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	<id>http://aepages.org/wiki/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=BisQUO</id>
	<title>aepages - User contributions [en]</title>
	<link rel="self" type="application/atom+xml" href="http://aepages.org/wiki/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=BisQUO"/>
	<link rel="alternate" type="text/html" href="http://aepages.org/wiki/Special:Contributions/BisQUO"/>
	<updated>2026-04-15T14:43:04Z</updated>
	<subtitle>User contributions</subtitle>
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	<entry>
		<id>http://aepages.org/wiki/index.php?title=User:BisQUO&amp;diff=3772</id>
		<title>User:BisQUO</title>
		<link rel="alternate" type="text/html" href="http://aepages.org/wiki/index.php?title=User:BisQUO&amp;diff=3772"/>
		<updated>2024-11-04T21:59:32Z</updated>

		<summary type="html">&lt;p&gt;BisQUO: (editing this only so nrg can read this message) did u survive&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;gabagool ! gabagool !&lt;/div&gt;</summary>
		<author><name>BisQUO</name></author>
	</entry>
	<entry>
		<id>http://aepages.org/wiki/index.php?title=AE_LIVE&amp;diff=3461</id>
		<title>AE LIVE</title>
		<link rel="alternate" type="text/html" href="http://aepages.org/wiki/index.php?title=AE_LIVE&amp;diff=3461"/>
		<updated>2024-06-09T09:27:47Z</updated>

		<summary type="html">&lt;p&gt;BisQUO: updated phee fan titles&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{DISPLAYTITLE:AE_LIVE}}&lt;br /&gt;
{{Infobox&lt;br /&gt;
|title=AE_LIVE&lt;br /&gt;
|artist=[[Autechre]]&lt;br /&gt;
|cover=AE LIVE.jpg&lt;br /&gt;
|date=29 October 2015 &amp;lt;small&amp;gt;(Krakow 2014-Dublin 2014)&amp;lt;/small&amp;gt;&amp;lt;br&amp;gt;8 December 2015 &amp;lt;small&amp;gt;(Krems 2015-Katowice 2015)&amp;lt;/small&amp;gt;&amp;lt;br&amp;gt; 30 January 2019 &amp;lt;small&amp;gt;(Portland 2015-Denver 2015)&amp;lt;/small&amp;gt;&lt;br /&gt;
|label=Warp Records (WARP360)&lt;br /&gt;
|previous=[[L-event]]&lt;br /&gt;
|previous year=2013&lt;br /&gt;
|next=[[elseq 1-5]]&lt;br /&gt;
|next year=2016&lt;br /&gt;
}}'''''AE_LIVE''''' is a compilation of twenty-eight soundboard recordings taken from live shows performed in 2014 and 2015. &lt;br /&gt;
&lt;br /&gt;
== History ==&amp;lt;!-- add tour progression info, i.e. announcements --&amp;gt;&lt;br /&gt;
For the US leg of the tour (known as '''''AENA''''')&amp;lt;ref name=&amp;quot;:0&amp;quot;&amp;gt;https://web.archive.org/web/20150812054937/http://autechre.ws:80/&amp;lt;/ref&amp;gt;, Cygnus and Rob Hall came along as support.&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt; &lt;br /&gt;
&lt;br /&gt;
On October 28th, people were asked to sign up to Autechre's mailing list within the next 24 hours.&amp;lt;ref&amp;gt;https://www.facebook.com/warprecords/posts/10153195416617686&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;https://forum.watmm.com/topic/89160-sign-up-to-autechres-mailing-list&amp;lt;/ref&amp;gt; The following day on the 29th, the first four sets (Krakow 2014 to Dublin 2014) were made availabe for purchase on Autechre's newly set-up&amp;lt;!-- (BLEEP) --&amp;gt; store exclusively to those subscribed to the mailing list.&amp;lt;ref&amp;gt;https://forum.watmm.com/topic/89167-ae_live/&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;:1&amp;quot;&amp;gt;https://www.factmag.com/2015/10/30/autechre-are-selling-exclusive-live-recordings/&amp;lt;/ref&amp;gt; The official announcement came on November 1st, 2015 that it was made available.&amp;lt;ref name=&amp;quot;:2&amp;quot;&amp;gt;https://web.archive.org/web/20160304184647/https://twitter.com/AE_STORE_&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html&amp;lt;/ref&amp;gt;&amp;lt;!-- do a write up about the experimental store front thing, see twitch ama where sean also talks about this for sharing live shows, and how primitive it was initially + the connection to Bleep.  --&amp;gt; Later on December 8th, 2015, the compilation was updated with another five sets (Krems 2015 to Katowice 2015),&amp;lt;ref name=&amp;quot;:2&amp;quot; /&amp;gt; which also included making it available for everyone to purchase.&amp;lt;ref name=&amp;quot;:1&amp;quot; /&amp;gt; &lt;br /&gt;
&lt;br /&gt;
After  a few years, it was amended with the 19 sets from AENA (Portland 2015 to Denver 2015) on January 30th, 2019.&amp;lt;ref&amp;gt;https://ra.co/news/43195&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- might add a sublist of live shows for this tour to include EVERY date --&amp;gt;&amp;lt;!-- also include https://www.thedesignersrepublic.com/ae-vs-tdr at some point --&amp;gt;&amp;lt;!-- there's also an image of The System floating about from 2013-2014, try to refind that --&amp;gt;== Analysis ==&lt;br /&gt;
Main analysis by [[User:EnergyIsMassiveLight|EnergyIsMassiveLight]]. Major sources (especially fan names) are from daffodil's splits&amp;lt;ref&amp;gt;https://docs.google.com/spreadsheets/u/0/d/1QQxmk9UZ4Xq9lmmkQWI8Pd2B6ArEce0tWpML1LtaoNA/htmlview#&amp;lt;/ref&amp;gt;  and elseq 6-10.&amp;lt;ref&amp;gt;https://www.reddit.com/r/autechre/comments/me39ad/elseq_610_ae_live_exclusives_remake/&amp;lt;/ref&amp;gt;  Track titles are numbered on the mega spreadsheet, however track matches/elements are included in the immediate analysis below. The officially released sets in the list are highlighted in bold and bootlegs recordings of unreleased shows are italicized. Much of the material on the 14/15 live shows have elements and tracks that later appeared on ''[[elseq 1-5]]'' and ''[[NTS Sessions 1-4]]''.&lt;br /&gt;
* '''#1''' Elements of '''&amp;quot;acdwn2&amp;quot;''' and '''&amp;quot;t1a1&amp;quot;''' ''&amp;lt;small&amp;gt;(fan names: acdwn2 / tacdwn1)&amp;lt;/small&amp;gt;''&lt;br /&gt;
* '''#2''' Possibly containing elements of '''&amp;quot;e0&amp;quot;''' and '''&amp;quot;glos ceramic&amp;quot;''' ''&amp;lt;small&amp;gt;(fan names: ceramic / dros ceramic)&amp;lt;/small&amp;gt;''&lt;br /&gt;
* '''#3''' '''&amp;quot;sinistrail sentinel&amp;quot;''' ''&amp;lt;small&amp;gt;(fan names: sentinel / sinistrail carpeal)&amp;lt;/small&amp;gt;''&lt;br /&gt;
* '''#4''' ''&amp;lt;small&amp;gt;(fan names: rave / rainbow cerebricon)&amp;lt;/small&amp;gt;''&lt;br /&gt;
* '''#5''' ''&amp;lt;small&amp;gt;(fan names: drunk / dummyfold)&amp;lt;/small&amp;gt;''&amp;lt;!-- mght split this further some point in the future --&amp;gt;&lt;br /&gt;
* '''#6''' Shared elements with #7. ''&amp;lt;small&amp;gt;(fan names: spiral / cantilla morphfree)&amp;lt;/small&amp;gt;''&lt;br /&gt;
** For Krakow 2014 and Dublin 2014, the track's outro is replaced by a continuous transition into #7 &lt;br /&gt;
* '''#7''' Early version of '''&amp;quot;north spiral&amp;quot;''' with elements of '''&amp;quot;gonk tuf hi&amp;quot;'''. ''&amp;lt;small&amp;gt;(fan names: spiral / east helix)&amp;lt;/small&amp;gt;''&lt;br /&gt;
* '''#8''' ''&amp;lt;small&amp;gt;(fan names: wub / ticplayal hv TBM)&amp;lt;/small&amp;gt;''&lt;br /&gt;
&lt;br /&gt;
* '''#9''' &amp;lt;!-- often considered part of (wub), but including it makes that segment way longer than usual. cutting out the outro as its own track makes both sense to bring it in line with other track lengths, but also early on it was quite awkward transitioned early on, it's a new segments not unlike spiral (vibe) to spiral, and it is not included in most versions of the sets --&amp;gt; ''&amp;lt;small&amp;gt;(fan names: wub / ticplayal hv TBM)&amp;lt;/small&amp;gt;''&lt;br /&gt;
&lt;br /&gt;
* '''#10''' ''&amp;lt;small&amp;gt;(fan names: c16 - emotive / kandercall)&amp;lt;/small&amp;gt;''&lt;br /&gt;
* '''#11''' '''&amp;quot;c16 deep tread&amp;quot;''' ''&amp;lt;small&amp;gt;(fan names: c16 / c14 tight shred)&amp;lt;/small&amp;gt;''&lt;br /&gt;
* '''#12''' ''&amp;lt;small&amp;gt;(fan names: c16 - sunken / distal felrate7)&amp;lt;/small&amp;gt;''&amp;lt;!-- might be further split --&amp;gt;&lt;br /&gt;
* '''#13''' ''&amp;lt;small&amp;gt;(fan names: c16 - sunken / distal felrate7)&amp;lt;/small&amp;gt;''&lt;br /&gt;
* '''#14''' Uses elements of '''&amp;quot;g 1 e 1&amp;quot;''' only in the 2014 shows. &amp;lt;small&amp;gt;''(fan names: g 1 e 1 - brisk + didgeridoo / j 1 b 1'')&amp;lt;/small&amp;gt;&lt;br /&gt;
* '''#15''' A mix of '''&amp;quot;7th slip&amp;quot;,''' &amp;quot;'''c16 deep tread&amp;quot;''', '''&amp;quot;violvoic&amp;quot;''', and '''&amp;quot;c7b2&amp;quot;''' &amp;lt;!-- violvoic might be here as well? maybe gonk tuf hi --&amp;gt; ''&amp;lt;small&amp;gt;(fan names: c7b2 slip / voic hv collida)&amp;lt;/small&amp;gt;''&lt;br /&gt;
* '''#16''' A mix of '''&amp;quot;violvoic&amp;quot;''' and '''&amp;quot;7th slip&amp;quot;.''' ''&amp;lt;small&amp;gt;(fan names: slip - acid + violvoic slip / renice slip)&amp;lt;/small&amp;gt;''&lt;br /&gt;
** On Krems 2015 the &amp;quot;violvoic&amp;quot; elements are missing.&lt;br /&gt;
* '''#17''' Fusion of #19 and '''&amp;quot;7th slip&amp;quot;''' ''&amp;lt;small&amp;gt;(fan names: warble - heady / renice slip)&amp;lt;/small&amp;gt;''&lt;br /&gt;
* '''#18''' ''&amp;lt;small&amp;gt;(fan names: dotty / landciv3)&amp;lt;/small&amp;gt;''&lt;br /&gt;
* '''#19''' Contains elements of '''&amp;quot;wetgelis causal interval&amp;quot;''' ''&amp;lt;small&amp;gt;(fan names: warble / wetgelis litefil)&amp;lt;/small&amp;gt;''&lt;br /&gt;
* '''#20''' ''&amp;lt;small&amp;gt;(fan names: c16 - alert / kdr freeze 2.4t)&amp;lt;/small&amp;gt;''&lt;br /&gt;
* '''#21''' Contains bits of '''&amp;quot;latentcall&amp;quot;''' ''&amp;lt;small&amp;gt;(fan names: airy / kdr freeze 2.4t)&amp;lt;/small&amp;gt;''&lt;br /&gt;
* '''#22''' &amp;lt;!-- 1 1 is? --&amp;gt; ''&amp;lt;small&amp;gt;(fan names: trudge / two of five (loose))&amp;lt;/small&amp;gt;''&lt;br /&gt;
* '''#23''' '''&amp;quot;nineFly&amp;quot;''' without noise-reduction, which combined bits from #1 and #3 ''&amp;lt;small&amp;gt;(fan names: acd sentinel / threeJay)&amp;lt;/small&amp;gt;''&lt;br /&gt;
* '''#24''' '''&amp;quot;c7b2&amp;quot;''' with elements of '''&amp;quot;artov chain&amp;quot;''' ''&amp;lt;small&amp;gt;(fan names: c7b2 - US version / c9b4)&amp;lt;/small&amp;gt;''&lt;br /&gt;
* '''#25''' Elements of '''&amp;quot;artov chain&amp;quot;''' and '''&amp;quot;c16 deep tread&amp;quot;''' ''&amp;lt;small&amp;gt;(fan names: c16 artov / artov lt moda)&amp;lt;/small&amp;gt;''&lt;br /&gt;
* '''#26''' &amp;lt;!-- possibly gonk steady one? --&amp;gt; ''&amp;lt;small&amp;gt;(fan names: warble - US version / gonk hedron sperse)&amp;lt;/small&amp;gt;''&lt;br /&gt;
* '''#27''' An early version of '''&amp;quot;pendulu hv moda&amp;quot;''' with elements of '''&amp;quot;carefree counter dronal&amp;quot;''' ''&amp;lt;small&amp;gt;(fan names: leaper / pendulu freeplifal)&amp;lt;/small&amp;gt;''&lt;br /&gt;
** For Asheville 2015, it was performed out of order before #23 and #24&lt;br /&gt;
&lt;br /&gt;
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|-&lt;br /&gt;
|'''PORTLAND_240915'''&lt;br /&gt;
|0:00&lt;br /&gt;
|5:37&lt;br /&gt;
|7:46&lt;br /&gt;
|8:57&lt;br /&gt;
|&lt;br /&gt;
|13:03&lt;br /&gt;
|15:35&lt;br /&gt;
|19:28&lt;br /&gt;
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|21:55&lt;br /&gt;
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|26:00&lt;br /&gt;
|29:18&lt;br /&gt;
|33:10&lt;br /&gt;
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|36:38&lt;br /&gt;
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|39:56&lt;br /&gt;
|42:55&lt;br /&gt;
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|44:48&lt;br /&gt;
|48:12&lt;br /&gt;
|51:37&lt;br /&gt;
|54:37&lt;br /&gt;
|56:52&lt;br /&gt;
|-&lt;br /&gt;
|'''SEATTLE_250915'''&lt;br /&gt;
|0:00&lt;br /&gt;
|4:58&lt;br /&gt;
|8:55&lt;br /&gt;
|12:26&lt;br /&gt;
|16:15&lt;br /&gt;
|21:27&lt;br /&gt;
|23:29&lt;br /&gt;
|27:46&lt;br /&gt;
|&lt;br /&gt;
|31:01&lt;br /&gt;
|36:11&lt;br /&gt;
|39:06&lt;br /&gt;
|41:45&lt;br /&gt;
|44:24&lt;br /&gt;
|47:54&lt;br /&gt;
|52:26&lt;br /&gt;
|&lt;br /&gt;
|55:50&lt;br /&gt;
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|&lt;br /&gt;
|60:14&lt;br /&gt;
|-&lt;br /&gt;
|'''VANCOUVER_260915'''&lt;br /&gt;
|0:00&lt;br /&gt;
|5:05&lt;br /&gt;
|8:17&lt;br /&gt;
|11:21&lt;br /&gt;
|15:41&lt;br /&gt;
|20:37&lt;br /&gt;
|23:34&lt;br /&gt;
|26:50&lt;br /&gt;
|&lt;br /&gt;
|29:17&lt;br /&gt;
|34:23&lt;br /&gt;
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|37:24&lt;br /&gt;
|41:16&lt;br /&gt;
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|44:36&lt;br /&gt;
|&lt;br /&gt;
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|47:54&lt;br /&gt;
|50:57&lt;br /&gt;
|&lt;br /&gt;
|53:45&lt;br /&gt;
|56:30&lt;br /&gt;
|-&lt;br /&gt;
|'''CHICAGO_290915'''&lt;br /&gt;
|0:00&lt;br /&gt;
|4:03&lt;br /&gt;
|7:43&lt;br /&gt;
|10:58&lt;br /&gt;
|15:03&lt;br /&gt;
|18:43&lt;br /&gt;
|20:39&lt;br /&gt;
|23:43&lt;br /&gt;
|&lt;br /&gt;
|26:09&lt;br /&gt;
|30:33&lt;br /&gt;
|33:40&lt;br /&gt;
|&lt;br /&gt;
|36:31&lt;br /&gt;
|39:49&lt;br /&gt;
|42:53&lt;br /&gt;
|&lt;br /&gt;
|46:41&lt;br /&gt;
|&lt;br /&gt;
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|50:18&lt;br /&gt;
|53:05&lt;br /&gt;
|&lt;br /&gt;
|56:41&lt;br /&gt;
|59:38&lt;br /&gt;
|-&lt;br /&gt;
|'''TORONTO_011015'''&lt;br /&gt;
|0:00&lt;br /&gt;
|5:12&lt;br /&gt;
|8:51&lt;br /&gt;
|12:16&lt;br /&gt;
|16:27&lt;br /&gt;
|21:32&lt;br /&gt;
|25:00&lt;br /&gt;
|28:40&lt;br /&gt;
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|32:20&lt;br /&gt;
|37:18&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|41:26&lt;br /&gt;
|46:06&lt;br /&gt;
|&lt;br /&gt;
|48:18&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
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|51:54&lt;br /&gt;
|55:45&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
|'''MONTREAL_021015'''&lt;br /&gt;
|0:00&lt;br /&gt;
|4:13&lt;br /&gt;
|7:52&lt;br /&gt;
|10:40&lt;br /&gt;
|15:06&lt;br /&gt;
|19:29&lt;br /&gt;
|21:13&lt;br /&gt;
|24:41&lt;br /&gt;
|&lt;br /&gt;
|27:57&lt;br /&gt;
|32:09&lt;br /&gt;
|35:35&lt;br /&gt;
|&lt;br /&gt;
|38:01&lt;br /&gt;
|40:55&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|44:51&lt;br /&gt;
|&lt;br /&gt;
|48:57&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|51:44&lt;br /&gt;
|54:28&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
|'''NEW_YORK_031015'''&lt;br /&gt;
|0:00&lt;br /&gt;
|5:18&lt;br /&gt;
|8:35&lt;br /&gt;
|11:57&lt;br /&gt;
|15:37&lt;br /&gt;
|19:05&lt;br /&gt;
|20:43&lt;br /&gt;
|23:58&lt;br /&gt;
|27:38&lt;br /&gt;
|30:42&lt;br /&gt;
|33:55&lt;br /&gt;
|37:51&lt;br /&gt;
|&lt;br /&gt;
|41:00&lt;br /&gt;
|44:00&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|47:52&lt;br /&gt;
|51:22&lt;br /&gt;
|&lt;br /&gt;
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|&lt;br /&gt;
|&lt;br /&gt;
|54:58&lt;br /&gt;
|57:46&lt;br /&gt;
|-&lt;br /&gt;
|'''BOSTON_041015'''&lt;br /&gt;
|0:00&lt;br /&gt;
|4:13&lt;br /&gt;
|7:46&lt;br /&gt;
|10:37&lt;br /&gt;
|14:17&lt;br /&gt;
|18:06&lt;br /&gt;
|20:08&lt;br /&gt;
|23:12&lt;br /&gt;
|26:28&lt;br /&gt;
|29:28&lt;br /&gt;
|34:32&lt;br /&gt;
|38:10&lt;br /&gt;
|41:26&lt;br /&gt;
|43:04&lt;br /&gt;
|46:51&lt;br /&gt;
|50:59&lt;br /&gt;
|&lt;br /&gt;
|55:47&lt;br /&gt;
|&lt;br /&gt;
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|&lt;br /&gt;
|-&lt;br /&gt;
|'''PORTSMOUTH_051015'''&lt;br /&gt;
|0:00&lt;br /&gt;
|4:10&lt;br /&gt;
|7:16&lt;br /&gt;
|10:05&lt;br /&gt;
|13:26&lt;br /&gt;
|17:22&lt;br /&gt;
|19:06&lt;br /&gt;
|23:47&lt;br /&gt;
|&lt;br /&gt;
|26:38&lt;br /&gt;
|29:53&lt;br /&gt;
|33:18&lt;br /&gt;
|&lt;br /&gt;
|35:57&lt;br /&gt;
|38:45&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|41:57&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|45:27&lt;br /&gt;
|48:06&lt;br /&gt;
|&lt;br /&gt;
|51:30&lt;br /&gt;
|54:36&lt;br /&gt;
|-&lt;br /&gt;
|'''PHILADELPHIA_061015'''&lt;br /&gt;
|0:00&lt;br /&gt;
|5:08&lt;br /&gt;
|8:02&lt;br /&gt;
|10:50&lt;br /&gt;
|14:42&lt;br /&gt;
|19:12&lt;br /&gt;
|21:08&lt;br /&gt;
|24:48&lt;br /&gt;
|&lt;br /&gt;
|28:28&lt;br /&gt;
|33:08&lt;br /&gt;
|35:39&lt;br /&gt;
|&lt;br /&gt;
|38:06&lt;br /&gt;
|41:30&lt;br /&gt;
|45:42&lt;br /&gt;
|&lt;br /&gt;
|46:38&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|50:02&lt;br /&gt;
|53:02&lt;br /&gt;
|56:14&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|59:58&lt;br /&gt;
|-&lt;br /&gt;
|'''WASHINGTON_071015'''&lt;br /&gt;
|0:00&lt;br /&gt;
|4:34&lt;br /&gt;
|7:15&lt;br /&gt;
|9:51&lt;br /&gt;
|14:01&lt;br /&gt;
|19:07&lt;br /&gt;
|21:22&lt;br /&gt;
|25:38&lt;br /&gt;
|&lt;br /&gt;
|28:54&lt;br /&gt;
|33:47&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|37:13&lt;br /&gt;
|40:49&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|43:37&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|47:43&lt;br /&gt;
|50:46&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|55:26&lt;br /&gt;
|-&lt;br /&gt;
|'''ASHEVILLE_081015'''&lt;br /&gt;
|0:00&lt;br /&gt;
|4:55&lt;br /&gt;
|8:36&lt;br /&gt;
|11:12&lt;br /&gt;
|14:46&lt;br /&gt;
|18:17&lt;br /&gt;
|20:25&lt;br /&gt;
|24:18&lt;br /&gt;
|&lt;br /&gt;
|26:45&lt;br /&gt;
|30:22&lt;br /&gt;
|33:05&lt;br /&gt;
|&lt;br /&gt;
|35:32&lt;br /&gt;
|38:20&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|42:20&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|48:56&lt;br /&gt;
|51:38&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|46:08&lt;br /&gt;
|-&lt;br /&gt;
|'''ATLANTA_091015'''&lt;br /&gt;
|0:00&lt;br /&gt;
|4:55&lt;br /&gt;
|8:08&lt;br /&gt;
|11:14&lt;br /&gt;
|14:48&lt;br /&gt;
|18:38&lt;br /&gt;
|21:41&lt;br /&gt;
|25:33&lt;br /&gt;
|&lt;br /&gt;
|28:49&lt;br /&gt;
|32:25&lt;br /&gt;
|35:44&lt;br /&gt;
|39:06&lt;br /&gt;
|41:57&lt;br /&gt;
|44:33&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|48:45&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|52:09&lt;br /&gt;
|55:12&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|60:04&lt;br /&gt;
|-&lt;br /&gt;
|'''ORLANDO_101015'''&lt;br /&gt;
|0:00&lt;br /&gt;
|4:17&lt;br /&gt;
|7:17&lt;br /&gt;
|10:57&lt;br /&gt;
|15:02&lt;br /&gt;
|19:46&lt;br /&gt;
|22:43&lt;br /&gt;
|26:23&lt;br /&gt;
|&lt;br /&gt;
|30:03&lt;br /&gt;
|33:34&lt;br /&gt;
|36:35&lt;br /&gt;
|&lt;br /&gt;
|39:02&lt;br /&gt;
|42:38&lt;br /&gt;
|46:34&lt;br /&gt;
|&lt;br /&gt;
|51:26&lt;br /&gt;
|&lt;br /&gt;
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|&lt;br /&gt;
|55:56&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|56:23&lt;br /&gt;
|-&lt;br /&gt;
|'''MIAMI_111015'''&lt;br /&gt;
|0:00&lt;br /&gt;
|3:40&lt;br /&gt;
|6:16&lt;br /&gt;
|9:13&lt;br /&gt;
|12:44&lt;br /&gt;
|17:53&lt;br /&gt;
|20:26&lt;br /&gt;
|23:54&lt;br /&gt;
|&lt;br /&gt;
|26:45&lt;br /&gt;
|30:56&lt;br /&gt;
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|&lt;br /&gt;
|34:16&lt;br /&gt;
|37:22&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|42:56&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|46:50&lt;br /&gt;
|49:59&lt;br /&gt;
|&lt;br /&gt;
|52:43&lt;br /&gt;
|55:34&lt;br /&gt;
|-&lt;br /&gt;
|'''AUSTIN_131015'''&lt;br /&gt;
|0:00&lt;br /&gt;
|5:56&lt;br /&gt;
|9:36&lt;br /&gt;
|12:51&lt;br /&gt;
|17:17&lt;br /&gt;
|21:28&lt;br /&gt;
|24:19&lt;br /&gt;
|28:24&lt;br /&gt;
|&lt;br /&gt;
|31:15&lt;br /&gt;
|35:04&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|38:23&lt;br /&gt;
|41:47&lt;br /&gt;
|45:35&lt;br /&gt;
|&lt;br /&gt;
|49:27&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|54:09&lt;br /&gt;
|57:03&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|59:07&lt;br /&gt;
|-&lt;br /&gt;
|'''LOS_ANGELES_151015'''&lt;br /&gt;
|0:00&lt;br /&gt;
|4:03&lt;br /&gt;
|7:17&lt;br /&gt;
|10:14&lt;br /&gt;
|14:31&lt;br /&gt;
|19:36&lt;br /&gt;
|22:03&lt;br /&gt;
|25:19&lt;br /&gt;
|28:10&lt;br /&gt;
|31:38&lt;br /&gt;
|36:07&lt;br /&gt;
|39:38&lt;br /&gt;
|42:42&lt;br /&gt;
|45:09&lt;br /&gt;
|48:45&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|53:21&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|57:08&lt;br /&gt;
|59:51&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|62:47&lt;br /&gt;
|-&lt;br /&gt;
|'''SAN_FRANCISCO_161015'''&lt;br /&gt;
|0:00&lt;br /&gt;
|4:52&lt;br /&gt;
|8:01&lt;br /&gt;
|10:43&lt;br /&gt;
|14:30&lt;br /&gt;
|19:29&lt;br /&gt;
|22:08&lt;br /&gt;
|25:36&lt;br /&gt;
|&lt;br /&gt;
|29:41&lt;br /&gt;
|34:23&lt;br /&gt;
|&lt;br /&gt;
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|37:36&lt;br /&gt;
|41:36&lt;br /&gt;
|45:44&lt;br /&gt;
|&lt;br /&gt;
|48:28&lt;br /&gt;
|&lt;br /&gt;
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|52:46&lt;br /&gt;
|55:46&lt;br /&gt;
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|&lt;br /&gt;
|-&lt;br /&gt;
|'''DENVER_171015'''&lt;br /&gt;
|0:00&lt;br /&gt;
|3:50&lt;br /&gt;
|7:39&lt;br /&gt;
|10:52&lt;br /&gt;
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|15:27&lt;br /&gt;
|17:47&lt;br /&gt;
|21:27&lt;br /&gt;
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|25:32&lt;br /&gt;
|30:07&lt;br /&gt;
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|33:26&lt;br /&gt;
|37:20&lt;br /&gt;
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|41:40&lt;br /&gt;
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|45:17&lt;br /&gt;
|48:25&lt;br /&gt;
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|51:33&lt;br /&gt;
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|-&lt;br /&gt;
|''Glasgow_011114''&lt;br /&gt;
|[https://www.youtube.com/watch?v=Am3SgTUERxs]&lt;br /&gt;
|[https://www.youtube.com/watch?v=IDDmu0dMt0Y]&lt;br /&gt;
|[https://www.youtube.com/watch?v=IDDmu0dMt0Y]&lt;br /&gt;
|[https://www.youtube.com/watch?v=IDDmu0dMt0Y]&lt;br /&gt;
|[https://www.youtube.com/watch?v=GTJLq0U9R58]&lt;br /&gt;
|[https://www.youtube.com/watch?v=GTJLq0U9R58]&lt;br /&gt;
|[https://www.youtube.com/watch?v=GTJLq0U9R58]&lt;br /&gt;
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|[https://www.youtube.com/watch?v=1hdGo67nWtY]&lt;br /&gt;
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|-&lt;br /&gt;
|[https://www.youtube.com/watch?v=aLKTPQ0MBQE ''Minehead_130315'']&lt;br /&gt;
|0:07&lt;br /&gt;
|5:58&lt;br /&gt;
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|[https://www.youtube.com/watch?v=6-QMnIvleXI]&lt;br /&gt;
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|[https://www.youtube.com/watch?v=Dk0qZ93cOaw]&lt;br /&gt;
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|[https://www.youtube.com/watch?v=X8qSzQL59_g]&lt;br /&gt;
|[https://www.youtube.com/watch?v=VeN0fAkZFag]&lt;br /&gt;
|[https://www.youtube.com/watch?v=VeN0fAkZFag]&lt;br /&gt;
|[https://www.facebook.com/video.php?v=10153214930313791]&lt;br /&gt;
|[https://www.youtube.com/watch?v=Vn_Kron8FZk]&lt;br /&gt;
|[https://www.youtube.com/watch?v=kc21KPVRj04]&lt;br /&gt;
|[https://www.facebook.com/video.php?v=10153214930313791]&lt;br /&gt;
|[https://www.youtube.com/watch?v=ZFtspc2R0oE]&lt;br /&gt;
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|0:21&lt;br /&gt;
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== Trivia ==&lt;br /&gt;
&lt;br /&gt;
* Sean mentioned that there's a DMX kick and snare in the live shows &amp;quot;but nobody ever comments on them&amp;quot;. &amp;lt;ref&amp;gt;{{Cite interview|page=Sean Twitch AMA, June 2022|quote=Yeah, I mean, occasionally, we'll fuck around with something old and do something new with it, like there's a[n Oberheim] DMX, there's DMX drum sounds in that first AE_LIVE 2015 stuff's got some DMX drum sounds in, but nobody ever comments on them, but I don't know. To me, they're like really obvious. Like, I'll put those things in as reference points and no one ever gets them, so, you know.}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''“Do you make sounds in AE_LIVE stuff?”''' I'm assuming you're talking about samples from the DMX? Yeah. No it's not modeled or anything, it's just samples, but the DMX is samples, right? So I don't have to feel weird about that. But yeah, it's a bit mutated as well. it's, being fucked with, so, in a cool way, so. But yeah, it's basically one track where it's just DMX kick and snare, and I don't know if there's a clap in there. I really like the DMX sounds. They're like, they just immediately put me somewhere. It's like there's a certain kind of like late night radio soul that used the DMX that was just massively appealing to us. I don't know why the DMX and not the LinnDrum was just the drum machine a choice for a lot of soul artists, but it just has that feel to it. There's only a subtle difference between them really, but I've always preferred the DMX. I don’t know.}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
* Some sets that were highlighted by Sean in interviews were the Los Angeles set for the LA times&amp;lt;ref&amp;gt;[https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html#:~:text=The%20duo%20was%20especially%20fond%20of%20their%20L.A.%20date. https://www.latimes.com/entertainment/music/la-et-ms-autechre-20151119-story.html#:~:text=The%20duo%20was%20especially%20fond%20of%20their%20L.A.%20date.]&amp;lt;/ref&amp;gt; as well as the Orlando and Montreal sets&amp;lt;ref&amp;gt;{{Cite interview|page=Hanalgig AMA, July 2022|quote='''it’s been fun exploring your live sets, especially the sheer quantity of 14-15. anything you could share about memories of that tour that stick out to you? places you loved/hated? shows that went well/awful?''' XH HX: that tour was pure laughs. i rem the driver making phil go on the bus roof to check the ac unit at one point, idk why phil. usa bus tours are always a bit mad. i rly enjoyed orlando and montreal. nyc was terrible (the gig not the city).}}&amp;lt;/ref&amp;gt;. Although Sean also noted the New York gig &amp;quot;was terrible&amp;quot;. For the ''[[Incunabula]]'', ''[[Amber]]'' and ''[[Tri Repetae]]'' reissues, a copy of AE_LIVE_GRAFENHAINICHEN_170715 was also provided.&amp;lt;ref&amp;gt;https://autechre.warp.net/format/594952-tri-repetae#:~:text=INCLUDES%20DOWNLOAD%20CARD%20FOR%20ALBUM%20%26%20BONUS%20LIVE%20SET%20AE_LIVE_GRAFENHAINICHEN_170715&amp;lt;/ref&amp;gt;&lt;br /&gt;
* On early AENA promotional material, the Seattle show was redacted.&amp;lt;ref&amp;gt;https://web.archive.org/web/20150801005858/http://autechre.ws/ &amp;lt;!-- this is a earlier archive of the page --&amp;gt;&amp;lt;/ref&amp;gt;&amp;lt;!-- should i specultate that this was making sure the venue was not properly confirmed? --&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Gallery ==&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
File:AE LIVE KRAKOW 200914.jpg|AE_LIVE_KRAKOW_200914&lt;br /&gt;
File:AE LIVE BRUSSELS 031014.jpg|AE_LIVE_BRUSSELS_031014&lt;br /&gt;
File:AE LIVE UTRECHT 221114.jpg|AE_LIVE_UTRECHT_221114&lt;br /&gt;
File:AE LIVE DUBLIN 191214.jpg|AE_LIVE_DUBLIN_191214&lt;br /&gt;
File:AE LIVE KREMS 020515.jpg|AE_LIVE_KREMS_020515&lt;br /&gt;
File:AE LIVE NAGANO 300515.jpg|AE_LIVE_NAGANO_300515&lt;br /&gt;
File:AE LIVE GRAFENHAINICHEN 170715.jpg|AE_LIVE_GRAFENHAINICHEN_170715&lt;br /&gt;
File:AE LIVE DOUR 180715.jpg|AE_LIVE_DOUR_180715&lt;br /&gt;
File:AE LIVE KATOWICE 210815.jpg|AE_LIVE_KATOWICE_210815&lt;br /&gt;
File:AE LIVE PORTLAND 240915.jpg|AE_LIVE_PORTLAND_240915&lt;br /&gt;
File:AE LIVE SEATTLE 250915.jpg|AE_LIVE_SEATTLE_250915&lt;br /&gt;
File:AE LIVE VANCOUVER 260915.jpg|AE_LIVE_VANCOUVER_260915&lt;br /&gt;
File:AE LIVE CHICAGO 290915.jpg|AE_LIVE_CHICAGO_290915&lt;br /&gt;
File:AE LIVE TORONTO 011015.jpg|AE_LIVE_TORONTO_011015&lt;br /&gt;
File:AE LIVE MONTREAL 021015.jpg|AE_LIVE_MONTREAL_021015&lt;br /&gt;
File:AE LIVE NEW YORK 031015.jpg|AE_LIVE_NEW_YORK_031015&lt;br /&gt;
File:AE LIVE BOSTON 041015.jpg|AE_LIVE_BOSTON_041015&lt;br /&gt;
File:AE LIVE PORTSMOUTH 051015.jpg|AE_LIVE_PORTSMOUTH_051015&lt;br /&gt;
File:AE LIVE PHILADELPHIA 061015.jpg|AE_LIVE_PHILADELPHIA_061015&lt;br /&gt;
File:AE LIVE WASHINGTON 071015.jpg|AE_LIVE_WASHINGTON_071015&lt;br /&gt;
File:AE LIVE ASHEVILLE 081015.jpg|AE_LIVE_ASHEVILLE_081015&lt;br /&gt;
File:AE LIVE ATLANTA 091015.jpg|AE_LIVE_ATLANTA_091015&lt;br /&gt;
File:AE LIVE ORLANDO 101015.jpg|AE_LIVE_ORLANDO_101015&lt;br /&gt;
File:AE LIVE MIAMI 111015.jpg|AE_LIVE_MIAMI_111015&lt;br /&gt;
File:AE LIVE AUSTIN 131015.jpg|AE_LIVE_AUSTIN_131015&lt;br /&gt;
File:AE LIVE LOS ANGELES 151015.jpg|AE_LIVE_LOS_ANGELES_151015&lt;br /&gt;
File:AE LIVE SAN FRANCISCO 161015.jpg|AE_LIVE_SAN_FRANCISCO_161015&lt;br /&gt;
File:AE LIVE DENVER 171015.jpg|AE_LIVE_DENVER_171015&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Tracklist ==&lt;br /&gt;
{{Tracklist|list=&lt;br /&gt;
{{tl track|number=1|title=AE_LIVE_KRAKOW_200914|length=57:55}}&lt;br /&gt;
{{tl track|number=2|title=AE_LIVE_BRUSSELS_031014|length=1:04:00}}&lt;br /&gt;
{{tl track|number=3|title=AE_LIVE_UTRECHT_221114|length=1:00:45}}&lt;br /&gt;
{{tl track|number=4|title=AE_LIVE_DUBLIN_191214|length=1:13:18}}&lt;br /&gt;
{{tl track|number=5|title=AE_LIVE_KREMS_020515|length=54:26}}&lt;br /&gt;
{{tl track|number=6|title=AE_LIVE_NAGANO_300515|length=56:50}}&lt;br /&gt;
{{tl track|number=7|title=AE_LIVE_GRAFENHAINICHEN_170715|length=1:04:31}}&lt;br /&gt;
{{tl track|number=8|title=AE_LIVE_DOUR_180715|length=1:04:25}}&lt;br /&gt;
{{tl track|number=9|title=AE_LIVE_KATOWICE_210815|length=1:02:52}}&lt;br /&gt;
{{tl track|number=10|title=AE_LIVE_PORTLAND_240915|length=1:00:25}}&lt;br /&gt;
{{tl track|number=11|title=AE_LIVE_SEATTLE_250915|length=1:04:30}}&lt;br /&gt;
{{tl track|number=12|title=AE_LIVE_VANCOUVER_260915|length=1:00:02}}&lt;br /&gt;
{{tl track|number=13|title=AE_LIVE_CHICAGO_290915|length=1:03:46}}&lt;br /&gt;
{{tl track|number=14|title=AE_LIVE_TORONTO_011015|length=1:00:02}}&lt;br /&gt;
{{tl track|number=15|title=AE_LIVE_MONTREAL_021015|length=56:50}}&lt;br /&gt;
{{tl track|number=16|title=AE_LIVE_NEW_YORK_031015|length=1:01:48}}&lt;br /&gt;
{{tl track|number=17|title=AE_LIVE_BOSTON_041015|length=59:59}}&lt;br /&gt;
{{tl track|number=18|title=AE_LIVE_PORTSMOUTH_051015|length=58:27}}&lt;br /&gt;
{{tl track|number=19|title=AE_LIVE_PHILADELPHIA_061015|length=1:03:34}}&lt;br /&gt;
{{tl track|number=20|title=AE_LIVE_WASHINGTON_071015|length=58:55}}&lt;br /&gt;
{{tl track|number=21|title=AE_LIVE_ASHEVILLE_081015|length=55:03}}&lt;br /&gt;
{{tl track|number=22|title=AE_LIVE_ATLANTA_091015|length=1:03:46}}&lt;br /&gt;
{{tl track|number=23|title=AE_LIVE_ORLANDO_101015|length=59:38}}&lt;br /&gt;
{{tl track|number=24|title=AE_LIVE_MIAMI_111015|length=1:00:46}}&lt;br /&gt;
{{tl track|number=25|title=AE_LIVE_AUSTIN_131015|length=1:02:35}}&lt;br /&gt;
{{tl track|number=26|title=AE_LIVE_LOS_ANGELES_151015|length=1:06:49}}&lt;br /&gt;
{{tl track|number=27|title=AE_LIVE_SAN_FRANCISCO_161015|length=1:00:34}}&lt;br /&gt;
{{tl track|number=28|title=AE_LIVE_DENVER_171015|length=58:55}}&lt;br /&gt;
{{tl finaltime|time=28:35:36}}&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
== Links ==&lt;br /&gt;
&lt;br /&gt;
* [https://autechre.warp.net/release/408445-autechre-aelive AE_STORE]&lt;br /&gt;
* [https://autechre.bandcamp.com/album/ae-live Bandcamp]&lt;br /&gt;
* [https://www.discogs.com/master/907329-Autechre-AE_LIVE Discogs]&lt;br /&gt;
* [https://soundcloud.com/autechreofficial/sets/ae_live-1 Soundcloud]&lt;br /&gt;
* [https://open.spotify.com/album/3jjzBdboIgZxpFlbmMHxnc Spotify]&lt;br /&gt;
&lt;br /&gt;
== Credits ==&lt;br /&gt;
&lt;br /&gt;
* [[The Designers Republic]] (design)&lt;br /&gt;
* Jamie Harley (recording/sound engineer)&amp;lt;ref&amp;gt;https://www.discogs.com/master/907329-Autechre-AE_LIVE&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;https://musicbrainz.org/release/a20926fb-dea0-406f-a923-1c2842a4e985&amp;lt;/ref&amp;gt; &amp;lt;!-- seems to be only credited for the first 9 shows --&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
&amp;lt;references /&amp;gt;&lt;br /&gt;
[[Category:Live]]&lt;br /&gt;
[[Category:Compilation]]&lt;/div&gt;</summary>
		<author><name>BisQUO</name></author>
	</entry>
	<entry>
		<id>http://aepages.org/wiki/index.php?title=Move_Of_Ten&amp;diff=3449</id>
		<title>Move Of Ten</title>
		<link rel="alternate" type="text/html" href="http://aepages.org/wiki/index.php?title=Move_Of_Ten&amp;diff=3449"/>
		<updated>2024-06-04T17:33:09Z</updated>

		<summary type="html">&lt;p&gt;BisQUO: replaced reference tag with the correct one (which btw are wrong all over the wiki :D), added sean mentioning dafusader is a rob track&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox&lt;br /&gt;
|title=Move Of Ten&lt;br /&gt;
|artist=[[Autechre]]&lt;br /&gt;
|cover=Move Of Ten.jpg&lt;br /&gt;
|date=14 June 2010&lt;br /&gt;
|label=Warp Records (WAP505)&lt;br /&gt;
|previous=[[Oversteps]]&lt;br /&gt;
|previous year=2010&lt;br /&gt;
|next=[[Exai]]&lt;br /&gt;
|next year=2013&lt;br /&gt;
}}&lt;br /&gt;
'''''Move Of Ten''''' is the tenth EP by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on June 14th, 2010, acting as the companion EP to ''[[Oversteps]]''.&lt;br /&gt;
&lt;br /&gt;
== Tracks ==&lt;br /&gt;
&lt;br /&gt;
=== Etchogon-S ===&lt;br /&gt;
&lt;br /&gt;
=== y7 ===&lt;br /&gt;
&lt;br /&gt;
* On May 21st, 2010, &amp;quot;y7&amp;quot; was released as a single on SoundCloud to promote ''Move of Ten''. &amp;lt;ref&amp;gt;https://web.archive.org/web/20100528194533/http://soundcloud.com:80/warp-records/autechre-y7-move-of-ten/s-7Qeuo&amp;lt;/ref&amp;gt;&amp;lt;!-- information about the promotion of Move of Ten needs to be moved to its own section.&lt;br /&gt;
The Autechre store link ( https://web.archive.org/web/20130306065800/http://autechre.ws/move-of-ten/ ) is actual history which I think is important to preserve in some capacity, but I didn't know how to incorporate it into this without being clunky. That and the Bleep preorder possibly --&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== pce freeze 2.8i ===&lt;br /&gt;
&lt;br /&gt;
* In a Mastodon post from July 2023, Sean mentioned that &amp;quot;pce freeze 2.8i&amp;quot; and &amp;quot;rew(1)&amp;quot; were done using a random clip launcher made by Rob while testing out a beta version of Max for Live.&amp;lt;ref&amp;gt;https://web.archive.org/web/20230727210645/https://post.lurk.org/@sean_ae/110780381387123384#:~:text=%40penguini-,pce%20freeze%202.8i,-1&amp;lt;/ref&amp;gt; Both tracks also use SonicCharge µTonic.&amp;lt;ref&amp;gt;https://soniccharge.com/forum/topic/109-autechre&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== rew(1) ===&lt;br /&gt;
&lt;br /&gt;
* Refer to &amp;quot;pce freeze 2.8i&amp;quot;&lt;br /&gt;
&lt;br /&gt;
=== nth Dafuseder.b ===&lt;br /&gt;
&lt;br /&gt;
* The percussion used in &amp;quot;nth Dafuseder.b&amp;quot; was also used in &amp;quot;d-sho qub&amp;quot; on ''[[Oversteps]]''.&lt;br /&gt;
* A well-hidden sample of [[wikipedia:Apache_(instrumental)#Incredible_Bongo_Band_version|Incredible Bongo Band's &amp;quot;Apache&amp;quot; (also known as the apache break)]] is buried in the mix. It's most noticeable on the last few seconds of the track, where the other elements are muted. Besides being one of the most widely-used drum breaks of all time, Autechre had previously sampled it 14 years earlier on &amp;quot;[[Basscad,EP#Tazmx|Basscadet (Tazmx)]]&amp;quot;.&lt;br /&gt;
* It was made exclusively by Rob.&amp;lt;ref&amp;gt;https://web.archive.org/web/20240604170412/https://post.lurk.org/@sean_ae/112559422317005502&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===iris was a pupil===&lt;br /&gt;
&lt;br /&gt;
===no border===&lt;br /&gt;
&lt;br /&gt;
===M62===&lt;br /&gt;
&lt;br /&gt;
===ylm0===&lt;br /&gt;
&lt;br /&gt;
===Cep puiqMX===&lt;br /&gt;
&lt;br /&gt;
===ClnChr===&lt;br /&gt;
&lt;br /&gt;
==Tracklist==&lt;br /&gt;
{{Tracklist|list=&lt;br /&gt;
{{tl track|number=1|title=Etchogon-S|length=4:54}}&lt;br /&gt;
{{tl track|number=2|title=y7|length=5:08}}&lt;br /&gt;
{{tl track|number=3|title=pce freeze 2.8i|length=5:12}}&lt;br /&gt;
{{tl track|number=4|title=rew(1)|length=6:18}}&lt;br /&gt;
{{tl track|number=5|title=nth Dafuseder.b|length=5:17}}&lt;br /&gt;
{{tl track|number=6|title=iris was a pupil|length=3:40}}&lt;br /&gt;
{{tl track|number=7|title=no border|length=3:30}}&lt;br /&gt;
{{tl track|number=8|title=M62|length=6:09}}&lt;br /&gt;
{{tl track|number=9|title=ylm0|length=3:29}}&lt;br /&gt;
{{tl track|number=10|title=Cep puiqMX|length=4:11}}&lt;br /&gt;
{{tl total|time=47:48}}&lt;br /&gt;
{{tl track|number=11|title=ClnChr &amp;lt;small&amp;gt;(Japanese CD Exclusive)&amp;lt;/small&amp;gt;|length=5:34}}&lt;br /&gt;
{{tl finaltime|time=53:22}}&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==Credits==&lt;br /&gt;
&lt;br /&gt;
*[[Rob Brown]] (writer)&lt;br /&gt;
*[[Sean Booth]] (writer)&lt;br /&gt;
*[[Autechre]] (production)&lt;br /&gt;
*[[The Designers Republic]] (design)&lt;br /&gt;
*[[Noel Summerville]] (mastering)&amp;lt;ref&amp;gt;https://www.discogs.com/master/254411-Autechre-Move-Of-Ten&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:EP]]&lt;/div&gt;</summary>
		<author><name>BisQUO</name></author>
	</entry>
	<entry>
		<id>http://aepages.org/wiki/index.php?title=Gescom&amp;diff=3137</id>
		<title>Gescom</title>
		<link rel="alternate" type="text/html" href="http://aepages.org/wiki/index.php?title=Gescom&amp;diff=3137"/>
		<updated>2024-04-05T21:24:06Z</updated>

		<summary type="html">&lt;p&gt;BisQUO: /* Rarities​ */ added img&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Gescom is a musical collective that is associated with [[Autechre]]. The earliest mention of the group was under the thanks credits for ''[[Incunabula]].'' During their 2013 AMA, Rob mentioned that Gescom is a separate project from work as Autechre.[https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&amp;amp;range=D226] Sean confirms that at least 15-20 people have been part of the group, including him and Rob.[https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&amp;amp;range=D301] Sean also mentions that it means other people can release material without their involvement.[https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&amp;amp;range=D325]&lt;br /&gt;
&lt;br /&gt;
==Discography[https://www.discogs.com/artist/49]==&lt;br /&gt;
&lt;br /&gt;
===Album===&lt;br /&gt;
*''Minidisc'' (1998)&lt;br /&gt;
**Written by Sean Booth, Rob Brown and Russell Haswell.[https://img.macba.cat/public/rwm/uploads/20120508/Composingwithprocess6.2_eng.pdf]&lt;br /&gt;
*''A1-D1'' (2007)&lt;br /&gt;
&lt;br /&gt;
===EPs / Singles===&lt;br /&gt;
*''Gescom E.P.'' (1994) &lt;br /&gt;
**Written by Sean Booth, Rob Brown, Rob Hall, Darrell Fitton and Daniel 72.[https://www.discogs.com/release/195-Gescom-Gescom-EP]&lt;br /&gt;
*''C &amp;amp; D'' (1995) (also known as Gescom 2)&amp;lt;!--https://www.discogs.com/master/18522-Gescom-C-D--&amp;gt;&lt;br /&gt;
**Written by Rob Brown, Sean Booth, and Andy Maddocks.[https://www.discogs.com/release/1927-Gescom-C-D]&lt;br /&gt;
*''The Sounds of Machines Our Parents Used'' (1995)&lt;br /&gt;
*''Key Nell'' (1995)&lt;br /&gt;
*''Motor'' (1996)&lt;br /&gt;
*''Keynell (Autechre remixes)'' (1996)&lt;br /&gt;
*''Ad Vanz Vs Gescom / Foehn - Split Series #2'' (1998)&amp;lt;!--https://www.discogs.com/release/13018-Ad-Vanz-Vs-Gescom-Foehn-Split-Series-2--&amp;gt;&lt;br /&gt;
**Written by Rob Brown and Rob Hall.[https://fatcatrecords.bandcamp.com/album/split-series-2]&lt;br /&gt;
*''This'' (1998)&lt;br /&gt;
*''That'' (1998)&lt;br /&gt;
*''ISS:SA'' (2003)&lt;br /&gt;
*''Skull Snap'' (2011)&lt;br /&gt;
&lt;br /&gt;
===DJ Mixes=== &lt;br /&gt;
*Disengage (1994-1996)&lt;br /&gt;
*''[[AMKS_1]]'' (2021)&lt;br /&gt;
&lt;br /&gt;
===Rarities[https://docs.google.com/spreadsheets/d/1i1o90JzFLUelov8bydmpurOCDhktdd-oMbErw8G0AXA/edit?hl=en#gid=3]=== &lt;br /&gt;
*Bronchusix&lt;br /&gt;
*Snorkel&lt;br /&gt;
**Copyrighted 1994, written by Sean Booth and Rob Brown.[https://www.discogs.com/release/2496846-Various-Groove-Techno-From-Acid-To-Ambient]&lt;br /&gt;
*Tony LeMesmer&lt;br /&gt;
*Sklf2&lt;br /&gt;
*Two Of&lt;br /&gt;
*Peel Xyzdub&lt;br /&gt;
*Stoop&lt;br /&gt;
*Leritue (Gibber Mix) &lt;br /&gt;
** Written by Sean Booth and Rob Brown. [https://www.discogs.com/release/282-Various-Alt-Frequencies-3]&lt;br /&gt;
*Untitled ''(Mask 400)''&lt;br /&gt;
*Around Absolute Zero&lt;br /&gt;
*9Û5©03^.¶·5K70¸12i--) ..1`2`|||&amp;lt;!-- yes that is a real title https://www.discogs.com/release/410894-Various-Falsch-02#:~:text=12i%2D%2D)%20..1%602%60%7C%7C%7C%22-,by%20Gescom%20(fb38).,-The%20EVOL%20track --&amp;gt;&lt;br /&gt;
*PN-1.3.15&lt;br /&gt;
*YXJ440M&lt;br /&gt;
[[File:Horizon.png|thumb|Screenshot of the program used to generate Horizon.]]&lt;br /&gt;
*Horizon[https://forum.watmm.com/topic/59299-sean-booth-horizon/]&lt;br /&gt;
**Horizon is a generative piece made using the BBC BASIC programming language for the BBC Micro series of microcomputers. It was originally created by Sean in 2004 for the rand()% generative radio station by the BBC.[https://forum.watmm.com/topic/59299-sean-booth-horizon/]&lt;br /&gt;
**It was supposed to be reused for the Composing with Process radio series from [https://rwm.macba.cat/ Radio Web MACBA] in 2010, but was mistakenly credited to Sean instead of Gescom.[https://forum.watmm.com/topic/58850-composing-with-process-radio-programme/?do=findComment&amp;amp;comment=1438583][https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&amp;amp;range=D315][https://forum.watmm.com/topic/86350-does-anyone-have-a-recording-to-share-of-sean-booths-piece-horizon/] It was subsequently replaced with a piece by Ryoji Ikeda due to Warp Record's exclusivity policies.[https://rwm.macba.cat/en/research/composing-process-perspectives-generative-and-systems-music-12-exclusives]&lt;br /&gt;
**The full BBC BASIC code used to create the track is featured on the artwork of its ID3 metadata – an emulator screenshot of the program after being loaded. It only uses 6 lines.&lt;br /&gt;
**The track is named after the emulator that was used in its creation, [https://www.bannister.org/software/horizon.htm Horizon]. The program's filename is actually &amp;quot;EL25&amp;quot;, as shown on the screenshot. &lt;br /&gt;
&lt;br /&gt;
*[[Hanalgig]]&lt;br /&gt;
&lt;br /&gt;
===Remixes=== &lt;br /&gt;
*Push Button Objects - Non-Existant (Keyed In by Gescom)&lt;br /&gt;
*Man Parrish - Boogie Down Bronx (Remix)&lt;br /&gt;
*Hecker - Itiso161/ae (Remix - Gescom)&lt;br /&gt;
* Passarani - Phonok (Vacuum Party Mix)&lt;br /&gt;
*Kid Acne - Eddy Fresh (Gescom Remix)&lt;br /&gt;
*Kid Acne - Eddy Fresh (Gescom Dub Mix)&lt;br /&gt;
&lt;br /&gt;
===Collaborations===&lt;br /&gt;
*Mira Calix – ''Ilanga'' (Production Assisted by Gescom[https://www.discogs.com/release/159-Mira-Calix-Ilanga] )&lt;br /&gt;
*LSD Dream Emulator (Art Credited to Gescom and Sean Booth[https://web.archive.org/web/20231229114858/https://post.lurk.org/@sean_ae/111660687133105749] )&lt;br /&gt;
&lt;br /&gt;
===Live Shows===&lt;br /&gt;
See [https://ra.co/dj/gescom], also Live DJ recording at Cay Aoyama Tokyo 2000-07-01&lt;/div&gt;</summary>
		<author><name>BisQUO</name></author>
	</entry>
	<entry>
		<id>http://aepages.org/wiki/index.php?title=Gescom&amp;diff=3135</id>
		<title>Gescom</title>
		<link rel="alternate" type="text/html" href="http://aepages.org/wiki/index.php?title=Gescom&amp;diff=3135"/>
		<updated>2024-04-05T16:42:01Z</updated>

		<summary type="html">&lt;p&gt;BisQUO: horizon&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Gescom is a musical collective that is associated with Autechre. The earliest mention of the group was under the thanks credits for ''[[Incunabula]].'' During their 2013 AMA, Rob mentioned that Gescom is a separate project from work as Autechre.[https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&amp;amp;range=D226] Sean confirms that at least 15-20 people have been part of the group, including him and Rob.[https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&amp;amp;range=D301] Sean also mentions that it means other people can release material without their involvement.[https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&amp;amp;range=D325]&lt;br /&gt;
&lt;br /&gt;
==Discography[https://www.discogs.com/artist/49]==&lt;br /&gt;
&lt;br /&gt;
===Album===&lt;br /&gt;
*''Minidisc'' (1998)&lt;br /&gt;
**Written by Sean Booth, Rob Brown and Russell Haswell.[https://img.macba.cat/public/rwm/uploads/20120508/Composingwithprocess6.2_eng.pdf]&lt;br /&gt;
*''A1-D1'' (2007)&lt;br /&gt;
&lt;br /&gt;
===EPs / Singles===&lt;br /&gt;
*''Gescom E.P.'' (1994) &lt;br /&gt;
**Written by Sean Booth, Rob Brown, Rob Hall, Darrell Fitton and Daniel 72.[https://www.discogs.com/release/195-Gescom-Gescom-EP]&lt;br /&gt;
*''C &amp;amp; D'' (1995) (also known as Gescom 2)&amp;lt;!--https://www.discogs.com/master/18522-Gescom-C-D--&amp;gt;&lt;br /&gt;
**Written by Rob Brown, Sean Booth, and Andy Maddocks.[https://www.discogs.com/release/1927-Gescom-C-D]&lt;br /&gt;
*''The Sounds of Machines Our Parents Used'' (1995)&lt;br /&gt;
*''Key Nell'' (1995)&lt;br /&gt;
*''Motor'' (1996)&lt;br /&gt;
*''Keynell (Autechre remixes)'' (1996)&lt;br /&gt;
*''Ad Vanz Vs Gescom / Foehn - Split Series #2'' (1998)&amp;lt;!--https://www.discogs.com/release/13018-Ad-Vanz-Vs-Gescom-Foehn-Split-Series-2--&amp;gt;&lt;br /&gt;
**Written by Rob Brown and Rob Hall.[https://fatcatrecords.bandcamp.com/album/split-series-2]&lt;br /&gt;
*''This'' (1998)&lt;br /&gt;
*''That'' (1998)&lt;br /&gt;
*''ISS:SA'' (2003)&lt;br /&gt;
*''Skull Snap'' (2011)&lt;br /&gt;
&lt;br /&gt;
===DJ Mixes=== &lt;br /&gt;
*Disengage (1994-1996)&lt;br /&gt;
*''[[AMKS_1]]'' (2021)&lt;br /&gt;
&lt;br /&gt;
===Rarities[https://docs.google.com/spreadsheets/d/1i1o90JzFLUelov8bydmpurOCDhktdd-oMbErw8G0AXA/edit?hl=en#gid=3]=== &lt;br /&gt;
*Bronchusix&lt;br /&gt;
*Snorkel&lt;br /&gt;
**Copyrighted 1994, written by Sean Booth and Rob Brown.[https://www.discogs.com/release/2496846-Various-Groove-Techno-From-Acid-To-Ambient]&lt;br /&gt;
*Tony LeMesmer&lt;br /&gt;
*Sklf2&lt;br /&gt;
*Two Of&lt;br /&gt;
*Peel Xyzdub&lt;br /&gt;
*Stoop&lt;br /&gt;
*Leritue (Gibber Mix) &lt;br /&gt;
** Written by Sean Booth and Rob Brown. [https://www.discogs.com/release/282-Various-Alt-Frequencies-3]&lt;br /&gt;
*Untitled ''(Mask 400)''&lt;br /&gt;
*Around Absolute Zero&lt;br /&gt;
*9Û5©03^.¶·5K70¸12i--) ..1`2`|||&amp;lt;!-- yes that is a real title https://www.discogs.com/release/410894-Various-Falsch-02#:~:text=12i%2D%2D)%20..1%602%60%7C%7C%7C%22-,by%20Gescom%20(fb38).,-The%20EVOL%20track --&amp;gt;&lt;br /&gt;
*PN-1.3.15&lt;br /&gt;
*YXJ440M&lt;br /&gt;
*Horizon[https://forum.watmm.com/topic/59299-sean-booth-horizon/] &lt;br /&gt;
**Horizon is a generative piece made using the BBC BASIC programming language for the BBC Micro series of microcomputers. It was originally created by Sean in 2004 for the rand()% generative radio station by the BBC.[https://forum.watmm.com/topic/59299-sean-booth-horizon/]&lt;br /&gt;
**It was supposed to be reused for the Composing with Process radio series from [https://rwm.macba.cat/ Radio Web MACBA] in 2010, but was mistakenly credited to Sean instead of Gescom.[https://forum.watmm.com/topic/58850-composing-with-process-radio-programme/?do=findComment&amp;amp;comment=1438583][https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&amp;amp;range=D315][https://forum.watmm.com/topic/86350-does-anyone-have-a-recording-to-share-of-sean-booths-piece-horizon/] It was subsequently replaced with a piece by Ryoji Ikeda due to Warp Record's exclusivity policies.[https://rwm.macba.cat/en/research/composing-process-perspectives-generative-and-systems-music-12-exclusives]&lt;br /&gt;
**The full BBC BASIC code used to create the track is featured on the artwork of its ID3 metadata – an emulator screenshot of the program after being loaded. It only uses 6 lines.&lt;br /&gt;
**The track is named after the emulator that was used in its creation, [https://www.bannister.org/software/horizon.htm Horizon]. The program's filename is actually &amp;quot;EL25&amp;quot;, as shown on the screenshot. &lt;br /&gt;
&lt;br /&gt;
*[[Hanalgig]]&lt;br /&gt;
&lt;br /&gt;
===Remixes=== &lt;br /&gt;
*Push Button Objects - Non-Existant (Keyed In by Gescom)&lt;br /&gt;
*Man Parrish - Boogie Down Bronx (Remix)&lt;br /&gt;
*Hecker - Itiso161/ae (Remix - Gescom)&lt;br /&gt;
* Passarani - Phonok (Vacuum Party Mix)&lt;br /&gt;
*Kid Acne - Eddy Fresh (Gescom Remix)&lt;br /&gt;
*Kid Acne - Eddy Fresh (Gescom Dub Mix)&lt;br /&gt;
&lt;br /&gt;
===Collaborations===&lt;br /&gt;
*Mira Calix – ''Ilanga'' (Production Assisted by Gescom[https://www.discogs.com/release/159-Mira-Calix-Ilanga] )&lt;br /&gt;
*LSD Dream Emulator (Art Credited to Gescom and Sean Booth[https://web.archive.org/web/20231229114858/https://post.lurk.org/@sean_ae/111660687133105749] )&lt;br /&gt;
&lt;br /&gt;
===Live Shows===&lt;br /&gt;
See [https://ra.co/dj/gescom], also Live DJ recording at Cay Aoyama Tokyo 2000-07-01&lt;/div&gt;</summary>
		<author><name>BisQUO</name></author>
	</entry>
	<entry>
		<id>http://aepages.org/wiki/index.php?title=File:Horizon.png&amp;diff=3134</id>
		<title>File:Horizon.png</title>
		<link rel="alternate" type="text/html" href="http://aepages.org/wiki/index.php?title=File:Horizon.png&amp;diff=3134"/>
		<updated>2024-04-05T16:01:48Z</updated>

		<summary type="html">&lt;p&gt;BisQUO: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>BisQUO</name></author>
	</entry>
	<entry>
		<id>http://aepages.org/wiki/index.php?title=Draft_7.30&amp;diff=3132</id>
		<title>Draft 7.30</title>
		<link rel="alternate" type="text/html" href="http://aepages.org/wiki/index.php?title=Draft_7.30&amp;diff=3132"/>
		<updated>2024-04-05T08:51:11Z</updated>

		<summary type="html">&lt;p&gt;BisQUO: Format fix&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Category:Album]]{{Infobox&lt;br /&gt;
|title=Draft 7.30&lt;br /&gt;
|artist=[[Autechre]]&lt;br /&gt;
|cover=Draft 7.30.jpg&lt;br /&gt;
|date=7 April 2003&lt;br /&gt;
|label=Warp Records (WARP111)&lt;br /&gt;
|previous=[[Gantz Graf]]&lt;br /&gt;
|previous year=2002&lt;br /&gt;
|next=[[Untilted]]&lt;br /&gt;
|next year=2005&lt;br /&gt;
}}'''''Draft 7.30''''' is the seventh studio album by [[Autechre]] released on [https://warp.net/ Warp Records]. It was originally released on April 7th, 2003&amp;lt;ref&amp;gt;https://web.archive.org/web/20040307112934/http://www.warprecords.com/artists/news.php?offset=0&amp;amp;ti_id=606&amp;amp;filter=ae&amp;lt;/ref&amp;gt;, then later repressed on vinyl in 2023, alongside ''[[Confield]]''.&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
Sean noted that ''Draft 7.30'' was &amp;quot;really straight, using straight-up normal sequencers and samplers.&amp;quot; With the exception of some generative elements on &amp;quot;RENIFORM PULS&amp;quot;, ''Draft 7.30'' was otherwise written &amp;quot;note by note&amp;quot;.&amp;lt;ref name=&amp;quot;:0&amp;quot;&amp;gt;{{Cite interview|page=Sound On Sound Interview, April 2004|quote=It's like pop music compared to some of the stuff we had considered putting out! And even when the beats sound like they are moving around in time and space, they're not random. They're based on sets of rules and we have a good handle on them. Draft is really straight, using straight-up normal sequencers and samplers. It's written note by note, where we know exactly what we put on. Only 'Reniform Puls' has some generative stuff, done by Max, which also controls a vocal filter in that track}}&amp;lt;/ref&amp;gt; Alongside that, a lot of Digital Performer was used, with some use cases being &amp;quot;triggering a sampler from the sequencer (akai z8 over midi)&amp;quot;. &amp;lt;ref&amp;gt;[https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&amp;amp;range=D261 {{Cite AAA doc|261}}]&amp;lt;/ref&amp;gt; ''Draft 7.30'' also uses a lot amplitude envelopes, alongside &amp;quot;really light touches of quadraverb and lexicon on select parts&amp;quot; &amp;lt;ref&amp;gt;{{Cite AAA doc|189}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Before the release of ''Draft 7.30'', early tracks titles were uploaded to CDDB (each track has their original title listed in their respective section). In the [[WATMM Ask Autechre Anything, November 2013|WATMM Ask Autechre Anything]], Sean confirmed that they were the actual working file titles that he threw onto CDDB &amp;quot;for a laugh.&amp;quot; &amp;lt;ref&amp;gt;{{Cite AAA doc|1091}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Tracks ==&lt;br /&gt;
&lt;br /&gt;
=== XYLIN ROOM===&lt;br /&gt;
&lt;br /&gt;
* One of the percussive samples is of a wooden garden table being knocked on. &amp;lt;ref name=&amp;quot;:1&amp;quot;&amp;gt;{{Cite interview|page=Sean Twitch AMA, June 2022|quote='''Hope you don't mind me asking how did you approached the timbre of the percussive sounds in Xylin Room and Surripere from a technical standpoint? They're incredibly spacious and crunchy.''' They're both really different. They're just samples. I don't know what to say. Xylin Room was like, originally it was like samples of a wooden outdoor table, like a garden table being knocked by knuckles, and then it was taken into the sampler in sequenced really heavily. And then Surripere, I can, the first part of it was some kind of fake analog. I think it was the Nord actually, yeah. And then, Nord Lead, and then the second part of it, the crunchy stuff. I can't actually remember, but it was done using that Native Battery, so, you know, the sampler that Native did. It was done using that because I remember the loop modulation. You could do loop modulation in it. You could tie it to the envelope, so there's some of that in there, but that's all I remember. I don't remember what the actual sources were. They were probably drum machine sounds originally, but they probably just grittied up. I can't remember now.}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
* The original title was &amp;quot;Benk Chin&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
=== IV VV IV VV VIII ===&lt;br /&gt;
&lt;br /&gt;
* The original title was &amp;quot;nwnw8&amp;quot;, with the final title being a heavily stylised version of that title - substituting N for IV and W for VV.&lt;br /&gt;
* &amp;quot;IV VV IV VV VIII&amp;quot; was initially released as a single for ''Draft 7.30'', both for radio play&amp;lt;ref&amp;gt;https://www.discogs.com/release/545749-Autechre-IV-VV-IV-VV-VIII&amp;lt;/ref&amp;gt; and download.&amp;lt;ref&amp;gt;https://web.archive.org/web/20030420192456/http://www.warprecords.com/draft7_30/&amp;lt;/ref&amp;gt;&amp;lt;!-- the second link requires a flash player like Ruffle, but it shows a minisite which has a link to an IV VV mp3 download --&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== 6IE.CR ===&lt;br /&gt;
&lt;br /&gt;
* &amp;quot;6IE.CR&amp;quot; consists of a CR-8000 being fed through a RSD10 with the Nord controlling the pitch of it with some gating and layering for the second half that Sean couldnt properly remember.&amp;lt;ref&amp;gt;{{Cite AAA doc|1161}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
* The original title was &amp;quot;606.ie&amp;quot; in the CDDB, which Sean also confirmed in interview that it was initially called that because &amp;quot;it was based on a manipulation of a 606 sound.&amp;quot;&amp;lt;ref name=&amp;quot;:2&amp;quot;&amp;gt;{{Cite interview|page=Sound On Sound Interview, April 2004|quote=Going into details about some of the track titles on Draft 7:30, Booth explains &amp;quot;'6IE.CR' was actually called '606IE,' because it was based on a manipulation of a 606 sound. 'Reniform' is a real word, meaning kidney-shaped, and 'Puls' of course is 'Pulse' without the 'e'. 'Surripere' is the Latin word that's the root of 'surreptitious'. And in 'Theme of Sudden Roundabout', 'Sudden' is actually the name of a place.&amp;quot;}}&amp;lt;/ref&amp;gt; The title got abbreivated to 6IE, with CR likely being appended to mean the CR-8000.&lt;br /&gt;
&lt;br /&gt;
=== TAPR ===&lt;br /&gt;
&lt;br /&gt;
* The original title was &amp;quot;reppat&amp;quot;, which when reversed spells out &amp;quot;tapper&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
=== SURRIPERE ===&lt;br /&gt;
&lt;br /&gt;
* BPM: 120&lt;br /&gt;
* The track initially started life as two separate tracks, with the second half made before the first. Later in development, they realised that both tracks had the same tempo and decided to combine it for the final track. &amp;lt;ref&amp;gt;{{Cite AAA doc|580}}&amp;lt;/ref&amp;gt;&amp;lt;!-- Subtle note, Sean used &amp;quot;us&amp;quot; which implies Surripere at the minimum was decided together to be combined. But this could also indicate that the track was a collaborative effort as a whole --&amp;gt;&lt;br /&gt;
* &amp;quot;Surripere&amp;quot; consists of either a fake analog or Nord on the first part, and a Nord Lead with Native Battery's loop modulation on the second part's &amp;quot;crunchy stuff.&amp;quot;&amp;lt;ref name=&amp;quot;:1&amp;quot; /&amp;gt;&lt;br /&gt;
* The original title was &amp;quot;Theft&amp;quot;. The final title &amp;quot;Surripere&amp;quot; is the Latin root word of surreptitious, meaning to do something stealthily.&amp;lt;ref name=&amp;quot;:2&amp;quot; /&amp;gt; A straight translation of &amp;quot;Surripere&amp;quot; is in fact &amp;quot;theft&amp;quot;&lt;br /&gt;
&lt;br /&gt;
=== THEME OF SUDDEN ROUNDABOUT ===&lt;br /&gt;
&lt;br /&gt;
* “Theme Of Sudden Roundabout” is a reference to Sudden, a suburb of Rochdale where Rob and Sean grew up.&amp;lt;ref name=&amp;quot;:2&amp;quot; /&amp;gt;  The titular roundabout in question could be [https://www.google.com/maps/place/53%C2%B035'55.6%22N+2%C2%B009'49.2%22W/@53.5987227,-2.1638831,191m/data=!3m1!1e3!4m4!3m3!8m2!3d53.5987778!4d-2.1636667 this one], as seen on Google Maps.&lt;br /&gt;
* The original title, as listed on CDDB, was &amp;quot;Prince Moth Mothy Moth Moth&amp;quot;. In the [[WATMM Ask Autechre Anything, November 2013|WATMM Ask Autechre Anything,]] Rob mentions this was wrong, that the original title ended with Mother, as in someone who does moths.&amp;lt;ref&amp;gt;{{Cite AAA doc|708}}&amp;lt;/ref&amp;gt; However, in a 2023 Mastodon post when Sean was asked about the title again, he mentioned that it was just Moth at the end.&amp;lt;ref&amp;gt;https://www.reddit.com/r/autechre/comments/1828tlp/sean_answering_why_theme_of_sudden_roundabout_was/&amp;lt;/ref&amp;gt; In that same post, Sean explained that the track was called that after an &amp;quot;epically large moth&amp;quot; landed on their Nord Modular and sat there for much of the track.&lt;br /&gt;
&lt;br /&gt;
=== VL AL 5 ===&lt;br /&gt;
&lt;br /&gt;
* [https://www.youtube.com/watch?v=bt5efp1-IfA A 12-minute version of VL AL 5] was played during the 2008-02-23 Webcast.&lt;br /&gt;
* The original title was &amp;quot;Vlimpton Alpha 5&amp;quot;, which the final title is just an abbreviation of.&lt;br /&gt;
&lt;br /&gt;
=== P.:NTIL ===&lt;br /&gt;
&lt;br /&gt;
* The original title was &amp;quot;Foam Conduit&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
=== V-PROC ===&lt;br /&gt;
&lt;br /&gt;
* The original title was &amp;quot;uprock&amp;quot;.&lt;br /&gt;
* &amp;quot;V-PROC&amp;quot; initially started out with possibly Linndrum samples before being mangled beyond recognition. &amp;lt;ref&amp;gt;https://web.archive.org/web/20240218010910/https://post.lurk.org/@sean_ae/111949563697343787&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== RENIFORM PULS ===&lt;br /&gt;
&lt;br /&gt;
* The original title listed in the CDDB was &amp;quot;kidney bean&amp;quot;. The final title consists of &amp;quot;Reniform&amp;quot;, which means kidney-shaped, and &amp;quot;Puls&amp;quot;, which is just short for Pulse.&amp;lt;ref name=&amp;quot;:2&amp;quot; /&amp;gt; &amp;quot;Pulse&amp;quot; can be either be interpreted in an electronic context (i.e. clock pulse) or as a synonym for legume/bean, the latter of which would indicate that Reniform (kidney-shaped) Puls (bean) directly references the original title.&lt;br /&gt;
* &amp;quot;Reniform Puls&amp;quot; is the only track to have any use of Max/MSP on ''Draft 7.30,''&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt; however most of it was still DAWs: &amp;quot;mostly done in digital performer, but there's loads of hardware on there, and bits of modular stuff.&amp;quot; &amp;lt;ref&amp;gt;https://web.archive.org/web/20240209152633/https://post.lurk.org/@sean_ae/111901878065350503&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Tracklist ==&lt;br /&gt;
{{Tracklist|list={{tl track|number=1|title=XYLIN ROOM|length=6:09}}&lt;br /&gt;
{{tl track|number=2|title=IV VV IV VV VIII|length=4:51}}&lt;br /&gt;
{{tl track|number=3|title=6IE.CR|length=5:39}}&lt;br /&gt;
{{tl track|number=4|title=TAPR|length=3:15}}&lt;br /&gt;
{{tl track|number=5|title=SURRIPERE|length=11:23}}&lt;br /&gt;
{{tl track|number=6|title=THEME OF SUDDEN ROUNDABOUT|length=4:52}}&lt;br /&gt;
{{tl track|number=7|title=VL AL 5|length=4:57}}&lt;br /&gt;
{{tl track|number=8|title=P.:NTIL|length=7:08}}&lt;br /&gt;
{{tl track|number=9|title=V-PROC|length=6:00}}&lt;br /&gt;
{{tl track|number=10|title=RENIFORM PULS|length=8:39}}&lt;br /&gt;
{{tl finaltime|time=1:02:51}}&lt;br /&gt;
}}Note: the capitalization used for this page originates from the artwork used in the original LP&amp;lt;ref&amp;gt;https://www.discogs.com/release/130319-Autechre-Draft-730/image/SW1hZ2U6MTc1ODUwNw==&amp;lt;/ref&amp;gt;  and CD&amp;lt;ref&amp;gt;https://www.discogs.com/release/130115-Autechre-Draft-730/image/SW1hZ2U6NTQyMTU=&amp;lt;/ref&amp;gt; releases, as well as the current Bandcamp version&amp;lt;ref&amp;gt;https://autechre.bandcamp.com/album/draft-730&amp;lt;/ref&amp;gt;, which prints all the titles in all caps. However, alternate capitalizations exist, such as the ones used on Bleep&amp;lt;ref&amp;gt;https://bleep.com/release/23111-autechre-draft-730?lang=en_US&amp;lt;/ref&amp;gt;, the MusicBrainz database&amp;lt;ref&amp;gt;https://musicbrainz.org/release/f69a0c28-4490-4185-8555-a951ff567c44&amp;lt;/ref&amp;gt; and streaming services, which inconsistently format titles into title case.&lt;br /&gt;
&lt;br /&gt;
== Links ==&lt;br /&gt;
&lt;br /&gt;
* [https://autechre.warp.net/release/354841-autechre-draft-730 AE_STORE]&lt;br /&gt;
* [https://music.apple.com/us/album/draft-7-30/305130524 Apple Music]&lt;br /&gt;
* [https://autechre.bandcamp.com/album/draft-730 Bandcamp]&lt;br /&gt;
* [https://bleep.com/release/23111-autechre-draft-730 Bleep]&lt;br /&gt;
* [https://www.discogs.com/master/960-Autechre-Draft-730 Discogs]&lt;br /&gt;
* [https://soundcloud.com/autechreofficial/sets/draft-7-30 Soundcloud]&lt;br /&gt;
* [https://open.spotify.com/album/1V0mCXjrTqQoq45Ti2hAmO Spotify]&lt;br /&gt;
* [https://twitter.com/WarpRecords/status/1622631137762746368 Repress announcement tweet]&lt;br /&gt;
* [https://twitter.com/WarpRecords/status/1629134504320200704 Repress release tweet]&lt;br /&gt;
==Credits==&lt;br /&gt;
*[[Autechre]] (production)&lt;br /&gt;
*[[Rob Brown]] (writer)&lt;br /&gt;
*[[Sean Booth]] (writer)&lt;br /&gt;
* [[Noel Summerville]] (mastering engineer)&lt;br /&gt;
* [[Alexander Rutterford]] (images, design) &amp;lt;ref&amp;gt;https://www.discogs.com/master/960-Autechre-Draft-730&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
&amp;lt;references /&amp;gt;&lt;/div&gt;</summary>
		<author><name>BisQUO</name></author>
	</entry>
	<entry>
		<id>http://aepages.org/wiki/index.php?title=List_of_Remixes&amp;diff=3129</id>
		<title>List of Remixes</title>
		<link rel="alternate" type="text/html" href="http://aepages.org/wiki/index.php?title=List_of_Remixes&amp;diff=3129"/>
		<updated>2024-04-04T11:09:02Z</updated>

		<summary type="html">&lt;p&gt;BisQUO: Ou is an o.s.t. track&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This page is a collection of all tracks remixed by [[Autechre]]. (For rare original material refer to [[List of Rarities]])&lt;br /&gt;
&lt;br /&gt;
Sources[https://docs.google.com/spreadsheets/d/1ecLwyuktVbp6j5OfeCqf4KBTOlkbXragR4nfqvJ3JTc/edit#gid=1][https://docs.google.com/spreadsheets/d/1i1o90JzFLUelov8bydmpurOCDhktdd-oMbErw8G0AXA/edit?hl=en#gid=1][https://web.archive.org/web/20170425161720/http://www.autechre.info/discography/remixes.html] &amp;lt;!-- first source has a bunch of differing info, compare and contrast to fix this page --&amp;gt; &amp;lt;!-- add release where it appeared and song being remixed in future --&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Released by Autechre ==&lt;br /&gt;
&lt;br /&gt;
=== Tortoise/Autechre - Adverse Camber ===&lt;br /&gt;
* ([https://www.discogs.com/release/25105-Tortoise-Autechre-Adverse-Camber-To-Day-Retreival Discogs]) / 1998&amp;lt;!-- this might not be a &amp;quot;remix&amp;quot;, might be moved to a dedicated page for the Tortoise Autechre collab --&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Tortoise/Autechre - To Day Retreival ===&lt;br /&gt;
* ([https://www.discogs.com/release/25105-Tortoise-Autechre-Adverse-Camber-To-Day-Retreival Discogs]) / 1998&lt;br /&gt;
&lt;br /&gt;
=== Neu! - Weissensee Against Im Glück ===&lt;br /&gt;
[[File:Splitrmx12.jpg|alt=poster|thumb|139x139px]]&lt;br /&gt;
&lt;br /&gt;
* ([https://www.discogs.com/release/17921-Autechre-SplitRmx12 Discogs]) / August 23, 1999 / Released on ''Splitrmx12''&lt;br /&gt;
&lt;br /&gt;
=== Bic? - At Drowning In A Sea Of Indiependance ===&lt;br /&gt;
* ([https://www.discogs.com/release/17921-Autechre-SplitRmx12 Discogs]) / August 23, 1999 / Released on ''Splitrmx12''&lt;br /&gt;
&lt;br /&gt;
*Uses the Kyma Capybara. [https://aepages.org/wiki/Hanalgig_AMA,_July_2022#:~:text=remix%20and%20the-,bic%20remix,-)%2C%20and%20i%20eventually]&amp;lt;!-- Refer to Sal Batardes's mastodon post source for confirmation that that &amp;quot;Kyma&amp;quot; is the Capybara  --&amp;gt;&lt;br /&gt;
*Sean confirmed that Bic? was a &amp;quot;Gescom Affiliate&amp;quot;&amp;lt;!-- i dont think the post was archived so here's me posting in the server sean saying it  https://cdn.discordapp.com/attachments/431002187607441409/1135229676638441544/image.png?ex=65ad3586&amp;amp;is=659ac086&amp;amp;hm=1faf7c3c0126cb32a0a41171156246264a17f9c97902500c704417c470a96961&amp;amp; --&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Released by Remixed Artist ==&lt;br /&gt;
&lt;br /&gt;
=== Higher Intelligence Society - Speech3 (Conoid Tone Reformed by Autechre) ===&lt;br /&gt;
*([https://www.discogs.com/release/635-The-Higher-Intelligence-Agency-Reform Discogs]) / 1994&lt;br /&gt;
&lt;br /&gt;
=== Saint Etienne - Like a Motorway (Skin Up, You're Already Dead Mix by Autechre) ===&lt;br /&gt;
* ([https://www.discogs.com/master/32767-Saint-Etienne-Like-A-Motorway Discogs]) / May 16, 1994&lt;br /&gt;
&lt;br /&gt;
=== Buck-Tick - Iconoclasm (Autechre's Don't X Ray Da DAT Mix) ===&lt;br /&gt;
* ([https://www.discogs.com/release/192310-Buck-Tick-%E3%82%B7%E3%82%A7%E3%82%A4%E3%83%97%E3%83%AC%E3%82%B9 Discogs]) / August 24, 1994&lt;br /&gt;
&lt;br /&gt;
=== SCHAFT - SKF10047 (Autechre Mix) ===&lt;br /&gt;
* ([https://www.discogs.com/release/292355-Schaft-Switchblade Discogs]) / September 21, 1994&lt;br /&gt;
&lt;br /&gt;
=== Scorn - Falling (Autechre's &amp;quot;FR 13&amp;quot; Mix) ===&lt;br /&gt;
* ([https://www.discogs.com/release/373027-Scorn-Falling-The-End-Remixes Discogs]) / 1995&lt;br /&gt;
&lt;br /&gt;
=== Slowly - On the Loose (Autechre's For Internal Use Only Mix) ===&lt;br /&gt;
* Remix appeared on Slowly - ''Ming'' (1995)'s bonus remixes ([https://www.discogs.com/release/54264-Slowly-Ming Discogs]) as &amp;quot;On the Loose (Autechre's For Internal Use Only Mix)&amp;quot; as well as on Slowly - ''Remix EP'' (1995) ([https://www.discogs.com/release/73470-Slowly-Remix-EP Discogs]) as &amp;quot;On The Loose (Autechre Remix)&amp;quot;&lt;br /&gt;
* Also appeared on ''[[Radio Mix]]'' with a few small edits, mostly notably the outro is a pitched down loop which ends the track faster than the normal remix.&lt;br /&gt;
&lt;br /&gt;
=== V - Vliezwei (Vliegenbos Morning Reproduced By Autechre) ===&lt;br /&gt;
* ([https://www.discogs.com/master/373651-V-Sub-Machine-The-Unheard-Vliezwei Discogs]) / 1995&lt;br /&gt;
&lt;br /&gt;
=== Palmskin Productions - Evolution of the Beast (Autechre Mix) ===&lt;br /&gt;
* ([https://www.discogs.com/master/283584-Palm-Skin-Productions-The-Beast Discogs]) / February 27, 1995 &amp;lt;!-- double check, might be 1994 --&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Beaumont Hannant - Psi-Onyx (Psix Million Dollar Myx Oscar Goldman Bonus) ===&lt;br /&gt;
* ([https://www.discogs.com/master/80105-Beaumont-Hannant-Psi-Onyx Discogs]) / May 1, 1995&lt;br /&gt;
&lt;br /&gt;
=== Softballet - Jail Of Freedom (Jailitilsli) ===&lt;br /&gt;
* ([https://www.discogs.com/master/80098-Softballet-Forms-Remix-For-Ordinary-People Discogs]) / June 28, 1995&lt;br /&gt;
&lt;br /&gt;
=== DJ Food - Sexy Bits (Autechre's ae9v Mix) ===&lt;br /&gt;
* ([https://www.discogs.com/release/4487-DJ-Food-Refried-Food-Part-2 Discogs]) / July 10, 1995&lt;br /&gt;
&lt;br /&gt;
=== Domonique Dalcan - Aveugle &amp;amp; Sourd (Autechre Mix) ===&lt;br /&gt;
* ([https://www.discogs.com/master/73689-Dominique-Dalcan-Aveugle-Sourd-Remixes Discogs]) / 1996&lt;br /&gt;
&lt;br /&gt;
=== Edge of Motion - Earth Ball (Autechre Rmx) ===&lt;br /&gt;
* ([https://www.discogs.com/release/61267-Edge-Of-Motion-Ad-Hoc Discogs]) / 1996&lt;br /&gt;
&lt;br /&gt;
=== Impulse - One-Six-Four-Seven (Numbers Rammed Down My Ear Mix) ===&lt;br /&gt;
* ([https://www.discogs.com/release/55733-Impulse-One-Six-Four-One-Seven-EP Discogs]) / 1996&lt;br /&gt;
&lt;br /&gt;
=== Silvania - 1Belm (Autechre Mx) ===&lt;br /&gt;
* ([https://www.discogs.com/release/232073-Silvania-Delay-Tambor Discogs]) / April 30, 1996&lt;br /&gt;
&lt;br /&gt;
===Kinesthesia - Sanq (Autechre Mix)===&lt;br /&gt;
*([https://www.discogs.com/release/28159-Kinesthesia-Remixes-From-The-Album-Empathy-Box Discogs]) / January 1996&lt;br /&gt;
&lt;br /&gt;
===Lamb - Gold (Autechre Mix)===&lt;br /&gt;
*([https://www.discogs.com/release/32696-Lamb-Gold Discogs]) / March 25, 1996&lt;br /&gt;
&lt;br /&gt;
=== Nav Katze - Happy? (Qunk Mix by Autechre)===&lt;br /&gt;
*([https://www.discogs.com/release/197385-Nav-Katze-Gentle-Elegance Discogs]) / May 22, 1996&lt;br /&gt;
&lt;br /&gt;
===Mike Ink - Paroles (Autechre Repoles)===&lt;br /&gt;
*([https://www.discogs.com/release/3692-Mike-Ink-Paroles Discogs]) / October 14, 1996&lt;br /&gt;
&lt;br /&gt;
===Gescom - Keynell (Mix 1)===&lt;br /&gt;
*([https://www.discogs.com/release/162-Autechre-Gescom-Keynell-Keynell Discogs]) / November 25, 1996&lt;br /&gt;
&lt;br /&gt;
===Gescom - Keynell (Mix 2)===&lt;br /&gt;
*([https://www.discogs.com/release/162-Autechre-Gescom-Keynell-Keynell Discogs]) / November 25, 1996&lt;br /&gt;
&lt;br /&gt;
===Lexis - Hypnotise (Autechre Slow Mix)===&lt;br /&gt;
*([https://www.discogs.com/release/980-Lexis-Criminal-Elements-Klute-Remix-Hypnotise-Autechre-Remix Discogs]) / 1997&lt;br /&gt;
&lt;br /&gt;
=== Nav Katze - Happy? (Qunk Mix Dub)===&lt;br /&gt;
*([https://www.discogs.com/release/20471-Nav-Katze-Never-Mind-The-Distortion-II Discogs]) / May 21, 1997&lt;br /&gt;
&lt;br /&gt;
=== Merzbow - Ecobondage [Ending] AE Remix===&lt;br /&gt;
*([https://www.discogs.com/release/51532-Merzbow-Scumtron Discogs]) / June 16, 1997&lt;br /&gt;
&lt;br /&gt;
=== Spacetime Continuum - String Of Pearls===&lt;br /&gt;
*([https://www.discogs.com/release/61539-Spacetime-Continuum-rEMIT-rECAPS Discogs]) / October 7, 1996&lt;br /&gt;
&lt;br /&gt;
===Mark Broom - Any No. Between 1 &amp;amp; 17 (Autechre Remix)===&lt;br /&gt;
*([https://www.discogs.com/release/19707-Mark-Broom-Angie-Is-A-Shoplifter Discogs]) / November 1997&lt;br /&gt;
&lt;br /&gt;
=== Stereolab - Refractions in the Plastic Pulse (Feebate Mix)===&lt;br /&gt;
*([https://www.discogs.com/release/40110-Stereolab-Miss-Modular Discogs]) / January 15, 1998&lt;br /&gt;
*This was later remastered and released digitally on September 2nd, 2022.&lt;br /&gt;
&lt;br /&gt;
===Gescom - Mag 3.1426 (Rmxd By Ae)===&lt;br /&gt;
*([https://www.discogs.com/release/25106-Gescom-This Discogs]) / June 1998&lt;br /&gt;
&lt;br /&gt;
===Gescom - Viral Rival (Rmxd By Ae)===&lt;br /&gt;
*([https://www.discogs.com/release/25106-Gescom-This Discogs]) / June 1998&lt;br /&gt;
&lt;br /&gt;
===Gescom - Keynell (Rmxd By Ae)===&lt;br /&gt;
*([https://www.discogs.com/release/25106-Gescom-This Discogs]) / June 1998&lt;br /&gt;
*Shares the same precussion as [[Anvil Vapre#Second Scepe|&amp;quot;Second Scepe&amp;quot;]].&lt;br /&gt;
&lt;br /&gt;
===Skinny Puppy - Killing Game (Autechre Remix) (Bent Mix)===&lt;br /&gt;
*([https://www.discogs.com/release/104373-Skinny-Puppy-Remix-Dystemper Discogs]) / October 19, 1998&lt;br /&gt;
*Completely done in SoundEdit. [https://aepages.org/wiki/Pitchfork_Interview,_April_2005#:~:text=Did%20you%20do%20that%20in%20SoundEdit%3F%20I%20thought%20I%20heard%20the%20bender%20function%20being%20used%20there...]&lt;br /&gt;
&lt;br /&gt;
===East Flatbush Project - Tried by 12 (Autechre Mix)===&lt;br /&gt;
*([https://www.discogs.com/release/60458-East-Flatbush-Project-Tried-By-12-Remixes Discogs]) / December 1998&lt;br /&gt;
&lt;br /&gt;
===Various Artists - 8 (Ae Mix)===&lt;br /&gt;
*([https://www.discogs.com/release/13017-Various-Artists-Remixes Discogs]) / 1998&lt;br /&gt;
&lt;br /&gt;
===Squarepusher - Two Bass Hit (AE Mix)===&lt;br /&gt;
*([https://www.discogs.com/release/24510-Squarepusher-Maximum-Priest-EP Discogs]) / July 16, 1999&lt;br /&gt;
&lt;br /&gt;
=== Phoenecia - Odd Job (Autechre's Systems Mono Version)===&lt;br /&gt;
*([https://www.discogs.com/release/1369-Phoenecia-Odd-Jobs Discogs]) / August 2, 1999&lt;br /&gt;
&lt;br /&gt;
===Various Artists - No. 8 (æ2 Mix by Autechre)===&lt;br /&gt;
*([https://www.discogs.com/release/82807-Various-Artists--8-85-9-Remixes Discogs]) / November 1999&lt;br /&gt;
&lt;br /&gt;
===Kruton - Smallfish Pa.track2 (Autechre Remix)===&lt;br /&gt;
*([https://www.discogs.com/release/87864-Kruton-Granular-Plateaux Discogs]) / February 26, 2001&lt;br /&gt;
&lt;br /&gt;
===Freeform - A.T. (Autechre Remix)===&lt;br /&gt;
*([https://www.discogs.com/release/94936-Freeform-Vietnam-And-China-Audiotourism-Reinterpretations Discogs]) / March 14, 2002&lt;br /&gt;
&lt;br /&gt;
===Jello - Neph (Autechre's Ultramatique 6 Mix)===&lt;br /&gt;
*([https://www.discogs.com/release/35282-Jello-Chamchimzee Discogs]) / July 15, 2002&lt;br /&gt;
&lt;br /&gt;
=== Seefeel - Spangle (Autechre Remix)===&lt;br /&gt;
*([https://www.discogs.com/release/168959-Seefeel-Autechre-Remix-Of-Spangle-By-Seefeel Discogs]) / April 28, 2003&lt;br /&gt;
&lt;br /&gt;
* This remix came out nine years after the original track released on the [https://www.discogs.com/release/28420-Seefeel-Starethrough-Ep ''Starethrough EP''], via [https://warp.net/ Warp Records].&lt;br /&gt;
*The remix was later included on [https://www.discogs.com/artist/2239-Seefeel Seefeel]'s ''[https://www.discogs.com/master/2126677-Seefeel-Rupt-Flex-94-96 Rupt and Flex]'' compilation in 2021&lt;br /&gt;
&lt;br /&gt;
===Team Doyobi - Push Chairs for Grown Ups (Autechre Remix)===&lt;br /&gt;
*([https://www.discogs.com/release/214958-Team-Doyobi-Push-Chairs-For-Grown-Ups-Remixes Discogs]) / December 15, 2003&lt;br /&gt;
&lt;br /&gt;
===Earth - Coda Maestoso In (F)Flat Minor (Remixed By Autechre)===&lt;br /&gt;
*([https://www.discogs.com/release/476455-Earth-Legacy-Of-Dissolution Discogs]) / March 2005&lt;br /&gt;
&lt;br /&gt;
===Mark Broom - Any Number Between 1 &amp;amp; 17 (Autechre Alt Mix)===&lt;br /&gt;
*([https://www.discogs.com/release/472591-Mark-Broom-Angie-Revisited Discogs]) / June 2005&lt;br /&gt;
&lt;br /&gt;
===Sensational Meets Kouhei - Sensachre 10 Mix (Autechre Remix)===&lt;br /&gt;
*([https://www.discogs.com/release/762004-Sensational-Meets-Kouhei-Sensational-Meets-Kouhei Discogs]) / 2006&lt;br /&gt;
&lt;br /&gt;
=== Surgeon - Bad Hands Part II (Autechre Remix)&amp;lt;!-- is this the correct title? --&amp;gt;===&lt;br /&gt;
*([https://www.discogs.com/release/919570-Surgeon-Whose-Bad-Hands-Are-These-Part-I Discogs]) / March 1, 2007&lt;br /&gt;
&lt;br /&gt;
===Unique 3 - The Theme (Autechre Remix)===&lt;br /&gt;
*([https://www.discogs.com/release/989370-Unique-3-The-Theme Discogs]) / June 2007&lt;br /&gt;
&lt;br /&gt;
=== The Black Dog - Tunnels Ov Set (Autechre Remix)===&lt;br /&gt;
*([https://www.discogs.com/release/1831461-The-Black-Dog-We-Are-Sheffield-EP Discogs]) / August 3, 2009&lt;br /&gt;
&lt;br /&gt;
===Deneir - The Winding Ladder (Autechre Mix)===&lt;br /&gt;
*([https://www.discogs.com/release/12141528-Deneir-Nowhen-EP Discogs]) / June 8, 2010&lt;br /&gt;
&lt;br /&gt;
=== Anodyne - Close Your Eyes (Corporation Street Remix by Autechre)===&lt;br /&gt;
*([https://www.discogs.com/release/2391951-Anodyne-The-Remixes-EP Discogs]) / August 9, 2010&lt;br /&gt;
&lt;br /&gt;
=== The Bug - Skeng (Autechre Remix)===&lt;br /&gt;
*([https://www.discogs.com/release/3580168-The-Bug-Infected Discogs]) / November 15, 2010&lt;br /&gt;
&lt;br /&gt;
=== The Bug - Skeng (Autechre Dub)===&lt;br /&gt;
*([https://www.discogs.com/release/3580168-The-Bug-Infected Discogs]) / November 15, 2010&lt;br /&gt;
&lt;br /&gt;
===Oberman Knocks - Dilankex (Autechre Remix)===&lt;br /&gt;
*([https://www.discogs.com/release/5422075-Oberman-Knocks-Dilankex Discogs]) / February 2014&lt;br /&gt;
*The A side contains the 45rpm original track while the B side contains the 33rpm Autechre remix.[https://www.factmag.com/2013/11/21/autechre-remix-oberman-knocks-dliankex-for-new-12/]&lt;br /&gt;
&lt;br /&gt;
===Russell Haswell - Heavy Handed Sunset (Autechre Conformity Version)===&lt;br /&gt;
*([https://www.discogs.com/release/7826375-Russell-Haswell-As-Sure-As-Night-Follows-Day-Remixes Discogs]) / December 8, 2015&lt;br /&gt;
&lt;br /&gt;
===Giorgio Moroder &amp;amp; Raney Shockne - 611 Time Out (Autechre Remix)===&lt;br /&gt;
*([https://www.discogs.com/release/8675883-Giorgio-Moroder-And-Raney-Shockne-Tron-Runr-Original-Soundtrack Discogs]) / May 31, 2016&lt;br /&gt;
&lt;br /&gt;
===SOPHIE - BIPP (Autechre Mx)===&lt;br /&gt;
*([https://www.discogs.com/release/18034606-Sophie-Bipp-Autechre-Mx-Unisil Discogs]) / January 14, 2021&lt;br /&gt;
&lt;br /&gt;
* This remix came out ten years after the original track released on [https://www.discogs.com/artist/3150192-Sophie-42 SOPHIE]'s ''[https://www.discogs.com/master/580462-Sophie-Bipp-Elle Bipp / Elle]'' split single, both of which released on [https://www.discogs.com/label/105540-Numbers Numbers.]. It received a vinyl pressing on January 29th, 2023.&lt;br /&gt;
*Unfortunately, SOPHIE tragically passed away just sixteen days after the remix released.&lt;br /&gt;
&lt;br /&gt;
=== Anodyne - We Are All We Have (Autechre Remix)===&lt;br /&gt;
*([https://www.discogs.com/release/17697514-Anodyne-Decayed Discogs]) / March 5, 2021&lt;br /&gt;
&lt;br /&gt;
===Humanoid - sT8818r (A664 Mix by Autechre)===&lt;br /&gt;
*([https://www.discogs.com/release/21142879-Humanoid-sT8818r-Humanoid Discogs]) / December 3, 2021&lt;br /&gt;
&lt;br /&gt;
===Ulver - Ghost Entry (Autechre Re-Entry)===&lt;br /&gt;
*([https://www.discogs.com/release/29206930-Ulver-Ghost-Entry Discogs]) / December 15, 2023&lt;br /&gt;
&lt;br /&gt;
==Released on VA Compilation==&lt;br /&gt;
&lt;br /&gt;
===Medium - Celsius (Rebuilt by Autechre)===&lt;br /&gt;
*([https://www.discogs.com/release/243157-Various-7-Hills-Clash-Rebuilt-EP Discogs]) / 1997&lt;br /&gt;
&lt;br /&gt;
===D-Breeze - Crazy for Love (Autechre Remix)===&lt;br /&gt;
*([https://www.discogs.com/release/19800-Various-MASK-500 Discogs]) / 1999&lt;br /&gt;
&lt;br /&gt;
===Jürgen Paape - Autechre (TR7AEremix) vs. Jürgen Paape===&lt;br /&gt;
*([https://www.discogs.com/release/123083-Various-Sub-Rosa-vs-Kompakt Discogs]) / July 2, 1999&lt;br /&gt;
*Remix of [https://www.discogs.com/master/546959-J%C3%BCrgen-Paape-Triumph Jürgen Paape - Triumph A1]&lt;br /&gt;
&lt;br /&gt;
===Nightmares On Wax - Sal Batardes (Autechre's Purple Mix)===&lt;br /&gt;
*([https://www.discogs.com/release/30834-Various-Warp103-Remixes Discogs]) / October 11, 1999&lt;br /&gt;
&lt;br /&gt;
*One of the patches from &amp;quot;Left Blank&amp;quot; from ''[[EP7]]'' which uses the Kyma Capybara is reused here. [https://aepages.org/wiki/Hanalgig_AMA,_July_2022#:~:text=the%20nightmares%20on%20wax%20remix][https://web.archive.org/web/20231217191142/https://post.lurk.org/@sean_ae/111595944351176551]&lt;br /&gt;
&lt;br /&gt;
===LFO - What is House? (LFO Remix) (Autechre Remix)===&lt;br /&gt;
*([https://www.discogs.com/release/2024521-Various-Warp20-Recreated Discogs]) / September 28, 2009&lt;br /&gt;
&lt;br /&gt;
==Unreleased==&lt;br /&gt;
&lt;br /&gt;
=== D'Breez - Closer (Autechre Remix)===&lt;br /&gt;
&lt;br /&gt;
*Made &amp;quot;circa 1992&amp;quot;, shared by Darrel Fitton on Facebook on November 14, 2008. [https://forum.watmm.com/topic/41311-gescom-g1/?do=findComment&amp;amp;comment=912899][https://www.youtube.com/watch?v=nt2L1LkEXoY],&lt;br /&gt;
&lt;br /&gt;
===Jimi Tenor - Take Me Baby (Remix)===&lt;br /&gt;
*March 1997 / Appeared on ''[[Radio Mix]]''&lt;br /&gt;
&lt;br /&gt;
===Chris Morris (Autechre Remix)===&lt;br /&gt;
* April 10, 2005 as part of Untilted test transmission.&lt;br /&gt;
&lt;br /&gt;
===O.S.T. - Ou (Autechre Remix)===&lt;br /&gt;
*2008 [https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&amp;amp;range=D260][https://web.archive.org/web/20111006182014/http://www.hairentertainment.com/chrisdouglas#:~:text=%C2%A0Autechre%20have%20done%20a%20remix%20Of%20Ou]&amp;lt;!-- available through p2p services + given the second source there, there should be an avenue for finding the download through the archive for meskrecords.com --&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Coil - Panic (Autechre Remix)=== &lt;br /&gt;
&lt;br /&gt;
*March 2, 2010 &amp;lt;!-- what does 02/03/2010 mean -_- --&amp;gt; as part of the [https://archive.org/details/autechre12hrmix Autechre 12hr mx on autechre.ws] [https://www.reddit.com/r/autechre/comments/kwaxpn/ae_remixing_coils_panic/]&lt;br /&gt;
&lt;br /&gt;
=== Surgeon - Whose Bad Hands Are These? (Autechre Splunder Mix)=== &lt;br /&gt;
&lt;br /&gt;
*March 2, 2013 as part of the 2013 Exai Webcast.&lt;br /&gt;
*[https://www.youtube.com/watch?v=wVrMucgFS94 Youtube upload]&lt;/div&gt;</summary>
		<author><name>BisQUO</name></author>
	</entry>
	<entry>
		<id>http://aepages.org/wiki/index.php?title=News&amp;diff=3101</id>
		<title>News</title>
		<link rel="alternate" type="text/html" href="http://aepages.org/wiki/index.php?title=News&amp;diff=3101"/>
		<updated>2024-04-01T10:35:49Z</updated>

		<summary type="html">&lt;p&gt;BisQUO: Reworded ae/sawu&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;noinclude&amp;gt;An archive of all recent Autechre news. News on the [[Main Page]] only lists events in the past year.&amp;lt;/noinclude&amp;gt;&lt;br /&gt;
&lt;br /&gt;
* 2024-01-13 - Sean shares a rip of ''[[Autechre / Saw You]]'' on Mastodon.&lt;br /&gt;
* 2023-12-15 - [[List of Remixes#Ulver - Ghost Entry (Autechre Re-Entry)|Ulver - &amp;quot;Ghost Entry (Autechre Re-Entry)&amp;quot;]] releases.&lt;br /&gt;
* 2023-12-07 - Day 7 of the Bleep 2023 Advent Calender featured downloads for [[AE LIVE 2022－|''AE_LIVE 2022 -'']] on Bleep. The [[Autechre &amp;amp; The Hafler Trio#³oæh|Autechre / The Hafler Trio - ''³oæh'']] vinyl boxset repress and a raffle for one AE_LIVE_PRINT 2022 - Poster were also featured.&lt;br /&gt;
* 2023-10-17 - Nialler9 publishess [https://nialler9.com/autechre-conversation-about-music-art-funk-and-emotion-interview/ an interview] with Rob and Sean.&lt;br /&gt;
* 2023-08-24 - Via mailing list and a [https://twitter.com/WarpRecords/status/1694720970068754657 tweet] from [https://www.warp.net/ Warp Records], the ''AE_LIVE_Print 2022'' Poster is announced for [https://autechre.warp.net/ae_live pre-order]. All 250 copies sold out within five hours.&lt;br /&gt;
* 2023-08-10 - ''[[AE_LIVE 2022－]]'' is released, exclusively on [https://autechre.warp.net/ autechre.warp.net/]&lt;br /&gt;
* 2023-08-08 - ''[[AE_LIVE 2022－]]'' is announced via mailing list.&lt;br /&gt;
* 2023-08-07 - Mailing list sign-up sheet is [https://twitter.com/WarpRecords/status/1688580822519951360 tweeted out] by [https://www.warp.net Warp Records].&lt;br /&gt;
* 2023-06-23 - [[Autechre &amp;amp; The Hafler Trio#³oæh|Autechre / The Hafler Trio - ''³oæh'']] vinyl boxset repress is released.&lt;br /&gt;
* 2023-06-20 - [[Mix for Neuvoids|''Mix For Neuvoids'']] mixtape is released.&lt;br /&gt;
* 2023-04-13 - [[Autechre &amp;amp; The Hafler Trio#³oæh|Autechre / The Hafler Trio - ''³oæh'']] vinyl boxset repress is made available for preorder.&lt;br /&gt;
&amp;lt;noinclude&amp;gt;&lt;br /&gt;
* 2023-02-24 - ''[[Confield]]'' &amp;amp; [[Draft 7.30|''Draft 7.30'']] represses are [https://twitter.com/WarpRecords/status/1629134504320200704 released].&lt;br /&gt;
&lt;br /&gt;
* 2023-02-06 - ''[[Confield]]'' &amp;amp; [[Draft 7.30|''Draft 7.30'']] represses are [https://twitter.com/WarpRecords/status/1622631137762746368 announced].&lt;br /&gt;
&lt;br /&gt;
* 2022-12-30 - Sean goes live on [https://autechre.mixlr.com/ Mixlr], playing 5.5 hours of early 90's-era techno songs, in celebration of the 20th anniversary repress of [[Artificial Intelligence]].&lt;br /&gt;
* 2022-07-24 - [[Hanalgig AMA, July 2022]]&lt;br /&gt;
*2022-06-05 - [[Sean Twitch AMA, June 2022]] &amp;lt;!-- July ama where? --&amp;gt;&lt;br /&gt;
*2022-05-18 - [[AE_LIVE 2016/2018|''AE_LIVE 2016/2018'']] releases on all streaming services.&lt;br /&gt;
*2021-12-03 - [[List of Remixes#Humanoid - sT8818r (A664 Mix by Autechre)|Humanoid - &amp;quot;sT8818r (A664 Mix by Autechre)&amp;quot;]] releases.&lt;br /&gt;
*2021-11-19 - ''[[Chiastic Slide]]'' &amp;amp; ''[[LP5]]'' represses release.&lt;br /&gt;
*2021-09-30 - ''[[Chiastic Slide]]'' &amp;amp; ''[[LP5]]'' represses are [https://twitter.com/WarpRecords/status/1443577053907849221 announced].&lt;br /&gt;
*2021-01-14 - [[List of Remixes#SOPHIE - BIPP (Autechre Mx)|SOPHIE - &amp;quot;BIPP (Autechre Mx)&amp;quot;]] releases.&lt;br /&gt;
*2020-11-20 - CD and Vinyl editions of ''[[PLUS]]'' are released.&lt;br /&gt;
*2020-10-28 - ''[[PLUS]]'' is simultaneously announced and released.&lt;br /&gt;
*2020-10-16 - ''[[SIGN]]'' is released.&lt;br /&gt;
*2020-10-08 - ''[[SIGN]]'' is broadcasted in full via [https://autechre.warp.net/ autechre.warp.net]&lt;br /&gt;
*2020-10-07 - ''[[SIGN]]'' full broadcast announcement is [https://twitter.com/WarpRecords/status/1313841530524884992 announced].&lt;br /&gt;
*2020-09-02 - ''[[SIGN]]'' is [https://twitter.com/WarpRecords/status/1301159486447669248 announced].&lt;br /&gt;
*2020-04-07 - [[AE_LIVE 2016/2018]] releases, exclusively on [https://autechre.warp.net/ autechre.warp.net/]&lt;br /&gt;
&amp;lt;/noinclude&amp;gt;&lt;/div&gt;</summary>
		<author><name>BisQUO</name></author>
	</entry>
	<entry>
		<id>http://aepages.org/wiki/index.php?title=Envane&amp;diff=3100</id>
		<title>Envane</title>
		<link rel="alternate" type="text/html" href="http://aepages.org/wiki/index.php?title=Envane&amp;diff=3100"/>
		<updated>2024-04-01T10:33:04Z</updated>

		<summary type="html">&lt;p&gt;BisQUO: lil rewordings&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox&lt;br /&gt;
|title=Envane&lt;br /&gt;
|artist=[[Autechre]]&lt;br /&gt;
|cover=Envane.jpg&lt;br /&gt;
|date= 27 January 1997&lt;br /&gt;
|label=Warp Records (WAP89)&lt;br /&gt;
|previous=[[We R Are Why / Are Y Are We?]]&lt;br /&gt;
|previous year=1996&lt;br /&gt;
|next=[[Chiastic Slide]]&lt;br /&gt;
|next year=1997&lt;br /&gt;
}}'''''Envane''''' is the fifth EP by [[Autechre]], released by [https://warp.net/ Warp Records] on January 27th, 1997.&lt;br /&gt;
&lt;br /&gt;
== Background ==&lt;br /&gt;
In a [[We are the music makers, November 1997|1997 interview with Pulse! magazine]], Sean explained that all of the tracks started off from the same basis. However, over the course of their development each track became more and more distinct until they were left completely unrecognizable.&lt;br /&gt;
&lt;br /&gt;
== Tracks ==&lt;br /&gt;
&lt;br /&gt;
=== Goz Quarter ===&lt;br /&gt;
&lt;br /&gt;
* &amp;quot;Goz Quarter&amp;quot; samples [https://www.youtube.com/watch?v=gOFV0dD9ksg&amp;amp;t=40s Dr. Octagon's &amp;quot;No Awareness&amp;quot;], a side project of Kool Keith. The sampled line was confirmed by Kool Keith to be &amp;quot;Watch you jam like Autechre&amp;quot;.[https://web.archive.org/web/20231201192548/https://post.lurk.org/@sean_ae/111504762522040198]&amp;lt;!-- but it can be a double entendre of &amp;quot;jam like a TEC-er [gun]&amp;quot; as well. --&amp;gt;&lt;br /&gt;
* According to Rob, the scratching on the track was achieved with real vinyl.[https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&amp;amp;range=B979]&lt;br /&gt;
&lt;br /&gt;
=== Latent Quarter ===&lt;br /&gt;
&lt;br /&gt;
=== Laughing Quarter ===&lt;br /&gt;
&lt;br /&gt;
* Vinyl pressings of Envane with an XAE B-side matrix feature an [https://www.youtube.com/watch?v=Xm2mkykXF_A alternate outro for &amp;quot;Laughing Quarter&amp;quot;] different to the one on the digital release.&lt;br /&gt;
&lt;br /&gt;
=== Draun Quarter ===&lt;br /&gt;
&lt;br /&gt;
== Tracklist ==&lt;br /&gt;
{{Tracklist|list=&lt;br /&gt;
{{tl track|number=1|title=Goz Quarter|length=9:43}}&lt;br /&gt;
{{tl track|number=2|title=Latent Quarter|length=7:37}}&lt;br /&gt;
{{tl track|number=3|title=Laughing Quarter|length=7:05}}&lt;br /&gt;
{{tl track|number=4|title=Draun Quarter|length=10:50}}&lt;br /&gt;
{{tl finaltime|time=35:15}}&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==Trivia==&lt;br /&gt;
&lt;br /&gt;
* The cover of Envane features a stylized rendition of [[wikipedia:Fallingwater|Fallingwater]], a building by Frank Lloyd Wright.&lt;br /&gt;
* The ''[[Chiastic Slide]]'' track &amp;quot;Nuane&amp;quot; can be read as &amp;quot;Nvane&amp;quot;, mirroring ''Envane.''&lt;br /&gt;
&lt;br /&gt;
== Credits ==&lt;br /&gt;
&lt;br /&gt;
* [[Rob Brown]] (writer)&lt;br /&gt;
* [[Sean Booth]] (writer)&lt;br /&gt;
* [[Autechre]] (production)&lt;br /&gt;
* [[The Designers Republic]] (design) [https://www.discogs.com/master/2027-Autechre-Envane]&lt;br /&gt;
&lt;br /&gt;
[[Category:EP]]&lt;/div&gt;</summary>
		<author><name>BisQUO</name></author>
	</entry>
	<entry>
		<id>http://aepages.org/wiki/index.php?title=EP7&amp;diff=2767</id>
		<title>EP7</title>
		<link rel="alternate" type="text/html" href="http://aepages.org/wiki/index.php?title=EP7&amp;diff=2767"/>
		<updated>2024-02-22T15:49:56Z</updated>

		<summary type="html">&lt;p&gt;BisQUO: Minor wording&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox&lt;br /&gt;
|title=EP7&lt;br /&gt;
|artist=[[Autechre]]&lt;br /&gt;
|cover=EP7.jpg&lt;br /&gt;
|date=7 June 1999&lt;br /&gt;
|label=Warp Records (WAPEP7)&lt;br /&gt;
|previous=[[Peel Session]]&lt;br /&gt;
|previous year=(1999)&lt;br /&gt;
|next=[[Peel Session 2]]&lt;br /&gt;
|next year=(2000)&lt;br /&gt;
}}&lt;br /&gt;
'''''EP7''''' is the seventh EP by [[Autechre]] released on [https://warp.net/ Warp Records] It was originally released on June 7th, 1999.  &lt;br /&gt;
&lt;br /&gt;
== Tracks ==&lt;br /&gt;
&lt;br /&gt;
=== [untitled] ===&lt;br /&gt;
&lt;br /&gt;
* The untitled hidden track at the beginning of the album is only present on some CD releases of the album, and is only accessible by navigating to the previous song while playing &amp;quot;Rpeg&amp;quot;.&lt;br /&gt;
[[File:ep7.1.jpg|thumb|150x150px|EP7.1]]&lt;br /&gt;
&lt;br /&gt;
=== Rpeg ===&lt;br /&gt;
&lt;br /&gt;
=== Ccec ===&lt;br /&gt;
&lt;br /&gt;
* The title is likely a play on &amp;quot;seasick.&amp;quot; &amp;lt;!-- It says this was confirmed by Autechre because of vocal processing but i cant find it --&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Squeller ===&lt;br /&gt;
&lt;br /&gt;
=== Left Blank ===&lt;br /&gt;
&lt;br /&gt;
* The second half of &amp;quot;Left Blank&amp;quot; uses the Kyma Capybara for the &amp;quot;fft sounding stuff&amp;quot;. That same patch using the Kyma went on to be reused on [https://aepages.org/wiki/List_of_Remixes#1999:~:text=Nightmares%20On%20Wax%20%2D%20Sal%20Batardes%20(Autechre%27s%20Purple%20Mix) Sal Batardes (Autechre Purple Mix)].&amp;lt;!-- i linked to the remix page when it might be more appropriate to link to a upload of it --&amp;gt; [https://aepages.org/wiki/Hanalgig_AMA,_July_2022#:~:text=second%20half%20of%20left%20blank][https://web.archive.org/web/20231217191142/https://post.lurk.org/@sean_ae/111595944351176551] &amp;lt;!-- This is more &amp;quot;gear history&amp;quot; (dont know how to deal with that, refer to the gamelan on Confield) but i want to add that the Kyma was also used on the Bic? remix before being given away to Daz Fitton --&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Outpt ===&lt;br /&gt;
[[File:ep7.2.jpg|thumb|150x150px|EP7.2]]&lt;br /&gt;
&lt;br /&gt;
=== Dropp ===&lt;br /&gt;
&lt;br /&gt;
* The main synth for &amp;quot;Dropp&amp;quot; uses a Nord sequenced in Logic.[https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&amp;amp;range=D1003]&lt;br /&gt;
&lt;br /&gt;
=== Liccflii ===&lt;br /&gt;
&lt;br /&gt;
* &amp;quot;Liccflii&amp;quot; was the first track Sean did in Max.[https://aepages.org/wiki/Sean_AMA_Transcript_220605#:~:text=So%20yeah%2C%20there%27s%20bits%20because%20that%20original%2C] &amp;lt;!-- also, he pronounes it Lick Fly, which is interesting --&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Maphive 6.1 ===&lt;br /&gt;
&lt;br /&gt;
* The track &amp;quot;Maphive 6.1&amp;quot; was created entirely on a Roland PMA-5, a small, portable music work station with a built in sequencer. The title &amp;quot;Maphive&amp;quot; likely plays on the piece of equipment, shuffling &amp;quot;PMA-5&amp;quot; to &amp;quot;MAP-5&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
=== Zeiss Contarex ===&lt;br /&gt;
&lt;br /&gt;
* The tracks shares its name with the Contarex camera made by Zeiss Ikon. [https://web.archive.org/web/20221005023155/http://autechre.wikifoundry.com/page/EP7#:~:text=Pun%20on%20%22Output%22-,Zeiss%20Contarex%3A,-Contarex%20is%20a]&lt;br /&gt;
* The sample near the end of the track originates from a shortwave radio broadcast, although Sean clarifies he doesn't know what the sample itself was. [https://web.archive.org/web/20231221142328/https://post.lurk.org/@sean_ae/111608211662796491]&lt;br /&gt;
&lt;br /&gt;
=== Netlon Sentinel ===&lt;br /&gt;
&lt;br /&gt;
* The track is named after the garden fence mesh by Netlon of the same name.&lt;br /&gt;
&lt;br /&gt;
=== Pir ===&lt;br /&gt;
&lt;br /&gt;
== Tracklist ==&lt;br /&gt;
{{Tracklist|list=&lt;br /&gt;
{{tl track|number=&amp;amp;#45;1|title=''untitled''|length=9:47}}&lt;br /&gt;
{{tl track|number=1|title=Rpeg|length=6:01}}&lt;br /&gt;
{{tl track|number=2|title=Ccec|length=4:59}}&lt;br /&gt;
{{tl track|number=3|title=Squeller|length=4:38}}&lt;br /&gt;
{{tl track|number=4|title=Left Blank|length=6:40}}&lt;br /&gt;
{{tl track|number=5|title=Outpt|length=7:12}}&lt;br /&gt;
{{tl track|number=6|title=Dropp|length=3:16}}&lt;br /&gt;
{{tl track|number=7|title=Liccflii|length=4:58}}&lt;br /&gt;
{{tl track|number=8|title=Maphive 6.1|length=8:18}}&lt;br /&gt;
{{tl track|number=9|title=Zeiss Contarex|length=6:33}}&lt;br /&gt;
{{tl track|number=10|title=Netlon Sentinel|length=4:06}}&lt;br /&gt;
{{tl track|number=11|title=Pir|length=3:32}}&lt;br /&gt;
{{tl finaltime|time=1:09:54}}&lt;br /&gt;
}}&lt;br /&gt;
== Trivia ==&lt;br /&gt;
&lt;br /&gt;
* The cover of ''EP7'' was made using a circuit board designer&amp;lt;!-- Sean says &amp;quot;in Freehand&amp;quot;, dont know if that's the software or the mode or something else entirely --&amp;gt;. [https://aepages.org/wiki/Soundproof_interviews_Sean_%26_Rob#:~:text=that%20shape%20created%3F-,The%20artwork%20on%20EP7.,-Sean%3A%20We%20drew]&lt;br /&gt;
* On the [https://web.archive.org/web/20010430120118/http://www.warprecords.com/ography/WAPEP7/ old EP7 minisite], an applet coded by Dorian Fraser Moore of Kleber Digital[https://dorian.fraser-moore.com/works/49/autechre-ep7] would randomly regenerate one of 9 unique fractal designs&amp;lt;!-- this was done by decompiling the ep7.class file and seeing that it was reading data from a txt file, randomly chosen from /data/0.txt to 8.txt  --&amp;gt; in the vein of EP7's cover, which you could zoom in and move around.&amp;lt;!-- Thanks to atlasstorm for contact dorian. while the interaction was not public, this was dorian's response  &amp;quot;@atlasstorm Hiya, it wasn’t quite a rfactal generator, but rather a java Applet which regenerated the artwork from simplified version of the source files.   Someone asked me about this back in 2022 and I found an archive of the old, 1999, site and the code still works:   https://archive.theusefularts.org/warp/ography/single/WAPEP7/  You need to be able to run Jave in your browser to view it … I got it working in Chrome using CheerpJ Applet Runner, https://chrome.google.com/webstore/detail/cheerpj-applet-runner/bbmolahhldcbngedljfadjlognfaaein?hl=en  Can try and answer other questionsbif you have ‘em!&amp;quot; --&amp;gt; [https://archive.theusefularts.org/warp/ography/single/WAPEP7/ An archived version exists here], however it requires a Java emulator like [https://chromewebstore.google.com/detail/cheerpj-applet-runner/bbmolahhldcbngedljfadjlognfaaein?hl=en CheerpJ Applet Runner] to run.&lt;br /&gt;
* In an offhand comment Sean mentioned that part of the reason EP7 is an EP despite its length was that so they could &amp;quot;do things that weren't album-like.&amp;quot; [https://aepages.org/wiki/Autechre:_elseq_et_al,_June_2016#:~:text=Like%20when%20we%20did%20EP7%2C%20we%20deliberately%20called%20it%20an%20EP%20so%20we%20could%20do%20things%20that%20weren%27t%20album%2Dlike.] &amp;lt;!-- included it as a trivia note, but this begs the question whether to what extent we need other people assessment. Like we can solely rely on Rob Booth and Brown Sean and other close collaborators, but referring to other people mentioning the more &amp;quot;lo fi mixtape&amp;quot; feel of EP7 would be useful for this, ya know? --&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Credits ==&lt;br /&gt;
&lt;br /&gt;
* [[Rob Brown]] (writer)&lt;br /&gt;
* [[Sean Booth]] (writer)&lt;br /&gt;
* [[Autechre]] (production)&lt;br /&gt;
* [[Frank Arkwright]] (mastering) [https://www.discogs.com/master/1992-Autechre-EP7]&lt;br /&gt;
&lt;br /&gt;
[[Category:EP]]&lt;/div&gt;</summary>
		<author><name>BisQUO</name></author>
	</entry>
	<entry>
		<id>http://aepages.org/wiki/index.php?title=RA.687&amp;diff=2469</id>
		<title>RA.687</title>
		<link rel="alternate" type="text/html" href="http://aepages.org/wiki/index.php?title=RA.687&amp;diff=2469"/>
		<updated>2024-01-14T19:45:34Z</updated>

		<summary type="html">&lt;p&gt;BisQUO: :3&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''''RA.687''''' is a DJ mix by Autechre, uploaded as part of the RA series of mixes on July 29 2019. It's built around the &amp;quot;gimmick&amp;quot; of only featuring tracks that sample the drum break from [https://www.youtube.com/watch?v=C8hi3ZnhFac God Make Me Funky by The Headmasters]. It is compromised mostly of old-school hip-hop.&lt;br /&gt;
&lt;br /&gt;
== Tracklist ==&lt;br /&gt;
{{Tracklist|list=&lt;br /&gt;
{{tl track|number=1|title=Audio Two — Top Billin'|length=}}&lt;br /&gt;
{{tl track|number=2|title=MC Lyte — 10% Dis|length=}}&lt;br /&gt;
{{tl track|number=3|title=Wagon Christ — Floot|length=}}&lt;br /&gt;
{{tl track|number=4|title=Jungle Brothers — Braggin' &amp;amp; Boastin' (Instrumental)|length=}}&lt;br /&gt;
{{tl track|number=5|title=EPMD — Total Kaos|length=}}&lt;br /&gt;
{{tl track|number=6|title=MC Shan — The Bridge|length=}}&lt;br /&gt;
{{tl track|number=7|title=Steady B — Don't Disturb This Groove|length=}}&lt;br /&gt;
{{tl track|number=8|title=Frick and Frack — Jealous Girls|length=}}&lt;br /&gt;
{{tl track|number=9|title=Super Lover Cee &amp;amp; Casanova Rud — Do the James…|length=}}&lt;br /&gt;
{{tl track|number=10|title=Hurby's Machine feat. Antoniette — I Got an Attitude|length=}}&lt;br /&gt;
{{tl track|number=11|title=Ultramagnetic MC's — Funk Radio|length=}}&lt;br /&gt;
{{tl finaltime|time=45:12}}&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==Trivia==&lt;br /&gt;
* MC Shan's &amp;quot;The Bridge&amp;quot; was also featured on the [[Hanalgig|1988 Hanal birthday mix]].&lt;/div&gt;</summary>
		<author><name>BisQUO</name></author>
	</entry>
	<entry>
		<id>http://aepages.org/wiki/index.php?title=Radio_Mix&amp;diff=2468</id>
		<title>Radio Mix</title>
		<link rel="alternate" type="text/html" href="http://aepages.org/wiki/index.php?title=Radio_Mix&amp;diff=2468"/>
		<updated>2024-01-14T19:09:13Z</updated>

		<summary type="html">&lt;p&gt;BisQUO: minor formatting&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''''Radio Mix''''' is a promo CD sent to radio stations around March 1997 to promote ''[[Chiastic Slide]]''. It features a DJ mix, mostly consisting of Autechre-made remixes and a [[Radio Mix Interview, March 1997|short interview]].[https://www.discogs.com/release/17922-Autechre-Radio-Mix]&amp;lt;!-- WARPCD51 --&amp;gt; &lt;br /&gt;
&lt;br /&gt;
== Tracks ==&lt;br /&gt;
See also [[List of Remixes]].&lt;br /&gt;
&lt;br /&gt;
=== Gescom - Mag 3.1426 (Rmxd By Ae) ===&lt;br /&gt;
&lt;br /&gt;
=== Lexis - Hypnotise (Autechre Remix) ===&lt;br /&gt;
&lt;br /&gt;
=== Gescom - Keynell (Remix) ===&lt;br /&gt;
&lt;br /&gt;
=== Slowly - On The Loose (Autechre's For Internal Use Only Mix) ===&lt;br /&gt;
&lt;br /&gt;
=== Unknown Artist - Untitled ===&lt;br /&gt;
&lt;br /&gt;
* Less a song and moreso a treated drama sample. &lt;br /&gt;
&lt;br /&gt;
=== Push Button Objects - Non-Existant (Keyed In By Gescom) ===&lt;br /&gt;
&lt;br /&gt;
=== Jimi Tenor - Take Me Baby (Remix) ===&lt;br /&gt;
&lt;br /&gt;
=== Impulse - One-Six-Four-Seven (Numbers Rammed Down My Ear Mix) ===&lt;br /&gt;
&lt;br /&gt;
=== Edge Of Motion - Earthball (Autechre Remix) ===&lt;br /&gt;
&lt;br /&gt;
=== Autechre - Untitled ===&lt;br /&gt;
&lt;br /&gt;
* Sean confirmed that this track is in fact an unreleased Autechre track.&amp;lt;!-- taking Discogs word for it ey? --&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Interview ===&lt;br /&gt;
see ''[[Radio Mix Interview, March 1997]]''&lt;br /&gt;
&lt;br /&gt;
== Tracklist ==&lt;br /&gt;
{{Tracklist|list={{tl track|number=1|title=Radio Mix|length=59:27}}&lt;br /&gt;
{{tl track|number=1.1|title=Gescom - Mag 3.1426 (Rmxd By Ae)|length=}}&lt;br /&gt;
{{tl track|number=1.2|title=Lexis - Hypnotise (Autechre Remix)|length=}}&lt;br /&gt;
{{tl track|number=1.3|title=Gescom - Keynell (Remix)|length=}}&lt;br /&gt;
{{tl track|number=1.4|title=Slowly - On The Loose (Autechre's For Internal Use Only Mix)|length=}}&lt;br /&gt;
{{tl track|number=1.5|title=Untitled|length=}}&lt;br /&gt;
{{tl track|number=1.6|title=Push Button Objects - Non-Existant (Keyed In By Gescom)|length=}}&lt;br /&gt;
{{tl track|number=1.7|title=Jimi Tenor - Take Me Baby (Remix)|length=}}&lt;br /&gt;
{{tl track|number=1.8|title=Impulse - One-Six-Four-Seven (Numbers Rammed Down My Ear Mix)|length=}}&lt;br /&gt;
{{tl track|number=1.9|title=Edge Of Motion - Earthball (Autechre Remix)|length=}}&lt;br /&gt;
{{tl track|number=1.10|title=Autechre - Untitled|length=}}&lt;br /&gt;
{{tl track|number=2|title=Interview|length=3:40}}&lt;br /&gt;
{{tl finaltime|time=1:03:06}}}}&lt;br /&gt;
[[Category:DJ Mix]]&lt;/div&gt;</summary>
		<author><name>BisQUO</name></author>
	</entry>
	<entry>
		<id>http://aepages.org/wiki/index.php?title=Autechre_/_Saw_You&amp;diff=2467</id>
		<title>Autechre / Saw You</title>
		<link rel="alternate" type="text/html" href="http://aepages.org/wiki/index.php?title=Autechre_/_Saw_You&amp;diff=2467"/>
		<updated>2024-01-14T19:04:56Z</updated>

		<summary type="html">&lt;p&gt;BisQUO: minor formatting fixes&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''''Autechre / Saw You''''' is the oldest known release from [[Autechre]], created in 1990 as a demo cassette, with only 50 copies made which were shared with friends and labels. [https://www.discogs.com/release/6714178-Autechre-Autechre-Saw-You] On January 13th, 2024, Sean posted downloads for tape transfers of both Autechre [https://web.archive.org/web/20240113170311/https://post.lurk.org/@sean_ae/111749663624600342] and Saw You. [https://web.archive.org/web/20240113162259/https://post.lurk.org/@sean_ae/111749064152560779]&lt;br /&gt;
&lt;br /&gt;
== Tracks ==&lt;br /&gt;
&lt;br /&gt;
=== Autechre ===&lt;br /&gt;
&lt;br /&gt;
* The track name came from typing &amp;quot;Au&amp;quot; (due to a 'au' type sample appearing in the track) and then keysmashing the rest until the Atari's 8 character limit was hit. The band themselves liked the name so much they later adopted it as their new pseudonym. [https://aepages.org/wiki/Sound_On_Sound_Interview,_April_2004#:~:text=Sean%20Booth%20explains%20that%20the%20name%20came%20about%20when%20the%20duo%20were%20working%20on%20an%20Atari.%20%22The%20first%20two%20letters%20were%20intentional%2C%20because%20there%20was%20an%20%27au%27%20sound%20in%20the%20track%2C%20and%20the%20rest%20of%20the%20letters%20were%20bashed%20randomly%20on%20the%20keyboard.][https://aepages.org/wiki/SECONDS_Magazine_Issue_31,_1994#:~:text=SECONDS%3A%20What%20does%20%22Autechre%22%20mean%3F]&lt;br /&gt;
* According to the metadata of Sean's download, it was recorded in 1989.&lt;br /&gt;
&lt;br /&gt;
=== Saw You ===&lt;br /&gt;
&lt;br /&gt;
* When asked about it in 2022, Sean mentioned that in the [https://www.youtube.com/watch?v=lC7LGzCZ-q0 Sweatbox 1991 recording], &amp;quot;Saw You&amp;quot; was the house/techno track with long keys and an TX81Z saxophone sound. [https://aepages.org/wiki/Sean_Twitch_AMA,_July_2022#:~:text=%E2%80%9CCan%20you%20tell%20us%20something%20about%20the%20Autechre/Saw%20You%20demo%3F%E2%80%9D] The TX81Z sound was &amp;quot;prob an edited preset&amp;quot;. [https://web.archive.org/web/20240113162259/https://post.lurk.org/@sean_ae/111749064152560779]&lt;br /&gt;
* According to the metadata of Sean's download, it was recorded in 1990.&lt;br /&gt;
&lt;br /&gt;
== Tracklist ==&lt;br /&gt;
{{Tracklist|list=&lt;br /&gt;
{{tl track|number=1|title=Autechre|length=5:22}}&lt;br /&gt;
{{tl track|number=2|title=Saw You|length=6:11}}&lt;br /&gt;
{{tl finaltime|time=11:33}}&lt;br /&gt;
}}''(Note: Track lengths are taken from files shared by Sean, which likely mismatch by a few seconds with the distributed cassettes.)''&lt;br /&gt;
&lt;br /&gt;
== Trivia ==&lt;br /&gt;
&lt;br /&gt;
* On its Discogs page, it was noted that the tape got them signed to Warp Records. However, Sean clarified that they were actually rejected due to Warp not currently looking to sign anyone at the time. The track that actually got them signed was [[List of Rarities#Crystel|&amp;quot;Crystel&amp;quot;]] in 1991. [https://web.archive.org/web/20240113191644/https://post.lurk.org/@sean_ae/111750128290861077]&lt;br /&gt;
* The Discogs listing created by user awkwardsilence and its images, were confirmed to be real in the July Twitch AMA [https://aepages.org/wiki/Sean_Twitch_AMA,_July_2022#:~:text=But%20the%20pictures%20of%20the%20tapes%20are%20real]. However, the original poster out of respect stated they weren't planning in leaking the tracks.&amp;lt;!-- might need to be changed or reworked into a history section --&amp;gt;&lt;br /&gt;
* Both tracks were made in Daz Fitton's studio above Dr Rock around 1989-1990 and recorded straight to cassette. [https://aepages.org/wiki/Sean_Twitch_AMA,_July_2022#:~:text=So%20both%20of%20them%20are%20tracks%20that%20we%20did%20in%20Dazzy%E2%80%99s%20studio%20in%20%E2%80%9889%2C%20%E2%80%9890.][https://web.archive.org/web/20231224114430/https://post.lurk.org/@sean_ae/111635157753588040]&lt;br /&gt;
* The labels on the cassette were made by Sean with ink splatters.&lt;br /&gt;
* An early copy spread around Soulseek (and later uploaded to YouTube by hsfq) is fake. It actually consists of the tracks &amp;quot;Many&amp;quot; and &amp;quot;The Brink&amp;quot; from Freeform's Free EP (SKAM, 1995). [https://www.youtube.com/watch?v=Z6R3fyKSwVM&amp;amp;pp=ygUQQXV0ZWNocmUgU2F3IFl1bw%3D%3D]&lt;br /&gt;
&lt;br /&gt;
== Links ==&lt;br /&gt;
&lt;br /&gt;
* [https://www.discogs.com/release/6714178-Autechre-Autechre-Saw-You Discogs]&lt;br /&gt;
&lt;br /&gt;
[[Category:Single]]&lt;/div&gt;</summary>
		<author><name>BisQUO</name></author>
	</entry>
	<entry>
		<id>http://aepages.org/wiki/index.php?title=Warp_Tapes_89-93&amp;diff=2271</id>
		<title>Warp Tapes 89-93</title>
		<link rel="alternate" type="text/html" href="http://aepages.org/wiki/index.php?title=Warp_Tapes_89-93&amp;diff=2271"/>
		<updated>2023-12-24T16:43:19Z</updated>

		<summary type="html">&lt;p&gt;BisQUO: /* Analysis */ added luna chop, idk why the references were formatted so weirdly&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:Warp Tapes 89-93.jpg|thumb|]]&lt;br /&gt;
'''''Warp Tapes 89-93''''' is a DJ Mix by Autechre compiling material from 1989 to 1993. It was debuted on NTS Radio during Warp's 30th anniversary weekend as two mixes, Part 1 on June 21st, 2019, and Part 2 on June 23rd, 2019. [https://artists.wxaxrxp.net/autechre] It was then officially released on June 24th, 2019 as a free download on the store. [https://ra.co/news/43993][https://www.discogs.com/release/13799471-Autechre-Warp-Tapes-89-93]&lt;br /&gt;
&lt;br /&gt;
==Tracklist==&lt;br /&gt;
{{Tracklist|list=&lt;br /&gt;
{{tl track|number=1|title=Warp Tapes 89-93 Part 1|length=1:00:00}}&lt;br /&gt;
{{tl track|number=2|title=Warp Tapes 89-93 Part 2|length=1:00:00}}&lt;br /&gt;
{{tl finaltime|time=2:00:00}}&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
== Analysis ==&lt;br /&gt;
The following table splits up the otherwise continous DJ mix into 12 and 9 parts respective for each hour part for analysis. These are however taken from a fan split version&amp;lt;!-- which one? desperate needs to be clear where lal --&amp;gt; and are not official - timestamps may not be where the real tracks actually starts and stop.&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
!Timestamp&lt;br /&gt;
!Identifer / Notes&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; |Warp Tapes 89-93 Part 1&lt;br /&gt;
|-&lt;br /&gt;
|0:00:00&lt;br /&gt;
|'''#1''' &amp;lt;!-- ill keep the vague descriptors but i dont see why that's needed when the timestamps are right there --&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|0:04:10&lt;br /&gt;
|'''#2''' ''(bass starts)''&lt;br /&gt;
Uses a 303 synth.&lt;br /&gt;
|-&lt;br /&gt;
|0:07:57&lt;br /&gt;
|'''#3''' ''(hihats starts)''&lt;br /&gt;
|-&lt;br /&gt;
|0:12:06&lt;br /&gt;
|'''#4, &amp;quot;Ripping Circuits&amp;quot;''' [https://aepages.org/wiki/Sean_Twitch_AMA,_July_2022#:~:text=which%20was%20originally%20it%20was%20called%20Ripping%20Circuits] ''(when strings(?) start.)''&lt;br /&gt;
&amp;quot;Ripping Circuits&amp;quot; is an earlier version of &amp;quot;[https://aepages.org/wiki/Cavity_Job Accelera 1 &amp;amp; 2]&amp;quot; made by Rob in 1989. Sean said that this to likely the oldest track in the compilation. [https://web.archive.org/web/20231224114430/https://post.lurk.org/@sean_ae/111635157753588040#:~:text=(I%20think%20the%20oldest%20track%20on%20there)] &amp;lt;!-- Two notes:&lt;br /&gt;
the samples are also used on gescom MiniDisc &amp;quot;PT - AF&amp;quot; https://www.youtube.com/watch?v=YthNjZ76g0E in addition to me hearing rumors that it came from Man Who Fell To Earth &lt;br /&gt;
also probably clarify to an average reader that this is not explicitly confirmed to be *THE* ripping circuits, but that it's speculated to be the one from the amount of overlap between the two. --&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|0:16:03&lt;br /&gt;
|'''#5''' ''(when weird synth starts)''&lt;br /&gt;
Contains elements from [[Incunabula#Kalpol Introl|&amp;quot;Kalpol Introl&amp;quot;]]&lt;br /&gt;
|-&lt;br /&gt;
|0:21:13&lt;br /&gt;
|'''#6, &amp;quot;Destroyer (of Worlds)&amp;quot;''' [https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&amp;amp;range=D274] [https://aepages.org/wiki/Sean_Twitch_AMA,_July_2022#:~:text=like%20that%20Destroyer%20of%20Worlds%20track%20was%20done%20just%20using%20that%20as%20a%20sampler%2C]&amp;lt;!-- messy because i think Destroyer and Destroyer Of Worlds are both actual titles, and while the latter is more likely and former just shortening, I took caution --&amp;gt; ''(when percussion ends and Oppenheimer sample begins)''&lt;br /&gt;
|-&lt;br /&gt;
|0:27:23&lt;br /&gt;
|'''#7''' ''(when 'booming' percussion starts, Oppenheimer sample continues until 0:27:55)''&lt;br /&gt;
|-&lt;br /&gt;
|0:31:34&lt;br /&gt;
|'''#8''' ''(when pad starts)''&lt;br /&gt;
|-&lt;br /&gt;
|0:34:07&lt;br /&gt;
|'''#9''' ''(when new percussion starts)''&lt;br /&gt;
|-&lt;br /&gt;
|0:42:14&lt;br /&gt;
|'''#10''' ''(when percussion ends, contains unidentified &amp;quot;eh&amp;quot; vocal sample)''&lt;br /&gt;
|-&lt;br /&gt;
|0:48:17&lt;br /&gt;
|'''#11''' ''(when new synth starts)''&lt;br /&gt;
|-&lt;br /&gt;
|0:54:22&lt;br /&gt;
|'''#12''' ''(when acid line begins, unidentified &amp;quot;cheers mate&amp;quot; sample begins at 0:58:59)''&lt;br /&gt;
Contains percussion from [[Discography#Loosies|&amp;quot;Crystel&amp;quot;]]&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; |Warp Tapes 89-93 Part 2&lt;br /&gt;
|-&lt;br /&gt;
|0:00:00&lt;br /&gt;
|'''#1, &amp;quot;Luna Chop&amp;quot; [https://forum.watmm.com/topic/20728-luna-chop]'''&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
|'''#2'''&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
|'''#3'''&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
|'''#4'''&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
|'''#5'''&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
|'''#6'''&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
|'''#7'''&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
|'''#8'''&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
|'''#9'''&lt;br /&gt;
|}&lt;/div&gt;</summary>
		<author><name>BisQUO</name></author>
	</entry>
	<entry>
		<id>http://aepages.org/wiki/index.php?title=Autechre&amp;diff=2204</id>
		<title>Autechre</title>
		<link rel="alternate" type="text/html" href="http://aepages.org/wiki/index.php?title=Autechre&amp;diff=2204"/>
		<updated>2023-12-17T21:40:27Z</updated>

		<summary type="html">&lt;p&gt;BisQUO: tiny formatting fixes&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;(for now, dump all non-release related trivia, i.e. events, ancedotes from interviews, history notes, etc.)&lt;br /&gt;
&lt;br /&gt;
== Trivia ==&lt;br /&gt;
&lt;br /&gt;
* Autechre's record deal with Warp Records supposedly states that both Sean and [[Rob Brown|Rob]] are forbidden to release material under any name other than Autechre (or [[Gescom]] in select circumstances).&lt;br /&gt;
* The name &amp;quot;Autechre&amp;quot; was created by first typing &amp;quot;au&amp;quot; and then keysmashing the rest until the Atari's 8-character limit was hit. It initially came about as a track title before being adopted as their stage name six months later. [https://aepages.org/wiki/Sound_On_Sound_Interview,_April_2004#:~:text=Sean%20Booth%20explains%20that%20the%20name%20came%20about%20when%20the%20duo%20were%20working%20on%20an%20Atari.%20%22The%20first%20two%20letters%20were%20intentional%2C%20because%20there%20was%20an%20%27au%27%20sound%20in%20the%20track%2C%20and%20the%20rest%20of%20the%20letters%20were%20bashed%20randomly%20on%20the%20keyboard.][https://aepages.org/wiki/SECONDS_Magazine_Issue_31,_1994#:~:text=SECONDS%3A%20What%20does%20%22Autechre%22%20mean%3F]&amp;lt;!-- track name for Autechre / Saw You? --&amp;gt;&lt;br /&gt;
** The initial &amp;quot;au&amp;quot; is a reference to their list of voice samples on the FZ10 which were formatted as &amp;quot;au[descriptive]&amp;quot;. Rob described it as vocal choir voices types of samples which were holding notes that sounded like &amp;quot;'or', 'awe', 'au'kland and so on.&amp;quot; [https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit#gid=0&amp;amp;range=D1201]&lt;br /&gt;
** The current accepted pronounciation of Autechre, as the band itself uses, is &amp;quot;awe-teh-ker&amp;quot; (/ɔːˈtɛkər/). [https://aepages.org/wiki/We_are_the_music_makers,_November_1997#:~:text=you%20pronounce%20Autechre%3F-,Booth%3A%20awe%2Dteh%2Dker.,-Weidenbaum%3A%20A%20million][https://aepages.org/wiki/Sound_On_Sound_Interview,_April_2004#:~:text=Autechre%20pronounce%20their%20name%20as%20%27autecker%27]&amp;lt;!-- yoinked straight from wikipedia, need to learn IPA pronunciations. also might rephrase to say they don't care if you pronounce it &amp;quot;wrong&amp;quot; but find source for that --&amp;gt;&lt;/div&gt;</summary>
		<author><name>BisQUO</name></author>
	</entry>
	<entry>
		<id>http://aepages.org/wiki/index.php?title=AE_2022%EF%BC%8D&amp;diff=2202</id>
		<title>AE 2022－</title>
		<link rel="alternate" type="text/html" href="http://aepages.org/wiki/index.php?title=AE_2022%EF%BC%8D&amp;diff=2202"/>
		<updated>2023-12-17T21:14:45Z</updated>

		<summary type="html">&lt;p&gt;BisQUO: fixed spelling of barcelona&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{DISPLAYTITLE:AE_LIVE 2022－}}&lt;br /&gt;
[[File:AE LIVE 2022.jpg|thumb|WARP444]]&lt;br /&gt;
'''''AE_LIVE 2022－''','' otherwise known as '''''twentytwentytwo''','' is a compilation of seven soundboard recordings taken from live shows performed throughout 2022. It was released on August 10th, 2023, and was first confirmed to be in the works by [[Sean Booth|Sean]] during a [[Sean AMA Transcript 220605|Twitch AMA]], on June 5th, 2022. &lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
During the [[Sean Twitch AMA, June 2022|Twitch AMA on June 5th, 2022]], Sean answered a few questions regarding the live material after having performed the first show of the twentytwentytwo tour. The tour was initially planned to be held in 2020&amp;lt;!-- trivia that there is speculation the title may be a second attempt at the twentytwenty tour, aka twentytwenty two? --&amp;gt;, before the COVID-19 pandemic delayed the tour. Sean mentioned that on his end, he spent the time reworking the back end, getting interested in MC (multi-channel audio in max), physical modelling and scratching, with the last one seeing use on Gescom's ''[[AMKS_1]]''. [https://aepages.org/wiki/Sean_Twitch_AMA,_June_2022#:~:text=Basically%20when%20COVID%20hit%2C%20I%20had%20a%20lot%20of%20time%20on%20my%20hands%20to%20rebuild%20a%20lot%20of%20it.] The end product was Sean noting that they had at least 3 and a half hours of material prepared.&lt;br /&gt;
&lt;br /&gt;
The first show of the tour was performed at Primavera in Barcelona on the 3rd of June. In the AMA, Sean mentioned that that particular show did not go well, as they had to negotiate the rights to the soundboard from Primavera before messing up the recording regardless causing it to be left off the initial 2022 batch.[https://aepages.org/wiki/Sean_AMA_Transcript_220605#:~:text=Yeah%2C%20there%27s%20not%20really%20any%20good%20pictures%2C%20but%20the%20problem%20was%20with%20Primavera%2C]&lt;br /&gt;
&lt;br /&gt;
On October 4th, 2022, &amp;quot;AE_LIVE_HELSINKI_110922_LTD&amp;quot; was released early exclusively to attendants of the show, with the reasoning being due to technical issues during the show.[https://www.reddit.com/r/autechre/comments/xobdtd/exclusive_release_incoming_for_helsinki_attendees/]&amp;lt;!-- should we possibly include the original cover? --&amp;gt;&amp;lt;!-- also maybe find the official announcement of this --&amp;gt; Small glitches started to materialize a third into the show, which progressively became so distracting that by the last third of the show, it was plagued with loud pops and audio dropouts. &amp;lt;!-- very rough synthesis of the reddit and watmm source --&amp;gt;Explanation for the issues reigned in on it being due to the poor subwoofer setup and system clock drift, which in combination with the heavy subbass in the set caused a coil short circuit in the speakers.[https://www.reddit.com/r/autechre/comments/xbspfv/there_were_some_audio_issues_during_helsinki_gig/?rdt=51772][https://forum.watmm.com/topic/102400-autechre-live-twentytwentytwo/?do=findComment&amp;amp;comment=2925915] The soundboard was left unmastered for this release, and later rereleased with proper mastering. &amp;lt;!-- there's mention of similar issues at Athens, though it was not intense enough to warrant any announcement. Doubt it should be included but thought I should note. --&amp;gt;&lt;br /&gt;
&lt;br /&gt;
On August 7th, 2023, Warp sent out an announcement to sign up for to the newsletter. The following day, ''AE_LIVE 2022－'' was officially announced, and the first batch of shows from Milan 2022 to Turin 2022 was released individually and as a compilation on the 10th. The hyphen added to the end of the title indicated the possibility of future sets being added at a later date.&lt;br /&gt;
&lt;br /&gt;
In a Mastodon post on November 18th, 2023, he gave an update that the material was up to &amp;quot;about 4 hours long so far and growing steadily.&amp;quot; [https://web.archive.org/web/20231118215345/https://post.lurk.org/@sean_ae/111433472440615681#:~:text=We%20took%20a,from%20our%20POV.]&lt;br /&gt;
&lt;br /&gt;
== Tracklist ==&lt;br /&gt;
{{Tracklist|list=&lt;br /&gt;
{{tl track|number=1|title=AE_LIVE_MILAN_010722|length=1:06:56}}&lt;br /&gt;
{{tl track|number=2|title=AE_LIVE_ATHENS_050722|length=1:20:03}}&lt;br /&gt;
{{tl track|number=3|title=AE_LIVE_HELSINKI_110922|length=1:11:07}}&lt;br /&gt;
{{tl track|number=4|title=AE_LIVE_LONDON_071022_A|length=59:48}}&lt;br /&gt;
{{tl track|number=5|title=AE_LIVE_LONDON_071022_B|length=59:33}}&lt;br /&gt;
{{tl track|number=6|title=AE_LIVE_BERGEN_021122|length=1:07:59}}&lt;br /&gt;
{{tl track|number=7|title=AE_LIVE_TURIN_041122|length=1:00:45}}&lt;br /&gt;
{{tl finaltime|time=7:46:12}}&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
== Trivia ==&lt;br /&gt;
&lt;br /&gt;
* One of the notable tracks to appear in the &amp;quot;Set A&amp;quot;&amp;lt;!-- this is a fan name, how to deal with this. --&amp;gt; material is &amp;quot;ecol4&amp;quot; from ''[[PLUS]]''. [https://aepages.org/wiki/Sean_AMA_Transcript_220605#:~:text=Yeah%2C%20basically%20that.%20It%20started%20out%20quite%20different.%20So%2C%20you%20can%20hear%20a%20bit%20of%20ecol%5B4%5D%20in%20the%20set%2C%20ecol4%20that%20was%20basically%20like%20the%20ecol4%20that%27s%20on%20PLUS%20when%20we%20started%20out]&lt;br /&gt;
* [[ae mixlr 300320|During a mixlr stream on March 30th, 2020]], Sean skimmed through some of their jam folders, which included two snippets of material from the Set A material.&lt;br /&gt;
* In December 2022, Sean posted two max demos to Mastodon; one on the [https://www.youtube.com/watch?v=3poN6FDyB28 10th]  and one on the [https://www.youtube.com/watch?v=jgMArRJswIQ 15th].&amp;lt;!-- insert explanation of why he posted it, context of the mastadon thread and shit --&amp;gt;It has since been confirmed to be live show patches as both appeared in the Sydney and Dublin sets.&amp;lt;!-- slightly premature but i think AE_LIVE pages can contain information about the tour of not released soundboards. --&amp;gt;&lt;br /&gt;
** In the top right corner of the 15th December demo, &amp;quot;three tone&amp;quot; is written, possibly indicating the section title.&lt;br /&gt;
** Also in the 15th demo, one of the files loaded into a sampler (likely indicating a sample used in the live material) is Gap Band's [https://www.youtube.com/watch?v=zSsXRWhfN3w&amp;amp;pp=ygUpQnVybiBSdWJiZXIgT24gTWUgKFdoeSBZb3UgR290dGEgSHVydCBNZSk%3D &amp;quot;Burn Rubber On Me (Why You Wanna Hurt Me)&amp;quot;] &lt;br /&gt;
* The CAT number, WARP444, was likely specifically requested by Autechre, to reference the song &amp;quot;444&amp;quot; off their first album, ''[[Incunabula]]''.&lt;br /&gt;
* The main cover art for ''AE_LIVE 2022－'' consists of all the individual set art overlaid on top of each other.&lt;br /&gt;
&lt;br /&gt;
== Gallery ==&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
File:AE LIVE MILAN 010722.jpg|AE_LIVE_MILAN_010722&lt;br /&gt;
File:AE LIVE ATHENS 050722.jpg|AE_LIVE_ATHENS_050722&lt;br /&gt;
File:AE LIVE HELSINKI 110922.jpg|AE_LIVE_HELSINKI_110922&lt;br /&gt;
File:AE LIVE LONDON 071022 A.jpg|AE_LIVE_LONDON_071022_A&lt;br /&gt;
File:AE LIVE LONDON 071022 B.jpg|AE_LIVE_LONDON_071022_B&lt;br /&gt;
File:AE LIVE BERGEN 021122.jpg|AE_LIVE_BERGEN_021122&lt;br /&gt;
File:AE LIVE TURIN 041122.jpg|AE_LIVE_TURIN_041122&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Links ==&lt;br /&gt;
&lt;br /&gt;
* [https://autechre.warp.net/release/408603-autechre-aelive-2022 AE_STORE]&lt;br /&gt;
* [https://bleep.com/release/430787-autechre-aelive-2022 Bleep]&lt;br /&gt;
* [https://www.discogs.com/master/3199512-Autechre-AE_LIVE-2022 Discogs]&lt;br /&gt;
* [https://twitter.com/WarpRecords/status/1689637725731954688 Announcement Tweet]&lt;br /&gt;
[[Category:Live]]&lt;br /&gt;
[[Category:Compilation]]&lt;/div&gt;</summary>
		<author><name>BisQUO</name></author>
	</entry>
	<entry>
		<id>http://aepages.org/wiki/index.php?title=User:BisQUO&amp;diff=451</id>
		<title>User:BisQUO</title>
		<link rel="alternate" type="text/html" href="http://aepages.org/wiki/index.php?title=User:BisQUO&amp;diff=451"/>
		<updated>2023-09-13T18:05:54Z</updated>

		<summary type="html">&lt;p&gt;BisQUO: Created page with &amp;quot;gabagool !&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;gabagool !&lt;/div&gt;</summary>
		<author><name>BisQUO</name></author>
	</entry>
	<entry>
		<id>http://aepages.org/wiki/index.php?title=Incunabula&amp;diff=449</id>
		<title>Incunabula</title>
		<link rel="alternate" type="text/html" href="http://aepages.org/wiki/index.php?title=Incunabula&amp;diff=449"/>
		<updated>2023-09-13T17:56:37Z</updated>

		<summary type="html">&lt;p&gt;BisQUO: added gearlist&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:Incunabula.jpg|alt=cover art|thumb|WARP17]]'''''Incunabula''''' is the first album by [[Autechre]]. It was originally released on November 29th, 1993 on [https://warp.net/ Warp Records], as part of the Artificial Intelligence series. It was later repressed on vinyl in 2016, alongside ''[[Amber]]'', and [[Tri Repetae|''Tri Repetae'']].&lt;br /&gt;
[[Sean Booth]] has later recounted in interviews that ''Incunabula'' was “more of a compilation of old material” than an album, and that Amber, their second album, was really the first album they released on Warp Records.&lt;br /&gt;
&lt;br /&gt;
Gear known to have been used in its creation includes the Casio SK-1, the Roland R8 and the Roland TR-606.&lt;br /&gt;
== Tracklist ==&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+&lt;br /&gt;
!#&lt;br /&gt;
!Title&lt;br /&gt;
!Length&lt;br /&gt;
|-&lt;br /&gt;
|1&lt;br /&gt;
|Kalpol Introl&lt;br /&gt;
|3:19&lt;br /&gt;
|-&lt;br /&gt;
|2&lt;br /&gt;
|Bike&lt;br /&gt;
|8:00&lt;br /&gt;
|-&lt;br /&gt;
|3&lt;br /&gt;
|Autriche&lt;br /&gt;
|6:56&lt;br /&gt;
|-&lt;br /&gt;
|4&lt;br /&gt;
|Bronchus 2&lt;br /&gt;
|3:33&lt;br /&gt;
|-&lt;br /&gt;
|5&lt;br /&gt;
|Basscadet&lt;br /&gt;
|5:34&lt;br /&gt;
|-&lt;br /&gt;
|6&lt;br /&gt;
|Eggshell&lt;br /&gt;
|9:02&lt;br /&gt;
|-&lt;br /&gt;
|7&lt;br /&gt;
|Doctrine&lt;br /&gt;
|7:49&lt;br /&gt;
|-&lt;br /&gt;
|8&lt;br /&gt;
|Maetl&lt;br /&gt;
|6:33&lt;br /&gt;
|-&lt;br /&gt;
|9&lt;br /&gt;
|Windwind&lt;br /&gt;
|11:17&lt;br /&gt;
|-&lt;br /&gt;
|10&lt;br /&gt;
|Lowride&lt;br /&gt;
|7:16&lt;br /&gt;
|-&lt;br /&gt;
|11&lt;br /&gt;
|444&lt;br /&gt;
|8:55&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; |'''''Total'''''&lt;br /&gt;
!'''''1:18:03'''''&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Trivia ==&lt;br /&gt;
&lt;br /&gt;
* &amp;quot;Eggshell&amp;quot;, is an edit / remixed version of their previously released song, “The Egg”, which was included on the first ''[[wikipedia:Artificial Intelligence (compilation album)|Artificial Intelligence]]'' compilation in 1992.&lt;br /&gt;
* &amp;quot;Kalpol Introl&amp;quot; is featured in the 1998 film ''Pi'' by Darren Aronofsky, it is incorrectly titled on the soundtrack for the film as &amp;quot;Kalpol Intro&amp;quot;&lt;/div&gt;</summary>
		<author><name>BisQUO</name></author>
	</entry>
	<entry>
		<id>http://aepages.org/wiki/index.php?title=Sean_Booth&amp;diff=450</id>
		<title>Sean Booth</title>
		<link rel="alternate" type="text/html" href="http://aepages.org/wiki/index.php?title=Sean_Booth&amp;diff=450"/>
		<updated>2023-09-13T17:53:37Z</updated>

		<summary type="html">&lt;p&gt;BisQUO: autechre&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Sean Booth''' is an electronic musician, best known for being half of [[Autechre]].&lt;/div&gt;</summary>
		<author><name>BisQUO</name></author>
	</entry>
</feed>