ''[[Quaristice]]''
* PSE Stereo Spring Reverb
* Sony HR-MP5
* '''Symbolic Sound Kyma Capybara 320'''
** ''[[EP7]]'' ["Left Blank"]
* t.c. electronic TC XII Phaser

=== Mixers ===

* Mackie 24:8
* Mackie CR1604-VLZ
* Mackie Onyx 1620
* Phonic MRT60
* Phonic SM-1000
* Seck 18-8-2
* Shure Auxpander
* Simmons SPM 8:2
* Tascam DP-24 Mixer
* Tascam M2600
* '''Tascam Portastudio 244'''
** ''[[Cavity Job]]''

=== Recorders ===

* Akai 4000DS MKII
* Digidesign Pro Tools 882 I/O
* Digidesign Pro Tools DSP Farm PCI
* Digidesign Pro Tools Disk I/O PCI
* Digidesign Pro Tools III PCI
* Grundig Tape Recorder
* Grundig TK121
* HHB CDR850 Plus
* Mini Portable Tape Recorder 
* Panasonic SV-3800 DAT
* RME Hammerfall ADI-8 Pro
* RME Hammerfall DIGI9652
* RME Hammerfall Digiface
* Sony DTC-690
* Sony MDS JE520
* Sony TCD-D7
* Tascam DA-20 MKII
* Tascam DAP1
* Yamaha CBXD5
* Yamaha KX-W321 Cassette Recorder

=== Computers ===
* Apple G4 450 MHz
* Apple Power Mac 7200
* '''Apple Power Mac 9650'''
** ''[[Envane]]''
* Apple Power Mac G4 Dual 800 MHz
* Apple Powerbook 1400
* Apple Powerbook G4 500 MHz
* Apple Powerbook G4 800 MHz
* Apple G5/OS X
* '''Atari 1040 STE'''
** ''[[Anti]]''
* '''IBM Thinkpad'''
** [[Chiastic Slide|''Chiastic Slide'']]
* Yamaha CXM5

=== Microphones ===
* AKG C1000
* BSS Audio AR133 Active DI Box
* Realistic 33-1090A pressure zone microphone
* '''Sony lapel mic'''
** ''[[LP5]]'' ["Caliper Remote"]

=== Speakers ===

* Alesis Monitor 1
* Dynaudio BM15a
* Dynaudio M1
* Yamaha NS-10M

=== Miscellaneous ===

* '''Sony MDSJE 520 MiniDisc recorder'''
** ''[[Confield]]'' ["Pen Expers"]
* Philips Oscilloscope
* '''Reyong'''
** ''[[Confield]]'' ["VI Scose Poise", "Parhelic Triangle"] 
* Wacom Intuos3 A5

AE 2022－

2026-02-27T17:51:39Z

EnergyIsMassiveLight: /* Analysis */ proper credited name for titles

{{DISPLAYTITLE:AE_2022－}}
{{Infobox
|title=AE_2022－
|artist=[[Autechre]]
|cover=AE 2022－.jpg
|date=10 August 2023 (Milan22－Turin22) 4 November 2024 (Melbourne23－Lyon24)
|label=Warp Records (WARP444)
|previous=[[PLUS]]
|previous year=2020
|next=
|next year=
}}
'''''AE_2022－''','' previously '''''AE_LIVE 2022－''''', and otherwise known as '''''2022 dash'''''<ref name=":2">{{Cite interview|page=Autechre: Immersive Listening, Synesthesia, and the Manchester Scene, Metal Magazine, October 2024|quote=Rob: We've been doing this since 2022, calling it 2022 dash. We could keep it going for another ten years. Traveling and meeting people is something you can’t replicate in a studio.}}</ref> is a compilation of nineteen soundboard recordings taken from live shows performed from 2022 onwards as part of the '''''twentytwentytwo''''' tour.<ref>https://autechre.warp.net/twentytwentytwo</ref> The first batch was released on August 10th, 2023, and the second on November 4th, 2024.

==History==

=== Development ===
Initial planning for a new tour started in late 2019 for dates in late 2020-early 2021, before the COVID-19 pandemic in early 2020 put all plans on hold.<ref>{{Cite AAA2 doc|5}}</ref><ref name=":10">{{Cite interview|page=Autechre: 30 Jahre Afterhour (Teil 1) & „Mehr Menschen mögen Erdbeeren als Autechre” (Teil 2), Groove, 2021|quote='''Vermisst ihr es sehr, live zu spielen?'''

SB: Klar. Allerdings hat uns die Pandemie bisher gar nicht so sehr getroffen, weil wir die Tour erst zum Release des neuen Albums geplant hatten. Jetzt sitzen auf einem fertigen Live-Set, das wir nicht spielen können. Unsere Routine hat sich aber nicht sonderlich verändert, wir bleiben ja sowieso die ganze Zeit zuhause und machen Musik.

Rob Brown: Unser Ablauf blieb tatsächlich gleich. Wir hatten Pläne für Gigs, aber, na ja. Wir bekamen zum Beispiel im März ein Angebot für einen Auftritt in Mailand im November. Die Lombardei wurde dann komplett abgeriegelt, und wir haben von den Leuten einen Monat lang nichts gehört. Beim nächsten Kontakt waren sie schon weitaus weniger zuversichtlich. Dann hat sich das Angebot in Luft aufgelöst und wurde auf nächstes Jahr verschoben. Das war unser einziger geplatzter Gig, wenn man so will. Weil wir ja ohnehin erst im Winter oder im Frühling 2021 loslegen wollten.}}</ref><ref>https://web.archive.org/web/20241217152311/https://post.lurk.org/@sean_ae/113663738919715601 </ref> Sean mentioned that he spent that time reworking the back end of their rig, getting interested in MC (multi-channel audio in Max), physical modelling<ref name=":0">{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''“Do you like the new Mac chip situation? Is it any different to work on compared to the old CPU?”''' Yes. So my patch was using about 75, 80% towards the end of last year or the year before, whenever it was I got it, and then, yeah, I got the M1 and then it was just flying! 30%, just flying! Just absolutely insane! So there's no turning back now I'm fucked because I'm filling it up already. Loads of Live physmod things, and things that were a bit, you know, expensive. So yeah, I love it. Just amazing, kind of a little bit too much if anything, and the disking out speeds are amazing. The transitions are all super tight. The timing's super tight. All the control rate stuff is super tight. So yeah, I think if you're using Max and you've got an M1, you're basically living the dream at this point. it's just insane.}}</ref> (such as [https://forum.ircam.fr/projects/detail/modalys/ Modalys]), and scratching (as seen on Gescom's ''[[AMKS_1]]'')''.''<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Basically when COVID hit, I had a lot of time on my hands to rebuild a lot of it. So it's, yeah, it’s a lot of it you wouldn't even notice because a lot of it's just porting things to Gen that didn't need to be ported but just because I wanted a bit more control, and that led me off on loads of tangents because once you start building basic things like oscillators, you get a bit mad with all the options. So yeah, that happened and then I got heavily into MC, and then that happened. And then I built a lot more [physical] modeling stuff, and I did that scratching thing that we used on that Gescom thing that we've done about just over a year ago. And then did that and then, and then, yeah the set sort of grew out of all that tech basically. So sty listically, it's not that far off what we've been doing for the last few years because I think we're still in the same sort of place mentally. But, tech wise, the underlying, the kind of back end stuff is all fresh.}}</ref>

During a mixlr stream on March 21st, 2020, Sean mentioned that the live set was 99% complete, requiring just the intro to be completed.<ref>{{Cite web|author=Ryce, Andrew|title=Autechre say they have two new albums ready|website=Resident Advisor|date=22 March 2020|link=https://ra.co/news/72301|accessdate=5 June 2025}}</ref> By mid-2022, Sean noted that, on his side, he had about three and a half hours of total material prepared that may or may not be shown.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=[...] I mean some, they will share elements and the probably, I mean in all likelihood it'll be mostly similar material but there's a bunch of material that's not aired yet. That's because we've had too long to work on this fucking set, right, so. Least my part of the set is, I don't know, like three and a half hours of stuff, so I don't know how much of it will end up using.}}</ref> In late 2023, Sean gave an update on Mastodon that the material ended up becoming one long track they just kept adding onto. At that point, it was "about 4 hours long so far and growing steadily", noting it was the "most interesting thing we’ve done in ages from our POV." <ref>[https://web.archive.org/web/20231118215345/https://post.lurk.org/@sean_ae/111433472440615681#:~:text=We%20took%20a,from%20our%20POV. @sean_ae Mastodon post, November 18, 2023]</ref> In an interview in October 2024, they mentioned that "we could keep [this project] going for another ten years."<ref name=":2" /> 

The main equipment used to perform is two M1<ref name=":0" /> Macs running Max/MSP, Kenton Killamix controllers, Apogee Symphony Desktop and Apogee Element 24.<ref name=":4">{{Cite interview|page=Sean Twitch AMA, July 2022|quote='''Can u describe the live setup of the last gigs, laptop, controllers, souncard, thx''' I mean you know, two, I mean the latest ones are just two M1 Macs, Kenton Killamix controllers, two interfaces; I've got an Apogee Symphony Desktop, Rob's using the Apogee Element 24. The mixer is like a little Mackie Onyx12 channel thing just because it fits on a plane easily, and it's easier to get around. And it's replaceable if it breaks, you know, it's not, we're not relying on some esoteric mixer being found by the promoter at the last minute, so. Because that's always a consideration, you know? There's only the controllers really that be hard to source. So we often carry spares like if we're on a tour bus, we'll have spares of the controllers we’ll source.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''What's your live setup nowadays?''' Two Macs, and these Kenton Killamix things, and a couple of interfaces.}}</ref><ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Tebbisimo: [...] What audio interface you using on the live sets ATM? [...]''' XH HX: i'm using apogee symphony desktop lately which i really rate but before that was using apogee element 24 (also good but harder to get now) and before that was using RME ADI2 converter (had to stop since apple borked the optical port but i loved that thing). i also got a MOTU M2 which is mad value for ESS sabre converters if u want something cheapish}}</ref><ref name=":5">https://web.archive.org/web/20240509143259/https://post.lurk.org/@sean_ae/112400607304881021</ref><ref name=":3">https://web.archive.org/web/20241107183922/https://post.lurk.org/@sean_ae/113442509470527990</ref> Both Sean and Rob have different versions of their Max rig; Sean sends nightly builds to Rob, to which Rob adds his own additions.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Like, I've got my version of the rig. Rob's got his version, which is a, it's been mutated so much it's not really the same rig anymore.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=We don't rehearse at all, but the rig, we do share, so, you know. We've, I've got bits of Rob’s stuff. He's got a fully up-to-date version of what I'm doing all the time, so he gets nightly, almost, builds, yeah. So, that happened. I think he can run my rig in his house so he knows exactly what it'll do, but he doesn't know quite how I'm gonna play it on the night and so I'll be doing surprising things with it and it'll be reacting to him with his controllers, so it's a kind of, yeah, it's very much an intuitive thing.}}</ref><ref>{{Cite AAA2 doc|190}}</ref> In 2024, they got four custom-made Killamix Minis.<ref>https://web.archive.org/web/20240309004321/https://post.lurk.org/@sean_ae/112054867478643903</ref> Initially, mixing was done using the Mackie Onyx12,<ref name=":4" /> but since Brussels24 they've been using Sound Devices 888.<ref name=":5" /><ref name=":6">https://web.archive.org/web/20241113092034/https://post.lurk.org/@sean_ae/113458692313028937</ref> For recording with the 888, they have "two mains, two spares and two mons (adjustable using the headphone pot) going to 3 stereo DIs" with separate recordings of Sean and Rob's computers alongside a mixed version.<ref name=":3" /><ref name=":6" /> For final mastering of the soundboards for release which Sean fully handles and which mostly consists of "tiny edits and tweaks",<ref>https://web.archive.org/web/20260120230657/https://post.lurk.org/@sean_ae/115907100261965904</ref> he listed using "a couple of Meyer UPMs and USW-112Ps" as monitors.<ref>https://forum.keyosc.com/topic/720-i-no-longer-strongly-disagree-with-seans-answer-to-gl0tch-in-aaaa/?&do=findComment&comment=19916</ref>

The Max rig itself (seen best in the [https://www.youtube.com/watch?v=jgMArRJswIQ December 15th, 2022] demo recording) consists of 16 channels with six different slots each (one sequencer, one synthesizer, four effect units) and 4 bus channels with five slots each (one sequencer, four effects units).<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Yeah, so like those three module types are arranged in channels, So like each channel has like, I think, six slots, yeah, it has like a sequencer, a synth and then four effects units on every channel, and there's 16 channels, and they're constantly changing and there are four bus channels as well that don't have sequences. No, sorry, that don't have synths on, but they just have sequences and effects units. So they have the four effects units in the sequences and there's four of those bus channels and they can be routed into each other and stuff, so that's it. So in total, there are 68 slots. Yeah.}}</ref> Between both different rigs, they have a total of 32 channels available.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=But with this set, it was written with both of us running 16 channels each now.}}</ref> Modules are dynamically loaded into slots (which each have two [poly~] objects)<ref>{{Cite AAA2 doc|175}}</ref> via a global "pattstorage-addressing copy patch" and preloading.<ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote='''“How'd you deal with preset management live?”''' It's all pattr, so like, yeah it's all pattr now. It used to be pattr and then presets. So the global stuff was a pattr and then the stuff in the modules was presets, but it got too unwieldy. I had to build, rebuild it all with pattr. Plus I like being able to morph them because morphing is just tons of fun, innit? So, see it's all pattr and then I built a thing that where I can name them. So there's like a little box, you just type the name in and click enter and it just saves it with that name. So then I have like a new menu with all the names in. I found that loads easier to work with than numbers. So yeah, it's pattr all the way down, but it's pattr, it's like a global pattr and then each module has its own pattrs because the modules are loaded dynamically. I couldn't have pattr, the global pattr reaching into the modules, if you know what I mean. so they all have to have their own pattr storage in each module. But that's okay, you know?}}</ref><ref>{{Cite AAA2 doc|481}}</ref> The general development process was described as "make a cell, save it, come back the next day, tweak it a bit."<ref>{{Cite AAA2 doc|74}}</ref><ref>{{Cite AAA2 doc|370}}</ref> During a show, they traverse through roughly 60-90 'cells' in a prefered order, although sometimes they skip over or extend cells.<ref>{{Cite AAA2 doc|64}}</ref><ref>https://web.archive.org/web/20250823160621/https://post.lurk.org/@sean_ae/115078509915195794</ref> Controls vary between parameters mapped to multiple channels at once, individual channels, or patch-specific parameters.<ref>https://web.archive.org/web/20251211115230/https://post.lurk.org/@sean_ae/115696590243355864</ref> 

[[ae mixlr 300320|In a mixlr stream on March 30th, 2020]], while quickly skimming through their jams folder, Sean showed off a few seconds of the then unknown in-development live material (segments '''#2, #3''' and '''#5'''). In December 2022, Sean posted two Max demos to Mastodon; [https://www.youtube.com/watch?v=3poN6FDyB28 one on December 10th] and [https://www.youtube.com/watch?v=jgMArRJswIQ one on December 15th], which were both bits of segments '''#29''' and '''#26''' respectively. In 2023, two more demos were posted, with [https://www.youtube.com/watch?v=UE8ug56Ijls July 26th's "Markov Chain"]<ref name=":7">https://web.archive.org/web/20230727210645/https://post.lurk.org/@sean_ae/110780381387123384</ref> and [https://www.youtube.com/watch?v=_R3JorLEwNE December 16th's "Fuckery"]<ref name=":1">https://web.archive.org/web/20231221224324/https://post.lurk.org/@sean_ae/111591524233807832</ref> for segments '''#38''' and '''#42/48'''. Months later, audio-only demos - September 23, 2024's “playing with stereo<ref name=":8" /> and January 7th, 2025's [https://www.youtube.com/watch?v=6GRNWAkIlQQ “quick gong jam”]<ref name=":9" /> - were shown for segments '''#53''' and '''#55'''.

=== Tour===
On March 9th, 2022, the ''twentytwentytwo'' tour was officially announced with five shows in Barcelona, Milan, Helsinki, London, and Turin across 2022.<ref>https://ghostarchive.org/archive/Qt38G</ref>The Barcelona22 show at Primavera, due to issues of negotiating the rights to the soundboard from Primavera as well as messing up the recording, was left off the release.<ref>[[Sean AMA Transcript 220605#:~:text%3DYeah%2C%20there's%20not%20really%20any%20good%20pictures%2C%20but%20the%20problem%20was%20with%20Primavera%2C|<nowiki/>]]{{Cite interview|page=Sean Twitch AMA, June 2022|quote=[...] the problem was with Primavera, they were trying to get rights for everything, right? So they were trying to get broadcast, they were trying to record it, you know? Obviously we're thinking about releasing them, so we didn't want to okay it. We ended up fucking up the recording anyway, so it wouldn't have mattered.}}</ref> At Helsinki22, small glitches such as pops and dropouts appeared early into the show and got progressively more distracting as the show went on. A possible explanation is that the venue's subwoofer setup, which was poorly set up and possibly worsened by the performance's use of heavy sub-bass, experienced a coil short circuit leading to the malfunctions.<ref>{{Cite web|author=avalyn__|title=There were some audio issues during Helsinki gig.|website=Reddit|date=11 September 2022|link=https://www.reddit.com/r/autechre/comments/xbspfv/there_were_some_audio_issues_during_helsinki_gig/?rdt=51772|accessdate=25 March 2024}} </ref><ref>{{Cite web|author=dcom|title=Comment in Autechre. Live. Twentytwentytwo.|website=We Are The Music Makers|date=15 September 2022|link=https://watmm-archive.com/t/102400/17|accessdate=25 March 2024}}</ref> The raw soundboard recording ("AE_LIVE_HELSINKI_110922_LTD") was sent out to attendees as an apology, and was later re-released with proper mastering.<ref name=":11" />

''twentytwentyfour'' was announced with dates in Paris, Rennes, Barcelona, and Madrid, on October 27th, 2023.<ref>https://x.com/WarpRecords/status/1717850268132389241</ref> Madrid's venue was confirmed on the 30th, coinciding with the general ticket sale at 10:00 CET.<ref>https://x.com/WarpRecords/status/1718937652051718603</ref> New shows were later added for Brussels, The Hague, and Lisbon (second show since the first show already sold out before the announcement) on December 13th, 2023.<ref>https://x.com/WarpRecords/status/1734943097052660077</ref> The last few dates for Krems/Vienna, Lyon, Oslo, Stockholm, Riga, and Copenhagen were confirmed on March 22, 2024.<ref>https://x.com/WarpRecords/status/1771145082055311756</ref><ref>https://www.facebook.com/warprecords/posts/ae-live-2024-new-shows-added-autechrewarpnetshows/407106961956344/?_rdr</ref> DenHaag24 was not released because they forgot to hit record.<ref>https://web.archive.org/web/20240406161357/https://post.lurk.org/@sean_ae/112224480826307858</ref>

Arranged by now wave, Autechre was booked for an exclusive UK show in Manchester for February 22nd, 2025, which was announced on September 18, 2024.<ref>https://x.com/WarpRecords/status/1836359952509567224</ref> About 8 minutes into Manchester25, it catastrophically failed due to the sub of the venue rattling the USB out of Sean's interface<ref>{{Cite AAA2 doc|15}}</ref>. After a 16-minute interruption, the show picked up from where it was interrupted.

On January 21st, 2025, ''twentytwentyfive'' was announced with four shows in Amsterdam, Helsinki, Warsaw, and Berlin.<ref>https://ghostarchive.org/archive/OueqP</ref> On February 26th, nineteen North American shows in October, six UK shows in November, and one additional August Reykjavik show, were all announced, with pre-sale starting on the 27th.<ref>https://ghostarchive.org/archive/OitLD</ref> Later on March 28th, the North American leg was updated: three venue changes, three dates with a second show added, and the addition of three new shows in New Orleans, Louisville, and Washington.<ref>https://ghostarchive.org/archive/Ji35Q</ref> Saint Louis for October 19th was quietly added to the roster in August.

Two ''twentytwentysix'' Japan shows were announced on June 17th, 2025.<ref>[https://x.com/WarpRecords/status/1934924348793495735#m https://x.com/WarpRecords/status/1934924348793495735]</ref> Later on December 2nd, 2025, twentyfive new shows across Europe were anounced, with pre-sale opening on the following day.<ref>https://ghostarchive.org/archive/gkUxG</ref>

=== Release ===
"AE_LIVE_HELSINKI_110922_LTD", which was an unmastered soundboard of the Helsinki22 show, was released early exclusively to attendants of the show due to technical issues during the show.<ref name=":11">{{Cite web|author=RaelGenious|title=Exclusive release incoming for Helsinki attendees|website=Reddit|date=26 September 2022|link=https://www.reddit.com/r/autechre/comments/xobdtd/exclusive_release_incoming_for_helsinki_attendees/|accessdate=25 March 2024}}</ref> 

The first batch of live sets was first casually mentioned by Sean in a brief reply on June 17th, 2023, that the audio was done and they were just waiting for Ian of [[The Designers Republic]] to do the artworks.<ref>https://www.reddit.com/r/autechre/comments/14c1ole/the_audios_all_done_just_waiting_for_ian_to_do/</ref> On August 7th, 2023, Warp sent out an announcement to sign up to Autechre's newsletter.<ref>https://ghostarchive.org/archive/09TE6</ref> The following day, ''AE_LIVE 2022－'' was officially announced,<ref>https://www.reddit.com/r/autechre/comments/15ln5o3/ae_live_2022_out_thursday/</ref> and seven 2022 shows from "AE_LIVE_MILAN_010722" to "AE_LIVE_TURIN_041122" were released individually and as a compilation on the 10th.<ref>https://web.archive.org/web/20230810192322/https://autechre.warp.net/release/408603-autechre-aelive-2022</ref> A limited run of 250 AE_LIVE_Print 2022''－'' posters were also announced for pre-orders on the 24th, which quickly sold out.<ref>https://ghostarchive.org/archive/YN0cj</ref><ref>https://web.archive.org/web/20230928151404/https://autechre.warp.net/release/410988-autechre-aeliveprint-2022</ref>

On October 25th, 2024, Warp again sent out a newsletter sign-up announcement, with 12 dates listed.<ref>https://ghostarchive.org/archive/UYmeC</ref><ref>https://www.instagram.com/warprecords/p/DBjZTuNIg1A/?hl=en</ref> On November 4th, 2024, twelve sets from "AE_MELBOURNE_250823" to "AE_LYON_070524" were released individually and added onto the now renamed compilation ''AE_2022－'', dropping the "LIVE" prefix both in the compilation title and set names.<ref>https://web.archive.org/web/20241104173202/https://autechre.warp.net/release/476436-autechre-ae2022</ref> Sean noted that the idea came from Warp to drop the LIVE part of the naming convention.<ref>https://web.archive.org/web/20241106150525/https://post.lurk.org/@sean_ae/113436310329414162</ref> The compilation was later put up on Bleep and Bandcamp on December 3rd.<ref>https://autechre.bandcamp.com/album/ae-2022</ref><ref>https://bleep.com/release/483225-autechre-ae2022</ref>
==Analysis==
Main analysis by [[User:EnergyIsMassiveLight|EnergyIsMassiveLight]] and [[User:Zythion|Zythion]]. Fan titles taken from the fan-edit compilation TTT－ by FefetaLeixes.<ref>{{Cite web|author=FefetaLeixes|title=AE_2022－EXCLUSIVES (TTT－)|website=Reddit|date=16 November 2024|link=https://www.reddit.com/r/autechre/comments/1gs8qum/ae_2022exclusives_ttt/|accessdate=16 November 2024}}</ref>

Officially released sets are highlighted in bold. Unreleased sets with bootleg recordings are also included, with either clips of the segment or a listed recording with timestamps. Tables have be split for compactness.

Due to the nature of performances, the start and ends of a set may abridge or overextend in a way which don't cleanly fit in the segment splits.

'''<big>The timestamps below are still a work in progress, thus are not final and are subject to change. </big>'''

=== 2022/2023 ===
<div class="noresize">
{| class="wikitable frozen-table"
!
!#1
!#2
!#3
!#4
!#5
!#6
!#7
!#8
!#9
!#10
!#11
!#12
!#13
!#14
!#15
!#16
!#17
!#18
!#19
!#20
!#21
!#22
!#23
!#24
!#25
!#26
!#27
!#28
!#29
!#30
!#31
!#32
!#33
!#34
!#35
|-
|'''MILAN_010722'''
|0:00
|7:06
|12:02
|17:59
|24:20
|31:42
|35:47
|41:09
|46:23
|51:29
|57:40
|62:14
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''ATHENS_050722'''
|0:00
|7:41
|14:16
|20:00
|25:32
|32:54
|36:17
|41:28
|46:42
|51:48
|57:30
|64:02
|69:03
|73:53
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''HELSINKI_110922'''
|0:00
|7:42
|12:50
|18:10
|24:19
|31:41
|35:40
|40:50
|46:38
|51:44
|57:15
|64:27
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''LONDON_071022_A'''
|0:00
|6:12
|9:54
|14:36
|19:20
|26:05
|29:16
|33:18
|37:13
|42:19
|47:13
|53:06
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''LONDON_071022_B'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|5:51
|9:46
|15:26
|22:05
|25:14
|29:29
|32:59
|36:56
|42:50
|46:24
|52:12
|
|
|
|
|
|
|
|
|
|
|-
|'''BERGEN_021122'''
|0:00
|7:00
|10:42
|15:00
|19:19
|26:04
|29:15
|33:16
|37:12
|42:18
|47:08
|52:23
|56:09
|59:47
|63:52
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''TURIN_041122'''
|0:00
|5:59
|9:42
|14:01
|18:19
|25:05
|28:15
|32:17
|36:12
|41:18
|46:09
|52:41
|57:42
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''MELBOURNE_250823'''
|0:00
|7:54
|12:37
|18:22
|24:06
|31:29
|35:29
|40:51
|46:05
|51:11
|56:01
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''SYDNEY_270823'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|5:04
|12:00
|16:24
|21:25
|26:13
|33:24
|38:44
|43:02
|48:26
|52:55
|57:41
|62:35
|67:29
|
|-
|'''VENICE_261023'''
|
|
|
|
|
|
|
|
|0:00
|5:50
|10:41
|15:55
|19:16
|21:05
|23:19
|25:33
|28:53
|34:51
|38:00
|42:16
|45:46
|48:20
|53:36
|57:10
|62:58
|
|
|
|
|
|
|
|
|
|
|-
|'''DUBLIN_291023'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|4:42
|11:39
|16:02
|21:50
|28:28
|38:59
|46:06
|51:07
|56:31
|60:20
|62:50
|66:19
|69:40
| 73:59
|-
| colspan="36" |
|-
|Barcelona_030622 ''[https://www.youtube.com/watch?v=1hgXKUqSf4c <nowiki>[AUD #2]</nowiki>]''
|1:01
|8:18
|12:50
|18:59
|24:45
|32:30
|35:40
|45:31
|48:46
|52:04
|54:39
|59:14
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Tokyo_180823
|
|[https://twitter.com/alphabill/status/1692597066193854709]
|
|
|
|[https://www.instagram.com/_makimusic_/reel/C1eUr_zvbFs/]
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Krakow_061023 ''[AUD #1]''
|0:00
|6:36
|10:42
|15:00
|19:19
|26:04
|29:15
|34:25
|39:40
|47:15
|52:27
|57:41
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|}
</div>

*'''#1''' ''(fan name: T2)''
*'''#2-4''' '''"ecol4"'''<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=So, you can hear a bit of ecol[4] in the set, ecol4 that was basically like the ecol4 that's on PLUS when we started out.}}</ref> ''(fan name: ical7)''
* '''#5-6''' ''(fan name: L cemp)''
*'''#7-8''' Contains elements of '''"F7"''' ''(fan name: F4)''
*'''#9-11''' ''(fan name: prin Cur)''
*'''#12-13''' ''(fan name: asle 1)''
*'''#14-15''' ''(fan name: M3 Luni)''
*'''#16-18''' ''(fan name: osin PM)''
*'''#19-20''' ''(fan name: nal.1)''
*'''#21-23''' ''(fan name: corcine)''
** One sample that gets scratched in this segment is the "It's time to change!" sample from Jan and Dean's [https://youtu.be/beri03qdlEM?t=70 "A Stench in Time"]. It should be noted that the same sample is present in Chris The Glove Taylor's [https://youtu.be/EE4_K9HTsto?t=130 "Itchiban Scratch"] which appeared in multiple of Autechre mixes, including 2015's Dekmantel mix.
*'''#24-25''' ''(fan name: drane3)''
**A sample used in the segment is Beside's "Change The Beat", specifically [https://www.youtube.com/watch?v=UbGtcLGQr9o the famous Fresh sample].
*'''#26-27''' Contains the [https://www.youtube.com/watch?v=jgMArRJswIQ 12/15/22 demo] ''(fan name: three tone)''
** In the top right corner of the demo, "three tone" is shown as a column name.<ref>{{Cite AAA2 doc|81}}</ref>
**In the demo, one of the files loaded into the sampler sample9scr2 is Gap Band's [https://www.youtube.com/watch?v=zSsXRWhfN3w&pp=ygUpQnVybiBSdWJiZXIgT24gTWUgKFdoeSBZb3UgR290dGEgSHVydCBNZSk%3D "Burn Rubber On Me (Why You Wanna Hurt Me)"], specifically the "tyre screech faster" part at the start.
*'''#28-31''' Contains the [https://www.youtube.com/watch?v=3poN6FDyB28 12/10/22 demo] ''(fan name: 2MM lv)''
**Alt text: "A video showing a modelled snare drum roughly emulating the snare drum from When The Levee Breaks by Led Zeppelin". Description by Sean: “Reasonable facsimile of the Levee Breaks snare from a model made of water and spider silk (?!) who knew”
**The snare4ml shown is an example snare instrument from [https://forum.ircam.fr/projects/detail/modalys/ Modalys for Max], with Modalys also appearing in the 12/15/22 demo for its custom-made clarinet instrument.<ref>Observation by sfn / Davide Vin</ref>
*'''#32-33''' ''(fan name: vineseve)''
*'''#34-35''' ''(fan name: cata7)''

===2024===
<div class="noresize">
{| class="wikitable frozen-table"
!
!#21
!#22
!#23
!#24
!#25
!#26
!#27
!#28
!#29
!#30
!#31
!#32
!#33
!#34
!#35
!#36
!#37
!#38
!#39
!#40
!#41
!#42
!#43
!#44
!#45
!#46
!#47
!#48
!#49
!#50
!#51
|-
|'''BRUSSELS_040424'''
|0:00
|5:23
|11:53
|15:57
|20:58
|25:46
|33:14
|38:03
|42:08
|47:22
|51:01
|54:55
|59:03
|62:59
|67:38
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''PARIS_060424'''
|0:00
|5:06
|11:37
|15:21
|20:13
|25:01
|31:06
|36:41
|40:02
|44:39
|48:59
|52:33
|56:33
|60:29
|66:03
|72:52
|78:24
|82:20
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''RENNES_070424'''
|
|
|
|0:00
|6:10
|10:23
|17:49
|22:23
|27:04
|35:33
|39:40
|43:33
|47:56
|52:09
|57:22
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''BARCELONA_090424'''
|
|
|
|0:00
|5:01
|10:44
|18:27
|23:32
|27:14
|32:18
|36:30
|40:42
|44:32
|48:45
|53:57
|60:58
|66:07
|70:39
|74:25
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''MADRID_100424'''
|
|
|
|0:00
|5:30
|10:37
|18:20
|24:12
|28:23
|33:47
|38:47
|43:01
|46:58
|52:01
|56:41
|62:50
|68:04
|70:59
|74:58
|78:35
|
|
|
|
|
|
|
|
|
|
|
|-
|'''LISBON_120424_B'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|6:49
|12:02
|16:02
|20:17
|26:43
|33:29
|37:44
|43:52
|47:02
|51:29
|57:47
|
|
|
|
|-
|'''KREMS_270424'''
|0:00
|4:42
|10:34
|14:07
|19:17
|25:20
|32:15
|38:05
|42:09
|47:24
|51:17
|55:05
|59:28
|63:40
|68:09
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''LYON_070524'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|5:01
|9:18
|13:43
|16:54
|23:33
|29:55
|34:52
|41:31
|44:40
|49:08
|55:36
|62:29
|71:30
| 75:30
|83:09
|-
| colspan="32" |
|-
|Den_Haag_050424 ''[https://www.youtube.com/watch?v=xlpOlC8Yn94 <nowiki>[AUD #1c]</nowiki>]''
|
|
|0:14
|4:38
|9:40
|14:28
|21:39
|26:13
|29:34
|34:18
|38:38
|42:35
|47:02
|51:23
|56:35
|64:14
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Lisbon_120424_A ''[AUD #1]''
|0:00
|3:34
|10:15
|13:38
|18:19
|22:50
|29:42
|34:32
|37:32
|42:35
|46:25
|50:19
|53:58
|57:27
|62:17
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Oslo_300924 ''[https://www.youtube.com/watch?v=a2BBmb_0B0k <nowiki>[AUD #1]</nowiki>]''
|0:03
|4:33
|11:09
|14:50
|20:40
|26:05
|34:17
|38:34
|43:00
|48:24
|52:22
|56:11
|60:57
|65:18
|69:47
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Stockholm_021024 ''[https://www.youtube.com/watch?v=KCKl8qwx_O4 <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:06
|5:58
|10:22
|13:28
|16:40
|23:18
|29:31
|35:11
|41:49
|44:59
|49:27
|55:53
|62:58
| 70:57
|74:16
|
|-
|Riga_041024 ''[AUD #1]''
|
|
|
|0:00
|4:31
|10:14
|18:30
|24:35
|29:00
|34:55
|38:55
|42:48
|46:14
|49:02
|52:14
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Copenhagen_061024 ''[AUD #2]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:02
|6:56
|11:06
|15:28
|19:19
|26:59
|33:12
|38:52
|45:31
|48:40
|53:08
|59:36
|67:09
|74:31
|78:30
|85:19
|}
</div>

* '''#36''' ''(fan name: luxes n2)''
* '''#37-39''' Contains elements of the [https://www.youtube.com/watch?v=UE8ug56Ijls 07/26/23 demo] ''(fan name: aurorsle)''
**Alt text: "a max sequencer with a matrixctrl driving a prob object (first order markov chain)". Description by Sean: "after someone pointed out that our cascade sequencer was in fact a simple markov chain i made a version with weights instead of switches. quick demo:"<ref name=":7" />
*'''#40''' ''(fan name: 3sc)''
*'''#41-42''' Contains the underlying segment in the [https://www.youtube.com/watch?v=_R3JorLEwNE 12/16/23 demo] without manipulations ''(fan name: 1qry)''
**Alt text: "fuckery". Description by Sean: "This has to be illegal". The effect is achieved using a realtime phase vocoder.<ref name=":1" />
*'''#43-44''' ''(fan name: TSS TV)''
*'''#45-46''' ''(fan name: P void)''
*'''#47-48''' Contains the manipulations from the [https://www.youtube.com/watch?v=_R3JorLEwNE 12/16/23 demo] ''(fan name: r enc LT)''
*'''#49-51''' ''(fan name: newfree－)''

===2025===
<div class="noresize">
{| class="wikitable frozen-table"
!
!#36
!#37
!#38
!#39
!#40
!#41
!#42
!#43
!#44
!#45
!#46
!#47
!#48
!#49
!#50
!#51
!#52
!#53
!#54
!#55
!#56
!#57
!#58
!#59
!#60
!#61
!#62
!#63
|-
| colspan="29" |
|-
|Manchester_220225 ''[AUD #3]''
|0:17
|7:33*
|27:33
|31:32
|35:22
|42:00
|48:13
|53:53
|60:30
|63:42
|68:10
|71:56?
|78:49?
|84:45
|88:10
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Amsterdam_060825 [https://www.reddit.com/r/autechre/comments/1mjiplt/autechre_live_2025_amsterdam_bootleg/ ''<nowiki>[AUD #1]</nowiki>'']
|0:11
|7:25
|12:18
|16:17*
|4:42
|11:21
|18:18
|23:14
|30:22
|32:52
|38:35
|44:45
|49:24
|55:27
|59:25
|68:44
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Helsinki_080825 [https://www.youtube.com/watch?v=VFyaWvlcZbY ''<nowiki>[AUD #1]</nowiki>'']
|
|0:02
|7:32
|11:31
|15:21
|22:00
|30:48
|36:27
|43:16
|45:47
|48:20
|54:36
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Warsaw_100825 [https://www.youtube.com/watch?v=P8m1fGvDzjM ''<nowiki>[AUD #1]</nowiki>'']
|0:06
|5:57
|11:17
|15:17
|19:06
|25:45
|32:41
|39:14
|45:54
|48:24
|52:03
|59:47
|64:04
|70:30
|73:09
|79:48?
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Berlin_130825 [https://www.youtube.com/watch?v=Nv4GzfXxr6o ''<nowiki>[AUD #1]</nowiki>'']
|0:00
|3:56
|8:48
|12:47
|17:28
|24:07
|28:51
|33:47
|38:48
|41:00
|45:28
|50:56
|56:20
|62:00
|64:18
|70:15
|77:30
|
|
|
|
|
|
|
|
|
|
|
|-
|Reykjavik_150825 ''[AUD #1]''
|0:03
|6:38
|11:30
|15:28
|20:11
|26:48
|33:44
|38:41
|45:20
|48:30
|52:58
|58:26?
|64:10
|69:28
|72:08
|78:07?
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Denver_011025 ''[https://www.youtube.com/watch?v=7yXBKJev7uM <nowiki>[MAT #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:10
|3:30
|9:29
|16:41
|23:54
|30:12
|36:46
|42:24
|47:20
|50:43
|55:16
|61:48
|69:30
|74:47
|
|-
|Minneapolis_031025
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|[https://www.youtube.com/watch?v=HSpgNnFz8Lg]
|
|[https://www.youtube.com/watch?v=HSpgNnFz8Lg]
|
|
|[https://www.youtube.com/watch?v=HSpgNnFz8Lg]
|
|
|
|
|[https://www.youtube.com/watch?v=HSpgNnFz8Lg]
|
|
|
|-
|Vancouver_051025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:16
|3:36
|9:35
|16:47
|24:00
|30:19
|36:52
|42:30
|47:27
|50:50
|55:22
|61:55
|69:36
|74:53
|82:08
|-
|Seattle_061025_A ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|4:30
|7:47
|13:46
|20:58
|28:11
|34:30
|41:03
|46:40
|51:39
|55:00
|59:33
|66:06
|73:47
|79:37
|87:54
|-
|Seattle_061025_B ''[http://www.youtube.com/watch?v=taArl7VS1Eo <nowiki>[AUD #2]</nowiki>]''
|0:00
|7:39
|12:31
|16:30
|20:20
|26:58
|33:11
|38:51
|45:30
|48:40
|53:55
|58:36
|65:10
|73:39
|77:59
|83:57
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Portland_071025 ''[https://www.youtube.com/watch?v=v26MX-pXswc <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|1:15
|4:32
|10:31
|16:57
|24:10
|30:28
|37:02
|42:38
|47:36
|50:59
|55:31
|62:28
|70:09
|75:59
|84:19
|-
|San_Francisco_091025 ''[https://www.reddit.com/r/autechre/comments/1o33ktm/sf_recording/ <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:12
|3:29
|9:28
|16:43
|23:56
|30:14
|36:48
|42:24
|47:57
|51:20
|55:52
|62:25
|70:06
|75:23
|81:41
|-
|Los_Angeles_101025_A ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|15:11
|19:23
|25:21
|32:34
|39:47
|46:05
|52:39
|58:17?
|63:13
|66:37
|71:09
|77:41
|85:23
|90:40
|97:03
|-
|Los_Angeles_101025_B ''[https://www.youtube.com/watch?v=ZTHHOq-W4qM <nowiki>[AUD #3]</nowiki>]''
|0:04
|7:18
|12:11
|17:03
|22:09
|34:01
|39:18
|44:58
|51:37
|54:46
|59:14
|64:42
|72:39
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Mexico_City_121025 ''[https://www.youtube.com/watch?v=5D7bbBprSlg <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:07
|3:26
|9:25
|16:38
|23:51
|31:05
|40:55
|46:59
|53:49
|57:39
|62:10
|68:44
|76:25
|82:04
|
|-
|Austin_141025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|?
|?
|?
|?
|?
|?
|?
|?
|0:00
|2:55
|7:53
|19:01?
|27:36?
|32:53
|39:03
|-
|New_Orleans_151025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:07
|4:07
|10:06
|16:39
|23:52
|31:25
|41:15
|48:46
|55:21
|59:52
|65:55
|74:06
|81:48
|89:48
|
|-
|Birmingham_161025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:02
|3:19
|9:19
|16:31
|23:43
|30:03
|36:36
|42:51
|48:31
|51:54
|57:44
|65:55
|75:57
|81:14
|86:51
|-
|Atlanta_171025 ''[https://archive.org/details/ae-atlanta-101725 <nowiki>[AUD #2]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:44
|4:41
|10:39
|17:52
|25:05
|31:24
|37:57
|43:36
|48:32
|52:35
|58:38
|65:36
|73:18
|79:08
|85:54
|-
|Louisville_181025 [https://www.reddit.com/r/autechre/comments/1oajcyw/louisville_recording/ ''<nowiki>[AUD #1]</nowiki>'']
|
|
|
|
|
|
|
|
|
|
|
|
|
|13:10
|16:35
|22:34
|29:46
|36:59
|42:03?
|49:51
|55:29
|60:07
|64:13
|69:09
|76:07
|83:48
|89:05
|95:20
|-
|Saint_Louis_191025
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|[https://bsky.app/profile/esopus.bsky.social/post/3m3lwrxkpv22n]
|
|
|[https://bsky.app/profile/esopus.bsky.social/post/3m3lwrxkpv22n]
|[https://bsky.app/profile/esopus.bsky.social/post/3m3lwrxkpv22n]
|[https://bsky.app/profile/esopus.bsky.social/post/3m3lwrxkpv22n]
|
|
|-
|Chicago_201025 ''[https://www.reddit.com/r/autechre/comments/1oc5pvv/chicago_recording/ <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|?
|?
|0:00
|8:56
|16:09
|23:23
|33:13
|39:40
|44:37
|49:07
|54:32
|61:28
|69:10
|75:10
|
|-
|Detroit_211025 ''[https://www.reddit.com/r/autechre/comments/1oczdtj/de2roit_recording/?share_id=pIDaWtl6WXIITMGJPC3dD&utm_name=androidcss <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:06
|2:48
|9:46
|19:57
|28:48
|38:53
|49:31
|55:02
|61:45
|65:21
|69:54
|76:38
|84:20
|91:04?
|
|-
|Toronto_221025 ''[https://www.youtube.com/watch?v=j46NGrb86o8 <nowiki>[AUD #2]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:05
|2:47
|9:26
|16:58
|25:49
|31:51?
|41:29
|48:16
|54:23
|57:46
|62:19
|68:51
|76:32
|82:00
|
|-
|Montreal_241025 ''[https://www.reddit.com/r/autechre/comments/1orrp44/montreal_october_24_2025_autechre_mark_broom_and/ <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|14:06
|16:46
|22:45
|29:37
|37:20
|45:50
|54:10
|61:27
|67:06
|70:42
|75:41
|82:14
|89:54
|96:16?
|
|-
|New_York_251025_A ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|2:38
|8:37
|15:35
|23:56
|30:24?
|38:46
|45:48
|52:09
|56:13
|61:37
|68:10
|75:51
|
|
|-
|New_York_251025_B ''<nowiki>[AUD #1]</nowiki>''
|3:50
|10:24
|16:54
|21:33
|26:39
|35:31
|43:47
|48:45?
|55:21
|57:54
|62:23
|67:50?
|75:53?
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Philadelphia_261025 ''[AUD #2]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|?
|0:00
|5:18
|13:30
|21:22
|28:20
|35:11
|41:57
|46:54
|50:17
|55:02
|61:35
|69:16
|75:16
|
|-
|Boston_271025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|2:42
|8:41
|20:52
|34:27?
|40:51
|47:25
|53:55
|59:33
|63:50
|68:23
|74:52
|82:37
|
|
|-
|Portsmouth_281025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:06
|2:48
|9:26
|16:46
|24:58
|32:36
|39:42
|45:18?
|53:06
|57:35
|62:35
|69:08
|76:49
|84:16
|
|-
|Washington_291025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|2:35
|8:34
|15:46
|22:59
|30:13
|40:03
|46:16
|51:55
|56:25
|62:02
|68:32
|76:14
|82:04
|
|-
|Glasgow_021125 [https://www.youtube.com/watch?v=Kju7284zNYI ''<nowiki>[AUD #1]</nowiki>'']
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|3:22
|9:21
|17:26
|24:36
|30:55
|37:46
|44:16
|49:40
|53:17
|57:49
|64:21
|72:03
|80:03
|
|-
|Newcastle_031125 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|2:40
|9:59
|18:50
|27:22
|35:53
|43:55
|50:42
|56:48
|61:19
|66:31
|73:03
|80:44
|87:17
|
|-
|Leeds_041125 [https://forum.keyosc.com/topic/1403-ae_leeds_041125_aud/ ''<nowiki>[AUD #1]</nowiki>'']
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:06
|2:47
|10:05
|21:36
|32:25
|41:53
|49:39
|56:55
|62:19
|66:36
|71:09
|78:29
|86:11
|
|
|-
|Brighton_051125
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|[https://www.youtube.com/watch?v=fTCP1vOdSLE]
|
|
|[https://www.youtube.com/watch?v=N-FleEClqiw]
|[https://www.youtube.com/watch?v=Ul-dIAY4sLo]
|[https://www.youtube.com/watch?v=EBAvIJYjXHs]
|
|
|[https://www.youtube.com/watch?v=TTsOyX4ENzQ]
|[https://www.youtube.com/watch?v=ncrwigwhnMk]
|[https://www.youtube.com/watch?v=JfKMDKFnmf4]
|
|-
|Bristol_061125
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|[https://www.youtube.com/watch?v=nUelUQPTGrE]
|
|
|
|
|
|
|-
|Belfast_071125 ''[https://www.mixcloud.com/keyfumbler/autechre-belfast-2025/ <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:02
|2:49
|8:48
|16:00
|25:11
|31:30
|38:03
|44:51
|50:57
|55:28
|60:26
|66:59
|74:40
|83:13?
|
|}
</div>

*'''#52'''
*'''#53''' Contains the 09/23/24 demo “playing with stereo”<ref name=":8">https://web.archive.org/web/20240928141307/https://post.lurk.org/@sean_ae/113186625238764271</ref> and a sound from [[Incunabula#Basscadet|"Basscadet"]]<ref>https://web.archive.org/web/20251013032707/https://post.lurk.org/@sean_ae/115363631277006962</ref>
*'''#54'''
*'''#55''' Contains the [https://www.youtube.com/watch?v=6GRNWAkIlQQ 01/07/25 demo “quick gong jam”]<ref name=":9">https://web.archive.org/web/20250107140034/https://post.lurk.org/@sean_ae/113786941624175064</ref>
*'''#56'''
*'''#57'''
*'''#58'''
*'''#59'''
*'''#60'''
*'''#61'''
*'''#62'''
*'''#63'''

=== 2026 ===
<div class="noresize">
{| class="wikitable frozen-table"
!
!#49
!#50
!#51
!#52
!#53
!#54
!#55
!#56
!#57
!#58
!#59
!#60
!#61
|-
| colspan="14" |
|-
|Tokyo_040226 ''<nowiki>[AUD #1]</nowiki>''
|17:06
|20:26
|26:25
|33:37
|40:50
|47:27
|54:01
|60:48
|65:44
|69:07
|73:41
|80:12
|87:54
|}
</div>

===Footnotes===

*Performance anomalies (not including irregular start/end points)
** Barcelona22 - '''#7''' played twice in a row
**Dublin23 - unique variant of '''#32'''
**Rennes24 - unique interlude in '''#29''' before restarting the section.
**Manchester25 - halted at start of '''#37''', then restarted. Also during '''#46,''' it briefly plays a bit of '''#40''' before returning to normal setlist.
**Amsterdam25 - halted during '''#39''', then restarted.
**Austin25 - unique interlude in '''#60'''
**Louisville25 - unique interlude in '''#56'''
**Detroit25 - unique interlude in '''#54'''
**Boston25 - unique interlude in '''#52'''

==Tour Dates==
See ''[[List of Live Shows]]''
<div style="column-count:2">
*[[2022-06-03 Barcelona, Spain @ Auditori Rockdelux (Primavera 2022)]]
*'''[[2022-07-01 Milan, Italy @ Villa Arconati (Terraforma 2022)]]'''
*'''[[2022-07-05 Athens, Greece @ Odeon of Herodes Atticus (Athens Epidaurus Festival)]]'''
*'''[[2022-09-11 Helsinki, Finland @ Musiikkitalo]]''' ''(+ Ilpo Väisänen)''
*'''[[2022-10-07 London, England, UK @ Barbican Centre (show A)]]''' ''(+ Zoviet France)''
*'''[[2022-10-07 London, England, UK @ Barbican Centre (show B)]]'''
*'''[[2022-11-02 Bergen, Norway @ Østre (Ekko Festival 2022)]]'''
*'''[[2022-11-04 Turin, Italy @ Lingotto Fiere (Club 2 Club 2022)]]'''
*[[2023-08-18 Tokyo, Japan @ Makuhari Messe (SONICMANIA 2023)]]
*'''[[2023-08-25 Melbourne, Australia @ Royal Exhibition Building (Now or Never 2023)]]'''
*'''[[2023-08-27 Sydney, Australia @ City Recital Hall (Switched On 2023)]]''' ''(+ Actress, E. Fishpool)''
*[[2023-10-06 Kraków, Poland @ Teatr Łaźnia Nowa (Unsound 2023)]]
*'''[[2023-10-26 Venice, Italy @ Teatro alle Tese (Biennale Musica 2023)]]'''
*'''[[2023-10-29 Dublin, Ireland @ Vicar Street]]''' ''(+ Minced Oath)''
*'''[[2024-04-04 Brussels, Belgium @ Ancienne Belgique (BRDCST ‘24)]]''' ''(+ Russell Haswell)''
*[[2024-04-05 Den Haag, Netherlands @ Grote Kerk (Rewire Festival 2024)]]
*'''[[2024-04-06 Paris, France @ Le Trianon]]''' ''(+ Aho Ssan)''
*'''[[2024-04-07 Rennes, France @ Antipode]]''' ''(+ Lime68k)''
*'''[[2024-04-09 Barcelona, Spain @ Sala Apolo (MUTEK Barcelona 2024)]]''' ''(+ Roméo Poirier & Ohme)''
*'''[[2024-04-10 Madrid, Spain @ La Sala]]'''
*[[2024-04-12 Lisbon, Portugal @ Culturgest (show A)]]
*'''[[2024-04-12 Lisbon, Portugal @ Culturgest (show B)]]'''
*'''[[2024-04-27 Krems, Austria @ Stadtsaal Krems (Donaufestival 2024)]]'''
*'''[[2024-05-07 Lyon, France @ Le Transbordeur (Nuits Sonores 2024)]]'''
*[[2024-09-30 Oslo, Norway @ Sentrum Scene]] ''(+ Kristoffer Lislegaard)''
*[[2024-10-02 Stockholm, Sweden @ Slaktkyrkan]] ''(+ Undveld)''
*[[2024-10-04 Riga, Latvia @ Hanzas Perons (Skaņu Mežs’ 2024)]]
*[[2024-10-06 Copenhagen, Denmark @ VEGA]] ''(+ SØS Gunver Ryberg)''
*[[2025-02-22 Manchester, England, UK @ New Century]] ''(+ SDEM, edv3ctor, DJ Rob Hall)''
*[[2025-08-06 Amsterdam, Netherlands @ Melkweg]] ''(+ Roel Funcken, Russell Haswell)''
*[[2025-08-08 Helsinki, Finland @ Flow Festival 2025]]
*[[2025-08-10 Warsaw, Poland @ Klub Progresja]] ''(+ Russell Haswell, Ann On Bast)''
*[[2025-08-13 Berlin, Germany @ ASTRA Kulturhaus]] ''(+ Russell Haswell, ACLDS)''
*[[2025-08-15 Reykjavík, Iceland @ Harpa]] ''(+ sideproject, John McCowen)''
*[[2025-10-01 Denver, CO, USA @ Ogden Theatre]] ''(+ Mark Broom, C. Reider)''
*[[2025-10-03 Minneapolis, MN, USA @ Icehouse]] ''(+ Mark Broom, deep glens)''
*[[2025-10-05 Vancouver, Canada @ Hollywood Theatre]] ''(+ Mark Broom)''
*[[2025-10-06 Seattle, WA, USA @ The Crocodile (show A)]] ''(+ Mark Broom)''
*[[2025-10-06 Seattle, WA, USA @ The Crocodile (show B)]] ''(+ Mark Broom)''
*[[2025-10-07 Portland, OR, USA @ The Den]] ''(+ Mark Broom, Cygnus)''
*[[2025-10-09 San Francisco, CA, USA @ Regency Ballroom]] ''(+ Mark Broom, Cygnus)''
*[[2025-10-10 Los Angeles, CA, USA @ Belasco Theater (show A)]] ''(+ Mark Broom)''
*[[2025-10-10 Los Angeles, CA, USA @ Belasco Theater (show B)]] ''(+ Mark Broom)''
*[[2025-10-12 Mexico City, Mexico @ MUTEK MX]] ''(+ Leslie García)''
*[[2025-10-14 Austin, TX, USA @ Kingdom Nightclub]] ''(+ Mark Broom, tsrono)''
*[[2025-10-15 New Orleans, LA, USA @ Joy Theatre]] ''(+ Mark Broom, tsrono)''
*[[2025-10-16 Birmingham, AL, USA @ Saturn]] ''(+ Mark Broom, Cygnus)''
*[[2025-10-17 Atlanta, GA, USA @ Terminal West]] ''(+ Mark Broom, Cygnus)''
*[[2025-10-18 Louisville, KY, USA @ Portal]] ''(+ Mark Broom, deep glens)''
*[[2025-10-19 Saint Louis, MO, USA @ Delmar Hall]] ''(+ Mark Broom, deep glens)''
*[[2025-10-20 Chicago, IL, USA @ Concord Hall]] ''(+ Mark Broom, deep glens)''
*[[2025-10-21 Detroit, MI, USA @ Building 6, Russell Industrial Center]] ''(+ Mark Broom, nnirror)''
*[[2025-10-22 Toronto, Canada @ Danforth Hall]] ''(+ Mark Broom)''
*[[2025-10-24 Montreal, Canada @ Société des arts technologiques]] ''(+ Mark Broom, nixtrove)''
*[[2025-10-25 New York, NY, USA @ Brooklyn Steel (show A)]] ''(+ Mark Broom)''
*[[2025-10-25 New York, NY, USA @ Brooklyn Steel (show B)]] ''(+ Mark Broom)''
*[[2025-10-26 Philadelphia, PA, USA @ Union Transfer]] ''(+ Mark Broom, William Fields)''
*[[2025-10-27 Boston, MA, USA @ Paradise]] ''(+ Mark Broom, Cube)''
*[[2025-10-28 Portsmouth, NH, USA @ 3S Artspace]] ''(+ Mark Broom, Cube)''
*[[2025-10-29 Washington, DC, USA @ Howard Theatre]] ''(+ Mark Broom, Cube)''
*[[2025-11-02 Glasgow, Scotland, UK @ SWG3]] ''(+ Mark Broom, Russell Haswell)''
*[[2025-11-03 Newcastle, England, UK @ Digital]] ''(+ Mark Broom, Russell Haswell)''
*[[2025-11-04 Leeds, England, UK @ Project House]] ''(+ Mark Broom, SDEM)''
*[[2025-11-05 Brighton, England, UK @ Chalk]] ''(+ Mark Broom, Alex Peverett)''
*[[2025-11-06 Bristol, England, UK @ The Prospect Building]] ''(+ Mark Broom, William Telford & Tobias Hilder)''
*[[2025-11-07 Belfast, Northern Ireland, UK @ Mandela Hall]] ''(+ Mark Broom, S>>D)''
*[[2026-02-04 Tokyo, Japan @ ZEPP Divercity]] ''(+ Kohei Matsunaga)''
*[[2026-02-05 Osaka, Japan @ Yogibo META VALLEY]] ''(+ Kohei Matsunaga)''
*2026-09-24 Liège, Belgium @ OM
*2026-09-25 Zurich, Switzerland @ Rote Fabrik
*2026-09-26 Munich, Germany @ Muffathalle
*2026-09-27 Prague, Czechia @ Lunchmeat Festival
*2026-09-28 Wrocław, Poland @ Zaklęte Rewiry
*2026-09-29 Vienna, Austria @ Gasometer
*2026-09-30 Zagreb, Croatia @ Tvornica Kulture
*2026-10-01 Belgrade, Serbia @ Ložionica
*2026-10-02 Skopje, North Macedonia @ MKC
*2026-10-03 Athens, Greece @ Universe
*2026-10-04 Thessaloniki, Greece @ Block33
*2026-10-06 Sofia, Bulgaria @ Toplocentrala
*2026-10-07 Bucharest, Romania @ Club Guesthouse
*2026-10-09 Ljubljana, Slovenia @ Cukrarna
*2026-10-10 Bologne, Italy @ Estragon
*2026-10-11 Milan, Italy @ Alcatraz
*2026-10-12 Geneva, Switzerland @ L'usine
*2026-10-13 Marseille, France @ Cabaret aléatoire
*2026-10-14 Paris, France @ Bataclan
*2026-10-15 Nantes, France @ Le Lieu Unique
*2026-10-16 Lille, France @ L'Aéronef
*2026-10-17 Nijmegen, Netherlands @ Doornroosje
*2026-10-20 Dublin, Ireland @ Vicar Street
*2026-10-22 Cardiff, Wales, UK @ Depot
*2026-10-24 London, England, UK @ Magazine
</div>

==Trivia==

*The CAT number, WARP444, was likely specifically requested by Autechre, to reference the song "444" off their first album, ''[[Incunabula]]''.
*The 2023 compilation cover consisted of all seven individual set art from the first batch overlaid on top of each other.
*A variant of "7th slip" is present in Rob's side of the live set.<ref>https://web.archive.org/web/20241107160026/https://post.lurk.org/@sean_ae/113441779347595762</ref>
*When asked which 2022 show's crowd smelt the best so far, Sean replied "the italians obviously" at Milan22.<ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Tebbisimo: which crowd in '22 smelt the best so far?''' XH HX: the italians obviously}}</ref>
* A font used across promotional material is [https://lineto.com/typefaces/circular-mono Circular Mono].
* The drone patch that is played before a show starts was initially made by Sean for sleeping to.<ref>https://web.archive.org/web/20251211131904/https://post.lurk.org/@sean_ae/115689685840443594</ref>

==Gallery==
<gallery>
File:AE LIVE 2022.jpg|AE_LIVE 2022－(2023 compilation cover)
File:AE LIVE MILAN 010722.jpg|AE_MILAN_010722
File:AE LIVE ATHENS 050722.jpg|AE_ATHENS_050722
File:AE LIVE HELSINKI 110922.jpg|AE_HELSINKI_110922
File:AE LIVE LONDON 071022 A.jpg|AE_LONDON_071022_A
File:AE LIVE LONDON 071022 B.jpg|AE_LONDON_071022_B
File:AE LIVE BERGEN 021122.jpg|AE_BERGEN_021122
File:AE LIVE TURIN 041122.jpg|AE_TURIN_041122
File:AE MELBOURNE 250823.jpg|AE_MELBOURNE_250823
File:AE SYDNEY 270823.jpg|AE_SYDNEY_270823
File:AE VENICE 261023.jpg|AE_VENICE_261023
File:AE DUBLIN 291023.jpg|AE_DUBLIN_291023
File:AE BRUSSELS 040424.jpg|AE_BRUSSELS_040424
File:AE PARIS 060424.jpg|AE_PARIS_060424
File:AE RENNES 070424.jpg|AE_RENNES_070424
File:AE BARCELONA 090424.jpg|AE_BARCELONA_090424
File:AE MADRID 100424.jpg|AE_MADRID_100424
File:AE LISBON 120424 B.jpg|AE_LISBON_120424_B
File:AE KREMS 270424.jpg|AE_KREMS_270424
File:AE LYON 070524.jpg|AE_LYON_070524
</gallery>

==Tracklist==
{{Tracklist|list=
{{tl section|section=AE_LIVE 2022－ (batch 1)}}
{{tl track|number=1|title=AE_MILAN_010722 (previously AE_LIVE_MILAN_010722)|length=1:06:56}}
{{tl track|number=2|title=AE_ATHENS_050722 (previously AE_LIVE_ATHENS_050722)|length=1:20:03}}
{{tl track|number=3|title=AE_HELSINKI_110922 (previously AE_LIVE_HELSINKI_110922)|length=1:11:07}}
{{tl track|number=4|title=AE_LONDON_071022_A (previously AE_LIVE_LONDON_071022_A)|length=59:48}}
{{tl track|number=5|title=AE_LONDON_071022_B (previously AE_LIVE_LONDON_071022_B)|length=59:33}}
{{tl track|number=6|title=AE_BERGEN_021122 (previously AE_LIVE_BERGEN_021122)|length=1:07:59}}
{{tl track|number=7|title=AE_TURIN_041122 (previously AE_LIVE_TURIN_041122)|length=1:00:45}}
{{tl section|section=AE_2022－ (batch 2)}}
{{tl track|number=8|title=AE_MELBOURNE_250823|length=1:00:36}}
{{tl track|number=9|title=AE_SYDNEY_270823|length=1:12:08}}
{{tl track|number=10|title=AE_VENICE_261023|length=1:09:30}}
{{tl track|number=11|title=AE_DUBLIN_291023|length=1:20:18}}
{{tl track|number=12|title=AE_BRUSSELS_040424|length=1:15:01}}
{{tl track|number=13|title=AE_PARIS_060424|length=1:27:08}}
{{tl track|number=14|title=AE_RENNES_0070424|length=1:05:27}}
{{tl track|number=15|title=AE_BARCELONA_090424|length=1:19:11}}
{{tl track|number=16|title=AE_MADRID_100424|length=1:26:27}}
{{tl track|number=17|title=AE_LISBON_120424_B|length=1:02:42}}
{{tl track|number=18|title=AE_KREMS_270424|length=1:15:40}}
{{tl track|number=19|title=AE_LYON_070524|length=1:27:44}}
{{tl finaltime|time=22:48:04}}
}}

==Links==

*[https://autechre.warp.net/release/408603-autechre-aelive-2022 AE_STORE]
*[https://bleep.com/release/430787-autechre-aelive-2022 Bleep]
*[https://www.discogs.com/master/3199512-Autechre-AE_LIVE-2022 Discogs]
*[https://twitter.com/WarpRecords/status/1689637725731954688 Announcement Tweet]

==References==
<references />
[[Category:Live]]
[[Category:Compilation]]

List of Live Shows

2026-02-22T16:42:45Z

EnergyIsMassiveLight: rob dj set

Bolded entries have officially been released.

Basic list sourced from other mega lists (with varying degrees of accuracy) here<ref name=":10">https://www.songkick.com/artists/49992-autechre/gigography</ref><ref name=":18">https://ra.co/dj/autechre/tour-dates</ref><ref name=":19">https://forum.watmm.com/topic/69749-essential-autechre-live-sets/#comments</ref><ref name=":20">https://www.loudmemories.com/artists/autechre-500</ref><ref name=":33">https://www.setlist.fm/setlists/autechre-2bd6a47a.html</ref><ref name=":21">https://www.last.fm/music/Autechre/+events</ref>, and then replaced with more specific sources as needs be.

Citations are grouped by the following types: ''REC'' (recording metadata), ''VEN'' (promotional material of show from venue), ''LIST'' (listings from Autechre, venue or some other advertisement), ''ATTE'' (attendance evidence like posts at location or tickets), ''DESC'' (description, testimony, anecdotes, reviews from Autechre or other attendees) and ''ETC'' (from megalists, low reliability).

Recordings are labelled as either AUD (Audience), SBD (Soundboard), or MAT (Matrix). If the show listing has a dedicated page, then Yes or No is listed, alongside how complete they are.

Last column [S] refers to reliability of the listing with a rating like B2. A=correct/sourced, B=incomplete info/sourcing, C=conflicting details. Combined with 1=real, 2=listed by weak source, 3=speculative. Recordings are either label part(s) for short clips, partial for substantive portions, or full for majority/all of the show. If a show can confidently be asserted to have been performed, the information is moved to a dedicated page. 
== 1991-2000 ==

=== 1991 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|June 4
| colspan="3" |[[1991-06-04 Rochdale, England, UK @ Sweatbox 2 (Bojangles)|Rochdale, England, UK @ Sweatbox 2 (Bojangles)]]
|Yes [Full, AUD]
|
|}

=== 1993 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|October 15
| colspan="3" |[[1993-10-15 Birmingham, England, UK @ Bonds (Oscillate)|Birmingham, England, UK @ Bonds (Oscillate)]]
|Yes [Full, AUD]
|
|-
|December 2
| colspan="3" |[[1993-12-02 Manchester, England, UK @ The Planet|Manchester, England, UK @ The Planet]]
|No
|
|-
|December 14
| colspan="3" |[[1993-12-14 London, England, UK @ Heaven|London, England, UK @ Heaven]]
|No
|
|-
|December 17
| colspan="3" |[[1993-12-17 London, England, UK @ Powerhaus|London, England, UK @ Powerhaus]]
|No
|
|}

=== 1994 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|January 14
|London, England, UK
|The Robey (Club Dog All Nighter)
|LIST<ref>https://www.flickr.com/photos/nothingelseon/53058133553/in/album-72177720309838871</ref><ref>https://www.flickr.com/photos/nothingelseon/53058130663/in/album-72177720309838871</ref>,
with Timeshard, Lull, The Corridor
|
|
|-
|February 5
| colspan="3" |[[1994-02-05 Manchester, England, UK @ Manchester Academy (Megadog 5)|Manchester, England, UK @ Manchester Academy (Megadog 5)]]
|No
|
|-
|February 19
|Toronto, ON, Canada
|Union Station (North American Artificial Intelligence Tour)
|VEN<ref>https://ghostarchive.org/archive/Cqins</ref>,
with DJ Lewis, Dogwhistle (DJ), Mark Oliver (DJ), Danny Henry (DJ), John E (DJ), Peter The Greek (DJ), Mark Anthony (DJ)
|
|A1
|-
|February 26
|Tulsa, USA
|Club Ikon (North American Artificial Intelligence Tour)
|VEN<ref>https://web.archive.org/web/20250509020313/https://www.etsy.com/listing/1032132362/autechre-autographed-poster-vintage-1994?show_sold_out_detail=1&ref=nla_listing_details</ref>, DESC<ref>https://web.archive.org/web/20250202232908/https://post.lurk.org/@sean_ae/113935766874172096</ref>,
with DJ Lewis
|
|A1
|-
|March 23
|London, England, UK
|Astoria 2
|ETC<ref name=":10" />, 
with Seefeel
|
|C2
|-
|April 1
|Birmingham, England, UK
|Bonds (Oscillate)
|VEN<ref name=":53">https://ghostarchive.org/archive/y8kAd</ref>
|No
|
|-
|April 17
| colspan="3" |[[1994-04-17 Moscow, Russia @ Moscow's Youth Palace (Britronica Festival 1994)|Moscow, Russia @ Moscow's Youth Palace (Britronica Festival 1994)]]
|Yes [Part, AUD]
|
|-
|May 27
|Wolverhampton, England, UK
|Civic Hall
|
|
|
|-
|June 2
|Barcelona, Spain
|Sala Apolo (Sónar)
|VEN<ref>https://discmaster.textfiles.com/view/12506/PCMania%20CD46_2.iso/pc/sonar94/sonar94.dir/00315_Progra.png</ref>
With Zero and Mixmaster Morris
|
|
|-
|June 16
| colspan="3" |[[1994-06-16 London, England, UK @ Quirky|London, England, UK @ Quirky]]
|Yes [Full, AUD]
|
|-
|June 24
|Linz, Austria
|Brucknerhaus (Ars Electronica)
|LIST<ref>https://archive.aec.at/media/assets/99136106366c2ff573db00bff4377a19.pdf</ref>,
|
|A1
|-
|June 30
|London, England, UK
|Thousand Island
|ETC<ref name=":10" /><ref name=":20" />,
with Casper Brötzmann
|
|
|-
|July 22
|New York, NY, USA
|Mercury Lounge
|DESC<ref>https://www.flickr.com/photos/nothingelseon/53221609637/in/album-72177720311501349</ref>,
|
|A1
|-
|August 6
|Amsterdam, Netherlands
|Gashouder Westergasfabriek (Triple X Festival / Oscillate)
|REC, VEN<ref>https://www.oscillate.club/exhibition/</ref><ref>https://web.archive.org/web/19991010022109/http://cuttlefish.com/oscillate/amsterdam.html</ref>, DESC<ref name=":35">https://forum.watmm.com/topic/81035-autechre-kalpol-introl-live-1994/page/3/#comment-2082598</ref><ref name=":61">https://www.youtube.com/watch?v=LfmuY2INHDs</ref>, ETC<ref name=":33" />,
Allegedly(!!) the organiser of the event John Jacobs recorded the DAT, and a part of that recording would later circulate online as the extended "Kalpol Introl".<ref name=":61" /> Was shared either via xltronic<ref name=":35" /> or Demonoid<ref name=":61" />
|SBD #1 ([https://www.youtube.com/watch?v=LfmuY2INHDs partial])
|A1
|-
|August 19
|Cologne, Germany
|Club Oshos (Popkomm Cologne 1994)
|
|
|
|-
|November 6
|Brussels, Belgium
|Fuse
|REC,
|AUD #1 ([https://www.youtube.com/watch?v=Bijec-rF7E4 full])
|C3
|-
|November 15
|Hull, England, UK
|The Room
|LIST<ref name=":52">https://www.flickr.com/photos/nothingelseon/53322163877/in/album-72177720312494098</ref>,
with LFO, Mark Broom (DJ)
|
|A1
|-
|November 17
|Newcastle Upon Tyne, England, UK
|Riverside
|LIST<ref name=":52" />,
with LFO, Mark Broom (DJ)
|
|A1
|-
|November 22
|Bristol, England, UK
|Lakota
|LIST<ref name=":52" />,
with LFO, Mark Broom (DJ)
|
|A1
|-
|November 23
|London, England, UK
|Leisure Lounge
|LIST<ref name=":52" />,
with LFO, Nightmares on Wax, Mark Broom (DJ), James Lavelle (DJ)
|
|A1
|-
|November 24
|Cardiff, Wales, UK
|Hippo Club
|LIST<ref name=":52" />,
with LFO, Mark Broom (DJ)
|
|A1
|-
|November 26
|Manchester, England, UK
|Sankey's Soap
|LIST<ref name=":52" />, DESC''<ref name=":34">https://aepages.org/wiki/Sean_Twitch_AMA,_June_2022#:~:text=%E2%80%9CSankey%27s%20set.%E2%80%9D%20My%20goodness%2C</ref>'',
with LFO, Mark Broom (DJ), James Lavelle (DJ)

A DAT of the set exists, with a slowed down "Flutter" performance.<ref name=":34" />
|
|A1
|-
|November 28
|Sheffield, England, UK
|The Leadmill
|LIST<ref name=":52" />,
with LFO, Sabres of Paradise Mark Broom (DJ), Andrew Weatherall (DJ)
|
|A1
|-
|??
|Melbourne, Australia
|
|DESC<ref>https://forum.watmm.com/topic/20089-first-time-you-heard-ae-live/?do=findComment&comment=413561</ref><ref>https://www.elektronauts.com/t/1994-live-version-of-autechres-kalpol-intro/2947</ref><ref>https://forum.watmm.com/topic/85950-the-chre-autechre-live-quirky-brixton-16-06-1994-youtube-video/?do=findComment&comment=2258482</ref>,
|
|B3
|}

=== 1995 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|January 21
|Lucerne, Switzerland
|Konzerthaus Schüür
|
|
|
|-
|February 4
|Birmingham, England, UK
|Que Club (Oscillate)
|LIST<ref>https://worldradiohistory.com/UK/Music-Week/1995/Music-Week-1995-02-04.pdf pg 23</ref><ref name=":13">https://www.discogs.com/release/1624821-Autechre-Garbage/image/SW1hZ2U6MjQyMDM4Nw==</ref>, ATTE<ref>https://web.archive.org/web/19990128043223/http://www.cuttlefish.com/oscillate/queclub.html</ref>, ETC<ref name=":20" />,
|
|A1
|-
|February 12
|Eastnor, England, UK
|Eastnor Castle (Big Chill)
|LIST<ref name=":13" />, DESC<ref>https://www.teletextarchive.com/Pages/Details/1194677</ref>,
with Bedouin Ascent, Daniel Pemberton and Instrumental
|
|B1
|-
|June 15
|Sheffield, England, UK
|University of Sheffield Student Union
|ETC<ref name=":10" />,
|
|B2
|-
|June 23
|Pilton, England, UK
|Worthy Farm (Glastonbury Festival 1995)
|
|
|
|-
|July 21
|Glasgow, Scotland, UK
|Glasgow University (Stormy Waters)
|REC, VEN<ref>https://www.independent.co.uk/news/rock-gets-ready-to-go-live-on-the-internet-1590048.html</ref><ref>https://www.google.co.za/books/edition/Theatre_Record/UOoWBzYC4KcC?hl=en&gbpv=1&bsq=autechre+live+-cmj&dq=autechre+live+-cmj&printsec=frontcover</ref>, DESC<ref name=":36">https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=B1338:B1339</ref><ref>https://forum.watmm.com/topic/61585-rare-video-performance-stormy-waters-95/</ref>,
[[List of Rarities#Second Crane|"Second Crane"]]<ref name=":36" />
|SBD #1 ([https://www.youtube.com/watch?v=w7D5yAUsjB8&pp=ygUVTGl2ZSBhdCBTdG9ybXkgV2F0ZXJz full])
AUD #1 ([https://youtu.be/9_yoHHdBE1Q?t=2581 full])
|A1
|-
|October 1
|Nottingham, England, UK
|Sam Fays
|ETC<ref name=":10" /><ref name=":20" />,
|
|B2
|-
|October 15
|Southampton, England, UK
|The Joiners Arms
|
|
|
|-
|November 30
|Ghent, Belgium
|Vooruit Concertzaal (Mind the Gap)
|DESC<ref name=":8">https://groups.google.com/g/alt.music.autechre/c/2C_ddRndcxo/m/SJcAdgyvFqEJ</ref>,
|
|B3
|-
|December 1
|Amsterdam, Netherlands
|Paradiso Grote Zaal
|DESC<ref name=":2">https://web.archive.org/web/20260115003227/https://post.lurk.org/@sean_ae/115895741138770785</ref>, 
|
|
|-
|December 2
|Birmingham, England, UK
|Que Club (Oscillate)
|REC, ETC<ref name=":20" />,
|SBD #1 ([https://www.mixcloud.com/oscillate_sound_system/autechre-oscillate-21295/ full])
|A1
|}

=== Tri Repetour (1995) ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|October 26
|Manchester, England, UK
|Granada Studios
|LIST<ref name=":4">https://www.reddit.com/media?url=https%3A%2F%2Fpreview.redd.it%2F7jipvmazj0y71.jpg%3Fwidth%3D3036%26format%3Dpjpg%26auto%3Dwebp%26s%3D1519d793a88b570f3d99754a9c831a4fe96e3241</ref>,
|
|A1
|-
|October 27
|Kidderminster, England, UK
|Market Tavern
|LIST<ref name=":4" />, ATTE<ref>https://www.yumpu.com/en/document/read/65128735/memories-of-the-market-tavern-1990-1996 page 171</ref>, DESC<ref>https://web.archive.org/web/19990417230430/http://subnet.virtual-pc.com/%7Esk393820/kidder.html</ref>
|
|A1
|-
|October 29
|Nottingham, England, UK
|Sam Fayes
|LIST<ref name=":4" />, DESC<ref name=":2" />,
|
|A1
|-
|November 1
|Sheffield, England, UK
|Hallamshire Hotel
|LIST<ref name=":4" />, ETC<ref>https://www.reddit.com/r/autechre/comments/ysrcjo/comment/jysm32i/</ref>,
|
|A1
|-
|November 2
|Newcastle, England, UK
|Riverside
|LIST<ref name=":4" />, DESC<ref name=":2" />,
|
|A1
|-
|November 3
|Aberdeen, Scotland, UK
|Pelican
|LIST<ref name=":4" />,
|
|A1
|-
|November 4
|Glasgow, Scotland, UK
|Glasgow Arena
|LIST<ref name=":4" />,
|
|A1
|-
|November 5
|Edinburgh, Scotland, UK
|Edinburgh Art College
|LIST<ref name=":4" />,
|
|A1
|-
|November 7
|Kingston upon Hull, England, UK
|The Room
|LIST<ref name=":4" />,
|
|A1
|-
|November 8
|Stoke-on-Trent, England, UK
|Wheatsheaf
|LIST<ref name=":4" />,
|
|A1
|-
|November 9
|Cardiff, Wales, UK
|Clwb Ifor Bach
|LIST<ref name=":4" />,
|
|A1
|-
|November 12
|Cambridge, England, UK
|Boat Race
|LIST<ref name=":4" />, ATTE<ref>https://forum.watmm.com/topic/11240-autechre-photos-from-old-gigs-around-1996-1997/</ref>, DESC<ref>https://web.archive.org/web/19990417220742/http://subnet.virtual-pc.com/%7Esk393820/boatrace.html</ref>,
|
|A1
|-
|November 13
|Ipswich, England, UK
|Golden Lion
|LIST<ref name=":4" />,
|
|A1
|-
|November 14
|Margate, England, UK
|Cobblers
|LIST<ref name=":4" />,
|
|A1
|-
|November 15
|Southampton, England, UK
|The Joiners Arms
|LIST<ref name=":4" />,
|
|A1
|-
|November 16
|Brighton, England, UK
|The Joint
|LIST<ref name=":4" />,
|
|A1
|-
|November 17
|Harlow, England, UK
|The Square
|LIST<ref name=":4" />,
|
|A1
|-
|November 18
|London, England, UK
|Dublin Castle
|LIST<ref name=":4" />,
|
|A1
|-
|November 19
|Manchester, England, UK
|Roadhouse
|LIST<ref name=":4" />,
|
|A1
|-
|November 22
|Belfast, Northern Ireland, UK
|Queen's University
|LIST<ref name=":4" />,
|
|A1
|-
|November 24
|Dublin, Ireland
|Tivoli
|LIST<ref name=":4" />,
|
|A1
|-
|November 25
|Cork, Ireland
|Art Hive
|LIST<ref name=":4" />, DESC<ref name=":37">https://aepages.org/wiki/Sean_Twitch_AMA,_June_2022#:~:text=from%2C%20I%20think%2C-,Cork%3F%20Ireland%3F,-Yeah%2C%20Cork%2C%20I</ref>,
A soundboard of the set exists that has yet to be released.<ref name=":37" />
|
|A1
|}

=== 1996 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|February 15
|Vienna, Austria
|Flex
|REC,
|SBD #1 ([https://archive.org/details/Autechre1996-02-15 full])
|B1
|-
|March 8
|New York, NY, USA
|Home (Joint Ventures & Drop Entertainment)
|VEN<ref>https://www.flickr.com/photos/davepinter/2873019440/in/photostream/</ref>,
with Spacetime Continuum, Mark Broom (DJ)
|
|
|-
|March 13
|West Hollywood, CA, USA
|Troubadour
|
|
|
|-
|March 16
|Miami, FL, USA
|Surfcomber Beach Hotel
|ATTE<ref name=":56">https://www.factmag.com/2018/03/01/idm-usa-history-machinedrum-prefuse73/</ref>, DESC<ref name=":56" />,
|
|
|-
|March 23
|Detroit, MI, USA
|(Disco at the Edge of the Universe)
|VEN<ref>https://www.reddit.com/r/autechre/comments/1jmpzjh/flyer_from_the_first_time_seeing_them_30_years_ago/</ref>,
|
|A1
|-
|March 29 ?
|Winnipeg, Canada
|Osborne Village's Die Maschine Caberet
|DESC<ref>https://web.archive.org/web/19990423215510/http://www.mts.net/%7Edaveross/mesmer.htm</ref>,
with Spacetime Continuum, Mark Broom (DJ)
|
|
|-
|March 30
|Toronto, Canada
|Transcendance
|DESC<ref>https://groups.google.com/g/uw.clubs.waveform.transmission/c/O82j8_HJ-ik/m/jZrmpoJIR0cJ</ref><ref>https://to90rave.blogspot.com/2007/10/1996-march-30.html</ref><ref name=":32">https://discmaster.textfiles.com/view/12728/2014.06.ftp.xmission.com.tar/ftp.xmission.com/pub/lists/orbital/archive/orbital.9807</ref>
With Mayday, Jarkko, Legion of Green Men, Mark Broom (DJ), Spacetime Continuum, Sunkissed and Algorhytm
|
|
|-
|May 14
|London, England, UK
|Leisure Lounge
|VEN<ref name=":38">https://web.archive.org/web/20240421001029/https://post.lurk.org/@sean_ae/112305057800579899</ref>, DESC<ref name=":38" />, ETC<ref name=":10" />,
with Meat Beat Manifesto and The Mellowtrons
|
|
|-
|June 30
|Kansas City, Mo, USA
|Klash of the Titans III
|LIST<ref>https://groups.google.com/g/uw.clubs.waveform.transmission/c/_qdC380GBq0/m/k9YE4nTMclsJ</ref>,
|
|
|-
|July 19
|London, England, UK
|The Reach, King's College Students' Union
|LIST<ref name=":39">https://web.archive.org/web/19981202230042/http://subnet.virtual-pc.com/%7Esk393820/oldnews.html</ref>, ATTE<ref>https://bocpages.org/wiki/Autechre_Live_at_the_Reach</ref>,
Support: Cylob, Panasonic, Boards of Canada, with Chantal (DJ) and Mark Broom
|
|A1
|-
|July 20
|Amsterdam, Netherlands
|The Paradiso
|LIST<ref name=":39" />, DESC<ref name=":40">https://web.archive.org/web/19981203004259/http://subnet.virtual-pc.com/%7Esk393820/letter2.html</ref>,
|
|A1
|-
|July 21
|Bremen, Germany
|Modernes
|LIST<ref name=":39" />, DESC<ref name=":40" />,
|
|
|-
|July 22
|Ghent, Belgium
|Red Tape Building (10 Days Of Techno)
|REC, VEN<ref>https://visit.gent.be/en/red-tape-building</ref>, LIST<ref name=":39" />, DESC<ref name=":8" /><ref name=":40" />,
with Freeform, B12, RAC (DJ)
|AUD #1 ([https://www.youtube.com/watch?v=pupbVnPqqqg full])
|A1
|-
|August 24
|Leysin, Switzerland
|Place des Feuilles (Leysin Alpes Festival 1996)
|LIST<ref name=":39" />, DESC<ref name=":40" />,
with Freeform, B12, Red Snapper, Nightmares On Wax, Aphex Twin (DJ)
|
|
|-
|August 28
|Amsterdam, Netherlands
|The Paradiso
|DESC<ref name=":40" />,
|
|B3
|-
|September 1
|Norfolk, England, UK
|Big Chill Gala
|LIST<ref name=":39" />,
|
|
|-
|November 1
|Manchester, England, UK
|(Versivo)
|LIST<ref name=":39" />, DESC<ref>https://web.archive.org/web/19981206040130/http://subnet.virtual-pc.com/%7Esk393820/versivo.html</ref>, 
with Jega, Rob Hall (DJ), Andy Maddocks (DJ) 
|
|
|-
|November 19
|Barcelona, Spain
|Sónar
|REC, LIST<ref name=":39" />, ATTE<ref>https://www.documentjournal.com/2024/05/sonar-plus-d-barcelona-techno-music-spain-festival-ai/</ref>, DESC<ref name=":40" />,
with Plaid, Mark Broom (DJ)
|AUD #1 ([https://www.youtube.com/watch?v=JYD_7etGCrQ part])
AUD # 2 ([https://discmaster.textfiles.com/view/12506/PCMania%20CD46_2.iso/mac/Sonar96/Autechr.mov part])
|
|-
|December 7
|Copenhagen, Denmark
|
|LIST<ref name=":39" />,
with B12
|
|
|-
|December 12
|Miami, FL, USA
|
|LIST<ref name=":39" />, DESC<ref name=":40" />,
|
|
|-
|??
|Norway
|
|REC
|AUD #1 ([https://archive.org/details/Autechre1996-00-00 full])
|B1
|}

=== 1997 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|January 3
|New York, NY, USA
|Blech:the NYC phase
|LIST<ref name=":39" />, DESC<ref name=":44">https://web.archive.org/web/19990127105321/http://subnet.virtual-pc.com/%7Esk393820/news.html</ref>,
with AFX, Jimi Tenor, Mark Broom, Chantal
|
|
|-
|January 17
|Manchester, England, UK
|(Versivo)
|LIST<ref name=":39" />,
with Plaid
|
|
|-
|February 20
|Edinburgh, Scotland, UK
|The Venue
|LIST<ref name=":44" /><ref>http://backcatalog.list.co.uk.s3-website.eu-west-2.amazonaws.com/the-list/1997-02-07/55/index.html</ref>,
with Boards of Canada, Surgeon (DJ)
|
|A1
|-
|February 21
|Newcastle, England, UK
|Cumberland Arms
|LIST<ref name=":44" />,
with Surgeon (DJ)
|
|A1
|-
|February 22
|Dundee, Scotland, UK
|The Zone
|LIST<ref name=":26">https://www.tumblr.com/grrlmusic/748055598596227072/autechre?source=share </ref>,
|
|C1
|-
|February 22
|Glasgow, Scotland, UK
|Tin Pan Ally (Blackout)
|LIST<ref name=":44" /><ref>http://backcatalog.list.co.uk.s3-website.eu-west-2.amazonaws.com/the-list/1997-02-21/50/index.html</ref>,
with Surgeon (DJ)
|
|A1
|-
|February 23
|Newcastle, England, UK
|Riverside
|LIST<ref name=":26" />,
|
|A1
|-
|February 26
|London, England, UK
|Blue Note (Beats 2000)
|LIST<ref name=":44" />,
with Surgeon (DJ)
|
|C1
|-
|February 26
|Sheffield, England, UK
|Leadmill
|LIST<ref name=":26" />,
|
|C1
|-
|February 27
|Manchester, England, UK
|Sankeys Soap (Versivo)
|LIST<ref name=":44" /><ref name=":26" />,
with Surgeon (DJ)
|
|A1
|-
|February 28
|Leeds, England, UK
|The Warehouse (It's Obvious)
|LIST<ref name=":44" /><ref name=":26" />,
with Surgeon (DJ)
|
|A1
|-
|March 1
|Birmingham, England, UK
|Que Club / The Chapel (Oscillate)
|LIST<ref name=":44" /><ref name=":26" />,
with Surgeon (DJ)
|
|A1
|-
|March 2
|Brighton, England, UK
|Concorde (Cafe Expose)
|LIST<ref name=":44" />,
with Surgeon (DJ)
|
|
|-
|March 18
|Bremen, Germany
|Modernes
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 20
|Hamburg, Germany
|Unit
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 21
|Copenhagen, Denmark
|VEGA
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 22
|Potsdam, Germany
|Waschhaus
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 25
|Cologne, Germany
|Underground
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 26
|Prague, Czech Republic
|Roxy
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 27
|Vienna, Austria
|Szenewien
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 28
|Berlin, Germany
|Volksbuhne
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 29
|Munich, Germany
|Ultraschall
|LIST<ref name=":44" />,
|
|
|-
|March 30
|Frankfurt, Germany
|Nachtleben
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|April 2
|Lausanne, Switzerland
|Dolce vita
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|April 3
|Zurich, Switzerland
|Rote Fabrik
|LIST<ref name=":44" />, MISC<ref name=":10" /><ref name=":20" />,
with Mark Broom (DJ)
|
|B2
|-
|April 4
|Aarau, Switzerland
|Kiff
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|April 5
|Lucerne, Switzerland
|Boa
|LIST<ref name=":44" />, MISC<ref>https://www.concertarchives.org/concerts/autechre--4824016</ref>,
with Mark Broom (DJ)
|
|B2
|-
|April 7
|Ulm, Germany
|Sauschdall
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|April 10
|Ghent, Belgium
|Vooruit Concertzaal
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|April 11
| Antwerp, Belgium
|Café d'Anvers
|LIST<ref name=":44" />,
with Mark Broom (DJ) 
|AUD #1 (parts [https://www.youtube.com/watch?v=-NF9ImTAUWI 1] [https://www.youtube.com/watch?v=IPqbpe06SVc 2])
|B1
|-
|June 5
|Bologna, Italy
|Link
|LIST<ref name=":44" />,
|
|
|-
|June 6
|Rome, Italy
|C.S.O.A. Forte Prenestino
|REC, LIST<ref name=":44" />,
Often mislabelled as a 1996 performance.
|AUD #1 ([https://archive.org/details/Autechre1996-00-00.Autechre/Autechre-1996-xx-xxItaly-rome-1.mp3 full])
|C1
|-
|June 7
|Florence, Italy
|CPA
|LIST<ref name=":44" />,
|
|
|-
|June 8
|Rimini, Italy
|Fiera de Rimini
|LIST<ref name=":44" />,
|
|
|-
|July 17
|Stratford-upon-Avon, England, UK
|Long Marston Airfield (The Phoenix Festival 1997)
|VEN<ref>https://bocpages.org/wiki/Phoenix_Festival</ref>, LIST<ref name=":44" />,
|
|A1
|-
|July 26
|Munich, Germany
|Sun Flower Festival
|LIST<ref name=":44" />, DESC<ref>https://www.twoism.org/forum/viewtopic.php?p=129186&sid=71637c54ecd18521677bad3088edaea8#p129186</ref>,
Conflicting evidence whether they did perform or if it was cancelled due to heavy rain/mud.
|
|C2
|-
|August 8
|Valencia, Spain
|Recinto de festivales de Benicàssim (Benicàssim 1997)
|LIST<ref name=":44" />, MISC<ref name=":10" /><ref name=":20" />
|
|B2
|-
|August 9
|Montpelier, France
|Borealis Festival
|LIST<ref name=":44" />,
|
|
|-
|October 26

|Nottingham, England, UK
|Essance
|MISC<ref name=":10" />,
with Zoviet France
|
|B2
|-
|October 31
|Birmingham, England, UK
|Que Club
|LIST<ref name=":44" />,
|
|
|-
|November 13
|Liverpool, England, UK
|Liverpool University
|LIST<ref name=":44" />,
with Freeform, Spacetime Continuum
|
|
|-
|November 14
|Sheffield, England, UK
|Sheffield University
|LIST<ref name=":44" />,
with Freeform, Spacetime Continuum
|
|
|-
|November 15
|Leeds, England, UK
|Leeds University
|LIST<ref name=":44" />,
with Freeform, Spacetime Continuum
|
|
|-
|November 19
|Edinburgh, Scotland, UK
|Edinburgh University
|LIST<ref name=":44" />,
with Spacetime Continuum, T-Power
|
|
|-
|November 28
|London, England, UK
|Powerhaus (Blech02)
|LIST<ref name=":44" />, MISC<ref name=":10" /><ref name=":20" />,
with Cylob
|
|B2
|}

=== 1998 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|'''February 3'''
|'''Manchester, England, UK'''
|'''Band On the Wall (Toolshed)'''
|'''[[Confield#MCR Quarter|"MCR Quarter"]]'''
REC, LIST<ref>https://www.808state.com/Toolshed/live/1998/index.htm</ref><ref>https://www.theboltonnews.co.uk/news/6134785.gig-guide/</ref>, ATTE <ref>https://www.mdmarchive.co.uk/artefact/18824/Toolshed-Autechre-Band-On-The-Wall-Demo-Tape-1998</ref>, DESC<ref name=":17">https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D1294</ref><ref name=":41">{{Cite AAA2 doc|574}}</ref>,

No recording of the show exists.<ref name=":17" /> Most of the set is a DJ mix except for an improvised MCR Quarter using a "hacked version of rebirth with all our own sounds in"<ref name=":41" />
|'''AUD #1 ([https://www.youtube.com/watch?v=44aqUXUqnqw part])'''
AUD #2 ([https://www.youtube.com/watch?v=s_sG5jqLbKw full])

|C1
|-
|February 7
|London, England, UK
|Chelsea Bridge Studios (Vapour Tour Launch Night)
|LIST<ref name=":44" />, MISC<ref name=":10" /><ref name=":20" />,
with Plaid, Aphex Twin (DJ), Mira Calix (DJ), George Evelyn (DJ)
|
|B2
|-
|February 13
|Dublin, Ireland
|The Funnel (U:Mack/Ultra Mack presents Phunk City)
|VEN<ref>https://img.rasset.ie/001278ef-614.jpg?ratio=2.13</ref>,DESC<ref>https://thumped.com/bbs/threads/memorable-u-mack-gigs-ive-been-to-and-a-few-ive-missed.17611/</ref><ref>https://analog-rhythms.com/2023/08/06/the-funnel/</ref><ref>https://www.rte.ie/culture/2019/0801/1065988-the-funnel-generation-irish-electronic-musics-coming-of-age/</ref>,
with Alan & Dennis [of Decal] (DJ), Dave Cleary (DJ)
|
|A2
|-
|April 21
|Krems, Austria
|
|
|
|B3
|-
|April 25/28?
|Sheffield, England, UK
|Kelham Island Museum (Test One)
|MISC<ref name=":10" /><ref name=":20" />,
|
|B2
|-
|May 23/24
|Hertfordshire, England, UK
|Universe '98
|LIST<ref name=":44" />,
|
|
|-
|May 27
|Hasselt, Belgium
|Kunstencentrum België
|LIST<ref name=":44" /><ref>http://www.kunstencentrumbelgie.com/archief%20nr/98aprilgoed.pdf</ref>,
|
|A1
|-
|May 28
|Eindhoven, Netherlands
|(Effenaar)
|LIST<ref name=":44" />,
|
|
|-
|May 29
|Mannheim, Germany
|(HD800)
|LIST<ref name=":44" />,
|
|
|-
|May 30
|Munich, Germany
|Ultraschall
|LIST<ref name=":44" />,
|
|
|-
|May 31
|Vienna, Austria
|Rhiz
|LIST<ref name=":44" />,
|
|
|-
|June 1
|Vienna, Austria
|b72
|LIST<ref name=":44" />,
|
|
|-
|June 2
|Vienna, Austria
|b72
|LIST<ref name=":44" />,
|
|
|-
|June 4
|Berlin, Germany
|Akademie
|LIST<ref name=":44" />,
|
|
|-
|June 5
|Copenhagen, Denmark
|VEGA
|LIST<ref name=":44" />,
|
|
|-
|June 6
|Bremen, Germany
|Modernes
|LIST<ref name=":44" />,
|
|
|-
|June 5-7?
|Nevers, France
|Maison de la culture de Nevers (Musiques Ultimes Festival)?
|VEN<ref>https://ghostarchive.org/archive/rs331</ref>,
with Zoviet France
|
|
|-
|June 10
|Mannheim, Germany
|MS Connexion Complex
|
|
|
|-
|June 11
|Bern, Switzerland
|Reltschule
|LIST<ref name=":44" />,
|
|
|-
|June 12
|Zurich, Switzerland
|Rote Fabrik
|LIST<ref name=":44" />, MISC<ref name=":10" /><ref name=":20" />,
|
|A1
|-
|June 13
|Vevey, Switzerland
|Rocking Chair
|LIST<ref name=":44" />, DESC<ref>https://groups.google.com/g/fr.rec.musiques/c/8WOTu21jJPM/m/8uZuZKJNcXkJ</ref>,
|
|
|-
|June 20
|London, England, UK
|Queen Elizabeth Hall (John Peel's Meltdown Festival)
|LIST<ref name=":44" />, MISC<ref name=":20" />,
with Plaid, Broadcast, Plone
|AUD #1 ([https://www.youtube.com/watch?v=m8SyhsKe4ok full])
AUD #2 (parts [https://www.youtube.com/watch?v=pO9_j6ZEfeM 1] [https://www.youtube.com/watch?v=VRGIZv4miuM 2])
|B2
|-
|June 28
|Pilton, England, UK
|Worthy Farm (Glastonbury Festival)
|LIST<ref name=":44" />,
|
|B2
|-
|July 9-12
|Brest, France
|Fort De Bertheaume (Dour Festival 1998)
|LIST<ref name=":14">https://web.archive.org/web/20231207044733/https://www.dourfestival.eu/fr/artist/detail/Autechre/</ref><ref>https://web.archive.org/web/20180710142041/http://www.dourfestival.eu/fr/program/history/1998</ref>, DESC<ref name=":8" />, MISC<ref name=":20" /><ref>https://www.concertarchives.org/concerts/dour-festival-1998</ref>,
|
|A1
|-
|July 25
|Saint-Nolff, France
|Coin du Bois (Week-End à Saint-Nolff 1998)
|
|
|
|-
|July 30
| Vancouver, Canada
|Palladium Club
|VEN<ref>https://vancouverraveflyers.tumblr.com/post/137260257514/autechre-july-30-1998-vancouver-bc-palladium</ref>,
Flyers indicate a July 30th performance, however, bootlegs of the New York 98 show often label the recording as being performed on August 9.
|
|C1
|-
|July 31
|Montreal, Canada
|Le Medley
|DESC<ref>https://discmaster.textfiles.com/view/12728/2014.06.ftp.xmission.com.tar/ftp.xmission.com/pub/lists/orbital/archive/v02.n095</ref>
|
|
|-
|August 1
|Toronto, Canada
|The Opera House (Ritual 4)
|DESC,<ref name=":32" /><ref>https://discmaster.textfiles.com/view/12728/2014.06.ftp.xmission.com.tar/ftp.xmission.com/pub/lists/orbital/archive/v02.n105</ref><ref>https://2000undergroundmusic.com/theorem/</ref>
With Ritchie Hawtin, Theorem, Subtonic Monks, Elad'n, Algorythm (DJ), Lotus (DJ)
|
|
|-
|October 2
|Dublin, Ireland
|The Funnel (U:Mack/Ultra Mack presents Phunk City)
|VEN<ref>https://imgur.com/a/8uR4HVS</ref>, DESC<ref>https://thumped.com/bbs/threads/memorable-u-mack-gigs-ive-been-to-and-a-few-ive-missed.17611/</ref>,
with Mira Calix (DJ)
|
|A2
|-
|October 17
|New York, NY, USA
|(OTHERMUSIC.COM Launch Party)
|VEN<ref>https://www.reddit.com/r/autechre/comments/5xw356/autechre_live_in_nyc_oct_1998_anyone_else_out/</ref><ref>https://www.reddit.com/r/autechre/comments/mixwve/for_ufieldrecord_101798/</ref>, DESC<ref name=":57">https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D246</ref>,
Often mislabelled as either a Vancouver Palladium Club show or from 2000 or 2001. Sean notes a soundboard recording of it was floating around.<ref name=":57" />
|SBD #1 ([https://www.youtube.com/watch?v=FFSI9IiEWwc full])
|
|}

=== 1999 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|March 14
|Sheffield, England, UK
|The Unit
|MISC<ref name=":10" /><ref name=":20" />,
|
|B2
|-
|April 16
|Reykjavík, Iceland
|Menntaskólinn við Hamrahlíð (Hamrahlíð College)
|LIST<ref>https://timarit.is/files/60468597</ref><ref>https://timarit.is/files/60477457</ref><ref>https://www.mbl.is/myndasafn/mynd/123924/</ref>, DESC<ref name=":69">https://grapevine.is/music/2025/08/13/autechre-on-darkness-spotify-and-fish-sticks/</ref>,
Support: DJ Steindór, Biogen (live set), DJ Mira Calix

Visuals: GAK
|
|B1
|-
|April 23
|Vienna, Austria
|Radio Music Hall (Phonotaktik 99)
|LIST<ref>https://web.archive.org/web/20001204173400/http://www.phonotaktik.at:80/de/kalleinosw.html</ref>, ATTE<ref name=":42">https://autechre.neocities.org/en/articles/article11</ref>, DESC<ref name=":42" /><ref name=":43">https://forum.watmm.com/topic/4558-autechre-fennesz-roedelius/</ref><ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D933</ref>,
Performed alongside Fennesz and Hans-Joachim Roedelius (plus gear list and photos).<ref name=":42" /> A recording supposedly exists.<ref name=":43" />
|
|A1
|-
|October 18
|Manchester, England, UK
|Music Box
|VEN<ref>https://www.mdmarchive.co.uk/artefact/243/808-State-Massonix-Autechre-The-Music-Box-Flyer-1999</ref>, DESC<ref name=":17" />,
|
|B1
|-
|November 5
| London, England, UK
|Truman Brewery (Warp 10th Anniversary Party 1999)
|MISC<ref name=":10" /><ref name=":20" />,
|
|B2
|}

=== 2000 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|May 8
|Montreal, Canada
|Club Soda
|
|
|
|-
|June 16
| Barcelona, Spain
|Sónar
|REC
|AUD #1 ([https://www.youtube.com/watch?v=gJx_khiVNus full])
|
|-
|June 23-25
|Pilton, England, UK
|Worthy Farm (Glastonbury Festival 2000)
|MISC<ref>https://www.concertarchives.org/concerts/glastonbury-festival-2000--4</ref><ref name=":20" />
|
|B2
|-
|July 22
|Dublin, Ireland
|Temple Bar Music Center
|DESC<ref>https://thumped.com/bbs/threads/memorable-u-mack-gigs-ive-been-to-and-a-few-ive-missed.17611/</ref>,
with Mike Dred (DJ)
|
|B2
|-
|October 14
|London, England, UK
|Trinity Buoy Wharf (The Incredible Warp Lighthouse Party)
|ATTE<ref>https://www.reddit.com/r/boardsofcanada/comments/18htc1j/the_incredible_lighthouse_party/</ref><ref>https://www.flickr.com/photos/tesselate/8682229312/</ref>
|AUD #1 ([https://archive.org/details/Autechre2000-10-14 part])
|A1
|-
|October 27
|Dublin, Ireland
|Temple Bar
|MISC<ref name=":10" /><ref name=":20" />
|
|B2
|-
|November 4
|Valencia, Spain
|Museu de les Ciències Príncipe Felipe (Observatori 2000)
|REC, DESC<ref>https://sonmarchive.susannalopez.com/index.php/es/component/muscol/V/5146-vv-aa-observatori-2000</ref><ref>https://elpais.com/diario/2000/11/04/cultura/973292412_850215.html</ref>,
|SBD #1 ([https://archive.org/details/vv-aa-observatori-2000 full])
|A1
|}

== [[Confield Tour]] ==

=== 2001 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|April 8
|Camber, England, UK
|Pontins Camber Sands Holiday Park (All Tomorrow's Parties 2001)
|LIST<ref name=":5">https://web.archive.org/web/20010405061910/http://www.autechre.nu:80/</ref>,
|AUD #1 ([https://www.youtube.com/watch?v=fYH1fOEUC64 full])
|A1
|-
|April 11
|London, England, UK
|The Fridge
|REC, ATTE<ref name=":53" />,
|AUD #1 ([https://archive.org/details/Ae2001-04-11.flac16 full])
|A1
|-
|April 12
|Bristol, England, UK
|Trinity Centre
|LIST<ref name=":5" />,
|
|A1
|-
|April 13
|Manchester, England, UK
|Music Box
|LIST<ref name=":5" />, ATTE<ref>[https://web.archive.org/web/20010606131301/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid989330230,5390, https://web.archive.org/web/20010606131301/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid989330230,5390,]</ref>,
|
|A1
|-
|April 14
|Newcastle, England, UK
|Scotland Yard
|LIST<ref name=":5" />,
|
|A1
|-
|April 15
|Edinburgh, Scotland, UK
|The Venue
|LIST<ref name=":5" /><ref>http://backcatalog.list.co.uk.s3-website.eu-west-2.amazonaws.com/the-list/2001-04-12/48/index.html</ref>,
|
|A1
|-
|April 17
|Paris, France
|Batofar
|LIST<ref name=":5" />,
|
|A1
|-
|April 18
|Brussels, Belgium
|L’Orangerie du Botanique, Sint-Joost-ten-Noode
|LIST<ref name=":5" />, VEN<ref>https://web.archive.org/web/20250331153919/https://mastodon.social/@eav/114253003319561314</ref>,
|
|A1
|-
|April 19
|Bordeaux, France
|Le Chat Bleu / Nautilus
|LIST<ref name=":5" />,
<nowiki>*</nowiki>Not direct link, links to download for AE_LIVE 1991-2023 which has the set
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|April 20
|Poitiers, France
|Confort Moderne
|LIST<ref name=":5" />,
|
|A1
|-
|April 21
|Lucerne, Switzerland
|Boa Kulturzentrum
|LIST<ref name=":5" />,
|
|A1
|-
|April 23
|Rome, Italy
|Petralata
|LIST<ref name=":5" />,
|
|A1
|-
|April 24
|Bologna, Italy
|Link
|LIST<ref name=":5" />,
|
|A1
|-
|'''April 25'''
|'''Zurich, Switzerland'''
|'''Rote Fabrik'''
|'''[[Untilted#Zurich 2001|"Zurich 2001"]]'''
LIST''<ref name=":5" />'',
|'''AUD #1 ([https://www.youtube.com/watch?v=HmBagKNdlHg part])'''
|A1
|-
|April 27
|Vienna, Austria
|Porgy & Bess
|LIST<ref name=":5" />,
|
|A1
|-
|April 28
|Munich, Germany
|L.O.K.
|LIST<ref name=":5" />,
|
|A1
|-
|April 29
|Cologne, Germany
|Studio 672
|LIST<ref name=":5" />,
Bootlegs misattribute it to April 1.
|AUD #1 ([https://archive.org/details/Autechre2001-04-01 full])
|A1
|-
|April 30
|Frankfurt, Germany
|U60311
|LIST<ref name=":5" />,
|
|A1
|-
|May 1
|Berlin, Germany
|WMF
|LIST<ref name=":5" /><ref>https://issuu.com/debug_mag/docs/debug47/44</ref>,
|
|A1
|-
|May 4
| New York, NY, USA
|Bowery Ballroom
|LIST<ref name=":5" /><ref name=":6">https://web.archive.org/web/20221003183620/https://www.mtv.com/news/jdw42c/autechre-bring-album-tour-to-us</ref>, ATTE<ref>https://web.archive.org/web/20240522230059/https://www.ebay.com/itm/394579783833?itmmeta=01HYH885NS87JP6YN82YN6A5HQ&hash=item5bdec9b099:g:KCoAAOSw3lVju1bb&itmprp=enc%3AAQAJAAAAwKjZTyCrK0xKHKfUppRrq5xQei97uQCO715kTe%2FJnKe2%2B1LgGAYrTDiWA3iF4C1sOuDSP%2B3Jy%2FNQP%2F8uuoa%2FucpKqaVwjR8IE8i5DpZpSN4%2FQO1u3bb6rpNHrhisycSjaw0gac183Xalimrh31r0C%2FBtmpyA%2F0AL8GG7xaHQ5cOgZlW4FBEQ%2FODd7O48SFjdYmWIOnY8FwCHStavmcA1E6dkLewYXPdHlW4cOyrUrBraKBUtMmcUOubp0kmrjHJTvg%3D%3D%7Ctkp%3ABk9SR4bboKj0Yw</ref>,
|AUD #1 ([https://archive.org/details/Ae2001-05-04.flac16 full])
|A1
|-
|May 5
| New York, NY, USA
|Bowery Ballroom
|LIST<ref name=":5" /><ref name=":6" />,
|
|B1
|-
|May 6
|Princeton, NJ, USA
|Terrace Club
|REC, LIST<ref name=":5" /><ref name=":6" />, ATTE<ref>https://www.flickr.com/photos/pudstah/410459583/</ref><ref>https://www.flickr.com/photos/pendejo/26043096/</ref>,
|AUD #1 ([https://www.youtube.com/watch?v=zkg9-y3yaw0 part])
|A1
|-
|May 7
|Boston, MA, USA
|Middle East Underground
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 8
|Montreal, Canada
|Club Soda
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 9
| Toronto, Canada
|The Opera House (Steam Whistle Brewing Co.)
|LIST<ref name=":5" /><ref name=":6" />, ATTE<ref>https://www.flickr.com/photos/fynes/340144010/</ref>, DESC<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D933</ref>, 
The soundboard contains only the first and last third of the full set.<ref>https://forum.watmm.com/files/file/1787-ae_live_toronto_mix_090501/</ref>
|SBD #1 ([https://www.youtube.com/watch?v=Ir8nMDdyAYg partial])
AUD #1 ([https://archive.org/details/Ae2001-05-09.flac16 full])
|A1
|-
|May 10
|Columbus, OH, USA
|Wexner Center for the Arts
|LIST<ref name=":5" /><ref name=":6" />, DESC<ref>https://autechre.neocities.org/en/articles/article9</ref><ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D220</ref>,
Support: Rob Hall, Russel Haswell
|
|A1
|-
|May 11
|Chicago, IL, USA
|Metro
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 12
|Mineapolis, MN, USA
|Ascot Room (Quest)
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 15
|Vancouver, Canada
|Sónar
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 16
|Seattle, WA, USA
|Showbox Theater
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Ae2001-05-16.csb.flac16 full])
|A1
|-
|May 17
|Portland, OR, USA
|B Complex
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Autechre2001-05-17 full])
|A1
|-
|May 18
|Oakland, CA, USA
|94612.Club Indigo
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Autechre2001-05-18 full])
|A1
|-
|May 19
|Los Angeles, CA, USA
|El Rey Theater
|LIST<ref name=":5" /><ref name=":6" />,
Support: Rob Hall, Russell Haswell, Curtis Roads<ref>https://www.latimes.com/archives/la-xpm-2001-may-17-ca-64466-story.html</ref><ref>https://www.curtisroads.net/music#:~:text=Volt%20air%20(2001%2D2003)%20electronic%20sound.%20In%20four%20parts.%20Premiered%2019%20May%202001%2C%20concert%20with%20Autechre%2C%20El%20Rey%20Theater%2C%20Los%20Angeles.%C2%A0</ref><ref>https://openspace.sfmoma.org/2016/07/an-interview-with-curtis-roads/</ref><ref>https://static1.squarespace.com/static/5ad03308fcf7fd547b82eaf7/t/5b75a17b88251b44e5693441/1534435708241/04+Path+to+Half+Life.pdf</ref>
|
|A1
|-
|May 21
|Austin, TX, USA
|Mercury at Jazz
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Ae2001-05-21.dsm-6s.flac16 full])
|A1
|-
|May 22
|Orlando, FL, USA
|Club Firestone
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 23
|Miami, FL, USA
|Knights of Columbus
|LIST<ref name=":5" /><ref name=":6" />, VEN<ref name=":66">https://web.archive.org/web/20250529055909/https://post.lurk.org/@sean_ae/114585368288496104</ref>, ATTE<ref>[https://web.archive.org/web/20010411092856/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid986324371,68176, https://web.archive.org/web/20010411092856/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid986324371,68176,]</ref><ref name=":66" />
Support: Richard Devine, Otto Von Schirach, Russell Haswell, Rob Hall, Salim Rafiq, Gliese, Mioc
|
|A1
|-
|May 24
|Atlanta, GA, USA
|The Roxy
|LIST<ref name=":5" /><ref name=":6" />, ATTE<ref name=":66" />,
|AUD #1 ([https://archive.org/details/Autechre2001-05-24 full])
|A1
|-
|May 25
|Washington, DC, USA
|9:30 Club
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Ae2001-05-25 full])
|A1
|-
|May 26
|Detroit, MI, USA
|Hart Plaza (Detroit Electronic Music Festival)
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Autechre2001-05-26 full])
|A1
|}

== [[Untilted Tour]] ==

=== 2005 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|April 14
|London, England, UK
|SEOne
|REC, LIST<ref name=":22">https://web.archive.org/web/20050404112539fw_/http://www.warprecords.com/news/?offset=0&ti_id=901</ref>, ATTE<ref>https://www.flickr.com/photos/v11v11v11v/9546384/</ref>,
Support: Rob Hall, Mark Broom, Baby Ford
|AUD #1 ([https://www.youtube.com/watch?v=gIkNc0u8VIA full])
|A1
|-
|April 15
| colspan="3" |[[2005-04-15 Glasgow, Scotland, UK @ Glasgow School of Art|Glasgow, Scotland, UK @ Glasgow School of Art]]
|Yes [Full, SBD]
|A1
|-
|April 16
|Manchester, England, UK
|The Zoo
|LIST<ref name=":22" />, ATTE<ref>https://web.archive.org/web/20240522230047/https://www.ebay.com/itm/155923308676?itmmeta=01HYH885NSSNYM3B7W38SK9SH6&hash=item244dc0e084:g:GUUAAOSwT2JlWzVA&itmprp=enc%3AAQAJAAAA4PxgSr4Upyj2KbJCjXfsU7hC77w8L8J3PgkTDUaCTjzCJUTRw1o1eQVH4rgvgINkjlpHuGSwm8mtJcjiUK%2B%2FwjLjVDBh%2FG8Ixn%2F5YEY9cINEdPUgf0gTBi6pVTYFi2BZZLcYr75vxObUPLV1lm6PaAAmKRd83rIjzCFS4RUEuoBqUC8FUVJes%2FucL1JmD2gmLqmYAHshNZNS5DKzlVnAvhbdZtQbIjB9JpIz2%2FOsh%2BO9L3wls0tnx8ml9f%2Fo6X27JBDHkZa3yrLYmpU3mCIbixr6yczOB%2BA1cAZ%2Fsp6ORcNh%7Ctkp%3ABk9SR_7aoKj0Yw</ref>,
Support: Rob Hall
|
|A1
|-
|April 17
|Nottingham, England, UK
|Stealth
|LIST<ref name=":22" />,
Support: Rob Hall
|
|A1
|-
|April 18
|Paris, France
|Point Éphémère
|LIST<ref name=":22" />,
|
|A1
|-
|April 19
|Antwerp, Belgium
|Petrol
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 20
|Eindhoven, Netherlands
|Effenaar
|REC, LIST<ref name=":22" /><ref>https://web.archive.org/web/20050403133959fw_/http://www.effenaar.nl/fnr_content_engine/agenda.php </ref>,
Support: SND
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ partial])
|A1
|-
|April 21

|Hamburg, Germany
|Planten un Blomen
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 22
|Berlin, Germany
|Club Maria
|LIST<ref name=":22" />,
Support: SND, O.S.T., Errorsmith
|
|A1
|-
|April 23
| Cologne, Germany
|Sensor
|LIST<ref name=":22" />, ATTE<ref>https://www.flickr.com/photos/88169577@N00/150050313/</ref>,
Support: SND
|
|A1
|-
|April 24
|Mannheim, Germany
|MS Connexion Complex
|LIST<ref name=":22" /><ref>https://web.archive.org/web/20050422050800/http://www.warprecords.com/frameset.php?section=news/?ti_id=927</ref>,
Support: SND

This show was cancelled due to Sean and Rob having to reapply for their US Visa in person in London after the US embassy there failed to properly process their first application.
|
|A1
|-
|April 25
|Reims, France
|La Cartonnerie
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 26
|Lyon, France
|DV1
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 27
|Geneva, Switzerland
|L’Usine
|REC, LIST<ref name=":22" />,
Support: SND
|AUD #1 ([https://www.reddit.com/r/autechre/comments/grpxdi/i_compiled_39_autechre_bootlegs_from_between/ full])
|A1
|-
|April 28
|Marseille, France
|Friche de la Belle de Mai
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 29
|Rome, Italy
|Brancaleone
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 30
|Bologna, Italy
|Link
|LIST<ref name=":22" />, ATTE<ref>https://www.flickr.com/photos/fidelio/33107978/</ref>,
Support: SND
|
|A1
|-
|May 6
|Washington, DC, USA
|Black Cat
|LIST<ref name=":22" />, ATTE<ref>https://www.flickr.com/photos/flyingturtle/2854122967/</ref>,
Support: Rob Hall, SND
|
|A1
|-
|May 7
|Philadelphia, PA, USA
|Trocadero Theatre
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 8
|New York, NY, USA
|Webster Hall
| LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 9
|Boston, MA, USA
|Paradise Rock Club
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 10

|Montreal, Canada
|L'Usine C (Elektra Festival)
|REC, VEN<ref>https://www.neme.org/blog/elektra-6</ref>, LIST<ref name=":22" />,
Support: Rob Hall, SND
|AUD #1 ([https://www.youtube.com/watch?v=pOy94biQGNA full])
|A1
|-
|May 11
|Toronto, Canada
|The Opera House
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 12
|Detroit, MI, USA
|Masonic Temple Theatre
|REC, VEN<ref>https://web.archive.org/web/20240522225556/https://www.ebay.com/itm/235405643633?itmmeta=01HYH885NRBJN18JPPDNDPVP7Y&hash=item36cf450f71:g:6YsAAOSwZ3ZltVHF&itmprp=enc%3AAQAJAAAAwPJx2WyyTIaemMJMvu5uordDKocaio0CFzK8aHN%2Fu8mwcQYHdtZKio5tOatkY6bSM%2BpNSfraMvCAn%2FDm3NnyaXlPZNkuue48UqcZ9kJ6u4bARoOwcqkz3YHG%2FcUQgZh70Y%2FgI2y80x5p9dY%2BzTkOIPYFn9BoBZ5UoqbR1VuaABhCIXu7wX73pea9Vr8e9E0bMRaXuOGjRaIuyrhmCv2P7NWE9H4X6LbDIo1xBCKpeeNQ%2BkTO0JrenJ30G32ZG56uPQ%3D%3D%7Ctkp%3ABk9SR_zaoKj0Yw</ref>, LIST<ref name=":23">https://web.archive.org/web/20060513155739/http://www.warprecords.com:80/news/?offset=0&ti_id=901</ref>,
Support: Rob Hall, SND
|AUD #1 ([https://www.youtube.com/watch?v=W85OsroqLSQ full])
|A1
|-
|May 13
|Chicago, IL, USA
|Metro
|REC, LIST<ref name=":22" />, ATTE<ref>https://web.archive.org/web/20250911133726/https://post.lurk.org/@sean_ae/115178991649905815</ref>,
Support: Rob Hall, SND
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|May 14
|Minneapolis, MN, USA
|The Quest
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
| A1
|-
|May 17
|Vancouver, Canada
|Commodore Ballroom
| LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 18
|Seattle, WA, USA
|Neumos
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 19
| Portland, OR, USA
|Berbati's Pan
| LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 20
|San Francisco, CA, USA
| Mezzanine
|LIST<ref name=":22" />, VEN<ref>https://www.flickr.com/photos/99179146@N00/14787233/</ref>,
Support: Rob Hall, SND
|
|A1
|-
|May 21
|Los Angeles, CA, USA
|El Rey Theatre
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 22
|Tempe, AZ, USA
|Club Freedom
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 24
|Dallas, TX, USA
|Trees
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 25
|Austin, TX, USA
| The Parish
|REC, LIST<ref name=":22" />, ATTE<ref>https://www.flickr.com/photos/beth_mckinney/28225518/</ref><ref>https://www.flickr.com/photos/beth_mckinney/175807964/in/photostream/</ref>,
Support: Rob Hall, SND
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|May 26
|New Orleans, LA, USA
|TwiRoPa
|REC, LIST<ref name=":22" />,
Support: Rob Hall, SND
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|May 27
|Atlanta, GA, USA
|Variety Playhouse
|LIST<ref name=":22" />, ATTE<ref>https://www.flickr.com/photos/amoeba/16373575/in/photostream/</ref><ref>https://www.flickr.com/photos/xenlab/albums/396875/</ref>,
Support: Rob Hall, SND
|
|A1
|-
|May 28
| Asheville, NC, USA
|The Orange Peel
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 29
|Baltimore, MD, USA
|Sónar
|LIST<ref name=":23" />,
Support: Rob Hall, SND
|
|A1
|-
|June 10
|Kawasaki, Japan
|Club Citta'
|LIST<ref name=":23" />,
Support: Mark Bell, Russell Haswell, Rob Hall
|
|A1
|-
|June 11
|Osaka, Japan
|Bayside Jenny
|LIST<ref name=":23" />,
Support: Mark Bell, Russell Haswell, Rob Hall
|
|A1
|-
|July 1
|Roskilde, Denmark
|Darupvej (Roskilde Festival 2005)
|LIST<ref name=":22" />,
|
|A1
|-
|July 8
|Newcastle Upon Tyne, England, UK
|MS Stubnitz (Vision Festival)
|LIST<ref name=":22" />, MISC<ref name=":55">https://forum.watmm.com/topic/7661-autechre-live-broadcasts-interviews/?do=findComment&comment=183535</ref>,
|
|A1
|-
|July 14
|Amsterdam, Netherlands
|Paradiso (5 Days Off)
|LIST<ref name=":22" />, MISC<ref name=":55" />,
Support: Rob Hall, Speedy J, Richard Devine
|
|A1
|-
| September 9
|Graz, Austria
|Elevate Festival
|VEN<ref>https://elevate.at/websites/2005/lineup2005%2bM54a708de802.html and https://elevate.at/websites/2005/artist_details%2bM58782cf60bc.html</ref>, MISC<ref name=":55" />,
|
|A1
|-
|September 17
|London, England, UK
|KOKO (All Tomorrow's Parties: Easy to Swallow Part II)
|VEN<ref>https://web.archive.org/web/20240607195616/https://www.atpfestival.com/events/list/archive?pg=28#:~:text=ATP%3A%20Easy%20To%20Swallow%20Part%20II</ref>, DESC<ref>https://electro-music.com/forum/post-45970.html</ref>, MISC<ref name=":10" /><ref name=":55" />,
|
|A1
|-
|November 25
|Tokyo, Japan
|Makuhari Messe (Electraglide 2005)
| VEN<ref>http://www.electraglide.info/#history:~:text=electraglide%202005-,11/25(%E9%87%91)%EF%BC%A0%E5%B9%95%E5%BC%B5%E3%83%A1%E3%83%83%E3%82%BB,-11/26(%E5%9C%9F</ref><ref>https://web.archive.org/web/20250408024415/https://post.lurk.org/@sean_ae/114295837881196229</ref>, MISC<ref name=":18" />,
|
|A1
|}

===2006===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
| April 8
|Dublin, Ireland
|Temple Bar Music Centre
|REC, LIST<ref name=":24">https://web.archive.org/web/20060515213403/http://www.warprecords.com/news/?offset=20&ti_id=1096</ref>,
|AUD #1 ([https://www.youtube.com/watch?v=YQrWV--Q_kA full])
AUD #2 ([https://www.youtube.com/watch?v=Dv81iI_bQEA part])
|A1
|-
|April 9
|Belfast, Northern Ireland, UK
|The Stiff Kitten
| LIST<ref name=":24" />,
|
|A1
|-
|April 21
|Krems, Austria
|Donaufestival 2006 / Danube Festival
|LIST<ref name=":24" />, ATTE<ref>https://www.flickr.com/photos/breakingglass/132660016/in/photostream/</ref>,
|AUD #1 (parts [https://www.youtube.com/watch?v=XAl5C-CoJTI 1] [https://www.youtube.com/watch?v=5E60-xEsYog 2] [https://www.youtube.com/watch?v=yoN_ZnsmHX8 3])
|A1
|-
|April 22
|Zaragoza, Spain
|Zaragoza Festival
|REC, LIST<ref name=":24" />,
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|May 11
|Jerusalem, Israel
|Uganda Bar
|ATTE<ref>https://www.flickr.com/photos/6finger/146299746/in/photostream/</ref>,
|
|A3
|-
| June 8
| Turku, Finland
|
|REC,
|AUD #1 ([https://www.youtube.com/watch?v=8XFQ9oH7WX0 part])
|
|-
|July 14
|Berkshire, England, UK
|The Glade (Glade Festival 2006)
|REC<ref name=":10" />,
|AUD #1 ([https://archive.org/details/Autechre20060714UKTheGlade10 parts])
|
|-
|November 24
|Manchester, England, UK
|The Old Brewery (The Warehouse Project)
|REC, VEN<ref>https://www.808state.com/live/2006/index.htm#:~:text=Nov%3A2006-,Fri%3A24%3ANov,-%2D%20Massonix%20live%20%2D</ref>, MISC<ref name=":10" />,
|AUD #1 (parts [https://www.youtube.com/watch?v=hwxDEZa-KAk 1] [https://www.youtube.com/watch?v=4Ig3nHtWJFQ 2] [https://www.youtube.com/watch?v=yZKE4IAscCc 3] [https://www.youtube.com/watch?v=y65SBA8ZoPk 4] [https://www.youtube.com/watch?v=DpYOaLjxzX8 5])
|
|-
|December 1
|Barcelona, Spain
|Parc del Fòrum (Primavera 2006)
|MISC<ref name=":10" />,
|
|
|}

===2007===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|March 25
|Hemsby, England, UK
|Pontin's Holiday Park (Bloc 2007)
|REC, VEN<ref>https://web.archive.org/web/20240522230051/https://www.ebay.com/itm/204795109062?itmmeta=01HYH885NT70TBGATPPY591CBG&hash=item2faebd5ec6:g:exwAAOSwo5Zi5fGZ&itmprp=enc%3AAQAJAAAA4C%2BC7VaOq%2FuScNhrP%2F2NLRK1WCkPNi4hIqzMCNyFbct%2FarcMCynR6pPIlmT468fH8VVaQmXxt9l4NsYNn3OCv8jagWBvnkn1sDbLn2aGJnDCMErZvtWuyyTezhtDjz%2FUkzmrpqmuIpQt8yGkTAA2tdiHzTakBSzaUOqoiHdBqKvxlkDNfO4XDHDwg%2BJOv3cVHwLyAkzyQGryh3LkTcq%2FcoPm6rGPxYs5ykGbBnpvHMIN83N1Yf67XevI5AcOKaFMLYUtyoJ2en2%2BaVkeQdMrPaOYgk%2F9Ts4c0578VZ8pzjCr%7Ctkp%3ABk9SR4bboKj0Yw</ref>, LIST<ref>https://web.archive.org/web/20070616061713fw_/http://www.warprecords.com/news/?offset=20&ti_id=1266</ref>, ATTE<ref>https://www.flickr.com/photos/56181548@N00/441787649/</ref><ref>https://www.flickr.com/photos/micheeky/438114551/</ref>,
|MAT #1 ([https://www.youtube.com/watch?v=li7wXbFnMKU full])
AUD #1 ([https://www.youtube.com/watch?v=V9G5gu1HszE part])
|A1
|-
|March 30
|Brussels, Belgium
|Les Halles de Schaerbeek (Reset 2007)
|REC,
|AUD #1 ([https://www.youtube.com/watch?v=umknZ4l7KQQ full])
|
|-
|April 7
|Madrid, Spain
|Telefónica Madrid Arena (Klubbers' Day 2007)
|VEN<ref>https://www.fiestaybullshit.com/aquellos-maravillosos-anos-klubbersday/</ref>, ATTE<ref>https://www.flickr.com/photos/dgeral/450725158/in/photostream/</ref>,
|
|A1
|-
|May 4
|Rome, Italy
|Brancaleone
| MISC<ref name=":10" />,
|
|
|-
|May 12
|Den Haag, Netherlands
|Paard van Troje
|LIST<ref name=":63">https://web.archive.org/web/20080820063643/http://autechre.watmm.com/autechre/autechre_europe_live_dates/</ref>, ATTE<ref>https://www.flickr.com/photos/stephanck/519001952/</ref>,
|
|A1
|-
|July 7
|Monegros Desert, Spain
|Monegros Festival
|LIST<ref name=":63" />,ATTE<ref>https://www.flickr.com/photos/sr_atlantico/761033894/in/photostream/</ref><ref>https://www.flickr.com/photos/row_58/762993645/</ref><ref>https://www.flickr.com/photos/tavok/896949561/</ref>,
|AUD #1 (parts [https://www.youtube.com/watch?v=a98qmIq0Q-A 1] [https://www.youtube.com/watch?v=1QJrjuTfqvk 2] [https://www.youtube.com/watch?v=fO3DovekAqM 3])
|A1
|-
|July 13
|Gräfenhainichen, Germany
|Ferropolis (MELT! Festival 2007)
|VEN<ref>https://web.archive.org/web/20150511193442/http://www.meltfestival.de/fileadmin/user_upload/melthistory/Melt_Poster_A1_2007.png</ref><ref name=":28">https://web.archive.org/web/20150925170431/http://www.meltfestival.de/acts/artists-a-z/act/autechre.html</ref>,
|
|A1
|-
|July 14
|Dour, Belgium
|La Plaine de La Machine à Feu (Dour Festival 2007)
|REC, VEN<ref name=":14" />, LIST<ref name=":63" />,
|AUD #1 ([https://www.youtube.com/watch?v=aiK7Kjjf83E full])
|A1
|}

==[[Quaristice Tour]]==

===2008===
{| class="wikitable"
! Date
!City
!Venue/Event
!Sources/Notes
!Recordings
! [S]
|-
|February 29
|Manchester, England, UK
|Music Box
|LIST<ref name=":7">https://web.archive.org/web/20080201091637/http://www.autechre.ws:80/quaristice/mail/</ref><ref name=":58">https://www.clashmusic.com/news/autechre-to-play-car-park-gig/</ref>,
Support: Rob Hall, SND
|
|A1
|-
|March 1
|Glasgow, Scotland, UK
|Glasgow School of Art (Numbers)
|VEN<ref>https://nmbrs.net/club/autechre-glasgow-school-of-art-138/</ref>, LIST<ref name=":7" /><ref>http://backcatalog.list.co.uk.s3-website.eu-west-2.amazonaws.com/the-list/2008-02-28/74/index.html</ref><ref name=":58" />, DESC<ref>https://www.theskinny.co.uk/clubs/highlights/autechre-numbers-art-school-glasgow-1-mar</ref><ref>http://backcatalog.list.co.uk.s3-website.eu-west-2.amazonaws.com/the-list/2008-02-28/38/index.html</ref><ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D1114</ref>,
Support: Rob Hall, SND
|AUD #1 ([https://www.youtube.com/watch?v=Awqos6d_QqE part])
|A1
|-
|March 2
| Newcastle, England, UK
|Digital (AV Festival)
|LIST<ref name=":7" /><ref name=":58" />, ATTE<ref>https://www.flickr.com/photos/9378119@N06/2346925573/in/photostream/</ref>,
Support: Rob Hall, SND
|
|A1
|-
|March 3

|Birmingham, England, UK
|Med Bar
|LIST<ref name=":7" /><ref name=":58" />,
Support: Rob Hall, SND
|
|A1
|-
|March 4
|London, England, UK
|Hearn Street Car Park
|LIST<ref name=":7" /><ref name=":58" />, ATTE<ref>https://www.flickr.com/photos/tesselate/albums/72157604048073098/</ref>, DESC<ref>https://web.archive.org/web/20140921145125/http://www.musicomh.com/reviews/live/autechre-hearn-street-car-park-london</ref>,
Support: Rob Hall, SND
|AUD #1 (parts [https://vimeo.com/772543 1] [https://vimeo.com/772543 2])
|A1
|-
|March 5
|Cologne, Germany
|Stattgarten
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 6

|Amsterdam, Netherlands
|Melkweg
|LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/oldvalvemic/2316228289/in/pool-706589@N20/</ref>,
Support: Rob Hall, SND
|AUD #1 (parts [https://www.youtube.com/watch?v=QQhF94XxZiE 1] [https://www.youtube.com/watch?v=9BTERAeV8S0 2] [https://www.youtube.com/watch?v=0qKq6N1KgYQ 3] [https://www.youtube.com/watch?v=VWmMNWiBvcw 4])
AUD #2 ([https://www.youtube.com/watch?v=nPyka-5-Oa4 part])
|A1
|-
|March 7
|Antwerp, Belgium
|Petrol
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 8
|Hamburg, Germany
|Hafenklang
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 9
|Berlin, Germany
|Berghain
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 10
|Katowice, Poland
|Galeria Szyb Wilson
|LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/oldvalvemic/2333249329/in/pool-706589@N20/</ref><ref>https://www.flickr.com/photos/loca/2611864694/in/photostream/</ref>,
Support: Rob Hall, SND
|AUD #1 (part)
|A1
|-
|March 11
|Budapest, Hungary
|Merlin
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 12
|Zagreb, Croatia
|Kset
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 13
|Graz, Austria
|Post Garade
|LIST<ref name=":7" />,
Support: Rob Hall, SND
| AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
AUD #2 (parts [https://www.youtube.com/watch?v=fpA97BMcfl0 1] [https://www.youtube.com/watch?v=PQVMvjMmrqI 2])
|A1
|-
|March 14
|Turin, Italy
|Hiroshima Mon Amour
|LIST<ref name=":7" />,
Support: Rob Hall, SND
| AUD #1 (partial)
AUD #2 (parts [https://www.youtube.com/watch?v=CB53UWYrJjM 1] [https://www.youtube.com/watch?v=Ii4v4dOLrpo 2] [https://www.youtube.com/watch?v=OhZ8rGy0JDk 3])
|A1
|-
|March 15
|Rome, Italy
|Officine Marconi (Brancaleone)
| LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 16
|Bologna, Italy
|Kindergarten
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
| A1
|-
|March 17
|Lyon, France
| Epicerie Moderne
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 18
|Strasbourg, France

|La Laiterie
| LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 19
|Paris, France
|Rex Club
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 20
|Geneva, Switzerland
|L'Usine (Electron Festival 2008)
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|April 4
| Los Angeles, CA, USA
|Echoplex
|REC, VEN<ref>https://www.808state.com/live/2008/index.htm#:~:text=San%20Francisco%2C%20USA.-,Fri%3A04%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/josephtsai/2392175101/in/pool-706589@N20/</ref>,
Support: Massonix, Rob Hall

Soundboard replication, not original: [[Live at Echoplex 2008/04/04 (replication by ios & digit)]]
|SBD* #1 ([https://www.youtube.com/watch?v=BOl6sIMYPs0 full])
AUD #1 ([https://www.youtube.com/watch?v=yh5xmDZpXFg full])

AUD #2 (parts [https://www.youtube.com/watch?v=G04sxiiK-1o 1] [https://www.youtube.com/watch?v=NLnZQKwGP5g 2] [https://www.youtube.com/watch?v=4eCu_TzdpZc 3] [https://www.youtube.com/watch?v=FtCLqCNMpg4 5] [https://www.youtube.com/watch?v=gjArcLU6urg 6] [https://www.youtube.com/watch?v=7dtHN4OHWqM 7] [https://www.youtube.com/watch?v=zU98Qh6R8Cw 8] [https://www.youtube.com/watch?v=veNpTQf1ePg 9] [https://www.youtube.com/watch?v=zJEOLzj2_0M 10] [https://www.youtube.com/watch?v=R0WQnSvV2aw 11] [https://www.youtube.com/watch?v=obk5IQqFzSE 12] [https://www.youtube.com/watch?v=NSKhujxpm-o 13] [https://www.youtube.com/watch?v=bMmyA0kIbG0 14] [https://www.youtube.com/watch?v=7NL9OFliftE 15])

AUD #3 ([https://www.youtube.com/watch?v=HGy4tyVOQzU part]) 
|A1
|-
|April 5
|San Francisco, CA, USA
|Mezzanine
|VEN<ref>https://www.flickr.com/photos/starasaur/2383395116/</ref><ref>https://www.808state.com/live/2008/index.htm#:~:text=Fir%20%2D%20Portland%2C%20USA.-,Sat%3A05%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/felima/2426201425/</ref><ref>https://www.flickr.com/photos/thincvox/2393546952/</ref>, 
Support: Massonix, Rob Hall
|
|A1
|-
|April 6
| Portland, OR, USA
|Doug Fir
|VEN<ref>https://www.808state.com/live/2008/index.htm#:~:text=Neumos%20%2D%20Seattle%2C%20USA.-,Sun%3A06%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/dj_metronome/albums/72157604431833655/</ref>,
Support: Massonix, Rob Hall
|
|A1
|-
|April 7
|Seattle, WA, USA
|Neumos
|VEN<ref>https://www.808state.com/live/2008/index.htm#:~:text=Richards%20%2D%20Vancouver%20%2D%20Canada.-,Mon%3A07%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/matttamaru/2412295395/in/pool-706589@N20/</ref>,
Support: Massonix, Rob Hall
|AUD #1 (partial)
|A1
|-
|April 8
|Vancouver, Canada
| Richards on Richards
|LIST<ref name=":7" />, VEN<ref>https://www.flickr.com/photos/9817122@N05/2356826616/in/pool-706589@N20/</ref><ref>https://www.808state.com/live/2008/index.htm#:~:text=Abbey%20%2D%20Chicago%2C%20USA.-,Tue%3A08%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>,
Support: Massonix, Rob Hall
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
AUD #2 (parts [https://www.youtube.com/watch?v=bN147m04mv8 1] [https://www.youtube.com/watch?v=hmxqSfMVWn8 2])
|A1
|-
|April 11
|Chicago, IL, USA
|The Abbey
|LIST<ref name=":7" />,
Support: Massonix, Rob Hall
|AUD #1 (parts [https://vimeo.com/926954 1] [https://vimeo.com/947946 2] [https://vimeo.com/948061 3] [https://vimeo.com/948225 4])
|A1
|-
|April 12
|Toronto, Canada
|Lees Palace
|LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/guidewired/2450198081/</ref>,
Support: Massonix, Rob Hall
|AUD #1 ([https://www.youtube.com/watch?v=YxkV7zLqZYk full])
|A1
|-
|April 13
|Montreal, Canada
|Club Soda
|LIST<ref name=":7" />,
Support: Massonix, Rob Hall
|AUD #1 ([https://archive.org/details/Autechre2008-04-13 full])
AUD #2 ([https://www.youtube.com/watch?v=_NP9up1c7-E part])
| A1
|-
|April 14
|Cambridge, MA, USA
|Middle East Downstairs
|VEN<ref>https://www.808state.com/live/2008/index.htm#:~:text=Williamsburg%20%2D%20Brooklyn%20%2D%20USA.-,Mon%3A14%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />,
Support: Massonix, Rob Hall
|
|A1
|-
|April 15
|New York, NY, USA
|Music Hall of Williamsburg
|LIST<ref name=":7" />, DESC<ref>https://www.nytimes.com/2008/04/17/arts/music/17aute.html</ref>,
Support: Massonix, Rob Hall
|AUD #1 ([https://www.youtube.com/watch?v=TzEGCPTlFVI part])
|A1
|-
|April 16
|Philadelphia, PA, USA
|Transit
|VEN<ref>https://www.808state.com/live/2008/index.htm#:~:text=Cat%20%2D%20Washington%20%2D%20USA.-,Wed%3A16%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />,
Support: Massonix, Rob Hall
|AUD #2 ([https://www.flickr.com/photos/drewbenkert/2654635566/ part])
| A1
|-
|April 17
|Washington, DC, USA
|Black Cat
|LIST<ref name=":7" />, ATTE<ref>https://www.808state.com/live/2008/index.htm#:~:text=Bench%20aftershow%20%2D%20Manchester.-,Thu%3A17%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>,
Support: Massonix, Rob Hall
|
|A1
|-
|April 26
|Osaka, Japan
|Club Karma
|VEN<ref name=":59">https://www.808state.com/live/2008/index.htm#:~:text=Room%20%2D%20Tokyo%20%2D%20Japan.-,Sat%3A26%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":15">https://www.mdmarchive.co.uk/artefact/3557/Massonix-Autechre-Rob-Hall-Flyer-2008</ref><ref name=":54">https://www.808state.com/forum/viewtopic.php?t=1937</ref>,
|AUD #1 ([https://www.youtube.com/watch?v=fjQYx0U9iew part])
|A1
|-
|April 28
|Tokyo, Japan
|LIQUIDROOM
|VEN<ref name=":59" />, LIST<ref name=":15" /><ref name=":54" />, ATTE<ref>https://www.flickr.com/photos/buna/2450742759/in/pool-706589@N20/</ref><ref>https://www.flickr.com/photos/macoshark/2459147523/</ref>,
|
|A1
|-
|July 19
|Berkshire, England, UK
|Wasing Estate (Glade Festival 2008)
|VEN<ref>https://lastfm.freetls.fastly.net/i/u/ar0/b6d07cdf084e44e3c4f9043c5ca4b587</ref><ref>https://web.archive.org/web/20080926164927/http://www.gladefestival.com:80/music/overkill/index.php?artist=298</ref>, LIST<ref>https://www.efestivals.co.uk/festivals/glade/2008/lineup.shtml</ref>, ATTE<ref>https://www.flickr.com/photos/psymonj/2738081365/</ref>,
|
|A1
|}

==[[Oversteps Tour]]==

===2010===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|March 11
| Manchester, England, UK
|Pure Club
|LIST<ref name=":0">https://web.archive.org/web/20100418154346/http://autechre.ws:80/</ref><ref name=":11">https://www.nme.com/news/music/autechre-1296503</ref><ref name=":12">https://pitchfork.com/news/37563-autechre-announce-new-album/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.youtube.com/watch?v=f1KsKrouxnM full])
|A1
|-
|March 12
|Birmingham, England, UK
|The Rainbow
|VEN<ref>https://web.archive.org/web/2/https://supersonicfestival.com/event/autechre-guests-0/</ref>, LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, DESC<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D650</ref>,
Support: Russell Haswell, Rob Hall and Didjit

Some bootlegs label this the next day's Minehead show.
|AUD #1 ([https://www.youtube.com/watch?v=WKltmttjKng full])
|A1
|-
|March 13
|Minehead, England, UK
|Butlins Minehead Resort (Bloc 2010)
|LIST<ref name=":0" /><ref name=":12" />, DESC<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D142</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.youtube.com/watch?v=LvEvnSpiF1Y part])
| A1
|-
|March 15
|Nottingham, England, UK
|Stealth
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 16
|Glasgow, Scotland, UK
|Sub Club (Numbers)
|VEN<ref>https://nmbrs.net/club/autechre-live-numbers-glasgow/</ref>, LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, DESC<ref>https://www.theskinny.co.uk/clubs/highlights/autechre-numbers-16-march</ref><ref>[[Sean Booth Interview, February 2010]]</ref><ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D1114</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 17
|Leeds, England, UK
|The Wardrobe
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 18
|Brighton, England, UK
|Pavilion Theatre
| LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, ATTE<ref>https://www.flickr.com/photos/yeah_man/4444418881/in/pool-706589@N20/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 19
|Lille, France
|Tri Postal
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 20
|Paris, France
|Locomotive / La Machine du Moulin Rouge
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, VEN<ref>https://www.flickr.com/photos/ario/4605994601/in/photostream/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.flickr.com/photos/ario/4873005638/ part])
|A1
|-
|March 21
|Nantes, France
|L'Olympic
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 22
|Lyon, France
|La Plateforme
|LIST<ref name=":0" />, MISC<ref name=":21" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 23
|Geneva, Switzerland
|Le Zoo de l'Usine
|LIST<ref name=":0" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 24
| Zurich, Switzerland
|EXIL
|LIST<ref name=":0" />, MISC<ref name=":18" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 (full)
AUD #2 ([https://www.flickr.com/photos/mashroms/4464690961/ part])
|A1
|-
|March 25
|Segrate, Italy
|Circolo Magnolia
|LIST<ref name=":0" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|B1
|-
|March 26
|Turin, Italy
|Hiroshima Mon Amour
|LIST<ref name=":0" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.youtube.com/watch?v=dEtauI9aN1E full])
|A1
|-
|March 27
|Bologna, Italy
|Crash
|LIST<ref name=":0" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 28
|Ljubljana, Slovenia
|Kino Šiška
| LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|March 29
|Budapest, Hungary
|A38
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, ATTE<ref>https://www.flickr.com/photos/nagym/albums/72157623609416313/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 30

|Vienna, Austria
|Flex
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.youtube.com/watch?v=QhX7zBrhmUA part])

|A1
|-
| March 31
| Brno, Czechia
|Fléda
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, DESC<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D937</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|April 1
|Berlin, Germany
|Berghain
|LIST<ref name=":0" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|April 2
|Copenhagen, Denmark
|DR Koncerthuset
|VEN<ref>https://www.flickr.com/photos/artfreq/7905023512/</ref>, LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, ATTE<ref>https://www.flickr.com/photos/kristoffertrolle/4486559744/in/pool-706589@N20/</ref><ref>https://www.flickr.com/photos/oldvalvemic/4485059700/in/pool-706589@N20/</ref><ref>https://www.flickr.com/photos/tinze/4485278134/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|April 3
|Oslo, Norway
|Parkteatret
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
| AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|April 4
|Gothenburg, Sweden
|Nefertiti
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, ATTE<ref>https://www.flickr.com/photos/hertzen/4629514033/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.youtube.com/watch?v=uAmRNy5Ezwc parts])
AUD #2 ([https://www.youtube.com/watch?v=xz4P8iB5yIA part])
| A1
|-
|April 5
|Aarhus, Denmark
|VoxHall
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|April 6
|Hamburg, Germany
|Uebel & Gefährlich
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 (part)
|A1
|-
|April 7
|Amsterdam, Netherlands
|Melkweg The Max
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|April 8
|Luxembourg, Luxembourg
|Exit07
|LIST<ref>https://issuu.com/maisonmoderne/docs/cityagenda0410/14</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
| A1
|-
|April 9
|Brussels, Belgium
|Ancienne Belgique (Domino Fest)
|VEN<ref>https://www.abconcerts.be/fr/agenda/autechre-rob-hall-russell-haswell-didjit/a105J000001wgdyQAA</ref>, LIST<ref name=":0" /><ref name=":12" />, ATTE<ref>https://www.flickr.com/photos/frf_kmeron/4519911121</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://archive.org/details/Autechre2010-04-09.Edirol full])
AUD #2 (full)

AUD #3 (parts [https://www.youtube.com/watch?v=bSgcIZsle_A&list=PLC37AC9E52F3C505F&index=1&pp=iAQB8AUB 1] [https://www.youtube.com/watch?v=4vQcjlwDgAM&list=PLC37AC9E52F3C505F&index=2&pp=iAQB8AUB 2] [https://www.youtube.com/watch?v=HDuXacnH6io&list=PLC37AC9E52F3C505F&index=3&pp=iAQB8AUB 3] [https://www.youtube.com/watch?v=VpFwCN3TTEE&list=PLC37AC9E52F3C505F&index=4&pp=iAQB8AUB 4] [https://www.youtube.com/watch?v=T4aIjSkid0U&list=PLC37AC9E52F3C505F&index=5&pp=iAQB8AUB 5] [https://www.youtube.com/watch?v=S6buihADjz0&list=PLC37AC9E52F3C505F&index=6&pp=iAQB8AUB 6] [https://www.youtube.com/watch?v=D9C5u76yrhg&list=PLC37AC9E52F3C505F&index=7&pp=iAQB8AUB 7])

AUD #4 (parts [https://www.youtube.com/watch?v=iXQLQI-W2fg 1] [https://www.youtube.com/watch?v=t1ZLcRHh7fY 2] [https://www.youtube.com/watch?v=-KdOk5FG6vI 3])

AUD #5 ([https://www.youtube.com/watch?v=JHatpUR2jqM part])
|A1
|-
|April 10
|London, England, UK
|Bocking St Warehouse
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, ATTE<ref>https://www.instagram.com/p/DDaAR5ZoH_-/?img_index=2</ref>, DESC<ref>https://web.archive.org/web/20130501232218/http://www.musicomh.com/reviews/live/autechre-bocking-street-warehouse-london</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.mixcloud.com/keyfumbler/autechre-hackney-london-2010/ full])
|A1
|-
|April 23
|Dublin, Ireland
| The Button Factory
|LIST<ref>https://nialler9.com/autechre-fact-mix-dublin-gig/</ref>,
Support: Rob Hall
|AUD #1 ([https://drive.google.com/file/d/1FjrccpeOQ6yNU6HRf2nufz6NU-sN52Qs/view?usp=drive_link full])
AUD #2 (parts [https://www.youtube.com/watch?v=_PK3IL-Pw_w 1] [https://www.youtube.com/watch?v=nYnbwQxZn8E 2] [https://www.youtube.com/watch?v=QVvVGJFIevc 3] [https://www.youtube.com/watch?v=VJ3Ja-RsSbo 4] [https://www.youtube.com/watch?v=fR-jh5ildBg 5] [https://www.youtube.com/watch?v=OsP4dIynWeM 6] [https://www.youtube.com/watch?v=3njlduYu1UY 7] [https://www.youtube.com/watch?v=fvoEyXjuupQ 8] [https://www.youtube.com/watch?v=A8YYWw712U4 9])
|A1
|-
|May 27
|Perth, Australia
|Capitol
|LIST<ref name=":29">https://ra.co/news/12076</ref>,
Support: Rob Hall, Harmonic 313
|
|A1
|-
| May 28
|Sydney Australia
|The Forum
|LIST<ref name=":29" /><ref name=":30">https://consequence.net/2010/05/autechre-already-has-new-album-release-date/</ref>, DESC<ref>https://web.archive.org/web/20211128082014/http://www.aliak.com/content/autechre-sydney-my-experiences</ref>,
Support: Rob Hall
|
|A1
|-
|May 29
|Melbourne, Australia
|The Hi-Fi
|LIST<ref name=":29" /><ref name=":30" />, ATTE<ref>https://www.flickr.com/photos/noisemachine/4651914767/in/pool-706589@N20/</ref>,
Support: Rob Hall, Harmonic 313
|AUD #1 ([https://www.youtube.com/watch?v=hdF459fB0aQ full])
|A1
|-
|June 4
|Tokyo, Japan
|Differ Ariake
|LIST<ref name=":30" /><ref name=":31">https://metropolisjapan.com/autechre/</ref>,
Support: Juan Atkins & Claude Young
|
|A1
|-
|June 5
|Nagano, Japan
|Kodama no Mori (Taico Club Festival)
|LIST<ref name=":30" /><ref name=":31" />, DESC<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D702</ref>,
|
|A1
|-
|July 9
|Trenčín, Slovakia
|Letisko (Pohoda Festival)
|LIST<ref name=":30" /><ref name=":1">https://web.archive.org/web/20130306065800/http://autechre.ws/move-of-ten/</ref>,
| AUD #1 ([https://www.youtube.com/watch?v=RhaKFcL2bjI part])
AUD #2 ([https://www.youtube.com/watch?v=DK5VT_DmXiE part])
|A1
|-
|August 27
|Katowice, Poland
|Muzeum Śląskie (Tauron Nowa Muzyka)
|VEN<ref>https://vimeo.com/19560978</ref>, LIST<ref name=":30" /><ref name=":1" />,
|
|A1
|-
|September 17
|Athens, Greece
|Bios
|LIST<ref name=":30" /><ref name=":1" />,
|
| A1
|-
|September 18
|Thessaloníki, Greece
| Reworks Festival 2010
|VEN<ref>https://www.youtube.com/watch?v=dI5Vmaumv9w</ref><ref>https://vimeo.com/13974748</ref>, LIST<ref name=":30" /><ref name=":1" />,
|AUD #1 (part [https://www.youtube.com/watch?v=kNbVhtl5fJI 1] [https://www.youtube.com/watch?v=iuz2gizo_jw 2])
|A1
|}

==[[AE_LIVE]]==
[[File:AE LIVE.jpg|none|thumb|''[[AE_LIVE]]'' (2015/2019)]]

===2014===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|'''September 20'''
| colspan="3" |[[2014-09-20 Kraków, Poland @ Hotel Forum (Warp25 Sacrum Profanum)|'''Kraków, Poland @ Hotel Forum (Warp25 Sacrum Profanum)''']]
|'''Yes [Full, SBD]'''
|
|-
|'''October 3'''
| colspan="3" |[[2014-10-03 Brussels, Belgium @ Ancienne Belgique (Warp25)|'''Brussels, Belgium @ Ancienne Belgique (Warp25)''']]
|'''Yes [Full, SBD]'''
|
|-
|November 1
| colspan="3" |[[2014-11-01 Glasgow, Scotland, UK @ Glasgow School of Art (Simple Things Festival 2014)|Glasgow, Scotland, UK @ Glasgow School of Art (Simple Things Festival 2014)]]
|Yes [Full, AUD]
|
|-
|'''November 22'''
| colspan="3" |[[2014-11-22 Utrecht, Netherlands @ TivoliVredenburg (Le Guess Who 2014)|'''Utrecht, Netherlands @ TivoliVredenburg (Le Guess Who 2014)''']]
|'''Yes [Full, SBD]'''
|
|-
|'''December 19 '''
| colspan="3" |[[2014-12-19 Dublin, Ireland @ District 8|'''Dublin, Ireland @ District 8''']]
|'''Yes [Full, SBD]'''
|
|}

===2015===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|March 13
| colspan="3" |[[2015-03-13 Minehead, England, UK @ Butlins Minehead Resort (Bloc 2015)|Minehead, England, UK @ Butlins Minehead Resort (Bloc 2015)]]
|Yes [FULL, AUD]
|
|-
|'''May 2'''
| colspan="3" |[[2015-05-02 Krems, Austria @ Österreichhallen Krems (Donaufestival 2015)|'''Krems, Austria @ Österreichhallen Krems (Donaufestival 2015)''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''May 30'''
| colspan="3" |[[2015-05-30 Nagano, Japan @ Kodama no Mori (TAICOCLUB '15)|'''Nagano, Japan @ Kodama no Mori (TAICOCLUB '15)''']]
|'''Yes [FULL, SBD]'''
|
|-
|June 18
| colspan="3" |[[2015-06-18 Barcelona, Spain @ Fira Montjuïc (Sónar 2015)|Barcelona, Spain @ Fira Montjuïc (Sónar 2015)]]
|Yes [PART, AUD]
|
|-
|'''July 17'''
| colspan="3" |[[2015-07-17 Gräfenhainichen, Germany @ Ferropolis (MELT! Festival 2015)|'''Gräfenhainichen, Germany @ Ferropolis (MELT! Festival 2015)''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''July 18'''
| colspan="3" |'''<nowiki/>'''[[2015-07-18 Dour, Belgium @ La Plaine de La Machine à Feu (Dour Festival 2015)|'''Dour, Belgium @ La Plaine de La Machine à Feu (Dour Festival 2015)''']]
|'''Yes [FULL, SBD]'''
|
|-
|July 30
| colspan="3" |[[2015-07-30 Amsterdam, Netherlands @ Muziekgebouw aan 't IJ (Dekmantel Festival 2015)|Amsterdam, Netherlands @ Muziekgebouw aan 't IJ (Dekmantel Festival 2015)]]
|Yes [PART, AUD]
|
|-
|'''August 21'''
| colspan="3" | [[2015-08-21 Katowice, Poland @ Muzeum Śląskie (Festiwal Tauron Nowa Muzyka 2015)|'''Katowice, Poland @ Muzeum Śląskie (Festiwal Tauron Nowa Muzyka 2015)''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''September 24'''
| colspan="3" |[[2015-09-24 Portland, OR, USA @ Holocene|'''Portland, OR, USA @ Holocene''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''September 25'''
| colspan="3" |[[2015-09-25 Seattle, WA, USA @ Showbox (Decibel Festival)|'''Seattle, WA, USA @ Showbox (Decibel Festival)''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''September 26 '''
| colspan="3" |[[2015-09-26 Vancouver, Canada @ The Imperial|'''Vancouver, Canada @ The Imperial''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''September 29'''
| colspan="3" |[[2015-09-29 Chicago, IL, USA @ Metro|'''Chicago, IL, USA @ Metro''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 1'''
| colspan="3" |[[2015-10-01 Toronto, Canada @ The Phoenix Concert Theatre|'''Toronto, Canada @ The Phoenix Concert Theatre''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 2'''
| colspan="3" |[[2015-10-02 Montreal, Canada @ Théâtre Fairmount|'''Montreal, Canada @ Théâtre Fairmount''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 3'''
| colspan="3" |[[2015-10-03 New York, NY, USA @ Brooklyn Masonic Temple|'''New York, NY, USA @ Brooklyn Masonic Temple''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 4'''
| colspan="3" |[[2015-10-04 Boston, MA, USA @ Paradise Rock Club|'''Boston, MA, USA @ Paradise Rock Club''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 5'''
| colspan="3" |[[2015-10-05 Portsmouth, NH, USA @ 3S Artspace|'''Portsmouth, NH, USA @ 3S Artspace''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 6'''
| colspan="3" |[[2015-10-06 Philadelphia, PA, USA @ Union Transfer|'''Philadelphia, PA, USA @ Union Transfer''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 7'''
| colspan="3" |[[2015-10-07 Washington, DC, USA @ U Street Music Hall|'''Washington, DC, USA @ U Street Music Hall''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 8'''
| colspan="3" |[[2015-10-08 Asheville, NC, USA @ The Orange Peel|'''Asheville, NC, USA @ The Orange Peel''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 9'''
| colspan="3" |[[2015-10-09 Atlanta, GA, USA @ Terminal West|'''Atlanta, GA, USA @ Terminal West''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 10'''
| colspan="3" |[[2015-10-10 Orlando, FL, USA @ The Social|'''Orlando, FL, USA @ The Social''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 11'''
| colspan="3" |[[2015-10-11 Miami, FL, USA @ The Hangar|'''Miami, FL, USA @ The Hangar''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 13'''
| colspan="3" |[[2015-10-13 Austin, TX, USA @ Vulcan Gas Company|'''Austin, TX, USA @ Vulcan Gas Company''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 15'''
| colspan="3" |[[2015-10-15 Los Angeles, CA, USA @ The Fonda Theatre|'''Los Angeles, CA, USA @ The Fonda Theatre''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 16'''
| colspan="3" |[[2015-10-16 San Francisco, CA, USA @ Mezzanine|'''San Francisco, CA, USA @ Mezzanine''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 17'''
| colspan="3" |[[2015-10-17 Denver, CO, USA @ Bluebird Theater|'''Denver, CO, USA @ Bluebird Theater''']]
|'''Yes [FULL, SBD]'''
|
|-
|November 7
| colspan="3" |[[2015-11-07 Manchester, England, UK @ AMC Grand Northern 16|Manchester, England, UK @ AMC Grand Northern 16]]
|Yes [FULL, AUD]
|
|-
|November 21
| colspan="3" |[[2015-11-21 London, England, UK @ Electric Brixton|London, England, UK @ Electric Brixton]]
|Yes [FULL, AUD]
|
|}

==[[AE_LIVE 2016/2018]]==
[[File:AE LIVE 2016 2018.jpg|border|none|thumb|[[AE LIVE 2016/2018|''AE_LIVE 2016/2018'']] (2020)]]

===2016===
{| class="wikitable"
!Date
!City
! Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|October 29
| colspan="3" |[[2016-10-29 Tourcoing, France @ Le Grand Mix|Tourcoing, France @ Le Grand Mix]]
|Yes [FULL, AUD]
|
|-
|October 30
| colspan="3" |[[2016-10-30 Ghent, Belgium @ Vooruit Concertzaal|Ghent, Belgium @ Vooruit Concertzaal]]
|Yes [PARTIAL, AUD]
|
|-
|October 31
| colspan="3" |[[2016-10-31 Strasbourg, France @ La Laiterie|Strasbourg, France @ La Laiterie]]
|No
|
|-
|November 1
| colspan="3" |[[2016-11-01 Lyon, France @ Le Sucre|Lyon, France @ Le Sucre]]
|No
|
|-
|November 2
| colspan="3" |[[2016-11-02 Lausanne, Switzerland @ Les Docks|Lausanne, Switzerland @ Les Docks]]
|No
|
|-
|November 3
| colspan="3" |[[2016-11-03 Zurich, Switzerland @ Rote Fabrik|Zurich, Switzerland @ Rote Fabrik]]
|Yes [FULL, AUD]
|
|-
|November 4
| colspan="3" |[[2016-11-04 Turin, Italy @ Lingotto Fiere (Club 2 Club 2016)|Turin, Italy @ Lingotto Fiere (Club 2 Club 2016)]]
|Yes [FULL, AUD]
|
|-
|November 5
| colspan="3" |[[2016-11-05 Ljubljana, Slovenia @ Kino Šiška|Ljubljana, Slovenia @ Kino Šiška]]
|Yes [PARTIAL, AUD]
|
|-
|'''November 6 '''
| colspan="3" |'''[[2016-11-06 Zagreb, Croatia @ Močvara|Zagreb, Croatia @ Močvara]]'''
|'''Yes [FULL, SBD]'''
|
|-
|November 7
| colspan="3" |[[2016-11-07 Budapest, Hungary @ Akvárium Klub|Budapest, Hungary @ Akvárium Klub]]
|Yes [FULL, AUD]
|
|-
|November 8
| colspan="3" |[[2016-11-08 Graz, Austria @ Orpheum|Graz, Austria @ Orpheum]]
|No
|
|-
|November 9
| colspan="3" |[[2016-11-09 Prague, Czechia @ Meet Factory|Prague, Czechia @ Meet Factory]]
|Yes [PART, AUD]
|
|-
|November 10
| colspan="3" |[[2016-11-10 Warsaw, Poland @ Teatr Powszechny|Warsaw, Poland @ Teatr Powszechny]]
|No
|
|-
|November 11
| colspan="3" |[[2016-11-11 Vilnius, Lithuania @ Contemporary Art Centre|Vilnius, Lithuania @ Contemporary Art Centre]]
|No
|
|-
| November 12
| colspan="3" |[[2016-11-12 Riga, Latvia @ Skaņu Mežs|Riga, Latvia @ Skaņu Mežs]]
|No
|
|-
|'''November 13'''
| colspan="3" |'''[[2016-11-13 Tallinn, Estonia @ Von Krahl|Tallinn, Estonia @ Von Krahl]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''November 14'''
| colspan="3" |'''[[2016-11-14 Helsinki, Finland @ Tavastia|Helsinki, Finland @ Tavastia]]'''
|'''Yes [FULL, SBD]'''
|
|-
|November 16
| colspan="3" |[[2016-11-16 Stockholm, Sweden @ Södra Teatern|Stockholm, Sweden @ Södra Teatern]]
|No
|
|-
|'''November 17'''
| colspan="3" |'''[[2016-11-17 Oslo, Norway @ Parkteatret|Oslo, Norway @ Parkteatret]]'''
|'''Yes [FULL, SBD]'''
|
|-
|November 18
| colspan="3" |[[2016-11-18 Copenhagen, Denmark @ DR Koncerthuset|Copenhagen, Denmark @ DR Koncerthuset]]
|No
|
|-
|November 19
| colspan="3" |[[2016-11-19 Berlin, Germany @ Kraftwerk Berlin|Berlin, Germany @ Kraftwerk Berlin]]
|Yes [FULL, AUD]
|
|-
| November 20
| colspan="3" |[[2016-11-20 Hamburg, Germany @ Kampnagel|Hamburg, Germany @ Kampnagel]]
|No
|
|-
|November 21
| colspan="3" |[[2016-11-21 Leipzig, Germany @ Conne Island|Leipzig, Germany @ Conne Island]]
|No
|
|-
|'''November 22'''
| colspan="3" |'''[[2016-11-22 Nijmegen, Netherlands @ Doornroosje|Nijmegen, Netherlands @ Doornroosje]]'''
|'''Yes [FULL, SBD]'''
|
|-
|November 23
| colspan="3" |[[2016-11-23 Brighton, England, UK @ Concorde 2|Brighton, England, UK @ Concorde 2]]
|Yes [FULL, AUD]
|
|-
|November 24
| colspan="3" |[[2016-11-24 Bristol, England, UK @ The Marble Factory|Bristol, England, UK @ The Marble Factory]]
| Yes [PART, AUD]
|
|-
|November 25
| colspan="3" |[[2016-11-25 London, England, UK @ Royal Festival Hall|London, England, UK @ Royal Festival Hall]]
| Yes [FULL, AUD]
|
|-
|November 26
| colspan="3" |[[2016-11-26 Manchester, England, UK @ Old Granada Studios|Manchester, England, UK @ Old Granada Studios]]
|Yes [FULL, AUD]
|
|}

===2018===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|June 13
| colspan="3" |[[2018-06-13 Tokyo, Japan @ LIQUIDROOM|Tokyo, Japan @ LIQUIDROOM]]
|Yes [FULL, AUD]
|
|-
|June 20
| colspan="3" |[[2018-06-20 Sydney, Australia @ Max Watt's House of Music|Sydney, Australia @ Max Watt's House of Music]]
|No
|
|-
|'''June 21'''
| colspan="3" |[[2018-06-21 Melbourne, Australia @ Croxton Park Hotel|'''Melbourne, Australia @ Croxton Park Hotel''']]
|'''Yes [FULL, SBD]'''
|
|-
|June 22
| colspan="3" |[[2018-06-22 Hobart, Australia @ Macquarie Wharf 2 (Dark Mofo 2018)|Hobart, Australia @ Macquarie Wharf 2 (Dark Mofo 2018)]]
|Yes [PARTIAL, AUD]
|
|-
|'''July 15'''
| colspan="3" |[[2018-07-15 Dublin, Ireland @ National Concert Hall|'''Dublin, Ireland @ National Concert Hall''']]
|'''Yes [FULL, SBD]'''
|
|}

==[[AE_2022－]]==
[[File:AE 2022－.jpg|none|thumb|150x150px|''[[AE_2022－]]'' (2023－)]]

===2022 ===
{| class="wikitable"
! Date
!City
! Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|June 3
| colspan="3" |[[2022-06-03 Barcelona, Spain @ Auditori Rockdelux (Primavera 2022)|Barcelona, Spain @ Auditori Rockdelux (Primavera 2022)]]
|Yes [FULL, AUD]
|
|-
|'''July 1'''
| colspan="3" |'''[[2022-07-01 Milan, Italy @ Villa Arconati (Terraforma 2022)|Milan, Italy @ Villa Arconati (Terraforma 2022)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''July 5'''
| colspan="3" |'''[[2022-07-05 Athens, Greece @ Odeon of Herodes Atticus (Athens Epidaurus Festival)|Athens, Greece @ Odeon of Herodes Atticus (Athens Epidaurus Festival)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''September 11'''
| colspan="3" |'''[[2022-09-11 Helsinki, Finland @ Musiikkitalo|Helsinki, Finland @ Musiikkitalo]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''October 7 '''
| colspan="3" |'''[[2022-10-07 London, England, UK @ Barbican Centre (show A)|London, England, UK @ Barbican Centre (show A)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''October 7'''
| colspan="3" |'''[[2022-10-07 London, England, UK @ Barbican Centre (show B)|London, England, UK @ Barbican Centre (show B)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''November 2'''
| colspan="3" |'''[[2022-11-02 Bergen, Norway @ Østre (Ekko Festival 2022)|Bergen, Norway @ Østre (Ekko Festival 2022)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''November 4'''
| colspan="3" |'''[[2022-11-04 Turin, Italy @ Lingotto Fiere (Club 2 Club 2022)|Turin, Italy @ Lingotto Fiere (Club 2 Club 2022)]]'''
|'''Yes [FULL, SBD]'''
|
|}

===2023===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|August 18
| colspan="3" |[[2023-08-18 Tokyo, Japan @ Makuhari Messe (SONICMANIA 2023)|Tokyo, Japan @ Makuhari Messe (SONICMANIA 2023)]]
| Yes [PART, AUD]
|
|-
|'''August 25'''
| colspan="3" |'''[[2023-08-25 Melbourne, Australia @ Royal Exhibition Building (Now or Never 2023)|Melbourne, Australia @ Royal Exhibition Building (Now or Never 2023)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''August 27'''
| colspan="3" |'''[[2023-08-27 Sydney, Australia @ City Recital Hall (Switched On 2023)|Sydney, Australia @ City Recital Hall (Switched On 2023)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|October 6
| colspan="3" |[[2023-10-06 Kraków, Poland @ Teatr Łaźnia Nowa (Unsound 2023)|Kraków, Poland @ Teatr Łaźnia Nowa (Unsound 2023)]]
|Yes [MOST, AUD]
|
|-
|'''October 26'''
| colspan="3" |'''[[2023-10-26 Venice, Italy @ Teatro alle Tese (Biennale Musica 2023)|Venice, Italy @ Teatro alle Tese (Biennale Musica 2023)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''October 29'''
| colspan="3" |'''[[2023-10-29 Dublin, Ireland @ Vicar Street|Dublin, Ireland @ Vicar Street]]'''
|'''Yes [FULL, SBD]'''
|
|}

===2024===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|'''April 4'''
| colspan="3" |'''[[2024-04-04 Brussels, Belgium @ Ancienne Belgique (BRDCST ‘24)|Brussels, Belgium @ Ancienne Belgique (BRDCST ‘24)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|April 5
| colspan="3" | [[2024-04-05 Den Haag, Netherlands @ Grote Kerk (Rewire Festival 2024)|Den Haag, Netherlands @ Grote Kerk (Rewire Festival 2024)]]
|Yes [FULL, AUD]
|
|-
|'''April 6'''
| colspan="3" |'''[[2024-04-06 Paris, France @ Le Trianon|Paris, France @ Le Trianon]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''April 7'''
| colspan="3" |'''[[2024-04-07 Rennes, France @ Antipode|Rennes, France @ Antipode]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''April 9'''
| colspan="3" |'''[[2024-04-09 Barcelona, Spain @ Sala Apolo (MUTEK Barcelona 2024)|Barcelona, Spain @ Sala Apolo (MUTEK Barcelona 2024)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''April 10'''
| colspan="3" |'''[[2024-04-10 Madrid, Spain @ La Sala|Madrid, Spain @ La Sala]]'''
|'''Yes [FULL, SBD]'''
|
|-
|April 12
| colspan="3" |[[2024-04-12 Lisbon, Portugal @ Culturgest (show A)|Lisbon, Portugal @ Culturgest (show A)]]
|Yes [FULL, AUD]
|
|-
|'''April 12'''
| colspan="3" |'''[[2024-04-12 Lisbon, Portugal @ Culturgest (show B)|Lisbon, Portugal @ Culturgest (show B)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''April 27'''
| colspan="3" |'''[[2024-04-27 Krems, Austria @ Stadtsaal Krems (Donaufestival 2024)|Krems, Austria @ Stadtsaal Krems (Donaufestival 2024)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''May 7'''
| colspan="3" |'''[[2024-05-07 Lyon, France @ Le Transbordeur (Nuits Sonores 2024)|Lyon, France @ Le Transbordeur (Nuits Sonores 2024)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|September 30
| colspan="3" |[[2024-09-30 Oslo, Norway @ Sentrum Scene|Oslo, Norway @ Sentrum Scene]]
|Yes [FULL, AUD]
|
|-
|October 2
| colspan="3" |[[2024-10-02 Stockholm, Sweden @ Slaktkyrkan|Stockholm, Sweden @ Slaktkyrkan]]
|Yes [FULL, AUD]
|
|-
|October 4
| colspan="3" |[[2024-10-04 Riga, Latvia @ Hanzas Perons (Skaņu Mežs’ 2024)|Riga, Latvia @ Hanzas Perons (Skaņu Mežs’ 2024)]]
|Yes [FULL, AUD]
|
|-
|October 6
| colspan="3" |[[2024-10-06 Copenhagen, Denmark @ VEGA|Copenhagen, Denmark @ VEGA]]
|Yes [FULL, AUD]
|
|}

===2025===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|February 22
| colspan="3" |[[2025-02-22 Manchester, England, UK @ New Century|Manchester, England, UK @ New Century]]
|Yes [FULL, AUD]
|
|-
|August 6
| colspan="3" | [[2025-08-06 Amsterdam, Netherlands @ Melkweg|Amsterdam, Netherlands @ Melkweg]]
|Yes [FULL, AUD]
|
|-
|August 8
| colspan="3" |[[2025-08-08 Helsinki, Finland @ Flow Festival 2025|Helsinki, Finland @ Flow Festival 2025]]
| Yes [FULL, AUD]
|
|-
|August 10
| colspan="3" |[[2025-08-10 Warsaw, Poland @ Klub Progresja|Warsaw, Poland @ Klub Progresja]]
|Yes [MOST, AUD]
|
|-
|August 13
| colspan="3" |[[2025-08-13 Berlin, Germany @ ASTRA Kulturhaus|Berlin, Germany @ ASTRA Kulturhaus]]
|Yes [MOST, AUD]
|
|-
|August 15
| colspan="3" | [[2025-08-15 Reykjavík, Iceland @ Harpa|Reykjavík, Iceland @ Harpa]]
|Yes [FULL, AUD]
|
|-
|October 1
| colspan="3" |[[2025-10-01 Denver, CO, USA @ Ogden Theatre|Denver, CO, USA @ Ogden Theatre]]
|Yes [FULL, AUD]
|
|-
|October 3
| colspan="3" |[[2025-10-03 Minneapolis, MN, USA @ Icehouse|Minneapolis, MN, USA @ Icehouse]]
|Yes [PARTIAL, AUD]
|
|-
|October 5
| colspan="3" | [[2025-10-05 Vancouver, Canada @ Hollywood Theatre|Vancouver, Canada @ Hollywood Theatre]]
|Yes [FULL, AUD]
|
|-
|October 6
| colspan="3" |[[2025-10-06 Seattle, WA, USA @ The Crocodile (show A)|Seattle, WA, USA @ The Crocodile (show A)]]
|Yes [FULL, AUD]
|
|-
|October 6
| colspan="3" |[[2025-10-06 Seattle, WA, USA @ The Crocodile (show B)|Seattle, WA, USA @ The Crocodile (show B)]]
|Yes [FULL, AUD]
|
|-
|October 7
| colspan="3" |[[2025-10-07 Portland, OR, USA @ The Den|Portland, OR, USA @ The Den]]
|Yes [FULL, AUD]
|
|-
|October 9
| colspan="3" |[[2025-10-09 San Francisco, CA, USA @ Regency Ballroom|San Francisco, CA, USA @ Regency Ballroom]]
|Yes [FULL, AUD]
|
|-
|October 10
| colspan="3" |[[2025-10-10 Los Angeles, CA, USA @ Belasco Theater (show A)|Los Angeles, CA, USA @ Belasco Theater (show A)]]
|Yes [FULL, AUD]
|
|-
|October 10
| colspan="3" | [[2025-10-10 Los Angeles, CA, USA @ Belasco Theater (show B)|Los Angeles, CA, USA @ Belasco Theater (show B)]]
|Yes [FULL, AUD]
|
|-
|October 12
| colspan="3" |[[2025-10-12 Mexico City, Mexico @ MUTEK MX|Mexico City, Mexico @ MUTEK MX]]
|Yes [FULL, AUD]
|
|-
|October 14
| colspan="3" |[[2025-10-14 Austin, TX, USA @ Kingdom Nightclub|Austin, TX, USA @ Kingdom Nightclub]]
|Yes [PARTIAL, AUD]
|
|-
|October 15
| colspan="3" |[[2025-10-15 New Orleans, LA, USA @ Joy Theatre|New Orleans, LA, USA @ Joy Theatre]]
|Yes [FULL, AUD]
|
|-
|October 16
| colspan="3" |[[2025-10-16 Birmingham, AL, USA @ Saturn|Birmingham, AL, USA @ Saturn]]
|Yes [FULL, AUD]
|
|-
|October 17
| colspan="3" | [[2025-10-17 Atlanta, GA, USA @ Terminal West|Atlanta, GA, USA @ Terminal West]]
|Yes [FULL, AUD]
|
|-
|October 18
| colspan="3" |[[2025-10-18 Louisville, KY, USA @ Portal|Louisville, KY, USA @ Portal]]
|Yes [FULL, AUD]
|
|-
|October 19
| colspan="3" |[[2025-10-19 Saint Louis, MO, USA @ Delmar Hall|Saint Louis, MO, USA @ Delmar Hall]]
|Yes [PART, AUD]
|
|-
|October 20
| colspan="3" |[[2025-10-20 Chicago, IL, USA @ Concord Hall|Chicago, IL, USA @ Concord Hall]]
|Yes [FULL, AUD]
|
|-
|October 21
| colspan="3" | [[2025-10-21 Detroit, MI, USA @ Building 6, Russell Industrial Center|Detroit, MI, USA @ Building 6, Russell Industrial Center]]
|Yes [FULL, AUD]
|
|-
|October 22
| colspan="3" |[[2025-10-22 Toronto, Canada @ Danforth Hall|Toronto, Canada @ Danforth Hall]]
|Yes [FULL, AUD]

|
|-
|October 24
| colspan="3" |[[2025-10-24 Montreal, Canada @ Société des arts technologiques|Montreal, Canada @ Société des arts technologiques]]
|Yes [FULL, AUD]
|
|-
|October 25
| colspan="3" |[[2025-10-25 New York, NY, USA @ Brooklyn Steel (show A)|New York, NY, USA @ Brooklyn Steel (show A)]]
|Yes [FULL, AUD]
|
|-
|October 25
| colspan="3" |[[2025-10-25 New York, NY, USA @ Brooklyn Steel (show B)|New York, NY, USA @ Brooklyn Steel (show B)]]
|Yes [FULL, AUD]
|
|-
|October 26
| colspan="3" |[[2025-10-26 Philadelphia, PA, USA @ Union Transfer|Philadelphia, PA, USA @ Union Transfer]]
|Yes [FULL, AUD]
|
|-
|October 27
| colspan="3" |[[2025-10-27 Boston, MA, USA @ Paradise|Boston, MA, USA @ Paradise]]
|Yes [FULL, AUD]
|
|-
|October 28
| colspan="3" |[[2025-10-28 Portsmouth, NH, USA @ 3S Artspace|Portsmouth, NH, USA @ 3S Artspace]]
|Yes [FULL, AUD]
|
|-
|October 29
| colspan="3" |[[2025-10-29 Washington, DC, USA @ Howard Theatre|Washington, DC, USA @ Howard Theatre]]
|Yes [FULL, AUD]
|
|-
|November 2
| colspan="3" |[[2025-11-02 Glasgow, Scotland, UK @ SWG3|Glasgow, Scotland, UK @ SWG3]]
|Yes [FULL, AUD]
|
|-
|November 3
| colspan="3" |[[2025-11-03 Newcastle, England, UK @ Digital|Newcastle, England, UK @ Digital]]
|Yes [FULL, AUD]
|
|-
| November 4
| colspan="3" |[[2025-11-04 Leeds, England, UK @ Project House|Leeds, England, UK @ Project House]]
|Yes [FULL, AUD]
|
|-
|November 5
| colspan="3" |[[2025-11-05 Brighton, England, UK @ Chalk|Brighton, England, UK @ Chalk]]
|Yes [PART, AUD]
|
|-
|November 6
| colspan="3" |[[2025-11-06 Bristol, England, UK @ The Prospect Building|Bristol, England, UK @ The Prospect Building]]
|Yes [PART, AUD]
|
|-
|November 7
| colspan="3" |[[2025-11-07 Belfast, Northern Ireland, UK @ Mandela Hall|Belfast, Northern Ireland, UK @ Mandela Hall]]
|Yes [FULL, AUD]
|
|}

===2026===
{| class="wikitable"
!Date
!City
!Venue/Event
! Sources/Notes
!Recordings
![S]
|-
|February 4
| colspan="3" |[[2026-02-04 Tokyo, Japan @ ZEPP Divercity|Tokyo, Japan @ ZEPP Divercity]]
|Yes [FULL, AUD]
|
|-
|February 5
| colspan="3" |[[2026-02-05 Osaka, Japan @ Yogibo META VALLEY|Osaka, Japan @ Yogibo META VALLEY]]
|No
|
|-
|September 24
|Liége, Belgium
|OM
|LIST<ref name=":3">https://ghostarchive.org/archive/gkUxG</ref>
|
|A1
|-
|September 25
|Zurich, Switzerland
|Rote Fabrik
|LIST<ref name=":3" />
|
|A1
|-
|September 26
|Munich, Germany
|Muffathalle
|LIST<ref name=":3" />
|
|A1
|-
|September 27
|Prague, Czechia
|Lunchmeat Festival
|LIST<ref name=":3" />
|
|A1
|-
|September 28
|Wrocław, Poland
|Zaklęte Rewiry
|LIST<ref name=":3" />
|
|A1
|-
|September 29
|Vienna, Austria
|Gasometer
|LIST<ref name=":3" />
|
|A1
|-
|September 30
|Zagreb, Croatia
|Tvornica Kulture
|LIST<ref name=":3" />
|
|A1
|-
|October 1
|Belgrade, Serbia
|Ložionica
|LIST<ref name=":3" />
|
|A1
|-
|October 2
|Skopje, North Macedonia
|MKC
|LIST<ref name=":3" />
|
|A1
|-
|October 3
|Athens, Greece
|Universe
|LIST<ref name=":3" />
|
|A1
|-
|October 4
|Thessaloniki, Greece
|Block33
|LIST<ref name=":3" />
|
|A1
|-
|October 6
|Sofia, Bulgaria
|Toplocentrala
|LIST<ref name=":3" />
|
|A1
|-
|October 7
|Bucharest, Romania
|Club Guesthouse
|LIST<ref name=":3" />
|
|A1
|-
|October 9
|Ljubljana, Slovenia
|Cukrarna
|LIST<ref name=":3" />
|
|A1
|-
|October 10
|Bologne, Italy
|Estragon
|LIST<ref name=":3" />
|
|A1
|-
|October 11
|Milan, Italy
|Alcatraz
|LIST<ref name=":3" />
|
|A1
|-
|October 12
|Geneva, Switzerland
|L'usine
|LIST<ref name=":3" />
|
|A1
|-
|October 13
|Marseille, France
|Cabaret Aléatoire
|LIST<ref name=":3" />
|
|A1
|-
|October 14
|Paris, France
|Bataclan
|LIST<ref name=":3" />
|
|A1
|-
|October 15
|Nantes, France
|Le Lieu Unique
|LIST<ref name=":3" />
|
|A1
|-
|October 16
|Lille, France
|L'Aéronef
|LIST<ref name=":3" />
|
|A1
|-
|October 17
|Nijmegen, Netherlands
|Doornroosje
|LIST<ref name=":3" />
|
|A1
|-
|October 20
|Dublin, Ireland
|Vicar Street
|LIST<ref name=":3" />
|
|A1
|-
|October 22
|Cardiff, Wales
|Depot
|LIST<ref name=":3" />
|
|A1
|-
|October 24
|London, England
|Magazine
|LIST<ref name=":3" />
|
|A1
|}

==DJ Mixes==
{| class="wikitable"
|+
!Year
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
| rowspan="2" |1996
|November 8
|Wolverhampton, England, UK
|Picasso's, Broad Street
|LIST<ref name=":39" />,
Autechre (DJ)
|
|
|-
|November 17
|London, England, UK
|Rumpus Rooms
|LIST<ref name=":39" />, DESC<ref name=":40" />,
Autechre (DJ)
|
|
|-
| colspan="7" |
|-
| rowspan="2" |1997
|October 23
|Brighton, England, UK
|The Underground Club (Fear of A Crap Planet)
| LIST<ref name=":44" />,
Autechre (DJ)
|
|
|-
|November 8
|Leicester, England, UK
|Junction 21 (Warp night)
|LIST<ref name=":44" />,
Autechre (DJ)
|
|
|-
| colspan="7" |
|-
|1998
|April 24
|London, England, UK
|Blech
|LIST<ref name=":44" />,
Autechre (DJ)
|
|
|-
| colspan="7" |
|-
|1999
| colspan="4" |[[1999-10-10 Indio, CA, USA @ Coachella Festival|Indio, CA, USA @ Coachella Festival]]
|Yes [Full, SBD]
|
|-
| colspan="7" |
|-
|2000
|November 26
|Nottingham, England, UK
|The Social (Deselect)
|LIST<ref>https://web.archive.org/web/20000818043032/http://www.warprecords.com/warp/news/</ref>,
Autechre (DJ) with Mira Calix
|
|
|-
| colspan="7" |
|-
|2003
|April 4
|Camber, England, UK
|Camber Sands Holiday Park centre (All Tomorrow's Parties 3.0)
| VEN<ref>https://web.archive.org/web/20030213193940/http://www.atpfestival.com/events/index.php?view=1</ref>, LIST<ref>https://www.1001tracklists.com/tracklist/l5l41k1/autechre-all-tomorrows-parties-camber-sands-united-kingdom-2003-04-04.html</ref>,
Autechre (DJ)

Not to be confused with the [[Autechre Curated All Tomorrow's Parties 3.0|compilation]] mix. DJ Mix rebroadcast on Jon Peel's Show on 27 May 2003.<ref>https://www.youtube.com/watch?v=kizBwGoNax0</ref><ref>https://peel.fandom.com/wiki/27_May_2003</ref>
|SBD #1 ([https://www.youtube.com/watch?v=kizBwGoNax0 full])
|B2
|-
| colspan="7" |
|-
|2020
|June 28
|n/a
|Glastonbury Festival 2020
|VEN<ref>https://forum.watmm.com/topic/99346-glade20-dj-set-this-week/?do=findComment&comment=2803953</ref>
Autechre (DJ)

Physical event was cancelled due to the COVID-19 pandemic, but event had artist performances uploaded to Mixcloud.
|SBD #1 ([https://www.mixcloud.com/Glade_Space_Lounge_The_Spike/the-spike-autechre-dj-set/ full])
|
|-
| colspan="7" |
|-
| rowspan="3" |2024
|October 26
|Berlin, Germany
|Zenner (LITTLEBIG20)
|LIST<ref>https://ra.co/events/1960988</ref>, DESC<ref>https://forum.watmm.com/topic/105232-so-where-is-that-recording-of-rob-brown-djing-at-zenner/</ref>,
Rob Brown (DJ)
|
|A1
|-
|October 31
|Bristol, England, UK
|Strange Brew (Diagonal Records presents '13')
|REC, LIST<ref>https://ra.co/events/1983229</ref>, DESC<ref>https://forum.watmm.com/topic/105242-gescom-strange-brew-in-bristol/</ref>,
Rob Brown (DJ) 
|AUD #1 ([https://forum.watmm.com/topic/105242-gescom-strange-brew-in-bristol/?do=findComment&comment=2992857 full])
|A1
|-
|November 30
|Manchester, England, UK
|White Hotel (Diagonal Records presents '13')
|LIST<ref>https://ra.co/events/1983271</ref>, VEN<ref>https://www.instagram.com/odbpowell/p/DCRImycMJzV/?hl=en</ref>,
Rob Brown (DJ)
|
|A1
|-
| colspan="7" |
|-
|2025
|April 27
|Leeds, England, UK
|Freedom Mills
|VEN<ref>https://web.archive.org/web/20250327181952/https://mastodon.online/@sdem/114234510003722688</ref><ref>https://ra.co/events/2134136</ref>,
Rob Brown (DJ), edv3ctor, SDEM
|
|A1
|-
| colspan="7" |
|-
|2026
|February 21
|London, England, UK
|Corsica Studios (lex 20th Birthday x Dinamplatz 5th Birthday
)
|REC<ref>https://www.reddit.com/r/autechre/comments/1rbps8n/rob_of_autechre_b2b_overmono_corsica_studios/</ref>, VEN<ref>https://ra.co/events/2306784</ref>, DESC<ref>https://web.archive.org/web/20260222164037/https://post.lurk.org/@sean_ae/116113856657117853</ref>,
Rob Brown (DJ) (b2b Overmono)
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1rbps8n/rob_of_autechre_b2b_overmono_corsica_studios/ part])
|
|}

==References==
<references />
[[Category:Live]]

2026-02-04 Tokyo, Japan @ ZEPP Divercity

2026-02-15T14:34:49Z

EnergyIsMassiveLight: recording

{{Show Information|date=2026-02-04|location=Tokyo, Japan|venue=ZEPP Divercity|event=|validity=A1|tour=[[AE_2022－|twentytwentysix]]}}
==History==
Support: Kohei Matsunaga

<ref name=":68">https://web.archive.org/web/20250616195108/https://www.beatink.com/products/detail.php?product_id=15141</ref><ref name=":67">https://www.ele-king.net/news/011814/</ref><ref name=":732">https://www.reddit.com/r/autechre/comments/1nraadz/twentytwentyfivesix_openers/</ref>
==Media==
==Recordings==
{| class="wikitable"
!TYPE
!COMPLETE
!LENGTH
!NOTES
!LINKS
|-
|AUD #1
|FULL
|99:10
|Recorded by wintersavory
|
|-
|AUD #1b
|FULL
|80:08
|Remastered by wintersavory
|[https://mega.nz/folder/v5kmgDgI#VFxWenjXhbX9bmXmwZdMBQ MEGA]
|-
|AUD #2
|FULL
|79:47
|Recorded by lucidlichtbogen
|[https://mega.nz/file/WvoVQCCT#TOlHIgO3FPJTW2f3yEFZ-ia21kh2NiHFdtu4VoZRGd8 MEGA]
|-
|AUD #3
|FULL
|81:31
|Uploaded to YouTube by channel speedfreakjive
''autechre - pitchblack 2026''
|[https://www.youtube.com/watch?v=H4b1RHqFneY YouTube]
|-
|AUD #4
|FULL
|81:23
|Shared on Reddit by u/downstate97
|[https://www.reddit.com/r/autechre/comments/1r53chd/any_ideas_on_recreating_this_nice_treacle_bass/ Reddit]
|}
==References==
<references />

Amber

2026-02-11T16:15:50Z

EnergyIsMassiveLight: /* Montreal */ rephrase

[[Category:Album]]
{{Infobox
|title=Amber
|artist=[[Autechre]]
|cover=Amber.jpg
|date=7 November 1994
|label=Warp Records (WARP25)
|previous=[[Anti]]
|previous year=1994
|next=[[Garbage]]
|next year=1995
}}'''''Amber''''' is the second studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on November 7th, 1994,<ref>{{Cite web|title=Autechre - Amber. Bleep.|website=Bleep|link=https://bleep.com/release/20366-autechre-amber|accessdate=20 May 2024}}</ref> then later repressed on vinyl in 2016, alongside ''[[Incunabula]]'', and [[Tri Repetae|''Tri Repetae'']].

== History ==
Much of ''Amber'' had individuals tracks completed within a day.<ref>{{Cite AAA doc|1119}}</ref> The album was compiled from tracks made over the span of a year<ref name=":0">https://www.flickr.com/photos/nothingelseon/53306579754/in/album-72177720312403761/</ref> with the final record being completed only 6 months after the release of ''[[Incunabula]]''.<ref>{{Cite interview|page=Autechre's Interview with Мatt O'Leary, March 2005|quote=Amber was literally written in six months after Incunabula came out, really quickly,}}</ref> Sean noted that ''Amber'' felt more like their first proper album<ref>https://metalmagazine.eu/en/post/autechre</ref> compared to ''Incunabula'' which was more “a collection of tracks than an album”.<ref name=":0" />

Some equipment used for ''Amber'' included "a 202, a Juno, a sampler and a couple of sequencers, and a Korg MS-10, with a lot of routing, and reconfiguring and messing about."<ref>{{Cite interview|page=Autechre's Interview with Мatt O'Leary, March 2005|quote=Amber was done on nothing -- a 202, a Juno, a sampler and a couple of sequencers, and a Korg MS-10, with a lot of routing, and reconfiguring and messing about.}}</ref> 

=== Cover ===
The artwork depicts sandstone cliffs near Uçhisar, Cappadocia, Turkey, <nowiki>[38° 38′ 05.93″N, 34° 48′ 09″E]</nowiki><ref>https://www.reddit.com/r/autechre/comments/1k9cohq/exact_location_of_the_amber_cover/</ref> with the photograph taken by Nick Meyer<ref>https://www.nickmeers.co.uk/pano/h96c57ec#h96c57ec</ref> and artwork designed by The Designers Republic. ''Amber'' is the only album from Autechre to have a nearly unedited photograph as the cover art, with Ian Anderson noting that "the only retouching we did was at the edges, where we didn't have the full width, but there's no retouching in terms of colouration."<ref>{{Cite web|title=Amber|link=https://www.thedesignersrepublic.com/amber|website=The Designers Republic|accessdate=20 May 2024}}</ref>

== Tracks ==

=== Foil ===

* The "flanging sound" on the lead in "Foil" was done by Rob using EPS.<ref name=":1">{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''How is the flanging sound in the first track of Amber, Foil, made?''' I think that's EPS. Rob did that. I think it's EPS. If you mean the [imitates lead sound effect], that bit, I think that's EPS. Yeah, I think it's, but it might not be, ‘cause the one in Montreal, that's just after it, is the trigger flange in the Quadraverb. So we were really into those type of effects at the time, but I think it's actually, I don't think it's a flanger. I think it's the chorus in the EPS, but I'm not totally hundred percent sure about that. Foil I mean.}}</ref>

=== Montreal ===

* "Montreal" uses the trigger flanger from the Quadraverb<ref name=":1" /> and short EPS loops and filtering.<ref>https://web.archive.org/web/20250428124011/https://post.lurk.org/@sean_ae/114414650920396584</ref>
* Sean noted that he had friends in the city of Montreal, which he dedicated this track to.<ref name=":02">{{Cite web|link=https://lonelymachines.org/the-autechre-faq-v-199/|author=Ruud, Knut Andreas|website=LonelyMachines|date=December 2000|title=The _alt.music.autechre_ FAQ (Frequently Asked Questions) version 1.15|accessdate=20 May 2024}}</ref>

=== Silverside ===

* An alternative version of "Silverside" was released on a [https://www.discogs.com/release/748632-Various-FMCD-January-1995 Future Magazine CD Compilation] titled "[[List of Rarities#Silversub|Silversub]]"
* The track is named after the [[wikipedia:Atheriniformes|fish species]].

=== Slip ===

=== Glitch ===

* Uses the Roland MC-202 and Quadraverb. <ref>{{Cite AAA doc|330}}</ref>

=== Piezo ===

* One of the samples on "Piezo" are of Autechre discussing how the track should be arranged, "micd up really quiet through a chrous all the way through it". <ref>[https://web.archive.org/web/20020816104848/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid1018136565,21609,#:~:text=no%20sorry.%20there%20is%20the%20sound%20of%20us%20discussing%20how%20we%20should%20arrange%20the%20track%20though.%20micd%20up%20really%20quiet%20through%20a%20chorus%20all%20the%20way%20through%20it. https://web.archive.org/web/20020816104848/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid1018136565,21609,#:~:text=no%20sorry.%20there%20is%20the%20sound%20of%20us%20discussing%20how%20we%20should%20arrange%20the%20track%20though.%20micd%20up%20really%20quiet%20through%20a%20chorus%20all%20the%20way%20through%20it.]</ref>
* Rob later elaborated on this, saying that they were making sounds recorded with piezoelectronic mics, which is also where the title stems from.<ref>{{Cite AAA2 doc|242}}</ref>

=== Nine ===

* "Nine" was licensed out to Orange Telecommunications for an advertising campaign.<ref>https://watmm-archive.com/t/78185/1</ref><ref>https://www.reddit.com/r/ambientmusic/comments/z5zeqn/comment/j11xpnr/</ref> When Autechre went to watch Star Wars: Episode I – The Phantom Menace in theatres, they discovered in the screening that Orange was airing the ad with "Nine" before every Star Wars screening in England.<ref>{{Cite interview|page=Dancing in the Dark, 2001|quote=Autechre is extremely selective when allowing their music to be used onscreen. Yet one track licensed for an ad for mega-corp Orange Telecommunications took them by surprise one night at the movies. "We knew they were going to use it, but we didn't know it would be aired directly before every Star Wars screening in England," recalls Brown. "We thought everybody in the cinema was looking at us. Of course, they had no idea who we were, but it was clearly the weirdest thing they'd ever heard."}}</ref>

=== Further ===

=== Yulquen ===

* The IATA code for the Montréal–Trudeau International Airport is YUL. Looking at the Queen Elizabeth Hotel (also in Montreal) gives the code as YUL QUEN

=== Nil ===

=== Teartear ===

* In the same vein as "[[Incunabula#Windwind|Windwind]]", the word "tear" also has two different pronunciations.
* On the back cover of Amber, it notes that "Teartear is for Gerrard O'Hara"<ref>https://www.discogs.com/release/15195108-Autechre-Amber/image/SW1hZ2U6NDYwMTcwODA=</ref>, one of the founders of Skam Records. His voice can also be heard on the track "The Egg" 

== Tracklist ==
{{Tracklist|list=
{{tl track|number=1|title=Foil|length=6:05}}
{{tl track|number=2|title=Montreal|length=7:16}}
{{tl track|number=3|title=Silverside|length=5:31}}
{{tl track|number=4|title=Slip|length=6:21}}
{{tl track|number=5|title=Glitch|length=6:16}}
{{tl track|number=6|title=Piezo|length=8:01}}
{{tl track|number=7|title=Nine|length=3:40}}
{{tl track|number=8|title=Further|length=10:07}}
{{tl track|number=9|title=Yulquen|length=6:37}}
{{tl track|number=10|title=Nil|length=7:49}}
{{tl track|number=11|title=Teartear|length=6:46}}
{{tl finaltime|time=1:14:27}}
}}

== Links ==

* [https://autechre.warp.net/release/202836-autechre-amber AE_STORE]
* [https://music.apple.com/us/album/amber/281074742 Apple Music]
* [https://autechre.bandcamp.com/album/amber Bandcamp]
* [https://bleep.com/release/20366-autechre-amber Bleep]
* [https://www.discogs.com/master/1302-Autechre-Amber Discogs]
* [https://soundcloud.com/autechreofficial/sets/amber-384961498 Soundcloud]
* [https://open.spotify.com/album/1brMCJ3wB9KNzAANIKJf32 Spotify]

== Credits ==

* [[Autechre]] (production)
* [[Rob Brown]] (writer)
* [[Sean Booth]] (writer)
* [[The Designers Republic]] (design) <ref>https://www.discogs.com/master/1302-Autechre-Amber</ref>

== References ==
<references />

オウテカ──その果てしない音の世界を調査する, ele-king, December 2020

2026-02-11T12:53:31Z

EnergyIsMassiveLight:

Interview by Tsutomu Noda and assistance by Takune Kobayashi, with Mariko Sakamoto as interpreter. Original interview from October 2020, published in [https://www.ele-king.net/books/007937/ ele-king volume 26] on 25(?) December 2020.

Original scans [https://drive.google.com/drive/folders/11rp6Fjcm1Acr88KdylHj-SF7pY-0bEfi here].

Partial Translation to English [https://drive.google.com/drive/folders/11rp6Fjcm1Acr88KdylHj-SF7pY-0bEfi here]. 

== Transcript (Abridged English Translation) ==

=== Introduction ===
'''Interviewer:''' First I'd like to ask the two of you about your upbringing. Where were you born, and where did you spend your early years? Autechre is generally considered to be from Rochdale (a town located north-northeast of Greater Manchester), but Sean, I heard you're from a town near there called Middleton?

'''Sean:''' Yeah, I was born in Rochdale but I only lived there until I was three. After that my parents moved to Middleton, and I was raised there. So basically I think of myself as from Middleton.

'''Interviewer:''' According to the info available on the web, Rob was born in Devon (southwest Britain). Is that right?

'''Rob:''' We were in Devon for maybe a few months after I was born. I was born in Devon, but most of my family relatives are from Manchester, and my mum was working in Devon but she moved back home to Manchester after I was born. Rochdale and Middleton are really close, just a few miles apart.

'''Sean:''' Middleton is basically a part of Manchester—Like, it's on the outskirts of the highway that goes all the way around Greater Manchester (M60). In terms of distance it's about halfway between Manchester and Rochdale, maybe a bit closer to Manchester. But even though my family lived in Middleton, it was in an area near Rochdale. And on Rob's end, he lived in a part of Rochdale that was close to Middleton. So I went to Rob's place on foot a lot. Took less than thirty minutes.

'''Rob:''' That's right.

'''Sean:''' I guess we were neighbours, but it was kind of a weird area. I mean, if you're raised in Middleton, you're not gonna have any mates from Rochdale. There was never a reason to go to Rochdale in the first place. If you had to run some errands you'd go to Manchester for everything.

'''Rob:''' They had all the stuff that comes with a big city over there.

'''Sean:''' So that's why us Middleton lot didn't interact with Rochdale much. Even the way I met Rob, that was cos I just happened to ride the bus and met this Rochdale bloke. He saw me and my Middleton friend graffiti-ing on the bus, and he started talking to us, cause he was obsessed with graffiti as well. It really was a pretty big coincidence. We didn't really hang out with other kids, and that was the first time we rode a bus going that way. We always rode the opposite way, for Manchester. There wasn't anything for us in Rochdale. It was a boring town, or just kinda felt dead. Financially it wasn't doing too great. Anyway, that's how I met Rob, but I also made friends with like 10 guys from Rochdale all at once. One was the guy on the bus I was talking about, Ged, then I met this other guy, Dave. Actually, right, it was Dave who first said "Let's introduce this guy to Sharky." Sharky was Rob's nickname at the time.

'''Rob:''' (Grimace).

'''Sean:''' So then I met Rob through them. That was like.... Maybe not "random," but a total coincidence. Essentially if I hadn't crossed paths with Ged on that bus, on that day, basically Rob and I never would've met.

'''Rob:''' Yeah, but who knows. I mean we passed through the same town to visit the same record shop, so even if we hadn't met through Dave and Ged there was a pretty good chance that we would've eventually crossed paths there.

'''Sean:''' That's true. Actually, before we were properly introduced I'd seen Rob before. In front of the art supply store where we bought spray paint for graffiti.

'''Rob:''' Ah, that's right! Ren Bottomley's art supply store.

'''Sean:''' Yeah. And Rob was wearing this grey Kangol hat, and I saw that and I remember thinking, "...the fuck is that Kangol bloke standing in front of the art supply store?" (Laugh). Cause it was a really weird sight.

'''Rob:''' (Self-deprecatingly) Yeah, I was the shit man, posing with Kangol in a tiny town like Rochdale.

'''Sean:''' (Chuckle)

=== How could we forget ABBA ===
'''Interviewer:''' From the last official interview, there was a bit about Rob learning about Yellow Magic Orchestra from his uncle when he was in his mid-teens, and a bit about Sean editing a tape of The Pink Panther theme. Could you tell us if there's any music from before you got into electro and graffiti that you still like?

'''Sean:''' I didn't really buy records back then. In the electro scene we were all exchanging cassettes back and forth. So when the first wave of electro hit, in '83 or '84, I hardly ever bought records. I'd air-check music from the radio, or get my mates to let me dub their tapes. Even before that I didn't really buy any records. I remember liking "Dog Eat Dog" by Adam and the Ants (1980). That was probably the first 45 I bought.

'''Interviewer:''' (Laugh) I'm sorry, I don't mean to laugh. It's a good song.

'''Sean:''' (Laugh) No, I get why you laughed. But that's the stuff ten year-old kids like to listen to, isn't it?

'''Interviewer:''' You have a point.

'''Sean:''' Actually, I might've still been nine when that came out. I bought two records that day, the other one was "Cars" by Gary Numan (1979).

'''Interviewer:''' Wow.

'''Sean:''' I mean, this is just to give you a general idea of what I was like at the time. But I didn't even know why I liked those tracks. Probably the fact that both of them had kind of a weird ending, that might have something to do with it. Before that... I was listening to the records my parents had, you know. Like The Beatles and that. But personally I didn't really... Think the Beatles were all the great, you know? Basically I was like, Ah yeah they have some pretty good songs. I remember really liking "Strawberry Fields Forever." Especially that part, you know, where it changes pace and starts fading out. For some reason I was always drawn in by tracks that had a weird ending. Other than that, for a time I was kind of into—really not that into, but—The Teardrop Explodes. Also the Police, I liked the Stranglers too, Blondie as well... Well, out of that lot the one that stoked my interest the most was probably The Police. They used these weird rhythms, so I guess it just felt different from other music.

'''Rob:''' Makes sense.

'''Sean:''' Let's see, what else was there... Actually, my dad was really into stuff like Black Sabbath, that kind of 70s Rock, like Thin Lizzy. I had a vague interest in Black Sabbath I guess. That one track on their first record, with the rain and the church bells ("Black Sabbath," Track 1 of their debut eponymous release in 1970).

'''Interviewer:''' (Laugh) Those sound effects.

'''Sean:''' (Chuckle) I don't know why I liked that. Ah, that too, "War Pigs"! (Included on Sabbath's second album, "Paranoid"). I thought that was amazing, the best thing ever. Also Motörhead... I just heard all this stuff when it played on TV and liked it, that kind of thing. I'd see it on TV and think, "Oh, this is pretty good," and that was it. The first song I remember listening to was "I'm Not In Love" (1975) by 10CC, I'm pretty sure.

'''Interviewer:''' That's a good one.

'''Sean:''' Yeah. It was the first track that made me doubt my ears, you know, made me think, "Eh, what is this? Something's off." Also I remember "I Feel Love" (Donna Summer, 1977) pretty well. My dad was constantly listening to that when he drove the van. He also liked "Tubular Bells" (Mike Oldfield, 1973) and let me listen to that kind of stuff a lot. That or Jeff Wayne's "War of the Worlds" (1978, a rock-musical version of H. G. Wells' "War of the Worlds"). Listening to that on headphones on a Sunday was like a huge adventure for me at the time.

'''Interviewer:''' (Laughs). Rob, what about you?

'''Rob:''' Pretty much what Sean was just saying. I was probably in a parallel world with Sean liking "The War of the Worlds," cause I was hooked on that as well. Also whenever I went to my mum's friend's house, there was this older kid who always played tons of cool records. He was like my babysitter when I was a kid, and he would let me listen to a bunch of records. But before I got to the point where I bought my own records... I got albums for Christmas. Like The Police's first album ("Outlandos d'Amour," 1978). I think that was definitely their best work. Ah, "Parallel Lines" (1978) by Blondie, too. Also "Arrival" (1976) by ABBA was huge.

'''Sean:''' (Interjecting) Ah, ABBA! How could I forget ABBA. ABBA was a huge deal to me when I was a kid! I was obsessed with them when I was five, six years old. ABBA is amazing.

'''Rob:''' I got that album when I was six or seven, and this older mate of mine who lived in public housing liked The Police and was constantly playing them, so I got hooked on them too. My mum was really into Soul and Funk, like Marvin Gaye, Stevie Wonder. She also liked ELO and had their albums, and I had "The War of the Worlds." My first record player was this boxy thing that looked like a suitcase, where you had to open the lid, and you could stack a bunch of records on the turntable and listen to them one at a time. Also it could switch between 33, 45, and 78 speeds. And what I remember is (chuckle), this is really strange but, my all-time favourite record was "Peter and the Wolf" by Prokofieff. I loved that record, and the narrator was this famous BBC newscaster called Angela Rippon. She had this really great English accent, but I was really impatient and wanted to listen to it faster, so I played it at 78 speed. And I thought listening to "Peter and the Wolf" at 78 rpm was the greatest thing.

'''Sean:''' Playing that at 78 rpm (laughs), what were you on?

'''Rob:''' (Laughs) Yeah. I'd do that or I'd listen to it in reverse. I think I listened to a lot of Sinatra records in reverse as well. Anyway, basically my mum would lend me her records. She had this expensive, Hi-Fi Hitachi record player, and if a record had a scratch and made the needle skip she didn't want to play it, so she'd give those to me. But yeah, so I had my own little record player, and I had The Beatles... Wait, no, The Beatles ones weren't mine. I had The Police, "Arrival" by ABBA...

'''Sean:''' The best part about ABBA is... Everyone says they were master songwriters, but the reason they're so good, the key is that the vocals are absolutely incredible, I think.

'''Rob:''' Shockingly good.

'''Sean:''' Those two female voices are just... Like, really special. For me, I think that's the reason ABBA hits me so hard. That's why... I mean of course I admit their songwriting was great too, don't get me wrong, I just think their voices are fucking incredible. Really unique.

'''Rob:''' That synchronised harmony.

'''Sean:''' Exactly.

'''Rob:''' I got some records secretly, too. My uncle Derek—my mum's youngest brother, he's about five years older than me—before he moved overseas he left a bunch of records for me. This was just before electro started to get big, and I got him to give me a lot of those records from his collection. That was stuff that I was too young to get my hands on, certified classic 12 inches and club mixes, and later on they became more and more important to me. Cause my favourite artists started sourcing breaks and samples from them.

'''Sean:''' Yeah!

'''Rob:''' Because of that, before knowing that's what it was, I had an inventory of breaks and rare grooves that none of my mates knew anything about. I got really motivated by that.

'''Sean:''' Me too... I got some Led Zeppelin and Jimi Hendrix albums from my dad, but I didn't like them when I was a kid. I didn't even like the Stones. Somehow I understood Motörhead, but for whatever reason I almost totally passed up Hendrix. It just didn't interest me at all. But when I got older it suddenly became interesting to me, same with Zeppelin. Like I might be listening to some track and a break-beat comes on, and I'll go, "Wait, haven't I heard this before? Oh yeah, it's 'When the Levee Breaks'." That sort of thing.

'''Rob:''' Right.

'''Sean:''' In ways like that I feel a different sort of appreciation for Zeppelin than I had before. So in reality I actually got hooked on Zeppelin's beats via hip-hop... It was through listening to hip-hop that got me to think better of some of the records my dad had.

'''Rob:''' As far as electronic music, after I started spending my allowance on 7 inches... Those kinds of singles were mostly pop-culture products, or like Sean said, surprisingly different tracks, chart toppers like Gary Numan's "Cars." But I also liked Tears for Fears' first single. Also, I have vivid memories of riding in my mate's family's car listening to a track on the radio at high volume, speeding down the road.

'''Sean:''' Jean-Michel Jarre, yeah? Fuckin, yeah.

'''Rob:''' (Laughs) Yeah, Jean-Michel Jarre. They were playing "Équinoxe" (1978) on the radio, the long version. We were blasting that while speeding down the road, and I was sitting in the back seat like, "This is fucking awesome. Why isn't my family like this?" Ha ha ha!

=== A great starting point called Mantronix  ===
'''Interviewer:''' What was it about Mantronix that influenced you the most?

'''Rob:''' (Exhale) I don't know... There's a lot.

'''Sean:''' For me, it was knowing that producers could be a thing. I think it was around '85 or '86, I got my first Mantronix album. And the reason it interested me was, in a way, while most other guys were throwing away electro and starting to move into what was starting to be called hip-hop, they stuck with electro. At least, that's how it was in England. So the reason I was into Mantronix was cause they were preserving the ideas behind electro, like, heavy use of synths and synthesised drums, not using samples too much, preferring to work with Roland drums instead of the (Oberheim) DMX... Anyway, really I just preferred drums with a more analogue flavour over sample-based drum machines. Well, I liked the DMX too. But at the time I was really into the 808- and 909-type sound. And I remember "Put the Record Back On" (1986) by Just-Ice playing on the radio, the DJ was either Lee Brown or Stu Allan. I think it was Lee Brown... Er, was it Mike Shaft... (Ed. All three are former DJs for Manchester Piccadilly Radio). I can't remember, but anyway the DJ said, "That last track was produced by (Kurtis) Mantronik," and I remember it clicking for me, "Hey, that's that Mantronix guy!" I was like, "He produced it...? What does that mean?" So that's what made me suddenly aware of the role of producers. They're guys who produce things, basically they're the ones who actually make the music.

'''Rob:''' (Chuckles)

'''Sean:''' Yeah. After that I started buying everything he produced, like if I saw his name on the back of the jacket, I'd take it. Cause everything he did was essentially just amazing. Just-Ice's debut ("Back to the Old School," 1986) was a huge record for me, I remember listening to "Cold Gettin' Dumb" and thinking, "Fuck me! This is amazing, I've never heard anything like this." Really, like there was just nothing else like it. And he just kept making tracks, track after track, and they all felt fresh. I think he was just an untouchable producer for like 5 years cause he could keep putting out so much strange, fresh stuff.

'''Rob:''' He was a class all his own.

'''Sean:''' Who else was there.... Duke Bootee, I noticed his name in credits a lot. Him and Keith LeBlanc. I bought anything that had his name on it, cause I liked the mechanical drum sound he had. They didn't sound like drums, just really mechanical.

'''Rob:''' [さりげないひねりもやってたよね、ベースを軽くはじくとか。]

'''Sean:''' He was an incredible drum producer. I mean, he was already a really talented drummer, but he was just a master drum programmer. The drum patterns he put together were super lively, totally different from everyone else. The guy I just mentioned, Duke Bootee, he was also a fantastic producer, like, everything he made, the sound was amazing. Man Parrish was an incredible producer as well.

'''Rob:''' Yeah.

'''Sean:''' There were more too. Ligett and Barbosa, they worked with Shannon ("Let the Music Play," 1984) and Xena ("On the Upside," 1983), they did some early freestyle tracks too. I rated them. Yeah... So the biggest thing about Mantronik for me was discovering what a producer is. His music also had this really demanding aspect to it. Basically because he raised the bar, all the other producers had to try harder. He had a huge influence on a bunch of people. A lot of producers at the time tried really hard to approach his sound, but no one came close.

'''Rob:''' Yeah.

'''Sean:''' Another thing is, he had some really eccentric ideas about how to make tracks. For example, even though he had an 808, he'd sample the 808 and use that. That's a really strange way of doing things, right, normally you would never sample a drum machine, but he did.

'''Rob:''' He used pitches.

'''Sean:''' Right. He'd mess with the pitch of the snare or the kick in strange ways. And that method influenced a bunch of producers, like Dynamix II. Hurby Luv Bug copied Mantronik a bit as well, a bunch of people imitated him. That was one of the things I liked about him I guess, he was just always ahead of the curve. I think because he was a bit different, that's why he could do it. He wasn't trying to surpass the other guys at all, he was just different, his interests were different from that of other producers. So the other guys were always one or two steps behind. Personally I think that was what inspired me the most.

'''Rob:''' Yeah, yeah. I'm pretty sure he was the first one to... Well, The Latin Rascals were doing cut-up mixes, where they'd cut tracks in half and edit them together, but Mantronik was doing that with his own tracks. Listening at the time one of the things that I was blown away by was this, like it somehow made you feel like (laughs), he was time travelling in the middle of the track. He would sample his own track, and then use the samples in the original track he sampled.

'''Interviewer:''' (Laughs) Pretty confusing.

'''Rob:''' (Laughs) Of course he was doing digital editing, but there was no way to know that at the time. He seemed like a person who doesn't really show his own hand. Not a lot of people knew that he was using a Sequential Circuits (SCI) Studio 440 (Sampler / Sequencer / Drum Machine) workstation. You can make tons of really high-quality samples with that. And on top of that he was using a 196ppq (Pulses Per Quarter) sequencer.

So after he completed a track, he'd sample the whole thing and insert it into that track, and overdub the sound like that. But to my ears it sounded like the track had been cut up with samples of itself. I thought he had to be a wizard or something to think of stuff like that, and in comparison the other guys were just plain hip-hop guys who liked scratching. So he had this reputation of being a "wizard," and I think he totally deserved it. To me, he's... Like Sean was saying earlier, a lone-wolf character, a little isolated from everyone else, that kind of thing. He was really stylish, dressed really sharp. Compared to most other Black producers, maybe his kind of Latin look set him apart? ... (Ed: The electro editing techniques of Omar Santana, Kurtis Mantronik, and Albert Cabrera from The Latin Rascals came out of Latin electro. Incidentally, a track that greatly featured this Latin electro style in the UK was 1986's ""Bizarre Love Triangle,"" by New Order.)"

'''Sean:''' There was that too, but also he was working really hard. I think he was feeling burned out by around '89, I remember reading an interview where he said he was sleeping in the studio. He'd wake up, work on a track, and then fall asleep in the studio again. I read that and I remember thinking, "That's right, that's what it's like to be immersed in something." It reminded me of myself, cause I was completely obsessed with making mixtapes, too. Edits as well. He had Omar Santana or the Latin Rascals make some cool edits of his stuff. Most of it was just dub versions on the B-Side, but even then those B-Sides were awesome. The editing just, insanely cool. Like, it would be impossible on a modern DAW, it's that detailed, these edits done with just tape. Omar Santana is an absolute crazy editor, he inspired me loads. I was constantly making mixtapes, using the pause button to compile them. Basically I wanted to be Omar Santana.

'''Rob:''' We were both pretty hyper-active kids.

'''Sean:''' Yeah, that's right.

'''Rob:''' That's why, our new mutual friend Ged, when he introduced me to Sean he said, "There's this bloke like you who won't shut up about music. When he starts going, no one can stop him. You two have to get together and talk!" Then I met Sean, and he was the only one who was into the exact same stuff that I was, and just as deep. Hyper-obsessed. Mantronix was probably that kind of hyper, too. The tracks he makes are just.... Like an all-out war. From my perspective it was like being on a battlefield. Just amazing, too good.

'''Sean:''' Yeah, Mantronik went at it like it was a battle, definitely. That's why he was absolutely a "fighting producer." He was trying to knock out the other guys. You can probably tell that by listening to his tracks. There were other great producers at the time, too, like Marley Marl. He was like, ruthless, like he came at you from all sides. But still, he's different. Like Marley fights fair. But Mantronik, he abruptly changes the direction of the track right in the middle. Like the tempo suddenly changes, that kind of thing. Basically developing in a way you didn't expect. In contrast Marley is like, really solid, dependable development. That kind of producer. No one pushed genre boundaries as much as he did. He was the first one to incorporate breaks into the mix in a more interesting way, sooner than everyone else. He was a huge inspiration on what would later become hip-hop. But Mantronik was really unique! Nobody could get close to him. After a few years I think he lost that energy, and the kind of spirit of the way he did things went away with it.

'''Rob:''' We felt like we'd caught up with him.

'''Sean:''' So we could see this, like, huge gap that he'd left behind. When we started making music in the late 80s, we felt like that path still wasn't finished.

'''Rob:''' Yeah.

'''Sean:''' Hip-hop at the time was moving in the direction of cutting up breaks and stuff. Looking back on it, I think Marley had a bigger impact than Mantronik. But Mantronik had, like this... like the story wasn't finished yet.

'''Rob:''' I think that was probably because Mantronix wasn't one of those guys in that area whose name would come up straight away, who was really well-known and well-received. But what Sean said is right. There's a handful of guys who fit in the space between Marley and Mantronix who I really love.

'''Sean:''' Yeah, like Bomb Squad.

'''Rob:''' I think he (Mantronik) really dominated my childhood. He seemed a bit younger than the other guys, and to some extent being a kid is about trying to act older than you are, right? So he was different from the other guys in the sense that he fit into the concept of like, Peter Pan.

'''Sean:''' One of the reasons Mantronix was more well-received in the UK than anywhere else was because they were tied together with the electronic soul genre, which was popular here at the time. In terms of bands, Loose Ends, Deluxe, that kind of stuff. That, and they also connected to synth pop in a very loose way. Mantronik got loads of inspiration from synth pop, but after that the only influence America got from that was Detroit techno. For example Juan Atkins, I think you can tell from his stuff that he definitely was influenced by synth pop. When you think about it that way, strangely enough, Mantronik had more in common with Detroit electro than with New York hip-hop.

'''Rob:''' Right. That's why he was an outsider, in a sense. But he was completely dominating the game in his own area.

'''Sean:''' He was.

'''Rob:''' It's pretty interesting.

=== Pirate radio DJing, raided by the police ===
'''Interviewer:''' Let me ask about pirate radio. You guys were involved in pirate radio, I think from the late 80s to the early 90s. Sean made his pirate radio debut in 1988, and in '91 Autechre made their first appearance on an IBC (Illegal Broadcasting Company) show.

'''Rob and Sean:''' Yeah.

'''Interviewer:''' I think this pirate radio culture is kind of a hallmark of the UK, but it's not a culture that we have in Japan, so I'd like to know about Autechre's relationship with pirate radio over the years, and what you've gained from doing pirate radio.

'''Sean:''' I got started in that scene by—Basically, Ged who I mentioned earlier, the guy I met on the bus, I got to know some of the others guys he was on the bus with, and that's how it started.

'''Rob:''' Ged, he was the catalyst for everything!

'''Sean:''' (Laughs) That's because Ged's the kind of guy who'll go up and talk to anyone. That kind of personality. And so this one time Ged was talking to this middle-aged guy on the bus... Maybe not middle-aged, really more like in his 30s, but anyway he seemed like he was pushing on middle-age, this soul-loving guy called Steve King. So Ged went up and started talking to Steve... Wait, actually it was Steve who started talking to Ged. Cos at the time Ged was fitted with all this hip-hop gear. So Steve said, "Hey, do you know any DJs?" And Ged was like, "Hell yeah I do! I'm friends with two or three." So Steve heard that and said, "In that case bring them to my station and let's put on a show." So through that strange turn of events I got into doing it. But Steve King is a really great guy, he's tried his hand at loads of things. So in '88 we were scheduled to appear on his show, and we set out for this town on the outskirts of Rochdale called Bury, where this one guy lived. Bury is one of those "Northern Towns," another suburb of Manchester. So we went to his house and started taping the show, and we got about halfway through when the cops showed up—

'''Rob:''' And we got raided.

'''Sean:''' They cracked down on us.

'''Rob:''' The decks and stuff were all placed in this guy's kitchen, and from the kitchen you could get to the backyard. The backyard connected to this big grass field in the back so we were able to escape, but we had to leave all the records we'd brought with us.

'''Interviewer:''' (Laughs) That's rough!

'''Rob:''' Yeah. They were all confiscated. The other guys got caught, but Sean and I managed to get away. That recording was this strange, like... It wasn't an audition or a demo, but still we felt really, really honoured to appear on that show.

'''Sean:''' We appeared as guest DJs.

'''Rob:''' They had actual turntables, and we could play our own records.

'''Sean:''' Yeah, yeah. So when they said, "Wanna appear on the show?" We were like "Fuck yeeeeeeeeeah!"

'''Interviewer:''' (Laughs) I see. 

=== Nerds, Hip-Hop, and Academism ===
'''Interviewer:''' Nowadays, if you're not careful with your musical terminology you risk being accused of elitist snobbism.

'''Sean:''' There's definitely at least one kind of snobbism, in my opinion. But I think the effects of that manifest on several different levels. For example, I'm not impressed by someone's qualifications or the equipment they use. I'm impacted by what they actually do. But hip-hop in the 1980s brought about a bunch of innovations. It was a pretty revolutionary genre, but I think there's a bit of a tendency to minimise that by saying it was no big deal. I think ideas like, hip-hop has no potential, or it's not interesting from a technical standpoint, they came out of academia.

'''Rob:''' Ahh, yeah.

'''Sean:''' But that's not how I see it at all. I think someone like King Tubby was incredibly revolutionary. It's just that he's like, looked at through the context of a kind of cultural lens. And because of that people forget that he was a huge nerd.

'''Interviewer:''' (Laughs.)

'''Sean:''' So it's like... If it's a Black American guy, people forget that he can be a nerd, too.

'''Interviewer:''' There's a kind of stereotype, you mean.

'''Sean:''' Yeah. And most of the producers I was talking about earlier, or hip-hop producers, like right now for example guys like Madlib, in a sense... Most of these incredible producers, if you actually talk to them they're huge geeks, right?

'''Interviewer:''' You've got a point.

'''Sean:''' That's basically what I'm talking about. They're nerds. Wherever in the world, from Stockhausen to Madlib, they're all nerds. They're nerds at heart. Even Juan Atkins, he's a complete nerd. And I can really relate to that, on a deep personal level. Like, of course they're nerds! So with that in mind, I think in a sense there's a bit of an artificial line drawn between academic music and hip-hop. Stuff like hip-hop can be academic. But only people in hip-hop know that, and there's just not a framework for that to happen. It's like graffiti. Like, you do graffiti cause you want other people who do graffiti to think, "Man, this guy's good." But because there's this desire to have people think you're good, even in the world of graffiti there's a kind of elitism that happens. Like a guy will come out who everyone, the whole scene, agrees is really skilled.

'''Rob:''' Yeah, yeah.

'''Sean:''' So it's like... A world that's hidden from the average person. The general public doesn't take notice, because they're not paying attention, you know? It's almost like most of the public isn't looking in the right place. They're all preoccupied with the context, or the culture... I don't think that's what's important.

'''Rob:''' Right. When you're in the middle of a certain context and you become part of that culture, you can't see what it looks like from the outside. You're more interested in the performance you put on amongst your friends.

'''Sean:''' Right, that's what it is.

'''Rob:''' You don't really make an effort to reach out to people on the outside, so people have no way of knowing what's happening on the inside.

'''Sean:''' People in academia are ruthlessly competitive, yeah? When you get right down to it, that's what they're doing is competing. It's the same as hip-hop. People in hip-hop are incredibly competitive, too. Everyone's trying to make the coolest shit, to come up with the best tricks and techniques that they can. When you get to the root of it, hip-hop is a really academic practice. Yeah, I'm not a timid person by nature, and I'm not gonna shy away from that. To me that's what makes music exciting. That's what makes people push the limits further and further.

=== Works that sell differently by country ===
'''Interviewer:''' "Amber" is one of the classics now, but at that time, I think that amongst Warp artists, Autechre hadn't been selling in Japan at all. Still, you continued to press forwards with "Amber" and "Tri Repetae" (95). Where did that drive and passion come from?

'''Rob:''' To be honest, Warp gave us a lot of creative freedom. I guess they also wanted us to sell more records, right? But still, they always made us feel that we were "doing the right thing".

'''Sean:''' There's that, and at that time in Japan, the Sony guys didn't know how to treat us in the early days of our work. (Editor's note: In the 90's, Sony had a contract with Warp)

'''Rob:''' Yeah maybe...

'''Sean:''' They were pretty confused - "What's this stuff?"

'''Rob:''' Sony might have thought "Well, these guys are No. 1 in the Indie chart with Incunabula and Basscadet Mixes (94)," and I think it was a hit, but it was a fluke. And it wasn't necessarily those sales numbers. Still, Sony signed contracts with several Warp artists, as did American labels. In the US, Sire placed a bet by signing several groups.

'''Sean:''' Tri Repetae did really great in America. It didn't do well in Japan and it was good in the UK.

'''Rob:''' Well, it could be that on the label side they expected "This is cool" but it didn't meet with reality well.

'''Sean:''' Ah... so it's strange. For example, in the UK, Chiastic Slide (97) didn't take off, and in the US, it wasn't even released domestically. That's because Wax Trax!, which we had a contract with in the US, got bought by TVT. Long story short, TVT never paid Warp.

'''Rob:''' It was like a big archive label that had absolutely no interest in us. <smiles bitterly>

'''Sean:''' And that's why Warp didn't get a penny. It was terrible.

'''Sean:''' It was sold to TVT and the contract was breached. That's why we were in a state where we couldn't put out anything in America for a while. We waited until Trent Reznor welcomed us to his own label, Nothing, and released "LP5" (98). That's why he (Trent Reznor) was also taking a gamble, and at that time for reasons other than the US, we were hunting for labels in Japan. As for how it was back then, different Warp acts had separately contracted with several labels in Japan. I think we were with Sony and Aphex was with Sire.

In Japan, Warner Music was being released via Sire.

'''Rob:''' Ah, it was Warner.

'''Sean:''' Because, at some points, we were ... randomly called. For example, once we were asked to support The Grid, it was a completely strange offer. Us as support for The Grid? Why? (Editor's Note: 1994. The support act of The Grid by Richard Norris of Psychic TV and Dave Ball of Soft Cell. Certainly this combination was mysterious, and it attracted a lot of customers).

It turned out that originally The Black Dog were supposed to be supporting them, and for some reason they couldn't appear, and they called us on behalf of them. That's how we ended up going to Japan. It's where we met Ray, and we thought "Ray understands us better than Sony"."

'''Rob:''' We were hanging out with Ray in Japan. The music we'd listened to in the 80's was pretty similar to each other.
[[Category:Interview]]
{{DEFAULTSORT:2020-12 オウテカ──その果てしない音の世界を調査する,_December_2020}}
__NOTOC__
__NOEDITSECTION__

オウテカ──その果てしない音の世界を調査する, ele-king, December 2020

2026-02-11T12:49:22Z

EnergyIsMassiveLight:

Interview by Tsutomu Noda and assistance by Takune Kobayashi. Original interview from October 2020, published in [https://www.ele-king.net/books/007937/ ele-king volume 26] on 25(?) December 2020.

Original scans [https://drive.google.com/drive/folders/11rp6Fjcm1Acr88KdylHj-SF7pY-0bEfi here].

Partial Translation to English [https://drive.google.com/drive/folders/11rp6Fjcm1Acr88KdylHj-SF7pY-0bEfi here]. 

== Transcript (Abridged English Translation) ==

=== Introduction ===
'''Interviewer:''' First I'd like to ask the two of you about your upbringing. Where were you born, and where did you spend your early years? Autechre is generally considered to be from Rochdale (a town located north-northeast of Greater Manchester), but Sean, I heard you're from a town near there called Middleton?

'''Sean:''' Yeah, I was born in Rochdale but I only lived there until I was three. After that my parents moved to Middleton, and I was raised there. So basically I think of myself as from Middleton.

'''Interviewer:''' According to the info available on the web, Rob was born in Devon (southwest Britain). Is that right?

'''Rob:''' We were in Devon for maybe a few months after I was born. I was born in Devon, but most of my family relatives are from Manchester, and my mum was working in Devon but she moved back home to Manchester after I was born. Rochdale and Middleton are really close, just a few miles apart.

'''Sean:''' Middleton is basically a part of Manchester—Like, it's on the outskirts of the highway that goes all the way around Greater Manchester (M60). In terms of distance it's about halfway between Manchester and Rochdale, maybe a bit closer to Manchester. But even though my family lived in Middleton, it was in an area near Rochdale. And on Rob's end, he lived in a part of Rochdale that was close to Middleton. So I went to Rob's place on foot a lot. Took less than thirty minutes.

'''Rob:''' That's right.

'''Sean:''' I guess we were neighbours, but it was kind of a weird area. I mean, if you're raised in Middleton, you're not gonna have any mates from Rochdale. There was never a reason to go to Rochdale in the first place. If you had to run some errands you'd go to Manchester for everything.

'''Rob:''' They had all the stuff that comes with a big city over there.

'''Sean:''' So that's why us Middleton lot didn't interact with Rochdale much. Even the way I met Rob, that was cos I just happened to ride the bus and met this Rochdale bloke. He saw me and my Middleton friend graffiti-ing on the bus, and he started talking to us, cause he was obsessed with graffiti as well. It really was a pretty big coincidence. We didn't really hang out with other kids, and that was the first time we rode a bus going that way. We always rode the opposite way, for Manchester. There wasn't anything for us in Rochdale. It was a boring town, or just kinda felt dead. Financially it wasn't doing too great. Anyway, that's how I met Rob, but I also made friends with like 10 guys from Rochdale all at once. One was the guy on the bus I was talking about, Ged, then I met this other guy, Dave. Actually, right, it was Dave who first said "Let's introduce this guy to Sharky." Sharky was Rob's nickname at the time.

'''Rob:''' (Grimace).

'''Sean:''' So then I met Rob through them. That was like.... Maybe not "random," but a total coincidence. Essentially if I hadn't crossed paths with Ged on that bus, on that day, basically Rob and I never would've met.

'''Rob:''' Yeah, but who knows. I mean we passed through the same town to visit the same record shop, so even if we hadn't met through Dave and Ged there was a pretty good chance that we would've eventually crossed paths there.

'''Sean:''' That's true. Actually, before we were properly introduced I'd seen Rob before. In front of the art supply store where we bought spray paint for graffiti.

'''Rob:''' Ah, that's right! Ren Bottomley's art supply store.

'''Sean:''' Yeah. And Rob was wearing this grey Kangol hat, and I saw that and I remember thinking, "...the fuck is that Kangol bloke standing in front of the art supply store?" (Laugh). Cause it was a really weird sight.

'''Rob:''' (Self-deprecatingly) Yeah, I was the shit man, posing with Kangol in a tiny town like Rochdale.

'''Sean:''' (Chuckle)

=== How could we forget ABBA ===
'''Interviewer:''' From the last official interview, there was a bit about Rob learning about Yellow Magic Orchestra from his uncle when he was in his mid-teens, and a bit about Sean editing a tape of The Pink Panther theme. Could you tell us if there's any music from before you got into electro and graffiti that you still like?

'''Sean:''' I didn't really buy records back then. In the electro scene we were all exchanging cassettes back and forth. So when the first wave of electro hit, in '83 or '84, I hardly ever bought records. I'd air-check music from the radio, or get my mates to let me dub their tapes. Even before that I didn't really buy any records. I remember liking "Dog Eat Dog" by Adam and the Ants (1980). That was probably the first 45 I bought.

'''Interviewer:''' (Laugh) I'm sorry, I don't mean to laugh. It's a good song.

'''Sean:''' (Laugh) No, I get why you laughed. But that's the stuff ten year-old kids like to listen to, isn't it?

'''Interviewer:''' You have a point.

'''Sean:''' Actually, I might've still been nine when that came out. I bought two records that day, the other one was "Cars" by Gary Numan (1979).

'''Interviewer:''' Wow.

'''Sean:''' I mean, this is just to give you a general idea of what I was like at the time. But I didn't even know why I liked those tracks. Probably the fact that both of them had kind of a weird ending, that might have something to do with it. Before that... I was listening to the records my parents had, you know. Like The Beatles and that. But personally I didn't really... Think the Beatles were all the great, you know? Basically I was like, Ah yeah they have some pretty good songs. I remember really liking "Strawberry Fields Forever." Especially that part, you know, where it changes pace and starts fading out. For some reason I was always drawn in by tracks that had a weird ending. Other than that, for a time I was kind of into—really not that into, but—The Teardrop Explodes. Also the Police, I liked the Stranglers too, Blondie as well... Well, out of that lot the one that stoked my interest the most was probably The Police. They used these weird rhythms, so I guess it just felt different from other music.

'''Rob:''' Makes sense.

'''Sean:''' Let's see, what else was there... Actually, my dad was really into stuff like Black Sabbath, that kind of 70s Rock, like Thin Lizzy. I had a vague interest in Black Sabbath I guess. That one track on their first record, with the rain and the church bells ("Black Sabbath," Track 1 of their debut eponymous release in 1970).

'''Interviewer:''' (Laugh) Those sound effects.

'''Sean:''' (Chuckle) I don't know why I liked that. Ah, that too, "War Pigs"! (Included on Sabbath's second album, "Paranoid"). I thought that was amazing, the best thing ever. Also Motörhead... I just heard all this stuff when it played on TV and liked it, that kind of thing. I'd see it on TV and think, "Oh, this is pretty good," and that was it. The first song I remember listening to was "I'm Not In Love" (1975) by 10CC, I'm pretty sure.

'''Interviewer:''' That's a good one.

'''Sean:''' Yeah. It was the first track that made me doubt my ears, you know, made me think, "Eh, what is this? Something's off." Also I remember "I Feel Love" (Donna Summer, 1977) pretty well. My dad was constantly listening to that when he drove the van. He also liked "Tubular Bells" (Mike Oldfield, 1973) and let me listen to that kind of stuff a lot. That or Jeff Wayne's "War of the Worlds" (1978, a rock-musical version of H. G. Wells' "War of the Worlds"). Listening to that on headphones on a Sunday was like a huge adventure for me at the time.

'''Interviewer:''' (Laughs). Rob, what about you?

'''Rob:''' Pretty much what Sean was just saying. I was probably in a parallel world with Sean liking "The War of the Worlds," cause I was hooked on that as well. Also whenever I went to my mum's friend's house, there was this older kid who always played tons of cool records. He was like my babysitter when I was a kid, and he would let me listen to a bunch of records. But before I got to the point where I bought my own records... I got albums for Christmas. Like The Police's first album ("Outlandos d'Amour," 1978). I think that was definitely their best work. Ah, "Parallel Lines" (1978) by Blondie, too. Also "Arrival" (1976) by ABBA was huge.

'''Sean:''' (Interjecting) Ah, ABBA! How could I forget ABBA. ABBA was a huge deal to me when I was a kid! I was obsessed with them when I was five, six years old. ABBA is amazing.

'''Rob:''' I got that album when I was six or seven, and this older mate of mine who lived in public housing liked The Police and was constantly playing them, so I got hooked on them too. My mum was really into Soul and Funk, like Marvin Gaye, Stevie Wonder. She also liked ELO and had their albums, and I had "The War of the Worlds." My first record player was this boxy thing that looked like a suitcase, where you had to open the lid, and you could stack a bunch of records on the turntable and listen to them one at a time. Also it could switch between 33, 45, and 78 speeds. And what I remember is (chuckle), this is really strange but, my all-time favourite record was "Peter and the Wolf" by Prokofieff. I loved that record, and the narrator was this famous BBC newscaster called Angela Rippon. She had this really great English accent, but I was really impatient and wanted to listen to it faster, so I played it at 78 speed. And I thought listening to "Peter and the Wolf" at 78 rpm was the greatest thing.

'''Sean:''' Playing that at 78 rpm (laughs), what were you on?

'''Rob:''' (Laughs) Yeah. I'd do that or I'd listen to it in reverse. I think I listened to a lot of Sinatra records in reverse as well. Anyway, basically my mum would lend me her records. She had this expensive, Hi-Fi Hitachi record player, and if a record had a scratch and made the needle skip she didn't want to play it, so she'd give those to me. But yeah, so I had my own little record player, and I had The Beatles... Wait, no, The Beatles ones weren't mine. I had The Police, "Arrival" by ABBA...

'''Sean:''' The best part about ABBA is... Everyone says they were master songwriters, but the reason they're so good, the key is that the vocals are absolutely incredible, I think.

'''Rob:''' Shockingly good.

'''Sean:''' Those two female voices are just... Like, really special. For me, I think that's the reason ABBA hits me so hard. That's why... I mean of course I admit their songwriting was great too, don't get me wrong, I just think their voices are fucking incredible. Really unique.

'''Rob:''' That synchronised harmony.

'''Sean:''' Exactly.

'''Rob:''' I got some records secretly, too. My uncle Derek—my mum's youngest brother, he's about five years older than me—before he moved overseas he left a bunch of records for me. This was just before electro started to get big, and I got him to give me a lot of those records from his collection. That was stuff that I was too young to get my hands on, certified classic 12 inches and club mixes, and later on they became more and more important to me. Cause my favourite artists started sourcing breaks and samples from them.

'''Sean:''' Yeah!

'''Rob:''' Because of that, before knowing that's what it was, I had an inventory of breaks and rare grooves that none of my mates knew anything about. I got really motivated by that.

'''Sean:''' Me too... I got some Led Zeppelin and Jimi Hendrix albums from my dad, but I didn't like them when I was a kid. I didn't even like the Stones. Somehow I understood Motörhead, but for whatever reason I almost totally passed up Hendrix. It just didn't interest me at all. But when I got older it suddenly became interesting to me, same with Zeppelin. Like I might be listening to some track and a break-beat comes on, and I'll go, "Wait, haven't I heard this before? Oh yeah, it's 'When the Levee Breaks'." That sort of thing.

'''Rob:''' Right.

'''Sean:''' In ways like that I feel a different sort of appreciation for Zeppelin than I had before. So in reality I actually got hooked on Zeppelin's beats via hip-hop... It was through listening to hip-hop that got me to think better of some of the records my dad had.

'''Rob:''' As far as electronic music, after I started spending my allowance on 7 inches... Those kinds of singles were mostly pop-culture products, or like Sean said, surprisingly different tracks, chart toppers like Gary Numan's "Cars." But I also liked Tears for Fears' first single. Also, I have vivid memories of riding in my mate's family's car listening to a track on the radio at high volume, speeding down the road.

'''Sean:''' Jean-Michel Jarre, yeah? Fuckin, yeah.

'''Rob:''' (Laughs) Yeah, Jean-Michel Jarre. They were playing "Équinoxe" (1978) on the radio, the long version. We were blasting that while speeding down the road, and I was sitting in the back seat like, "This is fucking awesome. Why isn't my family like this?" Ha ha ha!

=== A great starting point called Mantronix  ===
'''Interviewer:''' What was it about Mantronix that influenced you the most?

'''Rob:''' (Exhale) I don't know... There's a lot.

'''Sean:''' For me, it was knowing that producers could be a thing. I think it was around '85 or '86, I got my first Mantronix album. And the reason it interested me was, in a way, while most other guys were throwing away electro and starting to move into what was starting to be called hip-hop, they stuck with electro. At least, that's how it was in England. So the reason I was into Mantronix was cause they were preserving the ideas behind electro, like, heavy use of synths and synthesised drums, not using samples too much, preferring to work with Roland drums instead of the (Oberheim) DMX... Anyway, really I just preferred drums with a more analogue flavour over sample-based drum machines. Well, I liked the DMX too. But at the time I was really into the 808- and 909-type sound. And I remember "Put the Record Back On" (1986) by Just-Ice playing on the radio, the DJ was either Lee Brown or Stu Allan. I think it was Lee Brown... Er, was it Mike Shaft... (Ed. All three are former DJs for Manchester Piccadilly Radio). I can't remember, but anyway the DJ said, "That last track was produced by (Kurtis) Mantronik," and I remember it clicking for me, "Hey, that's that Mantronix guy!" I was like, "He produced it...? What does that mean?" So that's what made me suddenly aware of the role of producers. They're guys who produce things, basically they're the ones who actually make the music.

'''Rob:''' (Chuckles)

'''Sean:''' Yeah. After that I started buying everything he produced, like if I saw his name on the back of the jacket, I'd take it. Cause everything he did was essentially just amazing. Just-Ice's debut ("Back to the Old School," 1986) was a huge record for me, I remember listening to "Cold Gettin' Dumb" and thinking, "Fuck me! This is amazing, I've never heard anything like this." Really, like there was just nothing else like it. And he just kept making tracks, track after track, and they all felt fresh. I think he was just an untouchable producer for like 5 years cause he could keep putting out so much strange, fresh stuff.

'''Rob:''' He was a class all his own.

'''Sean:''' Who else was there.... Duke Bootee, I noticed his name in credits a lot. Him and Keith LeBlanc. I bought anything that had his name on it, cause I liked the mechanical drum sound he had. They didn't sound like drums, just really mechanical.

'''Rob:''' [さりげないひねりもやってたよね、ベースを軽くはじくとか。]

'''Sean:''' He was an incredible drum producer. I mean, he was already a really talented drummer, but he was just a master drum programmer. The drum patterns he put together were super lively, totally different from everyone else. The guy I just mentioned, Duke Bootee, he was also a fantastic producer, like, everything he made, the sound was amazing. Man Parrish was an incredible producer as well.

'''Rob:''' Yeah.

'''Sean:''' There were more too. Ligett and Barbosa, they worked with Shannon ("Let the Music Play," 1984) and Xena ("On the Upside," 1983), they did some early freestyle tracks too. I rated them. Yeah... So the biggest thing about Mantronik for me was discovering what a producer is. His music also had this really demanding aspect to it. Basically because he raised the bar, all the other producers had to try harder. He had a huge influence on a bunch of people. A lot of producers at the time tried really hard to approach his sound, but no one came close.

'''Rob:''' Yeah.

'''Sean:''' Another thing is, he had some really eccentric ideas about how to make tracks. For example, even though he had an 808, he'd sample the 808 and use that. That's a really strange way of doing things, right, normally you would never sample a drum machine, but he did.

'''Rob:''' He used pitches.

'''Sean:''' Right. He'd mess with the pitch of the snare or the kick in strange ways. And that method influenced a bunch of producers, like Dynamix II. Hurby Luv Bug copied Mantronik a bit as well, a bunch of people imitated him. That was one of the things I liked about him I guess, he was just always ahead of the curve. I think because he was a bit different, that's why he could do it. He wasn't trying to surpass the other guys at all, he was just different, his interests were different from that of other producers. So the other guys were always one or two steps behind. Personally I think that was what inspired me the most.

'''Rob:''' Yeah, yeah. I'm pretty sure he was the first one to... Well, The Latin Rascals were doing cut-up mixes, where they'd cut tracks in half and edit them together, but Mantronik was doing that with his own tracks. Listening at the time one of the things that I was blown away by was this, like it somehow made you feel like (laughs), he was time travelling in the middle of the track. He would sample his own track, and then use the samples in the original track he sampled.

'''Interviewer:''' (Laughs) Pretty confusing.

'''Rob:''' (Laughs) Of course he was doing digital editing, but there was no way to know that at the time. He seemed like a person who doesn't really show his own hand. Not a lot of people knew that he was using a Sequential Circuits (SCI) Studio 440 (Sampler / Sequencer / Drum Machine) workstation. You can make tons of really high-quality samples with that. And on top of that he was using a 196ppq (Pulses Per Quarter) sequencer.

So after he completed a track, he'd sample the whole thing and insert it into that track, and overdub the sound like that. But to my ears it sounded like the track had been cut up with samples of itself. I thought he had to be a wizard or something to think of stuff like that, and in comparison the other guys were just plain hip-hop guys who liked scratching. So he had this reputation of being a "wizard," and I think he totally deserved it. To me, he's... Like Sean was saying earlier, a lone-wolf character, a little isolated from everyone else, that kind of thing. He was really stylish, dressed really sharp. Compared to most other Black producers, maybe his kind of Latin look set him apart? ... (Ed: The electro editing techniques of Omar Santana, Kurtis Mantronik, and Albert Cabrera from The Latin Rascals came out of Latin electro. Incidentally, a track that greatly featured this Latin electro style in the UK was 1986's ""Bizarre Love Triangle,"" by New Order.)"

'''Sean:''' There was that too, but also he was working really hard. I think he was feeling burned out by around '89, I remember reading an interview where he said he was sleeping in the studio. He'd wake up, work on a track, and then fall asleep in the studio again. I read that and I remember thinking, "That's right, that's what it's like to be immersed in something." It reminded me of myself, cause I was completely obsessed with making mixtapes, too. Edits as well. He had Omar Santana or the Latin Rascals make some cool edits of his stuff. Most of it was just dub versions on the B-Side, but even then those B-Sides were awesome. The editing just, insanely cool. Like, it would be impossible on a modern DAW, it's that detailed, these edits done with just tape. Omar Santana is an absolute crazy editor, he inspired me loads. I was constantly making mixtapes, using the pause button to compile them. Basically I wanted to be Omar Santana.

'''Rob:''' We were both pretty hyper-active kids.

'''Sean:''' Yeah, that's right.

'''Rob:''' That's why, our new mutual friend Ged, when he introduced me to Sean he said, "There's this bloke like you who won't shut up about music. When he starts going, no one can stop him. You two have to get together and talk!" Then I met Sean, and he was the only one who was into the exact same stuff that I was, and just as deep. Hyper-obsessed. Mantronix was probably that kind of hyper, too. The tracks he makes are just.... Like an all-out war. From my perspective it was like being on a battlefield. Just amazing, too good.

'''Sean:''' Yeah, Mantronik went at it like it was a battle, definitely. That's why he was absolutely a "fighting producer." He was trying to knock out the other guys. You can probably tell that by listening to his tracks. There were other great producers at the time, too, like Marley Marl. He was like, ruthless, like he came at you from all sides. But still, he's different. Like Marley fights fair. But Mantronik, he abruptly changes the direction of the track right in the middle. Like the tempo suddenly changes, that kind of thing. Basically developing in a way you didn't expect. In contrast Marley is like, really solid, dependable development. That kind of producer. No one pushed genre boundaries as much as he did. He was the first one to incorporate breaks into the mix in a more interesting way, sooner than everyone else. He was a huge inspiration on what would later become hip-hop. But Mantronik was really unique! Nobody could get close to him. After a few years I think he lost that energy, and the kind of spirit of the way he did things went away with it.

'''Rob:''' We felt like we'd caught up with him.

'''Sean:''' So we could see this, like, huge gap that he'd left behind. When we started making music in the late 80s, we felt like that path still wasn't finished.

'''Rob:''' Yeah.

'''Sean:''' Hip-hop at the time was moving in the direction of cutting up breaks and stuff. Looking back on it, I think Marley had a bigger impact than Mantronik. But Mantronik had, like this... like the story wasn't finished yet.

'''Rob:''' I think that was probably because Mantronix wasn't one of those guys in that area whose name would come up straight away, who was really well-known and well-received. But what Sean said is right. There's a handful of guys who fit in the space between Marley and Mantronix who I really love.

'''Sean:''' Yeah, like Bomb Squad.

'''Rob:''' I think he (Mantronik) really dominated my childhood. He seemed a bit younger than the other guys, and to some extent being a kid is about trying to act older than you are, right? So he was different from the other guys in the sense that he fit into the concept of like, Peter Pan.

'''Sean:''' One of the reasons Mantronix was more well-received in the UK than anywhere else was because they were tied together with the electronic soul genre, which was popular here at the time. In terms of bands, Loose Ends, Deluxe, that kind of stuff. That, and they also connected to synth pop in a very loose way. Mantronik got loads of inspiration from synth pop, but after that the only influence America got from that was Detroit techno. For example Juan Atkins, I think you can tell from his stuff that he definitely was influenced by synth pop. When you think about it that way, strangely enough, Mantronik had more in common with Detroit electro than with New York hip-hop.

'''Rob:''' Right. That's why he was an outsider, in a sense. But he was completely dominating the game in his own area.

'''Sean:''' He was.

'''Rob:''' It's pretty interesting.

=== Pirate radio DJing, raided by the police ===
'''Interviewer:''' Let me ask about pirate radio. You guys were involved in pirate radio, I think from the late 80s to the early 90s. Sean made his pirate radio debut in 1988, and in '91 Autechre made their first appearance on an IBC (Illegal Broadcasting Company) show.

'''Rob and Sean:''' Yeah.

'''Interviewer:''' I think this pirate radio culture is kind of a hallmark of the UK, but it's not a culture that we have in Japan, so I'd like to know about Autechre's relationship with pirate radio over the years, and what you've gained from doing pirate radio.

'''Sean:''' I got started in that scene by—Basically, Ged who I mentioned earlier, the guy I met on the bus, I got to know some of the others guys he was on the bus with, and that's how it started.

'''Rob:''' Ged, he was the catalyst for everything!

'''Sean:''' (Laughs) That's because Ged's the kind of guy who'll go up and talk to anyone. That kind of personality. And so this one time Ged was talking to this middle-aged guy on the bus... Maybe not middle-aged, really more like in his 30s, but anyway he seemed like he was pushing on middle-age, this soul-loving guy called Steve King. So Ged went up and started talking to Steve... Wait, actually it was Steve who started talking to Ged. Cos at the time Ged was fitted with all this hip-hop gear. So Steve said, "Hey, do you know any DJs?" And Ged was like, "Hell yeah I do! I'm friends with two or three." So Steve heard that and said, "In that case bring them to my station and let's put on a show." So through that strange turn of events I got into doing it. But Steve King is a really great guy, he's tried his hand at loads of things. So in '88 we were scheduled to appear on his show, and we set out for this town on the outskirts of Rochdale called Bury, where this one guy lived. Bury is one of those "Northern Towns," another suburb of Manchester. So we went to his house and started taping the show, and we got about halfway through when the cops showed up—

'''Rob:''' And we got raided.

'''Sean:''' They cracked down on us.

'''Rob:''' The decks and stuff were all placed in this guy's kitchen, and from the kitchen you could get to the backyard. The backyard connected to this big grass field in the back so we were able to escape, but we had to leave all the records we'd brought with us.

'''Interviewer:''' (Laughs) That's rough!

'''Rob:''' Yeah. They were all confiscated. The other guys got caught, but Sean and I managed to get away. That recording was this strange, like... It wasn't an audition or a demo, but still we felt really, really honoured to appear on that show.

'''Sean:''' We appeared as guest DJs.

'''Rob:''' They had actual turntables, and we could play our own records.

'''Sean:''' Yeah, yeah. So when they said, "Wanna appear on the show?" We were like "Fuck yeeeeeeeeeah!"

'''Interviewer:''' (Laughs) I see. 

=== Nerds, Hip-Hop, and Academism ===
'''Interviewer:''' Nowadays, if you're not careful with your musical terminology you risk being accused of elitist snobbism.

'''Sean:''' There's definitely at least one kind of snobbism, in my opinion. But I think the effects of that manifest on several different levels. For example, I'm not impressed by someone's qualifications or the equipment they use. I'm impacted by what they actually do. But hip-hop in the 1980s brought about a bunch of innovations. It was a pretty revolutionary genre, but I think there's a bit of a tendency to minimise that by saying it was no big deal. I think ideas like, hip-hop has no potential, or it's not interesting from a technical standpoint, they came out of academia.

'''Rob:''' Ahh, yeah.

'''Sean:''' But that's not how I see it at all. I think someone like King Tubby was incredibly revolutionary. It's just that he's like, looked at through the context of a kind of cultural lens. And because of that people forget that he was a huge nerd.

'''Interviewer:''' (Laughs.)

'''Sean:''' So it's like... If it's a Black American guy, people forget that he can be a nerd, too.

'''Interviewer:''' There's a kind of stereotype, you mean.

'''Sean:''' Yeah. And most of the producers I was talking about earlier, or hip-hop producers, like right now for example guys like Madlib, in a sense... Most of these incredible producers, if you actually talk to them they're huge geeks, right?

'''Interviewer:''' You've got a point.

'''Sean:''' That's basically what I'm talking about. They're nerds. Wherever in the world, from Stockhausen to Madlib, they're all nerds. They're nerds at heart. Even Juan Atkins, he's a complete nerd. And I can really relate to that, on a deep personal level. Like, of course they're nerds! So with that in mind, I think in a sense there's a bit of an artificial line drawn between academic music and hip-hop. Stuff like hip-hop can be academic. But only people in hip-hop know that, and there's just not a framework for that to happen. It's like graffiti. Like, you do graffiti cause you want other people who do graffiti to think, "Man, this guy's good." But because there's this desire to have people think you're good, even in the world of graffiti there's a kind of elitism that happens. Like a guy will come out who everyone, the whole scene, agrees is really skilled.

'''Rob:''' Yeah, yeah.

'''Sean:''' So it's like... A world that's hidden from the average person. The general public doesn't take notice, because they're not paying attention, you know? It's almost like most of the public isn't looking in the right place. They're all preoccupied with the context, or the culture... I don't think that's what's important.

'''Rob:''' Right. When you're in the middle of a certain context and you become part of that culture, you can't see what it looks like from the outside. You're more interested in the performance you put on amongst your friends.

'''Sean:''' Right, that's what it is.

'''Rob:''' You don't really make an effort to reach out to people on the outside, so people have no way of knowing what's happening on the inside.

'''Sean:''' People in academia are ruthlessly competitive, yeah? When you get right down to it, that's what they're doing is competing. It's the same as hip-hop. People in hip-hop are incredibly competitive, too. Everyone's trying to make the coolest shit, to come up with the best tricks and techniques that they can. When you get to the root of it, hip-hop is a really academic practice. Yeah, I'm not a timid person by nature, and I'm not gonna shy away from that. To me that's what makes music exciting. That's what makes people push the limits further and further.

=== Works that sell differently by country ===
'''Interviewer:''' "Amber" is one of the classics now, but at that time, I think that amongst Warp artists, Autechre hadn't been selling in Japan at all. Still, you continued to press forwards with "Amber" and "Tri Repetae" (95). Where did that drive and passion come from?

'''Rob:''' To be honest, Warp gave us a lot of creative freedom. I guess they also wanted us to sell more records, right? But still, they always made us feel that we were "doing the right thing".

'''Sean:''' There's that, and at that time in Japan, the Sony guys didn't know how to treat us in the early days of our work. (Editor's note: In the 90's, Sony had a contract with Warp)

'''Rob:''' Yeah maybe...

'''Sean:''' They were pretty confused - "What's this stuff?"

'''Rob:''' Sony might have thought "Well, these guys are No. 1 in the Indie chart with Incunabula and Basscadet Mixes (94)," and I think it was a hit, but it was a fluke. And it wasn't necessarily those sales numbers. Still, Sony signed contracts with several Warp artists, as did American labels. In the US, Sire placed a bet by signing several groups.

'''Sean:''' Tri Repetae did really great in America. It didn't do well in Japan and it was good in the UK.

'''Rob:''' Well, it could be that on the label side they expected "This is cool" but it didn't meet with reality well.

'''Sean:''' Ah... so it's strange. For example, in the UK, Chiastic Slide (97) didn't take off, and in the US, it wasn't even released domestically. That's because Wax Trax!, which we had a contract with in the US, got bought by TVT. Long story short, TVT never paid Warp.

'''Rob:''' It was like a big archive label that had absolutely no interest in us. <smiles bitterly>

'''Sean:''' And that's why Warp didn't get a penny. It was terrible.

'''Sean:''' It was sold to TVT and the contract was breached. That's why we were in a state where we couldn't put out anything in America for a while. We waited until Trent Reznor welcomed us to his own label, Nothing, and released "LP5" (98). That's why he (Trent Reznor) was also taking a gamble, and at that time for reasons other than the US, we were hunting for labels in Japan. As for how it was back then, different Warp acts had separately contracted with several labels in Japan. I think we were with Sony and Aphex was with Sire.

In Japan, Warner Music was being released via Sire.

'''Rob:''' Ah, it was Warner.

'''Sean:''' Because, at some points, we were ... randomly called. For example, once we were asked to support The Grid, it was a completely strange offer. Us as support for The Grid? Why? (Editor's Note: 1994. The support act of The Grid by Richard Norris of Psychic TV and Dave Ball of Soft Cell. Certainly this combination was mysterious, and it attracted a lot of customers).

It turned out that originally The Black Dog were supposed to be supporting them, and for some reason they couldn't appear, and they called us on behalf of them. That's how we ended up going to Japan. It's where we met Ray, and we thought "Ray understands us better than Sony"."

'''Rob:''' We were hanging out with Ray in Japan. The music we'd listened to in the 80's was pretty similar to each other.
[[Category:Interview]]
{{DEFAULTSORT:2020-12 オウテカ──その果てしない音の世界を調査する,_December_2020}}
__NOTOC__
__NOEDITSECTION__

オウテカ──その果てしない音の世界を調査する, December 2020

2026-02-11T12:47:10Z

EnergyIsMassiveLight: EnergyIsMassiveLight moved page オウテカ──その果てしない音の世界を調査する, December 2020 to オウテカ──その果てしない音の世界を調査する, ele-king, December 2020: source

#REDIRECT [[オウテカ──その果てしない音の世界を調査する, ele-king, December 2020]]

オウテカ──その果てしない音の世界を調査する, ele-king, December 2020

2026-02-11T12:47:10Z

Interview by Tsutomu Noda and assistance by Takune Kobayashi. Published in [https://www.ele-king.net/books/007937/ ele-king volume 26].

Original scans [https://drive.google.com/drive/folders/11rp6Fjcm1Acr88KdylHj-SF7pY-0bEfi here].

Partial Translation to English [https://drive.google.com/drive/folders/11rp6Fjcm1Acr88KdylHj-SF7pY-0bEfi here]. 

== Transcript (Abridged English Translation) ==

=== Introduction ===
'''Interviewer:''' First I'd like to ask the two of you about your upbringing. Where were you born, and where did you spend your early years? Autechre is generally considered to be from Rochdale (a town located north-northeast of Greater Manchester), but Sean, I heard you're from a town near there called Middleton?

'''Sean:''' Yeah, I was born in Rochdale but I only lived there until I was three. After that my parents moved to Middleton, and I was raised there. So basically I think of myself as from Middleton.

'''Interviewer:''' According to the info available on the web, Rob was born in Devon (southwest Britain). Is that right?

'''Rob:''' We were in Devon for maybe a few months after I was born. I was born in Devon, but most of my family relatives are from Manchester, and my mum was working in Devon but she moved back home to Manchester after I was born. Rochdale and Middleton are really close, just a few miles apart.

'''Sean:''' Middleton is basically a part of Manchester—Like, it's on the outskirts of the highway that goes all the way around Greater Manchester (M60). In terms of distance it's about halfway between Manchester and Rochdale, maybe a bit closer to Manchester. But even though my family lived in Middleton, it was in an area near Rochdale. And on Rob's end, he lived in a part of Rochdale that was close to Middleton. So I went to Rob's place on foot a lot. Took less than thirty minutes.

'''Rob:''' That's right.

'''Sean:''' I guess we were neighbours, but it was kind of a weird area. I mean, if you're raised in Middleton, you're not gonna have any mates from Rochdale. There was never a reason to go to Rochdale in the first place. If you had to run some errands you'd go to Manchester for everything.

'''Rob:''' They had all the stuff that comes with a big city over there.

'''Sean:''' So that's why us Middleton lot didn't interact with Rochdale much. Even the way I met Rob, that was cos I just happened to ride the bus and met this Rochdale bloke. He saw me and my Middleton friend graffiti-ing on the bus, and he started talking to us, cause he was obsessed with graffiti as well. It really was a pretty big coincidence. We didn't really hang out with other kids, and that was the first time we rode a bus going that way. We always rode the opposite way, for Manchester. There wasn't anything for us in Rochdale. It was a boring town, or just kinda felt dead. Financially it wasn't doing too great. Anyway, that's how I met Rob, but I also made friends with like 10 guys from Rochdale all at once. One was the guy on the bus I was talking about, Ged, then I met this other guy, Dave. Actually, right, it was Dave who first said "Let's introduce this guy to Sharky." Sharky was Rob's nickname at the time.

'''Rob:''' (Grimace).

'''Sean:''' So then I met Rob through them. That was like.... Maybe not "random," but a total coincidence. Essentially if I hadn't crossed paths with Ged on that bus, on that day, basically Rob and I never would've met.

'''Rob:''' Yeah, but who knows. I mean we passed through the same town to visit the same record shop, so even if we hadn't met through Dave and Ged there was a pretty good chance that we would've eventually crossed paths there.

'''Sean:''' That's true. Actually, before we were properly introduced I'd seen Rob before. In front of the art supply store where we bought spray paint for graffiti.

'''Rob:''' Ah, that's right! Ren Bottomley's art supply store.

'''Sean:''' Yeah. And Rob was wearing this grey Kangol hat, and I saw that and I remember thinking, "...the fuck is that Kangol bloke standing in front of the art supply store?" (Laugh). Cause it was a really weird sight.

'''Rob:''' (Self-deprecatingly) Yeah, I was the shit man, posing with Kangol in a tiny town like Rochdale.

'''Sean:''' (Chuckle)

=== How could we forget ABBA ===
'''Interviewer:''' From the last official interview, there was a bit about Rob learning about Yellow Magic Orchestra from his uncle when he was in his mid-teens, and a bit about Sean editing a tape of The Pink Panther theme. Could you tell us if there's any music from before you got into electro and graffiti that you still like?

'''Sean:''' I didn't really buy records back then. In the electro scene we were all exchanging cassettes back and forth. So when the first wave of electro hit, in '83 or '84, I hardly ever bought records. I'd air-check music from the radio, or get my mates to let me dub their tapes. Even before that I didn't really buy any records. I remember liking "Dog Eat Dog" by Adam and the Ants (1980). That was probably the first 45 I bought.

'''Interviewer:''' (Laugh) I'm sorry, I don't mean to laugh. It's a good song.

'''Sean:''' (Laugh) No, I get why you laughed. But that's the stuff ten year-old kids like to listen to, isn't it?

'''Interviewer:''' You have a point.

'''Sean:''' Actually, I might've still been nine when that came out. I bought two records that day, the other one was "Cars" by Gary Numan (1979).

'''Interviewer:''' Wow.

'''Sean:''' I mean, this is just to give you a general idea of what I was like at the time. But I didn't even know why I liked those tracks. Probably the fact that both of them had kind of a weird ending, that might have something to do with it. Before that... I was listening to the records my parents had, you know. Like The Beatles and that. But personally I didn't really... Think the Beatles were all the great, you know? Basically I was like, Ah yeah they have some pretty good songs. I remember really liking "Strawberry Fields Forever." Especially that part, you know, where it changes pace and starts fading out. For some reason I was always drawn in by tracks that had a weird ending. Other than that, for a time I was kind of into—really not that into, but—The Teardrop Explodes. Also the Police, I liked the Stranglers too, Blondie as well... Well, out of that lot the one that stoked my interest the most was probably The Police. They used these weird rhythms, so I guess it just felt different from other music.

'''Rob:''' Makes sense.

'''Sean:''' Let's see, what else was there... Actually, my dad was really into stuff like Black Sabbath, that kind of 70s Rock, like Thin Lizzy. I had a vague interest in Black Sabbath I guess. That one track on their first record, with the rain and the church bells ("Black Sabbath," Track 1 of their debut eponymous release in 1970).

'''Interviewer:''' (Laugh) Those sound effects.

'''Sean:''' (Chuckle) I don't know why I liked that. Ah, that too, "War Pigs"! (Included on Sabbath's second album, "Paranoid"). I thought that was amazing, the best thing ever. Also Motörhead... I just heard all this stuff when it played on TV and liked it, that kind of thing. I'd see it on TV and think, "Oh, this is pretty good," and that was it. The first song I remember listening to was "I'm Not In Love" (1975) by 10CC, I'm pretty sure.

'''Interviewer:''' That's a good one.

'''Sean:''' Yeah. It was the first track that made me doubt my ears, you know, made me think, "Eh, what is this? Something's off." Also I remember "I Feel Love" (Donna Summer, 1977) pretty well. My dad was constantly listening to that when he drove the van. He also liked "Tubular Bells" (Mike Oldfield, 1973) and let me listen to that kind of stuff a lot. That or Jeff Wayne's "War of the Worlds" (1978, a rock-musical version of H. G. Wells' "War of the Worlds"). Listening to that on headphones on a Sunday was like a huge adventure for me at the time.

'''Interviewer:''' (Laughs). Rob, what about you?

'''Rob:''' Pretty much what Sean was just saying. I was probably in a parallel world with Sean liking "The War of the Worlds," cause I was hooked on that as well. Also whenever I went to my mum's friend's house, there was this older kid who always played tons of cool records. He was like my babysitter when I was a kid, and he would let me listen to a bunch of records. But before I got to the point where I bought my own records... I got albums for Christmas. Like The Police's first album ("Outlandos d'Amour," 1978). I think that was definitely their best work. Ah, "Parallel Lines" (1978) by Blondie, too. Also "Arrival" (1976) by ABBA was huge.

'''Sean:''' (Interjecting) Ah, ABBA! How could I forget ABBA. ABBA was a huge deal to me when I was a kid! I was obsessed with them when I was five, six years old. ABBA is amazing.

'''Rob:''' I got that album when I was six or seven, and this older mate of mine who lived in public housing liked The Police and was constantly playing them, so I got hooked on them too. My mum was really into Soul and Funk, like Marvin Gaye, Stevie Wonder. She also liked ELO and had their albums, and I had "The War of the Worlds." My first record player was this boxy thing that looked like a suitcase, where you had to open the lid, and you could stack a bunch of records on the turntable and listen to them one at a time. Also it could switch between 33, 45, and 78 speeds. And what I remember is (chuckle), this is really strange but, my all-time favourite record was "Peter and the Wolf" by Prokofieff. I loved that record, and the narrator was this famous BBC newscaster called Angela Rippon. She had this really great English accent, but I was really impatient and wanted to listen to it faster, so I played it at 78 speed. And I thought listening to "Peter and the Wolf" at 78 rpm was the greatest thing.

'''Sean:''' Playing that at 78 rpm (laughs), what were you on?

'''Rob:''' (Laughs) Yeah. I'd do that or I'd listen to it in reverse. I think I listened to a lot of Sinatra records in reverse as well. Anyway, basically my mum would lend me her records. She had this expensive, Hi-Fi Hitachi record player, and if a record had a scratch and made the needle skip she didn't want to play it, so she'd give those to me. But yeah, so I had my own little record player, and I had The Beatles... Wait, no, The Beatles ones weren't mine. I had The Police, "Arrival" by ABBA...

'''Sean:''' The best part about ABBA is... Everyone says they were master songwriters, but the reason they're so good, the key is that the vocals are absolutely incredible, I think.

'''Rob:''' Shockingly good.

'''Sean:''' Those two female voices are just... Like, really special. For me, I think that's the reason ABBA hits me so hard. That's why... I mean of course I admit their songwriting was great too, don't get me wrong, I just think their voices are fucking incredible. Really unique.

'''Rob:''' That synchronised harmony.

'''Sean:''' Exactly.

'''Rob:''' I got some records secretly, too. My uncle Derek—my mum's youngest brother, he's about five years older than me—before he moved overseas he left a bunch of records for me. This was just before electro started to get big, and I got him to give me a lot of those records from his collection. That was stuff that I was too young to get my hands on, certified classic 12 inches and club mixes, and later on they became more and more important to me. Cause my favourite artists started sourcing breaks and samples from them.

'''Sean:''' Yeah!

'''Rob:''' Because of that, before knowing that's what it was, I had an inventory of breaks and rare grooves that none of my mates knew anything about. I got really motivated by that.

'''Sean:''' Me too... I got some Led Zeppelin and Jimi Hendrix albums from my dad, but I didn't like them when I was a kid. I didn't even like the Stones. Somehow I understood Motörhead, but for whatever reason I almost totally passed up Hendrix. It just didn't interest me at all. But when I got older it suddenly became interesting to me, same with Zeppelin. Like I might be listening to some track and a break-beat comes on, and I'll go, "Wait, haven't I heard this before? Oh yeah, it's 'When the Levee Breaks'." That sort of thing.

'''Rob:''' Right.

'''Sean:''' In ways like that I feel a different sort of appreciation for Zeppelin than I had before. So in reality I actually got hooked on Zeppelin's beats via hip-hop... It was through listening to hip-hop that got me to think better of some of the records my dad had.

'''Rob:''' As far as electronic music, after I started spending my allowance on 7 inches... Those kinds of singles were mostly pop-culture products, or like Sean said, surprisingly different tracks, chart toppers like Gary Numan's "Cars." But I also liked Tears for Fears' first single. Also, I have vivid memories of riding in my mate's family's car listening to a track on the radio at high volume, speeding down the road.

'''Sean:''' Jean-Michel Jarre, yeah? Fuckin, yeah.

'''Rob:''' (Laughs) Yeah, Jean-Michel Jarre. They were playing "Équinoxe" (1978) on the radio, the long version. We were blasting that while speeding down the road, and I was sitting in the back seat like, "This is fucking awesome. Why isn't my family like this?" Ha ha ha!

=== A great starting point called Mantronix  ===
'''Interviewer:''' What was it about Mantronix that influenced you the most?

'''Rob:''' (Exhale) I don't know... There's a lot.

'''Sean:''' For me, it was knowing that producers could be a thing. I think it was around '85 or '86, I got my first Mantronix album. And the reason it interested me was, in a way, while most other guys were throwing away electro and starting to move into what was starting to be called hip-hop, they stuck with electro. At least, that's how it was in England. So the reason I was into Mantronix was cause they were preserving the ideas behind electro, like, heavy use of synths and synthesised drums, not using samples too much, preferring to work with Roland drums instead of the (Oberheim) DMX... Anyway, really I just preferred drums with a more analogue flavour over sample-based drum machines. Well, I liked the DMX too. But at the time I was really into the 808- and 909-type sound. And I remember "Put the Record Back On" (1986) by Just-Ice playing on the radio, the DJ was either Lee Brown or Stu Allan. I think it was Lee Brown... Er, was it Mike Shaft... (Ed. All three are former DJs for Manchester Piccadilly Radio). I can't remember, but anyway the DJ said, "That last track was produced by (Kurtis) Mantronik," and I remember it clicking for me, "Hey, that's that Mantronix guy!" I was like, "He produced it...? What does that mean?" So that's what made me suddenly aware of the role of producers. They're guys who produce things, basically they're the ones who actually make the music.

'''Rob:''' (Chuckles)

'''Sean:''' Yeah. After that I started buying everything he produced, like if I saw his name on the back of the jacket, I'd take it. Cause everything he did was essentially just amazing. Just-Ice's debut ("Back to the Old School," 1986) was a huge record for me, I remember listening to "Cold Gettin' Dumb" and thinking, "Fuck me! This is amazing, I've never heard anything like this." Really, like there was just nothing else like it. And he just kept making tracks, track after track, and they all felt fresh. I think he was just an untouchable producer for like 5 years cause he could keep putting out so much strange, fresh stuff.

'''Rob:''' He was a class all his own.

'''Sean:''' Who else was there.... Duke Bootee, I noticed his name in credits a lot. Him and Keith LeBlanc. I bought anything that had his name on it, cause I liked the mechanical drum sound he had. They didn't sound like drums, just really mechanical.

'''Rob:''' [さりげないひねりもやってたよね、ベースを軽くはじくとか。]

'''Sean:''' He was an incredible drum producer. I mean, he was already a really talented drummer, but he was just a master drum programmer. The drum patterns he put together were super lively, totally different from everyone else. The guy I just mentioned, Duke Bootee, he was also a fantastic producer, like, everything he made, the sound was amazing. Man Parrish was an incredible producer as well.

'''Rob:''' Yeah.

'''Sean:''' There were more too. Ligett and Barbosa, they worked with Shannon ("Let the Music Play," 1984) and Xena ("On the Upside," 1983), they did some early freestyle tracks too. I rated them. Yeah... So the biggest thing about Mantronik for me was discovering what a producer is. His music also had this really demanding aspect to it. Basically because he raised the bar, all the other producers had to try harder. He had a huge influence on a bunch of people. A lot of producers at the time tried really hard to approach his sound, but no one came close.

'''Rob:''' Yeah.

'''Sean:''' Another thing is, he had some really eccentric ideas about how to make tracks. For example, even though he had an 808, he'd sample the 808 and use that. That's a really strange way of doing things, right, normally you would never sample a drum machine, but he did.

'''Rob:''' He used pitches.

'''Sean:''' Right. He'd mess with the pitch of the snare or the kick in strange ways. And that method influenced a bunch of producers, like Dynamix II. Hurby Luv Bug copied Mantronik a bit as well, a bunch of people imitated him. That was one of the things I liked about him I guess, he was just always ahead of the curve. I think because he was a bit different, that's why he could do it. He wasn't trying to surpass the other guys at all, he was just different, his interests were different from that of other producers. So the other guys were always one or two steps behind. Personally I think that was what inspired me the most.

'''Rob:''' Yeah, yeah. I'm pretty sure he was the first one to... Well, The Latin Rascals were doing cut-up mixes, where they'd cut tracks in half and edit them together, but Mantronik was doing that with his own tracks. Listening at the time one of the things that I was blown away by was this, like it somehow made you feel like (laughs), he was time travelling in the middle of the track. He would sample his own track, and then use the samples in the original track he sampled.

'''Interviewer:''' (Laughs) Pretty confusing.

'''Rob:''' (Laughs) Of course he was doing digital editing, but there was no way to know that at the time. He seemed like a person who doesn't really show his own hand. Not a lot of people knew that he was using a Sequential Circuits (SCI) Studio 440 (Sampler / Sequencer / Drum Machine) workstation. You can make tons of really high-quality samples with that. And on top of that he was using a 196ppq (Pulses Per Quarter) sequencer.

So after he completed a track, he'd sample the whole thing and insert it into that track, and overdub the sound like that. But to my ears it sounded like the track had been cut up with samples of itself. I thought he had to be a wizard or something to think of stuff like that, and in comparison the other guys were just plain hip-hop guys who liked scratching. So he had this reputation of being a "wizard," and I think he totally deserved it. To me, he's... Like Sean was saying earlier, a lone-wolf character, a little isolated from everyone else, that kind of thing. He was really stylish, dressed really sharp. Compared to most other Black producers, maybe his kind of Latin look set him apart? ... (Ed: The electro editing techniques of Omar Santana, Kurtis Mantronik, and Albert Cabrera from The Latin Rascals came out of Latin electro. Incidentally, a track that greatly featured this Latin electro style in the UK was 1986's ""Bizarre Love Triangle,"" by New Order.)"

'''Sean:''' There was that too, but also he was working really hard. I think he was feeling burned out by around '89, I remember reading an interview where he said he was sleeping in the studio. He'd wake up, work on a track, and then fall asleep in the studio again. I read that and I remember thinking, "That's right, that's what it's like to be immersed in something." It reminded me of myself, cause I was completely obsessed with making mixtapes, too. Edits as well. He had Omar Santana or the Latin Rascals make some cool edits of his stuff. Most of it was just dub versions on the B-Side, but even then those B-Sides were awesome. The editing just, insanely cool. Like, it would be impossible on a modern DAW, it's that detailed, these edits done with just tape. Omar Santana is an absolute crazy editor, he inspired me loads. I was constantly making mixtapes, using the pause button to compile them. Basically I wanted to be Omar Santana.

'''Rob:''' We were both pretty hyper-active kids.

'''Sean:''' Yeah, that's right.

'''Rob:''' That's why, our new mutual friend Ged, when he introduced me to Sean he said, "There's this bloke like you who won't shut up about music. When he starts going, no one can stop him. You two have to get together and talk!" Then I met Sean, and he was the only one who was into the exact same stuff that I was, and just as deep. Hyper-obsessed. Mantronix was probably that kind of hyper, too. The tracks he makes are just.... Like an all-out war. From my perspective it was like being on a battlefield. Just amazing, too good.

'''Sean:''' Yeah, Mantronik went at it like it was a battle, definitely. That's why he was absolutely a "fighting producer." He was trying to knock out the other guys. You can probably tell that by listening to his tracks. There were other great producers at the time, too, like Marley Marl. He was like, ruthless, like he came at you from all sides. But still, he's different. Like Marley fights fair. But Mantronik, he abruptly changes the direction of the track right in the middle. Like the tempo suddenly changes, that kind of thing. Basically developing in a way you didn't expect. In contrast Marley is like, really solid, dependable development. That kind of producer. No one pushed genre boundaries as much as he did. He was the first one to incorporate breaks into the mix in a more interesting way, sooner than everyone else. He was a huge inspiration on what would later become hip-hop. But Mantronik was really unique! Nobody could get close to him. After a few years I think he lost that energy, and the kind of spirit of the way he did things went away with it.

'''Rob:''' We felt like we'd caught up with him.

'''Sean:''' So we could see this, like, huge gap that he'd left behind. When we started making music in the late 80s, we felt like that path still wasn't finished.

'''Rob:''' Yeah.

'''Sean:''' Hip-hop at the time was moving in the direction of cutting up breaks and stuff. Looking back on it, I think Marley had a bigger impact than Mantronik. But Mantronik had, like this... like the story wasn't finished yet.

'''Rob:''' I think that was probably because Mantronix wasn't one of those guys in that area whose name would come up straight away, who was really well-known and well-received. But what Sean said is right. There's a handful of guys who fit in the space between Marley and Mantronix who I really love.

'''Sean:''' Yeah, like Bomb Squad.

'''Rob:''' I think he (Mantronik) really dominated my childhood. He seemed a bit younger than the other guys, and to some extent being a kid is about trying to act older than you are, right? So he was different from the other guys in the sense that he fit into the concept of like, Peter Pan.

'''Sean:''' One of the reasons Mantronix was more well-received in the UK than anywhere else was because they were tied together with the electronic soul genre, which was popular here at the time. In terms of bands, Loose Ends, Deluxe, that kind of stuff. That, and they also connected to synth pop in a very loose way. Mantronik got loads of inspiration from synth pop, but after that the only influence America got from that was Detroit techno. For example Juan Atkins, I think you can tell from his stuff that he definitely was influenced by synth pop. When you think about it that way, strangely enough, Mantronik had more in common with Detroit electro than with New York hip-hop.

'''Rob:''' Right. That's why he was an outsider, in a sense. But he was completely dominating the game in his own area.

'''Sean:''' He was.

'''Rob:''' It's pretty interesting.

=== Pirate radio DJing, raided by the police ===
'''Interviewer:''' Let me ask about pirate radio. You guys were involved in pirate radio, I think from the late 80s to the early 90s. Sean made his pirate radio debut in 1988, and in '91 Autechre made their first appearance on an IBC (Illegal Broadcasting Company) show.

'''Rob and Sean:''' Yeah.

'''Interviewer:''' I think this pirate radio culture is kind of a hallmark of the UK, but it's not a culture that we have in Japan, so I'd like to know about Autechre's relationship with pirate radio over the years, and what you've gained from doing pirate radio.

'''Sean:''' I got started in that scene by—Basically, Ged who I mentioned earlier, the guy I met on the bus, I got to know some of the others guys he was on the bus with, and that's how it started.

'''Rob:''' Ged, he was the catalyst for everything!

'''Sean:''' (Laughs) That's because Ged's the kind of guy who'll go up and talk to anyone. That kind of personality. And so this one time Ged was talking to this middle-aged guy on the bus... Maybe not middle-aged, really more like in his 30s, but anyway he seemed like he was pushing on middle-age, this soul-loving guy called Steve King. So Ged went up and started talking to Steve... Wait, actually it was Steve who started talking to Ged. Cos at the time Ged was fitted with all this hip-hop gear. So Steve said, "Hey, do you know any DJs?" And Ged was like, "Hell yeah I do! I'm friends with two or three." So Steve heard that and said, "In that case bring them to my station and let's put on a show." So through that strange turn of events I got into doing it. But Steve King is a really great guy, he's tried his hand at loads of things. So in '88 we were scheduled to appear on his show, and we set out for this town on the outskirts of Rochdale called Bury, where this one guy lived. Bury is one of those "Northern Towns," another suburb of Manchester. So we went to his house and started taping the show, and we got about halfway through when the cops showed up—

'''Rob:''' And we got raided.

'''Sean:''' They cracked down on us.

'''Rob:''' The decks and stuff were all placed in this guy's kitchen, and from the kitchen you could get to the backyard. The backyard connected to this big grass field in the back so we were able to escape, but we had to leave all the records we'd brought with us.

'''Interviewer:''' (Laughs) That's rough!

'''Rob:''' Yeah. They were all confiscated. The other guys got caught, but Sean and I managed to get away. That recording was this strange, like... It wasn't an audition or a demo, but still we felt really, really honoured to appear on that show.

'''Sean:''' We appeared as guest DJs.

'''Rob:''' They had actual turntables, and we could play our own records.

'''Sean:''' Yeah, yeah. So when they said, "Wanna appear on the show?" We were like "Fuck yeeeeeeeeeah!"

'''Interviewer:''' (Laughs) I see. 

=== Nerds, Hip-Hop, and Academism ===
'''Interviewer:''' Nowadays, if you're not careful with your musical terminology you risk being accused of elitist snobbism.

'''Sean:''' There's definitely at least one kind of snobbism, in my opinion. But I think the effects of that manifest on several different levels. For example, I'm not impressed by someone's qualifications or the equipment they use. I'm impacted by what they actually do. But hip-hop in the 1980s brought about a bunch of innovations. It was a pretty revolutionary genre, but I think there's a bit of a tendency to minimise that by saying it was no big deal. I think ideas like, hip-hop has no potential, or it's not interesting from a technical standpoint, they came out of academia.

'''Rob:''' Ahh, yeah.

'''Sean:''' But that's not how I see it at all. I think someone like King Tubby was incredibly revolutionary. It's just that he's like, looked at through the context of a kind of cultural lens. And because of that people forget that he was a huge nerd.

'''Interviewer:''' (Laughs.)

'''Sean:''' So it's like... If it's a Black American guy, people forget that he can be a nerd, too.

'''Interviewer:''' There's a kind of stereotype, you mean.

'''Sean:''' Yeah. And most of the producers I was talking about earlier, or hip-hop producers, like right now for example guys like Madlib, in a sense... Most of these incredible producers, if you actually talk to them they're huge geeks, right?

'''Interviewer:''' You've got a point.

'''Sean:''' That's basically what I'm talking about. They're nerds. Wherever in the world, from Stockhausen to Madlib, they're all nerds. They're nerds at heart. Even Juan Atkins, he's a complete nerd. And I can really relate to that, on a deep personal level. Like, of course they're nerds! So with that in mind, I think in a sense there's a bit of an artificial line drawn between academic music and hip-hop. Stuff like hip-hop can be academic. But only people in hip-hop know that, and there's just not a framework for that to happen. It's like graffiti. Like, you do graffiti cause you want other people who do graffiti to think, "Man, this guy's good." But because there's this desire to have people think you're good, even in the world of graffiti there's a kind of elitism that happens. Like a guy will come out who everyone, the whole scene, agrees is really skilled.

'''Rob:''' Yeah, yeah.

'''Sean:''' So it's like... A world that's hidden from the average person. The general public doesn't take notice, because they're not paying attention, you know? It's almost like most of the public isn't looking in the right place. They're all preoccupied with the context, or the culture... I don't think that's what's important.

'''Rob:''' Right. When you're in the middle of a certain context and you become part of that culture, you can't see what it looks like from the outside. You're more interested in the performance you put on amongst your friends.

'''Sean:''' Right, that's what it is.

'''Rob:''' You don't really make an effort to reach out to people on the outside, so people have no way of knowing what's happening on the inside.

'''Sean:''' People in academia are ruthlessly competitive, yeah? When you get right down to it, that's what they're doing is competing. It's the same as hip-hop. People in hip-hop are incredibly competitive, too. Everyone's trying to make the coolest shit, to come up with the best tricks and techniques that they can. When you get to the root of it, hip-hop is a really academic practice. Yeah, I'm not a timid person by nature, and I'm not gonna shy away from that. To me that's what makes music exciting. That's what makes people push the limits further and further.

=== Works that sell differently by country ===
'''Interviewer:''' "Amber" is one of the classics now, but at that time, I think that amongst Warp artists, Autechre hadn't been selling in Japan at all. Still, you continued to press forwards with "Amber" and "Tri Repetae" (95). Where did that drive and passion come from?

'''Rob:''' To be honest, Warp gave us a lot of creative freedom. I guess they also wanted us to sell more records, right? But still, they always made us feel that we were "doing the right thing".

'''Sean:''' There's that, and at that time in Japan, the Sony guys didn't know how to treat us in the early days of our work. (Editor's note: In the 90's, Sony had a contract with Warp)

'''Rob:''' Yeah maybe...

'''Sean:''' They were pretty confused - "What's this stuff?"

'''Rob:''' Sony might have thought "Well, these guys are No. 1 in the Indie chart with Incunabula and Basscadet Mixes (94)," and I think it was a hit, but it was a fluke. And it wasn't necessarily those sales numbers. Still, Sony signed contracts with several Warp artists, as did American labels. In the US, Sire placed a bet by signing several groups.

'''Sean:''' Tri Repetae did really great in America. It didn't do well in Japan and it was good in the UK.

'''Rob:''' Well, it could be that on the label side they expected "This is cool" but it didn't meet with reality well.

'''Sean:''' Ah... so it's strange. For example, in the UK, Chiastic Slide (97) didn't take off, and in the US, it wasn't even released domestically. That's because Wax Trax!, which we had a contract with in the US, got bought by TVT. Long story short, TVT never paid Warp.

'''Rob:''' It was like a big archive label that had absolutely no interest in us. <smiles bitterly>

'''Sean:''' And that's why Warp didn't get a penny. It was terrible.

'''Sean:''' It was sold to TVT and the contract was breached. That's why we were in a state where we couldn't put out anything in America for a while. We waited until Trent Reznor welcomed us to his own label, Nothing, and released "LP5" (98). That's why he (Trent Reznor) was also taking a gamble, and at that time for reasons other than the US, we were hunting for labels in Japan. As for how it was back then, different Warp acts had separately contracted with several labels in Japan. I think we were with Sony and Aphex was with Sire.

In Japan, Warner Music was being released via Sire.

'''Rob:''' Ah, it was Warner.

'''Sean:''' Because, at some points, we were ... randomly called. For example, once we were asked to support The Grid, it was a completely strange offer. Us as support for The Grid? Why? (Editor's Note: 1994. The support act of The Grid by Richard Norris of Psychic TV and Dave Ball of Soft Cell. Certainly this combination was mysterious, and it attracted a lot of customers).

It turned out that originally The Black Dog were supposed to be supporting them, and for some reason they couldn't appear, and they called us on behalf of them. That's how we ended up going to Japan. It's where we met Ray, and we thought "Ray understands us better than Sony"."

'''Rob:''' We were hanging out with Ray in Japan. The music we'd listened to in the 80's was pretty similar to each other.
[[Category:Interview]]
{{DEFAULTSORT:2020-12 オウテカ──その果てしない音の世界を調査する,_December_2020}}
__NOTOC__
__NOEDITSECTION__

オウテカ──その果てしない音の世界を調査する, ele-king, December 2020

2026-02-11T12:45:18Z

EnergyIsMassiveLight: Source

Interviews

2026-02-11T12:40:34Z

EnergyIsMassiveLight: new interview

Major leads: <ref>https://watmm-archive.com/t/7661/1</ref><ref>https://www.reddit.com/r/autechre/comments/4soaca/a_list_of_autechre_interviews_request/</ref><ref>https://web.archive.org/web/19990224125314/http://subnet.virtual-pc.com/%7Esk393820/aelinks.html</ref><ref>https://web.archive.org/web/19961225135508/http://www.public.iastate.edu/~brezovan/ae/textual/inter.html</ref>

see also [[:Category:Interview]]
* Autechre Interview Dutch Radio, 1993<ref>https://www.youtube.com/watch?v=EkDlC0RD9PY</ref>
* Volume Eight Autechre Feature, September 1993 <ref>https://www.reddit.com/r/autechre/comments/1crrg59/autechre_interview_1993/</ref>
* [[We're socially inept, basically, 1994]]
* [[SECONDS Magazine Issue 31, 1994]]
* [[Ae in conversation with ON magazine's Pete Lawrence, 1994]]
* [[Interview with Bob Gourley, Chaos Control Issue 007, April 1994]]
* B-Side Magazine Feature, June/July 1994 <ref>https://web.archive.org/web/2/https://www.etsy.com/uk/listing/1275109491/autechre-the-orb-cabaret-voltaire-b-side</ref>
* MTV Europe Party Zone TV Interview, September 1994 <ref>https://www.youtube.com/watch?v=yuPNwLYrMm0</ref>
* The Politics of (Not) Dancing, NME, October 1994 <ref>https://www.flickr.com/photos/nothingelseon/53306579754/in/album-72177720312403761/</ref>
* [[In between experimentalists and traditionalists, 1995]]
* [[URB Magazine Issue 42, May 1995]]
* [[Listen To Our Music, 1995]]
* AUTECHRE interview by Neil/Paul(?) Cocker, 1995? <ref>https://web.archive.org/web/19970203120007/http://www.dma.be/p/amphion/articles/autechre/interv.htm</ref>
* Chaos Control, 1995? <ref>https://web.archive.org/web/19990224182922/http://subnet.virtual-pc.com/%7Esk393820/bob.html</ref>
* Kidderminster (Tri Repetour) interview/review, 1995 <ref>https://web.archive.org/web/19990417230430/http://subnet.virtual-pc.com/%7Esk393820/kidder.html</ref>
* [[Autechre, I/E Magazine, 1995]]
* Satz, Wort, Morphem: Autechre, Raveline, December 1995<ref>https://www.raveline.de/heftarchiv/1995/dezember-1995/</ref>
* [[This is the sound of ...Autechre, 1996]]
* 06-28-Por la Kara TV 28 (Sónar 96) <ref>https://vimeo.com/417708051</ref>
* Sonar 96 (Sputnik concert?) segment <ref>https://www.ccma.cat/3cat/sonar-1996/video/5121011/</ref>
* [[Skamboys from Dael, October 1996]]
* Autechre Interview in Universal Techno, 1996 <ref>https://www.youtube.com/watch?v=z13hJBStdkI</ref><ref>https://www.youtube.com/watch?v=JYD_7etGCrQ&pp=ygUSYXV0ZWNocmUgaW50ZXJ2aWV3</ref>
* [[5 Questions with Rob Brown of Autechre, Keyboard, June 1996]]
* Sony Techno Japan Email Interview, 1997? <ref>https://web.archive.org/web/19990222164648/http://www.sme.co.jp/Music/Info/SonyTechno/newsE/9705/ae/</ref>
* Club iMusic Showcase by Peter McIntyre, 1997? <ref>https://web.archive.org/web/19990222083306/http://imusic.com/showcase/club/autec.html</ref>
* Autechre VPRO Radio Interview, 1997 <ref>https://www.youtube.com/watch?v=M-5HHWblnF0</ref>
* [[Autechre. Transformed by Sound, February 1997]]
* [[Radio Mix Interview, March 1997]]
* [[Sonicnet chat log, June 1997]]
* [[Dazed & Confused, July 1997]]
* [[Sound On Sound, November 1997]]
* [[the Armchair with Autechre, November 1997]]
* [[We are the music makers, November 1997]]
* Toazted.com interview, 1998<ref>https://web.archive.org/web/20050211230116/http://www.toazted.com/artistinfo.php?artist=160</ref>
* [[Lego-like, 1998]]
* autechre, dyanmics of Ae(utchr), Sound Collector 002, 1998 <ref>https://watmm-archive.com/t/99268/1</ref>
* Autechre interview, Future Music Magazine, July 1998 <ref>https://watmm-archive.com/t/93486/1</ref><ref>[https://web.archive.org/web/20030901085805/http://www.autechre.nu/cgi-bin/newspro/interviews.cgi?newsid977135215,19211, https://web.archive.org/web/20030901085805/http://www.autechre.nu/cgi-bin/newspro/interviews.cgi?newsid977135215,19211,]</ref>
* Between Styles and Stools, Keyboards(?), August 1998 <ref>https://watmm-archive.com/t/35599/1</ref>
* Autechre interview, DJ Magazine, September 1998 <ref>https://watmm-archive.com/t/93243/1</ref>
* E-mail interview with Autechre, November 1998 <ref>[https://web.archive.org/web/20031024143659/http://www.autechre.nu/cgi-bin/newspro/interviews.cgi?newsid979755891,4967, https://web.archive.org/web/20031024143659/http://www.autechre.nu/cgi-bin/newspro/interviews.cgi?newsid979755891,4967,]</ref>
* Wah2 Warp Special Autechre segment, 1998 <ref>https://www.youtube.com/watch?v=vWVZ-zquD3Y</ref>
* [[Interview of Autechre to Famzine Magazine, 1999]]
* [[Soundproof interviews Sean & Rob, 1999]]
* Sérkennilegur hljóðaheimur, Morgunblaðið, April 1999<ref>https://forum.keyosc.com/topic/73-autechre-2025-tour/page/7/#findComment-26882</ref>
* Interface Magazine feature, July/August 1999 <ref>https://www.reddit.com/r/autechre/comments/n6olt4/interview_from_1999_interface_magazine/</ref>
* Autechre, Index Magazine, 2000 <ref>https://web.archive.org/web/20230523175118/http://www.indexmagazine.com/interviews/autechre.shtml</ref>
* [[Dancing in the Dark, 2001]]
* Autechre: Mathematics is the new rock'n'roll, The Independent, April 2001 <ref>https://web.archive.org/web/20090331164931/http://www.independent.co.uk:80/arts-entertainment/music/features/autechre-mathematics-is--the-new-rocknroll-683346.html</ref>
* Autechre : it's no fun to compute, April 2001 <ref>https://web.archive.org/web/20020528210458/http://www.chronicart.com:80/mag/mag_article.php3?page=1&id=927</ref>
* [[Autechre. IDM demigods, May 2001]]
* [[Jockey Slut Magazine Interview, May 2001]]
* [[The Ultimate Folk Music, May 2001]]
* [[Interview of Autechre to URB Magazine, August 2001]]
* 5 Things You Need To Know About Autechre, CMJ New Music Monthly, August 2001<ref>https://books.google.co.za/books?id=kioEAAAAMBAJ&lpg=PA29&pg=PA29#v=onepage&q&f=false</ref>
* [[Autechre's Interview to Grooves Magazine, September 2001]]
* Autechre Feature in XLR8R Issue 52, September 2001 <ref>https://web.archive.org/web/20161225163418/http://autechre.info/press/xlr8r-52.html</ref>
* Warp Records Q/A, April 2002 <ref>[https://web.archive.org/web/20020816104848/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid1018136565,21609, https://web.archive.org/web/20020816104848/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid1018136565,21609,]</ref><ref>https://watmm-archive.com/t/90626/2</ref>
* [[Autechre's Interview to Grooves Magazine, February 2003]]
* The bleeping noise in your head? That'll be Autechre..., The Independent, April 2003 <ref>https://www.independent.co.uk/arts-entertainment/music/features/the-bleeping-noise-in-your-head-that-ll-be-autechre-114150.html</ref>
* [[Ein Jahrzehnt Autechre, Und Nu?, De:Bug, April 2003]]
* [[Autechre. Futurologists, April 2003]]
* [[Rob Brown Interview by Ratboy Pimp, April 2003]]
* [[Autechre. The Master Draftsmen, May 2003]]
* Modulations Autechre segment, 2003 <ref>https://www.youtube.com/watch?v=Huny02GCj6I</ref>
* [[Sound On Sound Interview, April 2004]]
* [[Rob Interview, bbc.co.uk, April 2005]]
* [[Can you keep up with Autechre, 2005]]
* [[Sean Booth Interview taken by Peter Hollo, March 2005]]
* [[Autechre's Interview with Мatt O'Leary, March 2005]]
* [[Pitchfork Interview, April 2005]]
* [[Autechre: Sounds like...?, May 2005]]
* Autechre - Undercover Magazine, June 2005 <ref>https://www.stuartaitken.com/post/43670582854/autechre#</ref>
* Toazted.com interview, July 2005
* [[Elektron Stories: Sean Booth, 2006]]
* Finland show interview, 2006 <ref>https://www.youtube.com/watch?v=TDicuJgkGVw</ref>
* [[Barcode Interview, 2008]]
* [[FutureMusic Interview, 2008]]
* [[We control the dice, 2008]]
* [[Interview with SB for Reverb Magazine, January 2008]]
* Autechre takes live approach to new studio album, Reuters, February 2008 <ref>https://www.reuters.com/article/music-autechre-dc/autechre-takes-live-approach-to-new-studio-album-idUKN0950757020080209/</ref>
* [[Autechre talk Quaristice and beyond, February 2008]]
* [[Interview: Autechre (FACT Magazine), February 2008]]
* [[Pitchfork Interview, February 2008]]
* [[Autechre Interview on Today Programme, BBC Radio 1, March 2008]]
* Autechre – Quaristice, Clash Magazine, February 2008 <ref>https://www.clashmusic.com/features/autechre-quaristice/</ref>
* [[Autechre: Dancers in the Dark, March 2008]]
* [[Easy to be Hard, April 2008]]
* BIG SHOT’S 2010 INTERVIEW WITH AUTCHERE, 2010 <ref>https://bigshotmag.com/features/25050/</ref>
* Autechre Interview in Japanese Oversteps CD Booklet, 2010 <ref>https://watmm-archive.com/t/54386/1</ref>
* [[Sean Booth Interview, February 2010]]
* [[Autechre: Unknown Pleasures, February 2010]]
* [[DiS meets Autechre, March 2010]]
* Autechre Interview Clash Magazine, March 2010 <ref>https://www.clashmusic.com/features/autechre-interview/</ref>
* Interview: Autechre, TheNationalStudent, March 2010<ref>https://web.archive.org/web/20180217101328/https://www.thenationalstudent.com/Music/2010-03-15/Interview_Autechre.html</ref>
* Beyond the Radar, Autechre Interviewed, The Quietus, April 2010 <ref>https://thequietus.com/articles/04018-autechre-interview-oversteps</ref>
* [[Autechre: Tiny Mix Tapes Interview, April 2010]]
* [[Sean Booth Speaks, April 2010]]
* [[Autechre Return, Dazed, July 2010]]
* Interview: Autechre, musicOMH, August 2010 <ref>https://www.musicomh.com/features/interviews/interview-autechre</ref>
* Sean Interview with Hafler Trio, 2011 <ref>https://www.youtube.com/watch?v=zK2MZY_dMNw</ref>
* Autechre interview: Rob Brown on dividing fans, filesharing, EDM and everything in between, October 2013 <ref>https://www.factmag.com/2013/10/25/autechre-interview-rob-brown/</ref>
* [[WATMM Ask Autechre Anything, November 2013]]
* [[Anatomy Of An Engima: An Interview With Autechre, Novermber 2013]]
* Organic Tech, Williamette Week, September 2015 <ref>https://www.wweek.com/music/2015/09/23/organic-tech/</ref>
* Autechre's Electronic Transmissions, Portland Mercury, September 2015 <ref>https://www.portlandmercury.com/music/2015/09/23/16542530/autechres-electronic-transmissions</ref>
* Autechre hits the road with influential electronica, October 2015 <ref>https://www.bostonglobe.com/arts/2015/10/01/autechre-hits-road-with-influential-electronica/db7GVf6EXAmwk8lCyioMGN/story.html</ref>
* Autechre Is Still More Post-Human Than You Are, October 2015 <ref>https://www.vice.com/en/article/bman95/autechre-is-still-more-post-human-than-you-are</ref>
* Autechre Melts IDM, October 2015 <ref>https://www.austinchronicle.com/daily/music/2015-10-08/autechre-melts-idm/</ref>
* Autechre's Electronic Music Has Its Roots in Hip-Hop and B-Boy Culture, October 2015 <ref>https://www.westword.com/music/autechres-electronic-music-has-its-roots-in-hip-hop-and-b-boy-culture-7249922</ref>
* A Ghost in the Machine, October 2015 <ref>https://certainsound.net/look-back-a-ghost-in-the-machine-an-autechre-feature-from-2015-2/</ref><ref>https://web.archive.org/web/20200808112814/https://archives.sfweekly.com/sanfrancisco/autechre-lego-feet-mezzanine-sean-booth-rob-brown/Content?oid=4160019</ref>
* Autechre’s music is the remix of a song that never existed, November 2015 <ref>https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html</ref>
* [[Autechre: elseq et al, June 2016]]
* [[RŠ INTERVJU Autechre, Radio Student FM89.3, November 2016]]
* [[Autechre: ‘Something happens when you listen to music in the dark’, July 2018]]
* [[Autechre on Their Epic NTS Sessions, David Lynch, and Where Code Meets Music, August 2018]]
* Autechre: niente di più umano dei computer, August 2018 <ref>https://www.rollingstone.it/musica/interviste-musica/autechre-niente-di-piu-umano-dei-computer/424382/</ref>
* 音楽とともにオーディエンスも進化する, ele-king, August 2018 <ref>https://www.ele-king.net/interviews/006477/</ref>
* Autechre en couv’ de Tsugi 116, en kiosque mardi 9 octobre !, October 2018 <ref>https://www.tsugi.fr/autechre-en-couv-de-tsugi-116-en-kiosque-mardi-9-octobre/</ref><ref>https://www.reddit.com/r/autechre/comments/9of3dv/autechres_tsugi_interview_translated/</ref>
* [[Autechre + Sign, October 2020]]
* [[Autechre Worked in Isolation for Decades. Now It’s Unintentionally Timely, October 2020]]
* [[‘Wij hebben een eigen smoel omdat we geen geld hadden voor deftig materiaal’, Humo, November 2020]]
* [[オウテカ──その果てしない音の世界を調査する, December 2020]]
* [[Autechre: 30 Jahre Afterhour (Teil 1) & „Mehr Menschen mögen Erdbeeren als Autechre” (Teil 2), Groove, 2021]]
* [[Sean Twitch AMA, June 2022]]
* [[Hanalgig AMA, July 2022]]
* [[Sean Twitch AMA, July 2022]]
* I 19 år har disse to stått på festivalens ønskeliste. Nå kommer de. Bergens Tidende, November 2022. <ref>https://www.bt.no/kultur/i/onnJo7/de-spiller-helst-konsert-i-stummende-moerke</ref>
* Zimna Gorycz, Rozmowa Z SeanEm Boothem (Cold Bitterness, Interview with Sean Booth), August 2023 <ref>https://www.dwutygodnik.com/artykul/10856-zimna-gorycz.html</ref>
* [[Exploring the parameter space: A conversation with Autechre, October 2023]]
* Autechre. Chi è il gruppo più misterioso della musica contemporanea, February 2024 <ref>https://www.repubblica.it/robinson/2024/02/05/news/autechre_chi_e_il_gruppo_piu_misterioso_della_musica_contemporanea-422067024/</ref><ref>https://www.reddit.com/r/autechre/comments/1b3d4dn/english_translation_of_their_recent_interview_for/</ref><ref>https://watmm-archive.com/t/104639/1</ref>
* [[Autechre: Immersive Listening, Synesthesia, and the Manchester Scene, Metal Magazine, October 2024]]
* [[Ask Autechre Anything Again, KEYOSC, April 2025]]
* Autechre On Darkness, Spotify, And Fish Sticks, The teykjavík Grapevine, August 2025<ref>https://grapevine.is/music/2025/08/13/autechre-on-darkness-spotify-and-fish-sticks/</ref>
* 来日したオウテカ──カラオケと日本、ハイパーポップとリイシュー作品、AI等々について話す, ele-king, February 2026<ref>https://www.ele-king.net/interviews/012127/index.php</ref>

== left to copy: ==
https://autechre.neocities.org/en/interviews/

Autechre answers on russian fans' questions<ref>https://autechre.neocities.org/en/interviews/interview31</ref> (2005-2006?)

Electronic Exploration, unknown date<ref>[https://web.archive.org/web/20031020222839/http://www.autechre.nu/cgi-bin/newspro/interviews.cgi?newsid971867094,27799, https://web.archive.org/web/20031020222839/http://www.autechre.nu/cgi-bin/newspro/interviews.cgi?newsid971867094,27799,]</ref>

Interview from Exclaim.ca, unknown date<ref>[https://web.archive.org/web/20030901085907/http://www.autechre.nu/cgi-bin/newspro/interviews.cgi?newsid988982613,11710, https://web.archive.org/web/20030901085907/http://www.autechre.nu/cgi-bin/newspro/interviews.cgi?newsid988982613,11710,]</ref>

== References ==
<references />

Warp Tapes 89-93

2026-02-10T17:38:47Z

EnergyIsMassiveLight:

{{Infobox
|title=Warp Tapes 89-93
|artist=[[Autechre]]
|cover=Warp Tapes 89-93.jpg
|date=24 June 2019
|label=n/a
|previous=[[NTS Sessions 1-4]]
|previous year=2018
|next=[[AE_LIVE 2016/2018]]
|next year=2020
}}'''''Warp Tapes 89-93''''' is a DJ mix by Autechre compiling material from 1989 to 1993. It was debuted on NTS Radio during Warp's 30th anniversary weekend as two mixes: Part 1 on June 21st, 2019, and Part 2 on June 23rd, 2019.<ref>https://artists.wxaxrxp.net/autechre</ref> It was then officially released on June 24th, 2019 as a free download on the store.<ref>https://ra.co/news/43993</ref><ref>https://www.discogs.com/release/13799471-Autechre-Warp-Tapes-89-93</ref>

== History ==
The tracks were a mix between those recorded straight to cassette and those recorded on a TASCAM 244, which were of much higher quality. Some dubs were added by Rob 10 years earlier for leveling purposes while working on the ''[[Lego Feet]]'' reissue, but otherwise no major changes or mastering was done.<ref>{{Cite interview|quote='''The Warp Tapes are really good,” thank you, “surprising great quality recordings for their age.''' Some of them are. The ones that were recorded on 244 are good because the 244, TASCAM 244, is just beautiful and if you're just recording two channels onto it, because it runs at double speed, then all the noise is, like, out of the way and they're just, it's just really good analog sound. It's really surprising. You can get sound like that out of a cassette, you know. So yeah, all the tracks that were recorded on that thing sound great, and all the stuff that was done straight to normal cassette sounds, well it is what it is, you know. '''Did they need much remastering?''' No. I mean, there weren't, there was no mastering at all. It was just, the tracks were taken. Rob did new dubs of a lot of those tracks which were just literally just getting the line and the levels correct, and then just putting them on a digital and at 24 bit, I think, and so we had, we did, he'd done them quite a while before like a good 10 years before we did that. I think it was around the time that we were recompiling, because we had to rebuild the Lego Feet thing when we did that because we didn't have the masters for that. Just time, and had gone missing, so we had to rebuild that. So the version that Skam released later isn't the same as the version that came out in ‘91. That all the tracks sounded different, I mean, we tried to rip, do, you know, replicate it as close as we could but it's, yeah, in the same, so. So, anyway we had them newer versions and they're just a bit cleaner. They're just better digital copies, so, but there was no EQ or anything on any of it or anything like that, it was just as is, so, and then, yeah. Just to, just kind of mixed as, you know, like mix together, the tracks or whatever, but like not really. There's no mastering or anything, so. I think we were just lucky, really. I think when you're not using much equipment, if using a very, very basic setup like just a drum machine through a DJ mixer into a tape deck, you can't really go wrong, you know, it's gonna sound good. That's the beauty of that shit and we were blessed, really, to grow up at a time where that shit was the only shit we could afford, you know. I think if we'd have had a lot more money and we'd have had bigger studios, you know, like an early Mac maybe or, you know, things wouldn't have sounded quite so correct now from back then. So we were just sort of lucky not to have any equipment, I think, in a lot of ways, and you don't make as many mistakes in your mixing and everything because there's nothing there to mix, you know. So yeah, we were just lucky.|page=Sean Twitch AMA, June 2022}}</ref> The DJ mix format was done after NTS Radio approached Autechre to request one, but Sean noted that a reissue with the unmixed tracks was not out of the question.<ref>{{Cite interview|quote='''Any plans to release more early stuff like the Warp tapes?''' No plans because we didn't have a plan to do that. It was just, we got asked by NTS and we had the stuff there. So we just threw the mix together and did it. Was a bit, you know, off the cuff. We haven't got loads and loads of amazing material from that era. We've got loads of material though, so I don't know. Maybe. I mean we even thought about doing a release based on that thing because that's a mix. So maybe we could just put the tracks out individually on some kind of format? I guess, if we could be bothered?|page=Sean Twitch AMA, June 2022}}</ref>

==Analysis==
Analysis by [[User:Quants0|Quants0]]. Timestamps are based on spectral analysis of the waveforms.
{| class="wikitable"
|+
!Timestamp
!Identifer / Notes
|-
! colspan="2" |Warp Tapes 89-93 Part 1
|-
|0:00:00 - 0:04:47
|'''#1'''
|-
|0:04:10 - 0:08:31
|'''#2'''
Uses a 303 synth.
|-
|0:07:57 - 0:12:09
|'''#3 "Westcoast Acid"'''<ref name=":0">{{Cite web|author=EnergyIsMassiveLight|title=old lego feet/ae leak of early material|website=Reddit|date=10 March 2024|link=https://www.reddit.com/r/autechre/comments/1bbc89f/old_lego_feetae_leak_of_early_material/|accessdate=25 March 2024}}</ref>
|-
|0:12:05 - 0:16:02
|'''#4 "Rippin Circuits"'''<ref name=":0" /><ref name=":1">{{Cite interview|page=Sean Twitch AMA, July 2022|quote=But that original Accelera track, which was originally it was called Rippin Circuits, that was Rob's track from ‘89, that was like the first time that we'd done that pitch thing, and it was really cool because like on the 202, if he was using the 202 as to generate the square wave for the pitch input, and then you had your sample in there, and then you started adding resonance to it, it just start losing it slightly and getting really good.}}</ref>
"Rippin Circuits" is an early version of "[https://aepages.org/wiki/Cavity_Job Accelera 1 & 2]" made by Rob in 1989. Sean said that this is likely the oldest track in the compilation.<ref name=":1" /><ref>https://web.archive.org/web/20231224114430/https://post.lurk.org/@sean_ae/111635157753588040#:~:text=(I%20think%20the%20oldest%20track%20on%20there)</ref>
|-
|0:15:36 - 0:22:43
|'''#5'''
Contains elements from [[Incunabula#Kalpol Introl|"Kalpol Introl"]]. Samples [https://www.youtube.com/watch?v=NpsvBvwRuf0 "Pass the Mic" by Beastie Boys].<ref>https://www.whosampled.com/sample/661650/Autechre-Part-1-Track-5-Beastie-Boys-Pass-the-Mic/</ref>
|-
|0:21:12 - 0:27:55
|'''#6 "Destroyer"'''<ref>{{Cite AAA doc|274}}</ref> 
Samples [https://www.youtube.com/watch?v=lb13ynu3Iac J. Robert Oppenheimer's 1965 speech] using the Boss RSD-10.<ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote=Yeah, that was our only sampler for quite a long time, like that Destroyer of Worlds track was done just using that as a sampler, done on the four track.}}</ref> Performed at [[1991-06-04 Rochdale, England, UK @ Sweatbox 2 (Bojangles)|Sweatbox 2 1991]].
|-
|0:26:58 - 0:31:35
|'''#7'''
Uses same riff as "Destroyer", but with a "can" Roland R8 sound.
|-
|0:31:33 - 0:34:10
|'''#8'''
|-
|0:33:51 - 0:41:05
|'''#9'''
|-
|0:40:27 - 0:48:16
|'''#10'''
|-
|0:47:17 - 0:54:20
|'''#11 "98 Chop"<ref name=":0" />'''
Contains a brief reprise of Part 1 #7 which continues into Part 1 #12
|-
|0:54:20 - 1:00:00
|'''#12'''
Previously appeared in 2013-03-03 webcast on Mixlr at around 04:10:30.<ref>https://archive.org/details/AutechreMixlrWebcast010203032013</ref> Contains percussion from [[List of Rarities#Crystel|"Crystel"]]. Unidentified "cheers mate" sample begins at 0:58:59
|-
! colspan="2" |Warp Tapes 89-93 Part 2
|-
|0:00:00 - 0:08:44
|'''#1 "Luna Chop"'''<ref>https://watmm-archive.com/t/20728/1</ref>'''<ref name=":0" />'''
Uses the same bassline as "Keyop" from [[Lego Feet|''Lego Feet'']].
|-
|0:08:37 - 0:12:58
|'''#2'''
Uses the same percussion as [[Incunabula#Maetl|"Maetl"]]
|-
|0:12:44 - 0:18:01
|'''#3'''
|-
|0:17:23 - 0:24:19
|'''#4'''
|-
|0:23:33 - 0:31:54
|'''#5'''
Early version of "[[Tri Repetae#Leterel|Leterel]]"
|-
|0:31:26 - 0:33:40
|'''#6'''
Reprise of Part 1 track 7 - uses Destroyer riff with R8 sound too.
|-
|0:33:12 - 0:38:37
|'''#7'''
|-
|0:38:07 - 0:45:33
|'''#8 "Persuit 2"<ref name=":0" />'''
|-
|0:44:54 - 0:54:36
|'''#9''' Contains elements of [[Incunabula#444|"444"]]
|-
|0:53:21 - 1:00:00
|'''#10 "Peyaline"<ref name=":0" />'''
|}

==Tracklist==
{{Tracklist|list=
{{tl track|number=1|title=Warp Tapes 89-93 Part 1|length=1:00:00}}
{{tl track|number=2|title=Warp Tapes 89-93 Part 2|length=1:00:00}}
{{tl finaltime|time=2:00:00}}
}}

== Links ==
*[https://www.discogs.com/release/13799471-Autechre-Warp-Tapes-89-93 Discogs]

== References ==
<references />
[[Category:DJ Mix]]
[[Category:Compilation]]

2026-02-04 Tokyo, Japan @ ZEPP Divercity

2026-02-10T16:45:05Z

EnergyIsMassiveLight: recordings updated

List of Live Shows

2026-02-07T15:40:48Z

EnergyIsMassiveLight: /* 2026 */

Bolded entries have officially been released.

Basic list sourced from other mega lists (with varying degrees of accuracy) here<ref name=":10">https://www.songkick.com/artists/49992-autechre/gigography</ref><ref name=":18">https://ra.co/dj/autechre/tour-dates</ref><ref name=":19">https://forum.watmm.com/topic/69749-essential-autechre-live-sets/#comments</ref><ref name=":20">https://www.loudmemories.com/artists/autechre-500</ref><ref name=":33">https://www.setlist.fm/setlists/autechre-2bd6a47a.html</ref><ref name=":21">https://www.last.fm/music/Autechre/+events</ref>, and then replaced with more specific sources as needs be.

Citations are grouped by the following types: ''REC'' (recording metadata), ''VEN'' (promotional material of show from venue), ''LIST'' (listings from Autechre, venue or some other advertisement), ''ATTE'' (attendance evidence like posts at location or tickets), ''DESC'' (description, testimony, anecdotes, reviews from Autechre or other attendees) and ''ETC'' (from megalists, low reliability).

Recordings are labelled as either AUD (Audience), SBD (Soundboard), or MAT (Matrix). If the show listing has a dedicated page, then Yes or No is listed, alongside how complete they are.

Last column [S] refers to reliability of the listing with a rating like B2. A=correct/sourced, B=incomplete info/sourcing, C=conflicting details. Combined with 1=real, 2=listed by weak source, 3=speculative. Recordings are either label part(s) for short clips, partial for substantive portions, or full for majority/all of the show. If a show can confidently be asserted to have been performed, the information is moved to a dedicated page. 
== 1991-2000 ==

=== 1991 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|June 4
| colspan="3" |[[1991-06-04 Rochdale, England, UK @ Sweatbox 2 (Bojangles)|Rochdale, England, UK @ Sweatbox 2 (Bojangles)]]
|Yes [Full, AUD]
|
|}

=== 1993 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|October 15
| colspan="3" |[[1993-10-15 Birmingham, England, UK @ Bonds (Oscillate)|Birmingham, England, UK @ Bonds (Oscillate)]]
|Yes [Full, AUD]
|
|-
|December 2
| colspan="3" |[[1993-12-02 Manchester, England, UK @ The Planet|Manchester, England, UK @ The Planet]]
|No
|
|-
|December 14
| colspan="3" |[[1993-12-14 London, England, UK @ Heaven|London, England, UK @ Heaven]]
|No
|
|-
|December 17
| colspan="3" |[[1993-12-17 London, England, UK @ Powerhaus|London, England, UK @ Powerhaus]]
|No
|
|}

=== 1994 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|January 14
|London, England, UK
|The Robey (Club Dog All Nighter)
|LIST<ref>https://www.flickr.com/photos/nothingelseon/53058133553/in/album-72177720309838871</ref><ref>https://www.flickr.com/photos/nothingelseon/53058130663/in/album-72177720309838871</ref>,
with Timeshard, Lull, The Corridor
|
|
|-
|February 5
| colspan="3" |[[1994-02-05 Manchester, England, UK @ Manchester Academy (Megadog 5)|Manchester, England, UK @ Manchester Academy (Megadog 5)]]
|No
|
|-
|February 19
|Toronto, ON, Canada
|Union Station (North American Artificial Intelligence Tour)
|VEN<ref>https://ghostarchive.org/archive/Cqins</ref>,
with DJ Lewis, Dogwhistle (DJ), Mark Oliver (DJ), Danny Henry (DJ), John E (DJ), Peter The Greek (DJ), Mark Anthony (DJ)
|
|A1
|-
|February 26
|Tulsa, USA
|Club Ikon (North American Artificial Intelligence Tour)
|VEN<ref>https://web.archive.org/web/20250509020313/https://www.etsy.com/listing/1032132362/autechre-autographed-poster-vintage-1994?show_sold_out_detail=1&ref=nla_listing_details</ref>, DESC<ref>https://web.archive.org/web/20250202232908/https://post.lurk.org/@sean_ae/113935766874172096</ref>,
with DJ Lewis
|
|A1
|-
|March 23
|London, England, UK
|Astoria 2
|ETC<ref name=":10" />, 
with Seefeel
|
|C2
|-
|April 1
|Birmingham, England, UK
|Bonds (Oscillate)
|VEN<ref name=":53">https://ghostarchive.org/archive/y8kAd</ref>
|No
|
|-
|April 17
| colspan="3" |[[1994-04-17 Moscow, Russia @ Moscow's Youth Palace (Britronica Festival 1994)|Moscow, Russia @ Moscow's Youth Palace (Britronica Festival 1994)]]
|Yes [Part, AUD]
|
|-
|May 27
|Wolverhampton, England, UK
|Civic Hall
|
|
|
|-
|June 2
|Barcelona, Spain
|Sala Apolo (Sónar)
|VEN<ref>https://discmaster.textfiles.com/view/12506/PCMania%20CD46_2.iso/pc/sonar94/sonar94.dir/00315_Progra.png</ref>
With Zero and Mixmaster Morris
|
|
|-
|June 16
| colspan="3" |[[1994-06-16 London, England, UK @ Quirky|London, England, UK @ Quirky]]
|Yes [Full, AUD]
|
|-
|June 24
|Linz, Austria
|Brucknerhaus (Ars Electronica)
|LIST<ref>https://archive.aec.at/media/assets/99136106366c2ff573db00bff4377a19.pdf</ref>,
|
|A1
|-
|June 30
|London, England, UK
|Thousand Island
|ETC<ref name=":10" /><ref name=":20" />,
with Casper Brötzmann
|
|
|-
|July 22
|New York, NY, USA
|Mercury Lounge
|DESC<ref>https://www.flickr.com/photos/nothingelseon/53221609637/in/album-72177720311501349</ref>,
|
|A1
|-
|August 6
|Amsterdam, Netherlands
|Gashouder Westergasfabriek (Triple X Festival / Oscillate)
|REC, VEN<ref>https://www.oscillate.club/exhibition/</ref><ref>https://web.archive.org/web/19991010022109/http://cuttlefish.com/oscillate/amsterdam.html</ref>, DESC<ref name=":35">https://forum.watmm.com/topic/81035-autechre-kalpol-introl-live-1994/page/3/#comment-2082598</ref><ref name=":61">https://www.youtube.com/watch?v=LfmuY2INHDs</ref>, ETC<ref name=":33" />,
Allegedly(!!) the organiser of the event John Jacobs recorded the DAT, and a part of that recording would later circulate online as the extended "Kalpol Introl".<ref name=":61" /> Was shared either via xltronic<ref name=":35" /> or Demonoid<ref name=":61" />
|SBD #1 ([https://www.youtube.com/watch?v=LfmuY2INHDs partial])
|A1
|-
|August 19
|Cologne, Germany
|Club Oshos (Popkomm Cologne 1994)
|
|
|
|-
|November 6
|Brussels, Belgium
|Fuse
|REC,
|AUD #1 ([https://www.youtube.com/watch?v=Bijec-rF7E4 full])
|C3
|-
|November 15
|Hull, England, UK
|The Room
|LIST<ref name=":52">https://www.flickr.com/photos/nothingelseon/53322163877/in/album-72177720312494098</ref>,
with LFO, Mark Broom (DJ)
|
|A1
|-
|November 17
|Newcastle Upon Tyne, England, UK
|Riverside
|LIST<ref name=":52" />,
with LFO, Mark Broom (DJ)
|
|A1
|-
|November 22
|Bristol, England, UK
|Lakota
|LIST<ref name=":52" />,
with LFO, Mark Broom (DJ)
|
|A1
|-
|November 23
|London, England, UK
|Leisure Lounge
|LIST<ref name=":52" />,
with LFO, Nightmares on Wax, Mark Broom (DJ), James Lavelle (DJ)
|
|A1
|-
|November 24
|Cardiff, Wales, UK
|Hippo Club
|LIST<ref name=":52" />,
with LFO, Mark Broom (DJ)
|
|A1
|-
|November 26
|Manchester, England, UK
|Sankey's Soap
|LIST<ref name=":52" />, DESC''<ref name=":34">https://aepages.org/wiki/Sean_Twitch_AMA,_June_2022#:~:text=%E2%80%9CSankey%27s%20set.%E2%80%9D%20My%20goodness%2C</ref>'',
with LFO, Mark Broom (DJ), James Lavelle (DJ)

A DAT of the set exists, with a slowed down "Flutter" performance.<ref name=":34" />
|
|A1
|-
|November 28
|Sheffield, England, UK
|The Leadmill
|LIST<ref name=":52" />,
with LFO, Sabres of Paradise Mark Broom (DJ), Andrew Weatherall (DJ)
|
|A1
|-
|??
|Melbourne, Australia
|
|DESC<ref>https://forum.watmm.com/topic/20089-first-time-you-heard-ae-live/?do=findComment&comment=413561</ref><ref>https://www.elektronauts.com/t/1994-live-version-of-autechres-kalpol-intro/2947</ref><ref>https://forum.watmm.com/topic/85950-the-chre-autechre-live-quirky-brixton-16-06-1994-youtube-video/?do=findComment&comment=2258482</ref>,
|
|B3
|}

=== 1995 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|January 21
|Lucerne, Switzerland
|Konzerthaus Schüür
|
|
|
|-
|February 4
|Birmingham, England, UK
|Que Club (Oscillate)
|LIST<ref>https://worldradiohistory.com/UK/Music-Week/1995/Music-Week-1995-02-04.pdf pg 23</ref><ref name=":13">https://www.discogs.com/release/1624821-Autechre-Garbage/image/SW1hZ2U6MjQyMDM4Nw==</ref>, ATTE<ref>https://web.archive.org/web/19990128043223/http://www.cuttlefish.com/oscillate/queclub.html</ref>, ETC<ref name=":20" />,
|
|A1
|-
|February 12
|Eastnor, England, UK
|Eastnor Castle (Big Chill)
|LIST<ref name=":13" />, DESC<ref>https://www.teletextarchive.com/Pages/Details/1194677</ref>,
with Bedouin Ascent, Daniel Pemberton and Instrumental
|
|B1
|-
|June 15
|Sheffield, England, UK
|University of Sheffield Student Union
|ETC<ref name=":10" />,
|
|B2
|-
|June 23
|Pilton, England, UK
|Worthy Farm (Glastonbury Festival 1995)
|
|
|
|-
|July 21
|Glasgow, Scotland, UK
|Glasgow University (Stormy Waters)
|REC, VEN<ref>https://www.independent.co.uk/news/rock-gets-ready-to-go-live-on-the-internet-1590048.html</ref><ref>https://www.google.co.za/books/edition/Theatre_Record/UOoWBzYC4KcC?hl=en&gbpv=1&bsq=autechre+live+-cmj&dq=autechre+live+-cmj&printsec=frontcover</ref>, DESC<ref name=":36">https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=B1338:B1339</ref><ref>https://forum.watmm.com/topic/61585-rare-video-performance-stormy-waters-95/</ref>,
[[List of Rarities#Second Crane|"Second Crane"]]<ref name=":36" />
|SBD #1 ([https://www.youtube.com/watch?v=w7D5yAUsjB8&pp=ygUVTGl2ZSBhdCBTdG9ybXkgV2F0ZXJz full])
AUD #1 ([https://youtu.be/9_yoHHdBE1Q?t=2581 full])
|A1
|-
|October 1
|Nottingham, England, UK
|Sam Fays
|ETC<ref name=":10" /><ref name=":20" />,
|
|B2
|-
|October 15
|Southampton, England, UK
|The Joiners Arms
|
|
|
|-
|November 30
|Ghent, Belgium
|Vooruit Concertzaal (Mind the Gap)
|DESC<ref name=":8">https://groups.google.com/g/alt.music.autechre/c/2C_ddRndcxo/m/SJcAdgyvFqEJ</ref>,
|
|B3
|-
|December 1
|Amsterdam, Netherlands
|Paradiso Grote Zaal
|DESC<ref name=":2">https://web.archive.org/web/20260115003227/https://post.lurk.org/@sean_ae/115895741138770785</ref>, 
|
|
|-
|December 2
|Birmingham, England, UK
|Que Club (Oscillate)
|REC, ETC<ref name=":20" />,
|SBD #1 ([https://www.mixcloud.com/oscillate_sound_system/autechre-oscillate-21295/ full])
|A1
|}

=== Tri Repetour (1995) ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|October 26
|Manchester, England, UK
|Granada Studios
|LIST<ref name=":4">https://www.reddit.com/media?url=https%3A%2F%2Fpreview.redd.it%2F7jipvmazj0y71.jpg%3Fwidth%3D3036%26format%3Dpjpg%26auto%3Dwebp%26s%3D1519d793a88b570f3d99754a9c831a4fe96e3241</ref>,
|
|A1
|-
|October 27
|Kidderminster, England, UK
|Market Tavern
|LIST<ref name=":4" />, ATTE<ref>https://www.yumpu.com/en/document/read/65128735/memories-of-the-market-tavern-1990-1996 page 171</ref>, DESC<ref>https://web.archive.org/web/19990417230430/http://subnet.virtual-pc.com/%7Esk393820/kidder.html</ref>
|
|A1
|-
|October 29
|Nottingham, England, UK
|Sam Fayes
|LIST<ref name=":4" />, DESC<ref name=":2" />,
|
|A1
|-
|November 1
|Sheffield, England, UK
|Hallamshire Hotel
|LIST<ref name=":4" />, ETC<ref>https://www.reddit.com/r/autechre/comments/ysrcjo/comment/jysm32i/</ref>,
|
|A1
|-
|November 2
|Newcastle, England, UK
|Riverside
|LIST<ref name=":4" />, DESC<ref name=":2" />,
|
|A1
|-
|November 3
|Aberdeen, Scotland, UK
|Pelican
|LIST<ref name=":4" />,
|
|A1
|-
|November 4
|Glasgow, Scotland, UK
|Glasgow Arena
|LIST<ref name=":4" />,
|
|A1
|-
|November 5
|Edinburgh, Scotland, UK
|Edinburgh Art College
|LIST<ref name=":4" />,
|
|A1
|-
|November 7
|Kingston upon Hull, England, UK
|The Room
|LIST<ref name=":4" />,
|
|A1
|-
|November 8
|Stoke-on-Trent, England, UK
|Wheatsheaf
|LIST<ref name=":4" />,
|
|A1
|-
|November 9
|Cardiff, Wales, UK
|Clwb Ifor Bach
|LIST<ref name=":4" />,
|
|A1
|-
|November 12
|Cambridge, England, UK
|Boat Race
|LIST<ref name=":4" />, ATTE<ref>https://forum.watmm.com/topic/11240-autechre-photos-from-old-gigs-around-1996-1997/</ref>, DESC<ref>https://web.archive.org/web/19990417220742/http://subnet.virtual-pc.com/%7Esk393820/boatrace.html</ref>,
|
|A1
|-
|November 13
|Ipswich, England, UK
|Golden Lion
|LIST<ref name=":4" />,
|
|A1
|-
|November 14
|Margate, England, UK
|Cobblers
|LIST<ref name=":4" />,
|
|A1
|-
|November 15
|Southampton, England, UK
|The Joiners Arms
|LIST<ref name=":4" />,
|
|A1
|-
|November 16
|Brighton, England, UK
|The Joint
|LIST<ref name=":4" />,
|
|A1
|-
|November 17
|Harlow, England, UK
|The Square
|LIST<ref name=":4" />,
|
|A1
|-
|November 18
|London, England, UK
|Dublin Castle
|LIST<ref name=":4" />,
|
|A1
|-
|November 19
|Manchester, England, UK
|Roadhouse
|LIST<ref name=":4" />,
|
|A1
|-
|November 22
|Belfast, Northern Ireland, UK
|Queen's University
|LIST<ref name=":4" />,
|
|A1
|-
|November 24
|Dublin, Ireland
|Tivoli
|LIST<ref name=":4" />,
|
|A1
|-
|November 25
|Cork, Ireland
|Art Hive
|LIST<ref name=":4" />, DESC<ref name=":37">https://aepages.org/wiki/Sean_Twitch_AMA,_June_2022#:~:text=from%2C%20I%20think%2C-,Cork%3F%20Ireland%3F,-Yeah%2C%20Cork%2C%20I</ref>,
A soundboard of the set exists that has yet to be released.<ref name=":37" />
|
|A1
|}

=== 1996 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|February 15
|Vienna, Austria
|Flex
|REC,
|SBD #1 ([https://archive.org/details/Autechre1996-02-15 full])
|B1
|-
|March 8
|New York, NY, USA
|Home (Joint Ventures & Drop Entertainment)
|VEN<ref>https://www.flickr.com/photos/davepinter/2873019440/in/photostream/</ref>,
with Spacetime Continuum, Mark Broom (DJ)
|
|
|-
|March 13
|West Hollywood, CA, USA
|Troubadour
|
|
|
|-
|March 16
|Miami, FL, USA
|Surfcomber Beach Hotel
|ATTE<ref name=":56">https://www.factmag.com/2018/03/01/idm-usa-history-machinedrum-prefuse73/</ref>, DESC<ref name=":56" />,
|
|
|-
|March 23
|Detroit, MI, USA
|(Disco at the Edge of the Universe)
|VEN<ref>https://www.reddit.com/r/autechre/comments/1jmpzjh/flyer_from_the_first_time_seeing_them_30_years_ago/</ref>,
|
|A1
|-
|March 29 ?
|Winnipeg, Canada
|Osborne Village's Die Maschine Caberet
|DESC<ref>https://web.archive.org/web/19990423215510/http://www.mts.net/%7Edaveross/mesmer.htm</ref>,
with Spacetime Continuum, Mark Broom (DJ)
|
|
|-
|May 14
|London, England, UK
|Leisure Lounge
|VEN<ref name=":38">https://web.archive.org/web/20240421001029/https://post.lurk.org/@sean_ae/112305057800579899</ref>, DESC<ref name=":38" />, ETC<ref name=":10" />,
with Meat Beat Manifesto and The Mellowtrons
|
|
|-
|July 19
|London, England, UK
|The Reach, King's College Students' Union
|LIST<ref name=":39">https://web.archive.org/web/19981202230042/http://subnet.virtual-pc.com/%7Esk393820/oldnews.html</ref>, ATTE<ref>https://bocpages.org/wiki/Autechre_Live_at_the_Reach</ref>,
Support: Cylob, Panasonic, Boards of Canada, with Chantal (DJ) and Mark Broom
|
|A1
|-
|July 20
|Amsterdam, Netherlands
|The Paradiso
|LIST<ref name=":39" />, DESC<ref name=":40">https://web.archive.org/web/19981203004259/http://subnet.virtual-pc.com/%7Esk393820/letter2.html</ref>,
|
|A1
|-
|July 21
|Bremen, Germany
|Modernes
|LIST<ref name=":39" />, DESC<ref name=":40" />,
|
|
|-
|July 22
|Ghent, Belgium
|Red Tape Building (10 Days Of Techno)
|REC, VEN<ref>https://visit.gent.be/en/red-tape-building</ref>, LIST<ref name=":39" />, DESC<ref name=":8" /><ref name=":40" />,
with Freeform, B12, RAC (DJ)
|AUD #1 ([https://www.youtube.com/watch?v=pupbVnPqqqg full])
|A1
|-
|August 24
|Leysin, Switzerland
|Place des Feuilles (Leysin Alpes Festival 1996)
|LIST<ref name=":39" />, DESC<ref name=":40" />,
with Freeform, B12, Red Snapper, Nightmares On Wax, Aphex Twin (DJ)
|
|
|-
|August 28
|Amsterdam, Netherlands
|The Paradiso
|DESC<ref name=":40" />,
|
|B3
|-
|September 1
|Norfolk, England, UK
|Big Chill Gala
|LIST<ref name=":39" />,
|
|
|-
|November 1
|Manchester, England, UK
|(Versivo)
|LIST<ref name=":39" />, DESC<ref>https://web.archive.org/web/19981206040130/http://subnet.virtual-pc.com/%7Esk393820/versivo.html</ref>, 
with Jega, Rob Hall (DJ), Andy Maddocks (DJ) 
|
|
|-
|November 19
|Barcelona, Spain
|Sónar
|REC, LIST<ref name=":39" />, ATTE<ref>https://www.documentjournal.com/2024/05/sonar-plus-d-barcelona-techno-music-spain-festival-ai/</ref>, DESC<ref name=":40" />,
with Plaid, Mark Broom (DJ)
|AUD #1 ([https://www.youtube.com/watch?v=JYD_7etGCrQ part])
AUD # 2 ([https://discmaster.textfiles.com/view/12506/PCMania%20CD46_2.iso/mac/Sonar96/Autechr.mov part])
|
|-
|December 7
|Copenhagen, Denmark
|
|LIST<ref name=":39" />,
with B12
|
|
|-
|December 12
|Miami, FL, USA
|
|LIST<ref name=":39" />, DESC<ref name=":40" />,
|
|
|-
|??
|Toronto, Canada
|
|DESC<ref name=":32">https://discmaster.textfiles.com/view/12728/2014.06.ftp.xmission.com.tar/ftp.xmission.com/pub/lists/orbital/archive/orbital.9807</ref>
|
|
|-
|??
|Norway
|
|REC
|AUD #1 ([https://archive.org/details/Autechre1996-00-00 full])
|B1
|}

=== 1997 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|January 3
|New York, NY, USA
|Blech:the NYC phase
|LIST<ref name=":39" />, DESC<ref name=":44">https://web.archive.org/web/19990127105321/http://subnet.virtual-pc.com/%7Esk393820/news.html</ref>,
with AFX, Jimi Tenor, Mark Broom, Chantal
|
|
|-
|January 17
|Manchester, England, UK
|(Versivo)
|LIST<ref name=":39" />,
with Plaid
|
|
|-
|February 20
|Edinburgh, Scotland, UK
|The Venue
|LIST<ref name=":44" /><ref>http://backcatalog.list.co.uk.s3-website.eu-west-2.amazonaws.com/the-list/1997-02-07/55/index.html</ref>,
with Boards of Canada, Surgeon (DJ)
|
|A1
|-
|February 21
|Newcastle, England, UK
|Cumberland Arms
|LIST<ref name=":44" />,
with Surgeon (DJ)
|
|A1
|-
|February 22
|Dundee, Scotland, UK
|The Zone
|LIST<ref name=":26">https://www.tumblr.com/grrlmusic/748055598596227072/autechre?source=share </ref>,
|
|C1
|-
|February 22
|Glasgow, Scotland, UK
|Tin Pan Ally (Blackout)
|LIST<ref name=":44" /><ref>http://backcatalog.list.co.uk.s3-website.eu-west-2.amazonaws.com/the-list/1997-02-21/50/index.html</ref>,
with Surgeon (DJ)
|
|A1
|-
|February 23
|Newcastle, England, UK
|Riverside
|LIST<ref name=":26" />,
|
|A1
|-
|February 26
|London, England, UK
|Blue Note (Beats 2000)
|LIST<ref name=":44" />,
with Surgeon (DJ)
|
|C1
|-
|February 26
|Sheffield, England, UK
|Leadmill
|LIST<ref name=":26" />,
|
|C1
|-
|February 27
|Manchester, England, UK
|Sankeys Soap (Versivo)
|LIST<ref name=":44" /><ref name=":26" />,
with Surgeon (DJ)
|
|A1
|-
|February 28
|Leeds, England, UK
|The Warehouse (It's Obvious)
|LIST<ref name=":44" /><ref name=":26" />,
with Surgeon (DJ)
|
|A1
|-
|March 1
|Birmingham, England, UK
|Que Club / The Chapel (Oscillate)
|LIST<ref name=":44" /><ref name=":26" />,
with Surgeon (DJ)
|
|A1
|-
|March 2
|Brighton, England, UK
|Concorde (Cafe Expose)
|LIST<ref name=":44" />,
with Surgeon (DJ)
|
|
|-
|March 18
|Bremen, Germany
|Modernes
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 20
|Hamburg, Germany
|Unit
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 21
|Copenhagen, Denmark
|VEGA
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 22
|Potsdam, Germany
|Waschhaus
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 25
|Cologne, Germany
|Underground
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 26
|Prague, Czech Republic
|Roxy
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 27
|Vienna, Austria
|Szenewien
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 28
|Berlin, Germany
|Volksbuhne
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 29
|Munich, Germany
|Ultraschall
|LIST<ref name=":44" />,
|
|
|-
|March 30
|Frankfurt, Germany
|Nachtleben
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|April 2
|Lausanne, Switzerland
|Dolce vita
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|April 3
|Zurich, Switzerland
|Rote Fabrik
|LIST<ref name=":44" />, MISC<ref name=":10" /><ref name=":20" />,
with Mark Broom (DJ)
|
|B2
|-
|April 4
|Aarau, Switzerland
|Kiff
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|April 5
|Lucerne, Switzerland
|Boa
|LIST<ref name=":44" />, MISC<ref>https://www.concertarchives.org/concerts/autechre--4824016</ref>,
with Mark Broom (DJ)
|
|B2
|-
|April 7
|Ulm, Germany
|Sauschdall
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|April 10
|Ghent, Belgium
|Vooruit Concertzaal
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|April 11
| Antwerp, Belgium
|Café d'Anvers
|LIST<ref name=":44" />,
with Mark Broom (DJ) 
|AUD #1 (parts [https://www.youtube.com/watch?v=-NF9ImTAUWI 1] [https://www.youtube.com/watch?v=IPqbpe06SVc 2])
|B1
|-
|June 5
|Bologna, Italy
|Link
|LIST<ref name=":44" />,
|
|
|-
|June 6
|Rome, Italy
|C.S.O.A. Forte Prenestino
|REC, LIST<ref name=":44" />,
Often mislabelled as a 1996 performance.
|AUD #1 ([https://archive.org/details/Autechre1996-00-00.Autechre/Autechre-1996-xx-xxItaly-rome-1.mp3 full])
|C1
|-
|June 7
|Florence, Italy
|CPA
|LIST<ref name=":44" />,
|
|
|-
|June 8
|Rimini, Italy
|Fiera de Rimini
|LIST<ref name=":44" />,
|
|
|-
|July 17
|Stratford-upon-Avon, England, UK
|Long Marston Airfield (The Phoenix Festival 1997)
|VEN<ref>https://bocpages.org/wiki/Phoenix_Festival</ref>, LIST<ref name=":44" />,
|
|A1
|-
|July 26
|Munich, Germany
|Sun Flower Festival
|LIST<ref name=":44" />, DESC<ref>https://www.twoism.org/forum/viewtopic.php?p=129186&sid=71637c54ecd18521677bad3088edaea8#p129186</ref>,
Conflicting evidence whether they did perform or if it was cancelled due to heavy rain/mud.
|
|C2
|-
|August 8
|Valencia, Spain
|Recinto de festivales de Benicàssim (Benicàssim 1997)
|LIST<ref name=":44" />, MISC<ref name=":10" /><ref name=":20" />
|
|B2
|-
|August 9
|Montpelier, France
|Borealis Festival
|LIST<ref name=":44" />,
|
|
|-
|October 26

|Nottingham, England, UK
|Essance
|MISC<ref name=":10" />,
with Zoviet France
|
|B2
|-
|October 31
|Birmingham, England, UK
|Que Club
|LIST<ref name=":44" />,
|
|
|-
|November 13
|Liverpool, England, UK
|Liverpool University
|LIST<ref name=":44" />,
with Freeform, Spacetime Continuum
|
|
|-
|November 14
|Sheffield, England, UK
|Sheffield University
|LIST<ref name=":44" />,
with Freeform, Spacetime Continuum
|
|
|-
|November 15
|Leeds, England, UK
|Leeds University
|LIST<ref name=":44" />,
with Freeform, Spacetime Continuum
|
|
|-
|November 19
|Edinburgh, Scotland, UK
|Edinburgh University
|LIST<ref name=":44" />,
with Spacetime Continuum, T-Power
|
|
|-
|November 28
|London, England, UK
|Powerhaus (Blech02)
|LIST<ref name=":44" />, MISC<ref name=":10" /><ref name=":20" />,
with Cylob
|
|B2
|}

=== 1998 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|'''February 3'''
|'''Manchester, England, UK'''
|'''Band On the Wall (Toolshed)'''
|'''[[Confield#MCR Quarter|"MCR Quarter"]]'''
REC, LIST<ref>https://www.808state.com/Toolshed/live/1998/index.htm</ref><ref>https://www.theboltonnews.co.uk/news/6134785.gig-guide/</ref>, ATTE <ref>https://www.mdmarchive.co.uk/artefact/18824/Toolshed-Autechre-Band-On-The-Wall-Demo-Tape-1998</ref>, DESC<ref name=":17">https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D1294</ref><ref name=":41">{{Cite AAA2 doc|574}}</ref>,

No recording of the show exists.<ref name=":17" /> Most of the set is a DJ mix except for an improvised MCR Quarter using a "hacked version of rebirth with all our own sounds in"<ref name=":41" />
|'''AUD #1 ([https://www.youtube.com/watch?v=44aqUXUqnqw part])'''
AUD #2 ([https://www.youtube.com/watch?v=s_sG5jqLbKw full])

|C1
|-
|February 7
|London, England, UK
|Chelsea Bridge Studios (Vapour Tour Launch Night)
|LIST<ref name=":44" />, MISC<ref name=":10" /><ref name=":20" />,
with Plaid, Aphex Twin (DJ), Mira Calix (DJ), George Evelyn (DJ)
|
|B2
|-
|February 13
|Dublin, Ireland
|The Funnel (U:Mack/Ultra Mack presents Phunk City)
|VEN<ref>https://img.rasset.ie/001278ef-614.jpg?ratio=2.13</ref>,DESC<ref>https://thumped.com/bbs/threads/memorable-u-mack-gigs-ive-been-to-and-a-few-ive-missed.17611/</ref><ref>https://analog-rhythms.com/2023/08/06/the-funnel/</ref><ref>https://www.rte.ie/culture/2019/0801/1065988-the-funnel-generation-irish-electronic-musics-coming-of-age/</ref>,
with Alan & Dennis [of Decal] (DJ), Dave Cleary (DJ)
|
|A2
|-
|April 21
|Krems, Austria
|
|
|
|B3
|-
|April 25/28?
|Sheffield, England, UK
|Kelham Island Museum (Test One)
|MISC<ref name=":10" /><ref name=":20" />,
|
|B2
|-
|May 23/24
|Hertfordshire, England, UK
|Universe '98
|LIST<ref name=":44" />,
|
|
|-
|May 27
|Hasselt, Belgium
|Kunstencentrum België
|LIST<ref name=":44" /><ref>http://www.kunstencentrumbelgie.com/archief%20nr/98aprilgoed.pdf</ref>,
|
|A1
|-
|May 28
|Eindhoven, Netherlands
|(Effenaar)
|LIST<ref name=":44" />,
|
|
|-
|May 29
|Mannheim, Germany
|(HD800)
|LIST<ref name=":44" />,
|
|
|-
|May 30
|Munich, Germany
|Ultraschall
|LIST<ref name=":44" />,
|
|
|-
|May 31
|Vienna, Austria
|Rhiz
|LIST<ref name=":44" />,
|
|
|-
|June 1
|Vienna, Austria
|b72
|LIST<ref name=":44" />,
|
|
|-
|June 2
|Vienna, Austria
|b72
|LIST<ref name=":44" />,
|
|
|-
|June 4
|Berlin, Germany
|Akademie
|LIST<ref name=":44" />,
|
|
|-
|June 5
|Copenhagen, Denmark
|VEGA
|LIST<ref name=":44" />,
|
|
|-
|June 6
|Bremen, Germany
|Modernes
|LIST<ref name=":44" />,
|
|
|-
|June 5-7?
|Nevers, France
|Maison de la culture de Nevers (Musiques Ultimes Festival)?
|VEN<ref>https://ghostarchive.org/archive/rs331</ref>,
with Zoviet France
|
|
|-
|June 10
|Mannheim, Germany
|MS Connexion Complex
|
|
|
|-
|June 11
|Bern, Switzerland
|Reltschule
|LIST<ref name=":44" />,
|
|
|-
|June 12
|Zurich, Switzerland
|Rote Fabrik
|LIST<ref name=":44" />, MISC<ref name=":10" /><ref name=":20" />,
|
|A1
|-
|June 13
|Vevey, Switzerland
|Rocking Chair
|LIST<ref name=":44" />,
|
|
|-
|June 20
|London, England, UK
|Queen Elizabeth Hall (John Peel's Meltdown Festival)
|LIST<ref name=":44" />, MISC<ref name=":20" />,
with Plaid, Broadcast, Plone
|AUD #1 ([https://www.youtube.com/watch?v=m8SyhsKe4ok full])
AUD #2 (parts [https://www.youtube.com/watch?v=pO9_j6ZEfeM 1] [https://www.youtube.com/watch?v=VRGIZv4miuM 2])
|B2
|-
|June 28
|Pilton, England, UK
|Worthy Farm (Glastonbury Festival)
|LIST<ref name=":44" />,
|
|B2
|-
|July 9-12
|Brest, France
|Fort De Bertheaume (Dour Festival 1998)
|LIST<ref name=":14">https://web.archive.org/web/20231207044733/https://www.dourfestival.eu/fr/artist/detail/Autechre/</ref><ref>https://web.archive.org/web/20180710142041/http://www.dourfestival.eu/fr/program/history/1998</ref>, DESC<ref name=":8" />, MISC<ref name=":20" /><ref>https://www.concertarchives.org/concerts/dour-festival-1998</ref>,
|
|A1
|-
|July 25
|Saint-Nolff, France
|Coin du Bois (Week-End à Saint-Nolff 1998)
|
|
|
|-
|July 30
| Vancouver, Canada
|Palladium Club
|VEN<ref>https://vancouverraveflyers.tumblr.com/post/137260257514/autechre-july-30-1998-vancouver-bc-palladium</ref>,
Flyers indicate a July 30th performance, however, bootlegs of the New York 98 show often label the recording as being performed on August 9.
|
|C1
|-
|July 31
|Montreal, Canada
|Le Medley
|DESC<ref>https://discmaster.textfiles.com/view/12728/2014.06.ftp.xmission.com.tar/ftp.xmission.com/pub/lists/orbital/archive/v02.n095</ref>
|
|
|-
|August 1
|Toronto, Canada
|The Opera House (Ritual 4)
|DESC,<ref name=":32" /><ref>https://discmaster.textfiles.com/view/12728/2014.06.ftp.xmission.com.tar/ftp.xmission.com/pub/lists/orbital/archive/v02.n105</ref><ref>https://2000undergroundmusic.com/theorem/</ref>
With Ritchie Hawtin, Theorem, Subtonic Monks, Elad'n, Algorythm (DJ), Lotus (DJ)
|
|
|-
|October 2
|Dublin, Ireland
|The Funnel (U:Mack/Ultra Mack presents Phunk City)
|VEN<ref>https://imgur.com/a/8uR4HVS</ref>, DESC<ref>https://thumped.com/bbs/threads/memorable-u-mack-gigs-ive-been-to-and-a-few-ive-missed.17611/</ref>,
with Mira Calix (DJ)
|
|A2
|-
|October 17
|New York, NY, USA
|(OTHERMUSIC.COM Launch Party)
|VEN<ref>https://www.reddit.com/r/autechre/comments/5xw356/autechre_live_in_nyc_oct_1998_anyone_else_out/</ref><ref>https://www.reddit.com/r/autechre/comments/mixwve/for_ufieldrecord_101798/</ref>, DESC<ref name=":57">https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D246</ref>,
Often mislabelled as either a Vancouver Palladium Club show or from 2000 or 2001. Sean notes a soundboard recording of it was floating around.<ref name=":57" />
|SBD #1 ([https://www.youtube.com/watch?v=FFSI9IiEWwc full])
|
|}

=== 1999 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|March 14
|Sheffield, England, UK
|The Unit
|MISC<ref name=":10" /><ref name=":20" />,
|
|B2
|-
|April 16
|Reykjavík, Iceland
|Menntaskólinn við Hamrahlíð (Hamrahlíð College)
|LIST<ref>https://timarit.is/files/60468597</ref><ref>https://timarit.is/files/60477457</ref><ref>https://www.mbl.is/myndasafn/mynd/123924/</ref>, DESC<ref name=":69">https://grapevine.is/music/2025/08/13/autechre-on-darkness-spotify-and-fish-sticks/</ref>,
Support: DJ Steindór, Biogen (live set), DJ Mira Calix

Visuals: GAK
|
|B1
|-
|April 23
|Vienna, Austria
|Radio Music Hall (Phonotaktik 99)
|LIST<ref>https://web.archive.org/web/20001204173400/http://www.phonotaktik.at:80/de/kalleinosw.html</ref>, ATTE<ref name=":42">https://autechre.neocities.org/en/articles/article11</ref>, DESC<ref name=":42" /><ref name=":43">https://forum.watmm.com/topic/4558-autechre-fennesz-roedelius/</ref><ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D933</ref>,
Performed alongside Fennesz and Mr. Roedelius (plus gear list and photos).<ref name=":42" /> A recording supposedly exists.<ref name=":43" />
|
|A1
|-
|October 18
|Manchester, England, UK
|Music Box
|VEN<ref>https://www.mdmarchive.co.uk/artefact/243/808-State-Massonix-Autechre-The-Music-Box-Flyer-1999</ref>, DESC<ref name=":17" />,
|
|B1
|-
|November 5
| London, England, UK
|Truman Brewery (Warp 10th Anniversary Party 1999)
|MISC<ref name=":10" /><ref name=":20" />,
|
|B2
|}

=== 2000 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|May 8
|Montreal, Canada
|Club Soda
|
|
|
|-
|June 16
| Barcelona, Spain
|Sónar
|REC
|AUD #1 ([https://www.youtube.com/watch?v=gJx_khiVNus full])
|
|-
|June 23-25
|Pilton, England, UK
|Worthy Farm (Glastonbury Festival 2000)
|MISC<ref>https://www.concertarchives.org/concerts/glastonbury-festival-2000--4</ref><ref name=":20" />
|
|B2
|-
|July 22
|Dublin, Ireland
|Temple Bar Music Center
|DESC<ref>https://thumped.com/bbs/threads/memorable-u-mack-gigs-ive-been-to-and-a-few-ive-missed.17611/</ref>,
with Mike Dred (DJ)
|
|B2
|-
|October 14
|London, England, UK
|Trinity Buoy Wharf (The Incredible Warp Lighthouse Party)
|ATTE<ref>https://www.reddit.com/r/boardsofcanada/comments/18htc1j/the_incredible_lighthouse_party/</ref><ref>https://www.flickr.com/photos/tesselate/8682229312/</ref>
|AUD #1 ([https://archive.org/details/Autechre2000-10-14 part])
|A1
|-
|October 27
|Dublin, Ireland
|Temple Bar
|MISC<ref name=":10" /><ref name=":20" />
|
|B2
|-
|November 4
|Valencia, Spain
|Museu de les Ciències Príncipe Felipe (Observatori 2000)
|REC, DESC<ref>https://sonmarchive.susannalopez.com/index.php/es/component/muscol/V/5146-vv-aa-observatori-2000</ref><ref>https://elpais.com/diario/2000/11/04/cultura/973292412_850215.html</ref>,
|SBD #1 ([https://archive.org/details/vv-aa-observatori-2000 full])
|A1
|}

== [[Confield Tour]] ==

=== 2001 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|April 8
|Camber, England, UK
|Pontins Camber Sands Holiday Park (All Tomorrow's Parties 2001)
|LIST<ref name=":5">https://web.archive.org/web/20010405061910/http://www.autechre.nu:80/</ref>,
|AUD #1 ([https://www.youtube.com/watch?v=fYH1fOEUC64 full])
|A1
|-
|April 11
|London, England, UK
|The Fridge
|REC, ATTE<ref name=":53" />,
|AUD #1 ([https://archive.org/details/Ae2001-04-11.flac16 full])
|A1
|-
|April 12
|Bristol, England, UK
|Trinity Centre
|LIST<ref name=":5" />,
|
|A1
|-
|April 13
|Manchester, England, UK
|Music Box
|LIST<ref name=":5" />, ATTE<ref>[https://web.archive.org/web/20010606131301/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid989330230,5390, https://web.archive.org/web/20010606131301/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid989330230,5390,]</ref>,
|
|A1
|-
|April 14
|Newcastle, England, UK
|Scotland Yard
|LIST<ref name=":5" />,
|
|A1
|-
|April 15
|Edinburgh, Scotland, UK
|The Venue
|LIST<ref name=":5" /><ref>http://backcatalog.list.co.uk.s3-website.eu-west-2.amazonaws.com/the-list/2001-04-12/48/index.html</ref>,
|
|A1
|-
|April 17
|Paris, France
|Batofar
|LIST<ref name=":5" />,
|
|A1
|-
|April 18
|Brussels, Belgium
|L’Orangerie du Botanique, Sint-Joost-ten-Noode
|LIST<ref name=":5" />, VEN<ref>https://web.archive.org/web/20250331153919/https://mastodon.social/@eav/114253003319561314</ref>,
|
|A1
|-
|April 19
|Bordeaux, France
|Le Chat Bleu / Nautilus
|LIST<ref name=":5" />,
<nowiki>*</nowiki>Not direct link, links to download for AE_LIVE 1991-2023 which has the set
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|April 20
|Poitiers, France
|Confort Moderne
|LIST<ref name=":5" />,
|
|A1
|-
|April 21
|Lucerne, Switzerland
|Boa Kulturzentrum
|LIST<ref name=":5" />,
|
|A1
|-
|April 23
|Rome, Italy
|Petralata
|LIST<ref name=":5" />,
|
|A1
|-
|April 24
|Bologna, Italy
|Link
|LIST<ref name=":5" />,
|
|A1
|-
|'''April 25'''
|'''Zurich, Switzerland'''
|'''Rote Fabrik'''
|'''[[Untilted#Zurich 2001|"Zurich 2001"]]'''
LIST''<ref name=":5" />'',
|'''AUD #1 ([https://www.youtube.com/watch?v=HmBagKNdlHg part])'''
|A1
|-
|April 27
|Vienna, Austria
|Porgy & Bess
|LIST<ref name=":5" />,
|
|A1
|-
|April 28
|Munich, Germany
|L.O.K.
|LIST<ref name=":5" />,
|
|A1
|-
|April 29
|Cologne, Germany
|Studio 672
|LIST<ref name=":5" />,
Bootlegs misattribute it to April 1.
|AUD #1 ([https://archive.org/details/Autechre2001-04-01 full])
|A1
|-
|April 30
|Frankfurt, Germany
|U60311
|LIST<ref name=":5" />,
|
|A1
|-
|May 1
|Berlin, Germany
|WMF
|LIST<ref name=":5" /><ref>https://issuu.com/debug_mag/docs/debug47/44</ref>,
|
|A1
|-
|May 4
| New York, NY, USA
|Bowery Ballroom
|LIST<ref name=":5" /><ref name=":6">https://web.archive.org/web/20221003183620/https://www.mtv.com/news/jdw42c/autechre-bring-album-tour-to-us</ref>, ATTE<ref>https://web.archive.org/web/20240522230059/https://www.ebay.com/itm/394579783833?itmmeta=01HYH885NS87JP6YN82YN6A5HQ&hash=item5bdec9b099:g:KCoAAOSw3lVju1bb&itmprp=enc%3AAQAJAAAAwKjZTyCrK0xKHKfUppRrq5xQei97uQCO715kTe%2FJnKe2%2B1LgGAYrTDiWA3iF4C1sOuDSP%2B3Jy%2FNQP%2F8uuoa%2FucpKqaVwjR8IE8i5DpZpSN4%2FQO1u3bb6rpNHrhisycSjaw0gac183Xalimrh31r0C%2FBtmpyA%2F0AL8GG7xaHQ5cOgZlW4FBEQ%2FODd7O48SFjdYmWIOnY8FwCHStavmcA1E6dkLewYXPdHlW4cOyrUrBraKBUtMmcUOubp0kmrjHJTvg%3D%3D%7Ctkp%3ABk9SR4bboKj0Yw</ref>,
|AUD #1 ([https://archive.org/details/Ae2001-05-04.flac16 full])
|A1
|-
|May 5
| New York, NY, USA
|Bowery Ballroom
|LIST<ref name=":5" /><ref name=":6" />,
|
|B1
|-
|May 6
|Princeton, NJ, USA
|Terrace Club
|REC, LIST<ref name=":5" /><ref name=":6" />, ATTE<ref>https://www.flickr.com/photos/pudstah/410459583/</ref><ref>https://www.flickr.com/photos/pendejo/26043096/</ref>,
|AUD #1 ([https://www.youtube.com/watch?v=zkg9-y3yaw0 part])
|A1
|-
|May 7
|Boston, MA, USA
|Middle East Underground
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 8
|Montreal, Canada
|Club Soda
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 9
| Toronto, Canada
|The Opera House (Steam Whistle Brewing Co.)
|LIST<ref name=":5" /><ref name=":6" />, ATTE<ref>https://www.flickr.com/photos/fynes/340144010/</ref>, DESC<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D933</ref>, 
The soundboard contains only the first and last third of the full set.<ref>https://forum.watmm.com/files/file/1787-ae_live_toronto_mix_090501/</ref>
|SBD #1 ([https://www.youtube.com/watch?v=Ir8nMDdyAYg partial])
AUD #1 ([https://archive.org/details/Ae2001-05-09.flac16 full])
|A1
|-
|May 10
|Columbus, OH, USA
|Wexner Center for the Arts
|LIST<ref name=":5" /><ref name=":6" />, DESC<ref>https://autechre.neocities.org/en/articles/article9</ref><ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D220</ref>,
Support: Rob Hall, Russel Haswell
|
|A1
|-
|May 11
|Chicago, IL, USA
|Metro
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 12
|Mineapolis, MN, USA
|Ascot Room (Quest)
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 15
|Vancouver, Canada
|Sónar
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 16
|Seattle, WA, USA
|Showbox Theater
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Ae2001-05-16.csb.flac16 full])
|A1
|-
|May 17
|Portland, OR, USA
|B Complex
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Autechre2001-05-17 full])
|A1
|-
|May 18
|Oakland, CA, USA
|94612.Club Indigo
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Autechre2001-05-18 full])
|A1
|-
|May 19
|Los Angeles, CA, USA
|El Rey Theater
|LIST<ref name=":5" /><ref name=":6" />,
Support: Rob Hall, Russell Haswell, Curtis Roads<ref>https://www.latimes.com/archives/la-xpm-2001-may-17-ca-64466-story.html</ref><ref>https://www.curtisroads.net/music#:~:text=Volt%20air%20(2001%2D2003)%20electronic%20sound.%20In%20four%20parts.%20Premiered%2019%20May%202001%2C%20concert%20with%20Autechre%2C%20El%20Rey%20Theater%2C%20Los%20Angeles.%C2%A0</ref><ref>https://openspace.sfmoma.org/2016/07/an-interview-with-curtis-roads/</ref><ref>https://static1.squarespace.com/static/5ad03308fcf7fd547b82eaf7/t/5b75a17b88251b44e5693441/1534435708241/04+Path+to+Half+Life.pdf</ref>
|
|A1
|-
|May 21
|Austin, TX, USA
|Mercury at Jazz
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Ae2001-05-21.dsm-6s.flac16 full])
|A1
|-
|May 22
|Orlando, FL, USA
|Club Firestone
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 23
|Miami, FL, USA
|Knights of Columbus
|LIST<ref name=":5" /><ref name=":6" />, VEN<ref name=":66">https://web.archive.org/web/20250529055909/https://post.lurk.org/@sean_ae/114585368288496104</ref>, ATTE<ref>[https://web.archive.org/web/20010411092856/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid986324371,68176, https://web.archive.org/web/20010411092856/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid986324371,68176,]</ref><ref name=":66" />
Support: Richard Devine, Otto Von Schirach, Russell Haswell, Rob Hall, Salim Rafiq, Gliese, Mioc
|
|A1
|-
|May 24
|Atlanta, GA, USA
|The Roxy
|LIST<ref name=":5" /><ref name=":6" />, ATTE<ref name=":66" />,
|AUD #1 ([https://archive.org/details/Autechre2001-05-24 full])
|A1
|-
|May 25
|Washington, DC, USA
|9:30 Club
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Ae2001-05-25 full])
|A1
|-
|May 26
|Detroit, MI, USA
|Hart Plaza (Detroit Electronic Music Festival)
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Autechre2001-05-26 full])
|A1
|}

== [[Untilted Tour]] ==

=== 2005 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|April 14
|London, England, UK
|SEOne
|REC, LIST<ref name=":22">https://web.archive.org/web/20050404112539fw_/http://www.warprecords.com/news/?offset=0&ti_id=901</ref>, ATTE<ref>https://www.flickr.com/photos/v11v11v11v/9546384/</ref>,
Support: Rob Hall, Mark Broom, Baby Ford
|AUD #1 ([https://www.youtube.com/watch?v=gIkNc0u8VIA full])
|A1
|-
|April 15
| colspan="3" |[[2005-04-15 Glasgow, Scotland, UK @ Glasgow School of Art|Glasgow, Scotland, UK @ Glasgow School of Art]]
|Yes [Full, SBD]
|A1
|-
|April 16
|Manchester, England, UK
|The Zoo
|LIST<ref name=":22" />, ATTE<ref>https://web.archive.org/web/20240522230047/https://www.ebay.com/itm/155923308676?itmmeta=01HYH885NSSNYM3B7W38SK9SH6&hash=item244dc0e084:g:GUUAAOSwT2JlWzVA&itmprp=enc%3AAQAJAAAA4PxgSr4Upyj2KbJCjXfsU7hC77w8L8J3PgkTDUaCTjzCJUTRw1o1eQVH4rgvgINkjlpHuGSwm8mtJcjiUK%2B%2FwjLjVDBh%2FG8Ixn%2F5YEY9cINEdPUgf0gTBi6pVTYFi2BZZLcYr75vxObUPLV1lm6PaAAmKRd83rIjzCFS4RUEuoBqUC8FUVJes%2FucL1JmD2gmLqmYAHshNZNS5DKzlVnAvhbdZtQbIjB9JpIz2%2FOsh%2BO9L3wls0tnx8ml9f%2Fo6X27JBDHkZa3yrLYmpU3mCIbixr6yczOB%2BA1cAZ%2Fsp6ORcNh%7Ctkp%3ABk9SR_7aoKj0Yw</ref>,
Support: Rob Hall
|
|A1
|-
|April 17
|Nottingham, England, UK
|Stealth
|LIST<ref name=":22" />,
Support: Rob Hall
|
|A1
|-
|April 18
|Paris, France
|Point Éphémère
|LIST<ref name=":22" />,
|
|A1
|-
|April 19
|Antwerp, Belgium
|Petrol
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 20
|Eindhoven, Netherlands
|Effenaar
|REC, LIST<ref name=":22" /><ref>https://web.archive.org/web/20050403133959fw_/http://www.effenaar.nl/fnr_content_engine/agenda.php </ref>,
Support: SND
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ partial])
|A1
|-
|April 21

|Hamburg, Germany
|Planten un Blomen
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 22
|Berlin, Germany
|Club Maria
|LIST<ref name=":22" />,
Support: SND, O.S.T., Errorsmith
|
|A1
|-
|April 23
| Cologne, Germany
|Sensor
|LIST<ref name=":22" />, ATTE<ref>https://www.flickr.com/photos/88169577@N00/150050313/</ref>,
Support: SND
|
|A1
|-
|April 24
|Mannheim, Germany
|MS Connexion Complex
|LIST<ref name=":22" /><ref>https://web.archive.org/web/20050422050800/http://www.warprecords.com/frameset.php?section=news/?ti_id=927</ref>,
Support: SND

This show was cancelled due to Sean and Rob having to reapply for their US Visa in person in London after the US embassy there failed to properly process their first application.
|
|A1
|-
|April 25
|Reims, France
|La Cartonnerie
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 26
|Lyon, France
|DV1
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 27
|Geneva, Switzerland
|L’Usine
|REC, LIST<ref name=":22" />,
Support: SND
|AUD #1 ([https://www.reddit.com/r/autechre/comments/grpxdi/i_compiled_39_autechre_bootlegs_from_between/ full])
|A1
|-
|April 28
|Marseille, France
|Friche de la Belle de Mai
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 29
|Rome, Italy
|Brancaleone
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 30
|Bologna, Italy
|Link
|LIST<ref name=":22" />, ATTE<ref>https://www.flickr.com/photos/fidelio/33107978/</ref>,
Support: SND
|
|A1
|-
|May 6
|Washington, DC, USA
|Black Cat
|LIST<ref name=":22" />, ATTE<ref>https://www.flickr.com/photos/flyingturtle/2854122967/</ref>,
Support: Rob Hall, SND
|
|A1
|-
|May 7
|Philadelphia, PA, USA
|Trocadero Theatre
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 8
|New York, NY, USA
|Webster Hall
| LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 9
|Boston, MA, USA
|Paradise Rock Club
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 10

|Montreal, Canada
|L'Usine C (Elektra Festival)
|REC, VEN<ref>https://www.neme.org/blog/elektra-6</ref>, LIST<ref name=":22" />,
Support: Rob Hall, SND
|AUD #1 ([https://www.youtube.com/watch?v=pOy94biQGNA full])
|A1
|-
|May 11
|Toronto, Canada
|The Opera House
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 12
|Detroit, MI, USA
|Masonic Temple Theatre
|REC, VEN<ref>https://web.archive.org/web/20240522225556/https://www.ebay.com/itm/235405643633?itmmeta=01HYH885NRBJN18JPPDNDPVP7Y&hash=item36cf450f71:g:6YsAAOSwZ3ZltVHF&itmprp=enc%3AAQAJAAAAwPJx2WyyTIaemMJMvu5uordDKocaio0CFzK8aHN%2Fu8mwcQYHdtZKio5tOatkY6bSM%2BpNSfraMvCAn%2FDm3NnyaXlPZNkuue48UqcZ9kJ6u4bARoOwcqkz3YHG%2FcUQgZh70Y%2FgI2y80x5p9dY%2BzTkOIPYFn9BoBZ5UoqbR1VuaABhCIXu7wX73pea9Vr8e9E0bMRaXuOGjRaIuyrhmCv2P7NWE9H4X6LbDIo1xBCKpeeNQ%2BkTO0JrenJ30G32ZG56uPQ%3D%3D%7Ctkp%3ABk9SR_zaoKj0Yw</ref>, LIST<ref name=":23">https://web.archive.org/web/20060513155739/http://www.warprecords.com:80/news/?offset=0&ti_id=901</ref>,
Support: Rob Hall, SND
|AUD #1 ([https://www.youtube.com/watch?v=W85OsroqLSQ full])
|A1
|-
|May 13
|Chicago, IL, USA
|Metro
|REC, LIST<ref name=":22" />, ATTE<ref>https://web.archive.org/web/20250911133726/https://post.lurk.org/@sean_ae/115178991649905815</ref>,
Support: Rob Hall, SND
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|May 14
|Minneapolis, MN, USA
|The Quest
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
| A1
|-
|May 17
|Vancouver, Canada
|Commodore Ballroom
| LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 18
|Seattle, WA, USA
|Neumos
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 19
| Portland, OR, USA
|Berbati's Pan
| LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 20
|San Francisco, CA, USA
| Mezzanine
|LIST<ref name=":22" />, VEN<ref>https://www.flickr.com/photos/99179146@N00/14787233/</ref>,
Support: Rob Hall, SND
|
|A1
|-
|May 21
|Los Angeles, CA, USA
|El Rey Theatre
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 22
|Tempe, AZ, USA
|Club Freedom
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 24
|Dallas, TX, USA
|Trees
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 25
|Austin, TX, USA
| The Parish
|REC, LIST<ref name=":22" />, ATTE<ref>https://www.flickr.com/photos/beth_mckinney/28225518/</ref><ref>https://www.flickr.com/photos/beth_mckinney/175807964/in/photostream/</ref>,
Support: Rob Hall, SND
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|May 26
|New Orleans, LA, USA
|TwiRoPa
|REC, LIST<ref name=":22" />,
Support: Rob Hall, SND
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|May 27
|Atlanta, GA, USA
|Variety Playhouse
|LIST<ref name=":22" />, ATTE<ref>https://www.flickr.com/photos/amoeba/16373575/in/photostream/</ref><ref>https://www.flickr.com/photos/xenlab/albums/396875/</ref>,
Support: Rob Hall, SND
|
|A1
|-
|May 28
| Asheville, NC, USA
|The Orange Peel
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 29
|Baltimore, MD, USA
|Sónar
|LIST<ref name=":23" />,
Support: Rob Hall, SND
|
|A1
|-
|June 10
|Kawasaki, Japan
|Club Citta'
|LIST<ref name=":23" />,
Support: Mark Bell, Russell Haswell, Rob Hall
|
|A1
|-
|June 11
|Osaka, Japan
|Bayside Jenny
|LIST<ref name=":23" />,
Support: Mark Bell, Russell Haswell, Rob Hall
|
|A1
|-
|July 1
|Roskilde, Denmark
|Darupvej (Roskilde Festival 2005)
|LIST<ref name=":22" />,
|
|A1
|-
|July 8
|Newcastle Upon Tyne, England, UK
|MS Stubnitz (Vision Festival)
|LIST<ref name=":22" />, MISC<ref name=":55">https://forum.watmm.com/topic/7661-autechre-live-broadcasts-interviews/?do=findComment&comment=183535</ref>,
|
|A1
|-
|July 14
|Amsterdam, Netherlands
|Paradiso (5 Days Off)
|LIST<ref name=":22" />, MISC<ref name=":55" />,
Support: Rob Hall, Speedy J, Richard Devine
|
|A1
|-
| September 9
|Graz, Austria
|Elevate Festival
|VEN<ref>https://elevate.at/websites/2005/lineup2005%2bM54a708de802.html and https://elevate.at/websites/2005/artist_details%2bM58782cf60bc.html</ref>, MISC<ref name=":55" />,
|
|A1
|-
|September 17
|London, England, UK
|KOKO (All Tomorrow's Parties: Easy to Swallow Part II)
|VEN<ref>https://web.archive.org/web/20240607195616/https://www.atpfestival.com/events/list/archive?pg=28#:~:text=ATP%3A%20Easy%20To%20Swallow%20Part%20II</ref>, DESC<ref>https://electro-music.com/forum/post-45970.html</ref>, MISC<ref name=":10" /><ref name=":55" />,
|
|A1
|-
|November 25
|Tokyo, Japan
|Makuhari Messe (Electraglide 2005)
| VEN<ref>http://www.electraglide.info/#history:~:text=electraglide%202005-,11/25(%E9%87%91)%EF%BC%A0%E5%B9%95%E5%BC%B5%E3%83%A1%E3%83%83%E3%82%BB,-11/26(%E5%9C%9F</ref><ref>https://web.archive.org/web/20250408024415/https://post.lurk.org/@sean_ae/114295837881196229</ref>, MISC<ref name=":18" />,
|
|A1
|}

===2006===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
| April 8
|Dublin, Ireland
|Temple Bar Music Centre
|REC, LIST<ref name=":24">https://web.archive.org/web/20060515213403/http://www.warprecords.com/news/?offset=20&ti_id=1096</ref>,
|AUD #1 ([https://www.youtube.com/watch?v=YQrWV--Q_kA full])
AUD #2 ([https://www.youtube.com/watch?v=Dv81iI_bQEA part])
|A1
|-
|April 9
|Belfast, Northern Ireland, UK
|The Stiff Kitten
| LIST<ref name=":24" />,
|
|A1
|-
|April 21
|Krems, Austria
|Donaufestival 2006 / Danube Festival
|LIST<ref name=":24" />, ATTE<ref>https://www.flickr.com/photos/breakingglass/132660016/in/photostream/</ref>,
|AUD #1 (parts [https://www.youtube.com/watch?v=XAl5C-CoJTI 1] [https://www.youtube.com/watch?v=5E60-xEsYog 2] [https://www.youtube.com/watch?v=yoN_ZnsmHX8 3])
|A1
|-
|April 22
|Zaragoza, Spain
|Zaragoza Festival
|REC, LIST<ref name=":24" />,
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|May 11
|Jerusalem, Israel
|Uganda Bar
|ATTE<ref>https://www.flickr.com/photos/6finger/146299746/in/photostream/</ref>,
|
|A3
|-
| June 8
| Turku, Finland
|
|REC,
|AUD #1 ([https://www.youtube.com/watch?v=8XFQ9oH7WX0 part])
|
|-
|July 14
|Berkshire, England, UK
|The Glade (Glade Festival 2006)
|REC<ref name=":10" />,
|AUD #1 ([https://archive.org/details/Autechre20060714UKTheGlade10 parts])
|
|-
|November 24
|Manchester, England, UK
|The Old Brewery (The Warehouse Project)
|REC, VEN<ref>https://www.808state.com/live/2006/index.htm#:~:text=Nov%3A2006-,Fri%3A24%3ANov,-%2D%20Massonix%20live%20%2D</ref>, MISC<ref name=":10" />,
|AUD #1 (parts [https://www.youtube.com/watch?v=hwxDEZa-KAk 1] [https://www.youtube.com/watch?v=4Ig3nHtWJFQ 2] [https://www.youtube.com/watch?v=yZKE4IAscCc 3] [https://www.youtube.com/watch?v=y65SBA8ZoPk 4] [https://www.youtube.com/watch?v=DpYOaLjxzX8 5])
|
|-
|December 1
|Barcelona, Spain
|Parc del Fòrum (Primavera 2006)
|MISC<ref name=":10" />,
|
|
|}

===2007===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|March 25
|Hemsby, England, UK
|Pontin's Holiday Park (Bloc 2007)
|REC, VEN<ref>https://web.archive.org/web/20240522230051/https://www.ebay.com/itm/204795109062?itmmeta=01HYH885NT70TBGATPPY591CBG&hash=item2faebd5ec6:g:exwAAOSwo5Zi5fGZ&itmprp=enc%3AAQAJAAAA4C%2BC7VaOq%2FuScNhrP%2F2NLRK1WCkPNi4hIqzMCNyFbct%2FarcMCynR6pPIlmT468fH8VVaQmXxt9l4NsYNn3OCv8jagWBvnkn1sDbLn2aGJnDCMErZvtWuyyTezhtDjz%2FUkzmrpqmuIpQt8yGkTAA2tdiHzTakBSzaUOqoiHdBqKvxlkDNfO4XDHDwg%2BJOv3cVHwLyAkzyQGryh3LkTcq%2FcoPm6rGPxYs5ykGbBnpvHMIN83N1Yf67XevI5AcOKaFMLYUtyoJ2en2%2BaVkeQdMrPaOYgk%2F9Ts4c0578VZ8pzjCr%7Ctkp%3ABk9SR4bboKj0Yw</ref>, LIST<ref>https://web.archive.org/web/20070616061713fw_/http://www.warprecords.com/news/?offset=20&ti_id=1266</ref>, ATTE<ref>https://www.flickr.com/photos/56181548@N00/441787649/</ref><ref>https://www.flickr.com/photos/micheeky/438114551/</ref>,
|MAT #1 ([https://www.youtube.com/watch?v=li7wXbFnMKU full])
AUD #1 ([https://www.youtube.com/watch?v=V9G5gu1HszE part])
|A1
|-
|March 30
|Brussels, Belgium
|Les Halles de Schaerbeek (Reset 2007)
|REC,
|AUD #1 ([https://www.youtube.com/watch?v=umknZ4l7KQQ full])
|
|-
|April 7
|Madrid, Spain
|Telefónica Madrid Arena (Klubbers' Day 2007)
|VEN<ref>https://www.fiestaybullshit.com/aquellos-maravillosos-anos-klubbersday/</ref>, ATTE<ref>https://www.flickr.com/photos/dgeral/450725158/in/photostream/</ref>,
|
|A1
|-
|May 4
|Rome, Italy
|Brancaleone
| MISC<ref name=":10" />,
|
|
|-
|May 12
|Den Haag, Netherlands
|Paard van Troje
|LIST<ref name=":63">https://web.archive.org/web/20080820063643/http://autechre.watmm.com/autechre/autechre_europe_live_dates/</ref>, ATTE<ref>https://www.flickr.com/photos/stephanck/519001952/</ref>,
|
|A1
|-
|July 7
|Monegros Desert, Spain
|Monegros Festival
|LIST<ref name=":63" />,ATTE<ref>https://www.flickr.com/photos/sr_atlantico/761033894/in/photostream/</ref><ref>https://www.flickr.com/photos/row_58/762993645/</ref><ref>https://www.flickr.com/photos/tavok/896949561/</ref>,
|AUD #1 (parts [https://www.youtube.com/watch?v=a98qmIq0Q-A 1] [https://www.youtube.com/watch?v=1QJrjuTfqvk 2] [https://www.youtube.com/watch?v=fO3DovekAqM 3])
|A1
|-
|July 13
|Gräfenhainichen, Germany
|Ferropolis (MELT! Festival 2007)
|VEN<ref>https://web.archive.org/web/20150511193442/http://www.meltfestival.de/fileadmin/user_upload/melthistory/Melt_Poster_A1_2007.png</ref><ref name=":28">https://web.archive.org/web/20150925170431/http://www.meltfestival.de/acts/artists-a-z/act/autechre.html</ref>,
|
|A1
|-
|July 14
|Dour, Belgium
|La Plaine de La Machine à Feu (Dour Festival 2007)
|REC, VEN<ref name=":14" />, LIST<ref name=":63" />,
|AUD #1 ([https://www.youtube.com/watch?v=aiK7Kjjf83E full])
|A1
|}

==[[Quaristice Tour]]==

===2008===
{| class="wikitable"
! Date
!City
!Venue/Event
!Sources/Notes
!Recordings
! [S]
|-
|February 29
|Manchester, England, UK
|Music Box
|LIST<ref name=":7">https://web.archive.org/web/20080201091637/http://www.autechre.ws:80/quaristice/mail/</ref><ref name=":58">https://www.clashmusic.com/news/autechre-to-play-car-park-gig/</ref>,
Support: Rob Hall, SND
|
|A1
|-
|March 1
|Glasgow, Scotland, UK
|Glasgow School of Art (Numbers)
|VEN<ref>https://nmbrs.net/club/autechre-glasgow-school-of-art-138/</ref>, LIST<ref name=":7" /><ref>http://backcatalog.list.co.uk.s3-website.eu-west-2.amazonaws.com/the-list/2008-02-28/74/index.html</ref><ref name=":58" />, DESC<ref>https://www.theskinny.co.uk/clubs/highlights/autechre-numbers-art-school-glasgow-1-mar</ref><ref>http://backcatalog.list.co.uk.s3-website.eu-west-2.amazonaws.com/the-list/2008-02-28/38/index.html</ref><ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D1114</ref>,
Support: Rob Hall, SND
|AUD #1 ([https://www.youtube.com/watch?v=Awqos6d_QqE part])
|A1
|-
|March 2
| Newcastle, England, UK
|Digital (AV Festival)
|LIST<ref name=":7" /><ref name=":58" />, ATTE<ref>https://www.flickr.com/photos/9378119@N06/2346925573/in/photostream/</ref>,
Support: Rob Hall, SND
|
|A1
|-
|March 3

|Birmingham, England, UK
|Med Bar
|LIST<ref name=":7" /><ref name=":58" />,
Support: Rob Hall, SND
|
|A1
|-
|March 4
|London, England, UK
|Hearn Street Car Park
|LIST<ref name=":7" /><ref name=":58" />, ATTE<ref>https://www.flickr.com/photos/tesselate/albums/72157604048073098/</ref>, DESC<ref>https://web.archive.org/web/20140921145125/http://www.musicomh.com/reviews/live/autechre-hearn-street-car-park-london</ref>,
Support: Rob Hall, SND
|AUD #1 (parts [https://vimeo.com/772543 1] [https://vimeo.com/772543 2])
|A1
|-
|March 5
|Cologne, Germany
|Stattgarten
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 6

|Amsterdam, Netherlands
|Melkweg
|LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/oldvalvemic/2316228289/in/pool-706589@N20/</ref>,
Support: Rob Hall, SND
|AUD #1 (parts [https://www.youtube.com/watch?v=QQhF94XxZiE 1] [https://www.youtube.com/watch?v=9BTERAeV8S0 2] [https://www.youtube.com/watch?v=0qKq6N1KgYQ 3] [https://www.youtube.com/watch?v=VWmMNWiBvcw 4])
AUD #2 ([https://www.youtube.com/watch?v=nPyka-5-Oa4 part])
|A1
|-
|March 7
|Antwerp, Belgium
|Petrol
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 8
|Hamburg, Germany
|Hafenklang
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 9
|Berlin, Germany
|Berghain
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 10
|Katowice, Poland
|Galeria Szyb Wilson
|LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/oldvalvemic/2333249329/in/pool-706589@N20/</ref><ref>https://www.flickr.com/photos/loca/2611864694/in/photostream/</ref>,
Support: Rob Hall, SND
|AUD #1 (part)
|A1
|-
|March 11
|Budapest, Hungary
|Merlin
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 12
|Zagreb, Croatia
|Kset
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 13
|Graz, Austria
|Post Garade
|LIST<ref name=":7" />,
Support: Rob Hall, SND
| AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
AUD #2 (parts [https://www.youtube.com/watch?v=fpA97BMcfl0 1] [https://www.youtube.com/watch?v=PQVMvjMmrqI 2])
|A1
|-
|March 14
|Turin, Italy
|Hiroshima Mon Amour
|LIST<ref name=":7" />,
Support: Rob Hall, SND
| AUD #1 (partial)
AUD #2 (parts [https://www.youtube.com/watch?v=CB53UWYrJjM 1] [https://www.youtube.com/watch?v=Ii4v4dOLrpo 2] [https://www.youtube.com/watch?v=OhZ8rGy0JDk 3])
|A1
|-
|March 15
|Rome, Italy
|Officine Marconi (Brancaleone)
| LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 16
|Bologna, Italy
|Kindergarten
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
| A1
|-
|March 17
|Lyon, France
| Epicerie Moderne
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 18
|Strasbourg, France

|La Laiterie
| LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 19
|Paris, France
|Rex Club
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 20
|Geneva, Switzerland
|L'Usine (Electron Festival 2008)
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|April 4
| Los Angeles, CA, USA
|Echoplex
|REC, VEN<ref>https://www.808state.com/live/2008/index.htm#:~:text=San%20Francisco%2C%20USA.-,Fri%3A04%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/josephtsai/2392175101/in/pool-706589@N20/</ref>,
Support: Massonix, Rob Hall

Soundboard replication, not original: [[Live at Echoplex 2008/04/04 (replication by ios & digit)]]
|SBD* #1 ([https://www.youtube.com/watch?v=BOl6sIMYPs0 full])
AUD #1 ([https://www.youtube.com/watch?v=yh5xmDZpXFg full])

AUD #2 (parts [https://www.youtube.com/watch?v=G04sxiiK-1o 1] [https://www.youtube.com/watch?v=NLnZQKwGP5g 2] [https://www.youtube.com/watch?v=4eCu_TzdpZc 3] [https://www.youtube.com/watch?v=FtCLqCNMpg4 5] [https://www.youtube.com/watch?v=gjArcLU6urg 6] [https://www.youtube.com/watch?v=7dtHN4OHWqM 7] [https://www.youtube.com/watch?v=zU98Qh6R8Cw 8] [https://www.youtube.com/watch?v=veNpTQf1ePg 9] [https://www.youtube.com/watch?v=zJEOLzj2_0M 10] [https://www.youtube.com/watch?v=R0WQnSvV2aw 11] [https://www.youtube.com/watch?v=obk5IQqFzSE 12] [https://www.youtube.com/watch?v=NSKhujxpm-o 13] [https://www.youtube.com/watch?v=bMmyA0kIbG0 14] [https://www.youtube.com/watch?v=7NL9OFliftE 15])

AUD #3 ([https://www.youtube.com/watch?v=HGy4tyVOQzU part]) 
|A1
|-
|April 5
|San Francisco, CA, USA
|Mezzanine
|VEN<ref>https://www.flickr.com/photos/starasaur/2383395116/</ref><ref>https://www.808state.com/live/2008/index.htm#:~:text=Fir%20%2D%20Portland%2C%20USA.-,Sat%3A05%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/felima/2426201425/</ref><ref>https://www.flickr.com/photos/thincvox/2393546952/</ref>, 
Support: Massonix, Rob Hall
|
|A1
|-
|April 6
| Portland, OR, USA
|Doug Fir
|VEN<ref>https://www.808state.com/live/2008/index.htm#:~:text=Neumos%20%2D%20Seattle%2C%20USA.-,Sun%3A06%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/dj_metronome/albums/72157604431833655/</ref>,
Support: Massonix, Rob Hall
|
|A1
|-
|April 7
|Seattle, WA, USA
|Neumos
|VEN<ref>https://www.808state.com/live/2008/index.htm#:~:text=Richards%20%2D%20Vancouver%20%2D%20Canada.-,Mon%3A07%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/matttamaru/2412295395/in/pool-706589@N20/</ref>,
Support: Massonix, Rob Hall
|AUD #1 (partial)
|A1
|-
|April 8
|Vancouver, Canada
| Richards on Richards
|LIST<ref name=":7" />, VEN<ref>https://www.flickr.com/photos/9817122@N05/2356826616/in/pool-706589@N20/</ref><ref>https://www.808state.com/live/2008/index.htm#:~:text=Abbey%20%2D%20Chicago%2C%20USA.-,Tue%3A08%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>,
Support: Massonix, Rob Hall
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
AUD #2 (parts [https://www.youtube.com/watch?v=bN147m04mv8 1] [https://www.youtube.com/watch?v=hmxqSfMVWn8 2])
|A1
|-
|April 11
|Chicago, IL, USA
|The Abbey
|LIST<ref name=":7" />,
Support: Massonix, Rob Hall
|AUD #1 (parts [https://vimeo.com/926954 1] [https://vimeo.com/947946 2] [https://vimeo.com/948061 3] [https://vimeo.com/948225 4])
|A1
|-
|April 12
|Toronto, Canada
|Lees Palace
|LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/guidewired/2450198081/</ref>,
Support: Massonix, Rob Hall
|AUD #1 ([https://www.youtube.com/watch?v=YxkV7zLqZYk full])
|A1
|-
|April 13
|Montreal, Canada
|Club Soda
|LIST<ref name=":7" />,
Support: Massonix, Rob Hall
|AUD #1 ([https://archive.org/details/Autechre2008-04-13 full])
AUD #2 ([https://www.youtube.com/watch?v=_NP9up1c7-E part])
| A1
|-
|April 14
|Cambridge, MA, USA
|Middle East Downstairs
|VEN<ref>https://www.808state.com/live/2008/index.htm#:~:text=Williamsburg%20%2D%20Brooklyn%20%2D%20USA.-,Mon%3A14%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />,
Support: Massonix, Rob Hall
|
|A1
|-
|April 15
|New York, NY, USA
|Music Hall of Williamsburg
|LIST<ref name=":7" />, DESC<ref>https://www.nytimes.com/2008/04/17/arts/music/17aute.html</ref>,
Support: Massonix, Rob Hall
|AUD #1 ([https://www.youtube.com/watch?v=TzEGCPTlFVI part])
|A1
|-
|April 16
|Philadelphia, PA, USA
|Transit
|VEN<ref>https://www.808state.com/live/2008/index.htm#:~:text=Cat%20%2D%20Washington%20%2D%20USA.-,Wed%3A16%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />,
Support: Massonix, Rob Hall
|AUD #2 ([https://www.flickr.com/photos/drewbenkert/2654635566/ part])
| A1
|-
|April 17
|Washington, DC, USA
|Black Cat
|LIST<ref name=":7" />, ATTE<ref>https://www.808state.com/live/2008/index.htm#:~:text=Bench%20aftershow%20%2D%20Manchester.-,Thu%3A17%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>,
Support: Massonix, Rob Hall
|
|A1
|-
|April 26
|Osaka, Japan
|Club Karma
|VEN<ref name=":59">https://www.808state.com/live/2008/index.htm#:~:text=Room%20%2D%20Tokyo%20%2D%20Japan.-,Sat%3A26%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":15">https://www.mdmarchive.co.uk/artefact/3557/Massonix-Autechre-Rob-Hall-Flyer-2008</ref><ref name=":54">https://www.808state.com/forum/viewtopic.php?t=1937</ref>,
|AUD #1 ([https://www.youtube.com/watch?v=fjQYx0U9iew part])
|A1
|-
|April 28
|Tokyo, Japan
|LIQUIDROOM
|VEN<ref name=":59" />, LIST<ref name=":15" /><ref name=":54" />, ATTE<ref>https://www.flickr.com/photos/buna/2450742759/in/pool-706589@N20/</ref><ref>https://www.flickr.com/photos/macoshark/2459147523/</ref>,
|
|A1
|-
|July 19
|Berkshire, England, UK
|Wasing Estate (Glade Festival 2008)
|VEN<ref>https://lastfm.freetls.fastly.net/i/u/ar0/b6d07cdf084e44e3c4f9043c5ca4b587</ref><ref>https://web.archive.org/web/20080926164927/http://www.gladefestival.com:80/music/overkill/index.php?artist=298</ref>, LIST<ref>https://www.efestivals.co.uk/festivals/glade/2008/lineup.shtml</ref>, ATTE<ref>https://www.flickr.com/photos/psymonj/2738081365/</ref>,
|
|A1
|}

==[[Oversteps Tour]]==

===2010===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|March 11
| Manchester, England, UK
|Pure Club
|LIST<ref name=":0">https://web.archive.org/web/20100418154346/http://autechre.ws:80/</ref><ref name=":11">https://www.nme.com/news/music/autechre-1296503</ref><ref name=":12">https://pitchfork.com/news/37563-autechre-announce-new-album/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.youtube.com/watch?v=f1KsKrouxnM full])
|A1
|-
|March 12
|Birmingham, England, UK
|The Rainbow
|VEN<ref>https://web.archive.org/web/2/https://supersonicfestival.com/event/autechre-guests-0/</ref>, LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, DESC<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D650</ref>,
Support: Russell Haswell, Rob Hall and Didjit

Some bootlegs label this the next day's Minehead show.
|AUD #1 ([https://www.youtube.com/watch?v=WKltmttjKng full])
|A1
|-
|March 13
|Minehead, England, UK
|Butlins Minehead Resort (Bloc 2010)
|LIST<ref name=":0" /><ref name=":12" />, DESC<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D142</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.youtube.com/watch?v=LvEvnSpiF1Y part])
| A1
|-
|March 15
|Nottingham, England, UK
|Stealth
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 16
|Glasgow, Scotland, UK
|Sub Club (Numbers)
|VEN<ref>https://nmbrs.net/club/autechre-live-numbers-glasgow/</ref>, LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, DESC<ref>https://www.theskinny.co.uk/clubs/highlights/autechre-numbers-16-march</ref><ref>[[Sean Booth Interview, February 2010]]</ref><ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D1114</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 17
|Leeds, England, UK
|The Wardrobe
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 18
|Brighton, England, UK
|Pavilion Theatre
| LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, ATTE<ref>https://www.flickr.com/photos/yeah_man/4444418881/in/pool-706589@N20/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 19
|Lille, France
|Tri Postal
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 20
|Paris, France
|Locomotive / La Machine du Moulin Rouge
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, VEN<ref>https://www.flickr.com/photos/ario/4605994601/in/photostream/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.flickr.com/photos/ario/4873005638/ part])
|A1
|-
|March 21
|Nantes, France
|L'Olympic
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 22
|Lyon, France
|La Plateforme
|LIST<ref name=":0" />, MISC<ref name=":21" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 23
|Geneva, Switzerland
|Le Zoo de l'Usine
|LIST<ref name=":0" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 24
| Zurich, Switzerland
|EXIL
|LIST<ref name=":0" />, MISC<ref name=":18" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 (full)
AUD #2 ([https://www.flickr.com/photos/mashroms/4464690961/ part])
|A1
|-
|March 25
|Segrate, Italy
|Circolo Magnolia
|LIST<ref name=":0" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|B1
|-
|March 26
|Turin, Italy
|Hiroshima Mon Amour
|LIST<ref name=":0" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.youtube.com/watch?v=dEtauI9aN1E full])
|A1
|-
|March 27
|Bologna, Italy
|Crash
|LIST<ref name=":0" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 28
|Ljubljana, Slovenia
|Kino Šiška
| LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|March 29
|Budapest, Hungary
|A38
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, ATTE<ref>https://www.flickr.com/photos/nagym/albums/72157623609416313/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 30

|Vienna, Austria
|Flex
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.youtube.com/watch?v=QhX7zBrhmUA part])

|A1
|-
| March 31
| Brno, Czechia
|Fléda
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, DESC<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D937</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|April 1
|Berlin, Germany
|Berghain
|LIST<ref name=":0" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|April 2
|Copenhagen, Denmark
|DR Koncerthuset
|VEN<ref>https://www.flickr.com/photos/artfreq/7905023512/</ref>, LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, ATTE<ref>https://www.flickr.com/photos/kristoffertrolle/4486559744/in/pool-706589@N20/</ref><ref>https://www.flickr.com/photos/oldvalvemic/4485059700/in/pool-706589@N20/</ref><ref>https://www.flickr.com/photos/tinze/4485278134/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|April 3
|Oslo, Norway
|Parkteatret
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
| AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|April 4
|Gothenburg, Sweden
|Nefertiti
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, ATTE<ref>https://www.flickr.com/photos/hertzen/4629514033/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.youtube.com/watch?v=uAmRNy5Ezwc parts])
AUD #2 ([https://www.youtube.com/watch?v=xz4P8iB5yIA part])
| A1
|-
|April 5
|Aarhus, Denmark
|VoxHall
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|April 6
|Hamburg, Germany
|Uebel & Gefährlich
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 (part)
|A1
|-
|April 7
|Amsterdam, Netherlands
|Melkweg The Max
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|April 8
|Luxembourg, Luxembourg
|Exit07
|LIST<ref>https://issuu.com/maisonmoderne/docs/cityagenda0410/14</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
| A1
|-
|April 9
|Brussels, Belgium
|Ancienne Belgique (Domino Fest)
|VEN<ref>https://www.abconcerts.be/fr/agenda/autechre-rob-hall-russell-haswell-didjit/a105J000001wgdyQAA</ref>, LIST<ref name=":0" /><ref name=":12" />, ATTE<ref>https://www.flickr.com/photos/frf_kmeron/4519911121</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://archive.org/details/Autechre2010-04-09.Edirol full])
AUD #2 (full)

AUD #3 (parts [https://www.youtube.com/watch?v=bSgcIZsle_A&list=PLC37AC9E52F3C505F&index=1&pp=iAQB8AUB 1] [https://www.youtube.com/watch?v=4vQcjlwDgAM&list=PLC37AC9E52F3C505F&index=2&pp=iAQB8AUB 2] [https://www.youtube.com/watch?v=HDuXacnH6io&list=PLC37AC9E52F3C505F&index=3&pp=iAQB8AUB 3] [https://www.youtube.com/watch?v=VpFwCN3TTEE&list=PLC37AC9E52F3C505F&index=4&pp=iAQB8AUB 4] [https://www.youtube.com/watch?v=T4aIjSkid0U&list=PLC37AC9E52F3C505F&index=5&pp=iAQB8AUB 5] [https://www.youtube.com/watch?v=S6buihADjz0&list=PLC37AC9E52F3C505F&index=6&pp=iAQB8AUB 6] [https://www.youtube.com/watch?v=D9C5u76yrhg&list=PLC37AC9E52F3C505F&index=7&pp=iAQB8AUB 7])

AUD #4 (parts [https://www.youtube.com/watch?v=iXQLQI-W2fg 1] [https://www.youtube.com/watch?v=t1ZLcRHh7fY 2] [https://www.youtube.com/watch?v=-KdOk5FG6vI 3])

AUD #5 ([https://www.youtube.com/watch?v=JHatpUR2jqM part])
|A1
|-
|April 10
|London, England, UK
|Bocking St Warehouse
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, ATTE<ref>https://www.instagram.com/p/DDaAR5ZoH_-/?img_index=2</ref>, DESC<ref>https://web.archive.org/web/20130501232218/http://www.musicomh.com/reviews/live/autechre-bocking-street-warehouse-london</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.mixcloud.com/keyfumbler/autechre-hackney-london-2010/ full])
|A1
|-
|April 23
|Dublin, Ireland
| The Button Factory
|LIST<ref>https://nialler9.com/autechre-fact-mix-dublin-gig/</ref>,
Support: Rob Hall
|AUD #1 ([https://drive.google.com/file/d/1FjrccpeOQ6yNU6HRf2nufz6NU-sN52Qs/view?usp=drive_link full])
AUD #2 (parts [https://www.youtube.com/watch?v=_PK3IL-Pw_w 1] [https://www.youtube.com/watch?v=nYnbwQxZn8E 2] [https://www.youtube.com/watch?v=QVvVGJFIevc 3] [https://www.youtube.com/watch?v=VJ3Ja-RsSbo 4] [https://www.youtube.com/watch?v=fR-jh5ildBg 5] [https://www.youtube.com/watch?v=OsP4dIynWeM 6] [https://www.youtube.com/watch?v=3njlduYu1UY 7] [https://www.youtube.com/watch?v=fvoEyXjuupQ 8] [https://www.youtube.com/watch?v=A8YYWw712U4 9])
|A1
|-
|May 27
|Perth, Australia
|Capitol
|LIST<ref name=":29">https://ra.co/news/12076</ref>,
Support: Rob Hall, Harmonic 313
|
|A1
|-
| May 28
|Sydney Australia
|The Forum
|LIST<ref name=":29" /><ref name=":30">https://consequence.net/2010/05/autechre-already-has-new-album-release-date/</ref>, DESC<ref>https://web.archive.org/web/20211128082014/http://www.aliak.com/content/autechre-sydney-my-experiences</ref>,
Support: Rob Hall
|
|A1
|-
|May 29
|Melbourne, Australia
|The Hi-Fi
|LIST<ref name=":29" /><ref name=":30" />, ATTE<ref>https://www.flickr.com/photos/noisemachine/4651914767/in/pool-706589@N20/</ref>,
Support: Rob Hall, Harmonic 313
|AUD #1 ([https://www.youtube.com/watch?v=hdF459fB0aQ full])
|A1
|-
|June 4
|Tokyo, Japan
|Differ Ariake
|LIST<ref name=":30" /><ref name=":31">https://metropolisjapan.com/autechre/</ref>,
Support: Juan Atkins & Claude Young
|
|A1
|-
|June 5
|Nagano, Japan
|Kodama no Mori (Taico Club Festival)
|LIST<ref name=":30" /><ref name=":31" />, DESC<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D702</ref>,
|
|A1
|-
|July 9
|Trenčín, Slovakia
|Letisko (Pohoda Festival)
|LIST<ref name=":30" /><ref name=":1">https://web.archive.org/web/20130306065800/http://autechre.ws/move-of-ten/</ref>,
| AUD #1 ([https://www.youtube.com/watch?v=RhaKFcL2bjI part])
AUD #2 ([https://www.youtube.com/watch?v=DK5VT_DmXiE part])
|A1
|-
|August 27
|Katowice, Poland
|Muzeum Śląskie (Tauron Nowa Muzyka)
|VEN<ref>https://vimeo.com/19560978</ref>, LIST<ref name=":30" /><ref name=":1" />,
|
|A1
|-
|September 17
|Athens, Greece
|Bios
|LIST<ref name=":30" /><ref name=":1" />,
|
| A1
|-
|September 18
|Thessaloníki, Greece
| Reworks Festival 2010
|VEN<ref>https://www.youtube.com/watch?v=dI5Vmaumv9w</ref><ref>https://vimeo.com/13974748</ref>, LIST<ref name=":30" /><ref name=":1" />,
|AUD #1 (part [https://www.youtube.com/watch?v=kNbVhtl5fJI 1] [https://www.youtube.com/watch?v=iuz2gizo_jw 2])
|A1
|}

==[[AE_LIVE]]==
[[File:AE LIVE.jpg|none|thumb|''[[AE_LIVE]]'' (2015/2019)]]

===2014===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|'''September 20'''
| colspan="3" |[[2014-09-20 Kraków, Poland @ Hotel Forum (Warp25 Sacrum Profanum)|'''Kraków, Poland @ Hotel Forum (Warp25 Sacrum Profanum)''']]
|'''Yes [Full, SBD]'''
|
|-
|'''October 3'''
| colspan="3" |[[2014-10-03 Brussels, Belgium @ Ancienne Belgique (Warp25)|'''Brussels, Belgium @ Ancienne Belgique (Warp25)''']]
|'''Yes [Full, SBD]'''
|
|-
|November 1
| colspan="3" |[[2014-11-01 Glasgow, Scotland, UK @ Glasgow School of Art (Simple Things Festival 2014)|Glasgow, Scotland, UK @ Glasgow School of Art (Simple Things Festival 2014)]]
|Yes [Full, AUD]
|
|-
|'''November 22'''
| colspan="3" |[[2014-11-22 Utrecht, Netherlands @ TivoliVredenburg (Le Guess Who 2014)|'''Utrecht, Netherlands @ TivoliVredenburg (Le Guess Who 2014)''']]
|'''Yes [Full, SBD]'''
|
|-
|'''December 19 '''
| colspan="3" |[[2014-12-19 Dublin, Ireland @ District 8|'''Dublin, Ireland @ District 8''']]
|'''Yes [Full, SBD]'''
|
|}

===2015===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|March 13
| colspan="3" |[[2015-03-13 Minehead, England, UK @ Butlins Minehead Resort (Bloc 2015)|Minehead, England, UK @ Butlins Minehead Resort (Bloc 2015)]]
|Yes [FULL, AUD]
|
|-
|'''May 2'''
| colspan="3" |[[2015-05-02 Krems, Austria @ Österreichhallen Krems (Donaufestival 2015)|'''Krems, Austria @ Österreichhallen Krems (Donaufestival 2015)''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''May 30'''
| colspan="3" |[[2015-05-30 Nagano, Japan @ Kodama no Mori (TAICOCLUB '15)|'''Nagano, Japan @ Kodama no Mori (TAICOCLUB '15)''']]
|'''Yes [FULL, SBD]'''
|
|-
|June 18
| colspan="3" |[[2015-06-18 Barcelona, Spain @ Fira Montjuïc (Sónar 2015)|Barcelona, Spain @ Fira Montjuïc (Sónar 2015)]]
|Yes [PART, AUD]
|
|-
|'''July 17'''
| colspan="3" |[[2015-07-17 Gräfenhainichen, Germany @ Ferropolis (MELT! Festival 2015)|'''Gräfenhainichen, Germany @ Ferropolis (MELT! Festival 2015)''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''July 18'''
| colspan="3" |'''<nowiki/>'''[[2015-07-18 Dour, Belgium @ La Plaine de La Machine à Feu (Dour Festival 2015)|'''Dour, Belgium @ La Plaine de La Machine à Feu (Dour Festival 2015)''']]
|'''Yes [FULL, SBD]'''
|
|-
|July 30
| colspan="3" |[[2015-07-30 Amsterdam, Netherlands @ Muziekgebouw aan 't IJ (Dekmantel Festival 2015)|Amsterdam, Netherlands @ Muziekgebouw aan 't IJ (Dekmantel Festival 2015)]]
|Yes [PART, AUD]
|
|-
|'''August 21'''
| colspan="3" | [[2015-08-21 Katowice, Poland @ Muzeum Śląskie (Festiwal Tauron Nowa Muzyka 2015)|'''Katowice, Poland @ Muzeum Śląskie (Festiwal Tauron Nowa Muzyka 2015)''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''September 24'''
| colspan="3" |[[2015-09-24 Portland, OR, USA @ Holocene|'''Portland, OR, USA @ Holocene''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''September 25'''
| colspan="3" |[[2015-09-25 Seattle, WA, USA @ Showbox (Decibel Festival)|'''Seattle, WA, USA @ Showbox (Decibel Festival)''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''September 26 '''
| colspan="3" |[[2015-09-26 Vancouver, Canada @ The Imperial|'''Vancouver, Canada @ The Imperial''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''September 29'''
| colspan="3" |[[2015-09-29 Chicago, IL, USA @ Metro|'''Chicago, IL, USA @ Metro''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 1'''
| colspan="3" |[[2015-10-01 Toronto, Canada @ The Phoenix Concert Theatre|'''Toronto, Canada @ The Phoenix Concert Theatre''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 2'''
| colspan="3" |[[2015-10-02 Montreal, Canada @ Théâtre Fairmount|'''Montreal, Canada @ Théâtre Fairmount''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 3'''
| colspan="3" |[[2015-10-03 New York, NY, USA @ Brooklyn Masonic Temple|'''New York, NY, USA @ Brooklyn Masonic Temple''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 4'''
| colspan="3" |[[2015-10-04 Boston, MA, USA @ Paradise Rock Club|'''Boston, MA, USA @ Paradise Rock Club''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 5'''
| colspan="3" |[[2015-10-05 Portsmouth, NH, USA @ 3S Artspace|'''Portsmouth, NH, USA @ 3S Artspace''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 6'''
| colspan="3" |[[2015-10-06 Philadelphia, PA, USA @ Union Transfer|'''Philadelphia, PA, USA @ Union Transfer''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 7'''
| colspan="3" |[[2015-10-07 Washington, DC, USA @ U Street Music Hall|'''Washington, DC, USA @ U Street Music Hall''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 8'''
| colspan="3" |[[2015-10-08 Asheville, NC, USA @ The Orange Peel|'''Asheville, NC, USA @ The Orange Peel''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 9'''
| colspan="3" |[[2015-10-09 Atlanta, GA, USA @ Terminal West|'''Atlanta, GA, USA @ Terminal West''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 10'''
| colspan="3" |[[2015-10-10 Orlando, FL, USA @ The Social|'''Orlando, FL, USA @ The Social''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 11'''
| colspan="3" |[[2015-10-11 Miami, FL, USA @ The Hangar|'''Miami, FL, USA @ The Hangar''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 13'''
| colspan="3" |[[2015-10-13 Austin, TX, USA @ Vulcan Gas Company|'''Austin, TX, USA @ Vulcan Gas Company''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 15'''
| colspan="3" |[[2015-10-15 Los Angeles, CA, USA @ The Fonda Theatre|'''Los Angeles, CA, USA @ The Fonda Theatre''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 16'''
| colspan="3" |[[2015-10-16 San Francisco, CA, USA @ Mezzanine|'''San Francisco, CA, USA @ Mezzanine''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 17'''
| colspan="3" |[[2015-10-17 Denver, CO, USA @ Bluebird Theater|'''Denver, CO, USA @ Bluebird Theater''']]
|'''Yes [FULL, SBD]'''
|
|-
|November 7
| colspan="3" |[[2015-11-07 Manchester, England, UK @ AMC Grand Northern 16|Manchester, England, UK @ AMC Grand Northern 16]]
|Yes [FULL, AUD]
|
|-
|November 21
| colspan="3" |[[2015-11-21 London, England, UK @ Electric Brixton|London, England, UK @ Electric Brixton]]
|Yes [FULL, AUD]
|
|}

==[[AE_LIVE 2016/2018]]==
[[File:AE LIVE 2016 2018.jpg|border|none|thumb|[[AE LIVE 2016/2018|''AE_LIVE 2016/2018'']] (2020)]]

===2016===
{| class="wikitable"
!Date
!City
! Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|October 29
| colspan="3" |[[2016-10-29 Tourcoing, France @ Le Grand Mix|Tourcoing, France @ Le Grand Mix]]
|Yes [FULL, AUD]
|
|-
|October 30
| colspan="3" |[[2016-10-30 Ghent, Belgium @ Vooruit Concertzaal|Ghent, Belgium @ Vooruit Concertzaal]]
|Yes [PARTIAL, AUD]
|
|-
|October 31
| colspan="3" |[[2016-10-31 Strasbourg, France @ La Laiterie|Strasbourg, France @ La Laiterie]]
|No
|
|-
|November 1
| colspan="3" |[[2016-11-01 Lyon, France @ Le Sucre|Lyon, France @ Le Sucre]]
|No
|
|-
|November 2
| colspan="3" |[[2016-11-02 Lausanne, Switzerland @ Les Docks|Lausanne, Switzerland @ Les Docks]]
|No
|
|-
|November 3
| colspan="3" |[[2016-11-03 Zurich, Switzerland @ Rote Fabrik|Zurich, Switzerland @ Rote Fabrik]]
|Yes [FULL, AUD]
|
|-
|November 4
| colspan="3" |[[2016-11-04 Turin, Italy @ Lingotto Fiere (Club 2 Club 2016)|Turin, Italy @ Lingotto Fiere (Club 2 Club 2016)]]
|Yes [FULL, AUD]
|
|-
|November 5
| colspan="3" |[[2016-11-05 Ljubljana, Slovenia @ Kino Šiška|Ljubljana, Slovenia @ Kino Šiška]]
|Yes [PARTIAL, AUD]
|
|-
|'''November 6 '''
| colspan="3" |'''[[2016-11-06 Zagreb, Croatia @ Močvara|Zagreb, Croatia @ Močvara]]'''
|'''Yes [FULL, SBD]'''
|
|-
|November 7
| colspan="3" |[[2016-11-07 Budapest, Hungary @ Akvárium Klub|Budapest, Hungary @ Akvárium Klub]]
|Yes [FULL, AUD]
|
|-
|November 8
| colspan="3" |[[2016-11-08 Graz, Austria @ Orpheum|Graz, Austria @ Orpheum]]
|No
|
|-
|November 9
| colspan="3" |[[2016-11-09 Prague, Czechia @ Meet Factory|Prague, Czechia @ Meet Factory]]
|Yes [PART, AUD]
|
|-
|November 10
| colspan="3" |[[2016-11-10 Warsaw, Poland @ Teatr Powszechny|Warsaw, Poland @ Teatr Powszechny]]
|No
|
|-
|November 11
| colspan="3" |[[2016-11-11 Vilnius, Lithuania @ Contemporary Art Centre|Vilnius, Lithuania @ Contemporary Art Centre]]
|No
|
|-
| November 12
| colspan="3" |[[2016-11-12 Riga, Latvia @ Skaņu Mežs|Riga, Latvia @ Skaņu Mežs]]
|No
|
|-
|'''November 13'''
| colspan="3" |'''[[2016-11-13 Tallinn, Estonia @ Von Krahl|Tallinn, Estonia @ Von Krahl]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''November 14'''
| colspan="3" |'''[[2016-11-14 Helsinki, Finland @ Tavastia|Helsinki, Finland @ Tavastia]]'''
|'''Yes [FULL, SBD]'''
|
|-
|November 16
| colspan="3" |[[2016-11-16 Stockholm, Sweden @ Södra Teatern|Stockholm, Sweden @ Södra Teatern]]
|No
|
|-
|'''November 17'''
| colspan="3" |'''[[2016-11-17 Oslo, Norway @ Parkteatret|Oslo, Norway @ Parkteatret]]'''
|'''Yes [FULL, SBD]'''
|
|-
|November 18
| colspan="3" |[[2016-11-18 Copenhagen, Denmark @ DR Koncerthuset|Copenhagen, Denmark @ DR Koncerthuset]]
|No
|
|-
|November 19
| colspan="3" |[[2016-11-19 Berlin, Germany @ Kraftwerk Berlin|Berlin, Germany @ Kraftwerk Berlin]]
|Yes [FULL, AUD]
|
|-
| November 20
| colspan="3" |[[2016-11-20 Hamburg, Germany @ Kampnagel|Hamburg, Germany @ Kampnagel]]
|No
|
|-
|November 21
| colspan="3" |[[2016-11-21 Leipzig, Germany @ Conne Island|Leipzig, Germany @ Conne Island]]
|No
|
|-
|'''November 22'''
| colspan="3" |'''[[2016-11-22 Nijmegen, Netherlands @ Doornroosje|Nijmegen, Netherlands @ Doornroosje]]'''
|'''Yes [FULL, SBD]'''
|
|-
|November 23
| colspan="3" |[[2016-11-23 Brighton, England, UK @ Concorde 2|Brighton, England, UK @ Concorde 2]]
|Yes [FULL, AUD]
|
|-
|November 24
| colspan="3" |[[2016-11-24 Bristol, England, UK @ The Marble Factory|Bristol, England, UK @ The Marble Factory]]
| Yes [PART, AUD]
|
|-
|November 25
| colspan="3" |[[2016-11-25 London, England, UK @ Royal Festival Hall|London, England, UK @ Royal Festival Hall]]
| Yes [FULL, AUD]
|
|-
|November 26
| colspan="3" |[[2016-11-26 Manchester, England, UK @ Old Granada Studios|Manchester, England, UK @ Old Granada Studios]]
|Yes [FULL, AUD]
|
|}

===2018===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|June 13
| colspan="3" |[[2018-06-13 Tokyo, Japan @ LIQUIDROOM|Tokyo, Japan @ LIQUIDROOM]]
|Yes [FULL, AUD]
|
|-
|June 20
| colspan="3" |[[2018-06-20 Sydney, Australia @ Max Watt's House of Music|Sydney, Australia @ Max Watt's House of Music]]
|No
|
|-
|'''June 21'''
| colspan="3" |[[2018-06-21 Melbourne, Australia @ Croxton Park Hotel|'''Melbourne, Australia @ Croxton Park Hotel''']]
|'''Yes [FULL, SBD]'''
|
|-
|June 22
| colspan="3" |[[2018-06-22 Hobart, Australia @ Macquarie Wharf 2 (Dark Mofo 2018)|Hobart, Australia @ Macquarie Wharf 2 (Dark Mofo 2018)]]
|Yes [PARTIAL, AUD]
|
|-
|'''July 15'''
| colspan="3" |[[2018-07-15 Dublin, Ireland @ National Concert Hall|'''Dublin, Ireland @ National Concert Hall''']]
|'''Yes [FULL, SBD]'''
|
|}

==[[AE_2022－]]==
[[File:AE 2022－.jpg|none|thumb|150x150px|''[[AE_2022－]]'' (2023－)]]

===2022 ===
{| class="wikitable"
! Date
!City
! Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|June 3
| colspan="3" |[[2022-06-03 Barcelona, Spain @ Auditori Rockdelux (Primavera 2022)|Barcelona, Spain @ Auditori Rockdelux (Primavera 2022)]]
|Yes [FULL, AUD]
|
|-
|'''July 1'''
| colspan="3" |'''[[2022-07-01 Milan, Italy @ Villa Arconati (Terraforma 2022)|Milan, Italy @ Villa Arconati (Terraforma 2022)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''July 5'''
| colspan="3" |'''[[2022-07-05 Athens, Greece @ Odeon of Herodes Atticus (Athens Epidaurus Festival)|Athens, Greece @ Odeon of Herodes Atticus (Athens Epidaurus Festival)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''September 11'''
| colspan="3" |'''[[2022-09-11 Helsinki, Finland @ Musiikkitalo|Helsinki, Finland @ Musiikkitalo]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''October 7 '''
| colspan="3" |'''[[2022-10-07 London, England, UK @ Barbican Centre (show A)|London, England, UK @ Barbican Centre (show A)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''October 7'''
| colspan="3" |'''[[2022-10-07 London, England, UK @ Barbican Centre (show B)|London, England, UK @ Barbican Centre (show B)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''November 2'''
| colspan="3" |'''[[2022-11-02 Bergen, Norway @ Østre (Ekko Festival 2022)|Bergen, Norway @ Østre (Ekko Festival 2022)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''November 4'''
| colspan="3" |'''[[2022-11-04 Turin, Italy @ Lingotto Fiere (Club 2 Club 2022)|Turin, Italy @ Lingotto Fiere (Club 2 Club 2022)]]'''
|'''Yes [FULL, SBD]'''
|
|}

===2023===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|August 18
| colspan="3" |[[2023-08-18 Tokyo, Japan @ Makuhari Messe (SONICMANIA 2023)|Tokyo, Japan @ Makuhari Messe (SONICMANIA 2023)]]
| Yes [PART, AUD]
|
|-
|'''August 25'''
| colspan="3" |'''[[2023-08-25 Melbourne, Australia @ Royal Exhibition Building (Now or Never 2023)|Melbourne, Australia @ Royal Exhibition Building (Now or Never 2023)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''August 27'''
| colspan="3" |'''[[2023-08-27 Sydney, Australia @ City Recital Hall (Switched On 2023)|Sydney, Australia @ City Recital Hall (Switched On 2023)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|October 6
| colspan="3" |[[2023-10-06 Kraków, Poland @ Teatr Łaźnia Nowa (Unsound 2023)|Kraków, Poland @ Teatr Łaźnia Nowa (Unsound 2023)]]
|Yes [MOST, AUD]
|
|-
|'''October 26'''
| colspan="3" |'''[[2023-10-26 Venice, Italy @ Teatro alle Tese (Biennale Musica 2023)|Venice, Italy @ Teatro alle Tese (Biennale Musica 2023)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''October 29'''
| colspan="3" |'''[[2023-10-29 Dublin, Ireland @ Vicar Street|Dublin, Ireland @ Vicar Street]]'''
|'''Yes [FULL, SBD]'''
|
|}

===2024===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|'''April 4'''
| colspan="3" |'''[[2024-04-04 Brussels, Belgium @ Ancienne Belgique (BRDCST ‘24)|Brussels, Belgium @ Ancienne Belgique (BRDCST ‘24)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|April 5
| colspan="3" | [[2024-04-05 Den Haag, Netherlands @ Grote Kerk (Rewire Festival 2024)|Den Haag, Netherlands @ Grote Kerk (Rewire Festival 2024)]]
|Yes [FULL, AUD]
|
|-
|'''April 6'''
| colspan="3" |'''[[2024-04-06 Paris, France @ Le Trianon|Paris, France @ Le Trianon]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''April 7'''
| colspan="3" |'''[[2024-04-07 Rennes, France @ Antipode|Rennes, France @ Antipode]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''April 9'''
| colspan="3" |'''[[2024-04-09 Barcelona, Spain @ Sala Apolo (MUTEK Barcelona 2024)|Barcelona, Spain @ Sala Apolo (MUTEK Barcelona 2024)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''April 10'''
| colspan="3" |'''[[2024-04-10 Madrid, Spain @ La Sala|Madrid, Spain @ La Sala]]'''
|'''Yes [FULL, SBD]'''
|
|-
|April 12
| colspan="3" |[[2024-04-12 Lisbon, Portugal @ Culturgest (show A)|Lisbon, Portugal @ Culturgest (show A)]]
|Yes [FULL, AUD]
|
|-
|'''April 12'''
| colspan="3" |'''[[2024-04-12 Lisbon, Portugal @ Culturgest (show B)|Lisbon, Portugal @ Culturgest (show B)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''April 27'''
| colspan="3" |'''[[2024-04-27 Krems, Austria @ Stadtsaal Krems (Donaufestival 2024)|Krems, Austria @ Stadtsaal Krems (Donaufestival 2024)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''May 7'''
| colspan="3" |'''[[2024-05-07 Lyon, France @ Le Transbordeur (Nuits Sonores 2024)|Lyon, France @ Le Transbordeur (Nuits Sonores 2024)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|September 30
| colspan="3" |[[2024-09-30 Oslo, Norway @ Sentrum Scene|Oslo, Norway @ Sentrum Scene]]
|Yes [FULL, AUD]
|
|-
|October 2
| colspan="3" |[[2024-10-02 Stockholm, Sweden @ Slaktkyrkan|Stockholm, Sweden @ Slaktkyrkan]]
|Yes [FULL, AUD]
|
|-
|October 4
| colspan="3" |[[2024-10-04 Riga, Latvia @ Hanzas Perons (Skaņu Mežs’ 2024)|Riga, Latvia @ Hanzas Perons (Skaņu Mežs’ 2024)]]
|Yes [FULL, AUD]
|
|-
|October 6
| colspan="3" |[[2024-10-06 Copenhagen, Denmark @ VEGA|Copenhagen, Denmark @ VEGA]]
|Yes [FULL, AUD]
|
|}

===2025===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|February 22
| colspan="3" |[[2025-02-22 Manchester, England, UK @ New Century|Manchester, England, UK @ New Century]]
|Yes [FULL, AUD]
|
|-
|August 6
| colspan="3" | [[2025-08-06 Amsterdam, Netherlands @ Melkweg|Amsterdam, Netherlands @ Melkweg]]
|Yes [FULL, AUD]
|
|-
|August 8
| colspan="3" |[[2025-08-08 Helsinki, Finland @ Flow Festival 2025|Helsinki, Finland @ Flow Festival 2025]]
| Yes [FULL, AUD]
|
|-
|August 10
| colspan="3" |[[2025-08-10 Warsaw, Poland @ Klub Progresja|Warsaw, Poland @ Klub Progresja]]
|Yes [MOST, AUD]
|
|-
|August 13
| colspan="3" |[[2025-08-13 Berlin, Germany @ ASTRA Kulturhaus|Berlin, Germany @ ASTRA Kulturhaus]]
|Yes [MOST, AUD]
|
|-
|August 15
| colspan="3" | [[2025-08-15 Reykjavík, Iceland @ Harpa|Reykjavík, Iceland @ Harpa]]
|Yes [FULL, AUD]
|
|-
|October 1
| colspan="3" |[[2025-10-01 Denver, CO, USA @ Ogden Theatre|Denver, CO, USA @ Ogden Theatre]]
|Yes [FULL, AUD]
|
|-
|October 3
| colspan="3" |[[2025-10-03 Minneapolis, MN, USA @ Icehouse|Minneapolis, MN, USA @ Icehouse]]
|Yes [PARTIAL, AUD]
|
|-
|October 5
| colspan="3" | [[2025-10-05 Vancouver, Canada @ Hollywood Theatre|Vancouver, Canada @ Hollywood Theatre]]
|Yes [FULL, AUD]
|
|-
|October 6
| colspan="3" |[[2025-10-06 Seattle, WA, USA @ The Crocodile (show A)|Seattle, WA, USA @ The Crocodile (show A)]]
|Yes [FULL, AUD]
|
|-
|October 6
| colspan="3" |[[2025-10-06 Seattle, WA, USA @ The Crocodile (show B)|Seattle, WA, USA @ The Crocodile (show B)]]
|Yes [FULL, AUD]
|
|-
|October 7
| colspan="3" |[[2025-10-07 Portland, OR, USA @ The Den|Portland, OR, USA @ The Den]]
|Yes [FULL, AUD]
|
|-
|October 9
| colspan="3" |[[2025-10-09 San Francisco, CA, USA @ Regency Ballroom|San Francisco, CA, USA @ Regency Ballroom]]
|Yes [FULL, AUD]
|
|-
|October 10
| colspan="3" |[[2025-10-10 Los Angeles, CA, USA @ Belasco Theater (show A)|Los Angeles, CA, USA @ Belasco Theater (show A)]]
|Yes [FULL, AUD]
|
|-
|October 10
| colspan="3" | [[2025-10-10 Los Angeles, CA, USA @ Belasco Theater (show B)|Los Angeles, CA, USA @ Belasco Theater (show B)]]
|Yes [FULL, AUD]
|
|-
|October 12
| colspan="3" |[[2025-10-12 Mexico City, Mexico @ MUTEK MX|Mexico City, Mexico @ MUTEK MX]]
|Yes [FULL, AUD]
|
|-
|October 14
| colspan="3" |[[2025-10-14 Austin, TX, USA @ Kingdom Nightclub|Austin, TX, USA @ Kingdom Nightclub]]
|Yes [PARTIAL, AUD]
|
|-
|October 15
| colspan="3" |[[2025-10-15 New Orleans, LA, USA @ Joy Theatre|New Orleans, LA, USA @ Joy Theatre]]
|Yes [FULL, AUD]
|
|-
|October 16
| colspan="3" |[[2025-10-16 Birmingham, AL, USA @ Saturn|Birmingham, AL, USA @ Saturn]]
|Yes [FULL, AUD]
|
|-
|October 17
| colspan="3" | [[2025-10-17 Atlanta, GA, USA @ Terminal West|Atlanta, GA, USA @ Terminal West]]
|Yes [FULL, AUD]
|
|-
|October 18
| colspan="3" |[[2025-10-18 Louisville, KY, USA @ Portal|Louisville, KY, USA @ Portal]]
|Yes [FULL, AUD]
|
|-
|October 19
| colspan="3" |[[2025-10-19 Saint Louis, MO, USA @ Delmar Hall|Saint Louis, MO, USA @ Delmar Hall]]
|Yes [PART, AUD]
|
|-
|October 20
| colspan="3" |[[2025-10-20 Chicago, IL, USA @ Concord Hall|Chicago, IL, USA @ Concord Hall]]
|Yes [FULL, AUD]
|
|-
|October 21
| colspan="3" | [[2025-10-21 Detroit, MI, USA @ Building 6, Russell Industrial Center|Detroit, MI, USA @ Building 6, Russell Industrial Center]]
|Yes [FULL, AUD]
|
|-
|October 22
| colspan="3" |[[2025-10-22 Toronto, Canada @ Danforth Hall|Toronto, Canada @ Danforth Hall]]
|Yes [FULL, AUD]

|
|-
|October 24
| colspan="3" |[[2025-10-24 Montreal, Canada @ Société des arts technologiques|Montreal, Canada @ Société des arts technologiques]]
|Yes [FULL, AUD]
|
|-
|October 25
| colspan="3" |[[2025-10-25 New York, NY, USA @ Brooklyn Steel (show A)|New York, NY, USA @ Brooklyn Steel (show A)]]
|Yes [FULL, AUD]
|
|-
|October 25
| colspan="3" |[[2025-10-25 New York, NY, USA @ Brooklyn Steel (show B)|New York, NY, USA @ Brooklyn Steel (show B)]]
|Yes [FULL, AUD]
|
|-
|October 26
| colspan="3" |[[2025-10-26 Philadelphia, PA, USA @ Union Transfer|Philadelphia, PA, USA @ Union Transfer]]
|Yes [FULL, AUD]
|
|-
|October 27
| colspan="3" |[[2025-10-27 Boston, MA, USA @ Paradise|Boston, MA, USA @ Paradise]]
|Yes [FULL, AUD]
|
|-
|October 28
| colspan="3" |[[2025-10-28 Portsmouth, NH, USA @ 3S Artspace|Portsmouth, NH, USA @ 3S Artspace]]
|Yes [FULL, AUD]
|
|-
|October 29
| colspan="3" |[[2025-10-29 Washington, DC, USA @ Howard Theatre|Washington, DC, USA @ Howard Theatre]]
|Yes [FULL, AUD]
|
|-
|November 2
| colspan="3" |[[2025-11-02 Glasgow, Scotland, UK @ SWG3|Glasgow, Scotland, UK @ SWG3]]
|Yes [FULL, AUD]
|
|-
|November 3
| colspan="3" |[[2025-11-03 Newcastle, England, UK @ Digital|Newcastle, England, UK @ Digital]]
|Yes [FULL, AUD]
|
|-
| November 4
| colspan="3" |[[2025-11-04 Leeds, England, UK @ Project House|Leeds, England, UK @ Project House]]
|Yes [FULL, AUD]
|
|-
|November 5
| colspan="3" |[[2025-11-05 Brighton, England, UK @ Chalk|Brighton, England, UK @ Chalk]]
|Yes [PART, AUD]
|
|-
|November 6
| colspan="3" |[[2025-11-06 Bristol, England, UK @ The Prospect Building|Bristol, England, UK @ The Prospect Building]]
|Yes [PART, AUD]
|
|-
|November 7
| colspan="3" |[[2025-11-07 Belfast, Northern Ireland, UK @ Mandela Hall|Belfast, Northern Ireland, UK @ Mandela Hall]]
|Yes [FULL, AUD]
|
|}

===2026===
{| class="wikitable"
!Date
!City
!Venue/Event
! Sources/Notes
!Recordings
![S]
|-
|February 4
| colspan="3" |[[2026-02-04 Tokyo, Japan @ ZEPP Divercity|Tokyo, Japan @ ZEPP Divercity]]
|Yes [FULL, AUD]
|
|-
|February 5
| colspan="3" |[[2026-02-05 Osaka, Japan @ Yogibo META VALLEY|Osaka, Japan @ Yogibo META VALLEY]]
|No
|
|-
|September 24
|Liége, Belgium
|OM
|LIST<ref name=":3">https://ghostarchive.org/archive/gkUxG</ref>
|
|A1
|-
|September 25
|Zurich, Switzerland
|Rote Fabrik
|LIST<ref name=":3" />
|
|A1
|-
|September 26
|Munich, Germany
|Muffathalle
|LIST<ref name=":3" />
|
|A1
|-
|September 27
|Prague, Czechia
|Lunchmeat Festival
|LIST<ref name=":3" />
|
|A1
|-
|September 28
|Wrocław, Poland
|Zaklęte Rewiry
|LIST<ref name=":3" />
|
|A1
|-
|September 29
|Vienna, Austria
|Gasometer
|LIST<ref name=":3" />
|
|A1
|-
|September 30
|Zagreb, Croatia
|Tvornica Kulture
|LIST<ref name=":3" />
|
|A1
|-
|October 1
|Belgrade, Serbia
|Ložionica
|LIST<ref name=":3" />
|
|A1
|-
|October 2
|Skopje, North Macedonia
|MKC
|LIST<ref name=":3" />
|
|A1
|-
|October 3
|Athens, Greece
|Universe
|LIST<ref name=":3" />
|
|A1
|-
|October 4
|Thessaloniki, Greece
|Block33
|LIST<ref name=":3" />
|
|A1
|-
|October 6
|Sofia, Bulgaria
|Toplocentrala
|LIST<ref name=":3" />
|
|A1
|-
|October 7
|Bucharest, Romania
|Club Guesthouse
|LIST<ref name=":3" />
|
|A1
|-
|October 9
|Ljubljana, Slovenia
|Cukrarna
|LIST<ref name=":3" />
|
|A1
|-
|October 10
|Bologne, Italy
|Estragon
|LIST<ref name=":3" />
|
|A1
|-
|October 11
|Milan, Italy
|Alcatraz
|LIST<ref name=":3" />
|
|A1
|-
|October 12
|Geneva, Switzerland
|L'usine
|LIST<ref name=":3" />
|
|A1
|-
|October 13
|Marseille, France
|Cabaret Aléatoire
|LIST<ref name=":3" />
|
|A1
|-
|October 14
|Paris, France
|Bataclan
|LIST<ref name=":3" />
|
|A1
|-
|October 15
|Nantes, France
|Le Lieu Unique
|LIST<ref name=":3" />
|
|A1
|-
|October 16
|Lille, France
|L'Aéronef
|LIST<ref name=":3" />
|
|A1
|-
|October 17
|Nijmegen, Netherlands
|Doornroosje
|LIST<ref name=":3" />
|
|A1
|-
|October 20
|Dublin, Ireland
|Vicar Street
|LIST<ref name=":3" />
|
|A1
|-
|October 22
|Cardiff, Wales
|Depot
|LIST<ref name=":3" />
|
|A1
|-
|October 24
|London, England
|Magazine
|LIST<ref name=":3" />
|
|A1
|}

==DJ Mixes==
{| class="wikitable"
|+
!Year
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
| rowspan="2" |1996
|November 8
|Wolverhampton, England, UK
|Picasso's, Broad Street
|LIST<ref name=":39" />,
Autechre (DJ)
|
|
|-
|November 17
|London, England, UK
|Rumpus Rooms
|LIST<ref name=":39" />, DESC<ref name=":40" />,
Autechre (DJ)
|
|
|-
| colspan="7" |
|-
| rowspan="2" |1997
|October 23
|Brighton, England, UK
|The Underground Club (Fear of A Crap Planet)
| LIST<ref name=":44" />,
Autechre (DJ)
|
|
|-
|November 8
|Leicester, England, UK
|Junction 21 (Warp night)
|LIST<ref name=":44" />,
Autechre (DJ)
|
|
|-
| colspan="7" |
|-
|1998
|April 24
|London, England, UK
|Blech
|LIST<ref name=":44" />,
Autechre (DJ)
|
|
|-
| colspan="7" |
|-
|1999
| colspan="4" |[[1999-10-10 Indio, CA, USA @ Coachella Festival|Indio, CA, USA @ Coachella Festival]]
|Yes [Full, SBD]
|
|-
| colspan="7" |
|-
|2000
|November 26
|Nottingham, England, UK
|The Social (Deselect)
|LIST<ref>https://web.archive.org/web/20000818043032/http://www.warprecords.com/warp/news/</ref>,
Autechre (DJ) with Mira Calix
|
|
|-
| colspan="7" |
|-
|2003
|April 4
|Camber, England, UK
|Camber Sands Holiday Park centre (All Tomorrow's Parties 3.0)
| VEN<ref>https://web.archive.org/web/20030213193940/http://www.atpfestival.com/events/index.php?view=1</ref>, LIST<ref>https://www.1001tracklists.com/tracklist/l5l41k1/autechre-all-tomorrows-parties-camber-sands-united-kingdom-2003-04-04.html</ref>,
Autechre (DJ)

Not to be confused with the [[Autechre Curated All Tomorrow's Parties 3.0|compilation]] mix. DJ Mix rebroadcast on Jon Peel's Show on 27 May 2003.<ref>https://www.youtube.com/watch?v=kizBwGoNax0</ref><ref>https://peel.fandom.com/wiki/27_May_2003</ref>
|SBD #1 ([https://www.youtube.com/watch?v=kizBwGoNax0 full])
|B2
|-
| colspan="7" |
|-
|2020
|June 28
|n/a
|Glastonbury Festival 2020
|VEN<ref>https://forum.watmm.com/topic/99346-glade20-dj-set-this-week/?do=findComment&comment=2803953</ref>
Autechre (DJ)

Physical event was cancelled due to the COVID-19 pandemic, but event had artist performances uploaded to Mixcloud.
|SBD #1 ([https://www.mixcloud.com/Glade_Space_Lounge_The_Spike/the-spike-autechre-dj-set/ full])
|
|-
| colspan="7" |
|-
| rowspan="3" |2024
|October 26
|Berlin, Germany
|Zenner (LITTLEBIG20)
|LIST<ref>https://ra.co/events/1960988</ref>, DESC<ref>https://forum.watmm.com/topic/105232-so-where-is-that-recording-of-rob-brown-djing-at-zenner/</ref>,
Rob Brown (DJ)
|
|A1
|-
|October 31
|Bristol, England, UK
|Strange Brew (Diagonal Records presents '13')
|REC, LIST<ref>https://ra.co/events/1983229</ref>, DESC<ref>https://forum.watmm.com/topic/105242-gescom-strange-brew-in-bristol/</ref>,
Rob Brown (DJ) 
|AUD #1 ([https://forum.watmm.com/topic/105242-gescom-strange-brew-in-bristol/?do=findComment&comment=2992857 full])
|A1
|-
|November 30
|Manchester, England, UK
|White Hotel (Diagonal Records presents '13')
|LIST<ref>https://ra.co/events/1983271</ref>, VEN<ref>https://www.instagram.com/odbpowell/p/DCRImycMJzV/?hl=en</ref>,
Rob Brown (DJ)
|
|A1
|-
| colspan="7" |
|-
|2025
|April 27
|Leeds, England, UK
|Freedom Mills
|VEN<ref>https://web.archive.org/web/20250327181952/https://mastodon.online/@sdem/114234510003722688</ref><ref>https://ra.co/events/2134136</ref>,
Rob Brown (DJ), edv3ctor, SDEM
|
|A1
|}

==References==
<references />
[[Category:Live]]

List of Live Shows

2026-02-07T15:39:46Z

EnergyIsMassiveLight: /* 2026 */

Bolded entries have officially been released.

Basic list sourced from other mega lists (with varying degrees of accuracy) here<ref name=":10">https://www.songkick.com/artists/49992-autechre/gigography</ref><ref name=":18">https://ra.co/dj/autechre/tour-dates</ref><ref name=":19">https://forum.watmm.com/topic/69749-essential-autechre-live-sets/#comments</ref><ref name=":20">https://www.loudmemories.com/artists/autechre-500</ref><ref name=":33">https://www.setlist.fm/setlists/autechre-2bd6a47a.html</ref><ref name=":21">https://www.last.fm/music/Autechre/+events</ref>, and then replaced with more specific sources as needs be.

Citations are grouped by the following types: ''REC'' (recording metadata), ''VEN'' (promotional material of show from venue), ''LIST'' (listings from Autechre, venue or some other advertisement), ''ATTE'' (attendance evidence like posts at location or tickets), ''DESC'' (description, testimony, anecdotes, reviews from Autechre or other attendees) and ''ETC'' (from megalists, low reliability).

Recordings are labelled as either AUD (Audience), SBD (Soundboard), or MAT (Matrix). If the show listing has a dedicated page, then Yes or No is listed, alongside how complete they are.

Last column [S] refers to reliability of the listing with a rating like B2. A=correct/sourced, B=incomplete info/sourcing, C=conflicting details. Combined with 1=real, 2=listed by weak source, 3=speculative. Recordings are either label part(s) for short clips, partial for substantive portions, or full for majority/all of the show. If a show can confidently be asserted to have been performed, the information is moved to a dedicated page. 
== 1991-2000 ==

=== 1991 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|June 4
| colspan="3" |[[1991-06-04 Rochdale, England, UK @ Sweatbox 2 (Bojangles)|Rochdale, England, UK @ Sweatbox 2 (Bojangles)]]
|Yes [Full, AUD]
|
|}

=== 1993 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|October 15
| colspan="3" |[[1993-10-15 Birmingham, England, UK @ Bonds (Oscillate)|Birmingham, England, UK @ Bonds (Oscillate)]]
|Yes [Full, AUD]
|
|-
|December 2
| colspan="3" |[[1993-12-02 Manchester, England, UK @ The Planet|Manchester, England, UK @ The Planet]]
|No
|
|-
|December 14
| colspan="3" |[[1993-12-14 London, England, UK @ Heaven|London, England, UK @ Heaven]]
|No
|
|-
|December 17
| colspan="3" |[[1993-12-17 London, England, UK @ Powerhaus|London, England, UK @ Powerhaus]]
|No
|
|}

=== 1994 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|January 14
|London, England, UK
|The Robey (Club Dog All Nighter)
|LIST<ref>https://www.flickr.com/photos/nothingelseon/53058133553/in/album-72177720309838871</ref><ref>https://www.flickr.com/photos/nothingelseon/53058130663/in/album-72177720309838871</ref>,
with Timeshard, Lull, The Corridor
|
|
|-
|February 5
| colspan="3" |[[1994-02-05 Manchester, England, UK @ Manchester Academy (Megadog 5)|Manchester, England, UK @ Manchester Academy (Megadog 5)]]
|No
|
|-
|February 19
|Toronto, ON, Canada
|Union Station (North American Artificial Intelligence Tour)
|VEN<ref>https://ghostarchive.org/archive/Cqins</ref>,
with DJ Lewis, Dogwhistle (DJ), Mark Oliver (DJ), Danny Henry (DJ), John E (DJ), Peter The Greek (DJ), Mark Anthony (DJ)
|
|A1
|-
|February 26
|Tulsa, USA
|Club Ikon (North American Artificial Intelligence Tour)
|VEN<ref>https://web.archive.org/web/20250509020313/https://www.etsy.com/listing/1032132362/autechre-autographed-poster-vintage-1994?show_sold_out_detail=1&ref=nla_listing_details</ref>, DESC<ref>https://web.archive.org/web/20250202232908/https://post.lurk.org/@sean_ae/113935766874172096</ref>,
with DJ Lewis
|
|A1
|-
|March 23
|London, England, UK
|Astoria 2
|ETC<ref name=":10" />, 
with Seefeel
|
|C2
|-
|April 1
|Birmingham, England, UK
|Bonds (Oscillate)
|VEN<ref name=":53">https://ghostarchive.org/archive/y8kAd</ref>
|No
|
|-
|April 17
| colspan="3" |[[1994-04-17 Moscow, Russia @ Moscow's Youth Palace (Britronica Festival 1994)|Moscow, Russia @ Moscow's Youth Palace (Britronica Festival 1994)]]
|Yes [Part, AUD]
|
|-
|May 27
|Wolverhampton, England, UK
|Civic Hall
|
|
|
|-
|June 2
|Barcelona, Spain
|Sala Apolo (Sónar)
|VEN<ref>https://discmaster.textfiles.com/view/12506/PCMania%20CD46_2.iso/pc/sonar94/sonar94.dir/00315_Progra.png</ref>
With Zero and Mixmaster Morris
|
|
|-
|June 16
| colspan="3" |[[1994-06-16 London, England, UK @ Quirky|London, England, UK @ Quirky]]
|Yes [Full, AUD]
|
|-
|June 24
|Linz, Austria
|Brucknerhaus (Ars Electronica)
|LIST<ref>https://archive.aec.at/media/assets/99136106366c2ff573db00bff4377a19.pdf</ref>,
|
|A1
|-
|June 30
|London, England, UK
|Thousand Island
|ETC<ref name=":10" /><ref name=":20" />,
with Casper Brötzmann
|
|
|-
|July 22
|New York, NY, USA
|Mercury Lounge
|DESC<ref>https://www.flickr.com/photos/nothingelseon/53221609637/in/album-72177720311501349</ref>,
|
|A1
|-
|August 6
|Amsterdam, Netherlands
|Gashouder Westergasfabriek (Triple X Festival / Oscillate)
|REC, VEN<ref>https://www.oscillate.club/exhibition/</ref><ref>https://web.archive.org/web/19991010022109/http://cuttlefish.com/oscillate/amsterdam.html</ref>, DESC<ref name=":35">https://forum.watmm.com/topic/81035-autechre-kalpol-introl-live-1994/page/3/#comment-2082598</ref><ref name=":61">https://www.youtube.com/watch?v=LfmuY2INHDs</ref>, ETC<ref name=":33" />,
Allegedly(!!) the organiser of the event John Jacobs recorded the DAT, and a part of that recording would later circulate online as the extended "Kalpol Introl".<ref name=":61" /> Was shared either via xltronic<ref name=":35" /> or Demonoid<ref name=":61" />
|SBD #1 ([https://www.youtube.com/watch?v=LfmuY2INHDs partial])
|A1
|-
|August 19
|Cologne, Germany
|Club Oshos (Popkomm Cologne 1994)
|
|
|
|-
|November 6
|Brussels, Belgium
|Fuse
|REC,
|AUD #1 ([https://www.youtube.com/watch?v=Bijec-rF7E4 full])
|C3
|-
|November 15
|Hull, England, UK
|The Room
|LIST<ref name=":52">https://www.flickr.com/photos/nothingelseon/53322163877/in/album-72177720312494098</ref>,
with LFO, Mark Broom (DJ)
|
|A1
|-
|November 17
|Newcastle Upon Tyne, England, UK
|Riverside
|LIST<ref name=":52" />,
with LFO, Mark Broom (DJ)
|
|A1
|-
|November 22
|Bristol, England, UK
|Lakota
|LIST<ref name=":52" />,
with LFO, Mark Broom (DJ)
|
|A1
|-
|November 23
|London, England, UK
|Leisure Lounge
|LIST<ref name=":52" />,
with LFO, Nightmares on Wax, Mark Broom (DJ), James Lavelle (DJ)
|
|A1
|-
|November 24
|Cardiff, Wales, UK
|Hippo Club
|LIST<ref name=":52" />,
with LFO, Mark Broom (DJ)
|
|A1
|-
|November 26
|Manchester, England, UK
|Sankey's Soap
|LIST<ref name=":52" />, DESC''<ref name=":34">https://aepages.org/wiki/Sean_Twitch_AMA,_June_2022#:~:text=%E2%80%9CSankey%27s%20set.%E2%80%9D%20My%20goodness%2C</ref>'',
with LFO, Mark Broom (DJ), James Lavelle (DJ)

A DAT of the set exists, with a slowed down "Flutter" performance.<ref name=":34" />
|
|A1
|-
|November 28
|Sheffield, England, UK
|The Leadmill
|LIST<ref name=":52" />,
with LFO, Sabres of Paradise Mark Broom (DJ), Andrew Weatherall (DJ)
|
|A1
|-
|??
|Melbourne, Australia
|
|DESC<ref>https://forum.watmm.com/topic/20089-first-time-you-heard-ae-live/?do=findComment&comment=413561</ref><ref>https://www.elektronauts.com/t/1994-live-version-of-autechres-kalpol-intro/2947</ref><ref>https://forum.watmm.com/topic/85950-the-chre-autechre-live-quirky-brixton-16-06-1994-youtube-video/?do=findComment&comment=2258482</ref>,
|
|B3
|}

=== 1995 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|January 21
|Lucerne, Switzerland
|Konzerthaus Schüür
|
|
|
|-
|February 4
|Birmingham, England, UK
|Que Club (Oscillate)
|LIST<ref>https://worldradiohistory.com/UK/Music-Week/1995/Music-Week-1995-02-04.pdf pg 23</ref><ref name=":13">https://www.discogs.com/release/1624821-Autechre-Garbage/image/SW1hZ2U6MjQyMDM4Nw==</ref>, ATTE<ref>https://web.archive.org/web/19990128043223/http://www.cuttlefish.com/oscillate/queclub.html</ref>, ETC<ref name=":20" />,
|
|A1
|-
|February 12
|Eastnor, England, UK
|Eastnor Castle (Big Chill)
|LIST<ref name=":13" />, DESC<ref>https://www.teletextarchive.com/Pages/Details/1194677</ref>,
with Bedouin Ascent, Daniel Pemberton and Instrumental
|
|B1
|-
|June 15
|Sheffield, England, UK
|University of Sheffield Student Union
|ETC<ref name=":10" />,
|
|B2
|-
|June 23
|Pilton, England, UK
|Worthy Farm (Glastonbury Festival 1995)
|
|
|
|-
|July 21
|Glasgow, Scotland, UK
|Glasgow University (Stormy Waters)
|REC, VEN<ref>https://www.independent.co.uk/news/rock-gets-ready-to-go-live-on-the-internet-1590048.html</ref><ref>https://www.google.co.za/books/edition/Theatre_Record/UOoWBzYC4KcC?hl=en&gbpv=1&bsq=autechre+live+-cmj&dq=autechre+live+-cmj&printsec=frontcover</ref>, DESC<ref name=":36">https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=B1338:B1339</ref><ref>https://forum.watmm.com/topic/61585-rare-video-performance-stormy-waters-95/</ref>,
[[List of Rarities#Second Crane|"Second Crane"]]<ref name=":36" />
|SBD #1 ([https://www.youtube.com/watch?v=w7D5yAUsjB8&pp=ygUVTGl2ZSBhdCBTdG9ybXkgV2F0ZXJz full])
AUD #1 ([https://youtu.be/9_yoHHdBE1Q?t=2581 full])
|A1
|-
|October 1
|Nottingham, England, UK
|Sam Fays
|ETC<ref name=":10" /><ref name=":20" />,
|
|B2
|-
|October 15
|Southampton, England, UK
|The Joiners Arms
|
|
|
|-
|November 30
|Ghent, Belgium
|Vooruit Concertzaal (Mind the Gap)
|DESC<ref name=":8">https://groups.google.com/g/alt.music.autechre/c/2C_ddRndcxo/m/SJcAdgyvFqEJ</ref>,
|
|B3
|-
|December 1
|Amsterdam, Netherlands
|Paradiso Grote Zaal
|DESC<ref name=":2">https://web.archive.org/web/20260115003227/https://post.lurk.org/@sean_ae/115895741138770785</ref>, 
|
|
|-
|December 2
|Birmingham, England, UK
|Que Club (Oscillate)
|REC, ETC<ref name=":20" />,
|SBD #1 ([https://www.mixcloud.com/oscillate_sound_system/autechre-oscillate-21295/ full])
|A1
|}

=== Tri Repetour (1995) ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|October 26
|Manchester, England, UK
|Granada Studios
|LIST<ref name=":4">https://www.reddit.com/media?url=https%3A%2F%2Fpreview.redd.it%2F7jipvmazj0y71.jpg%3Fwidth%3D3036%26format%3Dpjpg%26auto%3Dwebp%26s%3D1519d793a88b570f3d99754a9c831a4fe96e3241</ref>,
|
|A1
|-
|October 27
|Kidderminster, England, UK
|Market Tavern
|LIST<ref name=":4" />, ATTE<ref>https://www.yumpu.com/en/document/read/65128735/memories-of-the-market-tavern-1990-1996 page 171</ref>, DESC<ref>https://web.archive.org/web/19990417230430/http://subnet.virtual-pc.com/%7Esk393820/kidder.html</ref>
|
|A1
|-
|October 29
|Nottingham, England, UK
|Sam Fayes
|LIST<ref name=":4" />, DESC<ref name=":2" />,
|
|A1
|-
|November 1
|Sheffield, England, UK
|Hallamshire Hotel
|LIST<ref name=":4" />, ETC<ref>https://www.reddit.com/r/autechre/comments/ysrcjo/comment/jysm32i/</ref>,
|
|A1
|-
|November 2
|Newcastle, England, UK
|Riverside
|LIST<ref name=":4" />, DESC<ref name=":2" />,
|
|A1
|-
|November 3
|Aberdeen, Scotland, UK
|Pelican
|LIST<ref name=":4" />,
|
|A1
|-
|November 4
|Glasgow, Scotland, UK
|Glasgow Arena
|LIST<ref name=":4" />,
|
|A1
|-
|November 5
|Edinburgh, Scotland, UK
|Edinburgh Art College
|LIST<ref name=":4" />,
|
|A1
|-
|November 7
|Kingston upon Hull, England, UK
|The Room
|LIST<ref name=":4" />,
|
|A1
|-
|November 8
|Stoke-on-Trent, England, UK
|Wheatsheaf
|LIST<ref name=":4" />,
|
|A1
|-
|November 9
|Cardiff, Wales, UK
|Clwb Ifor Bach
|LIST<ref name=":4" />,
|
|A1
|-
|November 12
|Cambridge, England, UK
|Boat Race
|LIST<ref name=":4" />, ATTE<ref>https://forum.watmm.com/topic/11240-autechre-photos-from-old-gigs-around-1996-1997/</ref>, DESC<ref>https://web.archive.org/web/19990417220742/http://subnet.virtual-pc.com/%7Esk393820/boatrace.html</ref>,
|
|A1
|-
|November 13
|Ipswich, England, UK
|Golden Lion
|LIST<ref name=":4" />,
|
|A1
|-
|November 14
|Margate, England, UK
|Cobblers
|LIST<ref name=":4" />,
|
|A1
|-
|November 15
|Southampton, England, UK
|The Joiners Arms
|LIST<ref name=":4" />,
|
|A1
|-
|November 16
|Brighton, England, UK
|The Joint
|LIST<ref name=":4" />,
|
|A1
|-
|November 17
|Harlow, England, UK
|The Square
|LIST<ref name=":4" />,
|
|A1
|-
|November 18
|London, England, UK
|Dublin Castle
|LIST<ref name=":4" />,
|
|A1
|-
|November 19
|Manchester, England, UK
|Roadhouse
|LIST<ref name=":4" />,
|
|A1
|-
|November 22
|Belfast, Northern Ireland, UK
|Queen's University
|LIST<ref name=":4" />,
|
|A1
|-
|November 24
|Dublin, Ireland
|Tivoli
|LIST<ref name=":4" />,
|
|A1
|-
|November 25
|Cork, Ireland
|Art Hive
|LIST<ref name=":4" />, DESC<ref name=":37">https://aepages.org/wiki/Sean_Twitch_AMA,_June_2022#:~:text=from%2C%20I%20think%2C-,Cork%3F%20Ireland%3F,-Yeah%2C%20Cork%2C%20I</ref>,
A soundboard of the set exists that has yet to be released.<ref name=":37" />
|
|A1
|}

=== 1996 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|February 15
|Vienna, Austria
|Flex
|REC,
|SBD #1 ([https://archive.org/details/Autechre1996-02-15 full])
|B1
|-
|March 8
|New York, NY, USA
|Home (Joint Ventures & Drop Entertainment)
|VEN<ref>https://www.flickr.com/photos/davepinter/2873019440/in/photostream/</ref>,
with Spacetime Continuum, Mark Broom (DJ)
|
|
|-
|March 13
|West Hollywood, CA, USA
|Troubadour
|
|
|
|-
|March 16
|Miami, FL, USA
|Surfcomber Beach Hotel
|ATTE<ref name=":56">https://www.factmag.com/2018/03/01/idm-usa-history-machinedrum-prefuse73/</ref>, DESC<ref name=":56" />,
|
|
|-
|March 23
|Detroit, MI, USA
|(Disco at the Edge of the Universe)
|VEN<ref>https://www.reddit.com/r/autechre/comments/1jmpzjh/flyer_from_the_first_time_seeing_them_30_years_ago/</ref>,
|
|A1
|-
|March 29 ?
|Winnipeg, Canada
|Osborne Village's Die Maschine Caberet
|DESC<ref>https://web.archive.org/web/19990423215510/http://www.mts.net/%7Edaveross/mesmer.htm</ref>,
with Spacetime Continuum, Mark Broom (DJ)
|
|
|-
|May 14
|London, England, UK
|Leisure Lounge
|VEN<ref name=":38">https://web.archive.org/web/20240421001029/https://post.lurk.org/@sean_ae/112305057800579899</ref>, DESC<ref name=":38" />, ETC<ref name=":10" />,
with Meat Beat Manifesto and The Mellowtrons
|
|
|-
|July 19
|London, England, UK
|The Reach, King's College Students' Union
|LIST<ref name=":39">https://web.archive.org/web/19981202230042/http://subnet.virtual-pc.com/%7Esk393820/oldnews.html</ref>, ATTE<ref>https://bocpages.org/wiki/Autechre_Live_at_the_Reach</ref>,
Support: Cylob, Panasonic, Boards of Canada, with Chantal (DJ) and Mark Broom
|
|A1
|-
|July 20
|Amsterdam, Netherlands
|The Paradiso
|LIST<ref name=":39" />, DESC<ref name=":40">https://web.archive.org/web/19981203004259/http://subnet.virtual-pc.com/%7Esk393820/letter2.html</ref>,
|
|A1
|-
|July 21
|Bremen, Germany
|Modernes
|LIST<ref name=":39" />, DESC<ref name=":40" />,
|
|
|-
|July 22
|Ghent, Belgium
|Red Tape Building (10 Days Of Techno)
|REC, VEN<ref>https://visit.gent.be/en/red-tape-building</ref>, LIST<ref name=":39" />, DESC<ref name=":8" /><ref name=":40" />,
with Freeform, B12, RAC (DJ)
|AUD #1 ([https://www.youtube.com/watch?v=pupbVnPqqqg full])
|A1
|-
|August 24
|Leysin, Switzerland
|Place des Feuilles (Leysin Alpes Festival 1996)
|LIST<ref name=":39" />, DESC<ref name=":40" />,
with Freeform, B12, Red Snapper, Nightmares On Wax, Aphex Twin (DJ)
|
|
|-
|August 28
|Amsterdam, Netherlands
|The Paradiso
|DESC<ref name=":40" />,
|
|B3
|-
|September 1
|Norfolk, England, UK
|Big Chill Gala
|LIST<ref name=":39" />,
|
|
|-
|November 1
|Manchester, England, UK
|(Versivo)
|LIST<ref name=":39" />, DESC<ref>https://web.archive.org/web/19981206040130/http://subnet.virtual-pc.com/%7Esk393820/versivo.html</ref>, 
with Jega, Rob Hall (DJ), Andy Maddocks (DJ) 
|
|
|-
|November 19
|Barcelona, Spain
|Sónar
|REC, LIST<ref name=":39" />, ATTE<ref>https://www.documentjournal.com/2024/05/sonar-plus-d-barcelona-techno-music-spain-festival-ai/</ref>, DESC<ref name=":40" />,
with Plaid, Mark Broom (DJ)
|AUD #1 ([https://www.youtube.com/watch?v=JYD_7etGCrQ part])
AUD # 2 ([https://discmaster.textfiles.com/view/12506/PCMania%20CD46_2.iso/mac/Sonar96/Autechr.mov part])
|
|-
|December 7
|Copenhagen, Denmark
|
|LIST<ref name=":39" />,
with B12
|
|
|-
|December 12
|Miami, FL, USA
|
|LIST<ref name=":39" />, DESC<ref name=":40" />,
|
|
|-
|??
|Toronto, Canada
|
|DESC<ref name=":32">https://discmaster.textfiles.com/view/12728/2014.06.ftp.xmission.com.tar/ftp.xmission.com/pub/lists/orbital/archive/orbital.9807</ref>
|
|
|-
|??
|Norway
|
|REC
|AUD #1 ([https://archive.org/details/Autechre1996-00-00 full])
|B1
|}

=== 1997 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|January 3
|New York, NY, USA
|Blech:the NYC phase
|LIST<ref name=":39" />, DESC<ref name=":44">https://web.archive.org/web/19990127105321/http://subnet.virtual-pc.com/%7Esk393820/news.html</ref>,
with AFX, Jimi Tenor, Mark Broom, Chantal
|
|
|-
|January 17
|Manchester, England, UK
|(Versivo)
|LIST<ref name=":39" />,
with Plaid
|
|
|-
|February 20
|Edinburgh, Scotland, UK
|The Venue
|LIST<ref name=":44" /><ref>http://backcatalog.list.co.uk.s3-website.eu-west-2.amazonaws.com/the-list/1997-02-07/55/index.html</ref>,
with Boards of Canada, Surgeon (DJ)
|
|A1
|-
|February 21
|Newcastle, England, UK
|Cumberland Arms
|LIST<ref name=":44" />,
with Surgeon (DJ)
|
|A1
|-
|February 22
|Dundee, Scotland, UK
|The Zone
|LIST<ref name=":26">https://www.tumblr.com/grrlmusic/748055598596227072/autechre?source=share </ref>,
|
|C1
|-
|February 22
|Glasgow, Scotland, UK
|Tin Pan Ally (Blackout)
|LIST<ref name=":44" /><ref>http://backcatalog.list.co.uk.s3-website.eu-west-2.amazonaws.com/the-list/1997-02-21/50/index.html</ref>,
with Surgeon (DJ)
|
|A1
|-
|February 23
|Newcastle, England, UK
|Riverside
|LIST<ref name=":26" />,
|
|A1
|-
|February 26
|London, England, UK
|Blue Note (Beats 2000)
|LIST<ref name=":44" />,
with Surgeon (DJ)
|
|C1
|-
|February 26
|Sheffield, England, UK
|Leadmill
|LIST<ref name=":26" />,
|
|C1
|-
|February 27
|Manchester, England, UK
|Sankeys Soap (Versivo)
|LIST<ref name=":44" /><ref name=":26" />,
with Surgeon (DJ)
|
|A1
|-
|February 28
|Leeds, England, UK
|The Warehouse (It's Obvious)
|LIST<ref name=":44" /><ref name=":26" />,
with Surgeon (DJ)
|
|A1
|-
|March 1
|Birmingham, England, UK
|Que Club / The Chapel (Oscillate)
|LIST<ref name=":44" /><ref name=":26" />,
with Surgeon (DJ)
|
|A1
|-
|March 2
|Brighton, England, UK
|Concorde (Cafe Expose)
|LIST<ref name=":44" />,
with Surgeon (DJ)
|
|
|-
|March 18
|Bremen, Germany
|Modernes
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 20
|Hamburg, Germany
|Unit
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 21
|Copenhagen, Denmark
|VEGA
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 22
|Potsdam, Germany
|Waschhaus
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 25
|Cologne, Germany
|Underground
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 26
|Prague, Czech Republic
|Roxy
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 27
|Vienna, Austria
|Szenewien
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 28
|Berlin, Germany
|Volksbuhne
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|March 29
|Munich, Germany
|Ultraschall
|LIST<ref name=":44" />,
|
|
|-
|March 30
|Frankfurt, Germany
|Nachtleben
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|April 2
|Lausanne, Switzerland
|Dolce vita
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|April 3
|Zurich, Switzerland
|Rote Fabrik
|LIST<ref name=":44" />, MISC<ref name=":10" /><ref name=":20" />,
with Mark Broom (DJ)
|
|B2
|-
|April 4
|Aarau, Switzerland
|Kiff
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|April 5
|Lucerne, Switzerland
|Boa
|LIST<ref name=":44" />, MISC<ref>https://www.concertarchives.org/concerts/autechre--4824016</ref>,
with Mark Broom (DJ)
|
|B2
|-
|April 7
|Ulm, Germany
|Sauschdall
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|April 10
|Ghent, Belgium
|Vooruit Concertzaal
|LIST<ref name=":44" />,
with Mark Broom (DJ)
|
|
|-
|April 11
| Antwerp, Belgium
|Café d'Anvers
|LIST<ref name=":44" />,
with Mark Broom (DJ) 
|AUD #1 (parts [https://www.youtube.com/watch?v=-NF9ImTAUWI 1] [https://www.youtube.com/watch?v=IPqbpe06SVc 2])
|B1
|-
|June 5
|Bologna, Italy
|Link
|LIST<ref name=":44" />,
|
|
|-
|June 6
|Rome, Italy
|C.S.O.A. Forte Prenestino
|REC, LIST<ref name=":44" />,
Often mislabelled as a 1996 performance.
|AUD #1 ([https://archive.org/details/Autechre1996-00-00.Autechre/Autechre-1996-xx-xxItaly-rome-1.mp3 full])
|C1
|-
|June 7
|Florence, Italy
|CPA
|LIST<ref name=":44" />,
|
|
|-
|June 8
|Rimini, Italy
|Fiera de Rimini
|LIST<ref name=":44" />,
|
|
|-
|July 17
|Stratford-upon-Avon, England, UK
|Long Marston Airfield (The Phoenix Festival 1997)
|VEN<ref>https://bocpages.org/wiki/Phoenix_Festival</ref>, LIST<ref name=":44" />,
|
|A1
|-
|July 26
|Munich, Germany
|Sun Flower Festival
|LIST<ref name=":44" />, DESC<ref>https://www.twoism.org/forum/viewtopic.php?p=129186&sid=71637c54ecd18521677bad3088edaea8#p129186</ref>,
Conflicting evidence whether they did perform or if it was cancelled due to heavy rain/mud.
|
|C2
|-
|August 8
|Valencia, Spain
|Recinto de festivales de Benicàssim (Benicàssim 1997)
|LIST<ref name=":44" />, MISC<ref name=":10" /><ref name=":20" />
|
|B2
|-
|August 9
|Montpelier, France
|Borealis Festival
|LIST<ref name=":44" />,
|
|
|-
|October 26

|Nottingham, England, UK
|Essance
|MISC<ref name=":10" />,
with Zoviet France
|
|B2
|-
|October 31
|Birmingham, England, UK
|Que Club
|LIST<ref name=":44" />,
|
|
|-
|November 13
|Liverpool, England, UK
|Liverpool University
|LIST<ref name=":44" />,
with Freeform, Spacetime Continuum
|
|
|-
|November 14
|Sheffield, England, UK
|Sheffield University
|LIST<ref name=":44" />,
with Freeform, Spacetime Continuum
|
|
|-
|November 15
|Leeds, England, UK
|Leeds University
|LIST<ref name=":44" />,
with Freeform, Spacetime Continuum
|
|
|-
|November 19
|Edinburgh, Scotland, UK
|Edinburgh University
|LIST<ref name=":44" />,
with Spacetime Continuum, T-Power
|
|
|-
|November 28
|London, England, UK
|Powerhaus (Blech02)
|LIST<ref name=":44" />, MISC<ref name=":10" /><ref name=":20" />,
with Cylob
|
|B2
|}

=== 1998 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|'''February 3'''
|'''Manchester, England, UK'''
|'''Band On the Wall (Toolshed)'''
|'''[[Confield#MCR Quarter|"MCR Quarter"]]'''
REC, LIST<ref>https://www.808state.com/Toolshed/live/1998/index.htm</ref><ref>https://www.theboltonnews.co.uk/news/6134785.gig-guide/</ref>, ATTE <ref>https://www.mdmarchive.co.uk/artefact/18824/Toolshed-Autechre-Band-On-The-Wall-Demo-Tape-1998</ref>, DESC<ref name=":17">https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D1294</ref><ref name=":41">{{Cite AAA2 doc|574}}</ref>,

No recording of the show exists.<ref name=":17" /> Most of the set is a DJ mix except for an improvised MCR Quarter using a "hacked version of rebirth with all our own sounds in"<ref name=":41" />
|'''AUD #1 ([https://www.youtube.com/watch?v=44aqUXUqnqw part])'''
AUD #2 ([https://www.youtube.com/watch?v=s_sG5jqLbKw full])

|C1
|-
|February 7
|London, England, UK
|Chelsea Bridge Studios (Vapour Tour Launch Night)
|LIST<ref name=":44" />, MISC<ref name=":10" /><ref name=":20" />,
with Plaid, Aphex Twin (DJ), Mira Calix (DJ), George Evelyn (DJ)
|
|B2
|-
|February 13
|Dublin, Ireland
|The Funnel (U:Mack/Ultra Mack presents Phunk City)
|VEN<ref>https://img.rasset.ie/001278ef-614.jpg?ratio=2.13</ref>,DESC<ref>https://thumped.com/bbs/threads/memorable-u-mack-gigs-ive-been-to-and-a-few-ive-missed.17611/</ref><ref>https://analog-rhythms.com/2023/08/06/the-funnel/</ref><ref>https://www.rte.ie/culture/2019/0801/1065988-the-funnel-generation-irish-electronic-musics-coming-of-age/</ref>,
with Alan & Dennis [of Decal] (DJ), Dave Cleary (DJ)
|
|A2
|-
|April 21
|Krems, Austria
|
|
|
|B3
|-
|April 25/28?
|Sheffield, England, UK
|Kelham Island Museum (Test One)
|MISC<ref name=":10" /><ref name=":20" />,
|
|B2
|-
|May 23/24
|Hertfordshire, England, UK
|Universe '98
|LIST<ref name=":44" />,
|
|
|-
|May 27
|Hasselt, Belgium
|Kunstencentrum België
|LIST<ref name=":44" /><ref>http://www.kunstencentrumbelgie.com/archief%20nr/98aprilgoed.pdf</ref>,
|
|A1
|-
|May 28
|Eindhoven, Netherlands
|(Effenaar)
|LIST<ref name=":44" />,
|
|
|-
|May 29
|Mannheim, Germany
|(HD800)
|LIST<ref name=":44" />,
|
|
|-
|May 30
|Munich, Germany
|Ultraschall
|LIST<ref name=":44" />,
|
|
|-
|May 31
|Vienna, Austria
|Rhiz
|LIST<ref name=":44" />,
|
|
|-
|June 1
|Vienna, Austria
|b72
|LIST<ref name=":44" />,
|
|
|-
|June 2
|Vienna, Austria
|b72
|LIST<ref name=":44" />,
|
|
|-
|June 4
|Berlin, Germany
|Akademie
|LIST<ref name=":44" />,
|
|
|-
|June 5
|Copenhagen, Denmark
|VEGA
|LIST<ref name=":44" />,
|
|
|-
|June 6
|Bremen, Germany
|Modernes
|LIST<ref name=":44" />,
|
|
|-
|June 5-7?
|Nevers, France
|Maison de la culture de Nevers (Musiques Ultimes Festival)?
|VEN<ref>https://ghostarchive.org/archive/rs331</ref>,
with Zoviet France
|
|
|-
|June 10
|Mannheim, Germany
|MS Connexion Complex
|
|
|
|-
|June 11
|Bern, Switzerland
|Reltschule
|LIST<ref name=":44" />,
|
|
|-
|June 12
|Zurich, Switzerland
|Rote Fabrik
|LIST<ref name=":44" />, MISC<ref name=":10" /><ref name=":20" />,
|
|A1
|-
|June 13
|Vevey, Switzerland
|Rocking Chair
|LIST<ref name=":44" />,
|
|
|-
|June 20
|London, England, UK
|Queen Elizabeth Hall (John Peel's Meltdown Festival)
|LIST<ref name=":44" />, MISC<ref name=":20" />,
with Plaid, Broadcast, Plone
|AUD #1 ([https://www.youtube.com/watch?v=m8SyhsKe4ok full])
AUD #2 (parts [https://www.youtube.com/watch?v=pO9_j6ZEfeM 1] [https://www.youtube.com/watch?v=VRGIZv4miuM 2])
|B2
|-
|June 28
|Pilton, England, UK
|Worthy Farm (Glastonbury Festival)
|LIST<ref name=":44" />,
|
|B2
|-
|July 9-12
|Brest, France
|Fort De Bertheaume (Dour Festival 1998)
|LIST<ref name=":14">https://web.archive.org/web/20231207044733/https://www.dourfestival.eu/fr/artist/detail/Autechre/</ref><ref>https://web.archive.org/web/20180710142041/http://www.dourfestival.eu/fr/program/history/1998</ref>, DESC<ref name=":8" />, MISC<ref name=":20" /><ref>https://www.concertarchives.org/concerts/dour-festival-1998</ref>,
|
|A1
|-
|July 25
|Saint-Nolff, France
|Coin du Bois (Week-End à Saint-Nolff 1998)
|
|
|
|-
|July 30
| Vancouver, Canada
|Palladium Club
|VEN<ref>https://vancouverraveflyers.tumblr.com/post/137260257514/autechre-july-30-1998-vancouver-bc-palladium</ref>,
Flyers indicate a July 30th performance, however, bootlegs of the New York 98 show often label the recording as being performed on August 9.
|
|C1
|-
|July 31
|Montreal, Canada
|Le Medley
|DESC<ref>https://discmaster.textfiles.com/view/12728/2014.06.ftp.xmission.com.tar/ftp.xmission.com/pub/lists/orbital/archive/v02.n095</ref>
|
|
|-
|August 1
|Toronto, Canada
|The Opera House (Ritual 4)
|DESC,<ref name=":32" /><ref>https://discmaster.textfiles.com/view/12728/2014.06.ftp.xmission.com.tar/ftp.xmission.com/pub/lists/orbital/archive/v02.n105</ref><ref>https://2000undergroundmusic.com/theorem/</ref>
With Ritchie Hawtin, Theorem, Subtonic Monks, Elad'n, Algorythm (DJ), Lotus (DJ)
|
|
|-
|October 2
|Dublin, Ireland
|The Funnel (U:Mack/Ultra Mack presents Phunk City)
|VEN<ref>https://imgur.com/a/8uR4HVS</ref>, DESC<ref>https://thumped.com/bbs/threads/memorable-u-mack-gigs-ive-been-to-and-a-few-ive-missed.17611/</ref>,
with Mira Calix (DJ)
|
|A2
|-
|October 17
|New York, NY, USA
|(OTHERMUSIC.COM Launch Party)
|VEN<ref>https://www.reddit.com/r/autechre/comments/5xw356/autechre_live_in_nyc_oct_1998_anyone_else_out/</ref><ref>https://www.reddit.com/r/autechre/comments/mixwve/for_ufieldrecord_101798/</ref>, DESC<ref name=":57">https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D246</ref>,
Often mislabelled as either a Vancouver Palladium Club show or from 2000 or 2001. Sean notes a soundboard recording of it was floating around.<ref name=":57" />
|SBD #1 ([https://www.youtube.com/watch?v=FFSI9IiEWwc full])
|
|}

=== 1999 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|March 14
|Sheffield, England, UK
|The Unit
|MISC<ref name=":10" /><ref name=":20" />,
|
|B2
|-
|April 16
|Reykjavík, Iceland
|Menntaskólinn við Hamrahlíð (Hamrahlíð College)
|LIST<ref>https://timarit.is/files/60468597</ref><ref>https://timarit.is/files/60477457</ref><ref>https://www.mbl.is/myndasafn/mynd/123924/</ref>, DESC<ref name=":69">https://grapevine.is/music/2025/08/13/autechre-on-darkness-spotify-and-fish-sticks/</ref>,
Support: DJ Steindór, Biogen (live set), DJ Mira Calix

Visuals: GAK
|
|B1
|-
|April 23
|Vienna, Austria
|Radio Music Hall (Phonotaktik 99)
|LIST<ref>https://web.archive.org/web/20001204173400/http://www.phonotaktik.at:80/de/kalleinosw.html</ref>, ATTE<ref name=":42">https://autechre.neocities.org/en/articles/article11</ref>, DESC<ref name=":42" /><ref name=":43">https://forum.watmm.com/topic/4558-autechre-fennesz-roedelius/</ref><ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D933</ref>,
Performed alongside Fennesz and Mr. Roedelius (plus gear list and photos).<ref name=":42" /> A recording supposedly exists.<ref name=":43" />
|
|A1
|-
|October 18
|Manchester, England, UK
|Music Box
|VEN<ref>https://www.mdmarchive.co.uk/artefact/243/808-State-Massonix-Autechre-The-Music-Box-Flyer-1999</ref>, DESC<ref name=":17" />,
|
|B1
|-
|November 5
| London, England, UK
|Truman Brewery (Warp 10th Anniversary Party 1999)
|MISC<ref name=":10" /><ref name=":20" />,
|
|B2
|}

=== 2000 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|May 8
|Montreal, Canada
|Club Soda
|
|
|
|-
|June 16
| Barcelona, Spain
|Sónar
|REC
|AUD #1 ([https://www.youtube.com/watch?v=gJx_khiVNus full])
|
|-
|June 23-25
|Pilton, England, UK
|Worthy Farm (Glastonbury Festival 2000)
|MISC<ref>https://www.concertarchives.org/concerts/glastonbury-festival-2000--4</ref><ref name=":20" />
|
|B2
|-
|July 22
|Dublin, Ireland
|Temple Bar Music Center
|DESC<ref>https://thumped.com/bbs/threads/memorable-u-mack-gigs-ive-been-to-and-a-few-ive-missed.17611/</ref>,
with Mike Dred (DJ)
|
|B2
|-
|October 14
|London, England, UK
|Trinity Buoy Wharf (The Incredible Warp Lighthouse Party)
|ATTE<ref>https://www.reddit.com/r/boardsofcanada/comments/18htc1j/the_incredible_lighthouse_party/</ref><ref>https://www.flickr.com/photos/tesselate/8682229312/</ref>
|AUD #1 ([https://archive.org/details/Autechre2000-10-14 part])
|A1
|-
|October 27
|Dublin, Ireland
|Temple Bar
|MISC<ref name=":10" /><ref name=":20" />
|
|B2
|-
|November 4
|Valencia, Spain
|Museu de les Ciències Príncipe Felipe (Observatori 2000)
|REC, DESC<ref>https://sonmarchive.susannalopez.com/index.php/es/component/muscol/V/5146-vv-aa-observatori-2000</ref><ref>https://elpais.com/diario/2000/11/04/cultura/973292412_850215.html</ref>,
|SBD #1 ([https://archive.org/details/vv-aa-observatori-2000 full])
|A1
|}

== [[Confield Tour]] ==

=== 2001 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|April 8
|Camber, England, UK
|Pontins Camber Sands Holiday Park (All Tomorrow's Parties 2001)
|LIST<ref name=":5">https://web.archive.org/web/20010405061910/http://www.autechre.nu:80/</ref>,
|AUD #1 ([https://www.youtube.com/watch?v=fYH1fOEUC64 full])
|A1
|-
|April 11
|London, England, UK
|The Fridge
|REC, ATTE<ref name=":53" />,
|AUD #1 ([https://archive.org/details/Ae2001-04-11.flac16 full])
|A1
|-
|April 12
|Bristol, England, UK
|Trinity Centre
|LIST<ref name=":5" />,
|
|A1
|-
|April 13
|Manchester, England, UK
|Music Box
|LIST<ref name=":5" />, ATTE<ref>[https://web.archive.org/web/20010606131301/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid989330230,5390, https://web.archive.org/web/20010606131301/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid989330230,5390,]</ref>,
|
|A1
|-
|April 14
|Newcastle, England, UK
|Scotland Yard
|LIST<ref name=":5" />,
|
|A1
|-
|April 15
|Edinburgh, Scotland, UK
|The Venue
|LIST<ref name=":5" /><ref>http://backcatalog.list.co.uk.s3-website.eu-west-2.amazonaws.com/the-list/2001-04-12/48/index.html</ref>,
|
|A1
|-
|April 17
|Paris, France
|Batofar
|LIST<ref name=":5" />,
|
|A1
|-
|April 18
|Brussels, Belgium
|L’Orangerie du Botanique, Sint-Joost-ten-Noode
|LIST<ref name=":5" />, VEN<ref>https://web.archive.org/web/20250331153919/https://mastodon.social/@eav/114253003319561314</ref>,
|
|A1
|-
|April 19
|Bordeaux, France
|Le Chat Bleu / Nautilus
|LIST<ref name=":5" />,
<nowiki>*</nowiki>Not direct link, links to download for AE_LIVE 1991-2023 which has the set
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|April 20
|Poitiers, France
|Confort Moderne
|LIST<ref name=":5" />,
|
|A1
|-
|April 21
|Lucerne, Switzerland
|Boa Kulturzentrum
|LIST<ref name=":5" />,
|
|A1
|-
|April 23
|Rome, Italy
|Petralata
|LIST<ref name=":5" />,
|
|A1
|-
|April 24
|Bologna, Italy
|Link
|LIST<ref name=":5" />,
|
|A1
|-
|'''April 25'''
|'''Zurich, Switzerland'''
|'''Rote Fabrik'''
|'''[[Untilted#Zurich 2001|"Zurich 2001"]]'''
LIST''<ref name=":5" />'',
|'''AUD #1 ([https://www.youtube.com/watch?v=HmBagKNdlHg part])'''
|A1
|-
|April 27
|Vienna, Austria
|Porgy & Bess
|LIST<ref name=":5" />,
|
|A1
|-
|April 28
|Munich, Germany
|L.O.K.
|LIST<ref name=":5" />,
|
|A1
|-
|April 29
|Cologne, Germany
|Studio 672
|LIST<ref name=":5" />,
Bootlegs misattribute it to April 1.
|AUD #1 ([https://archive.org/details/Autechre2001-04-01 full])
|A1
|-
|April 30
|Frankfurt, Germany
|U60311
|LIST<ref name=":5" />,
|
|A1
|-
|May 1
|Berlin, Germany
|WMF
|LIST<ref name=":5" /><ref>https://issuu.com/debug_mag/docs/debug47/44</ref>,
|
|A1
|-
|May 4
| New York, NY, USA
|Bowery Ballroom
|LIST<ref name=":5" /><ref name=":6">https://web.archive.org/web/20221003183620/https://www.mtv.com/news/jdw42c/autechre-bring-album-tour-to-us</ref>, ATTE<ref>https://web.archive.org/web/20240522230059/https://www.ebay.com/itm/394579783833?itmmeta=01HYH885NS87JP6YN82YN6A5HQ&hash=item5bdec9b099:g:KCoAAOSw3lVju1bb&itmprp=enc%3AAQAJAAAAwKjZTyCrK0xKHKfUppRrq5xQei97uQCO715kTe%2FJnKe2%2B1LgGAYrTDiWA3iF4C1sOuDSP%2B3Jy%2FNQP%2F8uuoa%2FucpKqaVwjR8IE8i5DpZpSN4%2FQO1u3bb6rpNHrhisycSjaw0gac183Xalimrh31r0C%2FBtmpyA%2F0AL8GG7xaHQ5cOgZlW4FBEQ%2FODd7O48SFjdYmWIOnY8FwCHStavmcA1E6dkLewYXPdHlW4cOyrUrBraKBUtMmcUOubp0kmrjHJTvg%3D%3D%7Ctkp%3ABk9SR4bboKj0Yw</ref>,
|AUD #1 ([https://archive.org/details/Ae2001-05-04.flac16 full])
|A1
|-
|May 5
| New York, NY, USA
|Bowery Ballroom
|LIST<ref name=":5" /><ref name=":6" />,
|
|B1
|-
|May 6
|Princeton, NJ, USA
|Terrace Club
|REC, LIST<ref name=":5" /><ref name=":6" />, ATTE<ref>https://www.flickr.com/photos/pudstah/410459583/</ref><ref>https://www.flickr.com/photos/pendejo/26043096/</ref>,
|AUD #1 ([https://www.youtube.com/watch?v=zkg9-y3yaw0 part])
|A1
|-
|May 7
|Boston, MA, USA
|Middle East Underground
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 8
|Montreal, Canada
|Club Soda
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 9
| Toronto, Canada
|The Opera House (Steam Whistle Brewing Co.)
|LIST<ref name=":5" /><ref name=":6" />, ATTE<ref>https://www.flickr.com/photos/fynes/340144010/</ref>, DESC<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D933</ref>, 
The soundboard contains only the first and last third of the full set.<ref>https://forum.watmm.com/files/file/1787-ae_live_toronto_mix_090501/</ref>
|SBD #1 ([https://www.youtube.com/watch?v=Ir8nMDdyAYg partial])
AUD #1 ([https://archive.org/details/Ae2001-05-09.flac16 full])
|A1
|-
|May 10
|Columbus, OH, USA
|Wexner Center for the Arts
|LIST<ref name=":5" /><ref name=":6" />, DESC<ref>https://autechre.neocities.org/en/articles/article9</ref><ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D220</ref>,
Support: Rob Hall, Russel Haswell
|
|A1
|-
|May 11
|Chicago, IL, USA
|Metro
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 12
|Mineapolis, MN, USA
|Ascot Room (Quest)
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 15
|Vancouver, Canada
|Sónar
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 16
|Seattle, WA, USA
|Showbox Theater
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Ae2001-05-16.csb.flac16 full])
|A1
|-
|May 17
|Portland, OR, USA
|B Complex
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Autechre2001-05-17 full])
|A1
|-
|May 18
|Oakland, CA, USA
|94612.Club Indigo
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Autechre2001-05-18 full])
|A1
|-
|May 19
|Los Angeles, CA, USA
|El Rey Theater
|LIST<ref name=":5" /><ref name=":6" />,
Support: Rob Hall, Russell Haswell, Curtis Roads<ref>https://www.latimes.com/archives/la-xpm-2001-may-17-ca-64466-story.html</ref><ref>https://www.curtisroads.net/music#:~:text=Volt%20air%20(2001%2D2003)%20electronic%20sound.%20In%20four%20parts.%20Premiered%2019%20May%202001%2C%20concert%20with%20Autechre%2C%20El%20Rey%20Theater%2C%20Los%20Angeles.%C2%A0</ref><ref>https://openspace.sfmoma.org/2016/07/an-interview-with-curtis-roads/</ref><ref>https://static1.squarespace.com/static/5ad03308fcf7fd547b82eaf7/t/5b75a17b88251b44e5693441/1534435708241/04+Path+to+Half+Life.pdf</ref>
|
|A1
|-
|May 21
|Austin, TX, USA
|Mercury at Jazz
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Ae2001-05-21.dsm-6s.flac16 full])
|A1
|-
|May 22
|Orlando, FL, USA
|Club Firestone
|LIST<ref name=":5" /><ref name=":6" />,
|
|A1
|-
|May 23
|Miami, FL, USA
|Knights of Columbus
|LIST<ref name=":5" /><ref name=":6" />, VEN<ref name=":66">https://web.archive.org/web/20250529055909/https://post.lurk.org/@sean_ae/114585368288496104</ref>, ATTE<ref>[https://web.archive.org/web/20010411092856/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid986324371,68176, https://web.archive.org/web/20010411092856/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid986324371,68176,]</ref><ref name=":66" />
Support: Richard Devine, Otto Von Schirach, Russell Haswell, Rob Hall, Salim Rafiq, Gliese, Mioc
|
|A1
|-
|May 24
|Atlanta, GA, USA
|The Roxy
|LIST<ref name=":5" /><ref name=":6" />, ATTE<ref name=":66" />,
|AUD #1 ([https://archive.org/details/Autechre2001-05-24 full])
|A1
|-
|May 25
|Washington, DC, USA
|9:30 Club
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Ae2001-05-25 full])
|A1
|-
|May 26
|Detroit, MI, USA
|Hart Plaza (Detroit Electronic Music Festival)
|LIST<ref name=":5" /><ref name=":6" />,
|AUD #1 ([https://archive.org/details/Autechre2001-05-26 full])
|A1
|}

== [[Untilted Tour]] ==

=== 2005 ===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|April 14
|London, England, UK
|SEOne
|REC, LIST<ref name=":22">https://web.archive.org/web/20050404112539fw_/http://www.warprecords.com/news/?offset=0&ti_id=901</ref>, ATTE<ref>https://www.flickr.com/photos/v11v11v11v/9546384/</ref>,
Support: Rob Hall, Mark Broom, Baby Ford
|AUD #1 ([https://www.youtube.com/watch?v=gIkNc0u8VIA full])
|A1
|-
|April 15
| colspan="3" |[[2005-04-15 Glasgow, Scotland, UK @ Glasgow School of Art|Glasgow, Scotland, UK @ Glasgow School of Art]]
|Yes [Full, SBD]
|A1
|-
|April 16
|Manchester, England, UK
|The Zoo
|LIST<ref name=":22" />, ATTE<ref>https://web.archive.org/web/20240522230047/https://www.ebay.com/itm/155923308676?itmmeta=01HYH885NSSNYM3B7W38SK9SH6&hash=item244dc0e084:g:GUUAAOSwT2JlWzVA&itmprp=enc%3AAQAJAAAA4PxgSr4Upyj2KbJCjXfsU7hC77w8L8J3PgkTDUaCTjzCJUTRw1o1eQVH4rgvgINkjlpHuGSwm8mtJcjiUK%2B%2FwjLjVDBh%2FG8Ixn%2F5YEY9cINEdPUgf0gTBi6pVTYFi2BZZLcYr75vxObUPLV1lm6PaAAmKRd83rIjzCFS4RUEuoBqUC8FUVJes%2FucL1JmD2gmLqmYAHshNZNS5DKzlVnAvhbdZtQbIjB9JpIz2%2FOsh%2BO9L3wls0tnx8ml9f%2Fo6X27JBDHkZa3yrLYmpU3mCIbixr6yczOB%2BA1cAZ%2Fsp6ORcNh%7Ctkp%3ABk9SR_7aoKj0Yw</ref>,
Support: Rob Hall
|
|A1
|-
|April 17
|Nottingham, England, UK
|Stealth
|LIST<ref name=":22" />,
Support: Rob Hall
|
|A1
|-
|April 18
|Paris, France
|Point Éphémère
|LIST<ref name=":22" />,
|
|A1
|-
|April 19
|Antwerp, Belgium
|Petrol
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 20
|Eindhoven, Netherlands
|Effenaar
|REC, LIST<ref name=":22" /><ref>https://web.archive.org/web/20050403133959fw_/http://www.effenaar.nl/fnr_content_engine/agenda.php </ref>,
Support: SND
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ partial])
|A1
|-
|April 21

|Hamburg, Germany
|Planten un Blomen
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 22
|Berlin, Germany
|Club Maria
|LIST<ref name=":22" />,
Support: SND, O.S.T., Errorsmith
|
|A1
|-
|April 23
| Cologne, Germany
|Sensor
|LIST<ref name=":22" />, ATTE<ref>https://www.flickr.com/photos/88169577@N00/150050313/</ref>,
Support: SND
|
|A1
|-
|April 24
|Mannheim, Germany
|MS Connexion Complex
|LIST<ref name=":22" /><ref>https://web.archive.org/web/20050422050800/http://www.warprecords.com/frameset.php?section=news/?ti_id=927</ref>,
Support: SND

This show was cancelled due to Sean and Rob having to reapply for their US Visa in person in London after the US embassy there failed to properly process their first application.
|
|A1
|-
|April 25
|Reims, France
|La Cartonnerie
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 26
|Lyon, France
|DV1
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 27
|Geneva, Switzerland
|L’Usine
|REC, LIST<ref name=":22" />,
Support: SND
|AUD #1 ([https://www.reddit.com/r/autechre/comments/grpxdi/i_compiled_39_autechre_bootlegs_from_between/ full])
|A1
|-
|April 28
|Marseille, France
|Friche de la Belle de Mai
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 29
|Rome, Italy
|Brancaleone
|LIST<ref name=":22" />,
Support: SND
|
|A1
|-
|April 30
|Bologna, Italy
|Link
|LIST<ref name=":22" />, ATTE<ref>https://www.flickr.com/photos/fidelio/33107978/</ref>,
Support: SND
|
|A1
|-
|May 6
|Washington, DC, USA
|Black Cat
|LIST<ref name=":22" />, ATTE<ref>https://www.flickr.com/photos/flyingturtle/2854122967/</ref>,
Support: Rob Hall, SND
|
|A1
|-
|May 7
|Philadelphia, PA, USA
|Trocadero Theatre
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 8
|New York, NY, USA
|Webster Hall
| LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 9
|Boston, MA, USA
|Paradise Rock Club
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 10

|Montreal, Canada
|L'Usine C (Elektra Festival)
|REC, VEN<ref>https://www.neme.org/blog/elektra-6</ref>, LIST<ref name=":22" />,
Support: Rob Hall, SND
|AUD #1 ([https://www.youtube.com/watch?v=pOy94biQGNA full])
|A1
|-
|May 11
|Toronto, Canada
|The Opera House
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 12
|Detroit, MI, USA
|Masonic Temple Theatre
|REC, VEN<ref>https://web.archive.org/web/20240522225556/https://www.ebay.com/itm/235405643633?itmmeta=01HYH885NRBJN18JPPDNDPVP7Y&hash=item36cf450f71:g:6YsAAOSwZ3ZltVHF&itmprp=enc%3AAQAJAAAAwPJx2WyyTIaemMJMvu5uordDKocaio0CFzK8aHN%2Fu8mwcQYHdtZKio5tOatkY6bSM%2BpNSfraMvCAn%2FDm3NnyaXlPZNkuue48UqcZ9kJ6u4bARoOwcqkz3YHG%2FcUQgZh70Y%2FgI2y80x5p9dY%2BzTkOIPYFn9BoBZ5UoqbR1VuaABhCIXu7wX73pea9Vr8e9E0bMRaXuOGjRaIuyrhmCv2P7NWE9H4X6LbDIo1xBCKpeeNQ%2BkTO0JrenJ30G32ZG56uPQ%3D%3D%7Ctkp%3ABk9SR_zaoKj0Yw</ref>, LIST<ref name=":23">https://web.archive.org/web/20060513155739/http://www.warprecords.com:80/news/?offset=0&ti_id=901</ref>,
Support: Rob Hall, SND
|AUD #1 ([https://www.youtube.com/watch?v=W85OsroqLSQ full])
|A1
|-
|May 13
|Chicago, IL, USA
|Metro
|REC, LIST<ref name=":22" />, ATTE<ref>https://web.archive.org/web/20250911133726/https://post.lurk.org/@sean_ae/115178991649905815</ref>,
Support: Rob Hall, SND
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|May 14
|Minneapolis, MN, USA
|The Quest
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
| A1
|-
|May 17
|Vancouver, Canada
|Commodore Ballroom
| LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 18
|Seattle, WA, USA
|Neumos
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 19
| Portland, OR, USA
|Berbati's Pan
| LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 20
|San Francisco, CA, USA
| Mezzanine
|LIST<ref name=":22" />, VEN<ref>https://www.flickr.com/photos/99179146@N00/14787233/</ref>,
Support: Rob Hall, SND
|
|A1
|-
|May 21
|Los Angeles, CA, USA
|El Rey Theatre
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 22
|Tempe, AZ, USA
|Club Freedom
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 24
|Dallas, TX, USA
|Trees
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 25
|Austin, TX, USA
| The Parish
|REC, LIST<ref name=":22" />, ATTE<ref>https://www.flickr.com/photos/beth_mckinney/28225518/</ref><ref>https://www.flickr.com/photos/beth_mckinney/175807964/in/photostream/</ref>,
Support: Rob Hall, SND
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|May 26
|New Orleans, LA, USA
|TwiRoPa
|REC, LIST<ref name=":22" />,
Support: Rob Hall, SND
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|May 27
|Atlanta, GA, USA
|Variety Playhouse
|LIST<ref name=":22" />, ATTE<ref>https://www.flickr.com/photos/amoeba/16373575/in/photostream/</ref><ref>https://www.flickr.com/photos/xenlab/albums/396875/</ref>,
Support: Rob Hall, SND
|
|A1
|-
|May 28
| Asheville, NC, USA
|The Orange Peel
|LIST<ref name=":22" />,
Support: Rob Hall, SND
|
|A1
|-
|May 29
|Baltimore, MD, USA
|Sónar
|LIST<ref name=":23" />,
Support: Rob Hall, SND
|
|A1
|-
|June 10
|Kawasaki, Japan
|Club Citta'
|LIST<ref name=":23" />,
Support: Mark Bell, Russell Haswell, Rob Hall
|
|A1
|-
|June 11
|Osaka, Japan
|Bayside Jenny
|LIST<ref name=":23" />,
Support: Mark Bell, Russell Haswell, Rob Hall
|
|A1
|-
|July 1
|Roskilde, Denmark
|Darupvej (Roskilde Festival 2005)
|LIST<ref name=":22" />,
|
|A1
|-
|July 8
|Newcastle Upon Tyne, England, UK
|MS Stubnitz (Vision Festival)
|LIST<ref name=":22" />, MISC<ref name=":55">https://forum.watmm.com/topic/7661-autechre-live-broadcasts-interviews/?do=findComment&comment=183535</ref>,
|
|A1
|-
|July 14
|Amsterdam, Netherlands
|Paradiso (5 Days Off)
|LIST<ref name=":22" />, MISC<ref name=":55" />,
Support: Rob Hall, Speedy J, Richard Devine
|
|A1
|-
| September 9
|Graz, Austria
|Elevate Festival
|VEN<ref>https://elevate.at/websites/2005/lineup2005%2bM54a708de802.html and https://elevate.at/websites/2005/artist_details%2bM58782cf60bc.html</ref>, MISC<ref name=":55" />,
|
|A1
|-
|September 17
|London, England, UK
|KOKO (All Tomorrow's Parties: Easy to Swallow Part II)
|VEN<ref>https://web.archive.org/web/20240607195616/https://www.atpfestival.com/events/list/archive?pg=28#:~:text=ATP%3A%20Easy%20To%20Swallow%20Part%20II</ref>, DESC<ref>https://electro-music.com/forum/post-45970.html</ref>, MISC<ref name=":10" /><ref name=":55" />,
|
|A1
|-
|November 25
|Tokyo, Japan
|Makuhari Messe (Electraglide 2005)
| VEN<ref>http://www.electraglide.info/#history:~:text=electraglide%202005-,11/25(%E9%87%91)%EF%BC%A0%E5%B9%95%E5%BC%B5%E3%83%A1%E3%83%83%E3%82%BB,-11/26(%E5%9C%9F</ref><ref>https://web.archive.org/web/20250408024415/https://post.lurk.org/@sean_ae/114295837881196229</ref>, MISC<ref name=":18" />,
|
|A1
|}

===2006===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
| April 8
|Dublin, Ireland
|Temple Bar Music Centre
|REC, LIST<ref name=":24">https://web.archive.org/web/20060515213403/http://www.warprecords.com/news/?offset=20&ti_id=1096</ref>,
|AUD #1 ([https://www.youtube.com/watch?v=YQrWV--Q_kA full])
AUD #2 ([https://www.youtube.com/watch?v=Dv81iI_bQEA part])
|A1
|-
|April 9
|Belfast, Northern Ireland, UK
|The Stiff Kitten
| LIST<ref name=":24" />,
|
|A1
|-
|April 21
|Krems, Austria
|Donaufestival 2006 / Danube Festival
|LIST<ref name=":24" />, ATTE<ref>https://www.flickr.com/photos/breakingglass/132660016/in/photostream/</ref>,
|AUD #1 (parts [https://www.youtube.com/watch?v=XAl5C-CoJTI 1] [https://www.youtube.com/watch?v=5E60-xEsYog 2] [https://www.youtube.com/watch?v=yoN_ZnsmHX8 3])
|A1
|-
|April 22
|Zaragoza, Spain
|Zaragoza Festival
|REC, LIST<ref name=":24" />,
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|May 11
|Jerusalem, Israel
|Uganda Bar
|ATTE<ref>https://www.flickr.com/photos/6finger/146299746/in/photostream/</ref>,
|
|A3
|-
| June 8
| Turku, Finland
|
|REC,
|AUD #1 ([https://www.youtube.com/watch?v=8XFQ9oH7WX0 part])
|
|-
|July 14
|Berkshire, England, UK
|The Glade (Glade Festival 2006)
|REC<ref name=":10" />,
|AUD #1 ([https://archive.org/details/Autechre20060714UKTheGlade10 parts])
|
|-
|November 24
|Manchester, England, UK
|The Old Brewery (The Warehouse Project)
|REC, VEN<ref>https://www.808state.com/live/2006/index.htm#:~:text=Nov%3A2006-,Fri%3A24%3ANov,-%2D%20Massonix%20live%20%2D</ref>, MISC<ref name=":10" />,
|AUD #1 (parts [https://www.youtube.com/watch?v=hwxDEZa-KAk 1] [https://www.youtube.com/watch?v=4Ig3nHtWJFQ 2] [https://www.youtube.com/watch?v=yZKE4IAscCc 3] [https://www.youtube.com/watch?v=y65SBA8ZoPk 4] [https://www.youtube.com/watch?v=DpYOaLjxzX8 5])
|
|-
|December 1
|Barcelona, Spain
|Parc del Fòrum (Primavera 2006)
|MISC<ref name=":10" />,
|
|
|}

===2007===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|March 25
|Hemsby, England, UK
|Pontin's Holiday Park (Bloc 2007)
|REC, VEN<ref>https://web.archive.org/web/20240522230051/https://www.ebay.com/itm/204795109062?itmmeta=01HYH885NT70TBGATPPY591CBG&hash=item2faebd5ec6:g:exwAAOSwo5Zi5fGZ&itmprp=enc%3AAQAJAAAA4C%2BC7VaOq%2FuScNhrP%2F2NLRK1WCkPNi4hIqzMCNyFbct%2FarcMCynR6pPIlmT468fH8VVaQmXxt9l4NsYNn3OCv8jagWBvnkn1sDbLn2aGJnDCMErZvtWuyyTezhtDjz%2FUkzmrpqmuIpQt8yGkTAA2tdiHzTakBSzaUOqoiHdBqKvxlkDNfO4XDHDwg%2BJOv3cVHwLyAkzyQGryh3LkTcq%2FcoPm6rGPxYs5ykGbBnpvHMIN83N1Yf67XevI5AcOKaFMLYUtyoJ2en2%2BaVkeQdMrPaOYgk%2F9Ts4c0578VZ8pzjCr%7Ctkp%3ABk9SR4bboKj0Yw</ref>, LIST<ref>https://web.archive.org/web/20070616061713fw_/http://www.warprecords.com/news/?offset=20&ti_id=1266</ref>, ATTE<ref>https://www.flickr.com/photos/56181548@N00/441787649/</ref><ref>https://www.flickr.com/photos/micheeky/438114551/</ref>,
|MAT #1 ([https://www.youtube.com/watch?v=li7wXbFnMKU full])
AUD #1 ([https://www.youtube.com/watch?v=V9G5gu1HszE part])
|A1
|-
|March 30
|Brussels, Belgium
|Les Halles de Schaerbeek (Reset 2007)
|REC,
|AUD #1 ([https://www.youtube.com/watch?v=umknZ4l7KQQ full])
|
|-
|April 7
|Madrid, Spain
|Telefónica Madrid Arena (Klubbers' Day 2007)
|VEN<ref>https://www.fiestaybullshit.com/aquellos-maravillosos-anos-klubbersday/</ref>, ATTE<ref>https://www.flickr.com/photos/dgeral/450725158/in/photostream/</ref>,
|
|A1
|-
|May 4
|Rome, Italy
|Brancaleone
| MISC<ref name=":10" />,
|
|
|-
|May 12
|Den Haag, Netherlands
|Paard van Troje
|LIST<ref name=":63">https://web.archive.org/web/20080820063643/http://autechre.watmm.com/autechre/autechre_europe_live_dates/</ref>, ATTE<ref>https://www.flickr.com/photos/stephanck/519001952/</ref>,
|
|A1
|-
|July 7
|Monegros Desert, Spain
|Monegros Festival
|LIST<ref name=":63" />,ATTE<ref>https://www.flickr.com/photos/sr_atlantico/761033894/in/photostream/</ref><ref>https://www.flickr.com/photos/row_58/762993645/</ref><ref>https://www.flickr.com/photos/tavok/896949561/</ref>,
|AUD #1 (parts [https://www.youtube.com/watch?v=a98qmIq0Q-A 1] [https://www.youtube.com/watch?v=1QJrjuTfqvk 2] [https://www.youtube.com/watch?v=fO3DovekAqM 3])
|A1
|-
|July 13
|Gräfenhainichen, Germany
|Ferropolis (MELT! Festival 2007)
|VEN<ref>https://web.archive.org/web/20150511193442/http://www.meltfestival.de/fileadmin/user_upload/melthistory/Melt_Poster_A1_2007.png</ref><ref name=":28">https://web.archive.org/web/20150925170431/http://www.meltfestival.de/acts/artists-a-z/act/autechre.html</ref>,
|
|A1
|-
|July 14
|Dour, Belgium
|La Plaine de La Machine à Feu (Dour Festival 2007)
|REC, VEN<ref name=":14" />, LIST<ref name=":63" />,
|AUD #1 ([https://www.youtube.com/watch?v=aiK7Kjjf83E full])
|A1
|}

==[[Quaristice Tour]]==

===2008===
{| class="wikitable"
! Date
!City
!Venue/Event
!Sources/Notes
!Recordings
! [S]
|-
|February 29
|Manchester, England, UK
|Music Box
|LIST<ref name=":7">https://web.archive.org/web/20080201091637/http://www.autechre.ws:80/quaristice/mail/</ref><ref name=":58">https://www.clashmusic.com/news/autechre-to-play-car-park-gig/</ref>,
Support: Rob Hall, SND
|
|A1
|-
|March 1
|Glasgow, Scotland, UK
|Glasgow School of Art (Numbers)
|VEN<ref>https://nmbrs.net/club/autechre-glasgow-school-of-art-138/</ref>, LIST<ref name=":7" /><ref>http://backcatalog.list.co.uk.s3-website.eu-west-2.amazonaws.com/the-list/2008-02-28/74/index.html</ref><ref name=":58" />, DESC<ref>https://www.theskinny.co.uk/clubs/highlights/autechre-numbers-art-school-glasgow-1-mar</ref><ref>http://backcatalog.list.co.uk.s3-website.eu-west-2.amazonaws.com/the-list/2008-02-28/38/index.html</ref><ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D1114</ref>,
Support: Rob Hall, SND
|AUD #1 ([https://www.youtube.com/watch?v=Awqos6d_QqE part])
|A1
|-
|March 2
| Newcastle, England, UK
|Digital (AV Festival)
|LIST<ref name=":7" /><ref name=":58" />, ATTE<ref>https://www.flickr.com/photos/9378119@N06/2346925573/in/photostream/</ref>,
Support: Rob Hall, SND
|
|A1
|-
|March 3

|Birmingham, England, UK
|Med Bar
|LIST<ref name=":7" /><ref name=":58" />,
Support: Rob Hall, SND
|
|A1
|-
|March 4
|London, England, UK
|Hearn Street Car Park
|LIST<ref name=":7" /><ref name=":58" />, ATTE<ref>https://www.flickr.com/photos/tesselate/albums/72157604048073098/</ref>, DESC<ref>https://web.archive.org/web/20140921145125/http://www.musicomh.com/reviews/live/autechre-hearn-street-car-park-london</ref>,
Support: Rob Hall, SND
|AUD #1 (parts [https://vimeo.com/772543 1] [https://vimeo.com/772543 2])
|A1
|-
|March 5
|Cologne, Germany
|Stattgarten
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 6

|Amsterdam, Netherlands
|Melkweg
|LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/oldvalvemic/2316228289/in/pool-706589@N20/</ref>,
Support: Rob Hall, SND
|AUD #1 (parts [https://www.youtube.com/watch?v=QQhF94XxZiE 1] [https://www.youtube.com/watch?v=9BTERAeV8S0 2] [https://www.youtube.com/watch?v=0qKq6N1KgYQ 3] [https://www.youtube.com/watch?v=VWmMNWiBvcw 4])
AUD #2 ([https://www.youtube.com/watch?v=nPyka-5-Oa4 part])
|A1
|-
|March 7
|Antwerp, Belgium
|Petrol
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 8
|Hamburg, Germany
|Hafenklang
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 9
|Berlin, Germany
|Berghain
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 10
|Katowice, Poland
|Galeria Szyb Wilson
|LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/oldvalvemic/2333249329/in/pool-706589@N20/</ref><ref>https://www.flickr.com/photos/loca/2611864694/in/photostream/</ref>,
Support: Rob Hall, SND
|AUD #1 (part)
|A1
|-
|March 11
|Budapest, Hungary
|Merlin
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 12
|Zagreb, Croatia
|Kset
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 13
|Graz, Austria
|Post Garade
|LIST<ref name=":7" />,
Support: Rob Hall, SND
| AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
AUD #2 (parts [https://www.youtube.com/watch?v=fpA97BMcfl0 1] [https://www.youtube.com/watch?v=PQVMvjMmrqI 2])
|A1
|-
|March 14
|Turin, Italy
|Hiroshima Mon Amour
|LIST<ref name=":7" />,
Support: Rob Hall, SND
| AUD #1 (partial)
AUD #2 (parts [https://www.youtube.com/watch?v=CB53UWYrJjM 1] [https://www.youtube.com/watch?v=Ii4v4dOLrpo 2] [https://www.youtube.com/watch?v=OhZ8rGy0JDk 3])
|A1
|-
|March 15
|Rome, Italy
|Officine Marconi (Brancaleone)
| LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 16
|Bologna, Italy
|Kindergarten
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
| A1
|-
|March 17
|Lyon, France
| Epicerie Moderne
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 18
|Strasbourg, France

|La Laiterie
| LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 19
|Paris, France
|Rex Club
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|March 20
|Geneva, Switzerland
|L'Usine (Electron Festival 2008)
|LIST<ref name=":7" />,
Support: Rob Hall, SND
|
|A1
|-
|April 4
| Los Angeles, CA, USA
|Echoplex
|REC, VEN<ref>https://www.808state.com/live/2008/index.htm#:~:text=San%20Francisco%2C%20USA.-,Fri%3A04%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/josephtsai/2392175101/in/pool-706589@N20/</ref>,
Support: Massonix, Rob Hall

Soundboard replication, not original: [[Live at Echoplex 2008/04/04 (replication by ios & digit)]]
|SBD* #1 ([https://www.youtube.com/watch?v=BOl6sIMYPs0 full])
AUD #1 ([https://www.youtube.com/watch?v=yh5xmDZpXFg full])

AUD #2 (parts [https://www.youtube.com/watch?v=G04sxiiK-1o 1] [https://www.youtube.com/watch?v=NLnZQKwGP5g 2] [https://www.youtube.com/watch?v=4eCu_TzdpZc 3] [https://www.youtube.com/watch?v=FtCLqCNMpg4 5] [https://www.youtube.com/watch?v=gjArcLU6urg 6] [https://www.youtube.com/watch?v=7dtHN4OHWqM 7] [https://www.youtube.com/watch?v=zU98Qh6R8Cw 8] [https://www.youtube.com/watch?v=veNpTQf1ePg 9] [https://www.youtube.com/watch?v=zJEOLzj2_0M 10] [https://www.youtube.com/watch?v=R0WQnSvV2aw 11] [https://www.youtube.com/watch?v=obk5IQqFzSE 12] [https://www.youtube.com/watch?v=NSKhujxpm-o 13] [https://www.youtube.com/watch?v=bMmyA0kIbG0 14] [https://www.youtube.com/watch?v=7NL9OFliftE 15])

AUD #3 ([https://www.youtube.com/watch?v=HGy4tyVOQzU part]) 
|A1
|-
|April 5
|San Francisco, CA, USA
|Mezzanine
|VEN<ref>https://www.flickr.com/photos/starasaur/2383395116/</ref><ref>https://www.808state.com/live/2008/index.htm#:~:text=Fir%20%2D%20Portland%2C%20USA.-,Sat%3A05%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/felima/2426201425/</ref><ref>https://www.flickr.com/photos/thincvox/2393546952/</ref>, 
Support: Massonix, Rob Hall
|
|A1
|-
|April 6
| Portland, OR, USA
|Doug Fir
|VEN<ref>https://www.808state.com/live/2008/index.htm#:~:text=Neumos%20%2D%20Seattle%2C%20USA.-,Sun%3A06%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/dj_metronome/albums/72157604431833655/</ref>,
Support: Massonix, Rob Hall
|
|A1
|-
|April 7
|Seattle, WA, USA
|Neumos
|VEN<ref>https://www.808state.com/live/2008/index.htm#:~:text=Richards%20%2D%20Vancouver%20%2D%20Canada.-,Mon%3A07%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/matttamaru/2412295395/in/pool-706589@N20/</ref>,
Support: Massonix, Rob Hall
|AUD #1 (partial)
|A1
|-
|April 8
|Vancouver, Canada
| Richards on Richards
|LIST<ref name=":7" />, VEN<ref>https://www.flickr.com/photos/9817122@N05/2356826616/in/pool-706589@N20/</ref><ref>https://www.808state.com/live/2008/index.htm#:~:text=Abbey%20%2D%20Chicago%2C%20USA.-,Tue%3A08%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>,
Support: Massonix, Rob Hall
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
AUD #2 (parts [https://www.youtube.com/watch?v=bN147m04mv8 1] [https://www.youtube.com/watch?v=hmxqSfMVWn8 2])
|A1
|-
|April 11
|Chicago, IL, USA
|The Abbey
|LIST<ref name=":7" />,
Support: Massonix, Rob Hall
|AUD #1 (parts [https://vimeo.com/926954 1] [https://vimeo.com/947946 2] [https://vimeo.com/948061 3] [https://vimeo.com/948225 4])
|A1
|-
|April 12
|Toronto, Canada
|Lees Palace
|LIST<ref name=":7" />, ATTE<ref>https://www.flickr.com/photos/guidewired/2450198081/</ref>,
Support: Massonix, Rob Hall
|AUD #1 ([https://www.youtube.com/watch?v=YxkV7zLqZYk full])
|A1
|-
|April 13
|Montreal, Canada
|Club Soda
|LIST<ref name=":7" />,
Support: Massonix, Rob Hall
|AUD #1 ([https://archive.org/details/Autechre2008-04-13 full])
AUD #2 ([https://www.youtube.com/watch?v=_NP9up1c7-E part])
| A1
|-
|April 14
|Cambridge, MA, USA
|Middle East Downstairs
|VEN<ref>https://www.808state.com/live/2008/index.htm#:~:text=Williamsburg%20%2D%20Brooklyn%20%2D%20USA.-,Mon%3A14%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />,
Support: Massonix, Rob Hall
|
|A1
|-
|April 15
|New York, NY, USA
|Music Hall of Williamsburg
|LIST<ref name=":7" />, DESC<ref>https://www.nytimes.com/2008/04/17/arts/music/17aute.html</ref>,
Support: Massonix, Rob Hall
|AUD #1 ([https://www.youtube.com/watch?v=TzEGCPTlFVI part])
|A1
|-
|April 16
|Philadelphia, PA, USA
|Transit
|VEN<ref>https://www.808state.com/live/2008/index.htm#:~:text=Cat%20%2D%20Washington%20%2D%20USA.-,Wed%3A16%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":7" />,
Support: Massonix, Rob Hall
|AUD #2 ([https://www.flickr.com/photos/drewbenkert/2654635566/ part])
| A1
|-
|April 17
|Washington, DC, USA
|Black Cat
|LIST<ref name=":7" />, ATTE<ref>https://www.808state.com/live/2008/index.htm#:~:text=Bench%20aftershow%20%2D%20Manchester.-,Thu%3A17%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>,
Support: Massonix, Rob Hall
|
|A1
|-
|April 26
|Osaka, Japan
|Club Karma
|VEN<ref name=":59">https://www.808state.com/live/2008/index.htm#:~:text=Room%20%2D%20Tokyo%20%2D%20Japan.-,Sat%3A26%3AApr%3A08,-%2D%20Massonix%20(w.%20Autechre</ref>, LIST<ref name=":15">https://www.mdmarchive.co.uk/artefact/3557/Massonix-Autechre-Rob-Hall-Flyer-2008</ref><ref name=":54">https://www.808state.com/forum/viewtopic.php?t=1937</ref>,
|AUD #1 ([https://www.youtube.com/watch?v=fjQYx0U9iew part])
|A1
|-
|April 28
|Tokyo, Japan
|LIQUIDROOM
|VEN<ref name=":59" />, LIST<ref name=":15" /><ref name=":54" />, ATTE<ref>https://www.flickr.com/photos/buna/2450742759/in/pool-706589@N20/</ref><ref>https://www.flickr.com/photos/macoshark/2459147523/</ref>,
|
|A1
|-
|July 19
|Berkshire, England, UK
|Wasing Estate (Glade Festival 2008)
|VEN<ref>https://lastfm.freetls.fastly.net/i/u/ar0/b6d07cdf084e44e3c4f9043c5ca4b587</ref><ref>https://web.archive.org/web/20080926164927/http://www.gladefestival.com:80/music/overkill/index.php?artist=298</ref>, LIST<ref>https://www.efestivals.co.uk/festivals/glade/2008/lineup.shtml</ref>, ATTE<ref>https://www.flickr.com/photos/psymonj/2738081365/</ref>,
|
|A1
|}

==[[Oversteps Tour]]==

===2010===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|March 11
| Manchester, England, UK
|Pure Club
|LIST<ref name=":0">https://web.archive.org/web/20100418154346/http://autechre.ws:80/</ref><ref name=":11">https://www.nme.com/news/music/autechre-1296503</ref><ref name=":12">https://pitchfork.com/news/37563-autechre-announce-new-album/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.youtube.com/watch?v=f1KsKrouxnM full])
|A1
|-
|March 12
|Birmingham, England, UK
|The Rainbow
|VEN<ref>https://web.archive.org/web/2/https://supersonicfestival.com/event/autechre-guests-0/</ref>, LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, DESC<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D650</ref>,
Support: Russell Haswell, Rob Hall and Didjit

Some bootlegs label this the next day's Minehead show.
|AUD #1 ([https://www.youtube.com/watch?v=WKltmttjKng full])
|A1
|-
|March 13
|Minehead, England, UK
|Butlins Minehead Resort (Bloc 2010)
|LIST<ref name=":0" /><ref name=":12" />, DESC<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D142</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.youtube.com/watch?v=LvEvnSpiF1Y part])
| A1
|-
|March 15
|Nottingham, England, UK
|Stealth
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 16
|Glasgow, Scotland, UK
|Sub Club (Numbers)
|VEN<ref>https://nmbrs.net/club/autechre-live-numbers-glasgow/</ref>, LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, DESC<ref>https://www.theskinny.co.uk/clubs/highlights/autechre-numbers-16-march</ref><ref>[[Sean Booth Interview, February 2010]]</ref><ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D1114</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 17
|Leeds, England, UK
|The Wardrobe
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 18
|Brighton, England, UK
|Pavilion Theatre
| LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, ATTE<ref>https://www.flickr.com/photos/yeah_man/4444418881/in/pool-706589@N20/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 19
|Lille, France
|Tri Postal
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 20
|Paris, France
|Locomotive / La Machine du Moulin Rouge
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, VEN<ref>https://www.flickr.com/photos/ario/4605994601/in/photostream/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.flickr.com/photos/ario/4873005638/ part])
|A1
|-
|March 21
|Nantes, France
|L'Olympic
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 22
|Lyon, France
|La Plateforme
|LIST<ref name=":0" />, MISC<ref name=":21" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 23
|Geneva, Switzerland
|Le Zoo de l'Usine
|LIST<ref name=":0" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 24
| Zurich, Switzerland
|EXIL
|LIST<ref name=":0" />, MISC<ref name=":18" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 (full)
AUD #2 ([https://www.flickr.com/photos/mashroms/4464690961/ part])
|A1
|-
|March 25
|Segrate, Italy
|Circolo Magnolia
|LIST<ref name=":0" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|B1
|-
|March 26
|Turin, Italy
|Hiroshima Mon Amour
|LIST<ref name=":0" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.youtube.com/watch?v=dEtauI9aN1E full])
|A1
|-
|March 27
|Bologna, Italy
|Crash
|LIST<ref name=":0" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 28
|Ljubljana, Slovenia
|Kino Šiška
| LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|March 29
|Budapest, Hungary
|A38
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, ATTE<ref>https://www.flickr.com/photos/nagym/albums/72157623609416313/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|March 30

|Vienna, Austria
|Flex
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.youtube.com/watch?v=QhX7zBrhmUA part])

|A1
|-
| March 31
| Brno, Czechia
|Fléda
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, DESC<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D937</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|April 1
|Berlin, Germany
|Berghain
|LIST<ref name=":0" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|April 2
|Copenhagen, Denmark
|DR Koncerthuset
|VEN<ref>https://www.flickr.com/photos/artfreq/7905023512/</ref>, LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, ATTE<ref>https://www.flickr.com/photos/kristoffertrolle/4486559744/in/pool-706589@N20/</ref><ref>https://www.flickr.com/photos/oldvalvemic/4485059700/in/pool-706589@N20/</ref><ref>https://www.flickr.com/photos/tinze/4485278134/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|April 3
|Oslo, Norway
|Parkteatret
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
| AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|April 4
|Gothenburg, Sweden
|Nefertiti
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, ATTE<ref>https://www.flickr.com/photos/hertzen/4629514033/</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.youtube.com/watch?v=uAmRNy5Ezwc parts])
AUD #2 ([https://www.youtube.com/watch?v=xz4P8iB5yIA part])
| A1
|-
|April 5
|Aarhus, Denmark
|VoxHall
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|
|A1
|-
|April 6
|Hamburg, Germany
|Uebel & Gefährlich
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 (part)
|A1
|-
|April 7
|Amsterdam, Netherlands
|Melkweg The Max
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.reddit.com/r/autechre/comments/1az10r3/ae_live_19912023_a_bootleg_compilation/ full])
|A1
|-
|April 8
|Luxembourg, Luxembourg
|Exit07
|LIST<ref>https://issuu.com/maisonmoderne/docs/cityagenda0410/14</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|
| A1
|-
|April 9
|Brussels, Belgium
|Ancienne Belgique (Domino Fest)
|VEN<ref>https://www.abconcerts.be/fr/agenda/autechre-rob-hall-russell-haswell-didjit/a105J000001wgdyQAA</ref>, LIST<ref name=":0" /><ref name=":12" />, ATTE<ref>https://www.flickr.com/photos/frf_kmeron/4519911121</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://archive.org/details/Autechre2010-04-09.Edirol full])
AUD #2 (full)

AUD #3 (parts [https://www.youtube.com/watch?v=bSgcIZsle_A&list=PLC37AC9E52F3C505F&index=1&pp=iAQB8AUB 1] [https://www.youtube.com/watch?v=4vQcjlwDgAM&list=PLC37AC9E52F3C505F&index=2&pp=iAQB8AUB 2] [https://www.youtube.com/watch?v=HDuXacnH6io&list=PLC37AC9E52F3C505F&index=3&pp=iAQB8AUB 3] [https://www.youtube.com/watch?v=VpFwCN3TTEE&list=PLC37AC9E52F3C505F&index=4&pp=iAQB8AUB 4] [https://www.youtube.com/watch?v=T4aIjSkid0U&list=PLC37AC9E52F3C505F&index=5&pp=iAQB8AUB 5] [https://www.youtube.com/watch?v=S6buihADjz0&list=PLC37AC9E52F3C505F&index=6&pp=iAQB8AUB 6] [https://www.youtube.com/watch?v=D9C5u76yrhg&list=PLC37AC9E52F3C505F&index=7&pp=iAQB8AUB 7])

AUD #4 (parts [https://www.youtube.com/watch?v=iXQLQI-W2fg 1] [https://www.youtube.com/watch?v=t1ZLcRHh7fY 2] [https://www.youtube.com/watch?v=-KdOk5FG6vI 3])

AUD #5 ([https://www.youtube.com/watch?v=JHatpUR2jqM part])
|A1
|-
|April 10
|London, England, UK
|Bocking St Warehouse
|LIST<ref name=":0" /><ref name=":11" /><ref name=":12" />, ATTE<ref>https://www.instagram.com/p/DDaAR5ZoH_-/?img_index=2</ref>, DESC<ref>https://web.archive.org/web/20130501232218/http://www.musicomh.com/reviews/live/autechre-bocking-street-warehouse-london</ref>,
Support: Russell Haswell, Rob Hall and Didjit
|AUD #1 ([https://www.mixcloud.com/keyfumbler/autechre-hackney-london-2010/ full])
|A1
|-
|April 23
|Dublin, Ireland
| The Button Factory
|LIST<ref>https://nialler9.com/autechre-fact-mix-dublin-gig/</ref>,
Support: Rob Hall
|AUD #1 ([https://drive.google.com/file/d/1FjrccpeOQ6yNU6HRf2nufz6NU-sN52Qs/view?usp=drive_link full])
AUD #2 (parts [https://www.youtube.com/watch?v=_PK3IL-Pw_w 1] [https://www.youtube.com/watch?v=nYnbwQxZn8E 2] [https://www.youtube.com/watch?v=QVvVGJFIevc 3] [https://www.youtube.com/watch?v=VJ3Ja-RsSbo 4] [https://www.youtube.com/watch?v=fR-jh5ildBg 5] [https://www.youtube.com/watch?v=OsP4dIynWeM 6] [https://www.youtube.com/watch?v=3njlduYu1UY 7] [https://www.youtube.com/watch?v=fvoEyXjuupQ 8] [https://www.youtube.com/watch?v=A8YYWw712U4 9])
|A1
|-
|May 27
|Perth, Australia
|Capitol
|LIST<ref name=":29">https://ra.co/news/12076</ref>,
Support: Rob Hall, Harmonic 313
|
|A1
|-
| May 28
|Sydney Australia
|The Forum
|LIST<ref name=":29" /><ref name=":30">https://consequence.net/2010/05/autechre-already-has-new-album-release-date/</ref>, DESC<ref>https://web.archive.org/web/20211128082014/http://www.aliak.com/content/autechre-sydney-my-experiences</ref>,
Support: Rob Hall
|
|A1
|-
|May 29
|Melbourne, Australia
|The Hi-Fi
|LIST<ref name=":29" /><ref name=":30" />, ATTE<ref>https://www.flickr.com/photos/noisemachine/4651914767/in/pool-706589@N20/</ref>,
Support: Rob Hall, Harmonic 313
|AUD #1 ([https://www.youtube.com/watch?v=hdF459fB0aQ full])
|A1
|-
|June 4
|Tokyo, Japan
|Differ Ariake
|LIST<ref name=":30" /><ref name=":31">https://metropolisjapan.com/autechre/</ref>,
Support: Juan Atkins & Claude Young
|
|A1
|-
|June 5
|Nagano, Japan
|Kodama no Mori (Taico Club Festival)
|LIST<ref name=":30" /><ref name=":31" />, DESC<ref>https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&range=D702</ref>,
|
|A1
|-
|July 9
|Trenčín, Slovakia
|Letisko (Pohoda Festival)
|LIST<ref name=":30" /><ref name=":1">https://web.archive.org/web/20130306065800/http://autechre.ws/move-of-ten/</ref>,
| AUD #1 ([https://www.youtube.com/watch?v=RhaKFcL2bjI part])
AUD #2 ([https://www.youtube.com/watch?v=DK5VT_DmXiE part])
|A1
|-
|August 27
|Katowice, Poland
|Muzeum Śląskie (Tauron Nowa Muzyka)
|VEN<ref>https://vimeo.com/19560978</ref>, LIST<ref name=":30" /><ref name=":1" />,
|
|A1
|-
|September 17
|Athens, Greece
|Bios
|LIST<ref name=":30" /><ref name=":1" />,
|
| A1
|-
|September 18
|Thessaloníki, Greece
| Reworks Festival 2010
|VEN<ref>https://www.youtube.com/watch?v=dI5Vmaumv9w</ref><ref>https://vimeo.com/13974748</ref>, LIST<ref name=":30" /><ref name=":1" />,
|AUD #1 (part [https://www.youtube.com/watch?v=kNbVhtl5fJI 1] [https://www.youtube.com/watch?v=iuz2gizo_jw 2])
|A1
|}

==[[AE_LIVE]]==
[[File:AE LIVE.jpg|none|thumb|''[[AE_LIVE]]'' (2015/2019)]]

===2014===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|'''September 20'''
| colspan="3" |[[2014-09-20 Kraków, Poland @ Hotel Forum (Warp25 Sacrum Profanum)|'''Kraków, Poland @ Hotel Forum (Warp25 Sacrum Profanum)''']]
|'''Yes [Full, SBD]'''
|
|-
|'''October 3'''
| colspan="3" |[[2014-10-03 Brussels, Belgium @ Ancienne Belgique (Warp25)|'''Brussels, Belgium @ Ancienne Belgique (Warp25)''']]
|'''Yes [Full, SBD]'''
|
|-
|November 1
| colspan="3" |[[2014-11-01 Glasgow, Scotland, UK @ Glasgow School of Art (Simple Things Festival 2014)|Glasgow, Scotland, UK @ Glasgow School of Art (Simple Things Festival 2014)]]
|Yes [Full, AUD]
|
|-
|'''November 22'''
| colspan="3" |[[2014-11-22 Utrecht, Netherlands @ TivoliVredenburg (Le Guess Who 2014)|'''Utrecht, Netherlands @ TivoliVredenburg (Le Guess Who 2014)''']]
|'''Yes [Full, SBD]'''
|
|-
|'''December 19 '''
| colspan="3" |[[2014-12-19 Dublin, Ireland @ District 8|'''Dublin, Ireland @ District 8''']]
|'''Yes [Full, SBD]'''
|
|}

===2015===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|March 13
| colspan="3" |[[2015-03-13 Minehead, England, UK @ Butlins Minehead Resort (Bloc 2015)|Minehead, England, UK @ Butlins Minehead Resort (Bloc 2015)]]
|Yes [FULL, AUD]
|
|-
|'''May 2'''
| colspan="3" |[[2015-05-02 Krems, Austria @ Österreichhallen Krems (Donaufestival 2015)|'''Krems, Austria @ Österreichhallen Krems (Donaufestival 2015)''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''May 30'''
| colspan="3" |[[2015-05-30 Nagano, Japan @ Kodama no Mori (TAICOCLUB '15)|'''Nagano, Japan @ Kodama no Mori (TAICOCLUB '15)''']]
|'''Yes [FULL, SBD]'''
|
|-
|June 18
| colspan="3" |[[2015-06-18 Barcelona, Spain @ Fira Montjuïc (Sónar 2015)|Barcelona, Spain @ Fira Montjuïc (Sónar 2015)]]
|Yes [PART, AUD]
|
|-
|'''July 17'''
| colspan="3" |[[2015-07-17 Gräfenhainichen, Germany @ Ferropolis (MELT! Festival 2015)|'''Gräfenhainichen, Germany @ Ferropolis (MELT! Festival 2015)''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''July 18'''
| colspan="3" |'''<nowiki/>'''[[2015-07-18 Dour, Belgium @ La Plaine de La Machine à Feu (Dour Festival 2015)|'''Dour, Belgium @ La Plaine de La Machine à Feu (Dour Festival 2015)''']]
|'''Yes [FULL, SBD]'''
|
|-
|July 30
| colspan="3" |[[2015-07-30 Amsterdam, Netherlands @ Muziekgebouw aan 't IJ (Dekmantel Festival 2015)|Amsterdam, Netherlands @ Muziekgebouw aan 't IJ (Dekmantel Festival 2015)]]
|Yes [PART, AUD]
|
|-
|'''August 21'''
| colspan="3" | [[2015-08-21 Katowice, Poland @ Muzeum Śląskie (Festiwal Tauron Nowa Muzyka 2015)|'''Katowice, Poland @ Muzeum Śląskie (Festiwal Tauron Nowa Muzyka 2015)''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''September 24'''
| colspan="3" |[[2015-09-24 Portland, OR, USA @ Holocene|'''Portland, OR, USA @ Holocene''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''September 25'''
| colspan="3" |[[2015-09-25 Seattle, WA, USA @ Showbox (Decibel Festival)|'''Seattle, WA, USA @ Showbox (Decibel Festival)''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''September 26 '''
| colspan="3" |[[2015-09-26 Vancouver, Canada @ The Imperial|'''Vancouver, Canada @ The Imperial''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''September 29'''
| colspan="3" |[[2015-09-29 Chicago, IL, USA @ Metro|'''Chicago, IL, USA @ Metro''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 1'''
| colspan="3" |[[2015-10-01 Toronto, Canada @ The Phoenix Concert Theatre|'''Toronto, Canada @ The Phoenix Concert Theatre''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 2'''
| colspan="3" |[[2015-10-02 Montreal, Canada @ Théâtre Fairmount|'''Montreal, Canada @ Théâtre Fairmount''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 3'''
| colspan="3" |[[2015-10-03 New York, NY, USA @ Brooklyn Masonic Temple|'''New York, NY, USA @ Brooklyn Masonic Temple''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 4'''
| colspan="3" |[[2015-10-04 Boston, MA, USA @ Paradise Rock Club|'''Boston, MA, USA @ Paradise Rock Club''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 5'''
| colspan="3" |[[2015-10-05 Portsmouth, NH, USA @ 3S Artspace|'''Portsmouth, NH, USA @ 3S Artspace''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 6'''
| colspan="3" |[[2015-10-06 Philadelphia, PA, USA @ Union Transfer|'''Philadelphia, PA, USA @ Union Transfer''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 7'''
| colspan="3" |[[2015-10-07 Washington, DC, USA @ U Street Music Hall|'''Washington, DC, USA @ U Street Music Hall''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 8'''
| colspan="3" |[[2015-10-08 Asheville, NC, USA @ The Orange Peel|'''Asheville, NC, USA @ The Orange Peel''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 9'''
| colspan="3" |[[2015-10-09 Atlanta, GA, USA @ Terminal West|'''Atlanta, GA, USA @ Terminal West''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 10'''
| colspan="3" |[[2015-10-10 Orlando, FL, USA @ The Social|'''Orlando, FL, USA @ The Social''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 11'''
| colspan="3" |[[2015-10-11 Miami, FL, USA @ The Hangar|'''Miami, FL, USA @ The Hangar''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 13'''
| colspan="3" |[[2015-10-13 Austin, TX, USA @ Vulcan Gas Company|'''Austin, TX, USA @ Vulcan Gas Company''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 15'''
| colspan="3" |[[2015-10-15 Los Angeles, CA, USA @ The Fonda Theatre|'''Los Angeles, CA, USA @ The Fonda Theatre''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 16'''
| colspan="3" |[[2015-10-16 San Francisco, CA, USA @ Mezzanine|'''San Francisco, CA, USA @ Mezzanine''']]
|'''Yes [FULL, SBD]'''
|
|-
|'''October 17'''
| colspan="3" |[[2015-10-17 Denver, CO, USA @ Bluebird Theater|'''Denver, CO, USA @ Bluebird Theater''']]
|'''Yes [FULL, SBD]'''
|
|-
|November 7
| colspan="3" |[[2015-11-07 Manchester, England, UK @ AMC Grand Northern 16|Manchester, England, UK @ AMC Grand Northern 16]]
|Yes [FULL, AUD]
|
|-
|November 21
| colspan="3" |[[2015-11-21 London, England, UK @ Electric Brixton|London, England, UK @ Electric Brixton]]
|Yes [FULL, AUD]
|
|}

==[[AE_LIVE 2016/2018]]==
[[File:AE LIVE 2016 2018.jpg|border|none|thumb|[[AE LIVE 2016/2018|''AE_LIVE 2016/2018'']] (2020)]]

===2016===
{| class="wikitable"
!Date
!City
! Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|October 29
| colspan="3" |[[2016-10-29 Tourcoing, France @ Le Grand Mix|Tourcoing, France @ Le Grand Mix]]
|Yes [FULL, AUD]
|
|-
|October 30
| colspan="3" |[[2016-10-30 Ghent, Belgium @ Vooruit Concertzaal|Ghent, Belgium @ Vooruit Concertzaal]]
|Yes [PARTIAL, AUD]
|
|-
|October 31
| colspan="3" |[[2016-10-31 Strasbourg, France @ La Laiterie|Strasbourg, France @ La Laiterie]]
|No
|
|-
|November 1
| colspan="3" |[[2016-11-01 Lyon, France @ Le Sucre|Lyon, France @ Le Sucre]]
|No
|
|-
|November 2
| colspan="3" |[[2016-11-02 Lausanne, Switzerland @ Les Docks|Lausanne, Switzerland @ Les Docks]]
|No
|
|-
|November 3
| colspan="3" |[[2016-11-03 Zurich, Switzerland @ Rote Fabrik|Zurich, Switzerland @ Rote Fabrik]]
|Yes [FULL, AUD]
|
|-
|November 4
| colspan="3" |[[2016-11-04 Turin, Italy @ Lingotto Fiere (Club 2 Club 2016)|Turin, Italy @ Lingotto Fiere (Club 2 Club 2016)]]
|Yes [FULL, AUD]
|
|-
|November 5
| colspan="3" |[[2016-11-05 Ljubljana, Slovenia @ Kino Šiška|Ljubljana, Slovenia @ Kino Šiška]]
|Yes [PARTIAL, AUD]
|
|-
|'''November 6 '''
| colspan="3" |'''[[2016-11-06 Zagreb, Croatia @ Močvara|Zagreb, Croatia @ Močvara]]'''
|'''Yes [FULL, SBD]'''
|
|-
|November 7
| colspan="3" |[[2016-11-07 Budapest, Hungary @ Akvárium Klub|Budapest, Hungary @ Akvárium Klub]]
|Yes [FULL, AUD]
|
|-
|November 8
| colspan="3" |[[2016-11-08 Graz, Austria @ Orpheum|Graz, Austria @ Orpheum]]
|No
|
|-
|November 9
| colspan="3" |[[2016-11-09 Prague, Czechia @ Meet Factory|Prague, Czechia @ Meet Factory]]
|Yes [PART, AUD]
|
|-
|November 10
| colspan="3" |[[2016-11-10 Warsaw, Poland @ Teatr Powszechny|Warsaw, Poland @ Teatr Powszechny]]
|No
|
|-
|November 11
| colspan="3" |[[2016-11-11 Vilnius, Lithuania @ Contemporary Art Centre|Vilnius, Lithuania @ Contemporary Art Centre]]
|No
|
|-
| November 12
| colspan="3" |[[2016-11-12 Riga, Latvia @ Skaņu Mežs|Riga, Latvia @ Skaņu Mežs]]
|No
|
|-
|'''November 13'''
| colspan="3" |'''[[2016-11-13 Tallinn, Estonia @ Von Krahl|Tallinn, Estonia @ Von Krahl]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''November 14'''
| colspan="3" |'''[[2016-11-14 Helsinki, Finland @ Tavastia|Helsinki, Finland @ Tavastia]]'''
|'''Yes [FULL, SBD]'''
|
|-
|November 16
| colspan="3" |[[2016-11-16 Stockholm, Sweden @ Södra Teatern|Stockholm, Sweden @ Södra Teatern]]
|No
|
|-
|'''November 17'''
| colspan="3" |'''[[2016-11-17 Oslo, Norway @ Parkteatret|Oslo, Norway @ Parkteatret]]'''
|'''Yes [FULL, SBD]'''
|
|-
|November 18
| colspan="3" |[[2016-11-18 Copenhagen, Denmark @ DR Koncerthuset|Copenhagen, Denmark @ DR Koncerthuset]]
|No
|
|-
|November 19
| colspan="3" |[[2016-11-19 Berlin, Germany @ Kraftwerk Berlin|Berlin, Germany @ Kraftwerk Berlin]]
|Yes [FULL, AUD]
|
|-
| November 20
| colspan="3" |[[2016-11-20 Hamburg, Germany @ Kampnagel|Hamburg, Germany @ Kampnagel]]
|No
|
|-
|November 21
| colspan="3" |[[2016-11-21 Leipzig, Germany @ Conne Island|Leipzig, Germany @ Conne Island]]
|No
|
|-
|'''November 22'''
| colspan="3" |'''[[2016-11-22 Nijmegen, Netherlands @ Doornroosje|Nijmegen, Netherlands @ Doornroosje]]'''
|'''Yes [FULL, SBD]'''
|
|-
|November 23
| colspan="3" |[[2016-11-23 Brighton, England, UK @ Concorde 2|Brighton, England, UK @ Concorde 2]]
|Yes [FULL, AUD]
|
|-
|November 24
| colspan="3" |[[2016-11-24 Bristol, England, UK @ The Marble Factory|Bristol, England, UK @ The Marble Factory]]
| Yes [PART, AUD]
|
|-
|November 25
| colspan="3" |[[2016-11-25 London, England, UK @ Royal Festival Hall|London, England, UK @ Royal Festival Hall]]
| Yes [FULL, AUD]
|
|-
|November 26
| colspan="3" |[[2016-11-26 Manchester, England, UK @ Old Granada Studios|Manchester, England, UK @ Old Granada Studios]]
|Yes [FULL, AUD]
|
|}

===2018===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|June 13
| colspan="3" |[[2018-06-13 Tokyo, Japan @ LIQUIDROOM|Tokyo, Japan @ LIQUIDROOM]]
|Yes [FULL, AUD]
|
|-
|June 20
| colspan="3" |[[2018-06-20 Sydney, Australia @ Max Watt's House of Music|Sydney, Australia @ Max Watt's House of Music]]
|No
|
|-
|'''June 21'''
| colspan="3" |[[2018-06-21 Melbourne, Australia @ Croxton Park Hotel|'''Melbourne, Australia @ Croxton Park Hotel''']]
|'''Yes [FULL, SBD]'''
|
|-
|June 22
| colspan="3" |[[2018-06-22 Hobart, Australia @ Macquarie Wharf 2 (Dark Mofo 2018)|Hobart, Australia @ Macquarie Wharf 2 (Dark Mofo 2018)]]
|Yes [PARTIAL, AUD]
|
|-
|'''July 15'''
| colspan="3" |[[2018-07-15 Dublin, Ireland @ National Concert Hall|'''Dublin, Ireland @ National Concert Hall''']]
|'''Yes [FULL, SBD]'''
|
|}

==[[AE_2022－]]==
[[File:AE 2022－.jpg|none|thumb|150x150px|''[[AE_2022－]]'' (2023－)]]

===2022 ===
{| class="wikitable"
! Date
!City
! Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|June 3
| colspan="3" |[[2022-06-03 Barcelona, Spain @ Auditori Rockdelux (Primavera 2022)|Barcelona, Spain @ Auditori Rockdelux (Primavera 2022)]]
|Yes [FULL, AUD]
|
|-
|'''July 1'''
| colspan="3" |'''[[2022-07-01 Milan, Italy @ Villa Arconati (Terraforma 2022)|Milan, Italy @ Villa Arconati (Terraforma 2022)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''July 5'''
| colspan="3" |'''[[2022-07-05 Athens, Greece @ Odeon of Herodes Atticus (Athens Epidaurus Festival)|Athens, Greece @ Odeon of Herodes Atticus (Athens Epidaurus Festival)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''September 11'''
| colspan="3" |'''[[2022-09-11 Helsinki, Finland @ Musiikkitalo|Helsinki, Finland @ Musiikkitalo]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''October 7 '''
| colspan="3" |'''[[2022-10-07 London, England, UK @ Barbican Centre (show A)|London, England, UK @ Barbican Centre (show A)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''October 7'''
| colspan="3" |'''[[2022-10-07 London, England, UK @ Barbican Centre (show B)|London, England, UK @ Barbican Centre (show B)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''November 2'''
| colspan="3" |'''[[2022-11-02 Bergen, Norway @ Østre (Ekko Festival 2022)|Bergen, Norway @ Østre (Ekko Festival 2022)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''November 4'''
| colspan="3" |'''[[2022-11-04 Turin, Italy @ Lingotto Fiere (Club 2 Club 2022)|Turin, Italy @ Lingotto Fiere (Club 2 Club 2022)]]'''
|'''Yes [FULL, SBD]'''
|
|}

===2023===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|August 18
| colspan="3" |[[2023-08-18 Tokyo, Japan @ Makuhari Messe (SONICMANIA 2023)|Tokyo, Japan @ Makuhari Messe (SONICMANIA 2023)]]
| Yes [PART, AUD]
|
|-
|'''August 25'''
| colspan="3" |'''[[2023-08-25 Melbourne, Australia @ Royal Exhibition Building (Now or Never 2023)|Melbourne, Australia @ Royal Exhibition Building (Now or Never 2023)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''August 27'''
| colspan="3" |'''[[2023-08-27 Sydney, Australia @ City Recital Hall (Switched On 2023)|Sydney, Australia @ City Recital Hall (Switched On 2023)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|October 6
| colspan="3" |[[2023-10-06 Kraków, Poland @ Teatr Łaźnia Nowa (Unsound 2023)|Kraków, Poland @ Teatr Łaźnia Nowa (Unsound 2023)]]
|Yes [MOST, AUD]
|
|-
|'''October 26'''
| colspan="3" |'''[[2023-10-26 Venice, Italy @ Teatro alle Tese (Biennale Musica 2023)|Venice, Italy @ Teatro alle Tese (Biennale Musica 2023)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''October 29'''
| colspan="3" |'''[[2023-10-29 Dublin, Ireland @ Vicar Street|Dublin, Ireland @ Vicar Street]]'''
|'''Yes [FULL, SBD]'''
|
|}

===2024===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|'''April 4'''
| colspan="3" |'''[[2024-04-04 Brussels, Belgium @ Ancienne Belgique (BRDCST ‘24)|Brussels, Belgium @ Ancienne Belgique (BRDCST ‘24)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|April 5
| colspan="3" | [[2024-04-05 Den Haag, Netherlands @ Grote Kerk (Rewire Festival 2024)|Den Haag, Netherlands @ Grote Kerk (Rewire Festival 2024)]]
|Yes [FULL, AUD]
|
|-
|'''April 6'''
| colspan="3" |'''[[2024-04-06 Paris, France @ Le Trianon|Paris, France @ Le Trianon]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''April 7'''
| colspan="3" |'''[[2024-04-07 Rennes, France @ Antipode|Rennes, France @ Antipode]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''April 9'''
| colspan="3" |'''[[2024-04-09 Barcelona, Spain @ Sala Apolo (MUTEK Barcelona 2024)|Barcelona, Spain @ Sala Apolo (MUTEK Barcelona 2024)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''April 10'''
| colspan="3" |'''[[2024-04-10 Madrid, Spain @ La Sala|Madrid, Spain @ La Sala]]'''
|'''Yes [FULL, SBD]'''
|
|-
|April 12
| colspan="3" |[[2024-04-12 Lisbon, Portugal @ Culturgest (show A)|Lisbon, Portugal @ Culturgest (show A)]]
|Yes [FULL, AUD]
|
|-
|'''April 12'''
| colspan="3" |'''[[2024-04-12 Lisbon, Portugal @ Culturgest (show B)|Lisbon, Portugal @ Culturgest (show B)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''April 27'''
| colspan="3" |'''[[2024-04-27 Krems, Austria @ Stadtsaal Krems (Donaufestival 2024)|Krems, Austria @ Stadtsaal Krems (Donaufestival 2024)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|'''May 7'''
| colspan="3" |'''[[2024-05-07 Lyon, France @ Le Transbordeur (Nuits Sonores 2024)|Lyon, France @ Le Transbordeur (Nuits Sonores 2024)]]'''
|'''Yes [FULL, SBD]'''
|
|-
|September 30
| colspan="3" |[[2024-09-30 Oslo, Norway @ Sentrum Scene|Oslo, Norway @ Sentrum Scene]]
|Yes [FULL, AUD]
|
|-
|October 2
| colspan="3" |[[2024-10-02 Stockholm, Sweden @ Slaktkyrkan|Stockholm, Sweden @ Slaktkyrkan]]
|Yes [FULL, AUD]
|
|-
|October 4
| colspan="3" |[[2024-10-04 Riga, Latvia @ Hanzas Perons (Skaņu Mežs’ 2024)|Riga, Latvia @ Hanzas Perons (Skaņu Mežs’ 2024)]]
|Yes [FULL, AUD]
|
|-
|October 6
| colspan="3" |[[2024-10-06 Copenhagen, Denmark @ VEGA|Copenhagen, Denmark @ VEGA]]
|Yes [FULL, AUD]
|
|}

===2025===
{| class="wikitable"
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
|February 22
| colspan="3" |[[2025-02-22 Manchester, England, UK @ New Century|Manchester, England, UK @ New Century]]
|Yes [FULL, AUD]
|
|-
|August 6
| colspan="3" | [[2025-08-06 Amsterdam, Netherlands @ Melkweg|Amsterdam, Netherlands @ Melkweg]]
|Yes [FULL, AUD]
|
|-
|August 8
| colspan="3" |[[2025-08-08 Helsinki, Finland @ Flow Festival 2025|Helsinki, Finland @ Flow Festival 2025]]
| Yes [FULL, AUD]
|
|-
|August 10
| colspan="3" |[[2025-08-10 Warsaw, Poland @ Klub Progresja|Warsaw, Poland @ Klub Progresja]]
|Yes [MOST, AUD]
|
|-
|August 13
| colspan="3" |[[2025-08-13 Berlin, Germany @ ASTRA Kulturhaus|Berlin, Germany @ ASTRA Kulturhaus]]
|Yes [MOST, AUD]
|
|-
|August 15
| colspan="3" | [[2025-08-15 Reykjavík, Iceland @ Harpa|Reykjavík, Iceland @ Harpa]]
|Yes [FULL, AUD]
|
|-
|October 1
| colspan="3" |[[2025-10-01 Denver, CO, USA @ Ogden Theatre|Denver, CO, USA @ Ogden Theatre]]
|Yes [FULL, AUD]
|
|-
|October 3
| colspan="3" |[[2025-10-03 Minneapolis, MN, USA @ Icehouse|Minneapolis, MN, USA @ Icehouse]]
|Yes [PARTIAL, AUD]
|
|-
|October 5
| colspan="3" | [[2025-10-05 Vancouver, Canada @ Hollywood Theatre|Vancouver, Canada @ Hollywood Theatre]]
|Yes [FULL, AUD]
|
|-
|October 6
| colspan="3" |[[2025-10-06 Seattle, WA, USA @ The Crocodile (show A)|Seattle, WA, USA @ The Crocodile (show A)]]
|Yes [FULL, AUD]
|
|-
|October 6
| colspan="3" |[[2025-10-06 Seattle, WA, USA @ The Crocodile (show B)|Seattle, WA, USA @ The Crocodile (show B)]]
|Yes [FULL, AUD]
|
|-
|October 7
| colspan="3" |[[2025-10-07 Portland, OR, USA @ The Den|Portland, OR, USA @ The Den]]
|Yes [FULL, AUD]
|
|-
|October 9
| colspan="3" |[[2025-10-09 San Francisco, CA, USA @ Regency Ballroom|San Francisco, CA, USA @ Regency Ballroom]]
|Yes [FULL, AUD]
|
|-
|October 10
| colspan="3" |[[2025-10-10 Los Angeles, CA, USA @ Belasco Theater (show A)|Los Angeles, CA, USA @ Belasco Theater (show A)]]
|Yes [FULL, AUD]
|
|-
|October 10
| colspan="3" | [[2025-10-10 Los Angeles, CA, USA @ Belasco Theater (show B)|Los Angeles, CA, USA @ Belasco Theater (show B)]]
|Yes [FULL, AUD]
|
|-
|October 12
| colspan="3" |[[2025-10-12 Mexico City, Mexico @ MUTEK MX|Mexico City, Mexico @ MUTEK MX]]
|Yes [FULL, AUD]
|
|-
|October 14
| colspan="3" |[[2025-10-14 Austin, TX, USA @ Kingdom Nightclub|Austin, TX, USA @ Kingdom Nightclub]]
|Yes [PARTIAL, AUD]
|
|-
|October 15
| colspan="3" |[[2025-10-15 New Orleans, LA, USA @ Joy Theatre|New Orleans, LA, USA @ Joy Theatre]]
|Yes [FULL, AUD]
|
|-
|October 16
| colspan="3" |[[2025-10-16 Birmingham, AL, USA @ Saturn|Birmingham, AL, USA @ Saturn]]
|Yes [FULL, AUD]
|
|-
|October 17
| colspan="3" | [[2025-10-17 Atlanta, GA, USA @ Terminal West|Atlanta, GA, USA @ Terminal West]]
|Yes [FULL, AUD]
|
|-
|October 18
| colspan="3" |[[2025-10-18 Louisville, KY, USA @ Portal|Louisville, KY, USA @ Portal]]
|Yes [FULL, AUD]
|
|-
|October 19
| colspan="3" |[[2025-10-19 Saint Louis, MO, USA @ Delmar Hall|Saint Louis, MO, USA @ Delmar Hall]]
|Yes [PART, AUD]
|
|-
|October 20
| colspan="3" |[[2025-10-20 Chicago, IL, USA @ Concord Hall|Chicago, IL, USA @ Concord Hall]]
|Yes [FULL, AUD]
|
|-
|October 21
| colspan="3" | [[2025-10-21 Detroit, MI, USA @ Building 6, Russell Industrial Center|Detroit, MI, USA @ Building 6, Russell Industrial Center]]
|Yes [FULL, AUD]
|
|-
|October 22
| colspan="3" |[[2025-10-22 Toronto, Canada @ Danforth Hall|Toronto, Canada @ Danforth Hall]]
|Yes [FULL, AUD]

|
|-
|October 24
| colspan="3" |[[2025-10-24 Montreal, Canada @ Société des arts technologiques|Montreal, Canada @ Société des arts technologiques]]
|Yes [FULL, AUD]
|
|-
|October 25
| colspan="3" |[[2025-10-25 New York, NY, USA @ Brooklyn Steel (show A)|New York, NY, USA @ Brooklyn Steel (show A)]]
|Yes [FULL, AUD]
|
|-
|October 25
| colspan="3" |[[2025-10-25 New York, NY, USA @ Brooklyn Steel (show B)|New York, NY, USA @ Brooklyn Steel (show B)]]
|Yes [FULL, AUD]
|
|-
|October 26
| colspan="3" |[[2025-10-26 Philadelphia, PA, USA @ Union Transfer|Philadelphia, PA, USA @ Union Transfer]]
|Yes [FULL, AUD]
|
|-
|October 27
| colspan="3" |[[2025-10-27 Boston, MA, USA @ Paradise|Boston, MA, USA @ Paradise]]
|Yes [FULL, AUD]
|
|-
|October 28
| colspan="3" |[[2025-10-28 Portsmouth, NH, USA @ 3S Artspace|Portsmouth, NH, USA @ 3S Artspace]]
|Yes [FULL, AUD]
|
|-
|October 29
| colspan="3" |[[2025-10-29 Washington, DC, USA @ Howard Theatre|Washington, DC, USA @ Howard Theatre]]
|Yes [FULL, AUD]
|
|-
|November 2
| colspan="3" |[[2025-11-02 Glasgow, Scotland, UK @ SWG3|Glasgow, Scotland, UK @ SWG3]]
|Yes [FULL, AUD]
|
|-
|November 3
| colspan="3" |[[2025-11-03 Newcastle, England, UK @ Digital|Newcastle, England, UK @ Digital]]
|Yes [FULL, AUD]
|
|-
| November 4
| colspan="3" |[[2025-11-04 Leeds, England, UK @ Project House|Leeds, England, UK @ Project House]]
|Yes [FULL, AUD]
|
|-
|November 5
| colspan="3" |[[2025-11-05 Brighton, England, UK @ Chalk|Brighton, England, UK @ Chalk]]
|Yes [PART, AUD]
|
|-
|November 6
| colspan="3" |[[2025-11-06 Bristol, England, UK @ The Prospect Building|Bristol, England, UK @ The Prospect Building]]
|Yes [PART, AUD]
|
|-
|November 7
| colspan="3" |[[2025-11-07 Belfast, Northern Ireland, UK @ Mandela Hall|Belfast, Northern Ireland, UK @ Mandela Hall]]
|Yes [FULL, AUD]
|
|}

===2026===
{| class="wikitable"
!Date
!City
!Venue/Event
! Sources/Notes
!Recordings
![S]
|-
|February 4
| colspan="3" |[[2026-02-04 Tokyo, Japan @ ZEPP Divercity|Tokyo, Japan @ ZEPP Divercity]]
|Yes [FULL, AUD]
|
|-
|February 5
| colspan="3" |[[Osaka, Japan @ Yogibo META VALLEY]]
|No
|A1
|-
|September 24
|Liége, Belgium
|OM
|LIST<ref name=":3">https://ghostarchive.org/archive/gkUxG</ref>
|
|A1
|-
|September 25
|Zurich, Switzerland
|Rote Fabrik
|LIST<ref name=":3" />
|
|A1
|-
|September 26
|Munich, Germany
|Muffathalle
|LIST<ref name=":3" />
|
|A1
|-
|September 27
|Prague, Czechia
|Lunchmeat Festival
|LIST<ref name=":3" />
|
|A1
|-
|September 28
|Wrocław, Poland
|Zaklęte Rewiry
|LIST<ref name=":3" />
|
|A1
|-
|September 29
|Vienna, Austria
|Gasometer
|LIST<ref name=":3" />
|
|A1
|-
|September 30
|Zagreb, Croatia
|Tvornica Kulture
|LIST<ref name=":3" />
|
|A1
|-
|October 1
|Belgrade, Serbia
|Ložionica
|LIST<ref name=":3" />
|
|A1
|-
|October 2
|Skopje, North Macedonia
|MKC
|LIST<ref name=":3" />
|
|A1
|-
|October 3
|Athens, Greece
|Universe
|LIST<ref name=":3" />
|
|A1
|-
|October 4
|Thessaloniki, Greece
|Block33
|LIST<ref name=":3" />
|
|A1
|-
|October 6
|Sofia, Bulgaria
|Toplocentrala
|LIST<ref name=":3" />
|
|A1
|-
|October 7
|Bucharest, Romania
|Club Guesthouse
|LIST<ref name=":3" />
|
|A1
|-
|October 9
|Ljubljana, Slovenia
|Cukrarna
|LIST<ref name=":3" />
|
|A1
|-
|October 10
|Bologne, Italy
|Estragon
|LIST<ref name=":3" />
|
|A1
|-
|October 11
|Milan, Italy
|Alcatraz
|LIST<ref name=":3" />
|
|A1
|-
|October 12
|Geneva, Switzerland
|L'usine
|LIST<ref name=":3" />
|
|A1
|-
|October 13
|Marseille, France
|Cabaret Aléatoire
|LIST<ref name=":3" />
|
|A1
|-
|October 14
|Paris, France
|Bataclan
|LIST<ref name=":3" />
|
|A1
|-
|October 15
|Nantes, France
|Le Lieu Unique
|LIST<ref name=":3" />
|
|A1
|-
|October 16
|Lille, France
|L'Aéronef
|LIST<ref name=":3" />
|
|A1
|-
|October 17
|Nijmegen, Netherlands
|Doornroosje
|LIST<ref name=":3" />
|
|A1
|-
|October 20
|Dublin, Ireland
|Vicar Street
|LIST<ref name=":3" />
|
|A1
|-
|October 22
|Cardiff, Wales
|Depot
|LIST<ref name=":3" />
|
|A1
|-
|October 24
|London, England
|Magazine
|LIST<ref name=":3" />
|
|A1
|}

==DJ Mixes==
{| class="wikitable"
|+
!Year
!Date
!City
!Venue/Event
!Sources/Notes
!Recordings
![S]
|-
| rowspan="2" |1996
|November 8
|Wolverhampton, England, UK
|Picasso's, Broad Street
|LIST<ref name=":39" />,
Autechre (DJ)
|
|
|-
|November 17
|London, England, UK
|Rumpus Rooms
|LIST<ref name=":39" />, DESC<ref name=":40" />,
Autechre (DJ)
|
|
|-
| colspan="7" |
|-
| rowspan="2" |1997
|October 23
|Brighton, England, UK
|The Underground Club (Fear of A Crap Planet)
| LIST<ref name=":44" />,
Autechre (DJ)
|
|
|-
|November 8
|Leicester, England, UK
|Junction 21 (Warp night)
|LIST<ref name=":44" />,
Autechre (DJ)
|
|
|-
| colspan="7" |
|-
|1998
|April 24
|London, England, UK
|Blech
|LIST<ref name=":44" />,
Autechre (DJ)
|
|
|-
| colspan="7" |
|-
|1999
| colspan="4" |[[1999-10-10 Indio, CA, USA @ Coachella Festival|Indio, CA, USA @ Coachella Festival]]
|Yes [Full, SBD]
|
|-
| colspan="7" |
|-
|2000
|November 26
|Nottingham, England, UK
|The Social (Deselect)
|LIST<ref>https://web.archive.org/web/20000818043032/http://www.warprecords.com/warp/news/</ref>,
Autechre (DJ) with Mira Calix
|
|
|-
| colspan="7" |
|-
|2003
|April 4
|Camber, England, UK
|Camber Sands Holiday Park centre (All Tomorrow's Parties 3.0)
| VEN<ref>https://web.archive.org/web/20030213193940/http://www.atpfestival.com/events/index.php?view=1</ref>, LIST<ref>https://www.1001tracklists.com/tracklist/l5l41k1/autechre-all-tomorrows-parties-camber-sands-united-kingdom-2003-04-04.html</ref>,
Autechre (DJ)

Not to be confused with the [[Autechre Curated All Tomorrow's Parties 3.0|compilation]] mix. DJ Mix rebroadcast on Jon Peel's Show on 27 May 2003.<ref>https://www.youtube.com/watch?v=kizBwGoNax0</ref><ref>https://peel.fandom.com/wiki/27_May_2003</ref>
|SBD #1 ([https://www.youtube.com/watch?v=kizBwGoNax0 full])
|B2
|-
| colspan="7" |
|-
|2020
|June 28
|n/a
|Glastonbury Festival 2020
|VEN<ref>https://forum.watmm.com/topic/99346-glade20-dj-set-this-week/?do=findComment&comment=2803953</ref>
Autechre (DJ)

Physical event was cancelled due to the COVID-19 pandemic, but event had artist performances uploaded to Mixcloud.
|SBD #1 ([https://www.mixcloud.com/Glade_Space_Lounge_The_Spike/the-spike-autechre-dj-set/ full])
|
|-
| colspan="7" |
|-
| rowspan="3" |2024
|October 26
|Berlin, Germany
|Zenner (LITTLEBIG20)
|LIST<ref>https://ra.co/events/1960988</ref>, DESC<ref>https://forum.watmm.com/topic/105232-so-where-is-that-recording-of-rob-brown-djing-at-zenner/</ref>,
Rob Brown (DJ)
|
|A1
|-
|October 31
|Bristol, England, UK
|Strange Brew (Diagonal Records presents '13')
|REC, LIST<ref>https://ra.co/events/1983229</ref>, DESC<ref>https://forum.watmm.com/topic/105242-gescom-strange-brew-in-bristol/</ref>,
Rob Brown (DJ) 
|AUD #1 ([https://forum.watmm.com/topic/105242-gescom-strange-brew-in-bristol/?do=findComment&comment=2992857 full])
|A1
|-
|November 30
|Manchester, England, UK
|White Hotel (Diagonal Records presents '13')
|LIST<ref>https://ra.co/events/1983271</ref>, VEN<ref>https://www.instagram.com/odbpowell/p/DCRImycMJzV/?hl=en</ref>,
Rob Brown (DJ)
|
|A1
|-
| colspan="7" |
|-
|2025
|April 27
|Leeds, England, UK
|Freedom Mills
|VEN<ref>https://web.archive.org/web/20250327181952/https://mastodon.online/@sdem/114234510003722688</ref><ref>https://ra.co/events/2134136</ref>,
Rob Brown (DJ), edv3ctor, SDEM
|
|A1
|}

==References==
<references />
[[Category:Live]]

AE 2022－

2026-02-07T15:38:48Z

EnergyIsMassiveLight: /* 2026 */

{{DISPLAYTITLE:AE_2022－}}
{{Infobox
|title=AE_2022－
|artist=[[Autechre]]
|cover=AE 2022－.jpg
|date=10 August 2023 (Milan22－Turin22) 4 November 2024 (Melbourne23－Lyon24)
|label=Warp Records (WARP444)
|previous=[[PLUS]]
|previous year=2020
|next=
|next year=
}}
'''''AE_2022－''','' previously '''''AE_LIVE 2022－''''', and otherwise known as '''''2022 dash'''''<ref name=":2">{{Cite interview|page=Autechre: Immersive Listening, Synesthesia, and the Manchester Scene, Metal Magazine, October 2024|quote=Rob: We've been doing this since 2022, calling it 2022 dash. We could keep it going for another ten years. Traveling and meeting people is something you can’t replicate in a studio.}}</ref> is a compilation of nineteen soundboard recordings taken from live shows performed from 2022 onwards as part of the '''''twentytwentytwo''''' tour.<ref>https://autechre.warp.net/twentytwentytwo</ref> The first batch was released on August 10th, 2023, and the second on November 4th, 2024.

==History==

=== Development ===
Initial planning for a new tour started in late 2019 for dates in late 2020-early 2021, before the COVID-19 pandemic in early 2020 put all plans on hold.<ref>{{Cite AAA2 doc|5}}</ref><ref name=":10">{{Cite interview|page=Autechre: 30 Jahre Afterhour (Teil 1) & „Mehr Menschen mögen Erdbeeren als Autechre” (Teil 2), Groove, 2021|quote='''Vermisst ihr es sehr, live zu spielen?'''

SB: Klar. Allerdings hat uns die Pandemie bisher gar nicht so sehr getroffen, weil wir die Tour erst zum Release des neuen Albums geplant hatten. Jetzt sitzen auf einem fertigen Live-Set, das wir nicht spielen können. Unsere Routine hat sich aber nicht sonderlich verändert, wir bleiben ja sowieso die ganze Zeit zuhause und machen Musik.

Rob Brown: Unser Ablauf blieb tatsächlich gleich. Wir hatten Pläne für Gigs, aber, na ja. Wir bekamen zum Beispiel im März ein Angebot für einen Auftritt in Mailand im November. Die Lombardei wurde dann komplett abgeriegelt, und wir haben von den Leuten einen Monat lang nichts gehört. Beim nächsten Kontakt waren sie schon weitaus weniger zuversichtlich. Dann hat sich das Angebot in Luft aufgelöst und wurde auf nächstes Jahr verschoben. Das war unser einziger geplatzter Gig, wenn man so will. Weil wir ja ohnehin erst im Winter oder im Frühling 2021 loslegen wollten.}}</ref><ref>https://web.archive.org/web/20241217152311/https://post.lurk.org/@sean_ae/113663738919715601 </ref> Sean mentioned that he spent that time reworking the back end of their rig, getting interested in MC (multi-channel audio in Max), physical modelling<ref name=":0">{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''“Do you like the new Mac chip situation? Is it any different to work on compared to the old CPU?”''' Yes. So my patch was using about 75, 80% towards the end of last year or the year before, whenever it was I got it, and then, yeah, I got the M1 and then it was just flying! 30%, just flying! Just absolutely insane! So there's no turning back now I'm fucked because I'm filling it up already. Loads of Live physmod things, and things that were a bit, you know, expensive. So yeah, I love it. Just amazing, kind of a little bit too much if anything, and the disking out speeds are amazing. The transitions are all super tight. The timing's super tight. All the control rate stuff is super tight. So yeah, I think if you're using Max and you've got an M1, you're basically living the dream at this point. it's just insane.}}</ref> (such as [https://forum.ircam.fr/projects/detail/modalys/ Modalys]), and scratching (as seen on Gescom's ''[[AMKS_1]]'')''.''<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Basically when COVID hit, I had a lot of time on my hands to rebuild a lot of it. So it's, yeah, it’s a lot of it you wouldn't even notice because a lot of it's just porting things to Gen that didn't need to be ported but just because I wanted a bit more control, and that led me off on loads of tangents because once you start building basic things like oscillators, you get a bit mad with all the options. So yeah, that happened and then I got heavily into MC, and then that happened. And then I built a lot more [physical] modeling stuff, and I did that scratching thing that we used on that Gescom thing that we've done about just over a year ago. And then did that and then, and then, yeah the set sort of grew out of all that tech basically. So sty listically, it's not that far off what we've been doing for the last few years because I think we're still in the same sort of place mentally. But, tech wise, the underlying, the kind of back end stuff is all fresh.}}</ref>

During a mixlr stream on March 21st, 2020, Sean mentioned that the live set was 99% complete, requiring just the intro to be completed.<ref>{{Cite web|author=Ryce, Andrew|title=Autechre say they have two new albums ready|website=Resident Advisor|date=22 March 2020|link=https://ra.co/news/72301|accessdate=5 June 2025}}</ref> By mid-2022, Sean noted that, on his side, he had about three and a half hours of total material prepared that may or may not be shown.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=[...] I mean some, they will share elements and the probably, I mean in all likelihood it'll be mostly similar material but there's a bunch of material that's not aired yet. That's because we've had too long to work on this fucking set, right, so. Least my part of the set is, I don't know, like three and a half hours of stuff, so I don't know how much of it will end up using.}}</ref> In late 2023, Sean gave an update on Mastodon that the material ended up becoming one long track they just kept adding onto. At that point, it was "about 4 hours long so far and growing steadily", noting it was the "most interesting thing we’ve done in ages from our POV." <ref>[https://web.archive.org/web/20231118215345/https://post.lurk.org/@sean_ae/111433472440615681#:~:text=We%20took%20a,from%20our%20POV. @sean_ae Mastodon post, November 18, 2023]</ref> In an interview in October 2024, they mentioned that "we could keep [this project] going for another ten years."<ref name=":2" /> 

The main equipment used to perform is two M1<ref name=":0" /> Macs running Max/MSP, Kenton Killamix controllers, Apogee Symphony Desktop and Apogee Element 24.<ref name=":4">{{Cite interview|page=Sean Twitch AMA, July 2022|quote='''Can u describe the live setup of the last gigs, laptop, controllers, souncard, thx''' I mean you know, two, I mean the latest ones are just two M1 Macs, Kenton Killamix controllers, two interfaces; I've got an Apogee Symphony Desktop, Rob's using the Apogee Element 24. The mixer is like a little Mackie Onyx12 channel thing just because it fits on a plane easily, and it's easier to get around. And it's replaceable if it breaks, you know, it's not, we're not relying on some esoteric mixer being found by the promoter at the last minute, so. Because that's always a consideration, you know? There's only the controllers really that be hard to source. So we often carry spares like if we're on a tour bus, we'll have spares of the controllers we’ll source.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''What's your live setup nowadays?''' Two Macs, and these Kenton Killamix things, and a couple of interfaces.}}</ref><ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Tebbisimo: [...] What audio interface you using on the live sets ATM? [...]''' XH HX: i'm using apogee symphony desktop lately which i really rate but before that was using apogee element 24 (also good but harder to get now) and before that was using RME ADI2 converter (had to stop since apple borked the optical port but i loved that thing). i also got a MOTU M2 which is mad value for ESS sabre converters if u want something cheapish}}</ref><ref name=":5">https://web.archive.org/web/20240509143259/https://post.lurk.org/@sean_ae/112400607304881021</ref><ref name=":3">https://web.archive.org/web/20241107183922/https://post.lurk.org/@sean_ae/113442509470527990</ref> Both Sean and Rob have different versions of their Max rig; Sean sends nightly builds to Rob, to which Rob adds his own additions.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Like, I've got my version of the rig. Rob's got his version, which is a, it's been mutated so much it's not really the same rig anymore.}}</ref><ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=We don't rehearse at all, but the rig, we do share, so, you know. We've, I've got bits of Rob’s stuff. He's got a fully up-to-date version of what I'm doing all the time, so he gets nightly, almost, builds, yeah. So, that happened. I think he can run my rig in his house so he knows exactly what it'll do, but he doesn't know quite how I'm gonna play it on the night and so I'll be doing surprising things with it and it'll be reacting to him with his controllers, so it's a kind of, yeah, it's very much an intuitive thing.}}</ref><ref>{{Cite AAA2 doc|190}}</ref> In 2024, they got four custom-made Killamix Minis.<ref>https://web.archive.org/web/20240309004321/https://post.lurk.org/@sean_ae/112054867478643903</ref> Initially, mixing was done using the Mackie Onyx12,<ref name=":4" /> but since Brussels24 they've been using Sound Devices 888.<ref name=":5" /><ref name=":6">https://web.archive.org/web/20241113092034/https://post.lurk.org/@sean_ae/113458692313028937</ref> For recording with the 888, they have "two mains, two spares and two mons (adjustable using the headphone pot) going to 3 stereo DIs" with separate recordings of Sean and Rob's computers alongside a mixed version.<ref name=":3" /><ref name=":6" /> For final mastering of the soundboards for release which Sean fully handles and which mostly consists of "tiny edits and tweaks",<ref>https://web.archive.org/web/20260120230657/https://post.lurk.org/@sean_ae/115907100261965904</ref> he listed using "a couple of Meyer UPMs and USW-112Ps" as monitors.<ref>https://forum.keyosc.com/topic/720-i-no-longer-strongly-disagree-with-seans-answer-to-gl0tch-in-aaaa/?&do=findComment&comment=19916</ref>

The Max rig itself (seen best in the [https://www.youtube.com/watch?v=jgMArRJswIQ December 15th, 2022] demo recording) consists of 16 channels with six different slots each (one sequencer, one synthesizer, four effect units) and 4 bus channels with five slots each (one sequencer, four effects units).<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Yeah, so like those three module types are arranged in channels, So like each channel has like, I think, six slots, yeah, it has like a sequencer, a synth and then four effects units on every channel, and there's 16 channels, and they're constantly changing and there are four bus channels as well that don't have sequences. No, sorry, that don't have synths on, but they just have sequences and effects units. So they have the four effects units in the sequences and there's four of those bus channels and they can be routed into each other and stuff, so that's it. So in total, there are 68 slots. Yeah.}}</ref> Between both different rigs, they have a total of 32 channels available.<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=But with this set, it was written with both of us running 16 channels each now.}}</ref> Modules are dynamically loaded into slots (which each have two [poly~] objects)<ref>{{Cite AAA2 doc|175}}</ref> via a global "pattstorage-addressing copy patch" and preloading.<ref>{{Cite interview|page=Sean Twitch AMA, July 2022|quote='''“How'd you deal with preset management live?”''' It's all pattr, so like, yeah it's all pattr now. It used to be pattr and then presets. So the global stuff was a pattr and then the stuff in the modules was presets, but it got too unwieldy. I had to build, rebuild it all with pattr. Plus I like being able to morph them because morphing is just tons of fun, innit? So, see it's all pattr and then I built a thing that where I can name them. So there's like a little box, you just type the name in and click enter and it just saves it with that name. So then I have like a new menu with all the names in. I found that loads easier to work with than numbers. So yeah, it's pattr all the way down, but it's pattr, it's like a global pattr and then each module has its own pattrs because the modules are loaded dynamically. I couldn't have pattr, the global pattr reaching into the modules, if you know what I mean. so they all have to have their own pattr storage in each module. But that's okay, you know?}}</ref><ref>{{Cite AAA2 doc|481}}</ref> The general development process was described as "make a cell, save it, come back the next day, tweak it a bit."<ref>{{Cite AAA2 doc|74}}</ref><ref>{{Cite AAA2 doc|370}}</ref> During a show, they traverse through roughly 60-90 'cells' in a prefered order, although sometimes they skip over or extend cells.<ref>{{Cite AAA2 doc|64}}</ref><ref>https://web.archive.org/web/20250823160621/https://post.lurk.org/@sean_ae/115078509915195794</ref> Controls vary between parameters mapped to multiple channels at once, individual channels, or patch-specific parameters.<ref>https://web.archive.org/web/20251211115230/https://post.lurk.org/@sean_ae/115696590243355864</ref> 

[[ae mixlr 300320|In a mixlr stream on March 30th, 2020]], while quickly skimming through their jams folder, Sean showed off a few seconds of the then unknown in-development live material (segments '''#2, #3''' and '''#5'''). In December 2022, Sean posted two Max demos to Mastodon; [https://www.youtube.com/watch?v=3poN6FDyB28 one on December 10th] and [https://www.youtube.com/watch?v=jgMArRJswIQ one on December 15th], which were both bits of segments '''#29''' and '''#26''' respectively. In 2023, two more demos were posted, with [https://www.youtube.com/watch?v=UE8ug56Ijls July 26th's "Markov Chain"]<ref name=":7">https://web.archive.org/web/20230727210645/https://post.lurk.org/@sean_ae/110780381387123384</ref> and [https://www.youtube.com/watch?v=_R3JorLEwNE December 16th's "Fuckery"]<ref name=":1">https://web.archive.org/web/20231221224324/https://post.lurk.org/@sean_ae/111591524233807832</ref> for segments '''#38''' and '''#42/48'''. Months later, audio-only demos - September 23, 2024's “playing with stereo<ref name=":8" /> and January 7th, 2025's [https://www.youtube.com/watch?v=6GRNWAkIlQQ “quick gong jam”]<ref name=":9" /> - were shown for segments '''#53''' and '''#55'''.

=== Tour===
On March 9th, 2022, the ''twentytwentytwo'' tour was officially announced with five shows in Barcelona, Milan, Helsinki, London, and Turin across 2022.<ref>https://ghostarchive.org/archive/Qt38G</ref>The Barcelona22 show at Primavera, due to issues of negotiating the rights to the soundboard from Primavera as well as messing up the recording, was left off the release.<ref>[[Sean AMA Transcript 220605#:~:text%3DYeah%2C%20there's%20not%20really%20any%20good%20pictures%2C%20but%20the%20problem%20was%20with%20Primavera%2C|<nowiki/>]]{{Cite interview|page=Sean Twitch AMA, June 2022|quote=[...] the problem was with Primavera, they were trying to get rights for everything, right? So they were trying to get broadcast, they were trying to record it, you know? Obviously we're thinking about releasing them, so we didn't want to okay it. We ended up fucking up the recording anyway, so it wouldn't have mattered.}}</ref> At Helsinki22, small glitches such as pops and dropouts appeared early into the show and got progressively more distracting as the show went on. A possible explanation is that the venue's subwoofer setup, which was poorly set up and possibly worsened by the performance's use of heavy sub-bass, experienced a coil short circuit leading to the malfunctions.<ref>{{Cite web|author=avalyn__|title=There were some audio issues during Helsinki gig.|website=Reddit|date=11 September 2022|link=https://www.reddit.com/r/autechre/comments/xbspfv/there_were_some_audio_issues_during_helsinki_gig/?rdt=51772|accessdate=25 March 2024}} </ref><ref>{{Cite web|author=dcom|title=Comment in Autechre. Live. Twentytwentytwo.|website=We Are The Music Makers|date=15 September 2022|link=https://watmm-archive.com/t/102400/17|accessdate=25 March 2024}}</ref> The raw soundboard recording ("AE_LIVE_HELSINKI_110922_LTD") was sent out to attendees as an apology, and was later re-released with proper mastering.<ref name=":11" />

''twentytwentyfour'' was announced with dates in Paris, Rennes, Barcelona, and Madrid, on October 27th, 2023.<ref>https://x.com/WarpRecords/status/1717850268132389241</ref> Madrid's venue was confirmed on the 30th, coinciding with the general ticket sale at 10:00 CET.<ref>https://x.com/WarpRecords/status/1718937652051718603</ref> New shows were later added for Brussels, The Hague, and Lisbon (second show since the first show already sold out before the announcement) on December 13th, 2023.<ref>https://x.com/WarpRecords/status/1734943097052660077</ref> The last few dates for Krems/Vienna, Lyon, Oslo, Stockholm, Riga, and Copenhagen were confirmed on March 22, 2024.<ref>https://x.com/WarpRecords/status/1771145082055311756</ref><ref>https://www.facebook.com/warprecords/posts/ae-live-2024-new-shows-added-autechrewarpnetshows/407106961956344/?_rdr</ref> DenHaag24 was not released because they forgot to hit record.<ref>https://web.archive.org/web/20240406161357/https://post.lurk.org/@sean_ae/112224480826307858</ref>

Arranged by now wave, Autechre was booked for an exclusive UK show in Manchester for February 22nd, 2025, which was announced on September 18, 2024.<ref>https://x.com/WarpRecords/status/1836359952509567224</ref> About 8 minutes into Manchester25, it catastrophically failed due to the sub of the venue rattling the USB out of Sean's interface<ref>{{Cite AAA2 doc|15}}</ref>. After a 16-minute interruption, the show picked up from where it was interrupted.

On January 21st, 2025, ''twentytwentyfive'' was announced with four shows in Amsterdam, Helsinki, Warsaw, and Berlin.<ref>https://ghostarchive.org/archive/OueqP</ref> On February 26th, nineteen North American shows in October, six UK shows in November, and one additional August Reykjavik show, were all announced, with pre-sale starting on the 27th.<ref>https://ghostarchive.org/archive/OitLD</ref> Later on March 28th, the North American leg was updated: three venue changes, three dates with a second show added, and the addition of three new shows in New Orleans, Louisville, and Washington.<ref>https://ghostarchive.org/archive/Ji35Q</ref> Saint Louis for October 19th was quietly added to the roster in August.

Two ''twentytwentysix'' Japan shows were announced on June 17th, 2025.<ref>[https://x.com/WarpRecords/status/1934924348793495735#m https://x.com/WarpRecords/status/1934924348793495735]</ref> Later on December 2nd, 2025, twentyfive new shows across Europe were anounced, with pre-sale opening on the following day.<ref>https://ghostarchive.org/archive/gkUxG</ref>

=== Release ===
"AE_LIVE_HELSINKI_110922_LTD", which was an unmastered soundboard of the Helsinki22 show, was released early exclusively to attendants of the show due to technical issues during the show.<ref name=":11">{{Cite web|author=RaelGenious|title=Exclusive release incoming for Helsinki attendees|website=Reddit|date=26 September 2022|link=https://www.reddit.com/r/autechre/comments/xobdtd/exclusive_release_incoming_for_helsinki_attendees/|accessdate=25 March 2024}}</ref> 

The first batch of live sets was first casually mentioned by Sean in a brief reply on June 17th, 2023, that the audio was done and they were just waiting for Ian of [[The Designers Republic]] to do the artworks.<ref>https://www.reddit.com/r/autechre/comments/14c1ole/the_audios_all_done_just_waiting_for_ian_to_do/</ref> On August 7th, 2023, Warp sent out an announcement to sign up to Autechre's newsletter.<ref>https://ghostarchive.org/archive/09TE6</ref> The following day, ''AE_LIVE 2022－'' was officially announced,<ref>https://www.reddit.com/r/autechre/comments/15ln5o3/ae_live_2022_out_thursday/</ref> and seven 2022 shows from "AE_LIVE_MILAN_010722" to "AE_LIVE_TURIN_041122" were released individually and as a compilation on the 10th.<ref>https://web.archive.org/web/20230810192322/https://autechre.warp.net/release/408603-autechre-aelive-2022</ref> A limited run of 250 AE_LIVE_Print 2022''－'' posters were also announced for pre-orders on the 24th, which quickly sold out.<ref>https://ghostarchive.org/archive/YN0cj</ref><ref>https://web.archive.org/web/20230928151404/https://autechre.warp.net/release/410988-autechre-aeliveprint-2022</ref>

On October 25th, 2024, Warp again sent out a newsletter sign-up announcement, with 12 dates listed.<ref>https://ghostarchive.org/archive/UYmeC</ref><ref>https://www.instagram.com/warprecords/p/DBjZTuNIg1A/?hl=en</ref> On November 4th, 2024, twelve sets from "AE_MELBOURNE_250823" to "AE_LYON_070524" were released individually and added onto the now renamed compilation ''AE_2022－'', dropping the "LIVE" prefix both in the compilation title and set names.<ref>https://web.archive.org/web/20241104173202/https://autechre.warp.net/release/476436-autechre-ae2022</ref> Sean noted that the idea came from Warp to drop the LIVE part of the naming convention.<ref>https://web.archive.org/web/20241106150525/https://post.lurk.org/@sean_ae/113436310329414162</ref> The compilation was later put up on Bleep and Bandcamp on December 3rd.<ref>https://autechre.bandcamp.com/album/ae-2022</ref><ref>https://bleep.com/release/483225-autechre-ae2022</ref>
==Analysis==
Main analysis by [[User:EnergyIsMassiveLight|EnergyIsMassiveLight]] and [[User:Zythion|Zythion]]. Fan titles taken from fan-edit TTT－.<ref>{{Cite web|author=FefetaLeixes|title=AE_2022－EXCLUSIVES (TTT－)|website=Reddit|date=16 November 2024|link=https://www.reddit.com/r/autechre/comments/1gs8qum/ae_2022exclusives_ttt/|accessdate=16 November 2024}}</ref> Officially released sets are highlighted in bold. Unreleased sets with bootleg recordings are also included, with either clips of the segment or a listed recording with timestamps. Tables have be split for compactness.

Due to the nature of performances, the start and ends of a set may abridge or overextend in a way which don't cleanly fit in the segment splits.

'''<big>The timestamps below are still a work in progress, thus are not final and are subject to change. </big>'''

=== 2022/2023 ===
<div class="noresize">
{| class="wikitable frozen-table"
!
!#1
!#2
!#3
!#4
!#5
!#6
!#7
!#8
!#9
!#10
!#11
!#12
!#13
!#14
!#15
!#16
!#17
!#18
!#19
!#20
!#21
!#22
!#23
!#24
!#25
!#26
!#27
!#28
!#29
!#30
!#31
!#32
!#33
!#34
!#35
|-
|'''MILAN_010722'''
|0:00
|7:06
|12:02
|17:59
|24:20
|31:42
|35:47
|41:09
|46:23
|51:29
|57:40
|62:14
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''ATHENS_050722'''
|0:00
|7:41
|14:16
|20:00
|25:32
|32:54
|36:17
|41:28
|46:42
|51:48
|57:30
|64:02
|69:03
|73:53
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''HELSINKI_110922'''
|0:00
|7:42
|12:50
|18:10
|24:19
|31:41
|35:40
|40:50
|46:38
|51:44
|57:15
|64:27
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''LONDON_071022_A'''
|0:00
|6:12
|9:54
|14:36
|19:20
|26:05
|29:16
|33:18
|37:13
|42:19
|47:13
|53:06
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''LONDON_071022_B'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|5:51
|9:46
|15:26
|22:05
|25:14
|29:29
|32:59
|36:56
|42:50
|46:24
|52:12
|
|
|
|
|
|
|
|
|
|
|-
|'''BERGEN_021122'''
|0:00
|7:00
|10:42
|15:00
|19:19
|26:04
|29:15
|33:16
|37:12
|42:18
|47:08
|52:23
|56:09
|59:47
|63:52
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''TURIN_041122'''
|0:00
|5:59
|9:42
|14:01
|18:19
|25:05
|28:15
|32:17
|36:12
|41:18
|46:09
|52:41
|57:42
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''MELBOURNE_250823'''
|0:00
|7:54
|12:37
|18:22
|24:06
|31:29
|35:29
|40:51
|46:05
|51:11
|56:01
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''SYDNEY_270823'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|5:04
|12:00
|16:24
|21:25
|26:13
|33:24
|38:44
|43:02
|48:26
|52:55
|57:41
|62:35
|67:29
|
|-
|'''VENICE_261023'''
|
|
|
|
|
|
|
|
|0:00
|5:50
|10:41
|15:55
|19:16
|21:05
|23:19
|25:33
|28:53
|34:51
|38:00
|42:16
|45:46
|48:20
|53:36
|57:10
|62:58
|
|
|
|
|
|
|
|
|
|
|-
|'''DUBLIN_291023'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|4:42
|11:39
|16:02
|21:50
|28:28
|38:59
|46:06
|51:07
|56:31
|60:20
|62:50
|66:19
|69:40
| 73:59
|-
| colspan="36" |
|-
|Barcelona_030622 ''[https://www.youtube.com/watch?v=1hgXKUqSf4c <nowiki>[AUD #2]</nowiki>]''
|1:01
|8:18
|12:50
|18:59
|24:45
|32:30
|35:40
|45:31
|48:46
|52:04
|54:39
|59:14
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Tokyo_180823
|
|[https://twitter.com/alphabill/status/1692597066193854709]
|
|
|
|[https://www.instagram.com/_makimusic_/reel/C1eUr_zvbFs/]
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Krakow_061023 ''[AUD #1]''
|0:00
|6:36
|10:42
|15:00
|19:19
|26:04
|29:15
|34:25
|39:40
|47:15
|52:27
|57:41
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|}
</div>

*'''#1''' ''(fan name: T2)''
*'''#2-4''' '''"ecol4"'''<ref>{{Cite interview|page=Sean Twitch AMA, June 2022|quote=So, you can hear a bit of ecol[4] in the set, ecol4 that was basically like the ecol4 that's on PLUS when we started out.}}</ref> ''(fan name: ical7)''
* '''#5-6''' ''(fan name: L cemp)''
*'''#7-8''' Contains elements of '''"F7"''' ''(fan name: F4)''
*'''#9-11''' ''(fan name: prin Cur)''
*'''#12-13''' ''(fan name: asle 1)''
*'''#14-15''' ''(fan name: M3 Luni)''
*'''#16-18''' ''(fan name: osin PM)''
*'''#19-20''' ''(fan name: nal.1)''
*'''#21-23''' ''(fan name: corcine)''
** One sample that gets scratched in this segment is the "It's time to change!" sample from Jan and Dean's [https://youtu.be/beri03qdlEM?t=70 "A Stench in Time"]. It should be noted that the same sample is present in Chris The Glove Taylor's [https://youtu.be/EE4_K9HTsto?t=130 "Itchiban Scratch"] which appeared in multiple of Autechre mixes, including 2015's Dekmantel mix.
*'''#24-25''' ''(fan name: drane3)''
**A sample used in the segment is Beside's "Change The Beat", specifically [https://www.youtube.com/watch?v=UbGtcLGQr9o the famous Fresh sample].
*'''#26-27''' Contains the [https://www.youtube.com/watch?v=jgMArRJswIQ 12/15/22 demo] ''(fan name: three tone)''
** In the top right corner of the demo, "three tone" is shown as a column name.<ref>{{Cite AAA2 doc|81}}</ref>
**In the demo, one of the files loaded into the sampler sample9scr2 is Gap Band's [https://www.youtube.com/watch?v=zSsXRWhfN3w&pp=ygUpQnVybiBSdWJiZXIgT24gTWUgKFdoeSBZb3UgR290dGEgSHVydCBNZSk%3D "Burn Rubber On Me (Why You Wanna Hurt Me)"], specifically the "tyre screech faster" part at the start.
*'''#28-31''' Contains the [https://www.youtube.com/watch?v=3poN6FDyB28 12/10/22 demo] ''(fan name: 2MM lv)''
**Alt text: "A video showing a modelled snare drum roughly emulating the snare drum from When The Levee Breaks by Led Zeppelin". Description by Sean: “Reasonable facsimile of the Levee Breaks snare from a model made of water and spider silk (?!) who knew”
**The snare4ml shown is an example snare instrument from [https://forum.ircam.fr/projects/detail/modalys/ Modalys for Max], with Modalys also appearing in the 12/15/22 demo for its custom-made clarinet instrument.<ref>Observation by sfn / Davide Vin</ref>
*'''#32-33''' ''(fan name: vineseve)''
*'''#34-35''' ''(fan name: cata7)''

===2024===
<div class="noresize">
{| class="wikitable frozen-table"
!
!#21
!#22
!#23
!#24
!#25
!#26
!#27
!#28
!#29
!#30
!#31
!#32
!#33
!#34
!#35
!#36
!#37
!#38
!#39
!#40
!#41
!#42
!#43
!#44
!#45
!#46
!#47
!#48
!#49
!#50
!#51
|-
|'''BRUSSELS_040424'''
|0:00
|5:23
|11:53
|15:57
|20:58
|25:46
|33:14
|38:03
|42:08
|47:22
|51:01
|54:55
|59:03
|62:59
|67:38
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''PARIS_060424'''
|0:00
|5:06
|11:37
|15:21
|20:13
|25:01
|31:06
|36:41
|40:02
|44:39
|48:59
|52:33
|56:33
|60:29
|66:03
|72:52
|78:24
|82:20
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''RENNES_070424'''
|
|
|
|0:00
|6:10
|10:23
|17:49
|22:23
|27:04
|35:33
|39:40
|43:33
|47:56
|52:09
|57:22
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''BARCELONA_090424'''
|
|
|
|0:00
|5:01
|10:44
|18:27
|23:32
|27:14
|32:18
|36:30
|40:42
|44:32
|48:45
|53:57
|60:58
|66:07
|70:39
|74:25
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''MADRID_100424'''
|
|
|
|0:00
|5:30
|10:37
|18:20
|24:12
|28:23
|33:47
|38:47
|43:01
|46:58
|52:01
|56:41
|62:50
|68:04
|70:59
|74:58
|78:35
|
|
|
|
|
|
|
|
|
|
|
|-
|'''LISBON_120424_B'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|6:49
|12:02
|16:02
|20:17
|26:43
|33:29
|37:44
|43:52
|47:02
|51:29
|57:47
|
|
|
|
|-
|'''KREMS_270424'''
|0:00
|4:42
|10:34
|14:07
|19:17
|25:20
|32:15
|38:05
|42:09
|47:24
|51:17
|55:05
|59:28
|63:40
|68:09
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|'''LYON_070524'''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|5:01
|9:18
|13:43
|16:54
|23:33
|29:55
|34:52
|41:31
|44:40
|49:08
|55:36
|62:29
|71:30
| 75:30
|83:09
|-
| colspan="32" |
|-
|Den_Haag_050424 ''[https://www.youtube.com/watch?v=xlpOlC8Yn94 <nowiki>[AUD #1c]</nowiki>]''
|
|
|0:14
|4:38
|9:40
|14:28
|21:39
|26:13
|29:34
|34:18
|38:38
|42:35
|47:02
|51:23
|56:35
|64:14
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Lisbon_120424_A ''[AUD #1]''
|0:00
|3:34
|10:15
|13:38
|18:19
|22:50
|29:42
|34:32
|37:32
|42:35
|46:25
|50:19
|53:58
|57:27
|62:17
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Oslo_300924 ''[https://www.youtube.com/watch?v=a2BBmb_0B0k <nowiki>[AUD #1]</nowiki>]''
|0:03
|4:33
|11:09
|14:50
|20:40
|26:05
|34:17
|38:34
|43:00
|48:24
|52:22
|56:11
|60:57
|65:18
|69:47
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Stockholm_021024 ''[https://www.youtube.com/watch?v=KCKl8qwx_O4 <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:06
|5:58
|10:22
|13:28
|16:40
|23:18
|29:31
|35:11
|41:49
|44:59
|49:27
|55:53
|62:58
| 70:57
|74:16
|
|-
|Riga_041024 ''[AUD #1]''
|
|
|
|0:00
|4:31
|10:14
|18:30
|24:35
|29:00
|34:55
|38:55
|42:48
|46:14
|49:02
|52:14
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Copenhagen_061024 ''[AUD #2]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:02
|6:56
|11:06
|15:28
|19:19
|26:59
|33:12
|38:52
|45:31
|48:40
|53:08
|59:36
|67:09
|74:31
|78:30
|85:19
|}
</div>

* '''#36''' ''(fan name: luxes n2)''
* '''#37-39''' Contains elements of the [https://www.youtube.com/watch?v=UE8ug56Ijls 07/26/23 demo] ''(fan name: aurorsle)''
**Alt text: "a max sequencer with a matrixctrl driving a prob object (first order markov chain)". Description by Sean: "after someone pointed out that our cascade sequencer was in fact a simple markov chain i made a version with weights instead of switches. quick demo:"<ref name=":7" />
*'''#40''' ''(fan name: 3sc)''
*'''#41-42''' Contains the underlying segment in the [https://www.youtube.com/watch?v=_R3JorLEwNE 12/16/23 demo] without manipulations ''(fan name: 1qry)''
**Alt text: "fuckery". Description by Sean: "This has to be illegal". The effect is achieved using a realtime phase vocoder.<ref name=":1" />
*'''#43-44''' ''(fan name: TSS TV)''
*'''#45-46''' ''(fan name: P void)''
*'''#47-48''' Contains the manipulations from the [https://www.youtube.com/watch?v=_R3JorLEwNE 12/16/23 demo] ''(fan name: r enc LT)''
*'''#49-51''' ''(fan name: newfree－)''

===2025===
<div class="noresize">
{| class="wikitable frozen-table"
!
!#36
!#37
!#38
!#39
!#40
!#41
!#42
!#43
!#44
!#45
!#46
!#47
!#48
!#49
!#50
!#51
!#52
!#53
!#54
!#55
!#56
!#57
!#58
!#59
!#60
!#61
!#62
!#63
|-
| colspan="29" |
|-
|Manchester_220225 ''[AUD #3]''
|0:17
|7:33*
|27:33
|31:32
|35:22
|42:00
|48:13
|53:53
|60:30
|63:42
|68:10
|71:56?
|78:49?
|84:45
|88:10
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Amsterdam_060825 [https://www.reddit.com/r/autechre/comments/1mjiplt/autechre_live_2025_amsterdam_bootleg/ ''<nowiki>[AUD #1]</nowiki>'']
|0:11
|7:25
|12:18
|16:17*
|4:42
|11:21
|18:18
|23:14
|30:22
|32:52
|38:35
|44:45
|49:24
|55:27
|59:25
|68:44
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Helsinki_080825 [https://www.youtube.com/watch?v=VFyaWvlcZbY ''<nowiki>[AUD #1]</nowiki>'']
|
|0:02
|7:32
|11:31
|15:21
|22:00
|30:48
|36:27
|43:16
|45:47
|48:20
|54:36
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Warsaw_100825 [https://www.youtube.com/watch?v=P8m1fGvDzjM ''<nowiki>[AUD #1]</nowiki>'']
|0:06
|5:57
|11:17
|15:17
|19:06
|25:45
|32:41
|39:14
|45:54
|48:24
|52:03
|59:47
|64:04
|70:30
|73:09
|79:48?
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Berlin_130825 [https://www.youtube.com/watch?v=Nv4GzfXxr6o ''<nowiki>[AUD #1]</nowiki>'']
|0:00
|3:56
|8:48
|12:47
|17:28
|24:07
|28:51
|33:47
|38:48
|41:00
|45:28
|50:56
|56:20
|62:00
|64:18
|70:15
|77:30
|
|
|
|
|
|
|
|
|
|
|
|-
|Reykjavik_150825 ''[AUD #1]''
|0:03
|6:38
|11:30
|15:28
|20:11
|26:48
|33:44
|38:41
|45:20
|48:30
|52:58
|58:26?
|64:10
|69:28
|72:08
|78:07?
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Denver_011025 ''[https://www.youtube.com/watch?v=7yXBKJev7uM <nowiki>[MAT #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:10
|3:30
|9:29
|16:41
|23:54
|30:12
|36:46
|42:24
|47:20
|50:43
|55:16
|61:48
|69:30
|74:47
|
|-
|Minneapolis_031025
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|[https://www.youtube.com/watch?v=HSpgNnFz8Lg]
|
|[https://www.youtube.com/watch?v=HSpgNnFz8Lg]
|
|
|[https://www.youtube.com/watch?v=HSpgNnFz8Lg]
|
|
|
|
|[https://www.youtube.com/watch?v=HSpgNnFz8Lg]
|
|
|
|-
|Vancouver_051025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:16
|3:36
|9:35
|16:47
|24:00
|30:19
|36:52
|42:30
|47:27
|50:50
|55:22
|61:55
|69:36
|74:53
|82:08
|-
|Seattle_061025_A ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|4:30
|7:47
|13:46
|20:58
|28:11
|34:30
|41:03
|46:40
|51:39
|55:00
|59:33
|66:06
|73:47
|79:37
|87:54
|-
|Seattle_061025_B ''[http://www.youtube.com/watch?v=taArl7VS1Eo <nowiki>[AUD #2]</nowiki>]''
|0:00
|7:39
|12:31
|16:30
|20:20
|26:58
|33:11
|38:51
|45:30
|48:40
|53:55
|58:36
|65:10
|73:39
|77:59
|83:57
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Portland_071025 ''[https://www.youtube.com/watch?v=v26MX-pXswc <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|1:15
|4:32
|10:31
|16:57
|24:10
|30:28
|37:02
|42:38
|47:36
|50:59
|55:31
|62:28
|70:09
|75:59
|84:19
|-
|San_Francisco_091025 ''[https://www.reddit.com/r/autechre/comments/1o33ktm/sf_recording/ <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:12
|3:29
|9:28
|16:43
|23:56
|30:14
|36:48
|42:24
|47:57
|51:20
|55:52
|62:25
|70:06
|75:23
|81:41
|-
|Los_Angeles_101025_A ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|15:11
|19:23
|25:21
|32:34
|39:47
|46:05
|52:39
|58:17?
|63:13
|66:37
|71:09
|77:41
|85:23
|90:40
|97:03
|-
|Los_Angeles_101025_B ''[https://www.youtube.com/watch?v=ZTHHOq-W4qM <nowiki>[AUD #3]</nowiki>]''
|0:04
|7:18
|12:11
|17:03
|22:09
|34:01
|39:18
|44:58
|51:37
|54:46
|59:14
|64:42
|72:39
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Mexico_City_121025 ''[https://www.youtube.com/watch?v=5D7bbBprSlg <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:07
|3:26
|9:25
|16:38
|23:51
|31:05
|40:55
|46:59
|53:49
|57:39
|62:10
|68:44
|76:25
|82:04
|
|-
|Austin_141025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|?
|?
|?
|?
|?
|?
|?
|?
|0:00
|2:55
|7:53
|19:01?
|27:36?
|32:53
|39:03
|-
|New_Orleans_151025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:07
|4:07
|10:06
|16:39
|23:52
|31:25
|41:15
|48:46
|55:21
|59:52
|65:55
|74:06
|81:48
|89:48
|
|-
|Birmingham_161025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:02
|3:19
|9:19
|16:31
|23:43
|30:03
|36:36
|42:51
|48:31
|51:54
|57:44
|65:55
|75:57
|81:14
|86:51
|-
|Atlanta_171025 ''[https://archive.org/details/ae-atlanta-101725 <nowiki>[AUD #2]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:44
|4:41
|10:39
|17:52
|25:05
|31:24
|37:57
|43:36
|48:32
|52:35
|58:38
|65:36
|73:18
|79:08
|85:54
|-
|Louisville_181025 [https://www.reddit.com/r/autechre/comments/1oajcyw/louisville_recording/ ''<nowiki>[AUD #1]</nowiki>'']
|
|
|
|
|
|
|
|
|
|
|
|
|
|13:10
|16:35
|22:34
|29:46
|36:59
|42:03?
|49:51
|55:29
|60:07
|64:13
|69:09
|76:07
|83:48
|89:05
|95:20
|-
|Saint_Louis_191025
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|[https://bsky.app/profile/esopus.bsky.social/post/3m3lwrxkpv22n]
|
|
|[https://bsky.app/profile/esopus.bsky.social/post/3m3lwrxkpv22n]
|[https://bsky.app/profile/esopus.bsky.social/post/3m3lwrxkpv22n]
|[https://bsky.app/profile/esopus.bsky.social/post/3m3lwrxkpv22n]
|
|
|-
|Chicago_201025 ''[https://www.reddit.com/r/autechre/comments/1oc5pvv/chicago_recording/ <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|?
|?
|0:00
|8:56
|16:09
|23:23
|33:13
|39:40
|44:37
|49:07
|54:32
|61:28
|69:10
|75:10
|
|-
|Detroit_211025 ''[https://www.reddit.com/r/autechre/comments/1oczdtj/de2roit_recording/?share_id=pIDaWtl6WXIITMGJPC3dD&utm_name=androidcss <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:06
|2:48
|9:46
|19:57
|28:48
|38:53
|49:31
|55:02
|61:45
|65:21
|69:54
|76:38
|84:20
|91:04?
|
|-
|Toronto_221025 ''[https://www.youtube.com/watch?v=j46NGrb86o8 <nowiki>[AUD #2]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:05
|2:47
|9:26
|16:58
|25:49
|31:51?
|41:29
|48:16
|54:23
|57:46
|62:19
|68:51
|76:32
|82:00
|
|-
|Montreal_241025 ''[https://www.reddit.com/r/autechre/comments/1orrp44/montreal_october_24_2025_autechre_mark_broom_and/ <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|14:06
|16:46
|22:45
|29:37
|37:20
|45:50
|54:10
|61:27
|67:06
|70:42
|75:41
|82:14
|89:54
|96:16?
|
|-
|New_York_251025_A ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|2:38
|8:37
|15:35
|23:56
|30:24?
|38:46
|45:48
|52:09
|56:13
|61:37
|68:10
|75:51
|
|
|-
|New_York_251025_B ''<nowiki>[AUD #1]</nowiki>''
|3:50
|10:24
|16:54
|21:33
|26:39
|35:31
|43:47
|48:45?
|55:21
|57:54
|62:23
|67:50?
|75:53?
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-
|Philadelphia_261025 ''[AUD #2]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|?
|0:00
|5:18
|13:30
|21:22
|28:20
|35:11
|41:57
|46:54
|50:17
|55:02
|61:35
|69:16
|75:16
|
|-
|Boston_271025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|2:42
|8:41
|20:52
|34:27?
|40:51
|47:25
|53:55
|59:33
|63:50
|68:23
|74:52
|82:37
|
|
|-
|Portsmouth_281025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:06
|2:48
|9:26
|16:46
|24:58
|32:36
|39:42
|45:18?
|53:06
|57:35
|62:35
|69:08
|76:49
|84:16
|
|-
|Washington_291025 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|2:35
|8:34
|15:46
|22:59
|30:13
|40:03
|46:16
|51:55
|56:25
|62:02
|68:32
|76:14
|82:04
|
|-
|Glasgow_021125 [https://www.youtube.com/watch?v=Kju7284zNYI ''<nowiki>[AUD #1]</nowiki>'']
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|3:22
|9:21
|17:26
|24:36
|30:55
|37:46
|44:16
|49:40
|53:17
|57:49
|64:21
|72:03
|80:03
|
|-
|Newcastle_031125 ''<nowiki>[AUD #1]</nowiki>''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:00
|2:40
|9:59
|18:50
|27:22
|35:53
|43:55
|50:42
|56:48
|61:19
|66:31
|73:03
|80:44
|87:17
|
|-
|Leeds_041125 [https://forum.keyosc.com/topic/1403-ae_leeds_041125_aud/ ''<nowiki>[AUD #1]</nowiki>'']
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:06
|2:47
|10:05
|21:36
|32:25
|41:53
|49:39
|56:55
|62:19
|66:36
|71:09
|78:29
|86:11
|
|
|-
|Brighton_051125
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|[https://www.youtube.com/watch?v=fTCP1vOdSLE]
|
|
|[https://www.youtube.com/watch?v=N-FleEClqiw]
|[https://www.youtube.com/watch?v=Ul-dIAY4sLo]
|[https://www.youtube.com/watch?v=EBAvIJYjXHs]
|
|
|[https://www.youtube.com/watch?v=TTsOyX4ENzQ]
|[https://www.youtube.com/watch?v=ncrwigwhnMk]
|[https://www.youtube.com/watch?v=JfKMDKFnmf4]
|
|-
|Bristol_061125
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|[https://www.youtube.com/watch?v=nUelUQPTGrE]
|
|
|
|
|
|
|-
|Belfast_071125 ''[https://www.mixcloud.com/keyfumbler/autechre-belfast-2025/ <nowiki>[AUD #1]</nowiki>]''
|
|
|
|
|
|
|
|
|
|
|
|
|
|0:02
|2:49
|8:48
|16:00
|25:11
|31:30
|38:03
|44:51
|50:57
|55:28
|60:26
|66:59
|74:40
|83:13?
|
|}
</div>

*'''#52'''
*'''#53''' Contains the 09/23/24 demo “playing with stereo”<ref name=":8">https://web.archive.org/web/20240928141307/https://post.lurk.org/@sean_ae/113186625238764271</ref> and a sound from [[Incunabula#Basscadet|"Basscadet"]]<ref>https://web.archive.org/web/20251013032707/https://post.lurk.org/@sean_ae/115363631277006962</ref>
*'''#54'''
*'''#55''' Contains the [https://www.youtube.com/watch?v=6GRNWAkIlQQ 01/07/25 demo “quick gong jam”]<ref name=":9">https://web.archive.org/web/20250107140034/https://post.lurk.org/@sean_ae/113786941624175064</ref>
*'''#56'''
*'''#57'''
*'''#58'''
*'''#59'''
*'''#60'''
*'''#61'''
*'''#62'''
*'''#63'''

=== 2026 ===
<div class="noresize">
{| class="wikitable frozen-table"
!
!#49
!#50
!#51
!#52
!#53
!#54
!#55
!#56
!#57
!#58
!#59
!#60
!#61
|-
| colspan="14" |
|-
|Tokyo_040226 ''<nowiki>[AUD #1]</nowiki>''
|17:06
|20:26
|26:25
|33:37
|40:50
|47:27
|54:01
|60:48
|65:44
|69:07
|73:41
|80:12
|87:54
|}
</div>

===Footnotes===

*Performance anomalies (not including irregular start/end points)
** Barcelona22 - '''#7''' played twice in a row
**Dublin23 - unique variant of '''#32'''
**Rennes24 - unique interlude in '''#29''' before restarting the section.
**Manchester25 - halted at start of '''#37''', then restarted. Also during '''#46,''' it briefly plays a bit of '''#40''' before returning to normal setlist.
**Amsterdam25 - halted during '''#39''', then restarted.
**Austin25 - unique interlude in '''#60'''
**Louisville25 - unique interlude in '''#56'''
**Detroit25 - unique interlude in '''#54'''
**Boston25 - unique interlude in '''#52'''

==Tour Dates==
See ''[[List of Live Shows]]''
<div style="column-count:2">
*[[2022-06-03 Barcelona, Spain @ Auditori Rockdelux (Primavera 2022)]]
*'''[[2022-07-01 Milan, Italy @ Villa Arconati (Terraforma 2022)]]'''
*'''[[2022-07-05 Athens, Greece @ Odeon of Herodes Atticus (Athens Epidaurus Festival)]]'''
*'''[[2022-09-11 Helsinki, Finland @ Musiikkitalo]]''' ''(+ Ilpo Väisänen)''
*'''[[2022-10-07 London, England, UK @ Barbican Centre (show A)]]''' ''(+ Zoviet France)''
*'''[[2022-10-07 London, England, UK @ Barbican Centre (show B)]]'''
*'''[[2022-11-02 Bergen, Norway @ Østre (Ekko Festival 2022)]]'''
*'''[[2022-11-04 Turin, Italy @ Lingotto Fiere (Club 2 Club 2022)]]'''
*[[2023-08-18 Tokyo, Japan @ Makuhari Messe (SONICMANIA 2023)]]
*'''[[2023-08-25 Melbourne, Australia @ Royal Exhibition Building (Now or Never 2023)]]'''
*'''[[2023-08-27 Sydney, Australia @ City Recital Hall (Switched On 2023)]]''' ''(+ Actress, E. Fishpool)''
*[[2023-10-06 Kraków, Poland @ Teatr Łaźnia Nowa (Unsound 2023)]]
*'''[[2023-10-26 Venice, Italy @ Teatro alle Tese (Biennale Musica 2023)]]'''
*'''[[2023-10-29 Dublin, Ireland @ Vicar Street]]''' ''(+ Minced Oath)''
*'''[[2024-04-04 Brussels, Belgium @ Ancienne Belgique (BRDCST ‘24)]]''' ''(+ Russell Haswell)''
*[[2024-04-05 Den Haag, Netherlands @ Grote Kerk (Rewire Festival 2024)]]
*'''[[2024-04-06 Paris, France @ Le Trianon]]''' ''(+ Aho Ssan)''
*'''[[2024-04-07 Rennes, France @ Antipode]]''' ''(+ Lime68k)''
*'''[[2024-04-09 Barcelona, Spain @ Sala Apolo (MUTEK Barcelona 2024)]]''' ''(+ Roméo Poirier & Ohme)''
*'''[[2024-04-10 Madrid, Spain @ La Sala]]'''
*[[2024-04-12 Lisbon, Portugal @ Culturgest (show A)]]
*'''[[2024-04-12 Lisbon, Portugal @ Culturgest (show B)]]'''
*'''[[2024-04-27 Krems, Austria @ Stadtsaal Krems (Donaufestival 2024)]]'''
*'''[[2024-05-07 Lyon, France @ Le Transbordeur (Nuits Sonores 2024)]]'''
*[[2024-09-30 Oslo, Norway @ Sentrum Scene]] ''(+ Kristoffer Lislegaard)''
*[[2024-10-02 Stockholm, Sweden @ Slaktkyrkan]] ''(+ Undveld)''
*[[2024-10-04 Riga, Latvia @ Hanzas Perons (Skaņu Mežs’ 2024)]]
*[[2024-10-06 Copenhagen, Denmark @ VEGA]] ''(+ SØS Gunver Ryberg)''
*[[2025-02-22 Manchester, England, UK @ New Century]] ''(+ SDEM, edv3ctor, DJ Rob Hall)''
*[[2025-08-06 Amsterdam, Netherlands @ Melkweg]] ''(+ Roel Funcken, Russell Haswell)''
*[[2025-08-08 Helsinki, Finland @ Flow Festival 2025]]
*[[2025-08-10 Warsaw, Poland @ Klub Progresja]] ''(+ Russell Haswell, Ann On Bast)''
*[[2025-08-13 Berlin, Germany @ ASTRA Kulturhaus]] ''(+ Russell Haswell, ACLDS)''
*[[2025-08-15 Reykjavík, Iceland @ Harpa]] ''(+ sideproject, John McCowen)''
*[[2025-10-01 Denver, CO, USA @ Ogden Theatre]] ''(+ Mark Broom, C. Reider)''
*[[2025-10-03 Minneapolis, MN, USA @ Icehouse]] ''(+ Mark Broom, deep glens)''
*[[2025-10-05 Vancouver, Canada @ Hollywood Theatre]] ''(+ Mark Broom)''
*[[2025-10-06 Seattle, WA, USA @ The Crocodile (show A)]] ''(+ Mark Broom)''
*[[2025-10-06 Seattle, WA, USA @ The Crocodile (show B)]] ''(+ Mark Broom)''
*[[2025-10-07 Portland, OR, USA @ The Den]] ''(+ Mark Broom, Cygnus)''
*[[2025-10-09 San Francisco, CA, USA @ Regency Ballroom]] ''(+ Mark Broom, Cygnus)''
*[[2025-10-10 Los Angeles, CA, USA @ Belasco Theater (show A)]] ''(+ Mark Broom)''
*[[2025-10-10 Los Angeles, CA, USA @ Belasco Theater (show B)]] ''(+ Mark Broom)''
*[[2025-10-12 Mexico City, Mexico @ MUTEK MX]] ''(+ Leslie García)''
*[[2025-10-14 Austin, TX, USA @ Kingdom Nightclub]] ''(+ Mark Broom, tsrono)''
*[[2025-10-15 New Orleans, LA, USA @ Joy Theatre]] ''(+ Mark Broom, tsrono)''
*[[2025-10-16 Birmingham, AL, USA @ Saturn]] ''(+ Mark Broom, Cygnus)''
*[[2025-10-17 Atlanta, GA, USA @ Terminal West]] ''(+ Mark Broom, Cygnus)''
*[[2025-10-18 Louisville, KY, USA @ Portal]] ''(+ Mark Broom, deep glens)''
*[[2025-10-19 Saint Louis, MO, USA @ Delmar Hall]] ''(+ Mark Broom, deep glens)''
*[[2025-10-20 Chicago, IL, USA @ Concord Hall]] ''(+ Mark Broom, deep glens)''
*[[2025-10-21 Detroit, MI, USA @ Building 6, Russell Industrial Center]] ''(+ Mark Broom, nnirror)''
*[[2025-10-22 Toronto, Canada @ Danforth Hall]] ''(+ Mark Broom)''
*[[2025-10-24 Montreal, Canada @ Société des arts technologiques]] ''(+ Mark Broom, nixtrove)''
*[[2025-10-25 New York, NY, USA @ Brooklyn Steel (show A)]] ''(+ Mark Broom)''
*[[2025-10-25 New York, NY, USA @ Brooklyn Steel (show B)]] ''(+ Mark Broom)''
*[[2025-10-26 Philadelphia, PA, USA @ Union Transfer]] ''(+ Mark Broom, William Fields)''
*[[2025-10-27 Boston, MA, USA @ Paradise]] ''(+ Mark Broom, Cube)''
*[[2025-10-28 Portsmouth, NH, USA @ 3S Artspace]] ''(+ Mark Broom, Cube)''
*[[2025-10-29 Washington, DC, USA @ Howard Theatre]] ''(+ Mark Broom, Cube)''
*[[2025-11-02 Glasgow, Scotland, UK @ SWG3]] ''(+ Mark Broom, Russell Haswell)''
*[[2025-11-03 Newcastle, England, UK @ Digital]] ''(+ Mark Broom, Russell Haswell)''
*[[2025-11-04 Leeds, England, UK @ Project House]] ''(+ Mark Broom, SDEM)''
*[[2025-11-05 Brighton, England, UK @ Chalk]] ''(+ Mark Broom, Alex Peverett)''
*[[2025-11-06 Bristol, England, UK @ The Prospect Building]] ''(+ Mark Broom, William Telford & Tobias Hilder)''
*[[2025-11-07 Belfast, Northern Ireland, UK @ Mandela Hall]] ''(+ Mark Broom, S>>D)''
*[[2026-02-04 Tokyo, Japan @ ZEPP Divercity]] ''(+ Kohei Matsunaga)''
*[[2026-02-05 Osaka, Japan @ Yogibo META VALLEY]] ''(+ Kohei Matsunaga)''
*2026-09-24 Liège, Belgium @ OM
*2026-09-25 Zurich, Switzerland @ Rote Fabrik
*2026-09-26 Munich, Germany @ Muffathalle
*2026-09-27 Prague, Czechia @ Lunchmeat Festival
*2026-09-28 Wrocław, Poland @ Zaklęte Rewiry
*2026-09-29 Vienna, Austria @ Gasometer
*2026-09-30 Zagreb, Croatia @ Tvornica Kulture
*2026-10-01 Belgrade, Serbia @ Ložionica
*2026-10-02 Skopje, North Macedonia @ MKC
*2026-10-03 Athens, Greece @ Universe
*2026-10-04 Thessaloniki, Greece @ Block33
*2026-10-06 Sofia, Bulgaria @ Toplocentrala
*2026-10-07 Bucharest, Romania @ Club Guesthouse
*2026-10-09 Ljubljana, Slovenia @ Cukrarna
*2026-10-10 Bologne, Italy @ Estragon
*2026-10-11 Milan, Italy @ Alcatraz
*2026-10-12 Geneva, Switzerland @ L'usine
*2026-10-13 Marseille, France @ Cabaret aléatoire
*2026-10-14 Paris, France @ Bataclan
*2026-10-15 Nantes, France @ Le Lieu Unique
*2026-10-16 Lille, France @ L'Aéronef
*2026-10-17 Nijmegen, Netherlands @ Doornroosje
*2026-10-20 Dublin, Ireland @ Vicar Street
*2026-10-22 Cardiff, Wales, UK @ Depot
*2026-10-24 London, England, UK @ Magazine
</div>

==Trivia==

*The CAT number, WARP444, was likely specifically requested by Autechre, to reference the song "444" off their first album, ''[[Incunabula]]''.
*The 2023 compilation cover consisted of all seven individual set art from the first batch overlaid on top of each other.
*A variant of "7th slip" is present in Rob's side of the live set.<ref>https://web.archive.org/web/20241107160026/https://post.lurk.org/@sean_ae/113441779347595762</ref>
*When asked which 2022 show's crowd smelt the best so far, Sean replied "the italians obviously" at Milan22.<ref>{{Cite interview|page=Hanalgig AMA, July 2022|quote='''Tebbisimo: which crowd in '22 smelt the best so far?''' XH HX: the italians obviously}}</ref>
* A font used across promotional material is [https://lineto.com/typefaces/circular-mono Circular Mono].
* The drone patch that is played before a show starts was initially made by Sean for sleeping to.<ref>https://web.archive.org/web/20251211131904/https://post.lurk.org/@sean_ae/115689685840443594</ref>

==Gallery==
<gallery>
File:AE LIVE 2022.jpg|AE_LIVE 2022－(2023 compilation cover)
File:AE LIVE MILAN 010722.jpg|AE_MILAN_010722
File:AE LIVE ATHENS 050722.jpg|AE_ATHENS_050722
File:AE LIVE HELSINKI 110922.jpg|AE_HELSINKI_110922
File:AE LIVE LONDON 071022 A.jpg|AE_LONDON_071022_A
File:AE LIVE LONDON 071022 B.jpg|AE_LONDON_071022_B
File:AE LIVE BERGEN 021122.jpg|AE_BERGEN_021122
File:AE LIVE TURIN 041122.jpg|AE_TURIN_041122
File:AE MELBOURNE 250823.jpg|AE_MELBOURNE_250823
File:AE SYDNEY 270823.jpg|AE_SYDNEY_270823
File:AE VENICE 261023.jpg|AE_VENICE_261023
File:AE DUBLIN 291023.jpg|AE_DUBLIN_291023
File:AE BRUSSELS 040424.jpg|AE_BRUSSELS_040424
File:AE PARIS 060424.jpg|AE_PARIS_060424
File:AE RENNES 070424.jpg|AE_RENNES_070424
File:AE BARCELONA 090424.jpg|AE_BARCELONA_090424
File:AE MADRID 100424.jpg|AE_MADRID_100424
File:AE LISBON 120424 B.jpg|AE_LISBON_120424_B
File:AE KREMS 270424.jpg|AE_KREMS_270424
File:AE LYON 070524.jpg|AE_LYON_070524
</gallery>

==Tracklist==
{{Tracklist|list=
{{tl section|section=AE_LIVE 2022－ (batch 1)}}
{{tl track|number=1|title=AE_MILAN_010722 (previously AE_LIVE_MILAN_010722)|length=1:06:56}}
{{tl track|number=2|title=AE_ATHENS_050722 (previously AE_LIVE_ATHENS_050722)|length=1:20:03}}
{{tl track|number=3|title=AE_HELSINKI_110922 (previously AE_LIVE_HELSINKI_110922)|length=1:11:07}}
{{tl track|number=4|title=AE_LONDON_071022_A (previously AE_LIVE_LONDON_071022_A)|length=59:48}}
{{tl track|number=5|title=AE_LONDON_071022_B (previously AE_LIVE_LONDON_071022_B)|length=59:33}}
{{tl track|number=6|title=AE_BERGEN_021122 (previously AE_LIVE_BERGEN_021122)|length=1:07:59}}
{{tl track|number=7|title=AE_TURIN_041122 (previously AE_LIVE_TURIN_041122)|length=1:00:45}}
{{tl section|section=AE_2022－ (batch 2)}}
{{tl track|number=8|title=AE_MELBOURNE_250823|length=1:00:36}}
{{tl track|number=9|title=AE_SYDNEY_270823|length=1:12:08}}
{{tl track|number=10|title=AE_VENICE_261023|length=1:09:30}}
{{tl track|number=11|title=AE_DUBLIN_291023|length=1:20:18}}
{{tl track|number=12|title=AE_BRUSSELS_040424|length=1:15:01}}
{{tl track|number=13|title=AE_PARIS_060424|length=1:27:08}}
{{tl track|number=14|title=AE_RENNES_0070424|length=1:05:27}}
{{tl track|number=15|title=AE_BARCELONA_090424|length=1:19:11}}
{{tl track|number=16|title=AE_MADRID_100424|length=1:26:27}}
{{tl track|number=17|title=AE_LISBON_120424_B|length=1:02:42}}
{{tl track|number=18|title=AE_KREMS_270424|length=1:15:40}}
{{tl track|number=19|title=AE_LYON_070524|length=1:27:44}}
{{tl finaltime|time=22:48:04}}
}}

==Links==

*[https://autechre.warp.net/release/408603-autechre-aelive-2022 AE_STORE]
*[https://bleep.com/release/430787-autechre-aelive-2022 Bleep]
*[https://www.discogs.com/master/3199512-Autechre-AE_LIVE-2022 Discogs]
*[https://twitter.com/WarpRecords/status/1689637725731954688 Announcement Tweet]

==References==
<references />
[[Category:Live]]
[[Category:Compilation]]

2026-02-05 Osaka, Japan @ Yogibo META VALLEY

2026-02-07T15:38:28Z

EnergyIsMassiveLight: Created page with "{{Show Information|date=2026-02-05|location=Osaka, Japan|venue=Yogibo META VALLEY|event=|validity=A1|tour=twentytwentysix}} ==History== Support: Kohei Matsunaga <ref name=":68">https://web.archive.org/web/20250616195108/https://www.beatink.com/products/detail.php?product_id=15141</ref><ref name=":67">https://www.ele-king.net/news/011814/</ref><ref name=":732">https://www.reddit.com/r/autechre/comments/1nraadz/twentytwentyfivesix_openers/</ref> ==Media== =..."

{{Show Information|date=2026-02-05|location=Osaka, Japan|venue=Yogibo META VALLEY|event=|validity=A1|tour=[[AE_2022－|twentytwentysix]]}}
==History==
Support: Kohei Matsunaga

<ref name=":68">https://web.archive.org/web/20250616195108/https://www.beatink.com/products/detail.php?product_id=15141</ref><ref name=":67">https://www.ele-king.net/news/011814/</ref><ref name=":732">https://www.reddit.com/r/autechre/comments/1nraadz/twentytwentyfivesix_openers/</ref>
==Media==
==Recordings==
{| class="wikitable"
!TYPE
!COMPLETE
!LENGTH
!NOTES
!LINKS
|}
==References==
<references />

EP7

2026-02-05T02:37:31Z

EnergyIsMassiveLight:

{{Infobox
|title=EP7
|artist=[[Autechre]]
|cover=EP7.jpg
|date=7 June 1999
|label=Warp Records (WAPEP7)
|previous=[[Peel Session]]
|previous year=1999
|next=[[Peel Session 2]]
|next year=2000
}}
'''''EP7''''' is the seventh EP by [[Autechre]] released on [https://warp.net/ Warp Records] It was originally released on June 7th, 1999.<ref>https://bleep.com/release/23103-autechre-ep7</ref>

== History ==
The reason ''EP7'' is an EP despite its length was that so they could, as Sean noted, "do things that weren't album-like."<ref>{{Cite interview|page=Autechre: elseq et al, June 2016|quote=It all comes back to this idea of the album, and the sacred thing that it is. We're not really from an albums background, though, we're from a 12-inches-and-weird-tracks-on-tapes-where-you-don't-know-who-the-artists-are background! So it kind of makes sense for us to do things that aren't format-related as such. Like when we did EP7, we deliberately called it an EP so we could do things that weren't album-like.}}</ref> The material shown on the record were all from "four or five different periods of work."<ref>{{Cite interview|page=Autechre's Interview with Мatt O'Leary, March 2005|quote=With EP7 we did the same thing -- approached it like an album, but as an EP, with an album mentality, saying "this thing's like an album" without really giving a shit about the criteria, whether a track's really correct for the format or not. But we've spent such a long time doing it -- there's literally four or five different periods of work in that album, just on its own, so it's actually quite difficult to talk about it as an album.}}</ref> 

''EP7'' was the first release to utilise Max.<ref name=":02">{{Cite interview|page=Sean Twitch AMA, June 2022|quote=So how old is the oldest part? I don't know, I don't, I don't know. 20 years, 25 years? Probably still using bits from when we've done EP7 because that was the first release where we properly used Max. It's the first release work, in fact I think it's the first release where we use Max at all, yeah, it is. So yeah, there's bits because that original, I think the first track I did in Max was Liccflii off EP7. So that was, and there are bits of the way that that works, or the idea behind the way that the rhythm works in that that I still use now, and it's just part of the vocabulary of our program rhythm in Max so. But I don't know if you could strictly say that it's the same patch.}}</ref><ref>{{Cite AAA2 doc|420}}</ref>

The cover of ''EP7'' was made by Sean using Freehand.<ref>{{Cite interview|page=Soundproof interviews Sean & Rob, 1999|quote='''Soundproof: How was that shape created? The artwork on EP7.''' '''Sean:''' We drew it in Freehand. '''Rob:''' That’s something that was done on like a circuit board designer.}}</ref><ref>{{Cite AAA2 doc|597}}</ref> According to a Q&A from the Warp website, the cover art was based on trees.<ref>[https://web.archive.org/web/20020816104848/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid1018136565,21609, https://web.archive.org/web/20020816104848/http://www.autechre.nu/cgi-bin/newspro/news.cgi?newsid1018136565,21609,]</ref>

To promote ''EP7,'' a [https://web.archive.org/web/20010430120118/http://www.warprecords.com/ography/WAPEP7/ minisite] was created featuring an applet, coded by Dorian Fraser Moore at Kleber Digital,<ref>https://dorian.fraser-moore.com/works/49/autechre-ep7</ref> which would randomly regenerate one of the 9 unique fractal designsfrom ''EP7''<nowiki/>'s designs, which you could zoom in and move around. [https://archive.theusefularts.org/warp/ography/single/WAPEP7/ An archived version exists here], however it requires a Java emulator like [https://chromewebstore.google.com/detail/cheerpj-applet-runner/bbmolahhldcbngedljfadjlognfaaein?hl=en CheerpJ Applet Runner] to run.

==Tracks==

===[untitled]===

*The untitled hidden track at the beginning of the album is only present on some CD releases of the album, and is only accessible by navigating to the previous song while playing "Rpeg".
*The track itself consists of recordings run through delays feeding into pitchshifters.<ref>https://web.archive.org/web/20240425190840/https://post.lurk.org/@sean_ae/112331895371759798</ref>
[[File:ep7.1.jpg|thumb|150x150px|EP7.1]]

===Rpeg===

* According to Rob, the drums on "Rpeg" were "asr10 samples wet and filtery but tracked out into a really weak PC IBM with an awful audio card running a weak version of logic audio and low quality effects modulated with cc, it all just scrunched into something lo fi sounding but was extra drippy"<ref>{{Cite AAA2 doc|320}}</ref>

===Ccec===

*The title is pronounced "check".<ref name=":1">https://web.archive.org/web/20240505014108/https://post.lurk.org/@sean_ae/112384617982904846</ref>
*The vocals were processed by assiging the start position of the sample to the mod wheel and then messing with the mod wheel and additional sequencing.<ref name=":1" />

===Squeller===

*The end of the track used a Kyma Phase vocoder patch (same as "Liccflii" and [[List of Remixes#Nightmares On Wax - Sal Batardes (Autechre's Purple Mix)|"Nightmares On Wax - Sal Batardes (Autechre's Purple Mix)"]]) as well as SoundEdit 16 for pitch warbling similar to [[LP5#Vose In|"Vose In"]].<ref>{{Cite AAA2 doc|106}}</ref>

===Left Blank===

*The second half of "Left Blank" uses the Kyma Capybara for the "fft sounding stuff". That same patch went on to be reused on [[List of Remixes#Nightmares On Wax - Sal Batardes (Autechre's Purple Mix)|"Sal Batardes (Autechre Purple Mix)"]].<ref>{{Cite interview|quote=i never much liked kyma (horrible nested structuring, but it did sound pretty nice). we used it on a few things (second half of left blank, the nightmares on wax remix and the bic remix), and i eventually gave it to daz fitton|page=Hanalgig AMA, July 2022}}</ref><ref>https://web.archive.org/web/20231217191142/https://post.lurk.org/@sean_ae/111595944351176551</ref>

===Outpt===

*Rob notes that the track consisted of vocoder and the same equipment (with the exception of using "built in IBM PC soundcard GM voices all FM based") doing similar processing as "Rpeg". The reverse sections were achieved by applying reverb to reversed sections, then rereversed using "short IBM PC app VAZ synth splashes thru the effects". The white noise heard through most of the track was unintentional due to a poor noisefloor, but it worked with the track so it was left in.<ref>{{Cite AAA2 doc|323}}</ref>

[[File:ep7.2.jpg|thumb|150x150px|EP7.2]]

===Dropp===

*The main synth for "Dropp" uses a Nord sequenced in Logic.<ref>{{Cite AAA doc|1003}}</ref>

===Liccflii===

*"Liccflii" was the first track Sean did in Max.<ref name=":0">{{Cite interview|page=Sean Twitch AMA, June 2022|quote=So how old is the oldest part? I don't know, I don't, I don't know. 20 years, 25 years? Probably still using bits from when we've done EP7 because that was the first release where we properly used Max. It's the first release work, in fact I think it's the first release where we use Max at all, yeah, it is. So yeah, there's bits because that original, I think the first track I did in Max was Liccflii off EP7. So that was, and there are bits of the way that that works, or the idea behind the way that the rhythm works in that that I still use now, and it's just part of the vocabulary of our program rhythm in Max so. But I don't know if you could strictly say that it's the same patch.}}</ref>

===Maphive 6.1 ===

*"Maphive 6.1" was created entirely on a Roland PMA-5.<ref>{{Cite AAA doc|615}}</ref><ref>{{Cite web|author=Wilson, Scott|title=Designing chaos: 7 pieces of gear that helped define Autechre’s game-changing sound|website=Factmag|date=25 February 2017|link=https://www.factmag.com/2017/02/25/autechre-gear-synths-samplers-drum-machines-effects/|accessdate=15 April 2024}}</ref> The title "Maphive" is derived from the equipment, shuffling "PMA-5" to "MAP-5".

===Zeiss Contarex===

*The tracks shares its name with the Contarex camera made by Zeiss Ikon.<ref>https://web.archive.org/web/20221005023155/http://autechre.wikifoundry.com/page/EP7#:~:text=Pun%20on%20%22Output%22-,Zeiss%20Contarex%3A,-Contarex%20is%20a</ref>
*The sample near the end of the track originates from a shortwave radio broadcast, although Sean clarifies he doesn't know what the sample itself was.<ref>https://web.archive.org/web/20231221142328/https://post.lurk.org/@sean_ae/111608211662796491</ref>

===Netlon Sentinel===

*According to Sean, "Netlon Sentinel" was the name of a company that was displayed on a big sign, which "became a bit of a meme to shout it out every time" everytime they drove past it on their way to Hillsborough.<ref>{{Cite AAA2 doc|620}}</ref>

===Pir ===

==Tracklist==
{{Tracklist|list=
{{tl track|number=-1|title=''untitled''|length=9:47}}
{{tl track|number=1|title=Rpeg|length=6:01}}
{{tl track|number=2|title=Ccec|length=4:59}}
{{tl track|number=3|title=Squeller|length=4:38}}
{{tl track|number=4|title=Left Blank|length=6:40}}
{{tl track|number=5|title=Outpt|length=7:12}}
{{tl track|number=6|title=Dropp|length=3:16}}
{{tl track|number=7|title=Liccflii|length=4:58}}
{{tl track|number=8|title=Maphive 6.1|length=8:18}}
{{tl track|number=9|title=Zeiss Contarex|length=6:33}}
{{tl track|number=10|title=Netlon Sentinel|length=4:06}}
{{tl track|number=11|title=Pir|length=3:32}}
{{tl finaltime|time=1:09:54}}
}}
==Credits==

*[[Rob Brown]] (writer)
*[[Sean Booth]] (writer)
*[[Autechre]] (production)
*[[Frank Arkwright]] (mastering) <ref>https://www.discogs.com/master/1992-Autechre-EP7</ref>

==References==
<references />
[[Category:EP]]

2025-10-06 Seattle, WA, USA @ The Crocodile (show B)

2026-02-05T02:29:38Z

EnergyIsMassiveLight:

{{Show Information|date=2025-10-06 |location=Seattle, WA, USA|venue=The Crocodile|event=|validity=A1|tour=[[AE_2022－|twentytwentyfive]]}}
==History==
See also [[2025-10-06 Seattle, WA, USA @ The Crocodile (show A)|show A]].

Support: Mark Broom

<ref name=":73">https://www.reddit.com/r/autechre/comments/1nraadz/twentytwentyfivesix_openers/</ref><ref name=":64">https://www.reddit.com/r/autechre/comments/1jkh669/update_on_twentytwentyfive_shows/ (original: https://www.reddit.com/r/autechre/comments/1iypjz7/twentytwentyfive/)</ref><ref name=":65">https://pitchfork.com/news/autechre-expand-2025-north-american-tour/ (old: https://pitchfork.com/news/autechre-announce-first-north-american-tour-in-a-decade/)</ref>

==Media==

==Recordings==
{| class="wikitable"
!TYPE
!COMPLETE
!LENGTH
!NOTES
!LINKS
|-
| colspan="1" rowspan="5" |AUD #1
| colspan="2" |(PART)
|Shared in private.
|
|-
|PART
|5:20
|''seattle B1 intro''
|
|-
|PART
|3:04
|''seattle B2''
|
|-
|PART
|2:04
|''seattle B3''
|
|-
|PART
|0:41
|''seattle B4 ending''
|
|-
|AUD #2
|FULL
|92:21
|Uploaded to Youtube by user ombio
''AUTECHRE - LIVE SET - SEATTLE, 10PM - OCTOBER 6 2025''
|[https://youtu.be/taArl7VS1Eo YouTube]
|}

==References==
<references />
[[Category:Live]]

2025-10-21 Detroit, MI, USA @ Building 6, Russell Industrial Center

2026-02-05T02:29:37Z

EnergyIsMassiveLight:

{{Show Information|date=2025-10-21|location=Detroit, MI, USA|venue=Building 6, Russell Industrial Center|event=|validity=A1|tour=[[AE_2022－|twentytwentyfive]]}}

==History==
Support: Mark Broom, nnirror<ref name=":72">https://web.archive.org/web/20250925171729/https://post.lurk.org/@nnirror/115265776157717838</ref>

<ref name=":73">https://www.reddit.com/r/autechre/comments/1nraadz/twentytwentyfivesix_openers/</ref><ref name=":64">https://www.reddit.com/r/autechre/comments/1jkh669/update_on_twentytwentyfive_shows/ (original: https://www.reddit.com/r/autechre/comments/1iypjz7/twentytwentyfive/)</ref><ref name=":65">https://pitchfork.com/news/autechre-expand-2025-north-american-tour/ (old: https://pitchfork.com/news/autechre-announce-first-north-american-tour-in-a-decade/)</ref>

==Media==

==Recordings==
{| class="wikitable"
!TYPE
!COMPLETE
!LENGTH
!NOTES
!LINKS
|-
|AUD #1
|FULL
|93:23
|Recorded by u/baconfriedpork
|[https://www.reddit.com/r/autechre/comments/1oczdtj/de2roit_recording/?share_id=pIDaWtl6WXIITMGJPC3dD&utm_name=androidcss Reddit]
|-
|AUD #2
|FULL
|105:55
|Shared in private.
|
|-
|AUD #3
|FULL
|94:01
|Recorded by u/camcussion
|[https://www.reddit.com/r/autechre/comments/1oeivjy/detroit_and_toronto_recordings/ Reddit]
|}

==References==
<references />
[[Category:Live]]

2025-10-03 Minneapolis, MN, USA @ Icehouse

2026-02-05T02:29:36Z

EnergyIsMassiveLight:

{{Show Information|date=2025-10-03|location=Minneapolis, MN, USA|venue=Icehouse|event=|validity=A1|tour=[[AE_2022－|twentytwentyfive]]}}

==History==
Support: Mark Broom, deep glens<ref name=":71">https://web.archive.org/web/20250911165953/https://deepglens.com/events</ref>

<ref name=":73">https://www.reddit.com/r/autechre/comments/1nraadz/twentytwentyfivesix_openers/</ref><ref name=":64">https://www.reddit.com/r/autechre/comments/1jkh669/update_on_twentytwentyfive_shows/ (original: https://www.reddit.com/r/autechre/comments/1iypjz7/twentytwentyfive/)</ref><ref name=":65">https://pitchfork.com/news/autechre-expand-2025-north-american-tour/ (old: https://pitchfork.com/news/autechre-announce-first-north-american-tour-in-a-decade/)</ref>

==Media==

==Recordings==
{| class="wikitable"
!TYPE
!COMPLETE
!LENGTH
!NOTES
!LINKS
|-
|AUD #1
|PARTIAL
|60:10
|Shared in private
|
|-
|AUD #2
|PART
|3:24
|Uploaded to Youtube by user Spinning Voices
''Autechre live 10/3/25 Minneapolis (clip compilation)''
|[https://www.youtube.com/watch?v=HSpgNnFz8Lg YouTube]
|}

==References==
<references />
[[Category:Live]]

2025-10-05 Vancouver, Canada @ Hollywood Theatre

2026-02-05T02:29:35Z

EnergyIsMassiveLight:

{{Show Information|date=2025-10-05|location=Vancouver, Canada|venue=Hollywood Theatre|event=|validity=A1|tour=[[AE_2022－|twentytwentyfive]]}}

==History==
Support: Mark Broom

<ref name=":73">https://www.reddit.com/r/autechre/comments/1nraadz/twentytwentyfivesix_openers/</ref><ref name=":64">https://www.reddit.com/r/autechre/comments/1jkh669/update_on_twentytwentyfive_shows/ (original: https://www.reddit.com/r/autechre/comments/1iypjz7/twentytwentyfive/)</ref><ref name=":65">https://pitchfork.com/news/autechre-expand-2025-north-american-tour/ (old: https://pitchfork.com/news/autechre-announce-first-north-american-tour-in-a-decade/)</ref>

==Media==

==Recordings==
{| class="wikitable"
!TYPE
!COMPLETE
!LENGTH
!NOTES
!LINKS
|-
|AUD #1
|FULL
|89:58
|Shared in private.
|
|-
|AUD #2
|FULL
|89:34
|Uploaded to Youtube by user chroma_4696
''Autechre live - vancouver, 2025.10.05''
|[https://www.youtube.com/watch?v=YCekjxhGIrk YouTube]
|}

==References==
<references />
[[Category:Live]]

2025-10-01 Denver, CO, USA @ Ogden Theatre

2026-02-05T02:29:34Z

EnergyIsMassiveLight:

{{Show Information|date=2025-10-01|location=Denver, CO, USA|venue=Ogden Theatre|event=|validity=A1|tour=[[AE_2022－|twentytwentyfive]]}}

==History==
LIST<ref name=":73">https://www.reddit.com/r/autechre/comments/1nraadz/twentytwentyfivesix_openers/</ref><ref name=":64">https://www.reddit.com/r/autechre/comments/1jkh669/update_on_twentytwentyfive_shows/ (original: https://www.reddit.com/r/autechre/comments/1iypjz7/twentytwentyfive/)</ref><ref name=":65">https://pitchfork.com/news/autechre-expand-2025-north-american-tour/ (old: https://pitchfork.com/news/autechre-announce-first-north-american-tour-in-a-decade/)</ref>,

Support: Mark Broom, C. Reider<ref>https://bsky.app/profile/vuzhmusic.bsky.social/post/3lxsjkhq57c2b</ref>
==Media==

=== Images ===

* https://sonomu.club/@c_reider/115305799285377404

==Recordings==
{| class="wikitable"
!TYPE
!COMPLETE
!LENGTH
!NOTES
!LINKS
|-
|AUD #1
|PARTIAL
|25:11
|21 different clips during the show. Shared in private.
|
|-
| rowspan="3" |AUD #2
| colspan="2" |(PART)
|Shared in private
|
|-
|PART
|0:19
|
|
|-
|PART
|0:16
|
|
|-
|AUD #3
|FULL
|90:21
|Uploaded to Youtube by user SomeGuy1456
''Autechre Live At The Ogden Theater, Denver CO, 10/1/25 [AUDIO ONLY]''
|[https://www.youtube.com/watch?v=4HSoClOrcqo YouTube]
|-
|AUD #4
|PART
|1:17
|Uploaded to Mastodon by user c.reider
|[https://sonomu.club/@c_reider/115306282392924712 Mastodon]
|-
|AUD #5
|FULL
|81:33
|Uploaded to Youtube by user TheSuperBlaa
''AE_LIVE_DENVER_100125''
|[https://www.youtube.com/watch?v=9GaQ_cLTM94 YouTube]
|-
|AUD #6
|FULL
|81:13
|Uploaded to Youtube by user nenlow66
''Autechre (10/1/25) @ Ogden Theater in Denver''
|[https://www.youtube.com/watch?v=o9We_fYAUnk YouTube]
|-
|MAT #1
|FULL
|81:16
|Matrix mix by lithoes/rivvy " i created a matrix of last night's show using one of the youtube sources [AUD #3], and a recording two friends of mine did together. hopefully it sounds pretty good haha, but lmk."
|[https://www.youtube.com/watch?v=7yXBKJev7uM YouTube (reupload)]
|}

==References==
<references />
[[Category:Live]]

2025-10-06 Seattle, WA, USA @ The Crocodile (show A)

2026-02-05T02:29:33Z

EnergyIsMassiveLight:

{{Show Information|date=2025-10-06|location=Seattle, WA, USA|venue=The Crocodile|event=|validity=A1|tour=[[AE_2022－|twentytwentyfive]]}}

==History==
See also [[2025-10-06 Seattle, WA, USA @ The Crocodile (show B)|show B]].

Support: Mark Broom

<ref name=":73">https://www.reddit.com/r/autechre/comments/1nraadz/twentytwentyfivesix_openers/</ref><ref name=":64">https://www.reddit.com/r/autechre/comments/1jkh669/update_on_twentytwentyfive_shows/ (original: https://www.reddit.com/r/autechre/comments/1iypjz7/twentytwentyfive/)</ref><ref name=":65">https://pitchfork.com/news/autechre-expand-2025-north-american-tour/ (old: https://pitchfork.com/news/autechre-announce-first-north-american-tour-in-a-decade/)</ref>

==Media==

==Recordings==
{| class="wikitable"
!TYPE
!COMPLETE
!LENGTH
!NOTES
!LINKS
|-
|AUD #1
|FULL
|95m
|Shared in private.
|
|-
| colspan="1" rowspan="3" |AUD #2
| colspan="2" |(PARTIAL)
|Shared in private.
|
|-
|PART
|12m
|
|
|-
|PART
|4m22
|
|
|-
|AUD #3
|FULL
|90m
|Uploaded to Youtube by user Shared Tomorrows
''Autechre Seattle 2025 Early Show''
|[https://www.youtube.com/watch?v=C3eznbvy_jc YouTube]
|}

==References==
<references />
[[Category:Live]]

2025-10-10 Los Angeles, CA, USA @ Belasco Theater (show A)

2026-02-05T02:22:36Z

EnergyIsMassiveLight:

{{Show Information|date=2025-10-10|location=Los Angeles, CA, USA|venue=Belasco Theater|event=|validity=A1|tour=[[AE_2022－|twentytwentyfive]]}}

==History==
See also [[2025-10-10 Los Angeles, CA, USA @ Belasco Theater (show B)|show B]].

Support: Mark Broom

<ref name=":73">https://www.reddit.com/r/autechre/comments/1nraadz/twentytwentyfivesix_openers/</ref><ref name=":64">https://www.reddit.com/r/autechre/comments/1jkh669/update_on_twentytwentyfive_shows/ (original: https://www.reddit.com/r/autechre/comments/1iypjz7/twentytwentyfive/)</ref><ref name=":65">https://pitchfork.com/news/autechre-expand-2025-north-american-tour/ (old: https://pitchfork.com/news/autechre-announce-first-north-american-tour-in-a-decade/)</ref>
==Media==

==Recordings==
{| class="wikitable"
!TYPE
!COMPLETE
!LENGTH
!NOTES
!LINKS
|-
|AUD #1
|FULL
|108:28
|Shared privately.
|
|-
|AUD #1b
|FULL
|93:18
|Shared privately.
|
|-
|AUD #2
|FULL
|100:51
|Recorded by jimmyrustler.
|[https://recorder.google.com/a7cd6bfb-8efe-4f7f-99ab-971b0d528191 Recorder]
|-
| rowspan="3" |AUD #3
| colspan="2" |(PARTIAL)
|Recorded and uploaded to Reddit by u/pandachrist666
|
|-
|PART
|7:01
|''autechre @ Belasco LA - 10.10.25 // Set 1, apx 50 minutes in (9:04pm)''
|[https://www.reddit.com/r/autechre/comments/1o48rop/autechre_belasco_la_101025_set_1_apx_50_minutes/ Reddit]
|-
|PART
|6:38
|''autechre @ Belasco LA - 10.10.25 // Set 1, apx 65 minutes in (9:21pm)''
|[https://www.reddit.com/r/autechre/comments/1o5vj3v/autechre_belasco_la_101025_set_1_apx_65_minutes/ Reddit]
|-
| rowspan="3" |AUD #4
| colspan="2" |(PARTIAL)
|Uploaded to Youtube by user Michael Parrish
|
|-
|PART
|10:49
|''Autechre Live 2025- Belasco Theater, Los Angeles, CA''
|[https://www.youtube.com/watch?v=0s1o0ySur78 YouTube]
|-
|PART
|4:33
|''Autechre Live 2025- Belasco Theater, Los Angeles, CA''
|[https://www.youtube.com/watch?v=kWtURgpNobs YouTube]
|-
|AUD #5
|FULL
|93:23
|Uploaded to Youtube by user nenlow66
''Autechre 10/10/25 @ Belasco Theater Los Angeles (early show)''
|[https://www.youtube.com/watch?v=PWZ7P6jwcBo YouTube]
|}

==References==
<references />
[[Category:Live]]

2025-10-18 Louisville, KY, USA @ Portal

2026-02-05T02:22:35Z

EnergyIsMassiveLight:

{{Show Information|date=2025-10-18|location=Louisville, KY, USA|venue=Portal|event=|validity=A1|tour=[[AE_2022－|twentytwentyfive]]}}

==History==
Support: Mark Broom, deep glens<ref name=":71">https://web.archive.org/web/20250911165953/https://deepglens.com/events</ref>

<ref name=":73">https://www.reddit.com/r/autechre/comments/1nraadz/twentytwentyfivesix_openers/</ref><ref name=":64">https://www.reddit.com/r/autechre/comments/1jkh669/update_on_twentytwentyfive_shows/ (original: https://www.reddit.com/r/autechre/comments/1iypjz7/twentytwentyfive/)</ref><ref name=":65">https://pitchfork.com/news/autechre-expand-2025-north-american-tour/ (old: https://pitchfork.com/news/autechre-announce-first-north-american-tour-in-a-decade/)</ref>

==Media==

==Recordings==
{| class="wikitable"
!TYPE
!COMPLETE
!LENGTH
!NOTES
!LINKS
|-
|AUD #1
|FULL
|104:02
|Recorded by u/baconfriedpork
|[https://www.reddit.com/r/autechre/comments/1oajcyw/louisville_recording/ Reddit]
|-
|AUD #2
|FULL
|90:31
|Shared privately.
|
|-
|AUD #3
|FULL
|98:22
|Shared privately.
|
|}

==References==
<references />
[[Category:Live]]

2024-10-02 Stockholm, Sweden @ Slaktkyrkan

2026-02-05T02:22:34Z

EnergyIsMassiveLight:

{{Show Information|date=2024-10-02|location=Stockholm, Sweden|venue=Slaktkyrkan|event=|validity=A1|tour=[[AE_2022－|twentytwentyfour]]}}

==History==
Support: Undveld<ref name=":60">https://www.reddit.com/r/autechre/comments/1fq6icf/support_added_for_upcoming_shows/</ref>

<ref name=":9">https://www.facebook.com/warprecords/posts/ae-live-2024-new-shows-added-autechrewarpnetshows/407106961956344/?_rdr</ref>
==Media==

==Recordings==
{| class="wikitable"
!TYPE
!COMPLETE
!LENGTH
!NOTES
!LINKS
|-
|AUD #1
|FULL
|82:39
|Recorded and uploaded to WATMM (via mega) by user ski nell.
|[https://watmm-archive.com/t/104277/21 WATMM (archive)]
[https://www.youtube.com/watch?v=KCKl8qwx_O4 YouTube (reupload)]
|-
|AUD #2
|FULL
|83:34
|Shared privately.
|
|-
|AUD #3
|PART
|0:25
|Shared privately.
|
|-
|AUD #4
|PART
|0:21
|Uploaded to Reddit by user u/TureLuhr
|[https://www.reddit.com/r/autechre/comments/1fv5z9w/stockholm_was_insane/ Reddit]
|-
|AUD #5
|FULL
|88:18
|Recorded and uploaded to WATMM by user Nenlow66
|[https://watmm-archive.com/t/104277/22 WATMM (archive, dead)]
|}

==References==
<references />
[[Category:Live]]

2025-10-16 Birmingham, AL, USA @ Saturn

2026-02-05T02:22:33Z

EnergyIsMassiveLight:

{{Show Information|date=2025-10-16|location=Birmingham, AL, USA|venue=Saturn|event=|validity=A1|tour=[[AE_2022－|twentytwentyfive]]}}

==History==
Support: Mark Broom, Cygnus<ref name=":70">https://www.facebook.com/permalink.php?story_fbid=pfbid02ZQUVRLhNYHKB9V3PFh76XxPxcKN7m1QAb6cPEg3NksMZsrLr9XzPDcFh5z94RRBHl&id=100031660662023</ref>

<ref name=":73">https://www.reddit.com/r/autechre/comments/1nraadz/twentytwentyfivesix_openers/</ref><ref name=":64">https://www.reddit.com/r/autechre/comments/1jkh669/update_on_twentytwentyfive_shows/ (original: https://www.reddit.com/r/autechre/comments/1iypjz7/twentytwentyfive/)</ref><ref name=":65">https://pitchfork.com/news/autechre-expand-2025-north-american-tour/ (old: https://pitchfork.com/news/autechre-announce-first-north-american-tour-in-a-decade/)</ref>

==Media==

==Recordings==
{| class="wikitable"
!TYPE
!COMPLETE
!LENGTH
!NOTES
!LINKS
|-
|AUD #1
|FULL
|96:32
|Shared privately.
|
|-
|AUD #2
|MOST
|90:00
|Recorded and shared by u/fentanyl_yoshi
|[https://www.reddit.com/r/autechre/comments/1o90e3g/comment/njz4h14/ Reddit]
|-
|AUD #3
|FULL
|97:48
|Recorded and shared on KEYOSC by user soma
|[https://forum.keyosc.com/topic/73-autechre-2025-tour/?&do=findComment&comment=35610 KEYOSC]
|-
|AUD #3b
|FULL
|97:48
|Remastered by soma in same thread
|[https://forum.keyosc.com/topic/73-autechre-2025-tour/?&do=findComment&comment=35882 KEYOSC]
|}

==References==
<references />
[[Category:Live]]

2025-10-10 Los Angeles, CA, USA @ Belasco Theater (show A)

2026-02-05T02:19:15Z

EnergyIsMassiveLight: